- 5 months ago
Red Rings of Fear (1978) - Full Movie Uncut
Category
🎥
Short filmTranscript
00:02:59Why do you have to steal?
00:03:02Oh, for fun.
00:03:05You are a naughty little girl.
00:03:08Oh, no.
00:03:10Oh, yes.
00:03:18No, I'm just doing a little pitching.
00:03:22I'll be there in 10 minutes.
00:03:23I'm sorry.
00:03:25I'm sorry.
00:03:26I really am, but I have to go.
00:03:28Don't worry.
00:03:28I'll be back one day.
00:03:29That's what Columbus probably told his wife.
00:03:32Funny.
00:03:32Well, what'll you do now?
00:03:36Oh, curl up with a nice book.
00:03:42See you.
00:03:43Bye.
00:03:45Hi.
00:03:55Hi, Lewis.
00:03:59What have you got this time?
00:04:05You'll see.
00:04:05Sorry to call you at home.
00:04:07When they told me you weren't in the office, I...
00:04:09The suspense is killing me, Lewis.
00:04:10The girl, 16 or 17, she can't be more.
00:04:12They found her a half hour ago.
00:04:14Murder or suicide?
00:04:15Murder. Somebody really made a mess of her belly.
00:04:17Cut about this long, really awesome.
00:04:19Come up with the strangest choice of words sometimes.
00:04:21I improve my vocabulary by studying the reader's digest.
00:04:26Well, now you're here.
00:04:27You better listen to what the doc has to say.
00:04:29Right.
00:04:30I can't be specific until after the autopsy.
00:04:33But off the record, I can tell you that she's in her late teens
00:04:35and was probably killed about 24 hours ago.
00:04:37Give or take an hour.
00:04:39Her lower abdomen has been torn open by an instrument
00:04:42that was anything but sharp.
00:04:43Death was probably due to loss of blood.
00:04:46Her face is composed, which suggests that she was unconscious
00:04:48before being butchered.
00:04:52Well, it's up to you now.
00:04:55Crack down the killer before he carves up somebody else.
00:04:58I'll put Santini in the case you're investigating at the moment.
00:05:03George, do me a favor.
00:05:04Go to the morgue with the cadaver
00:05:06and see that the sack and the rope get to the lap.
00:05:09Then get on to missing persons and check out her age back.
00:05:11Come on, put some snap into it, kid.
00:05:29It's got to be ready for this evening.
00:05:30And you two, get her a new paint job and see covers.
00:05:33Get moving, will you?
00:05:34The lady's looking for you, inspector.
00:05:50Angela, my God, no!
00:06:10I would have wanted to kill my Angela.
00:06:12She was, she was such a good girl.
00:06:14Oh, no.
00:06:16Oh, no.
00:06:17Oh, no.
00:06:19Oh, no.
00:06:20Oh, no.
00:06:21Oh, no.
00:06:36You can go home now.
00:06:44Oh, no.
00:06:46Don't cry, Mom.
00:07:04I hear we've had some progress.
00:07:06Yeah.
00:07:07And?
00:07:08Yeah, we've got a make on her.
00:07:09Ah, good.
00:07:10Her name was Angela Russo.
00:07:1216.
00:07:14That's the mother and the little sister.
00:07:32Was the doc right?
00:07:33Yeah, it was the hemorrhaging.
00:07:36It seems she was really chewed up inside.
00:07:39Must have been somebody who's got a pretty developed sense of perversion.
00:07:44Hmm.
00:07:45What did he use?
00:07:46I wish I knew.
00:07:47But he did have the grace to knock her out first.
00:07:51Hmm.
00:07:52You on your way to the office?
00:07:53Is it a little chat?
00:07:54Yeah.
00:07:55That's right.
00:07:56Bye.
00:07:57Yeah, thanks.
00:07:58I'm so sorry.
00:07:59I missed out there.
00:08:00There are two hours.
00:08:01You have to go here.
00:08:02I'm sure.
00:08:03What are you doing?
00:08:04Can I go now?
00:08:05I'm good enough.
00:08:06I'm sure.
00:08:07Oh, yeah.
00:08:08Can I go now?
00:08:09Oh, yeah.
00:08:10I'm good enough.
00:08:11You can see.
00:08:12Oh.
00:08:13Yeah.
00:08:14Yeah.
00:08:15Come on, come on.
00:08:44I sent her to a boarding school
00:08:58so she wouldn't miss her father so much.
00:09:03Did you give her an allowance?
00:09:07Oh, yes, a small one.
00:09:10Enough for a few things she needed at school.
00:09:14Tell me, was Angela going steady?
00:09:22I mean, did she have a boy she was going out with?
00:09:25Oh, I don't think so, Inspector.
00:09:27On the weekends she was at home.
00:09:30Or else she'd go out with her girlfriends.
00:09:34Um, they were called the inseparables.
00:09:36Angela, Franca, Paola, and Virginia.
00:09:39Come on, come on.
00:09:57Come on!
00:09:59Here, come on!
00:10:00Here! Here!
00:10:02Here! Here!
00:10:04Here! Here!
00:10:06Virginia! Here!
00:10:08Here! Here!
00:10:10Come on!
00:10:12Come on!
00:10:14Come on!
00:10:16Here!
00:10:18Come on!
00:10:20Come on!
00:10:22Come on!
00:10:24If you'll come with me, I'll show you around the school.
00:10:28We'll see you at 11.45. Fine, thank you.
00:10:30This way.
00:10:32I want to make quite sure you understand that we are not used to having police officers on the premises.
00:10:36I don't see why you should be.
00:10:38I hope you're not used to having your students murdered, either.
00:10:46In case you don't already know, we are considered an exclusive school.
