- 3 hours ago
Shelter In The Mafia
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:30Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's going to take over your role at the company.
00:00:36She's already proven she can do everything you can, but better.
00:00:40I'll have a letter of termination and divorce papers sent over to your new address, wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:48Give me that new plebe. I know exactly what to do with it.
00:00:54Is that clear enough for you, Tasha?
00:00:56Your company and your husband both belong to me now.
00:01:04No, you can't just fire me. I'm a shareholder at this company.
00:01:08Are you still a shareholder at this company? Are you?
00:01:11Actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:17I never took out any loans that large.
00:01:20Oh, Tasha. You were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop acting. I'll just leave on my own.
00:01:43Look. There's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:56Come on, man. You think I'm some kind of moron that doesn't know anything?
00:02:00I know that the type of money you make in just a few days, I can't make that in ten years working as a stick.
00:02:06But at least you're guaranteed to be alive in ten years.
00:02:09In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.
00:02:13Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:19I'm sorry, but no. I'm not gonna let you get killed.
00:02:24Man, what the fuck you got me here for then? Shit.
00:02:43Oh, I guess you didn't hear. The repo guy. He came and towed your car away.
00:02:50Ugh. Said it was, like, collateral for a loan.
00:02:54Of course, I made the call and arranged everything. My pleasure.
00:03:01You despicable trash.
00:03:03You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:09But walking the streets at night kinda suits you. So, enjoy.
00:03:15Go to hell.
00:03:20Going back to the door.
00:03:21Don't you dare.
00:03:25I'm sorry.
00:03:26I'm sorry.
00:03:28I'm sorry.
00:03:33I'm sorry.
00:03:46I'm sorry.
00:03:47Miss?
00:03:49Just go away, alright? I don't need your cheap sympathy right now.
00:03:54Miss, your friend's gone. I just want to offer my cab services.
00:04:01Yeah, I'm sorry. A cab is just what I need right now.
00:04:07Alright, great. Come on board.
00:04:17Sorry, I don't have any cash right now.
00:04:34Give me a minute. I'll go grab some from inside.
00:04:37Here. Just proof I'm not trying to skip out on the fair.
00:04:47You have some nerve coming back here.
00:04:53I never wanted my son to marry you in the first place.
00:04:56And now that he's finally come to his senses and kicked you to the curb,
00:05:00you think that you can just waltz right back into his house?
00:05:04His house? My father left me this house.
00:05:09And I know you're senile, but I'm sure you remember when you practically begged me
00:05:15to let you and Carl live here.
00:05:18I always knew you were a nasty little hussy.
00:05:26Who the hell are you?
00:05:28This is a personal matter, so you should really mind your own business and stay outside.
00:05:32Actually, this is my boyfriend.
00:05:36So if it's a personal matter for me, it's a personal matter for him.
00:05:40Okay.
00:05:42What?
00:05:43You think your son's the only one capable of having secrets?
00:06:01Hey, thanks again for today.
00:06:03I know that's a weird position to put you in.
00:06:07It's alright.
00:06:09It is really nice to know that there is still good people out there that would help a total stranger.
00:06:17Have a good night.
00:06:18Alright, you too.
00:06:33I'm so excited.
00:06:35Let's go.
00:06:36Let's go.
00:06:37Let's go.
00:06:38Let's go.
00:06:39That was good.
00:06:40What?
00:06:41I got to leave a good night for the holidays.
00:06:43I'm so happy now.
00:06:45I've got to leave a little girl tonight.
00:06:47I want to leave a little girl that's not ready to dream this morning,
00:06:50but you're well known to Stephen King.
00:06:51If you asked if you did a small house,
00:06:53it's too late.
00:06:54If you can, what's going on?
00:06:55I'm 2018-19.
00:06:57Where's my necklace?
00:07:05Here. Just proof I'm not trying to skip out on the fair.
00:07:27How does a fancy broad like you find yourself in a place like this?
00:07:40Who the hell are you? Get out now!
00:07:43All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:50I'm calling the police!
00:07:54How about I give you a better idea?
00:08:05You and I are gonna have some good old fashioned fun tonight.
00:08:17If I ever see you around here again you're dead! Get out of here!
00:08:21Hey.
00:08:27I'm so glad you're here.
00:08:32Where did you get this necklace?
00:08:34My father gave that to me.
00:08:41You better not be lying to me.
00:08:43I'm not lying.
00:08:46He made that with his own hands. It has my name on the back.
00:08:49It's really you?
00:08:52Hey. How are you feeling?
00:08:55How did... how did you...
00:08:58Lift your bag in my car.
00:08:59How did you know where to find me?
00:09:01I have my ways.
00:09:05Hey, listen.
00:09:06I know it's none of my business.
00:09:07But it's not safe for you here.
00:09:08With everything that's happened in the last 24 hours this is...
00:09:11All I can afford.
00:09:12Listen, I have an extra room at my place.
00:09:13Maybe...
00:09:14Maybe...
00:09:15Maybe.
00:09:16Maybe.
00:09:17Maybe.
00:09:18Maybe.
00:09:19Maybe.
00:09:20Maybe.
00:09:21Maybe.
00:09:22Maybe.
00:09:23Maybe.
00:09:24Maybe.
00:09:25Maybe.
