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00:00:00You
00:00:15Well, what are we doing right now going to meet the puns
00:00:22Ready gonna create
00:00:25Like crazy traffic
00:00:28What do you want to say to our friends in new orleans back home
00:00:32Is that if we survive this taxi ride we'll be with you shortly
00:00:37And that Myanmar is amazing
00:00:54Well, this is definitely not the place
00:01:09We'll pay you to go back
00:01:11Thank you
00:01:13Peace of God
00:01:14Okay
00:01:16Hello
00:01:22Hello
00:01:26Hello
00:01:32Oh
00:01:34I don't know what to do
00:01:35Can you hear punk music?
00:01:43Ask this lady if there is a punk show
00:01:50Mike, I'm hearing something there
00:01:52Yeah
00:01:59Okay
00:02:00Okay, yeah
00:02:00All right
00:02:02This
00:02:02This
00:02:04This is the show
00:02:05Yeah
00:02:06Let me just try to go with this
00:02:08Maybe this is it
00:02:11Maya
00:02:11Where are you going?
00:02:17I thought I heard something
00:02:18No, that
00:02:20It's not that
00:02:21Do you hear that?
00:02:22I
00:02:23We want the music
00:02:42Can you hear music?
00:02:44Hear music
00:02:45Music
00:02:46Yes
00:03:02Yes
00:03:04Yes
00:03:12What
00:03:12What?
00:03:14Okay
00:03:15What?
00:03:30What?
00:03:33Kizawa, kizawa, kizawa, kizawa
00:03:42Using theãy Jared
00:03:44Yeah
00:03:44B
00:03:53Kizawa, kizawa, kizawa, kizawa, kizawa, kadhi, barriers, kizawa, kizawa, kib Fur tudamaran, kizawa, kizawa, human stra Mega还ang, kizawa, kizawa, volontari絆edik wara hama kizawa.
00:05:28Hey guys, have y'all signed your contracts for next year?
00:05:36Um, yes, it's due next week, isn't it?
00:05:38Where is everyone?
00:05:51It's senior escape day.
00:05:57So why are you here?
00:05:58Uh, what makes you happy?
00:06:07Even tired, no problem, you know?
00:06:09But you are tired, you are not happy.
00:06:11This is without time for life.
00:06:13I agree with you, Jojo.
00:06:17I think maybe I should quit.
00:06:20So what do you want to do in the future?
00:06:22Oh, I just want to make movies.
00:06:25So you are my writer?
00:06:26So what do you want me to do?
00:06:36Well, for now, how about you take off your shirt?
00:06:42Okay.
00:06:50Like that?
00:06:51Uh-huh.
00:06:53Does that like that?
00:06:55Yeah.
00:06:55I also want to see your body, if possible.
00:07:05Oh my God.
00:07:07You've never done it before?
00:07:08Yes.
00:07:09This is my first time, and it made me so bright, and it's funny.
00:07:15How about you take your hand, put it on your neck,
00:07:20on your chest,
00:07:22all the way down to your underwear.
00:07:29Jojo?
00:07:36Jojo, are you there?
00:07:38Fuck.
00:07:39Fuck.
00:07:41I know.
00:08:08That's you, isn't it?
00:08:13No.
00:08:21I clearly draw my inspiration from my experience.
00:08:25Absolutely.
00:08:26My last relationship left me feeling trapped.
00:08:31So I looked inside myself and I just went so deep.
00:08:36I think I didn't apply with that, yeah.
00:08:39I love it.
00:08:41She gets it.
00:08:43So what's my favorite one?
00:08:45Well, let me ask you something.
00:08:47Why is it that women are afraid to be a beautiful area?
00:08:50Consider the peacock.
00:08:51You look familiar.
00:08:54Rosario, Maya.
00:08:56So what do you do when you're not busy being Leon's muse?
00:08:59Um, I, um...
00:09:02She's a filmmaker, too.
00:09:04Oh, are you working on anything new?
00:09:05We're always looking for new projects, especially from women.
00:09:10Oh, yeah.
00:09:12Um, I'm working on this project about punk rockers in Myanmar right now.
00:09:18Interesting.
00:09:19Well, look, I leave for L.A. next week, but we should definitely grab a drink or something.
00:09:23Um, I have to go, but it was nice meeting you.
00:09:25Yeah, definitely.
00:09:28It's a punks?
00:09:29Oh, my God.
00:09:44I'm so happy to see you.
00:09:45Hey, this is Bradley.
00:09:51Oh, yeah.
00:09:52Hey, the star of the show, huh?
00:09:54Unfortunately.
00:09:55Bradley just found out his documentary is getting premiered at Sundance.
00:09:59Whoa.
00:09:59Yeah.
00:10:00Congratulations.
00:10:01What is the film about?
00:10:04Well, it's about this ritual they perform in Mexico using menstrual blood.
00:10:08The most rewarding thing is that I get to bring these Mayan women who've never been outside
00:10:14of Yucatan to Utah.
00:10:15Yes.
00:10:16Whoa.
00:10:17That's so cool.
00:10:19It's great.
00:10:19I read about it, and I went to the village, and I just made it.
00:10:24Just like that?
00:10:24You just went and did it?
00:10:25Uh-huh.
00:10:26Yeah.
00:10:27I will be Bradley.
00:10:29Okay.
00:10:34Hey, why are you sneaking around in a wig?
00:10:36Oh, it's just like camouflage.
00:10:38Helps hide from Elise.
00:10:39Don't worry, it's some other thing.
00:10:40So, who's this guy that she's with?
00:10:43Bradley?
00:10:44Bradley.
00:10:45Yeah, what's his deal?
00:10:48He made a documentary about Mayan women, and it's premiering in Sundance.
00:10:52Great.
00:10:52So, are they fucking?
00:10:53Are they dating?
00:10:54Like, what's up with it?
00:10:55Oh, my God.
00:10:56Just like, look how she's looking at him.
00:10:59Oh, my God.
00:10:59Look at his fucking hair.
00:11:00It's beautiful.
00:11:01Did you really call me up here to talk about Bradley's hair?
00:11:04No, man.
00:11:04I just can't focus with her here.
00:11:07Leon's here, and I'm dealing with it.
00:11:09Really?
00:11:09You're just fine that your face is all up in his artwork?
00:11:11That's not me.
00:11:14Then what happened with you guys anyways?
00:11:15I thought you were fine in Asia.