00:10:50Our girls come from the very best families.
00:10:53Oh, I believe Angela's parents were divorced recently.
00:10:56So, we are not concerned with the parents' domestic arrangements.
00:10:59As long as the fees are paid, of course.
00:11:03The part here classroom.
00:11:05In the fifth row, third on the right.
00:11:08That was Angela's desk.
00:11:10This one?
00:11:11Yes.
00:11:12She was rather backward.
00:11:13And, er, following our normal practice, she slept in the same room as the two brightest members of the class.
00:11:17Hmm.
00:11:18I'll have to talk to them later.
00:11:19I only hope this unfortunate business will not affect our reputation.
00:11:23Could you tell me the names of these roommates?
00:11:25Yes, of course.
00:11:26Well.
00:11:28Could you tell me the names of these roommates?
00:11:30Yes.
00:11:31Of course.
00:11:32I'll have to talk to them later.
00:11:34I only hope this unfortunate business will not affect our reputation.
00:11:50Could you tell me the names of these roommates?
00:11:52Yes, of course.
00:11:54Laura Matthews and Virginia Breeden.
00:12:02What's up?
00:12:04How do you like him?
00:12:06Oh, you're out of my way.
00:12:08Get off.
00:12:10Get off.
00:12:12No, it's cold now.
00:12:14Get off.
00:12:16Get off.
00:12:22Get off.
00:12:24Get off.
00:12:26Get off.
00:12:28Get off.
00:12:30Get off.
00:12:32Get off.
00:12:34I see that.
00:12:36Is this even short?
00:12:38Yeah.
00:12:40Oh no.
00:12:42One is fine.
00:12:44Yes.
00:12:46I love you.
00:12:48You're welcome.
00:12:50Wait a minute.
00:12:54Can't wait in the west?
00:12:56Oh, oh, oh, Franka.
00:13:26Paola.
00:13:29What's the matter?
00:13:30What is it?
00:13:36Come sit here.
00:13:37It will all be over in a few days.
00:13:42Before you meet the girls, I'll take you to the teacher's room.
00:13:45I don't like to keep them waiting.
00:13:46Of course not.
00:13:47This way.
00:13:50Good morning.
00:13:51Good morning, Miss Graham.
00:13:52A little less noise, please, girls.
00:13:54Good morning.
00:13:55Good morning.
00:13:55Good morning.
00:13:56Good morning.
00:14:02Mr. Sartaro, our maths teacher.
00:14:05Pleased to meet you.
00:14:07Mr. Mandel, Greek.
00:14:09And man, too.
00:14:11Mr. Mandel is also our assistant headmaster.
00:14:15Mademoiselle Blanche Duprois, French.
00:14:17How do you do?
00:14:17The Reverend Carlo Mariani, our theology teacher and school chaplain.
00:14:24Mr. van der Weyden, English and German.
00:14:27Pleased to meet you.
00:14:29Mr. Riva, phys ed and sports.
00:14:32How do you do?
00:14:34Oh, sorry.
00:14:35I'm Umberto Conti, history and philosophy.
00:14:38I thought the meeting was supposed to be at noon.
00:14:40Do excuse me.
00:14:41Pleased to meet you.
00:14:41Miss Graham, please excuse my ignorance, but I'm familiar with private schools.
00:14:51Do the teachers sleep here?
00:14:53Well, that depends.
00:14:54There's no fixed board.
00:14:54I don't, for example.
00:14:56I have a room outside.
00:14:58It's less confining.
00:15:00I take it the students always sleep here.
00:15:02No, no.
00:15:02They can sleep at home if they like.
00:15:04We're quite liberal about such things.
00:15:07I see.
00:15:07Very progressive.
00:15:09It must be rewarding to work in such an inspired establishment.
00:15:12From the day it was founded until the present time, in this lovely building, there has been
00:15:16a tradition...
00:15:16Somebody with a cock this big raped Angela Russo and threw her in the river.
00:15:19Stop.
00:15:19Please, stop.
00:15:20We all read the papers.
00:15:22So you can spare us the details.
00:15:24Why?
00:15:24Are the facts of life too offensive for the hallowed halls of St. Therese's School for Girls?
00:15:31The truth can never be ignored.
00:15:32Hey, Mr. Hey!
00:15:42It's very important.
00:15:44Wait for me down that path.
00:15:45But don't let them see you.
00:15:48Okay, fine.
00:16:02How do I know I can trust you?
00:16:05Well, I am a policeman.
00:16:08Here.
00:16:09It was in my sister's locker.
00:16:13Well, see what's inside it.
00:16:15Go on.
00:16:17Did you look?
00:16:18Sure.
00:16:20Okay.
00:16:20Why don't you get all this money?
00:16:31Why don't you go ask them?
00:16:33They were her best friends.
00:16:42If anybody knows what Angela was up to, it's them.
00:16:45Saturday, May 20th.
00:16:54Saturday, May 27th.
00:16:59Strange.
00:17:00Every Saturday a cat.
00:17:02Saturday?
00:17:04June 10th.
00:17:05Here's the coffee, Johnny.
00:17:18Thanks.
00:17:20All that money in a diary.
00:17:22Full of revealing secrets?
00:17:23I don't know.
00:17:25This cat must mean something.
00:17:28Don't stir it.
00:17:29Put too much sugar in.
00:17:30Great.
00:17:30I wouldn't have kicked her out of my bed.
00:17:34Wow, this is terrific.
00:18:01Where'd you get it?
00:18:02Sorry to put it in my locker.
00:18:04Let me see.
00:18:10Towards the black shadow.
00:18:12Death will come to meet you.
00:18:14And your deepest desires will then come true.
00:18:17Nemesis.
