- 2 weeks ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30ioni.
00:01:32Taffico di Napoli 4.
00:01:33Mentre gli uomini, cazzo.
00:01:35dipped questa al primo posto.
00:01:44Beh.
00:01:45Certo.
00:01:46Can't put in my wallet.
00:01:47Un PC case?
00:01:48No, un PC.
00:01:49Un PC-C.
00:01:51Un PC.
00:01:52Non, un PC-C…
00:01:54Whichever.
00:01:57Un PCC...
00:02:00Okay, get this.
00:02:06What do you think?
00:02:11Hey, she's lost my purse.
00:02:13My purse.
00:02:13My purse.
00:02:14No, it's not there.
00:02:16It didn't have anything.
00:02:16It didn't have anything.
00:02:18Can I just give her a minute?
00:02:20Well, I don't know.
00:02:22One moment.
00:02:23One moment.
00:02:23My little bit, I don't know.
00:02:27Where did you have it last?
00:02:29The train station, I think?
00:02:31The exchange cruise?
00:02:33Oh, Jamie.
00:02:35I'm sorry.
00:02:37That bastard at the train station started
00:02:39when you dropped all your stuff.
00:02:41This is 170, not 70.
00:02:43Where do we need to go?
00:02:45I'm sorry.
00:02:47I'm sorry.
00:02:49I'm sorry.
00:02:51I'm sorry.
00:02:53I'm sorry.
00:02:55Where do we need to go?
00:02:57We need sevens.
00:03:09Here we go.
00:03:19Is this it?
00:03:21I think it's nice.
00:03:25It's nice.
00:03:27Yes, I have a credit card.
00:03:29The number's on file on my computer.
00:03:31Yes, I have them here.
00:03:33Okay.
00:03:355533
00:03:377645
00:03:478787
00:03:499157
00:03:51Okay.
00:03:535533
00:03:557645
00:03:578787
00:03:599157
00:04:0157
00:04:03Yeah.
00:04:05Expires 1215.
00:04:07No, she'll definitely need another card sent out immediately.
00:04:09We're here for two weeks.
00:04:11Nope, I'm working here.
00:04:13Yes, I'll hold.
00:04:15You love how they ask.
00:04:16As if I have a choice.
00:04:17Do you know what I'm gonna try to do while I'm here?
00:04:19Besides learn Italian.
00:04:21I don't know why you think that's so ridiculous.
00:04:23I don't at all.
00:04:24I don't at all.
00:04:25I admire you.
00:04:26I just think it's too late for me.
00:04:27That's not true.
00:04:29You can't teach an old dog new tricks.
00:04:31Besides, what's the point?
00:04:32The whole bloody world speaks English.
00:04:33Well, I...
00:04:34I'm going to finally transcribe the tapes.
00:04:36Yes.
00:04:37All right.
00:04:38Okay.
00:04:39Okay.
00:04:40Okay.
00:04:41Okay.
00:04:42Okay.
00:04:43Okay.
00:04:44Okay.
00:04:45Okay.
00:04:46Okay.
00:04:47Okay.
00:04:48Okay.
00:04:49Okay.
00:04:50Okay.
00:04:51Okay.
00:04:52Okay.
00:04:53Okay.
00:04:54Okay.
00:04:55Okay.
00:04:56Okay.
00:04:57Okay.
00:04:59Okay.
00:05:00Okay.
00:05:02Okay.
00:05:03Okay.
00:05:04Yeah, sorry.
00:05:05Come in.
00:05:06Okay.
00:05:07Well, if we can see it through to the end.
00:05:08I think that's wonderful.
00:05:10What does that mean?
00:05:11Nothing.
00:05:12Nothing.
00:05:13I think it's a fantastic idea, Jen.
00:05:14I always have, you know that.
00:05:16You seem very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be,
00:05:34has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:57Why do you think he killed himself?
00:06:04Who?
00:06:08David Foster Wallace.
00:06:11I don't know.
00:06:14You can't get a sense by his writing?
00:06:18You have to read it when I'm done, don't I?
00:06:27Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know.
00:06:40Do you know?
00:06:41Just so tedious.
00:06:43And of course he felt guilty.
00:06:46Most people think life is too short and there he was,
00:06:48all the talent in the world, and it wasn't enough.
00:06:50Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit morbid.
00:06:57Love you.
00:07:13Love you too.
00:07:27sehen to the entertainment bar from Kevin?
00:07:34Do you feel alright?
00:07:36Do you feel okay?
00:07:38Yeah.
00:07:39You sure?
00:07:45Mhm.