00:11:16He's a raging egomaniac.
00:11:18God, I just can't believe she's here, man.
00:11:20These are like my homies.
00:11:22Hey, do you know this woman, Rosario?
00:11:24No, I don't think so.
00:11:26Dude, who are they talking to?
00:11:29They're a throuple.
00:11:30Are they a throuple?
00:11:30She's a film producer.
00:11:31They're a throuple.
00:11:32They're totally a throuple.
00:11:33And you know what?
00:11:35Earlier she approached me, and she asked if I was working on anything, and I just kind
00:11:40of panicked, and, well, I told her I was doing a project about the punks in Myanmar.
00:11:45Dude, it was like, she was like always talking about, like, let's have a threesome.
00:11:48Let's like bring some other people in, and maybe it would have worked, and I'm sure she's
00:11:51fucking doing all that shit with Bradley now.
00:11:54What the fuck, man?
00:11:55You know what?
00:11:57Maybe it's not a bad idea.
00:11:59A threesome?
00:12:02No, a movie about punks.
00:12:05What punks?
00:12:06In Myanmar.
00:12:08Oh, yeah, you posted some of that on Instagram, didn't you?
00:12:10Yeah.
00:12:11Yeah, it was pretty cool.
00:12:12They look pretty cool, those guys.
00:12:13What are you doing here?
00:12:15Just chilling.
00:12:17You shouldn't trust this guy.
00:12:18I've got to get a longer wig.
00:12:23Okay, uh, do you want to get out of here?
00:12:25You can tell me about your doc.
00:12:27It's a narrative.
00:12:28Oh, narrative.
00:12:29Uh, that sounds cool.
00:12:30With the punks?
00:12:32Well, they already have a documentary made about them.
00:12:34This would be, like, a narrative feature.
00:12:37Great.
00:12:37Uh, yeah, let's go have a drink.
00:12:39You can tell me about it.
00:12:39I'm, like, super into it.
00:12:41Really?
00:12:41Yeah, it sounds cool as shit.
00:12:46Bradley Johnson.
00:12:48He's so photogenic.
00:12:50Oh, my God.
00:12:51Look at his hair.
00:12:53An activist.
00:12:55Would you call him a social justice warrior?
00:12:58Yeah, totally.
00:12:59Jojo, yeah.
00:13:00No, dude.
00:13:01Bradley.
00:13:02I'm talking about Jojo in Myanmar.
00:13:04Fuck.
00:13:06Damn, this city is too fucking small.
00:13:10Yeah, no, I'm so over it.
00:13:16Okay, let's do it.
00:13:18Do what?
00:13:19Let's make a movie.
00:13:22Are you serious?
00:13:24Yeah, 100%.
00:13:25Wait, what's it about?
00:13:27Um, I don't know.
00:13:29Um, Myanmar punks and...
00:13:31Great, great, great.
00:13:32Uh, what's the title?
00:13:34Are they looking at me?
00:13:36Street punks?
00:13:37Yeah, I love it.
00:13:38I love it, I love it.
00:13:38Um, I'm gonna start an Instagram page so that, uh, we can sort of get the ball rolling here.
00:13:43Yeah, me, you.
00:13:44Mm-hmm.
00:13:44This is my idea.
00:13:46Mm-hmm.
00:13:47You know, you have this tendency to just take over projects and...
00:13:50Look, all right, that was Leon.
00:13:52I wanted to use your script, dude.
00:13:55Script.
00:13:57I need to write a script.
00:13:59Dude, fuck a script.
00:14:00We just need to get there.
00:14:03Soon.
00:14:03Yeah, I hear you, but the thing is, I-I got a job, and I can just pack up and leave.
00:14:09Do you see good hair Sundance Bradley over there?
00:14:12Yeah.
00:14:13You're gonna have to make a choice, Maya.
00:14:16He woke up one day, he quit his shitty barista job, and he went and made a kick-ass movie.
00:14:21All right?
00:14:23And now, he's got the girl.
00:14:26Okay?
00:14:28We need to be more like Bradley.
00:14:33Fine.
00:14:36Let's do it.
00:14:37Okay, great.
00:14:37Let's get the fuck out of here.
00:14:39Mimi's?
00:14:40No, dude.
00:14:41Malaysia.
00:14:41Here's to street punks of Yangon.
00:14:43I don't know what more I can do.
00:14:45I try to get her to apply herself, but I walk past her room, and there she is, at her computer,
00:14:52with her damn headphones on, making beats.
00:14:55I try to tell her she won't get anywhere in life if she flunk out of high school, but she
00:15:00won't listen.
00:15:03I think it seems to me that Miles really is passionate about what she's doing, and that's
00:15:11kind of rare.
00:15:13And maybe we should be more encouraging.
00:15:17I mean, you know, grades are not everything.
00:15:19Excuse me?
00:15:20I'm not saying she should drop out or anything like that.
00:15:23Obviously, it's just...
00:15:25It's easy to lose sight of your dreams and, you know, just get stuck.
00:15:32While she still has that passion in her, I think it's important she puts really hard
00:15:38work into what truly sets her on fire.
00:15:40What the hell are you talking about?
00:15:44What are we doing here?
00:15:46What?
00:15:50You want to throw out work?
00:15:53You're probably gone.
00:15:55Maju, I understand that you have a dream.
00:15:58And realize it, dear, but you can throw out work when you achieve success.
00:16:03Karolina does a show, but she spends.
00:16:05Do you know how hard it was?
00:16:06You look very familiar to me.
00:16:37In fact, I feel like you are me.
00:16:40You have my same nose.
00:16:44Those are my eyes.
00:16:45God damn it, those are my eyes.
00:16:47How'd you do that?
00:16:48Dude, that's Edward Sharp.
00:16:50We should talk to him.
00:16:52About what?
00:16:53What do you mean about what?
00:16:54You think it's a coincidence that we're at this empty bar and Edward Sharp is there performing
00:16:57for us?
00:16:59Dude, we need to talk to him about the movie.
00:17:01He's a rock star.
00:17:02He's going to want to get involved in a movie that deals with punks on the other side of
00:17:05the world.
00:17:05So we just go out to him and start pitching the movie?
00:17:09Exactly.
00:17:11Okay, well, how do we go about that?
00:17:15Easy.
00:17:16So what's your movie about?
00:17:23Oh, it's a day in the life of this punk rocker that I just mentioned, walking down the streets
00:17:30of Yangon.
