- 5 weeks ago
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Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake.
00:28Keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi!
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm investing.
01:32I think about it Dorothy.
01:36Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:42He doesn't even want to look at you.
01:43Let alone sleep with you.
01:45sleep with you. That's enough, Ellie. We're all here to celebrate Drake's birthday. I'm
01:50sure he wouldn't be happy to see us like this. Everybody knows that if it weren't for her,
01:54you would be married to Drake instead of being my late brother's widow. Ellie, whatever happened
02:00between me and Drake is all in the past. Besides, I'm carrying Nick's baby. It's the perfect
02:10time. Oh, my God. Oh, my God. Dorothy just pushed Stephanie into the pool. What? Quick, save Stephanie.
02:24She's carrying Nick's baby. Quick, get in there.
02:40Oh, my God. You chose Stephanie over me. My baby. My baby is gone. Why would you do this
02:53to me? How dare you? You pushed Stephanie into the pool to try and kill her and her unborn
03:00baby. Are you happy now that Stephanie's baby's gone? I didn't do it. I know you don't want
03:05me here. I told you whatever happened between me and Drake is in the past. You can hate me
03:10however you want to, but how could you be so cruel as to kill my unborn child? I didn't
03:14do it. You know me, I would never do that to Stephanie. Just apologize to Stephanie. I'm not
03:21going to apologize for something I didn't do. Apologize to Stephanie right now or I will divorce
03:25you. Divorce? If you apologize right now, then I'm willing to give you another chance.
03:39It's been three years, Drake. I gave up everything to be your wife. I've always kept to the shadows,
03:50Dorothy. I already have a life. And right now I just want to focus on being on my marriage
03:56of Drake. I thought you would always be by my side, but I was wrong. The only reason you're
04:04allowed to stay by Drake's side is because you're nothing more than a free maid. Since you got married,
04:09has he ever even touched you? He doesn't even want to look at you. Fine. Let's get a divorce.
04:18There's nothing left in my heart. Drake's nothing without me.
04:31Ah! My ring! My ring is gone! Well, you must have taken it. Why would I take her ring? Well,
04:39look how quickly you packed your suitcase. You're probably seeing someone else. Dorothy.
04:44Yes. We were married for three years. Were you seeing someone else? Of course she was.
04:50She'd probably been cheating on you for a really long time. Couldn't wait for the divorce.
04:54So what if I was, huh? And what about you, still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me? I only look after Stephanie because she's my brother's
05:06widow. But you actually seeing someone else? Who is he? Big talk! Don't bring me down to your
05:14level. I'm not like you. Since your sister-in-law lost her ring, why don't you take this one?
05:31And you've been waiting for this for a long time, haven't you?
05:38Bye.
05:42And so I left.
05:48This is ridiculous! We, the Bennett family, are one of the four major production companies
05:54in the world. I let him marry my daughter and even invested in his business. How dare that
06:01Drake do this to my daughter? It's actually good from Dad. Now we know who he really is
06:09and he has no idea who I am. Still, you're my daughter. I can't let him do this to you.
06:15If it weren't for you, I would not have considered investing in his company. We're going to pull
06:19our investment immediately. Yes. It's time to cut him off. He doesn't deserve you. I'm
06:26over Drake. If we withdraw the plans now, it's going to hurt the family business. He's not
06:32worth it. Honey, why don't you just take a vacation? Just put all this aside and take some time
06:42out for yourself. Yeah.
06:47No.
06:50I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
06:59You know, Christopher has been saying that many people want to buy the movie rights to
07:04Lies game. Universal, Paramount, every major studio wants this.
07:11Lies game. Your story on the big screen. If you're in, I'd be happy to be the one headlining
07:18it. Oh. So that's why they're making it. Because of you. I'm sorry, Christopher Santoro.
07:24See? They're not funding the film. They're funding you. Wrong. They're funding the story.
07:31It's more than good. It's phenomenal. Christopher is right. I'm taking my life back.
07:40I'm going to adopt it myself. You are? Yes. I will. Good for you. I won't tell anyone I'm
07:53asking you. Congratulations to Aria Wong for winning the best director.
08:08This is my close friend from college. Aria, I need your help. I want to adopt the Lies game
08:18myself. And I want you to direct it. Of course.