00:09:16Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:57testing testing okay do you have any stories for my book
00:10:27what kind of stories stories are you prepared go ahead and ask from your
00:10:35father's list god rest his soul let's start with the war we went into an air
00:10:41raid shelter my mother your great-grandmother she was shaking sirens
00:10:46wailed and and then there was a sound of a bomb and the man next to us he said I
00:10:53was in a shelter last night with my wife and my little boy and half of it got
00:10:57blown away there was blood in his hair he was all alone that nearly finished my
00:11:04mother you know here we were in this tiny town in England miles from Germany from
00:11:12Russia from Italy from any front lines and this man he had blood in his hair
00:11:23and
00:11:30yeah
00:11:34yeah
00:11:37yeah
00:11:40yeah
00:11:43yeah
00:11:46yeah
00:11:48We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard. It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children.
00:12:46Not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08Uh, excuse me.
00:13:12Excuse me.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Ah, grazie.
00:13:27Grazie.
00:13:30They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:39The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Yes, you're right.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn a bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Victoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36Okay.
00:20:36Okay.
00:20:37Di lacrime ade faco nutria l'alma.
00:20:44Con secca speme rinvedia la voglia.
00:20:50Lega di nuovo il cuor quando di scioglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:20:59I'm impressed.
00:21:07Are you hungry?
00:21:09Why, are you going to take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:29Red.
00:21:30Uh-huh.
00:21:32Grazia.
00:21:33So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:46There's something else.
00:21:49I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:10You want to listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:19That's tangled up.
00:22:20I don't know.
00:22:21Okay.
00:22:22Awful as it was, it made you stronger.
00:22:26These days people whine about all sorts of things and I'm not one of those old people who think my time had the only joy and the only problems.
00:22:39We all have our own private wars, every era, but it was nothing like it.
00:22:57It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:12I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:22This sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:14Excuse me.
00:24:15It was your regret.
00:24:17Yes, thank you.
00:24:18You can take it away.
00:24:19Yes, thank you.
00:24:21Grazie.
00:24:29I didn't go back after that to the States.
00:24:37Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate, or your family, or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:13There's this moment in the tape, I'm sitting waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure, and how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:38I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:54Maybe.
00:25:55Maybe.
00:25:56Maybe.
00:25:57Maybe I just want to write about nothing.
00:25:59Everything is nothing.
00:26:00All the best.
00:26:01Compliano.
00:26:02Grazie.
00:26:03Grazie.
00:26:04Make a wish, ah, yeah.
00:26:05Make it great.
00:26:06Okay.
00:26:07Bravo.
00:26:08Bravo.
00:26:09Bravo.
00:26:10Hey.
00:26:11Bye.
00:26:12Bye.
00:26:13Bye.
00:26:14Bye.
00:26:15Bye.
00:26:16Bye.
00:26:17Bye.
00:26:19Bye.
00:26:20Bye.
00:26:21Bye.
00:26:22Bye.
00:26:23Bye.
00:26:25Bye.
00:26:26Bye.
00:26:27Bye.
00:26:28Bye.
00:26:29What do you mean I'm ready to go?
00:26:38What?
00:26:39Grab my hand.
00:26:40Go, go, go!
00:26:41Oh my god!
00:26:42Oh my gosh!
00:26:43Oh my gosh!
00:26:44Oh no!
00:26:45What?
00:26:46What do you mean?
00:26:51Stronzo!
00:26:52Hey!
00:26:53Hey!
00:26:54Hey!
00:26:55It's the carabinerie!
00:26:56What?
00:26:57It's the police!
00:26:58Hey!
00:26:59Yeah!
00:27:00Yeah!
00:27:01Oh my gosh!
00:27:02Hey!
00:27:03We can't go back!
00:27:04We can't go back!
00:27:05We can't go back!
00:27:06We can't go back!
00:27:07We can't go back!
00:27:08We can't be back!
00:27:09I'm getting away!
00:27:11Oh my god!
00:27:14Oh no!
00:27:15Okay.
00:27:16Oh my god.
00:27:17Look out!
00:27:22Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:49Why are we still running?
00:27:53I don't know why we're still running.
00:28:06Oh, my gosh.
00:28:14Went up my nose.
00:28:19Did we come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:41I've got to go catch a fairy.
00:28:57Hey.
00:28:58Why do violists keep their viola cases
00:29:08on their dashboards?
00:29:19Why?
00:29:20So they can park in handicapped spots?
00:29:29Oh.
00:29:32Happy birthday.
00:30:26I've got so much of this stuff to get through.
00:30:56That's it. Nice.
00:31:26But they stay with me too.
00:31:28Jane.
00:31:29Tony.
00:31:30Got some pastries.
00:31:32You're still asleep?
00:31:36Jane.
00:31:37Tony.
00:31:38Got some pastries.
00:31:39You're still asleep?
00:31:41Jane.
00:31:42Jane.
00:31:43Jane.