00:17:30Have you seen Permanent Vacation, Jim Jarmusch's first film?
00:17:34It's like that, but in Yangon.
00:17:37Oh.
00:17:38Oh.
00:17:39Yeah.
00:17:40That's a Russian accent, right?
00:17:41Polish.
00:17:42Oh.
00:17:43So?
00:17:44Hey.
00:17:45You gonna score it?
00:17:46Right.
00:17:47I'm making my own movie.
00:17:48I'm making my own movie.
00:17:49Oh, sweet.
00:17:50Yeah.
00:17:51What's it about?
00:17:52You know poetry?
00:17:53Mm-hmm.
00:17:54This moment, for instance.
00:17:55Mm-hmm.
00:17:56The two of us.
00:17:57Mm-hmm.
00:17:58Filmmakers.
00:17:59Mm-hmm.
00:18:00It's beautiful getting to know each other.
00:18:01And yet, I know that just in a few moments, you guys are gonna get up and leave.
00:18:06Right?
00:18:07And I'm gonna be stuck here by myself.
00:18:08And yet, that's not happening now.
00:18:09That's happening then.
00:18:10But I know that it's going to happen.
00:18:11And that crushes me.
00:18:12And yet, it makes me cherish this moment all the more.
00:18:15And that is poetry.
00:18:16Yeah.
00:18:17You wrote a script?
00:18:18No.
00:18:19Fine.
00:18:20No.
00:18:21No.
00:18:22No.
00:18:23No.
00:18:24No.
00:18:25No.
00:18:26No.
00:18:27No.
00:18:28No.
00:18:29Fuck no.
00:18:30Fuck scripts.
00:18:31I'll show you.
00:18:32I have a thing.
00:18:33I have a clip that I put together.
00:18:36Yeah.
00:18:37The fucking internet is terrible here.
00:18:39Oh.
00:18:40We don't actually need to see it.
00:18:41You can just tell us.
00:18:42No.
00:18:43No.
00:18:44I edited it.
00:18:45And, you know, truly I need an editor, but I am using iMovie.
00:18:49Oh, dude.
00:18:50I know iMovie.
00:18:51Really?
00:18:52I can totally help you.
00:18:53What?
00:18:54And what about your movie?
00:18:55I can do both.
00:18:56I already told you about it.
00:18:57What do you mean you could do both?
00:18:59I mean, Maya, we just quit our jobs.
00:19:01So we can make my movie and Young Gone.
00:19:04Okay.
00:19:05Oh, now it's your movie?
00:19:07Uh, you know, if you're trying to move to another project, then yeah.
00:19:13Maya, I just said I could do both.
00:19:16Exactly.
00:19:18Because you can never just commit yourself to something.
00:19:22And that's what it takes to make a movie.
00:19:23And that's what it takes to make a movie.
00:19:24To really focus and follow through.
00:19:26Yeah, I should have fucking known it.
00:19:29Because, you know, you've done the same with Elise.
00:19:32Cliff, what's the internet in here?
00:19:39Yeah.
00:19:40Oh, yeah, all right.
00:19:42Oh, yeah.
00:19:43Come here.
00:19:44Yeah?
00:19:45Yes.
00:19:46Okay.
00:19:47Anyway.
00:20:26Babe, have you seen my keys?
00:20:28I don't think so. Do you want some millet?
00:20:30No, I have to go.
00:20:32How are you? You good?
00:20:34Well, I started writing down this movie idea that I have,
00:20:37but it's not really making sense.
00:20:39Where are you going? Can I come work?
00:20:42Yeah, if you want to come help me counsel the classroom
00:20:45of young women about how it's practically impossible
00:20:49to get an abortion in the state of Louisiana
00:20:52and how their reproductive rights are being stripped
00:20:54from them by men in power who hate women,
00:20:58then you can come.
00:21:00Where are my keys?
00:21:02Oh, um...
00:21:04Let's see.
00:21:08There they are.
00:21:09Right there.
00:21:10Sometimes you just stop, you take a breath,
00:21:12what you're looking for is right in front of you.
00:21:16All right.
00:21:17See you tonight?
00:21:18Yeah.
00:21:20Just keep going for it, baby. You're gonna find it.
00:21:22Bye.
00:21:23Bye.
00:21:24Bye.
00:21:52Bye.
00:21:53Bye.
00:22:22Bye.
00:22:23Bye.
00:22:52Bye.
00:22:57Bye.
00:22:58Bye.
00:23:02Bye.
00:23:03Bye.
00:23:04Bye.
00:23:05Bye.
00:23:07Bye.
00:23:10Hey.
00:23:11You hungry?
00:23:12I ate.
00:23:14Okay, um...
00:23:16Okay, so I had this thought.
00:23:17hungry I ate okay um okay so I had this thought right um wouldn't you say what
00:23:25you're doing is really just extraordinary what do you mean you know
00:23:30like you're making this movie with the punks on the other side of the world I
00:23:34mean it's next level shit I guess yeah and so then the thought was why don't we
00:23:42document this whole process of me going to Myanmar and stuff exactly of you
00:23:48making your movie I mean like why not right I guess sure yeah awesome because
00:23:58I brought my guys hey guys and let's shoot tonight okay
00:24:10okay okay so what's the plan to write a script I have to send it over to that
00:24:27producer okay and a week cool all right great the guys can set up and get some
00:24:31shots of that so you want to talk about last night yeah yeah I'd love to
00:24:48actually Maya after last night I really understand how important it is for me
00:25:04to commit to this project and really see it to the end I'm trying here okay I I
00:25:14believe in it I believe in you and I want to make this movie your movie okay
00:25:23and I don't know I don't want to stop until we see those punks up on the big
00:25:29screen you know so what do you say let's make this movie okay so step number one
00:25:44can you stop chewing sorry stay in your flow stay in your zone
00:25:57you know it's been an hour well did you think that writing of a scrub is gonna be
00:26:13interesting to film why you're not even writing over there well yeah cuz this
00:26:16whole thing this situation is not really helping my you know creative thing wait
00:26:22can you make sure you bring the boom down a bit I want to get this line you're
00:26:26being ridiculous no what's ridiculous is you in this room in New Orleans trying to
00:26:33write a script about a movie that takes place on the other side of the world that's
00:26:39actually true I know but you know we're here now so let's figure out what can we
00:26:45do I was gonna say this for later what is this what's that the tickets to Yangon baby
00:26:57okay but we need more than just tickets to make a movie I know that's why they got
00:27:08us a meeting with a potential investor tomorrow really who yes of course I can't wait to touch you
00:27:21do you want me to take out my chef actually wait cuz my buddy's here hey this is Yamil Jojo how
00:27:33you doing nice to meet you he's with you he's together with you no no no no no no no no absolutely
00:27:40not mmm never ever ever what is that supposed to mean he's a producer of the movie okay maybe I'll call
00:27:52you tomorrow I'll talk about it all yeah and I'll see you very very soon bye
00:27:59so um should I take my shirt off at least he takes directions well oh you know I just found
00:28:15this in your kitchen oh tequila let's celebrate yes also do you think I can crash here because
00:28:20my place kind of fell through for the night I don't know great slumber party let me
00:28:25see you guys
00:28:55This place?
