- 3 months ago
The Clairvoyant (1982) - Full Movie Uncut
Category
🎥
Short filmTranscript
00:00:00To be continued
00:04:32Barry Weeks, ladies and gentlemen.
00:04:34Let's give him a big hand, okay?
00:04:36Hey, great show, Larry.
00:04:37Thanks, Joe.
00:04:38Hey, did you get it?
00:04:39Yeah, everywhere.
00:04:39All right.
00:04:41Thanks.
00:04:41Hey, Lou.
00:04:42Did you catch the act?
00:04:43I got it now.
00:04:44I just need the hands for Burns.
00:04:45I would worry more about my ass and I would worry more about my ass and my hands if I were you, Weeks.
00:04:48What, Cullum?
00:04:49Yeah.
00:04:50I lied to him.
00:04:51I told him you were on your way to the Con Ed murder site.
00:04:54Con Ed murder site?
00:04:56Your name is Weeks, right?
00:04:58Hey, you're really pissed.
00:04:59Listen, buddy.
00:05:00Listen, buddy.
00:05:00Listen, buddy.
00:05:00Cullum is pissed enough for all of us.
00:05:02Where's the sign?
00:05:03Crossed now.
00:05:04Wait a minute.
00:05:06Wait a minute.
00:05:07Why didn't you call me?
00:05:09I did.
00:05:09Twice.
00:05:10That's right.
00:05:11I am.
00:05:11They told me you were out too much.
00:05:12I am a comedian.
00:05:13I told him I knew that.
00:05:14I'm also a comedian.
00:05:15I was in the cell.
00:05:16I was listening to my tapes.
00:05:17I am getting so close.
00:05:18Yeah?
00:05:19Any closer, Star, and there's only one thing you're going to have to worry about.
00:05:22Say goodnight, Chris.
00:05:23I know I shouldn't ask, but what is it?
00:05:26What, do you want salt, pepper, or ketchup on your badge?
00:05:33Don't leave your cell number three.
00:05:35Why did you know, man?
00:05:37I'm going to wreck you.
00:05:38What?
00:05:39What?
00:05:39What?
00:05:40What?
00:05:40What?
00:05:40What?
00:05:40What?
00:05:41What?
00:05:41What?
00:05:41What?
00:05:41What?
00:05:42What?
00:05:42What?
00:05:42What?
00:05:43What?
00:05:43What?
00:05:43What?
00:05:43What?
00:05:44What?
00:05:44What?
00:05:45What?
00:05:45What?
00:05:46What?
00:05:46What?
00:05:47What?
00:05:47What?
00:05:48What?
00:05:49What?
00:05:50What?
00:05:50What?
00:05:51What?
00:05:52Hey, Vic.
00:05:53Hey, Vic.
00:05:54What, what?
00:05:54Hey, Vic, what we got?
00:05:56What?
00:05:57Holy shit.
00:05:58Man.
00:05:59Good sight.
00:06:01Some night or two-bagger.
00:06:03Come.
00:06:04Come.
00:06:05Yes, sir.
00:06:06Sir.
00:06:06All right.
00:06:08All right.
00:06:09I'm glad you could come.
00:06:12I'm glad you could come.
00:06:13I'm glad you could come.
00:06:14One more gig while you're on duty, buddy,
00:06:19and you're gonna eat my fucking badge.
00:06:22Salt, pepper, and ketchup, chief.
00:06:24Only him.
00:06:27Comedian.
00:06:29From here on, everybody's mouth is shut.
00:06:32No leaks.
00:06:34I don't want that bastard killing for publicity.
00:06:36You hear me?
00:06:38No M.O. for the press until we clean it up.
00:06:40I want no labels on him like the handcuffed killer.
00:06:43If we got another Strangler, a son of Sam,
00:06:45we grab him first, then give him to the showboys.
00:06:49Lieutenant.
00:06:52Consider yourselves instructed.
00:06:54Lieutenant.
00:06:55Wicks, you file a report.
00:06:57Lieutenant.
00:06:58Do it nice.
00:06:58Nice.
00:07:01What a call, Eddie.
00:07:02Hello, Lieutenant.
00:07:03See, they finally put you in a picture.
00:07:05Yeah, they couldn't resist me.
00:07:06Yeah, I know it's odd.
00:07:07We're doing what we can.
00:07:08You just keep your pretty ass out of that tent.
00:07:13Hmm?
00:07:14Will you do that for me?
00:07:15Yes, sir.
00:07:16Whatever you say.
00:07:17All right.
00:07:19Say it to me.
00:07:21Come on.
00:07:26Okay, you guys.
00:07:27Hey.
00:07:28Let's get a wide shot of that tent, okay?
00:07:31Who told them I was working the comic strip?
00:07:33Everybody knows it.
00:07:34You're my friend, Lou.
00:07:37You should have protected me.
00:07:38I got caught in a moment of all this shit.
00:07:41I hate fights.
00:07:43When my wife and mother-in-law go out and I go to the movies.
00:07:53Hey, Wicks.
00:07:58This is who you're George Burns.
00:07:59Huh?
00:08:00You got him down yet?
00:08:01Column is really biting my ass.
00:08:03Yeah?
00:08:04Well, the guy hates talent.
00:08:05I mean, what can I say?
00:08:06Yeah.
00:08:07You keep your pretty ass out of the tent.
00:08:09Ha-ha.
00:08:10That's good, Wicks.
00:08:10That's great.
00:08:11I'm impressed.
00:08:14Come here.
00:08:15Guess who took over my show?
00:08:16Who?
00:08:17Werner Armstrong.
00:08:18No shit.
00:08:18Yeah.
00:08:19Who's Werner Armstrong?
00:08:20He's the station manager for the East Coast Affiliate.
00:08:24Ha-ha.
00:08:24Come on.
00:08:25Channel 6 hasn't even made the jersey yet.
00:08:28They got hope.
00:08:29Look, they're hiring people with vision.
00:08:31Ah, two weeks on the tube.
00:08:32You're, uh, pushing for the Snyder spot, huh?
00:08:35Listen, I figure two years.
00:08:36Wise ass.
00:08:37I'm going to be in with the majors.
00:08:40Ha-ha.
00:08:40Here.
00:08:42I want you to meet him.
00:08:43Who?
00:08:45Guy.
00:08:46Werner Armstrong.
00:08:47Werner Armstrong?
00:08:48Oh, great.
00:08:49Now, what do I do?
00:08:49Hitler?
00:08:50I don't do him at the presses people.
00:08:51Listen, he's got a variety of something.
00:08:53I told him.
00:08:54I got a friend who, uh, occasionally does impressions, and once in a while can pull off a joke, you know?
00:08:59You're kidding.
00:09:00Yeah.
00:09:01Oh, Schaefer City.
00:09:03Yeah, well, it's the least I could do, you know?
00:09:05I mean, I figure we're buddies, right?
00:09:08Remember all those nights in your patrol car?
00:09:09Yeah.
00:09:09The pimps, the numbers, the hookers, the hookers.
00:09:14You're really a fucking whore.
00:09:17You know that, Mac?
00:09:18No pictures in the tent.
00:09:20You heard the man.
00:09:21Yeah.
00:09:27Pack it in, Steve.
00:09:31I'll see you weeks.