00:31:44Got some pastries.
00:31:49You're still asleep?
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19My friends had lots of American boyfriends, and they used to bring us nylon stockings and chocolates and all sorts of things.
00:32:27And we used to go to London, and we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:39I never had an American boyfriend.
00:32:42I liked some of them.
00:32:43They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then. Not at all.
00:33:11Well, I felt nostalgia.
00:33:14Or something. For youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out? What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well. It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:30How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:56Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:12I don't know the chances of that.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:34Grab the check, please.
00:34:37In a cafe, put the play?
00:34:43Oh, no, thank you.
00:34:44Okay.
00:34:47Jane?
00:34:48You don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:01Okay?
00:35:02Grazie.
00:35:04You're good?
00:35:05Grazie.
00:35:06Okay.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day, in this villa, owned by this old, drunk expat.
00:35:27They had, like, a private chef and everything.
00:35:30And, uh, they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke, like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:55No.
00:35:58Go on.
00:35:59You're selling my ads.
00:36:02Come on.
00:36:03Let's hear one.
00:36:07Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:17when you throw a viola into the dumpster without hitting the rim
00:36:24you didn't just make that up i did it's too good i did well i'm impressed and i'm stealing it
00:36:30you can pretty much make that joke about any instrument
00:36:35do you play anything kelly this and that you know
00:36:41shall we what time to go
00:36:47already yeah i'm gonna get back to work
00:36:50so what's next new agenda kelly um i'm thinking tibet oh tibet really yeah there's this thing
00:37:08called the shantan festival at the end of the summer yeah i've heard about that that's where
00:37:11the buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this a bit of that
00:37:23oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:35i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53have fun you know don't knock on the front door come around the side
00:37:56and i need regina
00:37:58thank you thank you and thanks again for yesterday
00:38:08no problem hey ciao
00:38:14how stoned are you come on man we should tell um pop it's not a big deal
00:38:26So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:39I'm fine from here.
00:38:41Okay.
00:38:42See you after work.
00:38:43Yep, I'll be waiting.
00:38:56Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe?
00:39:20Is that weird?
00:39:22Yeah.
00:39:26I couldn't sleep last night.
00:39:33You told me you were staying near the port so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:43And I can't believe I found you.
00:39:56Let's do the elevators.
00:39:58I can't believe in one of the most consoles or else.
00:40:00Let's go from now.
00:40:02With pain, I'm ashamed.
00:40:03Now we're going to talkuso that I need you to have a her.
00:40:06Is it too light can'taliensize me.
00:40:09It's too light.
00:40:10It's too light.
00:40:11And you just like to remove me.
00:40:12Let's believe in your Dog who came here.
00:40:14I wanna faint with you.
00:40:16Your Tide.
00:40:17lesser voice for aliens.
00:40:19What are we doing?
00:40:30I think we'll make it out.
00:40:33It's so sexy and beautiful.
00:40:49I can't do this.
00:41:09What? Why?
00:41:10I can't do this.
00:41:11Why?
00:41:19Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:39Don't follow me.
00:41:49Don't touch with the odds.
00:41:58That's the thing.
00:42:03Don't follow me.
00:42:09Once you be alive.
00:42:14I don't know.
00:42:44There was one boy from Belgium. He was lovely. He had a moustache. My mother hated moustaches. But he was shipped off. I never saw him again. Anyways, I met your grandfather not long after, and we got married.
00:43:08Was it love at first sight with Grandpa? Love at first sight? Stop that thing.
00:43:16I know. You're home early.
00:43:19I do deserve that.
00:43:27You know, it doesn't work for your husband.
00:43:31Jane, I'm sorry. Just give me a minute. I have a hell of a mess in my day. I've got so much stuff to do.
00:43:41Sorry, darling. Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. I've got some dinner. I thought we'd just stay in here. The two of us. I've just got to work this thing out for tomorrow.
00:43:56Okay. Okay. I'm sorry.
00:43:58Okay. Okay. It's alright.
00:43:59Okay.
00:44:00Okay.
00:44:01Okay.
00:44:02Okay.
00:44:33Leonard, can we talk?
00:45:03Say cheese.
00:45:29No, you should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:39That's what our living room is missing.
00:45:52What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14Let's go.
00:46:15Let's go.
00:46:16Let's go.
00:46:17Let's go.
00:46:19Let's go.
00:46:20Let's go.
00:46:21Let's go.
00:46:22Let's go.
00:46:24Let's go.
00:46:25Oh, my God.
00:48:55Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah.
00:49:12I'm going to put my pants on.
00:49:16Okay.
00:49:38I'm going to do it.
00:49:50I know.
00:49:52I'm going to be more serious.
00:52:24Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49You made me feel calm.
00:53:50You made me feel calm.
00:53:57You made me feel calm.