00:29:11Yeah.
00:29:12You sure this guy isn't money?
00:29:13Of course, dude.
00:29:14Ian's like a punk legend, all right?
00:29:16Don't be judging no book by its cover.
00:29:18Come on.
00:29:23Hey!
00:29:24Come on!
00:29:26Don't do this.
00:29:26No, I'm doing this.
00:29:29I'm lost in the dark without you.
00:29:31No, I'm done.
00:29:34Foxy, come on, babe.
00:29:37Come back inside.
00:29:38I'll make us tacos.
00:29:40No, I am so done with feeding you all my shit
00:29:42and you just, like, rejecting all my ideas.
00:29:44Yeah, only when they don't work.
00:29:46Oh, you are such an egomaniac, you know that?
00:29:48Literally nobody even gives a shit
00:29:49what some old white man has to say anyway.
00:29:51Yeah, that's why I have you in the band.
00:29:53Fuck you.
00:29:57Come on.
00:29:58Roxy!
00:30:01Whatever, dude.
00:30:02She'll be back.
00:30:03What's up, man?
00:30:04Hey.
00:30:05Oh, you got a smoke?
00:30:06Oh, I just quit.
00:30:08Oh, shit.
00:30:09Oh, I think I got some in here somewhere.
00:30:13Shit.
00:30:14Fucking Roxy.
00:30:16Man.
00:30:16She keeps calling this my band.
00:30:21Like, it's our band, baby, right?
00:30:24I mean, yeah, I write the songs.
00:30:27I fucking do all the artwork.
00:30:29I book the tours.
00:30:30But, you know, who do people come to see, right?
00:30:34I blew through all my cash
00:30:36booking this three-night tour we got
00:30:38starting tomorrow morning.
00:30:40And if we don't hit the road
00:30:42and she doesn't come back,
00:30:46that's all I'm supposed to do, you know?
00:30:49Fuck.
00:30:56You sing?
00:30:58No.
00:31:01Perfect.
00:31:04Sing with me.
00:31:06I can't hear your voice, baby.
00:31:18I want to hear it.
00:31:19I still don't feel like you're feeling it.
00:31:25I want to hear it from the back of your soul.
00:31:27I know.
00:31:28Lost in the dark.
00:31:29Lost in the dark.
00:31:31Come on, baby.
00:31:33Let's play.
00:31:33All the way.
00:31:36Let's do it.
00:31:38I know you're in the dark.
00:31:40Lost in the dark.
00:31:45Yeah, I don't think this is going to work.
00:31:47Sorry, babe.
00:31:49I'll just...
00:31:50I'll call her.
00:31:57He's cool.
00:31:58I got some of the leads.
00:31:59He's cool.
00:32:03Honestly, the whole Hollywood experience nearly destroyed my Shakti.
00:32:17If it weren't for my awakening, I might not be here today.
00:32:22Awakening?
00:32:23Shanae, please, clear the space.
00:32:25It happened in Bali.
00:32:29I was meditating in a flower bath when Golinka first entered my body.
00:32:35Is he an actor?
00:32:36She is my spiritual guide from the beyond.
00:32:40My sexy shaman.
00:32:43Well, we are actually here to also tell you a little bit about the work we're doing, which is the movie.
00:32:50I don't know.
00:32:53Yemil had mentioned that it takes place in Burma.
00:32:56Uh, Myanmar.
00:32:57That's what it goes by these days.
00:32:59Golinka has told me that I might have a purpose there.
00:33:05Maybe this is serendipitous.
00:33:07Oh my God, totally.
00:33:08I assume it has something to do with Buddhism?
00:33:12Well, um, not really.
00:33:14It's, um, about Burmese punk rockers.
00:33:17Well, it's also a story about, um, an awakening.
00:33:24How so?
00:33:28Uh, well, the main character is this woman.
00:33:31And she, uh, finds her celestial oneness by spending time with this, uh, Burmese monk.
00:33:43Monk or punk?
00:33:45Um, it's one of those sort of, like, you know, she starts off as a monk and then becomes a punk and then goes back to being a monk.
00:33:53Intriguing.
00:33:54But I haven't acted in years.
00:33:56Oh, but you'll be, you'll be absolutely incredible in this.
00:33:59And, I mean, you look just unbelievable.
00:34:03I'll have to discuss this with Golinka.
00:34:06Of course, of course.
00:34:07Which reminds me, if I am not deep in Samadhi by sundown, I will be an absolute Shilana gig.
00:34:16Yeah.
00:34:19Yeah.
00:34:19Enjoy the food and the house.
00:34:27Sean A would like the company.
00:34:29He gets a little lonely when I drift away into the astral plane.
00:34:35You can leave the script with him.
00:34:37I, uh, insist that he pre-read all of my offers.
00:34:40Great, we will.
00:34:42And thank you again so much, Laura, for meeting with us.
00:34:45Really nice meeting you.
00:34:47We may have met before, actually.
00:34:51Golinka tells me that we were lovers in ancient India before your husband beheaded you.
00:34:58So, uh, Sean A.
00:35:17Just call me Shane, dude.
00:35:20Okay, Shane.
00:35:22Um, so, Shane.
00:35:24We actually don't have our script with us here right now, but we can come back.
00:35:30Oh, no, you're good.
00:35:31That's fine.
00:35:33We're not gonna be doing this project.
00:35:36What do you mean?
00:35:37Why?
00:35:38Look, level with me here.
00:35:39You came here to see if she would invest in your money, right?
00:35:43Well, I mean, a little, but we also really want her to act in the film.
00:35:47I hear what she's gonna say to that.