00:09:32Maybe in, uh, 15 years when you get your pension.
00:09:35Okay.
00:09:36Come here.
00:09:38What do you want?
00:09:40What do you think I want?
00:09:41We both know those killings aren't just another statistic.
00:09:47I want to use them on my show.
00:09:55Boy, it's hard being a cop.
00:09:57I mean, you, uh, pay shits, your hours are long, and, uh, your life is always on the line.
00:10:04Al Pacino, Serpico.
00:10:05Yeah, of course it was.
00:10:06I knew that.
00:10:09Come on, you want to be in the movies, kiddo.
00:10:11Boy, you got to take the risks.
00:10:15Warner Armstrong, huh?
00:10:20Well, what do you want to know?
00:10:21You want to know who doesn't know who doesn't have access?
00:10:23You want to know who doesn't have access to them?
00:10:24Bye, here.
00:10:33Bye, are you?
00:10:39Bye, love.
00:10:39Bye, love.
00:10:39Bye, are you?
00:10:41Bye.
00:10:45Bye.
00:10:46Bye.
00:10:47Bye.
00:10:50Bye.
00:10:50Hi.
00:10:51Hi.
00:10:58You're home early.
00:11:00How was your day?
00:11:01You wouldn't believe the new interns.
00:11:03One followed me all day.
00:11:05I lost him in radiology.
00:11:08He's cute, though.
00:11:10No, thanks.
00:11:11The last one you tried to fix me up with wanted to show me what a good gynecologist he was.
00:11:16Was he?
00:11:18Ariel.
00:11:19It's funny.
00:11:20What are you drawing?
00:11:21I just started something for class.
00:11:25Want some orange juice?
00:11:28Thanks.
00:11:29Come on.
00:11:30Have some that's good for you.
00:11:32You seen the paper?
00:11:35Found out who that girl was.
00:11:38You know the one in the Hudson River?
00:11:41A model from Toronto.
00:11:43Here it is.
00:11:45Her name was Betty Mercer.
00:11:47Police located her family in South Philadelphia where the teenager was born.
00:11:52She moved to Toronto two years ago.
00:11:55She's doing those porno films.
00:11:58Your family's in Philly.
00:12:00You know her?
00:12:01No.
00:12:02You were up late last night.
00:12:03I was working on my portfolio.
00:12:04What else is new?
00:12:05I quit my job.
00:12:06Why?
00:12:07I hate being a waitress.
00:12:08The black and blue marks aren't worth the tips.
00:12:10You think that's such a good idea?
00:12:12Probably not.
00:12:13Are you okay?
00:12:14You don't sleep.
00:12:15You won't go out.
00:12:16You just quit your job.
00:12:17Is everything all right?
00:12:18Just fine, really.
00:12:19Let's just drop it, okay?
00:12:20You don't sleep.
00:12:21You won't go out.
00:12:22You just quit your job.
00:12:23Is everything all right?
00:12:24Just fine, really.
00:12:25Let's just drop it, okay?
00:12:27Okay.
00:12:28Okay.
00:12:29I have an idea.
00:12:30Tell you what.
00:12:31We'll go out to dinner.
00:12:32Splurred.
00:12:33You don't sleep.
00:12:34You don't sleep.
00:12:35You won't go out.
00:12:36You just quit your job.
00:12:37You don't sleep.
00:12:38You don't sleep.
00:12:39You won't go out.
00:12:40You just quit your job.
00:12:41Is everything all right?
00:12:43Just fine, really.
00:12:44Let's just drop it, okay?
00:12:46Okay.
00:12:49I have an idea.
00:12:54Tell you what.
00:12:55We'll go out to dinner.
00:12:56Splurge.
00:12:58Italian.
00:12:59Thai.
00:13:00Chinese.
00:13:01Sushi.
00:13:02I saw the drawings, Verna.
00:13:06Why didn't you just say it?
00:13:11You're not that easy to say it, too.
00:13:16Here, read the description.
00:13:18You're not that easy to say it, too.
00:13:23Here, read the description yourself.
00:13:26She's the same girl you drew, isn't she?
00:13:32It won't happen again, Muriel.
00:13:37It won't happen again, Muriel.
00:13:40I won't let it.
00:13:41It won't happen again, Muriel.
00:13:43I won't let it.
00:13:45I won't let it.
00:13:48No.
00:13:49Forget it.
00:13:51But...
00:13:52Hey, you're early today!
00:14:1730 to air.
00:14:22Okay, now, Flo, when he finishes the Mary Smith letter,
00:14:26he will go right to the flower lady.
00:14:28Tell her she looks gorgeous.
00:14:30Don't be nervous.
00:14:31Mac will introduce you.
00:14:32You look beautiful.
00:14:34You all set, Mac?
00:14:35Yep, I'm all set. Blind penning.
00:14:37Got your letter?
00:14:38Yes, I have my letter.
00:14:39Are we starting on camera two?
00:14:40Camera two.
00:14:42I thought you stopped smoking.
00:14:44I did, I did.
00:14:45I just keep it to, uh, to play with it.
00:14:47Uh, Mac, can you move a little bit to your left?
00:14:50Straighten your tie.
00:14:52Somewhere down there.
00:14:53Straighten this tie.
00:14:55Seven.
00:14:56I'm leaving now.
00:14:57Six.
00:14:58Five.
00:14:59Four.
00:15:00Three.
00:15:01Two.
00:15:02Five.
00:15:03Five.
00:15:04Five.
00:15:05One.
00:15:06Two.
00:15:07Two.
00:15:08Two.
00:15:09Two.
00:15:10Two.
00:15:11Five.
00:15:12Three.
00:15:13Good morning.
00:15:14This is Paul McCormick and the show's called Talk Back.
00:15:17This morning, I want to read you a letter I received from, uh, Mary Smith.
00:15:21Dear Mac, I don't know about the rest of the world, but I'm scared to death of the streets.
00:15:29Living alone is no joke, and after the murder of that poor girl they found in the river,
00:15:33the handcuffs, the mutilation, I'm considering doing one of two things,
00:15:38becoming a recluse or moving away.
00:15:41That sign Mary Smith, there's no address, but there is a PS.
00:15:45Mary Smith is not my real name.
00:15:48Do you think I'm stupid or something?
00:15:50Nobody's going to get me.
00:15:52I think the point is that we have to ask ourselves,
00:15:54what person doesn't suffer from Mary Smith paranoia, and with good reason?
00:16:00Every day we hear about murder, mutilation, gunnings, knifings, I mean, the list goes on and on.
00:16:07Gory details served up with your coffee in morning newspaper.
00:16:11But that's our reality, and we can't escape it by simply burying our heads in the sand
00:16:15and pretending it isn't so.
00:16:17This morning, I want to focus on the Betty Mercer case.
00:16:23Iris in on the murdered girl who was found floating in the Hudson River a few days ago.
00:16:28What people don't know is that the night before last, the murderer left his calling card.
00:16:36A pair of handcuffs around the wrist of the man he electrocuted.
00:16:40That's not in this format.
00:16:41And the ankle of another man he drowned.
00:16:44And save it, thank you very much.
00:16:46What one detective called a two-bagger has been buried by a particular police lieutenant.
00:17:05And although the hunt is on to find this maniac, the point that Mary Smith makes is absolutely right.