08:23All right. Okay. There's just one thing. I want to keep my identity as the writer a secret. I don't
08:31want anyone to know. Especially not the team. SQ. Are you sure? But why keep it a secret?
08:38I just want people to focus on the story itself. Got it. Your secret's safe with me.
08:50Jeff? It's a bit weird. Ever since news got out about our movie, my phone has not stopped ringing.
08:58Really? It's Stephanie. Yeah, just take it.
09:14Hello? Hello, Miss Wong. I've heard Lies game is being made into a movie. I'm interested
09:19in playing the lead. Can we arrange an audition? I'll speak to the writer and I'll let you know.
09:27Thank you, Miss Wong. What do you think? Anyone can audition, right? As long as they're
09:36right for the role. What happened between me and Stephanie is not important here, so...
09:42Okay. I'll call her back and let her know. Mm-hmm.
09:56What about me? Can I be your hero?
10:01Oh, you mean, uh, a film, right? I've never considered anyone else.
10:15I have to take this. Hi?
10:22You know, I'm not just talking about the film, Dorothy.
10:24It's okay. I can wait. I've waited this long.
10:37Well, well, well. Look who it is.
10:42Why are you here?
10:44Oh, I see. You're the production assistant.
10:48Well, do your job. Get me a water.
10:51Stephanie. Get your own water. I'm not your PA.
10:58Look, it's my first day on set and I want to buy coffee for the crew.
11:03Why don't you be a doll and mark down everyone's order?
11:07Are you deaf?
11:09I'm not a PA.
11:11Here's your tip. Go on.
11:14Show some respect, Stephanie.
11:17Do you know who she is?
11:18What are you doing?
11:22Oh, no. She can't know, I'm asking you.
11:27I want to keep my identity as the writer a secret.
11:31I don't want anyone to know, especially not the team.
11:37What do you mean?
11:39Who is she?
11:40No one but a lower PA, I'm sure.
11:49Isn't that right?
11:51Well, actually, she's...
11:54She's just a PA.
11:57You're right.
11:58Yeah.
11:59So why don't you show me a lower PA, your acting skills?
12:03Maybe I'll be impressed even by who the copies myself.
12:07Watch this.
12:13I loved you once.
12:15Or so I thought.
12:16But now I see that it was all just a lie.
12:21A beautiful...
12:23Painful lie.
12:27You took everything from me!
12:32My dreams!
12:34My dreams!
12:36My future!
12:40See?
12:41There's no soul.
12:43That's not acting, it's just...
12:45reciting lines.
12:48Why don't you show her how it's done?
12:49What?!
12:51Go on.
12:55Go on.
12:56Go on.
13:17I loved you once.
13:20So I thought.
13:22But now I can see.
13:25It was all a lie.
13:27A beautiful, painful lie.
13:32You took everything from me.
13:37My heart.
13:39My dreams.
13:41My future.
13:44And for what?
13:47For your own personal gains.
13:51How is that possible?
14:01Dorothy, that was perfect.
14:04The role is yours if you want it.
14:07No!
14:09This role is mine!
14:11I'm the one with the investment.
14:13Without me, there's no funding for this movie.
14:15Your investment?
14:16Do you even know who she is?
14:19Who is she?
14:22As you know, no one but a PA.
14:25Dorothy.
14:27This movie is important to Stephanie.
14:29I mean, why are you here?
14:30You're not a real actress.
14:31What are you doing?
14:32You're trying to ruin her career.
14:33You're trying to get back at me by ruining her career.
14:35I'm not ruining anything.
14:37If she can't handle the role, that's on her, not me.
14:41You can't blame this on anyone else.
14:42You embarrassed her in front of everyone.
14:43I mean, I know what you're doing.
14:44You're the one pulling all the strings here.
14:45You're trying to make her fail so you can take her place.
14:47She's using this whole thing to get to you, Drake.
14:49She's been jealous from the start, trying to ruin my chance just to get back to you.
14:50Okay, no.
14:51I don't want to fight anymore.
14:52Well, let's just take a look at the script and maybe we can work something out.
14:55And you were just so damn selfish!
14:58You only care about yourself!
14:59Just give Stephanie her role back!
15:01You know what?