00:18:34I don't want you to go to.
00:18:35Wait a minute.
00:18:43What the hell?
00:18:52Okay.
00:18:54Wait a minute.
00:20:27I'm so afraid.
00:20:56I'm so afraid.
00:21:02Personally, I don't think the school has anything to do with it.
00:21:06Cases of this kind come up more often than we care to think.
00:21:09You know how many homicides we had last year in which the victim was raped?
00:21:13Twenty-seven.
00:21:14Twenty-two of which are unsolved.
00:21:18I know.
00:21:19But she wasn't only raped.
00:21:22How many cases are there like that?
00:21:25Not one.
00:21:26She's in a different category.
00:21:29Coffee?
00:21:30Without sugar, please.
00:21:31Yes, sir.
00:21:37Okay.
00:21:37What's bothering you, Lewis?
00:21:38You didn't invite me to dinner to discuss statistics.
00:21:41No.
00:21:41Specifically the Russo case.
00:21:43I'm in a quandary.
00:21:43St. Therese's is not the local high school.
00:21:46The students are all money and class.
00:21:50And no one wants a scandal, no matter what.
00:21:53And that means we have to close the case.
00:21:55Quickly and cleanly.
00:21:58Solved or not.
00:21:59And now tell me the news.
00:22:02How far have you got?
00:22:05I've got a lot of information.
00:22:07You might say every ball's a strike and I'm batting zero.
00:22:13I hear you can have this back.
00:22:15Lewis, I'll close the file if you like.
00:22:17But first I'm going to find out who killed her.
00:22:29I'm going to find out who killed her.
00:22:59I'm going to find out who killed her.
00:23:17Christina, you hear?
00:23:25Hey, why didn't you answer?
00:23:27Sorry, I was meditating.
00:23:28I hope you didn't steal that stuff in the supermarket.
00:23:35I was brought up too honest.
00:23:37Well, nobody's perfect.
00:23:39I fed all those teachers' names into the computer.
00:23:41And blew a fuse.
00:23:42Too much culture, I guess.
00:23:43So I resorted to walking around asking questions.
00:23:47Amazing, the results you come up with.
00:23:49What have you found out?
00:23:50Nothing.
00:23:51Except all the girls are stinking rich.
00:23:53And she knew that already.
00:23:55None of the teachers has a police record.
00:23:56Hey, wait a minute.
00:23:57Stop the car.
00:24:08Look at that.
00:24:09Where have you seen it before?
00:24:10Oh, you are gorgeous.
00:24:15Hey, not the ass.
00:24:18The cat.
00:24:20The cat.
00:24:21It's not what you call the focal point of the poster, is it?
00:24:25Look at this.
00:24:26It's the Russo girl's diary.
00:24:28It's the same, right?
00:24:29Uh, well, I get it.
00:24:33Let's go.
00:24:33I get it.
00:24:34Excuse me, feline jeans.
00:25:03What? On the rack over there, sir.
00:25:06Oh, yeah, thanks.
00:25:06Sure.
00:25:33Uh, miss?
00:25:35Yes?
00:25:36Do me a favor and see if they fit, will you?
00:25:37My core was supposed to come with me, but, oh, sorry.
00:25:40How do they look?
00:25:41Great. Just great, okay.
00:25:43Around the ass, huh?
00:25:44I'm sure.
00:25:44Good. When do I owe you?
00:25:461680.
00:25:52Hey, don't look too close.
00:25:53I'm one of my best.
00:25:59Have you seen Angela, sweetheart?
00:26:01Angela?
00:26:01No, sorry.
00:26:02You don't know her, huh?
00:26:03No, I'm sorry.
00:26:04She's always in here.
00:26:06Wait a minute.
00:26:06I got a photograph.
00:26:07You recognize it, don't you?
00:26:08No, I'm sorry.
00:26:09I really don't know it.
00:26:10Take a better look.
00:26:10There's your change.
00:26:12You want a bag to put those in?
00:26:14Bye.
00:26:14Ciao.
00:26:15Ciao.
00:26:15Oh, boy, would I like to get my hands on you flat out.
00:26:41Move that bike.
00:26:46I want to park.
00:26:47What do you mean, move it?
00:26:48That's a thing of beauty you're talking about.
00:26:51Have a nice day.
00:26:53Son of a bitch.
00:26:54I want to park.
00:26:55I want to park.
00:26:55I want to park.
00:26:55I want to park.
00:26:56I want to park.
00:26:56I want to park.
00:26:57I want to park.
00:26:57I want to park.
00:26:58I want to park.
00:26:58I want to park.
00:26:59I want to park.
00:26:59I want to park.
00:27:00I want to park.
00:27:00I want to park.
00:27:01I want to park.
00:27:01I want to park.
00:27:02I want to park.
00:27:02I want to park.
00:27:03I want to park.
00:27:03I want to park.
00:27:04I want to park.
00:27:04I want to park.
00:27:05I want to park.
00:27:05I want to park.
00:27:06I want to park.
00:27:06I want to park.
00:27:07I want to park.
00:27:07I want to park.
00:27:08I want to park.
00:27:09I want to park.
00:27:10I want to park.
00:27:41Oh, God! Help!
00:27:49I can't hold him!
00:27:55Help!
00:27:58Oh, God!
00:28:02Help! Help me!
00:28:07Franka! Franka!
00:28:11Are you okay?
00:28:18Oh, Matt!
00:28:21It's all right.
00:28:32Look!
00:28:32No wonder he bolted.
00:28:45There. You see? I stole it from their room.
00:28:47Okay. Now, what happened and who got hurt?
00:28:55I already told you, Inspector.
00:28:57Franka's horse, Bolton, after what this just happened to be,
00:28:59sticking in its side.