00:17:11Stay in your house or move away from the Big Apple.
00:17:14Because there's a nut out there with a pair of handcuffs.
00:17:17Maybe we need a human...
00:17:18Guess who?
00:17:20Mom.
00:17:21The responsibility for public safety falls directly on the shoulders of the public servants.
00:17:26Now, I don't intend to demean the cops.
00:17:30Christ.
00:17:30When they clam up, under orders about a killer, a handcuffed killer, who's beginning to look like another son of Sam.
00:17:40Well, then, maybe it's time that the press had something to do about it.
00:17:44So, talk back.
00:17:46What do you think?
00:17:48I think you've got my ass in a sling.
00:17:58I don't know.
00:17:58I don't know.
00:18:00Well, I swear, Lieutenant.
00:18:05I swear to God, Lieutenant.
00:18:09I swear to God, Lieutenant Cullum.
00:18:12I didn't say a word.
00:18:17Shit!
00:18:18You just started on the job, and now you pull this.
00:18:29Look, Channel 6 is not in the tabloid business, Mac.
00:18:33You know how concerned we are with Station Image.
00:18:35I had a tough time selling talkback and you.
00:18:38The phones haven't stopped ringing, Werner.
00:18:42The word now is, is that you are aiding and abetting.
00:18:46Oh, that's Cullum.
00:18:47He blocked information.
00:18:48Now he's trying to cover his ass.
00:18:49Oh, come on, Mac.
00:18:50He's blocking the press.
00:18:51It's Cullum Cormick.
00:18:52He?
00:18:54The guy on TV.
00:18:55Come on, Werner.
00:18:56We both know we're into something hot.
00:18:57Let me play it out.
00:18:58As long as the public is listening to me,
00:19:01they're listening to Channel 6.
00:19:06Okay.
00:19:07Have a nice lunch.
00:19:10Four seasons.
00:19:25Police officials have declined to comment.
00:19:28A Con Edison employee was electrocuted
00:19:30while working the high-tension feeder lines.
00:19:33The man has been identified as James Dearden,
00:19:35a three-year employee with the company.
00:19:38Reports from the scene seem to indicate murder,
00:19:41but no motive is apparent at this time.
00:19:44Police are continuing the investigation
00:19:46of the bizarre handcuffed murder
00:19:48of a young woman who sexually molested an abused body
00:19:51and was found floating in the Hudson River two days ago.
00:19:55According to police sources,
00:19:56the woman has been tentatively identified
00:19:59as Betty Mercer,
00:20:00a young model from Philadelphia.
00:20:03Evidence pointing to similarities
00:20:04in all three of these recent deaths
00:20:06has been made public
00:20:07by local talk show host Paul McCormick
00:20:09on his program, Talkback.
00:20:11McCormick contends that the use of handcuffs
00:20:13is the link in these recently murders.
00:20:16Please deny McCormick's allegations
00:20:18and confuse the comment.
00:20:19Police Commissioner Robert J. Fryer
00:20:22and Betsy Gottbaum
00:20:23from New York City Police,
00:20:24Mount Daniel
00:20:24will announce an establishment
00:20:26of a multiple purpose
00:20:27of offering a reward
00:20:29for information leading to the arrest
00:20:31and conviction
00:20:31of anyone killing a police officer
00:20:33in the use of duty.
00:20:35This announcement will be made
00:20:36on Thursday, October 29th, 11 a.m.
00:20:39in the Police Commissioner's Office
00:20:40of Room 1400,
00:20:42one through the Plaza of Manhattan.
00:20:44This Gottbaum will present
00:20:45represents the New York City
00:20:47and the police foundation
00:20:48with full management.
00:20:50Mr. Benjamin Eisenstein,
00:20:51the president of Buckle
00:20:52and Package Corporation
00:20:53and Brooklyn,
00:20:54will also interest
00:20:55to kick off the funds
00:20:56of a $10,000 contribution.
00:20:59Mr. Eisenstein suggests
00:21:00the idea of the mayor
00:21:01to do a work on the staff
00:21:03of the voluntary contribution
00:21:05by the business community
00:21:06and the citizens of the city.
00:21:09The government will also
00:21:09call the case of the one
00:21:11automatic weaponry.
00:21:13All right.
00:21:14All right.
00:21:14All right.
00:21:15All right.
00:21:15All right.
00:21:47You understand?
00:22:01Are you going to cuff me? Are you going to take me in? As God is my witness, I swear by him and his blessed mother, I killed the bastards for what they've done to me.
00:22:25You dumb schmuck, if you don't take me in, I'll walk my way up Broadway. Clear straight to the Bronx. Get Weeks and Rich. Bring them in, sir.
00:22:37Come on, Weeks.
00:22:55That information was classified. Maybe McCormick overheard us at the site. He wasn't near us. He had a microphone. Facts, Rich. Facts.
00:23:06We have to be prepared to face a mile of blind leads in every fucking nut in the city who turns himself in.
00:23:17And that's for you, Weeks.
00:23:19I think that you should ask for a transfer.
00:23:34Oh, Lieutenant, look, I know what you're thinking, but it's not me.
00:23:42You tell me you're not the weak.
00:23:43I swear to God, Lieutenant Cullum, I didn't say a word.
00:23:50I'm as pure as a baby's ass.
00:23:52Yeah, with a diaper full of shit.
00:24:19Oh, hi.
00:24:20Oh, how you doing?
00:24:21All right, how are you?
00:24:22Hello. Is, uh, is Mac in?
00:24:24Well, yeah, but he's sleeping.
00:24:25Oh, oh, that's okay. He's expecting me. I'll wake him very gently.
00:24:29All right.
00:24:37Good morning.
00:24:38It's your wake-up call.
00:24:41Oh, Jesus.
00:24:43What are you doing here, Weeks?
00:24:47What times?
00:24:48Oh, 4.30 in the afternoon.
00:24:52It's my nap time, clown.
00:24:57I work in the morning.
00:24:59I came to congratulate you for fucking up my life.
00:25:04Thanks.
00:25:04What?
00:25:08Kill him, Brady.
00:25:09Oh, me?
00:25:10No, not me.
00:25:11What?
00:25:12Little Caesar?
00:25:13No, not me, see?
00:25:14No, never.
00:25:15How old are you, Weeks?
00:25:16You know how old I am.
00:25:18Well, tell me again, buddy.
00:25:20I'll be 35 next month.
00:25:23Hey.
00:25:23Well, you don't know it yet, apparently.
00:25:27But I just gave you a birthday present.
00:25:29The opportunity of a lifetime.
00:25:31What the hell are you talking about?
00:25:33You're 35 years old.
00:25:34I'm 33.
00:25:36Old men are quaking in their boots.
00:25:40Call him those, I'm the leak now.
00:25:41Big fucking deal.
00:25:43Does he have any proof?
00:25:44No.
00:25:45Okay.
00:25:46But if anything goes wrong for him, he's going to get farmed out to some kind of elephant graveyard.
00:25:54You've got your whole life ahead of you.
00:25:56Come on.
00:25:57Come on.
00:25:57Okay.
00:26:00You provoked a killer, Mac.
00:26:02No, I didn't provoke him.
00:26:05I publicized him.
00:26:06Look at it, Weeks, will you?
