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  • 4 months ago
After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.
Transcript
00:00The next one is Truffo.
00:06The next one is Masha Brolle.
00:08The next one is Jean-Luc.
00:10Codard.
00:12He's the real genius.
00:14I know it's what he'll tell you.
00:18I'm a creative now.
00:22Everyone loves the new Vague.
00:26All the things we need to make a film
00:28It's a girl
00:30and a finale.
00:32We'll never have a J.T. Burger.
00:34I've never even said that I'd do the picture.
00:36Here's the summary of the film.
00:38I don't show it to anyone.
00:50Go!
00:51Let's go into the cinema history.
00:53Go!
00:54Motor, Raoul.
00:56Motor, Raoul.
00:58Motor, Raoul.
00:59Motor, Raoul.
01:00Motor, Raoul.
01:01Motor!
01:02En deux semaines, on a eu huit demi-journées de travail.
01:06D'ailleurs, je pourrais très bien vous laisser tomber vous et votre film.
01:10Vous commencez à comprendre.
01:12À demain !
01:18Chaque film est constitué de cinq films différents.
01:20Le film qu'on écrit.
01:22Le film dont on distribue les rôles.
01:24We are Carol Tribune !
01:26Le film qu'on tourne.
01:27Le film qu'on monte.
01:28Et le film qu'on sort.
01:30Je ralentis pas !
01:32Jusqu'à ce que tu n'aies plus tout !
01:36S'ils veulent la nouvelle vague,
01:38Donnons-leur un raz-de-marée.
02:00Sous-titrage ST' 501
02:04You
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