00:29:00How did it get there, huh?
00:29:05You're not trying to put me on, are you?
00:29:07Oh, sure.
00:29:07That red stuff is ink, right?
00:29:09You're not trying to put the cat in front of the pigeons.
00:29:23Let's go, Starsky. It's time we put the cat among the pigeons.
00:29:23Hey, we should have phoned first.
00:29:47What? What do you say? Huh?
00:30:05Who is it?
00:30:07Police.
00:30:08Inspector DiSalvo.
00:30:09Open the door.
00:30:10Oh, no. I have to inform Miss Graham first, sir.
00:30:12You heard me.
00:30:13It's the police. Open up.
00:30:14If you wait in the hall, will I announce you?
00:30:16Don't worry. I'll announce myself.
00:30:18Inspector! No, you can't.
00:30:20What is the meaning of this intrusion, Inspector?
00:30:21I'll explain later.
00:30:22Do you realize what time it is?
00:30:23You have no authority to force your way in here.
00:30:26Where are you going?
00:30:27If you want to speak to somebody, let me call him for you.
00:30:29You can see him in my office.
00:30:30Inspector, please.
00:30:31What is the meaning of this?
00:30:32You owe me an explanation.
00:30:34Oh, my God.
00:30:35Everyone's asleep.
00:30:36Ask me what you want to know.
00:30:37Right. I'll tell you everything you know about Angela Russo and about the accident today.
00:30:41What accident? I don't know what you're talking about.
00:30:42Is that a fact?
00:30:43That's Mr. Martin. No!
00:30:45Please, what's going on?
00:30:46Who killed Angela Russo?
00:30:47I don't know. Honestly, I don't know.
00:30:50You all pay for this. You have no warrant. This is trespassing.
00:30:53I came here to find out who murdered Angela Russo.
00:30:55I hope you'll explain that to your superiors.
00:30:57What's going on? Oh, Inspector.
00:30:58Who killed Angela Russo?
00:31:00Dear me, I have absolutely no idea.
00:31:01This is outrageous.
00:31:02I must ask you to leave, Inspector, before I call the police.
00:31:04Oh, look who's here.
00:31:05I thought you didn't sleep in the school, Mr. Van der Veen.
00:31:07I don't understand. What is this?
00:31:09Tell me all you know about Angela Russo.
00:31:10Nothing.
00:31:11That's enough, Inspector.
00:31:12You have no right to question my staff in this manner.
00:31:14I can only presume that you are under some stress and it has affected your brain.
00:31:16One of your students has been murdered and I'm doing my job.
00:31:19Now, where do the girls leave?
00:31:20Oh, no. That's out of the question.
00:31:22You will please leave this school at once.
00:31:24Where are you going? Where are you going?
00:31:25You are not to wake up the girls.
00:31:27You have no right to go in there.
00:31:28No right.
00:31:29Game's over, girls.
00:31:36No, I want you to tell me the truth.
00:31:38Get it through your heads that your friend was raped and murdered.
00:31:41And that the same thing could happen to you.
00:31:43Unless you tell me everything you know.
00:31:45But please, we don't know anything.
00:31:47Then what the hell is this?
00:31:47It's the thing that made my horse bolt this morning.
00:31:54I guess somebody threw it.
00:31:56I didn't see anything.
00:31:57Give me that.
00:31:59And how about this?
00:32:08Okay.
00:32:09I'll listen to you one at a time.
00:32:12There it is there.
00:32:13It only comes down on weekends.
00:32:15Good. I'll let myself in.
00:32:17I don't believe those three little angels were lying.
00:32:20They were too frightened.
00:32:22So he's the one who can give us the juicy details.
00:32:26I don't hear any applause.
00:32:27Sorry. I think you're terrific.
00:32:29Thanks, sweetheart.
00:32:31See you around.
00:32:32What do you mean? Around where?
00:32:34Listen.
00:32:35I want to talk to him alone.
00:32:37You just toddle on back to town and keep an eye on that gene chop.
00:32:39Okay?
00:32:40Okay.
00:32:47I want to talk to you.
00:36:26He had a Dutch driver's license.
00:36:49His name was Van Rey.
00:36:50Here's his ID.
00:36:51Thanks.
00:36:57Run towards the black shadow.
00:37:00Death will come to meet you or your deepest nemesis.
00:39:32Move over, princess.
00:39:55Your lord and master wants his chair.
00:39:57Come on, just chair.
00:39:59Oh, hi.
00:40:01Hi.
00:40:03Oh, hi.
00:40:05Oh, hi.
00:40:11Oh, hi.
00:40:13Hi.
00:40:15How come you're home so early?
00:40:25I wanted to see you.
00:40:26That's nice.
00:40:27Yeah, you've been on your own too much recently.
00:40:29You know, I don't think I deserve someone like you.
00:40:31Oh, I think every policeman deserves a shoplifter.
00:40:33It keeps things in the right perspective.
00:40:35Yeah.
00:40:36Yeah.
00:40:37Yeah.
00:40:38Yeah.
00:40:39I'll come in my own car.
00:40:41Yeah.
00:40:42I'm sorry.
00:40:43I'm being paged by the chief.
00:40:45Johnny.
00:40:46Yeah.
00:40:47I won't be here when you get back.
00:40:49Thanks for telling me.
00:41:21Take care.
00:41:23Take care.
00:41:25Take care.
00:41:27Take care.
00:41:29Take care.
00:41:31Take care.
00:41:33Take care.
00:41:34See you next time, dadurch.
00:41:36Oh, hi.
00:41:38See you next time.
00:41:39In your house.
00:41:43Using your house.
00:43:21In a pleasure, Chief Inspector.