00:26:09Look at it.
00:26:10I mean, we're a team, you and I, right?
00:26:12Come on.
00:26:13A cop and a bullshit reporter.
00:26:17But if we're careful and smart, we can come up with this handcuff killer.
00:26:22You get credit for the arrest, and I make a run for the majors.
00:26:28Credit for the arrest?
00:26:31I'm going to end up pounding a beat in the boondocks for giving out classified information.
00:26:36I spoke to Werner Armstrong this morning.
00:26:39Yeah, so?
00:26:41Your career is about to begin, my friend.
00:26:44You're going to be so hot after we make this arrest, you can choose whether you want to
00:26:48call him his job or a TV show of your own.
00:26:54Weeks, do you believe in yourself?
00:26:55Huh?
00:26:56Because I do.
00:26:59Get a shot like this, you cannot let anything stand in your way.
00:27:02Come on, I'll make you some breakfast.
00:27:08You better make me a drink.
00:27:23Werner!
00:27:25Werner?
00:27:26What's the matter?
00:27:26I'm sorry, Werner, I have to go.
00:27:27Aren't you going to class?
00:27:28No, no, I can't.
00:27:29I'm, I'm, I'm, I'll quit early.
00:27:31I just have to go now.
00:27:32Aren't you going?
00:27:32I'm sorry, Werner, I just, I, I have to go.
00:27:49So what do we got?
00:27:51We got three bodies, we got three pairs of handcuffs, we got no prints, we got nothing.
00:27:56Come in.
00:27:58I got nothing.
00:28:00I got hot.
00:28:01I got hot, Werner.
00:28:04Close the door on your way out, please.
00:28:09Con Ed guy and the kid we fished out of the pool both went with the same type hooker,
00:28:12so it figures that they're both new Betty Mercer.
00:28:15I checked the same type hooker and see if the Mercer girl was one of them.
00:28:18It's a matter of deduction.
00:28:20Move it, Professor.
00:28:21Hit the back rooms of the porno shops and the kink bars, you know.
00:28:25Wear your holster with the silver studs, do the leather scene.
00:28:36First a stand-up comic, now a smart-ass college graduate.
00:28:40Keep an eye on the weeks.
00:28:42Lock him out of all information regarding the killer.
00:28:45He'd fucking sell his mother if he could.
00:28:47That's show business.
00:28:48Yeah, he's on to something else.
00:28:52You watch him.
00:28:56Hello, this is Paul McCormick and the show's called Talk Back.
00:28:59Your name and comment, please.
00:29:00Charlie Morrissey, I drive a bus in the Bronx 22 years.
00:29:03Now it's time all the hookers got cleaned out of the park system.
00:29:07I mean, you can't take your wife for a walk in the...
00:29:09Sorry, Charlie, but your call's out of line.
00:29:11This program's devoted to the handcuff killer.
00:29:13Why don't you try the mayor's office?
00:29:14Oh, that son of a...
00:29:16Hello, this is Paul McCormick and the show's called Talk Back.
00:29:20You know me, but you don't know where I am.
00:29:23Well, tell us your name, sir, and...
00:29:25You've seen my work, Mac.
00:29:28Hello.
00:29:30Are you there?
00:29:32I know what I have to do.
00:29:34And if you're not careful, you and I will do more than talk.
00:29:38Hello.
00:29:41Who are you?
00:29:44I know what I have to do.
00:30:14I know what I have to do.
00:30:44I thought you were asleep.
00:30:51Muriel, I need your help.
00:30:57It happened again, didn't it?
00:30:59It never stops.
00:31:04I did this in class today.
00:31:07It's you.
00:31:08He kept reaching for his ankle.
00:31:16He didn't know what was happening.
00:31:18You sure you weren't there?
00:31:21After he was handcuffed, he was pulled to the fence and electrocuted.
00:31:27This image keeps recurring. I've drawn it many times.
00:31:31This?
00:31:32These look like bedposts.
00:31:34After she was killed, she was put in the river.
00:31:41She offered her hands, smiling.
00:31:45And then other hands moved in and slid handcuffs over her wrists.
00:31:50Then something was pulled over her face.
00:31:53Why didn't you come in sooner?
00:31:56I didn't want to get involved.
00:31:59Why now?
00:32:00Look, I think the killer must know who I am.
00:32:07Has anyone else seen these drawings?
00:32:09Uh, just Muriel.
00:32:11I talked to one or two people at the hospital.
00:32:15Means the whole world knows.
00:32:19How do you make these drawings?
00:32:20My hand takes over.
00:32:26Well, how does that happen?
00:32:28It's unconscious.
00:32:32Have you ever had this kind of experience before?
00:32:35Yes.
00:32:36I was 16.
00:32:37How long ago was that?
00:32:38I was a senior in high school.
00:32:44I was in art class, sketching.
00:32:48In the music room next door, I heard someone playing the piano.
00:32:53It was springtime.
00:32:56I remember the smell of apples, something sweet.
00:32:59The sun was very bright.
00:33:00I heard something at the window.
00:33:06There she is.
00:33:08Who?
00:33:10Elizabeth.
00:33:11That was her name.
00:33:13She was a little girl who'd been lost for about two days.
00:33:17You mean you saw her outside the window?
00:33:19No.
00:33:21You watched her like watching TV or something?
00:33:24No, I was with her.
00:33:26I was on the same street with her.
00:33:28She was lost.
00:33:30She didn't know what to do.
00:33:32So she wandered down a footpath into a vacant lot.
00:33:37And?
00:33:39What did you do?
00:33:41Well, I told my mother about it and she knew that Elizabeth was lost.
00:33:46How'd your mother know Elizabeth was lost?
00:33:49She had the gift, too.
00:33:52The gift?
00:33:54Clairvoyance.
00:33:55She did automatic handwriting.
00:33:59Your hand takes over and, uh...
00:34:02Well, it's very hard to explain, especially when no one believes you.
00:34:08Did you find the girl?
00:34:10Yes.
00:34:12Elizabeth Carteret.
00:34:14Well, I went back to the same room and I drew another picture.
00:34:18The same thing started happening all over again.
00:34:21Get me the merciful.
00:34:21The light from the window.
00:34:25It's like a pole from outside my cell.
00:34:28I'm on the same street with Elizabeth.
00:34:32I see the street sign.
00:34:34It's Holloway and Park.
00:34:39And my hand draws this.
00:34:42It's like a hypnotic trance.
00:34:44Yes.
00:34:46Yes.
00:34:48They found her three blocks away.
00:34:50You were close?
00:34:51Not this close.
00:34:54Oh, there are others.
00:34:56I know they're connected.
00:34:59Yeah.
00:35:01What is it?
00:35:02It's just lines.
00:35:03I don't know, but I know they're connected to the killings.
00:35:06This is just the same as that.
00:35:07It's like a road map or something.
00:35:09But this is the one that frightens me the most.
00:35:11It's just something that belongs to the killer.
00:35:15Killer, huh?
00:35:18Oh, simple.
00:35:20Handcuffs.
00:35:21Are these visions self-induced, Miss, uh...
00:35:24Nightborne.
00:35:26How the hell did you get in here, McCormick?
00:35:32That door's not marked men's room.
00:35:33I came downtown at the request of your department, Lieutenant,
00:35:36to sign a statement.