00:35:48There are three types of people who invest in film.
00:35:51Family, friends, and fools.
00:36:01Yemi.
00:36:01Hmm?
00:36:02What the hell was that?
00:36:03Yeah, I don't think she's gonna bite.
00:36:05It's okay.
00:36:06I got some other leads.
00:36:07No, I mean the stuff that you said about the monks.
00:36:09I mean, that has nothing to do with my story.
00:36:13What story?
00:36:16Oh, hold on.
00:36:17Mommy!
00:36:18Hola, ¿cómo estás?
00:36:19Bueno, hijo.
00:36:21¿Cómo te va?
00:36:22Estoy bien, mami.
00:36:23Aquí filmando esa directora que te conté, que está haciendo esa película en Myanmar sin saber de qué se trata su película.
00:36:30Ay, qué gracioso.
00:36:32Yo sé.
00:36:33Bueno, te llamo luego, ¿ok?
00:36:34Okey, hijo.
00:36:35Te quiero.
00:36:36Chao, mami.
00:36:37Bye.
00:37:47Roman Polanski.
00:37:50What's your take on all that?
00:37:52That controversy?
00:37:56It's complicated.
00:37:57He's a great director.
00:37:59He's got quite a legacy to live up to.
00:38:03Polanski, Kieślowski, Sulawski.
00:38:07Agnieszka Holland.
00:38:09Can't forget the women.
00:38:13The future's female.
00:38:16You know, I used to date a Polish girl.
00:38:19The only time
00:38:21she smiled
00:38:22was when she war-gasled.
00:38:25Which is rare.
00:38:28It would last a second, then it was like, poof.
00:38:31Damn.
00:38:32Back to poker face.
00:38:41So tell me about this movie.
00:38:42All right, so we're thinking we want to go to Yangon.
00:38:44Maybe we should let the director speak.
00:38:52Maya?
00:38:53The movie.
00:38:59Um...
00:39:00It's about a Burmese punk rocker in Yangon.
00:39:03But it really is about the city itself.
00:39:05You know how it's still stuck in the past,
00:39:07in its tradition,
00:39:08but at the same time rapidly changing.
00:39:10Internet.
00:39:11Imagine a sunset above Yangon river
00:39:14and all those little wooden boats
00:39:16taking people to the other shore
00:39:17at the end of the day of work.
00:39:20You have food stands with steaming samosas.
00:39:22Smells so good.
00:39:23You have stray dogs everywhere sniffing trash.
00:39:25And there is this old man
00:39:27with a blue typewriter finishing up his novel.
00:39:30A string of baby nuns passes in their pink robes,
00:39:34and then the punks are sitting in the median,
00:39:36drinking whiskey,
00:39:38flying news egg.
00:39:48Pink nuns.
00:39:52Blue typewriter.
00:39:55Osmosas.
00:39:57Stray dogs.
00:40:02We could explore a part of the world
00:40:04that nobody's ever seen before.
00:40:06And with the punks,
00:40:09it's kind of a fresh hook.
00:40:11You know?
00:40:12Exactly, right?
00:40:13I mean, I just want to capture the mood
00:40:15and the atmosphere more than anything else.
00:40:17Minimal dialogue.
00:40:18Images.
00:40:19Like Antonioni.
00:40:21Oh.
00:40:22It's a brisky point.
00:40:23The desert orgy scene?
00:40:25One of the most sublime moments in cinema.
00:40:27I like the explosion in the end.
00:40:28Wait, there's a desert orgy?
00:40:29I need to watch this, like...
00:40:30You thought that blow-up was so boring.
00:40:31Oh, it's the same director?
00:40:32Yeah.
00:40:33No, it's kind of slow.
00:40:34You know, I just thought it was sexist.
00:40:35Well, that's how movies used to be.
00:40:36Slow.
00:40:37Oh, it allows silences to last, you know?
00:40:38Shots lingering.
00:40:39Yeah, you know, some of my favorite movies are those
00:40:40where barely anything happens.
00:40:42Well, you're me on.
00:40:43She's a keeper.
00:40:44I'm in.
00:40:45used to be slow or allow silences to last you know shots lingering yeah you know some of my
00:40:56favorite movies are those where barely anything happens well you're me on she's a keeper
00:41:05I'm in what do you mean like I'd like to invest in this film really
00:41:19wow okay so how do we make it official oh we can go through all the legalities later
00:41:28but now let's have another drink the things I've got to teach in 20 minutes
00:41:36and what are you a teacher or a director
00:41:38hey can we please be on your Instagram because we're
00:42:08making our movie and we love you yes thank you so much
00:42:38yeah
00:42:39yeah
00:42:45yeah
00:42:47yeah
00:42:51well I came here for a gig and I love it here so I figured what the heck I'm gonna say
00:43:21amazing um do you have a place I'm couch surfing at Kelly's right now because you know I'm actually
00:43:29uh I should stop my room because I'm going to Asia to Yangon for a few months to shoot a movie
00:43:35and I don't know would you be interested yes yeah where is it it's in the Marini I love that neighborhood
00:43:43yes you should move in do you have your own bathroom yes
00:43:47oh my gosh I have a few boxes but I don't have anything I don't have sheets or towels
00:43:53no no you can use all of my stuff I love you
00:43:56can I come tomorrow yes
00:44:00I'll bring my boxes
00:44:03no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no
00:44:33Yeah, I'm going to go dance.
00:44:49Oh, this is really happening.
00:44:52It's really happening, Maya.
00:44:54I know.
00:44:56We're making a movie.
00:44:57We're making a movie so soon.
00:44:59I mean, we're making a movie right now.
00:45:01Yeah, I mean, so soon.
00:45:04You were the only person in the whole world
00:45:08that believed in this vision.
00:45:13I believe it. I believe it.
00:45:15I love you for that.
00:45:17I need you to hear me out, okay?
00:45:19That even if this doesn't turn out, you know,
00:45:22how we think it's going to,
00:45:24it's still going to be really beautiful and amazing.
00:45:26I know, of course.
00:45:28It's like, even if it's not what you're expecting.
00:45:30No thing is ever what you expect.
00:45:33That's the beauti...
00:45:34That's what's beautiful about it.
00:45:37Cool.
00:45:38So you get it, right?
00:45:39I get it.
00:45:40Okay.
00:45:41Of course I get it.
00:45:42I know you would.
00:45:43I love you.
00:45:44I love you, too.
00:45:45Can I get a hug?