00:43:22Always happy to have you.
00:43:30Goodbye.
00:43:31Bye.
00:43:32I don't know whether to congratulate you or ring your neck.
00:43:42Your behavior at the school was inexcusable.
00:43:44Lewis, I have to reassess you.
00:43:46I see you have influential friends.
00:43:47Oh, we shared a room at college.
00:43:49I want an explanation.
00:43:51Oh, I know it put the finger on the Dutchman, but even so.
00:43:54It's not that simple, sorry.
00:43:56You got pressure on you to solve the case and you're grabbing at straws.
00:44:00I can prove Vandervaden was innocent.
00:44:03What?
00:44:04Come on, you ride back with me.
00:44:10Sorry, we're closed.
00:44:12We're closed.
00:44:13I know.
00:44:14We're police officers.
00:44:15Open the door.
00:44:16Come on, let us in.
00:44:17What can I do, eh?
00:44:18Is the bus in?
00:44:19Yeah, he has an apartment at the top of the stairs.
00:44:21Oh.
00:44:22I'm Michael Paravicini.
00:44:23I'm sorry to keep you waiting.
00:44:48I'm Michael Paravicini. I'm sorry I've kept you waiting.
00:44:52Please know you. How do you do? Chief Inspector Ocaglio.
00:44:56This is Inspector Di Salparavicini.
00:44:58I must confess I can't guess the reason for this visit,
00:45:00but if you'll forgive my appearance, I'll be glad too.
00:45:08Go on, don't sit us.
00:45:14We can talk in my den.
00:45:17Well, Mr. Paravicini, this won't take too long.
00:45:21And Inspector Di Salvo would like to ask you one or two questions
00:45:24in connection with an investigation. He's winding up.
00:45:27Do you have the photograph?
00:45:30Do you recognize this girl?
00:45:34Yes, I do.
00:45:35Oh, no. Wait a minute.
00:45:38Oh, I remember. This is the same photograph
00:45:40that a plainclothes policeman showed to one of my sales girls the other day.
00:45:43Yes, that's why I recognized her.
00:45:47So you don't recognize her?
00:45:48No, I'm afraid not.
00:45:50Can I offer you a coffee?
00:45:51No, thank you.
00:45:52And of course, you've never heard of a Dutchman named Max van der Veyten.
00:45:55He was killed yesterday in a road accident
00:45:57and somebody set fire to his weekend retreat.
00:46:00I don't understand.
00:46:01Why? Should I have heard of him?
00:46:04This was found in the man's pocket.
00:46:06The Dutchman's?
00:46:07You didn't tell me about this.
00:46:08I forgot.
00:46:09Run towards the black shadow.
00:46:19Nemesis.
00:46:20Someone with a macabre sense of humor.
00:46:22Well, I prefer a dante.
00:46:28And motorcycles?
00:46:30Sorry?
00:46:36Lander Veyten's Kawasaki was seen parked outside your store recently.
00:46:40Interesting collection of paintings you have here.
00:46:43It's a connoisseur's collection.
00:46:45Oh, sure.
00:46:46Personally, I have difficulty telling the difference between a connoisseur and a constable.
00:46:51But could these be the same pictures that were involved in that art forgery case a few years ago?
00:46:56The principal defendant was you, I believe.
00:46:58My name was familiar, so I looked up the file.
00:47:01It was one of my men who blew the whistle on you.
00:47:03I presume you also found out the case was dismissed.
00:47:06My name was cleared.
00:47:08Well, if you don't have any more questions, I think we can be on our way.
00:47:11No more questions.
00:47:12No, by the way, I know this girl who draws cat silhouettes.
00:47:22Just like the one on your jeans.
00:47:26Coincidence, huh?
00:47:27Really?
00:47:29Yes.
00:47:35Come on!
00:47:42Here.
00:47:43What are you doing?
00:47:44Not here!
00:47:52This is my share.
00:47:54Are you afraid?
00:47:56A little, yes.
00:47:57It'll be okay.
00:47:57Don't worry.
00:47:58I know.
00:48:02It's fine, too.
00:48:03You better go.
00:48:03Mm.
00:48:04Mm.
00:48:04Mm.
00:48:04Mm.
00:48:05Mm.
00:48:05Mm.
00:48:05Mm.
00:48:06Mm.
00:48:06Mm.
00:48:06Mm.
00:48:06Mm.
00:48:06Mm.
00:48:06Mm.
00:48:06Mm.
00:48:07Mm.
00:48:07Mm.
00:48:08Mm.
00:48:08Mm.
00:48:08Mm.
00:48:08Mm.
00:48:08Mm.
00:48:09Mm.
00:48:09Mm.
00:48:10Mm.
00:48:10Mm.
00:48:12Mm-hmm.
00:48:12Mm.
00:48:13Mm-hmm.
00:48:14Here, have a piece of gum.
00:48:16Thanks.
00:48:33Hello.
00:48:36Mm-hmm.
00:48:37Come with me.
00:48:41Mm-hmm.
00:48:42You're not scared, are you?
00:48:50Oh, yes, I am.
00:48:53Did you bring the...
00:48:56Oh, yes.
00:49:12Oh, yes, I am.
00:49:42Oh, yes, I am.
00:50:12Oh, yes, I am.
00:50:42Oh, yes, I am.
00:51:12Oh, yes, I am.
00:51:42Oh, yes, I am.
00:51:44Oh, yes, I am.
00:51:46Oh, yes, I am.
00:51:48Oh, yes, I am.
00:51:50Oh, please, can't you drive more slowly?
00:51:53What's that, miss?
00:51:54If I go slower than this, I'm liable to have an accident.
00:51:56It's not speed that kills, it's snails.