00:35:37You signed the statement?
00:35:38Oh, yes, sir.
00:35:39I certainly did.
00:35:40And then I just, uh, wandered down the hall.
00:35:42Now you can just wander back up the hall.
00:35:44We can help you if you get lost again.
00:35:46Actually, Lieutenant, I was going to ask you to do my show.
00:35:48Would you just get out of here?
00:35:49But I can see you're under so much pressure that...
00:35:52You'll probably embarrass yourself.
00:35:53Goodbye here with me.
00:35:54Ladies, Miss Betty Mercer, alias Betty Cowell.
00:36:04Alias Betty Mercer Cowell.
00:36:08Alias Elizabeth Mercer Cowell.
00:36:11Born Elizabeth Carteret in 1964.
00:36:17Max is 17.
00:36:19She was the same girl, Miss Nightborne.
00:36:24She, she was in trouble.
00:36:31She was calling out to me again.
00:36:36You think you could draw us a picture of the killer, Miss Nightborne?
00:36:39I should have known.
00:36:40You know, uh, the, uh, the color of his eyes, the shape of his nose, the mouth, scars.
00:36:49I should have come sooner.
00:36:51I should have come sooner.
00:36:52All right, Miss Nightborne.
00:36:53All right, Miss Nightborne.
00:36:59You may go, ladies.
00:37:00We'll be in touch.
00:37:02Weets, would you help the ladies out, please?
00:37:03Sure.
00:37:06Thank you very much, Miss Nightborne.
00:37:08Weird shit.
00:37:18Betty Mercer worked out of a bar called The Pearl.
00:37:20Now, I checked out relatives and friends of the victims, but they didn't seem to know each other.
00:37:24Did they know Betty Mercer?
00:37:25Not according to the bartender.
00:37:26It's, uh, a transient kind of place, you know, rough trade.
00:37:30Did she have a pimp?
00:37:32Maybe he killed him.
00:37:32Nah, she worked freelance.
00:37:35Bert Johnson, you know, the swimmer.
00:37:36He was a college-age student and Dearden, the con-ed man, had a wife and two kids.
00:37:42Hmm.
00:37:44Decent, upstanding citizen, son.
00:37:48My ass.
00:37:49Yes.
00:37:56Taxi!
00:37:57She's taking good care of you.
00:37:59Listen, uh, there's Kevin.
00:38:01If, uh, you do any more of these drawings, don't show them to anyone, all right?
00:38:05Just give me a call at that number.
00:38:07All right.
00:38:07Uh, well, thanks, Detective Weets, for everything.
00:38:10Sure thing.
00:38:10I hope I, uh, okay, bye.
00:38:13Don't fall out.
00:38:15Put your button down.
00:38:23Don't fall out.
00:38:24Oh, shit, what a stupid thing to say.
00:38:47Hi, Miss Naikwin.
00:38:48I was soaking wet.
00:38:49I'm sorry about that.
00:38:51Do you mind if I come in?
00:38:52Oh, well, I...
00:38:52I don't know whether you remember me.
00:38:53I was...
00:38:54Oh, Paul McCormick.
00:38:55Yes, yes, good.
00:38:56You do remember.
00:38:58Come in.
00:39:03That was quite a show.
00:39:04You and Lieutenant Cullen played for us at the police station last night.
00:39:08Besides, I've been watching your, uh, expose on TV.
00:39:12Oh, good.
00:39:13Good.
00:39:13And I saw yours.
00:39:15I beg your pardon?
00:39:15Your...
00:39:16Your expose.
00:39:18Your drawings.
00:39:19Oh.
00:39:19They were scary.
00:39:22Very.
00:39:23Yeah, and very, uh, very visual.
00:39:27I mean, almost, uh, almost documentary.
00:39:32Look, Mr. McCormick, I...
00:39:33Oh, everybody calls me Mac.
00:39:34I will not do a segment on your TV show entitled, Let's Draw a Murder.
00:39:43I knew that's what you wanted when I opened the door.
00:39:45You are psychic.
00:39:48You don't have to be a visionary, Mac, to recognize a hype.
00:39:56Must be very exciting.
00:39:58You don't give up, do you?
00:40:01No, I mean, being a visionary.
00:40:04Can you see your future?
00:40:04When I was 16, I had my feet scratched, my knees hammered, my cranium stuck with pins.
00:40:14Ooh, ouch.
00:40:15I had been EEG'd and CAT scan, but nobody, nobody ever gave me a crystal ball.
00:40:24I want you on my show.
00:40:26I thought we just finished that conversation.
00:40:28But you didn't hear my offer.
00:40:31Now, what I want to do very simply...
00:40:32Yes, is exploit me.
00:40:33I know.
00:40:35I think becoming a celebrity is hardly exploitation.
00:40:40Look, Miss Nightborne, I don't...
00:40:41My friends call me Verna.
00:40:46Touché.
00:40:48Okay.
00:40:48Verna, I want to make a deal with you.
00:40:53At least let me make my pitch.
00:40:55What have you been doing?
00:40:56Selling encyclopedias?
00:40:58Now, I say drawing pictures of murders on TV is dangerous.
00:41:03What?
00:41:07Hello?
00:41:08Hello, Verna.
00:41:10Hello, this is Detective Weeks, Verna.
00:41:12Please don't say my name.
00:41:13Look, I know Mac is in there with you.
00:41:16I saw him going to your building.
00:41:17I don't want him to know that I'm calling you, so...
00:41:19You've been watching me.
00:41:21No.
00:41:22No, not watching.
00:41:23Protecting.
00:41:24I just...
00:41:25I wanted to...
00:41:26Well, I want you to avoid anything foolish.
00:41:28It looks like my personal life needs protecting.
00:41:32And as far as doing anything foolish, I don't know what you mean.
00:41:36Oh, look, Verna, you don't understand it.
00:41:38My name's Nightbourne.
00:41:40Miss Nightbourne.
00:41:41Uh, look, if he wants you to be on his show, say no.
00:41:45Mm-hmm.
00:41:46Is there anything else I should say no to?
00:41:50Weeks?
00:41:50You said my name.
00:41:52Look, Detective Weeks.
00:41:54I can make that decision for myself.
00:41:56All right, well, how about letting me come up and we can talk it over?
00:41:59Sorry, Weeks.
00:42:01I have a date.
00:42:11Thank you, Verna.
00:42:18The thing is, I think that opportunity comes along so rarely.
00:42:24Look, three weeks ago I was doing spot jobs.
00:42:26I was, uh, waiting for my break.
00:42:29Then somebody said okay to me.
00:42:30They handed me my morning show.
00:42:32And just as I got on the tube,
00:42:36Betty Mercer's body floated up to the top of the odds.
00:42:40Now, I know that sounds grisly,
00:42:41but that was my opportunity
00:42:43to put myself on that network map.
00:42:46Why are you telling me all this?
00:42:50Because I don't want you to miss an opportunity.
00:42:53Yes, I think that the killer will try to get you.
00:42:56But I think the killer already knows about you.
00:42:58Now, if you draw on my show,
00:43:01you'll need protection.
00:43:03But you already need protection.
00:43:07Verna, I think the best protection in the world
00:43:09is to be so famous,
00:43:11he won't even dare come close to you.
