"Main Manto Nahi Hoon" is a daring and thought-provoking drama that brings together powerhouse talents including Humayun Saeed, Sajal Aly, Sanam Saeed, Azaan Sami Khan, and more.
The story centers around a man shaped by the spirit of Manto — driven to pen his own truth — and a woman whose influence lies not in volume, but in quiet strength.
Humayun Saeed as Manto
The only son of Waqar Manto, this Manto is a reserved yet passionate professor who challenges societal expectations. Motivated by truth and guided by conviction, he chooses to honor his lineage without being bound by it.
Sajal Aly as Mehmal
Mehmal, the beloved daughter of Siraj, is Manto’s student. Calm yet commanding, she navigates the tension between inherited tradition and emerging modern ideals, making her presence felt without ever needing to shout.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin
Yameen Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MainMantoNahiHoon, #MMNHDrama, #BoldPakistaniDrama, #TruthTakesCourage, #DramaWithDepth, #VoiceOfManto, #QuietPower, #BreakingNorms, #PakistaniDrama2025, #FearlessStorytelling, #HumayunSaeed, #SajalAly, #SanamSaeed, #AzaanSamiKhan, #AsifRazaMir, #SabaHamid, #SabaFaisal, #SaimaNoor, #BabarAli, #UsmanPeerzada, #KhalilUrRehmanQamar, #NadeemBaig, #PakistaniWriters, #DirectedByNadeemBaig, #KRQDialogues, #PakDramaWriters #Episode15 #Dramas2025 #2025
The story centers around a man shaped by the spirit of Manto — driven to pen his own truth — and a woman whose influence lies not in volume, but in quiet strength.
Humayun Saeed as Manto
The only son of Waqar Manto, this Manto is a reserved yet passionate professor who challenges societal expectations. Motivated by truth and guided by conviction, he chooses to honor his lineage without being bound by it.
Sajal Aly as Mehmal
Mehmal, the beloved daughter of Siraj, is Manto’s student. Calm yet commanding, she navigates the tension between inherited tradition and emerging modern ideals, making her presence felt without ever needing to shout.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin
Yameen Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MainMantoNahiHoon, #MMNHDrama, #BoldPakistaniDrama, #TruthTakesCourage, #DramaWithDepth, #VoiceOfManto, #QuietPower, #BreakingNorms, #PakistaniDrama2025, #FearlessStorytelling, #HumayunSaeed, #SajalAly, #SanamSaeed, #AzaanSamiKhan, #AsifRazaMir, #SabaHamid, #SabaFaisal, #SaimaNoor, #BabarAli, #UsmanPeerzada, #KhalilUrRehmanQamar, #NadeemBaig, #PakistaniWriters, #DirectedByNadeemBaig, #KRQDialogues, #PakDramaWriters #Episode15 #Dramas2025 #2025
Category
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TVTranscript
00:00I am not the one you thought of me.
00:21I feel tired.
00:23What?
00:24I feel tired.
00:26I feel tired.
00:28Okay.
00:29I feel tired.
00:31If you stay with me, I will be safe.
00:35If you run away, I will be afraid of you.
00:39I will not run away.
00:56There are two plates, right?
01:07There are two plates, right?
01:09Yes.
01:18I left my phone in the bag.
01:23Where is my phone?
01:25What will happen now?
01:27What will happen now?
01:28What will happen now?
01:29You will now think that you are kidnapped.
01:35Do you remember their number?
01:40We will tell them that you will be safe and eat food.
01:45They will not remember their number.
01:47They will be frustrated.
01:50I don't know what they will think.
01:52They will think after doing it.
01:54They will be able to die.
01:55They will be able to die.
02:00Simple.
02:01Do you feel scared, right?
02:03Of course.
02:04I feel very scared from the dirt.
02:07I can't wait for this dirt.
02:13Good joke.
02:14Good joke.
02:15It's not a joke, sir.
02:17If I will marry Farhad Benyamin,
02:21this dirt can always stop the dirt.