15:03I didn't want to do this.
15:04But I will.
15:05I'll take the role.
15:06I'll play the lead.
15:07No way!
15:08You can't be serious!
15:09She's not even a real actress.
15:10You're supposed to take the role.
15:11No way!
15:12I'll play the lead.
15:13I'll play the lead.
15:14No way!
15:15You can't be serious!
15:16She's not even a real actress!
15:18Are there you gonna have?
15:19I guess they're there.
15:20I'll have to try and share this.
15:21No way!
15:22No way!
15:23You can't be serious!
15:24She's not even a real actress.
15:26All right!
15:27What are you doing?
15:28I'm keeping a talent?
15:29All right.
15:30I'm keeping the talent.
15:31All right.
15:32Dorothy's performance was far stronger than yours. Everyone in the room can see it.
15:39I'm so glad you've agreed to do the role.
15:44Right, it's settled then. The lead roles go to Christopher and Dorothy.
15:50I will double my investment if you give Stephanie a role.
15:57I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:06I can always count on you, right?
16:13I will double my investment if you give a role to Stephanie.
16:16You two are just such...
16:21Okay, look. If the money's on the table, there's no reason to turn it down.
16:26Let's just leave her apart. We have nothing to lose.
16:30I guess that'll be fine. I'll talk to SQ.
16:39Your father's production company is already the biggest investor in your movie.
16:43So why take Drake's money? You don't...
16:45You don't still have feelings for Drake, do you?
16:48No! He's an asshole!
16:51Come on.
16:53I've got an idea.
16:57Why don't we just give her a character that'll make her miserable?
17:03Wow, Mr. Sontaro. I feel bad now.
17:06I only wish you didn't have feelings for Drake anymore.
17:16How did she land herself the role?
17:18She's practically a nobody. No fan base, no real experience.
17:22Just one good scene. Doesn't make sense.
17:28Find out everything you can about Dorothy.
17:30I want all the dirt.
17:38Director, there must be a mistake.
17:40I'm only a side character and not even in the main scene.
17:44You wanted a role, we gave you a role.
17:47I came in with an investment.
17:50Well, you're more than welcome to take it back and leave the set.
17:53Even a small role in SQ's film is going to do great things for your career.
17:58Now is not the time for you to be messing around.
18:03Fine.
18:10Two, take one.
18:11Action.
18:13Lily, you are my best friend. How could you do this to me?
18:15I'm sorry, but this is...
18:20What the hell are you doing?
18:22It's part of the scene!
18:27Okay, take it again from the slap.
18:30Action.
18:35Cut!
18:37Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:43We'll just try again tomorrow.
18:52Did you see her face?
18:54Absolute gold!
18:56I mean, she got what she wanted.
18:58She asked for a role and that's what we gave her, so...
19:01Seriously, her performance is all over the place.
19:05Maybe we should just cut down on her screen time.
19:08We all know the film's better without her slowing us down.
19:11You're right.
19:13I'm not gonna let anyone ruin your story.
19:16So, if you can just give me something that's a bit more...
19:22Something about her job.
19:25What's going on with my scenes?
19:26Why have so many of them been cut?
19:27It's a collective decision.
19:29Fuck that! Let me talk to the writer.
19:31The writer is SQ and as you know, they never show their face, so their decision is final.
19:33I'll see you on set in five.
19:34Ugh!
19:35Ugh!
19:37Ugh!
19:38Now it all makes sense.
19:39Ugh!
19:40Hey...
19:57Now it all makes sense.
20:04My ken eyes are lost, I see you on set.