00:43:14Or else become a famous corpse.
00:43:16Well, I want to thank you for a lovely evening.
00:43:37Well, I want to thank you for a lovely evening.
00:43:51So say yes.
00:43:52Don't be afraid.
00:43:59I'll be with you all the way.
00:44:00Well, I want to thank you for a lovely evening.
00:44:01I want to thank you for a lovely evening.
00:44:02Thank you for a lovely evening.
00:44:03Thank you for a lovely evening.
00:44:04Thank you for a lovely evening.
00:44:05Thank you for a lovely evening.
00:44:06Thank you for a lovely evening.
00:44:07Thank you for a lovely evening.
00:44:08Thank you for a lovely evening.
00:44:09Thank you for a lovely evening.
00:44:10Thank you for a lovely evening.
00:44:11Thank you for a lovely evening.
00:44:12Thank you for a lovely evening.
00:44:13Thank you for a lovely evening.
00:44:14Thank you for a lovely evening.
00:44:15Thank you for a lovely evening.
00:44:16Thank you for a lovely evening.
00:44:17Thank you for a lovely evening.
00:44:18Thank you for a lovely evening.
00:44:19Thank you for a lovely evening.
00:44:20Thank you for a lovely evening.
00:44:21Thank you for a lovely evening.
00:44:22Thank you for a lovely evening.
00:44:23Don't fuck with me, you cunt.
00:44:25Next time I come back here, you better be nice to me.
00:44:27Otherwise, I'm gonna fucking hurt you!
00:44:29You understand?
00:44:35Oh!
00:44:37Oh!
00:44:39Oh!
00:44:41Oh!
00:44:43Oh!
00:44:45Oh!
00:44:47Oh!
00:44:49Oh!
00:44:51Oh!
00:44:52Oh!
00:45:02What the?
00:45:04Where the fuck?
00:45:20Help me!
00:45:22Help me!
00:45:24Help me!
00:45:26Help me!
00:45:28Help!
00:45:30Help!
00:45:32Help me!
00:45:34Help me!
00:45:40Help me!
00:45:44How 다zing.
00:45:46Love me!
00:45:48All right!
00:45:49Hey, Doc, get one of the kids to put away my words, will you?
00:45:58Tell them I'll make them a star.
00:46:19Jesus, Weeks. What do you want? What are you doing here?
00:46:35I want the girl kept out of this. Don't put her on the show.
00:46:39What, are you paying her rent? What's all the interest?
00:46:42He might try to kill her.
00:46:45You're right, he might, but we have a plan.
00:46:48You put her on the show. The deal's off.
00:47:18No! No! Oh! Oh!
00:47:20You all right? Yeah.
00:47:22I called the police. No, I'm all right. Don't call the police.
00:47:26I'm all right. Don't call the police.
00:47:28I'm all right. Don't call the police.
00:47:30I'm all right. Don't call the police.
00:47:32I'm all right. Don't call the police.
00:47:34I'm all right. Don't call the police.
00:47:36I'm all right. Don't call the police.
00:47:40I'm all right. Don't call the police.
00:47:42I'm all right. Don't call the police.
00:47:44I'm all right. Don't call the police.
00:47:46I'm all right. Don't call the police.
00:47:48I'm all right. Don't call the police.
00:47:50I'm all right. Don't call the police.
00:47:52and this is paul mccormick and the show is called talk back this morning before the broadcast i was
00:48:10attacked in my own home and although i've only got a small cut on my neck and a lump on my head
00:48:16it's obvious that someone wanted to kill me and equally obvious to me that that someone is the
00:48:22handcuffed killer but he left these behind
00:48:28now you're seeing these before the police do these are the only piece of evidence real evidence
00:48:37directly connected to a living victim apparently i got too close to him for comfort
00:48:43and these are what i have to show for it no thanks to the police
00:48:47i got a pretty good idea that these things are covered with his fingerprints also i can make a
00:48:53very accurate description of the man i don't intend to let up on this not for a moment whatever the
00:49:01pressures also i expect very soon to have a special guest who will shed a whole new light on the
00:49:10handcuffed killings thank you that's all for today
00:49:14hi
00:49:18i just came by to show you i'm sorry about the other night i mean i know you thought i was spying on you and
00:49:41uh i just wanted you to know my interests really are strictly personal actually
00:49:46i know that's why you came
00:49:50there was another murder last night
00:50:00how would you know that
00:50:04because i saw it drew this morning
00:50:13this is it isn't it that's it exactly
00:50:18i just did this right before you came in uh this is part of the one that i did of myself
00:50:29now i don't know what these mean but i feel they're coming at me coming at you
00:50:37all right well we'll add these to our collection and
00:50:42i'm not going to let anything happen to you
00:50:52okay
00:50:54it's a nice colored sweater
00:51:03oh my sisters my kid sister yeah you remind me of her
00:51:07yeah your eyes i knew there was something
00:51:10i didn't know you had a kid sister
00:51:13uh i don't but if i did i know you'd remind me of her
00:51:18it's a long story i really was hoping maybe i i could tell it to you over dinner and uh
00:51:24that i do a stand-up comic and they i'm gonna do my act tonight i thought you might come with me and
00:51:30i have a date
00:51:33oh
00:51:35uh mac
00:51:37oh you could break that
00:51:41i mean mac's uh very involved uh plotting lieutenant columb's downfall
00:51:45anyway he's go right back to the drawing board
00:51:48what do you say
00:51:50yeah i could break it
00:51:57yeah
00:51:59yeah
00:52:00gee if i had known it was this far i mean i i don't you know i brought my canteen or my
00:52:08camera with me
00:52:09wait don't tell me woody allen
00:52:11who's this takes uh a lot of practice
00:52:17no say good night tracy
00:52:19uh it's not very good but it's hard it burns
00:52:24yes thanks a lot
00:52:26ah come on i bet you're having more laughs with me yeah with a tv dinner mccormick huh
00:52:31that's true
00:52:31why do you take you someplace classy huh where a poor shop like me would feel out of place huh
00:52:35hey you want to go someplace classy
00:52:37yes
00:52:37okay
00:52:37the head waiter at the plaza hotel
00:52:40uh has a brother-in-law who is an illegal alien
00:52:43and knows i know it
00:52:45huh
00:52:45you want to go to the plaza hotel
00:52:47yes
00:52:48okay
00:52:48just snap
00:52:49hey this is nice
00:52:50hey this is nice
00:52:51thanks
00:52:52oh
00:52:56thank you so much for watching
00:52:58thank you so much for watching
00:52:59uh...
00:53:00let's see
00:53:01uh...
00:53:02uh...
00:53:03uh...
00:53:06yeah
00:53:07um...
00:53:09uh...
00:53:10uh...
00:53:11uh...
00:53:13uh...
00:53:14uh...
00:53:15Let's go.
00:53:45Obstetrics, please.
00:53:56Oh, wait a second. That was just a little kiss.
00:53:59That's funny.
00:54:01Um, yes, I'd like to speak to Muriel Watson, please.
00:54:04Um, well, uh, could you tell her that Verna Nightbourne called?
00:54:11We have to get her supervisor.
00:54:13You want to go to Trinidad, will you?
00:54:15Um, yes, uh, I'd like to talk to Muriel Watson.