02:24necessarily a joke on my wife.
02:28I think that it is true for me
02:29that I will marry this wife of a woman...
02:31that she is limp,
02:32which of her fo kia is as cap as to bear.
02:34I'll write about it for the skirt.
02:35The sock is not a joke.
02:36The sock is not a joke.
02:37All theelectric things are not a joke.
02:38The sock is Samogo,
02:39that I will say that.
02:40I will be able to share her.
02:41I'm going to go.
02:47Who will you eat this food?
02:50Will you come to leave me or I'll go home?
02:54Okay, Rukum.
02:57Take this money.
02:58These people.
03:11No!
03:31Amin!
03:32Amin!
03:33Please, Amin!
03:34Amin!
03:35I'm not going to die!
03:36I'm not going to die!
03:37Amin!
03:38Amin!
03:39You see, you're not going to die?
03:40Yeah.
03:41You're not going to die?
03:42I'm not going to die!
03:43Please!
03:44Go!
03:45Come and get out of here!
03:46Stop!
03:48Stop!
03:49Stop!
04:09I'll take $55.
04:18the price of this t-f15.
04:23Inkel.
04:25Jimmy, what did you do Benjamin?
04:37What did you do, Benyamin?
04:41I didn't do anything about God.
04:44It's your fault, Miyah Ji.
04:47I wanted to give you something with your hand.
04:50You will have to give something with your hand, Benyamin.
04:53My son has put his daughter to his daughter's daughter.
04:59They will give you your hand.
05:02Tell me, Miyah Ji.
05:03I don't know any child.
05:08Miyah Ji?
05:09Miyah Ji?
05:12The car is fast.
05:37The car is fast.
05:41The car is fast.
05:45And now, BenyShe handles the car.
05:46The car is fast.
05:47What happened?
06:17Oh, what?
06:19Oh, wait, come here, come here.
06:21Farad.
06:23Farad, Farad, Tati.
06:26Farad, Farad.
06:27Bark.
06:29Bark.
06:30Come here, come here, go.
06:31Let it go.
06:32Farad, go.
06:36Me too.
06:39Me too.
06:39Me too.
06:43My dear.
06:45My dear.
06:47I... Of course.
06:54You're fine, brother. You're fine, brother.
07:00Stop it now.
07:03You've saved your life.
07:05There's no time to save your life.
07:08I'm sorry, brother.
07:12What are you doing, brother?
07:14You're coming from death from death.
07:16You're coming from death from death from death.
07:19You're coming from death from death.
07:24The truth is that...
07:26I don't want to do that.
07:28I don't want to do it.
07:30I don't want to do it.
07:32There's no death.
07:34But after 70 years later,
07:36the hope of my hope is gone.
07:46I don't want to do it.
07:48I don't want to do it.
07:49I don't want to do it.
07:50I'm sorry.
07:52Your mind is broken.
07:54If you're hurting their hands,
07:56do you know what's happening with you?
07:57What's happening?
07:58He's giving you a blow.
08:00Oh, my goodness, Miss Maria.
08:02You're hurting your naked face.
08:03You're hurting yourself at all.
08:04You're hurting yourself.
08:05I'm hurting you.
08:06I'm hurting you.
08:07I'm hurting you.
08:08I'm hurting you.
08:09I'm hurting you.
08:10He's hurting me.
08:11But it's good for me to throw up a ball.
08:13And you'll also say,
08:15Mr. Manto was a brave man.
08:17Hmm.
08:19You're not afraid.
08:21It means that he said you'll get security.
08:24Security? My foot?
08:26If I can't break my hands on a girl,
08:31then I shouldn't write a mail in gender.
08:35You should be happy.
08:37I've been down to your head.
08:39How did you down to my head?
08:42No.
08:44People will tell you tomorrow.
08:46Your colleague was a brave man, Miss Maria.
08:50Why don't they say that my colleague is a brave man?