20:07now it all makes sense that's the head of the production company no wonder she got the role
20:18let's see how john's wife feels about that
20:22everyone i have an announcement to make today will be stephanie's last day on set
20:37you really think i don't see through your little gaze somebody will be walking out that door today
20:46but it won't be me you really think you can get away with this sleeping your way up
20:53john's wife is on her way let's see how you talk your way out of this one slut
21:01so were you the one who was stalking and secretly taking photos what scared the truth is going to
21:15come out someone had to expose her for who she really is so you admitted you did it damn right
21:23i did and i'd do it again if i had to
21:25you don't know who you just crossed oh i know just some rich old bastard throwing a tantrum
21:34i sent those photos to your wife too and now your mistress is about to be exposed
21:39yeah security stephanie is banned from the studio make sure she never sets foot here again
21:47you can't just do that oh this is insane what i have right i would only tell you the truth
21:53she is a mistress a loose woman a lady of the night
21:56is it true that dorothea is john's sugar baby
22:06well otherwise why would he come onto the set and get me banned from the movie
22:09that's unbelievable
22:11and he humiliated me he had me dragged off the set like a criminal
22:15you should have seen it i'm not gonna let her just ruin her reputation like this
22:21i mean this whole message is making us look like fools
22:24dorothy's always been trouble i mean first she goes off with a married man and now this
22:30i don't know how you put up with her for three years
22:34you should have got a divorce earlier
22:36stephanie are you 100 sure that dorothy is john's sugar baby
22:42it's the only explanation she's clearly nothing but a slut
22:46oh
22:47drake stephanie is your sister-in-law
22:52now you need to take care of her and forget about dorothy
22:56can't you see she's the one behind all of this
22:58she was sleeping her way to the top
23:01killing stephanie's unborn child
23:04and john dragging her off the set
23:07you should be sticking up for stephanie
23:09i'm not gonna let her do this to you
23:15do you think you can just walk away from what you did like nothing happened
23:31i didn't walk away from anything you did you chose stephanie over me remember this one
23:37oh she's my sister-in-law
23:38i'm so sick of hearing this
23:41you have feelings for her and i'm just tired of it
23:45you're out of your mind if you think i'm gonna let you get away with this
23:48you do what you want to do
23:50for now get out
23:52why
23:54we were married for three years
24:01we never
24:02you're out of your fucking mind let go
24:04no wonder you want me to go
24:15just look at yourself
24:18you're not half the man christopher is
24:21get out or i will call the cops
24:26just go
24:28are you okay
24:37dorothy
24:43remember safety first
24:46the lifeguard's right there
24:48if you need him
24:49okay
24:49anything you need to let the ad know
24:54okay
24:54got it
24:55got it
24:56here's a coffee for you
25:05thank you
25:06it's still early before the shoot
25:07take your time
25:08we're gonna let the ad know
25:30okay
25:31I don't know.
26:01Something's wrong.
26:05That's not acting.
26:07She's in trouble.
26:13Where's the lifeguard?
26:18Where's the lifeguard?
26:31Where the fuck is the lifeguard?
26:49Come on, Dorothy.
26:52Why did you do that?
27:16I'll do anything for you, Dorothy.
27:23Christopher risked everything without hesitation.
27:27How could I have been so blind?
27:46I wasn't expecting that.
28:00Where were you?
28:01Dorothy could have drowned.
28:02I'm sorry.
28:03I had a stomachache.
28:04I had to go to the bar.
28:05Make sure it doesn't happen again.
28:11Do you think that I should call Dorothy just to make sure she's okay?
28:14Are you still hung up on her?
28:20It's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:25She's the one who had me kicked out of the movie.
28:28She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:32I know I'm just her sister-in-law.
28:35Whatever happened between us is in the past.
28:37But I have no one now.
28:40No husband.
28:42No baby.
28:44I have left a slew.
28:48Can you see through Dorothy yet?
28:50She's nothing but a slut sleeping away to the top.
28:52You don't know that.
28:53You know I'm right.
28:57What else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too.
29:02She's sleeping around with anyone she can find.
29:04She's a whore.
29:05Paul, shut up!
29:05You want war?
29:17I'll give you war.
29:22Do it.
29:24And make sure Dorothy feels every bit of it.
29:31Breaking news.
29:32Unknown actress seduces Hollywood heartthrob.
29:35Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:41Christopher's new flame or a heartless gold digger.
29:43Dorothy!
29:45Liar!
29:46Hey, bitch!
29:48This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:54Let everyone know she's not just some random actress.
30:01No.
30:02Dorothy, once we tell them who you are,
30:03there's no reason for them to attack you.
30:05There's someone behind us.
30:08And whoever they are,
30:09I'll make them hang.
30:16Fuck off.
30:17This can't be right.
30:29I die in the second scene.
30:32This must be Dorothy and John forcing S.Q. to cut me out.
30:35They won't get away from this.