00:45:46Yeah, of course.
00:45:48I feel so uncomfortable right now.
00:45:51I love you.
00:46:12I love you.
00:46:17Let's go, let's go, let's go, let's go.
00:46:47Hi, Janice, this is Maya, I'm just calling to let you know that I'm still not feeling well.
00:47:07Yeah, I don't think I'm going to be able to come today at all.
00:47:11That's okay. Michael, thank you so much. I really appreciate this.
00:47:17Oh, my Maya! Ah, it's looking. Ah, she's looking. Ah, ah, ah, ah. Ah, just last one. Ah, two.
00:47:25Okay, I got it. Ah! I love this room. I love this room. I didn't go to sleep, I was just feeling really energized,
00:47:33so I went to Polly's, I had some grits, I had one mimosa, and then I just walked right over here.
00:47:37It's so close to Polly's, it's incredible. Amanda let me in. I love her, I'm obsessed with her.
00:47:42Best first impression ever. She actually said she would help me with the boxes,
00:47:45but I was just feeling really a lot of fire in my glutes, and I was just like, girl, I got this.
00:47:49So I just, I almost tripped, I made it, I lost two boxes, but I did it.
00:47:53And what the heck? Your bed is like a freaking cloud. Ah!
00:48:03I feel like if you decided to stay, then we would both just fit in this bed just fine.
00:48:08I feel like you would barely know that I was here. But on the walk over here, I just was feeling really full.
00:48:12I was just feeling like, like, just like a water balloon, like about to burst,
00:48:15because I really, really, really have to go to the bathroom. Can I use your bathroom?
00:48:18Oh my gosh. My own bathroom. I love your bathroom. I love your taste. I love...
00:48:25When I take off my pants now, it's just like glitter comes out.
00:48:29Last night when we were on the dance floor, I had this vision that we were mermaids.
00:48:32And I felt like our hair was just wafting through the water and everything was like...
00:48:36You know like when you're underwater and everything feels like it's slow motion?
00:48:42I can't go. I feel like I'm having a little bit of anxiety. I need to turn on the water.
00:48:52You know like when you turn on the water, it sounds like a waterfall.
00:48:55Especially because the acoustics in the bathroom are so good. It's just like...
00:49:06You look really different tonight. Thanks Jojo.
00:49:09I actually have to run soon to talk to someone about the film.
00:49:13Hello. Our movie?
00:49:15Yeah.
00:49:16Because you are my trainer?
00:49:18Jojo, I'm so very excited. We're gonna do this movie together. Are you?
00:49:22Yes, I'm excited.
00:49:23I already got the tickets.
00:49:25Hey, is Cedar around?
00:49:39Okay, I'm so sorry.
00:49:43You're so very excited.
00:49:44Okay.
00:49:45You're so great.
00:49:46I'm so happy.
00:49:47You're so grateful, but I'm up here.
00:49:48Let's take a break.
00:49:49You're really excited.
00:49:50Let's take a break.
00:49:51You're really excited.
00:49:52I know.
00:49:53You're welcome.
00:49:54You're welcome.
00:49:55I know.
00:49:57I know.
00:49:58You're welcome.
00:49:59I'm so excited.
00:50:00I can't be very excited.
00:50:01You're welcome.
00:50:02I broke the things.
00:50:03I'm a big fanboy and I wish you guys are suing.
00:50:05I'm a big fanboy so I'm sure I have to be relaxed.
00:50:36So, I have some ideas.
00:51:02I just jotted down some possible plot lines, you know, to get the story moving.
00:51:06What if Jojo gets in trouble with the Burmese Mafia?
00:51:15Also, I googled Yangon.
00:51:17I mean, this place is so unique.
00:51:22So untouched.
00:51:24It's a great time to get in there before it all gets ruined.
00:51:26Oh, how tired are you to direct me?
00:51:33What?
00:51:34I mean, my buddy Spike's been wanting to make a movie out there forever.
00:51:37Spike Lee?
00:51:38Jones.
00:51:39Three Kings.
00:51:40Yeah.
00:51:42And apparently he even knows about the punks.
00:51:44They're so hot right now.
00:51:46Uh, I'm definitely gonna have to direct my own movie.
00:51:49That's not negotiable.
00:51:50Okay, you're committed.
00:51:52Just wanted to check.
00:51:53That's great.
00:51:53I respect that.
00:51:54Uh, one other thought.
00:51:58Why punks?
00:52:01Hmm.
00:52:02I think they're fascinating.
00:52:04Um, you know, these guys creating this alternative culture over there that goes beyond the, um, religious, um...
00:52:15And plus it's very, the whole scene is incredibly cinematic.
00:52:23Okay, you use this word a lot, but what does it mean, really?
00:52:27I mean, isn't cinema more than just surfaces?
00:52:29It is.
00:52:31Isn't it?
00:52:32I mean, what's a deeper theme here?
00:52:34What do these punks symbolize?
00:52:36I want to show how these guys have courage to be themselves.
00:52:41Um, and, um, create their lives.
00:52:45Their own personal revolution.
00:52:47Okay, but how?
00:52:49What's the story?
00:52:51What happens?
00:52:53It's not a plot-driven movie.
00:52:54So, we're gonna go over there and let the whole thing unfold organically.
00:52:58It's like you said, nothing happens.
00:53:00Well, it's not that nothing happens.
00:53:01It's just that what's not happening is more important than what happens.
00:53:07Okay, well, what's the point, then?
00:53:09Does there have to be a point?
00:53:11Exactly.
00:53:12Like the whole, like, what's the point of life thing.
00:53:14I mean, maybe life doesn't have a point, but a movie should.
00:53:18True.
00:53:21Well, um, I believe that cinema's supposed to ask questions rather than answer them.
00:53:32Okay, hear me out.
00:53:37What if the movie's not about the punks, per se?
00:53:41What if it's about a young, attractive tourist that gets swept up in the Burmese underground punk scene?
00:53:48I could get Chloe to do it.
00:53:50Seven-year?
00:53:50No, Chloe Moritz.
00:53:52She's one of my best friends.
00:53:56What if she falls in love with one of them, right?
00:53:59She's bored, trapped in her hotel room in Yangon until she meets one of the punks.
00:54:04What if we cast Scarlett Johansson and have her connect with an aging actor who's also trapped in Yangon shooting a commercial?
00:54:10Now you're talking, I love this.
00:54:11Okay.