08:53He'll leave me alone.
08:56I'm just waiting for him to take his man
09:00and finish his job.
09:03I'm going to sleep with my sleep.
09:06What's that?
09:16This is your last task.
09:25I'm going to take a letter to Salonama.
09:28I'm FANING language.
09:29But Neil is going to take a letter to Salonama.
09:31You are going to take a letter.
09:32Student
09:32You are going to speak with me,
09:43thatします.
09:44Hi, people.
09:45He's a pit influencer.
09:47On the right side,
09:49there's no shortage of angels.
09:51If you put a hand on my daughter, you won't be able to cut it off until you cut it off.
10:21Yeah, just cut it off and take it off and take it off again.
10:28One minute, sir.
10:30One minute.
10:38Forgive me.
10:42I'm asking for forgiveness.
10:45I'm standing on my son's face and I'm asking for forgiveness.
10:49Then you say, sir.
10:52One minute, Benjamin. One minute.
10:55Forgive me.
10:58Siraj Amritsar is asking for forgiveness.
11:10Stop, Siraj.
11:12If he took his son's face and said,
11:19cut his face from his hands.
11:22Cut it off?
11:24I'll cut my hands.
11:26And I'll cut it off.
11:28Then I'll ask for forgiveness,
11:30I'll ask for forgiveness or leave.
11:33I'll cut it off.
11:46I'll ask for forgiveness.
11:49I'm afraid of anger.
11:50I'll cut it off again.
11:51I'll cut it off again.
11:58Where are you?
12:20Why are you leaving?
12:22Because you're ike up a piece.
12:26And you're going to fucking do it.
12:28Once you've been then trapped.
12:30There's someone who can do anything inside.
12:32And with the ones you can disturb,
12:38you will whatever's existing But then you can go to dumbly.
12:40The man was standing on the head of the head of the head of the head.
13:10He was very passionate about it.
13:12He was trying to hit the trigger that we had to shoot him a ball.
13:15That's why when he came to the house,
13:17he was telling me that he didn't get out of the house.
13:20He didn't even believe that he was alive.
13:23Do you think he was scared?
13:25No, no.
13:27He was enjoying it.
13:29He will see such scenes in films.
13:31My son is not a son.
13:33When did I say that he is a son?
13:35He was scared.
13:37Stop it.
13:40What is the difference?
13:42There is a difference between love and love,
13:45Mother.
13:47That's why some of those people are scared.
13:55He says to someone,
13:57It will be fine.
14:10Follow me.
14:11Poor friends.
14:12Try it.
14:13Sean.
14:14Try it.
14:14POLICE
14:23.
14:42.
14:50.
14:51.
14:52.
14:53.
14:53.
14:53.
14:53.
14:53.
14:53.
14:53.
14:53Do you think you're sleeping?
15:01Yes.
15:03Drink your blood and drink this bottle.
15:06It won't come to sleep.
15:08Yes.
15:10Keep it.
15:12You go.
15:14Why don't you go to sleep?
15:25Are you scared?
15:27No.
15:29I'm scared about this.
15:31How about that?
15:33When they took my hand,
15:36you think that their grip is weak.
15:40They mean...
15:43...Mandosar?
15:45Of course.
15:49They're sitting at your house.
15:53He told me to talk to me once again.
15:57I said he's sleeping.
15:59Did he go?
16:01Yes.
16:02His father also came.
16:05Both are very scared.
16:09Will they die?
16:11Oh, no.
16:13They were saying that the big brothers were saying.
16:16They don't need to do great work.
16:19Maybe they'll get married and...
16:23...they'll send children to America, Canada, etc.
16:27Oh, wow.
16:29Are you listening to Abba?
16:32First, he's been hiding.
16:36Then he's angry.
16:38He's angry.
16:39He's angry.
16:40He's angry.
16:41He's angry.
16:42He's angry.
16:43I said,
16:44I'm angry.
16:45Then he'll be angry.