30:42Trey, can you believe this?
30:44They've completely written me out of the script.
30:47Do you remember when Nick was lying in that hospital bed?
30:50You promised him you'd look after me.
30:53I've already lost my husband and my baby.
30:55I can't lose my career too.
30:56Don't worry.
30:57I'll get you your character back.
31:16There's a tape of a documentary that apparently S.Q. has always wanted.
31:20So, if we win this bid and we gift it to them,
31:24we should be able to get you your role back.
31:28Up next, a rare gem.
31:31The original film documentary chronicling the creative journey of none other than herself.
31:37Legendary screenwriter, Margaret Lane.
31:4050,000.
31:40What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:4960,000.
31:5470,000.
31:58100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:06She's the one who inspired me to become a screenwriter.
32:09I can't let it fall into the wrong hands.
32:10500,000.
32:23500,000.
32:27Trying to get you your role back.
32:29Don't worry.
32:30I've got it covered.
32:31Ladies and gentlemen,
32:33we are down to the final bid.
32:35Standing at a whopping 500,000.
32:39500,000 going once.
32:42500,000 going twice.
32:45Sold.
32:46To the lady in the blue dress.
32:50I can't believe this.
32:57You have no right to take that film reel with you.
33:04You have no right to take that film reel with you.
33:10What's going on?
33:11Ladies and gentlemen,
33:19I've just been informed.
33:20Miss Dorothy is in fact not an invited guest.
33:24Therefore, as per our rules,
33:27this documentary reel will not be released to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case,
33:34may I see your invitation?
33:42I did have it, I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have the invitation at hand,
33:47the documentary reel has to go to the second highest bidder.
33:49This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
33:53I'm sorry.
34:12These are the rules.
34:14The documentary reel will go to the honourable couple.
34:16Oh, you don't understand.
34:18Oh, you don't understand.
34:20Oh, you don't understand.
34:21Oh, you don't understand.
34:22Oh, you don't understand.
34:35Stephanie, wait.
34:37Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get my attention
34:48by going after something that Stephanie wants?
34:51No, you don't understand.
34:52Just let me buy this.
34:55Whatever it takes.
34:57Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something you can just buy.
35:05Dorothy.
35:06What the hell did you do?
35:07Why do you always have to go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:14Is this about you all being cut from the dead?
35:19Is that why you're doing this?
35:23I'm the writer.
35:24I've got to fix this.
35:26Can you write the story and bring your character back?
35:29Just...
35:29Just let me have to read this.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:36You're the writer SQ.
35:42Can you give us a break?
35:43Look, this reel is important to Stephanie.
35:47End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long
35:53and you don't even know her.
35:54Oh, and you do.
35:56A hell of a lot more than you.
35:57What the fuck do you think you are?
35:58Both of you, calm down.
35:59Scratched all over.
36:14It's ruined.
36:15Not even fit to be a gift anymore.
36:18I can fix this.
36:19Stephanie, I know someone who can restore it.
36:21Just sell it to me, please.
36:22Just name your price.
36:26Even if I had no use for it,
36:27I'd never give it to you.
36:29I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel has more than pictures and sound on it.
37:07Really?
37:08An entire world I've captured.
37:11But it's just one way of seeing things.
37:14The magic is creating it yourself.
37:17Someday you will.
37:18Dorothy, I need you to go apologize to Stephanie
37:33and give her her rollback.
37:36Apologize?
37:37To her?
37:38She destroyed the reel.
37:39And she wouldn't have done that
37:40if you hadn't pushed her.
37:41So go apologize or I'm pulling my funding.
37:49Look, Dorothy.
37:51Let's be real here.
37:53Without Stephanie,
37:55who's going to invest?
37:57Even the production company will call out
37:59if they hear that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that your reputation
38:03is exactly stellar right now.
38:05Christopher's fans hate you.
38:08Stephanie's fans hate you.
38:09Even if you actually make this film,
38:11no one's going to support you.
38:13You will be buried.
38:17If you apologize to Stephanie now,
38:20I can help you.
38:23I can control the press.
38:24I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:31What's so funny?
38:36Pull your funding.
38:37Do it.
38:39You'll see it does nothing for the movie.
38:41Okay.