00:54:21Uh.
00:54:22Why?
00:54:25Well, I'd like to leave a message then.
00:54:27Just need coconuts.
00:54:28That's okay.
00:54:30Uh, yeah.
00:54:32Could you tell her that Verna Nightbourne called, please?
00:54:35Yeah, you're crazy.
00:54:39Uh, catch her midnight.
00:54:40No, no, no, I was talking to someone else.
00:54:42I'm sorry.
00:54:43Um, just tell her I'll meet her at the comic strip, okay?
00:54:46Uh, at about a quarter to ten.
00:54:49At about a quarter to ten, okay?
00:54:51Bye-bye.
00:54:51Bye-bye.
00:54:52Bye-bye.
00:54:52Bye-bye.
00:54:53Bye-bye.
00:54:54Bye-bye.
00:54:55Bye-bye.
00:54:56Bye-bye.
00:54:57Bye-bye.
00:54:58Bye-bye.
00:54:59Bye-bye.
00:55:00Bye-bye.
00:55:01Bye-bye.
00:55:02Bye-bye.
00:55:03Bye-bye.
00:55:04Bye-bye.
00:55:05Bye-bye.
00:55:06Bye-bye.
00:55:07Bye-bye.
00:55:08Bye-bye.
00:55:09Bye-bye.
00:55:10Bye-bye.
00:55:11Bye-bye.
00:55:12Bye-bye.
00:55:13Bye-bye.
00:55:14Bye-bye.
00:55:15Bye-bye.
00:55:16Bye-bye.
00:55:17Bye-bye.
00:55:18Bye-bye.
00:55:19Jack, hi Lou. He's in 4E. Watch it. He's got his fucking dog with him. I owe you one, Jack.
00:55:41Great, a dog. You got a dog up there?
00:55:43A dog.
00:55:49He's got a dog up there.
00:56:19He's got a dog up there.
00:56:49He's got a dog up there.
00:56:51He's got a dog up there.
00:56:53You got a warrant for your MS.
00:56:55He's got a gun.
00:56:57There will be a gun.
00:56:59You have the right to have a lawyer.
00:57:01Clear the hall, Robert.
00:57:03Alright folks, let's clear the hall.
00:57:05Alright folks, it's a police matter.
00:57:07You said somebody paid him.
00:57:12For what?
00:57:13To kill?
00:57:14Who paid you?
00:57:17There's no more to say.
00:57:21Yeah, well, tell him we're taking him down to the station.
00:57:27Okay, let me put my shirt on.
00:57:30Go ahead, get your shirt.
00:57:33Brother!
00:57:36González!
00:57:37Oh, my God!
00:57:46Really!
00:57:48Get her out of here!
00:57:50Willie!
00:57:53Get her out of here!
00:57:54Willie!
00:57:55Are you in there?
00:57:55Are you in there?
00:57:56No, no, no, no.
00:57:59Oh, my God.
00:58:01Oh, my God.
00:58:02Oh, my God.
00:58:03What is this?
00:58:03What's going on in here?
00:58:05Oh, my God.
00:58:06I had a kid, Frank Bailey. These are true kids. You don't have to make them up.
00:58:22CJ, first day of school.
00:58:23Hi, how are you doing?
00:58:25Good, good. Hey, this is my friend, Vernier.
00:58:29Hi, every year.
00:58:30Hey, good luck tonight.
00:58:32Thank you. Thank you.
00:58:33Yeah? Okay, great.
00:58:36Uh, people don't realize what it's like to be a schoolteacher in this day and age.
00:58:41My kids had difficulty remembering my name, uh, Wolfberg.
00:58:44You wouldn't think all that tough, and they called me Wolfman and, uh, Wolfgang.
00:58:48I had a kid first day of school called me Wolfshit, uh, which is a logical mistake for a child
00:58:53to make, I guess.
00:58:54Uh, uh, I had a little girl, Kathleen Lewis, uh, nice girl, but she had a health problem,
00:58:59a, uh, a chronic gastrointestinal, uh, disorder, and, uh, wasn't funny, wasn't funny.
00:59:04She, she used to emit prodigious amounts of gas, and, uh, and, well, kids are merciless.
00:59:10Uh, they used to call her Earth, Wind, and Fire.
00:59:12Fire, huh?
00:59:14Uh, thank you very much, very nice.
00:59:18I was with a lady in Myrtle Beach, South Carolina a little while back, who thought of me as nothing
00:59:22more than a sex object.
00:59:25I assumed that was the case.
00:59:26She called me a dildo.
00:59:27I said, thank you very much.
00:59:31Ah, it's a different world with you, ladies, now.
00:59:33I read the Height Report, the survey of a female sexuality.
00:59:36Very interesting.
00:59:37They found, they, they found, for example, that over 60% of all women in America, according
00:59:43to the Height Report, have at one point or another faked an orgasm.
00:59:46Sir, it's not your fault.
00:59:48I'm, uh, I'm sure I was subjected to this particular phenomenon once.
00:59:54Once, once that I know of, anyway, because on this particular occasion, she wasn't really
00:59:58very, very good at it, uh, uh, she, she had no sense of timing.
01:00:03We weren't even having sex, so, uh, we were having lunch, she didn't fool nobody, uh.
01:00:09Okay, thanks.
01:00:11Hello?
01:00:12Muriel?
01:00:13Vernon Nightborne?
01:00:14Yes?
01:00:15I have Muriel Watson with me, outside.
01:00:18She's in the truck across from the stage door.
01:00:23Who is this?
01:00:24It's now 10 minutes of 10.
01:00:26If you're not here in two minutes, you'll find her crushed under the wheels of the truck,
01:00:30handcuffed.
01:00:31Oh, my God.
01:00:32I mean, I like chicken salad as much as the next guy.
01:00:36I'm talking chicken salad for the kids.
01:00:40No, no, no, no, no, no, no, no, no, no.
01:00:47Where's Larry Weeks?
01:00:48Larry Weeks, uh, I don't know, he must be in the can.
01:00:51Come on, man.
01:00:52Thanks.
01:00:53I don't know, no, no, no, no, no, no, no, no, no.
01:00:55Here you go.
01:00:56You can't hear him.
01:00:57Here you go.
01:01:10Hi.
01:01:11I'm bringing it to you.
01:01:12I'm bringing it to you.
01:01:13I don't know.
01:01:43I don't know.
01:02:13I don't know.
01:02:15I don't know.
01:02:17I don't know.
01:02:19I'm right here.
01:02:21You're trying to kill me.
01:02:23You're trying to kill me.
01:02:25Come on.
01:02:26I have to stop him.
01:02:30Stop him.
01:02:31Come on.
01:02:33Come on.
01:02:34We're going to go to the hospital.
01:02:36St. Clair's Hospital.
01:02:4314.
01:02:44What's the count?
01:02:4513.
01:02:4612.
01:02:47Let's go, girls.
01:02:48Hurry up.
01:02:49Ten.
01:02:50You ready, Verna?
01:02:51Nine.
01:02:52Eight.
01:02:53Let's go, girls.
01:02:54Finish her off, please.
01:02:55I'll lead you through the whole show.
01:02:56Five.
01:02:57Four.
01:02:58Three.
01:02:59Two.
01:03:00One.