16:46Then?
16:47Then what?
16:48Then, what?
16:49Then, Mr. Saffi, sit down.
16:51He didn't say anything.
16:53But...
16:58...what will happen?
16:59What will happen?
17:02You've said anything about Manto's security?
17:05We don't need security.
17:07No one has to do security.
17:09You were too much faster than death.
17:12Oh my God, you are my son, Pupo.
17:21I'm going to run like a horse like a horse.
17:25Why do you run like a horse? Why do you run like a horse?
17:34A horse is running like a horse.
17:42Soja?
17:47Soja.
18:12What happened to your car?
18:14Nothing.
18:16Did you have a bad day?
18:18A day has a bad day.
18:21I thought you should not go to a car.
18:27You are giving me protection.
18:29I am giving you protection.
18:32Soja, if you are trying to trust him,
18:35maybe he will be ashamed of me.
18:38He is not ashamed of me.
18:40I have seen him once.
18:42He is not ashamed of me.
18:47Frankly speaking,
18:48you have put your soul into trouble.
18:51I know.
18:53When a horse is running,
18:56he does not see the gender.
18:57The world sees that someone knows for someone.
19:06You know,
19:08because of your reason,
19:09a person in my mind is not dying.
19:11No, no, Mr. Munro.
19:13He is dying like this.
19:15Let him die like this.
19:17If the enemy will die,
19:19it doesn't look good.
19:21He is not dead.
19:30Are we watching the video behind?
19:33You are watching the video behind us.
19:34No, do not watch the video behind us.
19:36I am watching the video behind us.
19:39Where are you watching the video behind us?
19:45Are you going to the rally?
19:46If I will the rally,
19:48I will also be going to the rally.
19:50If it's a race, someone will die and die from the other side.
19:54I'm going to run this way.
20:11It's gone further.
20:17Look at me.
20:20I'm not scared.
20:25And the award for bravery goes to Xavier Manto.
20:46Did he have an affair?
20:48Yes.
20:51Do you have to deal with them?
20:54Do you have to deal with them?
20:55Do you have to deal with them?
20:57No.
20:58Do you have to deal with them?
20:59Yes.
21:00Do you have to deal with them?
21:01Do you have to deal with them?
21:02Maybe they have to deal with them?
21:03Or do you have to deal with them?
21:04Do you have to deal with them?
21:09Now, don't show this to me that Binyabeen's son is running like a dream.
21:15You've got the hand of your husband's husband's husband.
21:20You're not dead.
21:22The F.I.R. is being made.
21:27Let's go.
21:39Mr. Manto, Ms. Maria, good morning.
22:03Good morning.
22:04Good morning, sir.
22:05You have come to my camera.
22:06Sir, 15 minutes is my class.
22:08So, you have to come in 14 minutes.
22:10Come here, sir.
22:11You have to come, please.
22:17Okay.
22:19Tea or coffee?
22:22It will come in 14 minutes.
22:24How will I drink?
22:26Okay.
22:27Then let's go to the discussion.
22:32Ms. Maria, I believe you are his neighbor.
22:35I hope I am right.
22:37Yes, sir.
22:38You know what?
22:39You know what?
22:40In your knowledge of your fellow fellow?
22:42Look at me.
22:45The most important thing is because of your knowledge of your fellow fellow.
22:51How is that?
22:52Come on, sir.
22:53Go ahead, sir.
22:56Come on, sir.
23:04Mr. Manto, a couple of you have been with the other Don in the city.
23:08He took his son and took his son and took his son.
23:13He took his son and took his son.
23:15He took his son and took his son.
23:16What's the difference between him and took his son?
23:18He took his son and took his son and took his son.
23:20You know, sir, who is the son?
23:22I'm not interested. I don't want to know.
23:24Sir, if a man is a bad-de-mahg,
23:26he needs to take his son and take his son and take his son and take his son,
23:29then what should I do to die?
23:32Huh?
23:33Look at me.