38:42So what if I tell the production head
38:43to pull his funding too?
38:46Didn't I tell you that I know Mr. Bennett?
38:48Oh.
38:49Go ahead.
38:50Try it.
38:52You want me to call?
38:53Mm-hmm.
38:54Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:01Drake Moss Butcher.
39:03Yeah, I'm pulling my funding from Liar's Game
39:04and I suggest that you do the same thing.
39:06I've seen it and it's a sinking ship.
39:10You're pulling out?
39:11Great.
39:12I'll take full control of the investment.
39:14Not a problem.
39:21So you slept with him?
39:25That's why he's supporting you, isn't it?
39:26Is this how you see me?
39:31The type of woman who would use her body to get what she wants?
39:33What other explanation do you have?
39:36You know nothing about Dorothy.
39:41Apologize to Stephanie.
39:43Cut ties with Mr. Bennett and end this.
39:45Dorothy, come back to me.
39:46Whatever he's offering you will match.
39:47I'll double it.
39:49You must be out of your fucking mind.
39:52What makes you think I would ever go back to that living hell?
39:56Living hell?
39:56You heard me.
39:58Being married to you was a fucking nightmare.
40:00You made me believe you loved me.
40:05And then you had me waiting in vain for three years, Drake.
40:09You said you always protect me, but then when I need you the most,
40:13you just turned your back on me.
40:15You chose your sister-in-law over your wife.
40:21I've had enough, Drake.
40:22You were my prison.
40:24So just go back to your precious Stephanie.
40:27Let's just go.
40:41Why are you hurt?
40:43Are you okay?
40:50What are you, Steph?
40:51What are you doing?
40:52Well, you want me, don't you?
40:53Just kiss me.
40:54I'm all yours.
40:55Steph!
40:56You're Nick's wife.
40:57I've always told you you're like a sister.
41:00Sister?
41:01Funny.
41:03Don't you remember when you came to me the night Nick and I got married?
41:05Don't you remember what you said?
41:09Remember this?
41:10Yeah.
41:10Why not marry Stephanie?
41:13God.
41:14You were practically begging me not to marry Nick.
41:15No, I shouldn't have said that.
41:17I shouldn't have said that.
41:17I don't see that.
41:21What's that?
41:22Oh, it's nothing.
41:23What is that?
41:24No, Drake, no.
41:25Please.
41:25You lied about this.
41:32You lied about this.
41:36You said that Dorothy pushed you into the water, but this shows you shoving her in.
41:40It's a glitch.
41:43A glitch.
41:44So, do you actually expect me to believe that?
41:47What's this?
41:50Find pills off the black market.
41:53Terminate your pregnancy.
41:55It was you.
41:56This time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:01Please, no, you have to believe me.
42:03I didn't...
42:03Do you know what?
42:04I've always thought of you like a sister.
42:06I've always taken care of you.
42:08I even thought that I loved you once, but that was before you were Nick's wife.
42:13You've changed.
42:16You've changed.
42:17You're not the person I thought you were.
42:23I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
42:28I guess there's no need to look after you anymore, huh?
42:32What does that mean?
42:34You're just going to throw me away?
42:36I'm not going to throw you away.
42:37But this is my house.
42:41I'm going to back.
42:42I hope you'll be gone.
42:44But you can't just walk away from me like that.
42:46I've said everything that I need to say.
42:48Now I'm going to go find the person that I actually care about.
42:55Dorothy, this is all your fault.
43:01Let's take this bitch down.
43:07Don't I say please?
43:20No.
43:21No.
43:22I was wrong.
43:25I misunderstood everything about you and about us.
43:32Can you please just hear me out?
43:34You think you can just come here and apologize?
43:38After everything.
43:39I didn't mean to hurt you.
43:42Look, I understand what I did.
43:43But it was just because it was definitely an enemy.
43:46Can you please just forgive me?
43:48I don't need your apology, Drake.
43:51You let me down.
43:52You abandoned me.
43:55And I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg for my forgiveness?
44:03Oh my God, please just don't show me out.
44:05I can fix this.
44:06I can fix it.
44:07I can do anything, Dorothy, please.
44:10No.
44:12You were never the person I thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:25Not like I used to.
44:27Just stay there.
44:29After everything.