00:52:00Here you are, girls.
00:52:02Keep the change.
00:52:06Oh, yes, I am.
00:52:16Oh, yes, I am.
00:52:18We're going to take you right upstairs and put you to bed.
00:52:20Yes, thank you.
00:52:21Yes, thank you.
00:52:22And I'll tell Miss Graham you're having a bad time with your period.
00:52:24Oh, no, I don't.
00:52:26No, no, no.
00:52:28Oh, no.
00:52:30What's the matter?
00:52:50I've got to go to the bathroom.
00:52:52Just a minute, I'll help you.
00:52:53No, I'll be okay on my own.
00:53:00I'll be okay on my own.
00:53:30I'll be okay on my own.
00:54:00Inspector DiSalvo to see Miss Nardini.
00:54:02Oh, was it you who called earlier?
00:54:04Yes, I have to talk to her.
00:54:05I'm sorry, as I told you...
00:54:06I'm Dr. Costanzo.
00:54:07Miss Nardini is in my care.
00:54:09I must see her.
00:54:10Very sorry.
00:54:11No visitors until tomorrow.
00:54:13I'm investigating a homicide doctor.
00:54:16Call your superior and discuss...
00:54:18Where are the girl's parents?
00:54:26How is your daughter there?
00:54:29Who are you?
00:54:32Inspector DiSalvo.
00:54:33I don't understand.
00:54:34We didn't file a complaint.
00:54:36I know you haven't.
00:54:38But Virginia's accident was not...
00:54:39We're not interested.
00:54:40I hope you respect Virginia's privacy.
00:54:42Just a second.
00:54:43A girl from the same school was murdered recently.
00:54:45I don't see what that has to do with my daughter's accident.
00:54:48Her friends have told us what happened.
00:54:50She got up to go to the bathroom and slipped on the stairs.
00:54:52Unfortunately, it's not quite that simple, Mrs. Nardini.
00:54:56Somebody who hoped she'd break her neck.
00:54:58Threw these on the stairs.
00:55:00That's why she slipped.
00:55:02It was no accident!
00:55:07I can't believe it, Inspector.
00:55:09Why would anybody want to...
00:55:10I'll need statements from both.
00:55:11Tomorrow morning be convenient.
00:55:12Yes, Inspector.
00:55:13Whenever you wish.
00:55:14Oh, Inspector.
00:55:15Are you sure it wasn't an accident?
00:55:19Of course.
00:55:20Why?
00:55:21Oh, nothing.
00:55:21But could I talk to you about...
00:55:22I understand you wish to see Miss Nardini, sir.
00:55:26I'm not in the habit of having you walk away
00:55:28while I'm addressing them.
00:55:30I'm sorry, Doctor.
00:55:31Yes, I have to see her if she can talk.
00:55:33Yes, yes, but it's out of the question.
00:55:34Miss Nardini can have no visitors for 24 hours.
00:55:37She's under observation and still in deep shock.
00:55:39Try again tomorrow, Inspector.
00:55:43What's the big hurry?
00:55:44Did you see a blonde girl come out just now?
00:55:46No.
00:55:47Oh, shit, there she goes.
00:55:48Would you mind telling me what this is all about?
00:55:50She's one of the girls from the school.
00:55:52She wanted to talk to me.
00:55:53For obvious reasons, she's scared to death.
00:55:55It's always the truth.
00:55:56Let's go.
00:55:57I'll be right back.
00:55:58Let's go.
00:56:03Bye.
00:56:08Bye.
00:56:10Bye.
00:56:10Bye.
00:56:10Bye.
00:56:11Bye.
00:56:11Bye.
00:56:11Bye.
00:56:12Bye.
00:56:13Bye.
00:56:13Bye.
00:56:14Bye.
00:56:15Bye.
00:56:16Bye.
00:56:16Bye.
00:56:18Bye.
00:56:18I don't know.
00:56:48I don't know.
00:57:18I don't know.
00:57:48We found two windows wide open, one in the dining room downstairs and this one here.
00:57:55She was alone in the house.
00:57:57It was too easy.
00:58:18Good morning.
00:58:24Where is she?
00:58:26Upstairs.
00:58:27My daughter and I were like a couple of strangers.
00:58:47What happened is my fault.
00:58:51If only I'd taken more interest in her.
00:58:54She phoned to say she was coming home yesterday and I didn't even wait for her.
00:58:58If I hadn't left her alone, this wouldn't have happened.
00:59:02She usually slept at school, right?
00:59:04Yes.
00:59:05She only came home at vacation time.
00:59:07I found this in her school books.
00:59:12It's identical.
00:59:17Read it.
00:59:18Run towards the black, come to meet you.
00:59:28I don't understand.
00:59:29What is this?
00:59:31Run towards the black shadow, death will come to meet you.
00:59:34And all your desires will come true.
00:59:37Nemesis.
00:59:39A 16th century English poem attributed to Anonymous.
00:59:43Does it mean anything to you?
00:59:46No.
00:59:46But death came to meet her, all right.
00:59:51Poor Papa.
00:59:52I hope you'll find him quickly.
00:59:57Yeah.
01:00:06Well, were there any help?
01:00:09Those marbles I gave you, were there any help?
01:00:12Oh, yeah, sure.
01:00:15By the way, Emily, did your sister ever receive a letter like this?
01:00:22No, what does Nemesis mean?
01:00:31You tell her, Professor.
01:00:33Well?
01:00:35Nemesis is a Greek word which means justice or revenge.
01:00:44There, that's the place.
01:00:52Give me the keys.
01:00:53Sure.
01:00:53You can take Emily back to the school in a taxi.
01:00:56Bye.
01:00:56See ya.