23:35Do I see you?
23:37Do I see you or do I see you?
23:41Of course, sir.
23:43But I didn't take someone in a room.
23:46Then you see you again, sir?
23:49Do you not see you?
23:51What?
23:53Sir, if there is a man who will try to go to his son and take his son and take his son and take his son,
24:01then, sir, you see this incident.
24:04You see a man.
24:06You see a man.
24:07You don't see a man.
24:09Hmm.
24:10I mean, the man who was a man who was a man who was a man who was a man who was a man?
24:14Sir, little by little, they were not.
24:16They were looking for a man.
24:18You see a man.
24:21Hmm.
24:22Tera minute, sir.
24:24We'll take two minutes to reach.
24:34What's wrong with him?
24:37Nothing, sir.
24:38You should be proud of him.
24:40You should be proud of him.
24:41I am not sure if someone came to you.
24:44There is no one behind him.
24:47There is no one behind him.
24:49Yes, sir.
24:51I am, sir.
24:53You are.
24:55You are.
24:57I am not sure if this is the man who was a man who was a man who was a man who was a man who was a man who was a man who was a man who was a man.
25:02Who is he?
25:03Don't you know?
25:05How would I know?
25:08Siraj Amrathsari's son.
25:10Meimal Siraj.
25:15Oh.
25:16Oh.
25:18Oh.
25:23Oh.
25:24Oh.
25:25Oh.
25:26I don't know.
25:56I don't know.
26:26I don't know.
26:56I don't know.
26:58I don't know.
27:28I don't know.
27:58I don't know.
28:00I don't know.
28:04I don't know.
28:06I don't know.
28:08I don't know.
28:10I don't know.
28:12I don't know.
28:14I don't know.
28:16I don't know.
28:18I don't know.
28:20I don't know.
28:22I don't know.
28:24I don't know.
28:26I don't know.
28:28I don't know.
28:30I don't know.
28:32I don't know.
28:34I don't know.
28:36I don't know.
28:38I don't know.
28:40I don't know.
28:42I don't know.
28:44I don't know.
28:46I don't know.
28:48I don't know.
28:50I don't know.
28:52I don't know.
28:54I don't know.
28:56I don't know.
28:58I don't know.
29:00I don't know.
29:02I don't know.
29:04I don't know.
29:06I don't know.
29:08I don't know.
29:10I don't know.
29:12I don't know.
29:14I don't know.
29:16I don't know.
29:18I don't know.
29:20I don't know.
29:22I don't know.
29:24I don't know.
29:26I don't know.
29:28I don't know.
29:30I don't know.
29:32I was so scared.
29:33If you were to give a love of love, don't say anything.
29:36Just listen!
29:39If you don't get to do the love of a girl,
29:42then you don't have love for love.
30:02What is it?
30:07Just hold your hand in your heart and say,
30:13I'm not aware of your fault.
30:17I will let your son go to your eyes.
30:23Just open your eyes and come in front of you.
30:28Your heart is okay.
30:31Everyone has given me the name of the Lord.
30:37Remember,
30:39I cried for two eyes.
30:43What do you mean?
30:47I mean,
30:49I'm not aware of your children.
31:01Now,
31:02sir,
31:03Londa,
31:04you're very loved to me.
31:06So, what did I start with you?
31:08She is my mother.
31:10She is my mother.
31:12She is my mother.
31:14She is my mother.
31:16When she was 22 years old,
31:20she was out of her mother's little girl.
31:24She is the right person.
31:26You didn't have six months.
31:30You didn't have blood from her.
31:34I was born with her.
31:36You tell me.
31:38She's told you.
31:40She told you.
31:42Tell me.
31:44Tell me.
31:46Tell me.
31:48Tell me.
31:50She is your love.
31:54I will tell you.
31:56You're my mother.
31:58I will never ask you.
32:00I will only take a step of my door.
32:02Just go inside and out.
32:04You go.
32:06Don't go.