44:30Yeah, that's it.
44:31I deserve better than this.
44:45Before you all celebrate this movie,
45:13there's something you should know.
45:16Dorothy is nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress who's been playing the part of a wonderful actress
45:24when all she's really done is ruin lives.
45:27This is true, Dorothy.
45:30Are you involved with a married man?
45:31What's your response to Stephanie's claim?
45:37This is ridiculous.
45:39Let's talk about how she got here.
45:41Shall we?
45:42She didn't get here off her talent.
45:44Oh no.
45:45She got here by clinging to powerful men.
45:48No real experience.
45:50No skill.
45:51Just a man's name and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:57If she has something to say, let's hear it.
46:00Dorothy, it's a trap.
46:02I'm not afraid of the truth.
46:05Let's see what she's got.
46:06What's going on?
46:11So tell us, Dorothy.
46:12How did you get here?
46:15Did you use your relationship with John Bennett to land the part?
46:34A homewrecker, you say?
46:36Is there something wrong with me appearing with my own dad?
46:39You're the one who sent me this photo, right?
46:42How about you take another one?
46:43This time, of my lovely family of three.
46:46Dorothy, Dorothy, Dorothy.
46:48Are you really John Bennett's daughter?
46:50Yes.
46:51I bet you never ask for a last name.
46:53It's Bennett, by the way.
46:56So, Dorothy is the producer's daughter.
47:00Dorothy, so did you use your father to get the part?
47:04So it's just nepotism.
47:06Then.
47:09Well, even if she didn't fuck her way to the top, she still only got here through her connections.
47:14Whether you like it or not, my performance speaks for itself.
47:17And everyone here saw it.
47:19She was actually really good.
47:20Yeah, she handled the mortgage.
47:22Oh, are you saying that everyone here is wrong?
47:25You think you're so clever, don't you?
47:28Fine.
47:29You can act a little bit.
47:31But let's be real.
47:32You didn't land this role on your own.
47:34You just snapped your bony little fingers and let Daddy give you a role.
47:37How else would a nobody like you have landed yourself the lead otherwise?
47:42Dorothy isn't just a nobody.
47:46She wrote Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:55How can that be possible?
47:58Liar's Game is a masterpiece.
47:59There's no way you could have written it.
48:01You don't have to believe me.
48:03Just let the credit speak for itself.
48:05How can this be true?
48:11Oh, oh.
48:13It's not like that.
48:15Dorothy Bennett, you're the daughter of the producer and the famous writer SQ.
48:19Why did you keep your identity a secret so long?
48:24Why did you keep your identity a secret so long?
48:26Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
48:32No, no, no, I didn't do anything wrong.
48:34This was all Stephanie's idea.
48:35I didn't do anything.
48:43This whole time she was actually telling the truth.
48:46Dorothy's SQ.
48:49She cheated.
48:52That's why she always had a book in her hand.
48:56Always writing something on her laptop, always lost in her thoughts.
49:02Didn't even see her.
49:04I guess I was blind all along.
49:08I don't deserve that.
49:13I think...
49:14I've missed this place.
49:30Don't you remember?
49:32Of course I do.
49:34We saw so many films here.
49:37We would just stay in our seats and talk about life and everything.
49:42But you just made me feel like I could face more anything, really.
49:47God, I used to be so nervous back then about everything, about everything, about the future, but you just made me feel like I could face more anything, really.
50:05Someone had to be there to make sure you didn't ever think everything.
50:07I remember you used to unpick every little detail like it was a life or death situation.
50:13You know, Dorothy, life's not been the same without you.
50:22Even when we parted ways, I always knew that we would find each other again.
50:34I don't care what we've been through.
50:36I don't care what's happened.
50:38I mean, all I know is that I need you now more than ever.
50:59And the award for Best Adapted Screenplay goes to Dorothy Bennett with Liar's Game.
51:08Wow, best screenplay.
51:13What, shall I start calling you Your Majesty?
51:15I think that's a great idea.
51:17Why don't I start now?
51:19You deserve this.
51:21Your Majesty.
51:23Every bit of it.
51:25Now, since you won, I think this calls for a reward.
51:31Oh, yeah?
51:34And what would that be?
51:38Me.
51:38Me.
51:38Me.
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