00:54:12What if the main character is a filmmaker and she's kind of like Maya?
00:54:18I like it.
00:54:19This movie is not about me.
00:54:22I mean, it could be.
00:54:24I mean, isn't every story we tell ultimately our own?
00:54:27I'm not sure if I believe that.
00:54:29Maya, what's wrong with centering it around someone like you?
00:54:37Um, nothing's wrong.
00:54:40It's just that I'd rather give voice to those who don't have a platform to be heard.
00:54:44That's valid.
00:54:46Yeah.
00:54:46Who are you to give them a voice?
00:54:48And if you're giving it to them, isn't it your voice anyway?
00:54:52I mean, maybe you want to make this movie about these punks because it's easier than having to face yourself.
00:55:01I don't think so.
00:55:03Well, then tell me.
00:55:04What's fueling you?
00:55:06You want to be a director because it sounds sexy and cool?
00:55:10Or do you have something to say?
00:55:12Yeah, I have plenty to say.
00:55:13Like what?
00:55:18If I could just say it, I wouldn't have to be making a movie about it.
00:55:21Such a cop-out.
00:55:29This is good.
00:55:30This is good, y'all.
00:55:31We're getting a conversation started, right?
00:55:33You know, we don't have to make any decisions today, right?
00:55:35We're just sort of three collaborators.
00:55:37This is more than just about your movie.
00:55:39This is about your life's purpose.
00:55:41If you can't face the mirror, I'm not sure you can ever really be an artist.
00:55:52Why can't you do your own coke?
00:55:54Excuse me?
00:55:55Why do you need her to feed it to you?
00:55:57Do we have a problem here?
00:56:02Oh.
00:56:03Now, you'll have to excuse me.
00:56:07I have to take a shit.
00:56:12What the fuck?
00:56:14Where else are we going to get some fucking money like this?
00:56:16Look at this place.
00:56:16Are you kidding me?
00:56:17Good job, Yemi-o.
00:56:24You lined up a meeting with the biggest unsessionist asshole.
00:56:27I don't think it was that bad.
00:56:28Man, let's be real, Maya.
00:56:29What have you done for the movie?
00:56:31Excuse me?
00:56:32Are you fucking kidding me?
00:56:34I went to Asia and met the punks.
00:56:37Yeah.
00:56:38So you can have your, like, punk boy cyber sex thing.
00:56:41But that's not making a movie.
00:56:42What the fuck do you know about making movies in the first place?
00:56:45I'm making one right now.
00:56:48You crack those guys?
00:56:50Really?
00:56:51Well, good luck.
00:56:52Because I quit.
00:57:15I'm making one right now.
00:57:25I'm making one right now.
00:57:28I don't know.
00:57:58Karolina mówiła, że kupiłaś bilety do Azji, to prawda?
00:58:05Mamo, nie będę z tobą teraz o tym rozmawiać.
00:58:07Dlaczego nie?
00:58:08Moknę.
00:58:09Ale chyba nie rzucasz w pracy.
00:58:10Moknę, pa.
00:58:28Moknę.
00:58:58Moknę.
00:59:00Moknę.
00:59:01Moknę.
00:59:02Moknę.
00:59:03Moknę.
00:59:04Moknę.
00:59:16Moknę.
00:59:17Oh, I'd hug you, but you look a little wet.
00:59:21What are you doing here?
00:59:22Well, I tried to call, but your phone was dead, so, uh...
00:59:26Well, anyway, I figured we haven't hung out in a while,
00:59:29and I could, you know, take you out to dinner.
00:59:32I don't know about that.
00:59:36What are you...
00:59:39Come on, Mike.
00:59:40You know, I just start getting paranoid
00:59:47that everyone around me is an actor.
00:59:49Like, some kind of nightmare.
00:59:52It's just like, oh, my God, is this water real?
00:59:57What about this cheese?
01:00:00What about the wine?
01:00:03Yeah, I think you should check the water.
01:00:04I should?
01:00:05You should. You should make sure.
01:00:08Yeah, the wine's real.
01:00:10But, yeah, like, fuck this shit.
01:00:13I'm telling you.
01:00:14All right, it's a...
01:00:15It's a big mess.
01:00:17Mm-hmm.
01:00:18But the entire time we dated,
01:00:21I struggled to find the real you on camera.
01:00:28Like, the essence.
01:00:30Oh, come on!
01:00:32Are you fucking kidding me?
01:00:33Yeah!
01:00:33The essence of me?
01:00:35Did you just really say that?
01:00:36I did.
01:00:36You remember that movie that we did
01:00:39with the bats and the bathrobe
01:00:40and where we were under that bridge
01:00:44and you fell?
01:00:45Oh, my God.
01:00:49It was horrible, but it was great.
01:00:52But, hear me out.
01:00:57Maybe Yamil has succeeded in showing a side of you
01:01:02that even I haven't seen.
01:01:05You know, your drive, your passion,
01:01:08you're taking big risks,
01:01:10you quit your job.
01:01:11This is a real journey as an artist.
01:01:15And it's compelling and it's intriguing
01:01:18and it could be a true feminist movie.
01:01:23You fucking talked to him?
01:01:25No, we didn't.
01:01:27He might have run into me last week
01:01:29and you might have showed me some clips, but...
01:01:33Dude, what is going on?
01:01:38I can't do this anymore.
01:01:40I'm so sorry.
01:01:43This was not my idea.
01:01:45I did not.
01:01:47It was...
01:01:47I didn't have anything to do.
01:01:48Shut up.
01:01:54Maya.
01:01:56I'm sorry.
01:01:58I didn't want this to play out this way.
01:02:00And I really care about you.
01:02:01You know that, right?
01:02:02Like, I really do.
01:02:04You're my friend.
01:02:06And we can still make something beautiful together.
01:02:08I'm sorry.
01:02:09I really am.
01:02:17Fuck.
01:02:26Sit up.
01:02:31Babe.
01:02:32Take some deep breaths.
01:02:49Do you think I'm a favorite?
01:02:51Of course not.
01:02:56It's Yamil.
01:02:58He's...
01:02:59He flits around like a butterfly from flower to flower
01:03:06and he never follows through on anything
01:03:09and you don't have time for that bullshit.
01:03:11Right?
01:03:12You have a movie to finish.
01:03:14Or to start.
01:03:15No.
01:03:16Hey.
01:03:29The matcha is making me more sleepy.
01:03:32Oh.