32:08You will be the enemy.
32:10If you will be the enemy,
32:12the children will be the same.
32:14Like I am.
32:20You do something to do,
32:22and then the children will be the same.
32:26The war started.
32:30Then the girl was the problem.
32:32That's the love of love, that's the love of your people.
32:42Tell me, who will fight with you?
32:45I'll just fight with you. I'll show you the rest of my life.
32:50So fight with me.
32:52Do you have any kind of registration?
32:54I'll just fight with you.
32:56I'll just fight with you.
33:00You've got your child's claim.
33:04I'm not going to fight with you.
33:06I'm not going to fight with you.
33:08Don't fight.
33:15Don't fight with me.
33:18Don't fight with me.
33:20I'll just fight with you.
33:23That's my fault.
33:25Don't fight with me.
33:27Don't fight with me.
33:30Don't fight with me.
33:33Go.
33:37My side of my side.
33:39I'm not going to fight with you.
33:42It's time to meet you.
33:44It's time to meet you.
33:46You are the ones who love you.
33:48You are the ones who love you.
33:50You are the ones who love you.
33:52I am the ones who love you.
33:54I am the ones who love you.
33:56My wife is the one for you.
33:58Well.
34:00I am the one who gives you my love.
34:02Hey, go and listen.
34:06If my wife is going to go to my house,
34:08it doesn't make me happy.
34:10There is no relation to these people.
34:14Go, go and leave.
34:30You took your daughter and took her back to her.
34:36Tukere, tukere, watch out.
35:06एपकरी कि रहरकत करने केना भैर्टाराँ थी?
35:16आपकी अम्मी का फॉन आया ते.
35:19चैनली थी कि आज में लेकर Yapton.
35:21झाली रहाना, पॉने की परांडी नाखनाँ हूं।
35:35वीजरी रही होने वाली है।
35:36How can she do that?
35:39She was also saying about marriage.
35:41What?
35:42She said that, sit alone and ask her.
35:45She will marry you.
35:47Why is that?
35:51I think that's what I do too.
35:54Will you marry or...
35:56...we'll play a song for love to live for?
35:59Love? Who is it?
36:03Not good.
36:06The staff said that if you don't have love to be a girl with a husband with a husband,
36:12then you have to love with anyone.
36:17I'm Saraj Amrath Sarai's daughter.
36:19If I have a love with someone else, I won't give up with you.
36:27Today, the whole time is talking about good things.
36:30No one says that you don't get married to me.
36:36Why did you stop the car?
36:43It's not stop, it's stopped.
36:48Who said that?
36:50You don't need to tell the name. Just tell someone.
36:56The name is for me.
37:00I want to listen to your head.
37:03Please tell me.
37:06I'll trust you.
37:08You will tell me.
37:11Not yet, it's before marriage.
37:13Any day?
37:17In my office, a man says this too.
37:20When you don't have love,
37:22then you don't have a couple of months.
37:29You've already finished two months.
37:31What?
37:32What?
37:33When you first told me that you don't have love for me.
37:41The young people in your office are so happy.
37:43People are wrong.
37:45People are wrong.
37:49Now it feels a little while.
37:53Don't feel.
37:54You go to the car, please.
38:01Tell me.
38:04Or not, I'll leave you to the door.
38:07I'll go inside.
38:08So, who's going to come inside?
38:10Don't be ashamed.
38:12We're going to get married in a few days.
38:17It's good to get married before marriage.
38:40Do you really want to get married in a few days?
38:44No.
38:45It's okay, right?
38:46You'll have a lot of time in marriage.
38:48No.
38:49No.
38:50No.
38:51No.
38:52No.
38:53No.
38:54No.
38:55No.
38:56No.
38:57No.
38:58No.
38:59No.
39:00No.
39:01No.
39:02No.
39:03No.
39:04No.
39:05No.
39:06No.
39:07No.
39:08No.
39:10Because you have to know only you.
39:29It's like his name.
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