01:03:01Quiet.
01:03:02And you're on.
01:03:03Good morning.
01:03:04This is Paul McCormick, and the show is called Talk Back.
01:03:07As I promised you, I have a very special guest for you this morning.
01:03:12Late last night, the handcuff killer attempted a hit and run on Miss Verna Nightbourne.
01:03:18So let me introduce my guest to you right now.
01:03:21I want to point out to you that you see before you the two latest intended victims of the handcuff killer.
01:03:27Like me, Verna was getting a little too close to him for comfort, but with an entirely different method.
01:03:34Suppose you tell us now, Verna, exactly what you've been doing that drew the killer's attention to you.
01:03:42Um, I'm a student at the Art Students League, and, uh, one afternoon I was sketching, and it was in life class.
01:03:56I thought I heard something at the window behind me.
01:04:02And then I...
01:04:06Listen.
01:04:15Yes, go on.
01:04:23What we do here today may conceivably save many lives.
01:04:32Yes, go on, run.
01:04:58It's all right, just relax.
01:05:22It's going to be all right.
01:05:24Okay.
01:05:24Can I turn this around and show this to the cameras?
01:05:29All right.
01:05:34Give me a close-up of this, will you, on camera two?
01:05:37Have you got that?
01:05:38Yeah.
01:05:54Oh, my God.
01:06:08Oh, my God.
01:06:10Oh, my God.
01:06:12Oh, my God.
01:06:16What are you doing here?
01:06:29God, Weeks, you get more like Cullum every day.
01:06:32What happened to you? I called here all night.
01:06:34I called the studio. They said you were gone. Where were you?
01:06:36The show was taped, hot shot.
01:06:38Where were you last night?
01:06:39Hey, you know what you've done?
01:06:40You realize what you've done now?
01:06:41I haven't done a damn thing.
01:06:42The hell you have?
01:06:43Oh, just stop it!
01:06:46I think Verna would like you to leave.
01:06:50Hey, you get out of here. We're here on police business.
01:06:52You get the hell out of here.
01:06:58You call me later.
01:07:04You're a tough man, Weeks.
01:07:05Miss Nightbourne, did Miss Watson say anything last night?
01:07:18Did she get a look at the killer?
01:07:22No, she said she didn't see him.
01:07:24She didn't see his face.
01:07:27He thought she did.
01:07:28If there's any information...
01:07:30Lou, give me some time, will you?
01:07:31Get a suitcase and pack some things, all right?
01:07:46What for?
01:07:47Because you've got to get out of here.
01:07:49How easy do you want to make it for this maniac?
01:07:51Do you understand what is going on here?
01:07:58Damn it, what's the matter with you?
01:08:00Don't you understand?
01:08:01You cannot stay here.
01:08:03Weeks, let's go.
01:08:03I want to talk to you.
01:08:27You got a warrant?
01:08:28Look, I don't care what you think.
01:08:29It's Verna I'm concerned about.
01:08:30She's not safe there.
01:08:31I know she'd stay with you.
01:08:35At least I'll know where she is.
01:08:37Sure, fine.
01:08:39But I want you to stay away.
01:08:42And if there's any more police business,
01:08:45send color.
01:09:01Okay.
01:09:08Okay.
01:09:09Okay.
01:09:09Okay.
01:09:09Okay.
01:09:13Okay.
01:09:13No, I still don't understand.
01:09:34What are you trying to do?
01:09:36I'm trying to solve your little puzzle.
01:09:38But why do you keep moving them around?
01:09:40Just separating the realistic ones from the others.
01:09:46We know this is Burt Johnson, the college kid.
01:09:58This is Betty Musa.
01:10:01I made a new drawing.
01:10:04Has anyone seen it?
01:10:05Did you show it to Weeks?
01:10:07No.
01:10:10This is the first time I've drawn them all together.
01:10:19This is great.
01:10:20I want you to come back on my show with us, okay?
01:10:25So that they were all together then when Betty Mercer was killed.
01:10:28Yes.
01:10:32There's the boy who drowned in the pool.
01:10:37There's the con ed man who was electrocuted.
01:10:39Who's this?
01:10:42The killer.
01:10:44Or the next victim.
01:10:45Then I have to go back and draw again.
01:10:52I have to draw his face.
01:10:54Now this one, she said, was of something that belonged to the killer.
01:10:58Look at this.
01:11:18Look at this.
01:11:20Look at how the dark mass in this realistic drawing is also in this one.
01:11:26And this section is no more than a blow-up of this.
01:11:31I can't.
01:11:56Okay, all right.
01:12:00I'm just, I'm too tired.
01:12:01Okay, all right.
01:12:02Why don't you lie down and then rest for a while.
01:12:05Okay, come in the other one.
01:12:06Okay.
01:12:07Okay.
01:12:12I'll call Cullen.
01:12:14We'll show him the drawing.
01:12:15Well, these jagged lines do look like the teeth of open handcuffs.
01:12:23Maybe it fits.
01:12:29Well, it doesn't fit anywhere.
01:12:45This could be the claw of a lobster.
01:13:14Or a crab.
01:13:22Or a crab.
01:13:44That's a crab.
01:14:02Okay.
01:16:42Move it.
01:16:44Move it.
01:16:46Move it.
01:16:48Move it.
01:16:50Move it.
01:16:58Move it.
01:17:00Move it.
01:17:02Move it.
01:17:04Hurry.
01:17:06Hurry.
01:17:08Hurry.
01:17:10Hurry, please.
01:17:12Move it.
01:17:18Move it.
01:17:20Move it.
01:17:22Move it.
01:17:24Move it.
01:17:26Move it.
01:17:32Move it.
01:17:34Move it.
01:17:38I don't know.
01:18:08I don't know.
01:18:38I don't know.
01:19:08I don't know.
01:19:38I don't know.
01:20:08I don't know.
01:20:38I don't know.
01:21:08Let me go.
01:21:16Please.
01:21:20Please.
01:21:50I don't know.
01:22:02I don't know.
01:22:14No!
01:22:15No!
01:22:16No!
01:22:18No!
01:22:20No!
01:22:22No!
01:22:28No!
01:22:30No!
01:22:38No!
01:22:40No!
01:22:41No!
01:22:46No!
01:22:48No!
01:22:50No!
01:22:51No!
01:22:52No!
01:23:00No!
01:23:02No!
01:23:12No!
01:23:13No!
01:23:14No!
01:23:15No!
01:23:16No!
01:23:17No!
01:23:26No!
01:23:27No!
01:23:28No!
01:23:29No!
01:23:30No!
01:23:31No!
01:23:32No!
01:23:33No!
01:23:34No!
01:23:35No!
01:23:36No!
01:23:37No!
01:23:38No!
01:23:39No!
01:23:40That's right, sir.
01:23:43Is Werner Armstrong around?
01:23:45Yes, he's right over there.
01:23:48Is there anything you can say?
01:23:57Say goodnight, Gracie.
01:23:59Goodnight, Gracie.
Recommended
1:31:36
1:39:56
1:30:39
59:42
1:33:47
28:31
1:05:07
1:22:24
49:37
1:34:14
49:33
1:24:36
1:26:34
1:34:17
1:35:18
1:34:43
1:15:14
1:40:55
1:27:52
Be the first to comment