01:00:57See ya.
01:01:22After you.
01:01:32That car over there.
01:01:34What is this?
01:01:36We're going to take a little trip.
01:01:39You drive.
01:01:52I think you owe me an explanation.
01:01:54What the hell do you want from me?
01:01:56Well, I thought we could discuss our mutual friends.
01:01:58Nothing in particular.
01:02:01Come on, get in and hold tight.
01:02:02What was your connection with Vandervaed?
01:02:26You killed him?
01:02:27Oh, no.
01:02:28Tell me the truth or I'll bring you.
01:02:31Why did you kill the two girls?
01:02:32It wasn't me.
01:02:33It wasn't me.
01:02:34I thought they used to come to your shop.
01:02:35Come on.
01:02:37Talk.
01:02:38Please.
01:02:39I'll tell you.
01:02:40I'll talk.
01:02:41They were Max's friends.
01:02:44But I didn't kill them.
01:02:52Max sold pictures for me.
01:02:54He bought the girls.
01:02:57What else do you know?
01:03:03Nothing.
01:03:07Nothing.
01:03:08Nothing.
01:03:09I'm afraid they'll kill me too.
01:03:18Oh, no.
01:03:18Have another one on me.
01:03:19No.
01:03:21No.
01:03:27No.
01:03:46No.
01:03:48No.
01:03:48No.
01:03:49No.
01:03:50No.
01:03:51No.
01:03:51Oh.
01:03:52No.
01:03:52No.
01:03:53Oh, oh, oh, oh, oh, oh, oh.
01:04:23Oh, oh, oh.
01:04:53Oh, oh, oh.
01:05:23Oh, oh, oh.
01:05:25Oh, oh, oh, oh, oh.
01:05:29But you must be crazy to come here.
01:05:31It was you who said it was too dangerous.
01:05:35Quick.
01:05:37Come in before you're seen by somebody.
01:05:40You know who I saw this evening?
01:05:42That policeman.
01:05:44His elbow.
01:05:45Tried to give me the third degree.
01:05:47Question after question after question.
01:05:49In the end, he tried offering me money.
01:05:51As if he could buy me.
01:05:54One thing's clear.
01:05:55He's on the wrong track.
01:05:58Drink?
01:05:59He's on the wrong track.
01:06:02Ah, this morning there were two little darlings in the shop, both 16, just beginning to bloom.
01:06:06I gave them a pair of jeans each, but it's best to wait until things have calmed down before going any further.
01:06:11Quiet, Rick.
01:06:12He's a boy.
01:06:13And he was sort of lamentable.
01:06:14Yeah.
01:06:15I wam.
01:06:17Oiya.
01:06:19Ah!
01:06:49Let's go.
01:07:19Hello? I'm a pair of machines. Get over here quick, he's dead. What a way to go.
01:07:49I don't get it. Every time there's a lead, the black shadow beats us to it.
01:07:56Hey, listen, when exactly was that business with the faded paintings?
01:08:01Let me see. September three years ago.
01:08:04Now look, I want you to stay here and keep this under wraps for now, okay?
01:08:11Okay. Good man.
01:08:19Good man.
01:08:24Good man.
01:08:29Good man.
01:08:32Good man.
01:08:36Good man.
01:08:42Good man.
01:08:47Good man.
01:08:57I have to go down to records and check out an old case.
01:09:09There's nobody in records now, sir.
01:09:11That's all right. I know my way around.
01:09:13Sign when you leave, sir.
01:09:14Let the inspector in.
01:09:16You know where the lights are, sir.
01:09:18Uh-huh.
01:09:27Uh-huh.
01:09:57Uh-huh.
01:10:27Uh-huh.
01:10:57Come back to sleep.
01:11:27Yes, where is it?
01:11:55Yes, that's fine.
01:11:59I'll see you there.
01:12:00Shall I make some coffee?
01:12:01No, thank you.
01:12:02I don't have time.
01:12:15Excuse me, Miss Graham, but today's Virginia Nardini's birthday.
01:12:28Meg will see her in the clinic, please.
01:12:29Pass by my office in an hour for written permission.
01:12:31Thank you, Miss Graham.
01:12:47Hello?
01:13:04Whoever the murderer is, he's methodical.
01:13:06You must have a thing about this dam.
01:13:08Throw it across to the other side.
01:13:11Come up on the inside.
01:13:15Come on to your left.
01:13:23What the hell are you doing down there?
01:13:25You're going to push it over the edge.
01:13:27Use the boat, huh?
01:13:31You're going to push it over the edge.
01:13:45I'm going to push it over the edge.
01:13:50You're going to push it over the edge.
01:14:05You're going to push it over the edge.
01:14:08You're going to push it over the edge.
01:14:21Well, do you recognize that?
01:14:24How the hell did it get here?
01:14:28It's the file on the state versus Paravicini.
01:14:31It was your evidence that got him off the hook.
01:14:34So why should you pretend you were perfect strength?
01:14:39That day we went to see him.
01:15:02It was Van Der Vaiden who procured the gate.
01:15:04A few of the girls from the school.
01:15:05Paravicini set up the appointments.
01:15:07And I guaranteed protection.
01:15:09The Russo girl's death was an accident.
01:15:11What can I tell you?
01:15:12It never should have happened.
01:15:13If I'd been there, I would have stopped it.
01:15:15Why did you kill the Dutchman?
01:15:16Was he blackmailing you?
01:15:17No.
01:15:18No, Paravicini just wanted to scare him.
01:15:21What about the girl on the scooter?
01:15:24That was you.
01:15:26Yes.
01:15:27Of course.
01:15:28I was the one who told you she wanted to talk.
01:15:31But why did Paravicini have to go as well?