00:53:58You made me feel calm.
00:54:07You made me feel calm.
00:54:08You made me feel calm.
00:54:09You made me feel calm.
00:54:13You made me feel calm.
00:54:14You made me feel calm.
00:54:15You made me feel calm.
00:54:19You made me feel calm.
00:54:20You made me feel calm.
00:54:21You made me feel calm.
00:54:22You made me feel calm.
00:54:25You made me feel calm.
00:54:26You made me feel calm.
00:54:27You made me feel calm.
00:54:28You made me feel calm.
00:54:29You made me feel calm.
00:54:29You made me feel calm.
00:54:30You made me feel calm.
00:54:31You made me feel calm.
00:54:32You made me feel calm.
00:54:33You made me feel calm.
00:56:04I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here.
00:56:24I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:45People are depending on me.
00:56:48I have to go to work.
00:56:52Okay.
00:56:52I can't be late.
00:56:53I can't be late.
00:56:54I can't be late.
00:56:55I can't be late.
00:56:56I can't be late.
00:56:56I can't be late.
00:56:57I can't be late.
00:56:58I can't be late.
00:56:58I can't be late.
00:56:59I can't be late.
00:56:59I can't be late.
00:56:59I can't be late.
00:57:00I can't be late.
00:57:00I can't be late.
00:57:01I can't be late.
00:57:01I can't be late.
00:57:02I can't be late.
00:57:02I can't be late.
00:57:03If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:59If you go out like that again, just tell me. Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:12Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:26If one little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:47No, with my life.
00:59:55This is it, you know.
00:59:57It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:32Dad used to dress them all up, brass things and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:01:00They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:27You've got to make your own life.
01:01:32One that you love and you can't be afraid of the...
01:01:36of the time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:05Oh, sorry.
01:02:11Ah!
01:02:13What is it?
01:02:15Oh!
01:02:17Oh, you...
01:02:19Are you alright?
01:02:22You okay?
01:02:24Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28Oh, it's fine.
01:02:30It's fine, it's fine, it's fine, it's fine.
01:02:33Are you finishing that?
01:02:35Yes.
01:02:37Fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:51She's French, he's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:02I'm not the case.
01:03:03They're gonna...
01:03:05mar palette.
01:03:07Again, we wish us all a bit and do, but finally but...
01:03:11...we never match...
01:03:13Only one.
01:03:16Of course we have a bunch of muscles, but...
01:03:19This font is a tutorial entire industry.
01:03:21Good job.
01:03:23And all these structures make it easy.
01:03:26Remember ...
01:03:28Hey, hang on with them...
01:03:30Are you sure?
01:04:01Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'd chance to do another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I love you.
01:06:06I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But.
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again.
01:06:54And again.
01:06:55And again.
01:06:55Please.
01:06:55And again.
01:06:58How does that make you feel?
01:07:05It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:08How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:24that the one thing you always wanted,
01:07:29I will never be able to give you.
01:07:41What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:16I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:46What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:24For what?
01:09:24I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:35This is good.
01:10:52This is my pleasure.
01:10:57This is my pleasure.
01:10:58This is my pleasure.
01:11:31Hi.
01:11:48Hi.
01:11:59You want some?
01:12:01Oh, thanks.
01:12:14It's gone, gone, gone, gone, gone, gone.
01:12:44Frank and Elsa, coming over in a couple of hours.
01:12:48Frank bought a car, so we're gonna head out
01:12:53in a couple of weeks or so, you know.
01:13:01I'm thinking of driving through Romania and then Ukraine
01:13:08and down through Russia and through Kazakhstan
01:13:11and then straight to Tibet.
01:13:41To a public ofila have got azer,
01:13:43but you've got a very different burgundy.
01:13:45You've been around, and you've got a lot of supplies.
01:13:46You've got Coronavwie.
01:13:49This is the Caravan.
01:13:50That's my thing.
01:13:53It's not the best.
01:13:54It's not the best.
01:13:55I can't go.
01:13:57I can't go.
01:13:58No.
01:13:58I can't.
01:13:59I can't go.
01:14:00I can't go.
01:14:01I can't go.
01:14:02I can't go.
01:14:02I can't go.
01:14:03I can go.
01:14:05Ciao. Buena fortuna.
01:14:10Ciao.
01:14:35Jase!
01:14:58You've got to come over to this side. The train's going to be here in a minute.
01:15:05It's four in the morning, the end of December.
01:15:18I'm riding you now just to see you.
01:15:25It's four in the morning, the end of December.
01:15:31I'm riding you now just to see you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:44There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13Yes.
01:16:14And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her.
01:16:29That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45Let's go.
01:16:46Let's go.
01:16:47Let's go.
01:16:48Let's go.
01:16:49Let's go.
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