01:03:33Well, this is...
01:03:34I've got to finish it before tomorrow.
01:03:37It's too much.
01:03:38I've got an idea.
01:03:40And you will.
01:03:41You will finish.
01:03:42But here.
01:03:43Come sit here.
01:03:44Sit with me.
01:03:46Okay.
01:03:51That's not the exercise.
01:03:52Oh, yeah.
01:03:52Here's the exercise.
01:03:53Take a deep breath in.
01:03:54Or something along those lines, okay?
01:04:03You take a deep breath.
01:04:04You let the sound out and put some movement with it.
01:04:06Ready?
01:04:06Mm-hmm.
01:04:07Deep breath.
01:04:07Another one.
01:04:19Deep breath.
01:04:20I'm the captain of my own ship.
01:04:29Say that.
01:04:30I'm the captain of my own ship.
01:04:33Yeah.
01:04:34Say it again.
01:04:34Like you mean it.
01:04:35I'm the captain of my own ship.
01:04:37I'm the captain of my own ship.
01:04:38I'm the fucking captain of my own fucking ship.
01:04:42I'm the own...
01:04:43I'm the...
01:04:44Yeah.
01:04:45I'm the owner of the fucking ship.
01:04:47I'm the fucking owner of my own ship.
01:04:50Yeah, that's right. I'm the captain of my own ship, motherfucker.
01:04:56I'm the own... I'm the...
01:04:58I'm the owner of the boat.
01:05:01Okay. I'm the owner of the ship.
01:05:03That's...
01:05:04Fuck you, motherfucker.
01:05:05Fuck you, too, captain.
01:05:08Damn, sit down. Sit down here.
01:05:11Yeah. Okay.
01:05:13Now, take a deep breath.
01:05:15And let it out, and let your eyes close.
01:05:23And...
01:05:24What do you see?
01:05:27What is the first thing that you see?
01:05:45What is the first thing that you see?
01:05:49I don't know if you see it, but...
01:05:51I'm the first thing that you see is having a deep breath.
01:05:53What is the second thing that you see?
01:05:55So, I have someof the big photos.
01:05:56I have a good drink.
01:05:58I have someof the big photos.
01:05:59I have someof the big photos.
01:06:01Yeah, I have someof the big photos.
01:06:02It's not.
01:06:03Yeah, I'm sure there's a story in there, maybe.
01:06:06Yeah, I'm sure there's a story in there.
01:06:09Maybe.
01:06:10Let's talk about you.
01:06:13Your accents.
01:06:14Don't tell me.
01:06:15My ex is from there.
01:06:17Ukraine.
01:06:18Poland.
01:06:19Poland.
01:06:21Yes, Tash Piekno.
01:06:22I've been to Poland a few times for the American Film Festival.
01:06:26It's in, uh...
01:06:29Gosh, where was that?
01:06:30Rafa Rostov.
01:06:31Oh, I need to take this.
01:06:36That's it.
01:06:38I know.
01:06:41I took her to this bar.
01:06:43I brought her here.
01:06:44She knows that this is our spot.
01:06:45She knows this is where all the homies hang out.
01:06:47And of course she's gonna come here and, like, hit on some other woman.
01:06:50I bet she's with another woman.
01:06:51I'm not clear of being territorial or jealous because I am and you're here for it and that's okay.
01:06:55Everyone is looking up with everybody else.
01:06:57And, like, you can't date with somebody this year.
01:06:58I haven't dated somebody else in this town.
01:07:00And it's like...
01:07:01She's wearing a现彰联 카� and says,
01:07:03I don't know whataffle fee is.
01:07:03So if I don't make any look again...
01:07:08Or, like, youSTK's first and I don't know who somebody else is going to talk to.
01:07:13I just need to take that.
01:07:13Another thing that I was hoping...
01:07:16...
01:07:20...
01:07:21...
01:07:22...
01:07:24I'm going to go ahead and put it in the middle of the bag.
01:07:31I'm going to go ahead and put it in the bag.
01:07:38I'm going to go ahead and put it in the bag.
01:09:45Do you think I should go?
01:14:31I love you very much.
01:14:33And I can't wait to see you.
01:14:39Yeah.
01:14:41I hope one day we'll be right back.
01:14:49And I can't remember.
01:14:59Yeah.
01:15:00Yeah.
01:15:01I remember all our beautiful adventures.
01:15:09And discovered this.
01:15:10And discovered this.
01:15:11And discovered this.
01:15:19Sure, yeah.
01:15:20Yeah.
01:15:26Yeah.
01:15:27Yeah.
01:15:28Yeah.
01:15:29And one day we met accidentally in the street.
01:15:34That was fun.
01:15:36Now in this time we go, they will shoot us.
01:15:42And here in Myanmar, right now, nobody's life is safe.
01:15:46But you decided to stay in Myanmar.
01:15:50Yeah, because I feel like a little bit useful revolution.
01:15:57A little bit useful for this revolution, that's why I don't leave the country.
01:16:04One soldier, he pined on me with a gun, right?
01:16:17Maybe he scared me, because I don't have gun.
01:16:25I have what he don't have.
01:16:31Do you understand?
01:16:32Yes.
01:16:34For example, I'm doing what I believe.
01:16:40He do with fear.
01:16:44Because of authority and power.
01:16:47He always listen to his leader.
01:16:52I don't listen to anybody.
01:16:55I'm just doing what I believe.
01:17:01They can control the politicians.
01:17:04They can control whatever they want.
01:17:07But they cannot control our creation.
01:17:09You know?
01:17:10They cannot control the pan rock.
01:17:15That's what we want to show.
01:17:17Showing our energy to say, fuck you all.
01:17:21You know what I mean?
01:17:22You know what I mean?
01:17:23For me, I believe in revolution like this.
01:17:26Not only fighting with that.
01:17:28Not only destruction.
01:17:31Also revolution.
01:17:32It was a creation, right?
01:17:35It was a creation we create something.
01:17:37We create something, what we don't like.
01:17:41We create something, what we believe.
01:17:43We create something, what we stand for.
01:17:46And revolution and art is very important.
01:17:50Because art is very much power.
01:17:52So artists very much power.
01:18:22Women to the bread.
01:18:23Women to the bread.
01:18:25Women to the bread.
01:18:26We will fight against women.
01:18:27Women to the bread.
01:18:29Women to the bread.
01:18:30Women to the bread.
01:18:31We will allow back a world.
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