01:15:35You were getting too close.
01:15:39Paravicini was...
01:15:40He would have talked.
01:15:45We'd known each other for years.
01:15:47We were always looking for ways to make money
01:15:49and the little extras attractive to anybody.
01:15:51When he was indicted, I had access to all the evidence.
01:15:55And my statement in court was sufficient to obscure the truth.
01:15:58After that, it was the girls.
01:16:00Rich, influential men pay well for teenage favors.
01:16:04The shop was the bait.
01:16:06And I was too greedy.
01:16:18As far as these are concerned, there I can't help you.
01:16:23And I'm not nemesis either.
01:16:26So the case isn't closed yet.
01:16:30So what do you think I have to do?
01:16:33Oh, my God.
01:16:34Let me find you.
01:16:35God damn it.
01:16:36I'm sorry.
01:16:38I never remember.
01:16:40I'm sorry.
01:16:41No, you are too late.
01:16:43It's so and I'm not serious.
01:16:45I am notRISS.
01:16:47That is so hot.
01:16:48You're too late.
01:16:49So the whole thing, you said the guy did not last happened.
01:17:53Whose car is that?
01:17:55I don't know.
01:17:56I guess.
01:17:57Get in and drive.
01:17:58I guess.
01:18:00I guess.
01:18:01I guess.
01:18:02I guess.
01:18:03I guess.
01:18:04I guess.
01:18:05I guess.
01:18:06I guess.
01:18:07I guess.
01:18:08I guess.
01:18:09I guess.
01:18:10I guess.
01:18:11I guess.
01:18:12I guess.
01:18:13I guess.
01:18:14I guess.
01:18:15I guess.
01:18:16I guess.
01:18:17I guess.
01:18:18I guess.
01:18:19I guess.
01:18:20I guess.
01:18:21I guess.
01:18:22I guess.
01:18:23I guess.
01:18:24I guess.
01:18:25I guess.
01:18:26I guess.
01:18:27I guess.
01:18:28I guess.
01:18:29I want to see Virginia Nardini.
01:18:30Oh, yes.
01:18:31She's on the second floor.
01:18:32When you come out of the elevator, it's the first door on your left.
01:18:35Oh, this is the Sacred Heart Clinic.
01:18:42I'm trying to locate Dr. Costanzo.
01:18:44Oh, he is?
01:18:45Fine.
01:19:05Come in.
01:19:15Hi, Virginia.
01:19:16Oh, hello.
01:19:17How are you feeling?
01:19:18What are you doing here?
01:19:19I came to see you.
01:19:20I bought your present.
01:19:21But you never could stand the sight of us, of me and the others.
01:19:24I know.
01:19:25It was really horrible to you.
01:19:26And I came to ask your forgiveness.
01:19:29Here.
01:19:30Take it.
01:19:31Well, thanks.
01:19:32Please, why don't you open it?
01:19:33I can hardly move.
01:19:34It's chocolate, isn't it?
01:19:35Angela must have told you I'd go crazy for them.
01:19:36Oh, thanks.
01:19:37They're awfully fattening.
01:19:38Will you take the paper off, please?
01:19:39My mouth is watering.
01:19:40Thanks.
01:19:41Mmm.
01:19:42It's delicious.
01:19:43Thanks, Emily.
01:19:44And to think you're always such a little brat.
01:19:45And to think you're always such a little brat.
01:19:46And to think you're always such a little brat.
01:19:47And to think you're always such a little brat.
01:19:48And to think you're always such a little brat.
01:19:50And to think you killed Angela.
01:19:51And to think you're always such a little brat.
01:19:53Oh, you killed Angela.
01:19:54First you made her do bad things, then you made her die.
01:19:57Oh.
01:19:58Oh.
01:19:59Oh.
01:20:00It was all your fault.
01:20:01Thanks Emily, and to think you were always such a little brat.
01:20:05You killed Angela. First you made her do bad things,
01:20:09and then you made her die.
01:20:11It was all your fault.
01:20:13Paul already got her, and I don't know who did it.
01:20:17And now get her.
01:20:20I'll try again with Frank or two.
01:20:23It's all your fault. It's all your fault.
01:20:26You all have to die like Angela.
01:20:30You all have to die. Emily!
01:20:42Go away! Go away!
01:20:44Why did you have to stop me?
01:20:46I hate you! I hate you!
01:20:48Why?
01:20:50It was certainly others who killed Angela.
01:20:53Why did you stop me?
01:20:55Why did you stop me?
01:21:00Why?
01:21:06Come on, Emily. Come with me.
01:21:08How did you find me out?
01:21:10How did I find you out?
01:21:22How did I find you out?
01:21:24Well, the poem, the dart, and then these.
01:21:38How shall I put it?
01:21:40Well, in all the actions of Nemesis, there was something...
01:21:44Well, Emily, there was something ingenious.
01:21:47You mean it had to have been a kid?
01:21:50A very sharp kid, though.
01:21:55Well, I'm glad it was you who found me out.
01:22:01Will I be taken to prison now?
01:22:03Well...
01:22:08Here.
01:22:15And make sure you don't go playing with them on the school stairs.
01:22:21Oh, thanks.
01:22:33Bye.
01:22:34On the Sun Hill.
01:22:36Bye!
01:22:37Bye!
01:22:38See you!
01:22:39Go!
01:22:41Bye!
01:22:42Bye!
01:22:43Bye!
01:22:45Bye!
01:22:47Bye!
01:22:49Bye!
01:22:52Bye!
01:22:54Bye!
01:22:55Bye!
01:22:56Bye!
01:22:57Bye!
01:22:58Bye!
01:23:00Bye!
01:23:01Bye!
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