00:09:26Maybe.
00:09:27Maybe.
00:09:28Maybe.
00:09:29Maybe.
00:09:30Maybe.
00:09:31Maybe.
00:09:32Maybe.
00:09:33Maybe.
00:09:34mielu
00:09:35Honey
00:09:36H
00:09:38Listen, I have an extra room at my place.
00:09:40Maybe you can just come stay with me.
00:10:03Welcome home.
00:10:07I really feel like my luck's starting to change.
00:10:13I mean, you've literally rescued me over and over today.
00:10:18I know what it's like.
00:10:19I've been rescued before.
00:10:21I'm sorry.
00:10:22I don't think I can make rent right away,
00:10:26but you could sell this ring and then it should cover me for a few months,
00:10:32at least until I'm back on my feet.
00:10:34I thought he was a really rich guy.
00:10:36Why did he choose such a small diamond?
00:10:40It's not a very good cut, either.
00:10:43Okay.
00:10:44Never mind.
00:10:46I can just...
00:10:48No, it's fine.
00:10:49I'm just saying.
00:10:51You deserve a better reign than this.
00:10:52No, babe.
00:11:20Stop.
00:11:21It's late, okay?
00:11:23You're still thinking about her.
00:11:25Who?
00:11:26Tasha?
00:11:27Are you kidding me?
00:11:29Then why are you wearing the wedding ring?
00:11:31Did you forget what she and her father did to you?
00:11:33I will never forget what she and her father did to me.
00:11:37But that has nothing to do with you.
00:11:39So why don't you stop mouthing off about shit that you know nothing about
00:11:43and let me handle my own affairs.
00:11:44So why don't you stop mouthing off about shit that you know nothing about
00:11:47and let me handle my own affairs?
00:11:48I'm sorry, I'm sorry.
00:11:55Look.
00:11:56I go.
00:11:56I do.
00:12:05I love you.
00:12:06Mary?
00:12:18What?
00:12:26Hey, what's going on?
00:12:28My daughter's missing.
00:12:29What?
00:12:36Tasha, you shouldn't have barged in like this. If Carl finds out-
00:12:46No, I don't care about Carl right now, okay? Where's my daughter? Where's Anna?
00:12:51I sent her away.
00:12:53Oh, you have no right.
00:12:57Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want
00:13:05with my stepdaughter.
00:13:08What?
00:13:11We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:17You think you're getting custody?
00:13:20Stai sognando.
00:13:22On one hand, we have a mother drowning in death with no place to live.
00:13:29On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned
00:13:38crow group.
00:13:39Who do you think the court will side with?
00:13:43Oh, what's going on?
00:13:50Oh, Carl!
00:13:52Carl, it's okay.
00:13:54Tasha was understandably upset about the situation. You know, I don't blame her for what happened.
00:13:59You trespass on my property? Assault my wife in her own home?
00:14:04Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse.
00:14:10You don't understand. Raina sent Anna away!
00:14:13She did what any good mother would.
00:14:15I want to know where my daughter is right now!
00:14:18New Zealand.
00:14:19Getting medical care from one of the best cardiology departments in the world and remind me.
00:14:25What have you done for your daughter lately?
00:14:27Hmm?
00:14:28Abandon her?
00:14:29To go shack up with some cab driver boyfriend?
00:14:32You idiot!
00:14:33I found those cardiologists in New Zealand.
00:14:36Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:40Tasha, Tasha, you disgust me.
00:14:43Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:48I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:54You backstabbing, homewrecking bitch!
00:15:07I advise you stay far away from my daughter and I.
00:15:13Hey!
00:15:14By the way, the deed still lists me as the rightful owner to this house.
00:15:19So the two of you have no right to keep me from coming back here.
00:15:23Do you understand?
00:15:24Calm down.
00:15:25You can forge my signature.
00:15:27You can take my money.
00:15:28Take my house.
00:15:29But you will never have a shred of the intelligence that I have.
00:15:33Tasha, you have made your point.
00:15:35I think it would be-
00:15:36You deserve that too!
00:15:39You should have told me about Anna a long time ago!
00:15:44Oh, don't stop on my account.
00:15:47Please.
00:15:49Continue.
00:15:50Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:55And 20 millions of that is owned to me, personally.
00:15:59In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:16:03you'll never going to see your daughter ever again and you'll end up in debtor's prison.
00:16:10Ciao.
00:16:14Go ahead and check it out.
00:16:15But after your accountant, make sure it's all legit.
00:16:17I don't want you two jackasses hunting my girl for money ever again.
00:16:20Got it?
00:16:26Oh!
00:16:27By the way, we're going to go ahead and take Anna in the future too.
00:16:30Don't worry, Carl.
00:16:32I'll be a better father to her than you ever can be.
00:16:36Tasha.
00:16:38You'll regret this.
00:16:39Thanks again, Kerr, today, for pretending to be my boyfriend.
00:16:52Mm-hmm.
00:16:53Was all that money real?
00:16:57As real as it comes.
00:16:59Where'd you get all that money?
00:17:01I robbed a couple of jewelry stores before I came to find you.
00:17:05Are you serious?
00:17:07No, I'm just joking.
00:17:09It was my dad's.
00:17:10Don't worry, it wasn't stolen or robbed or anything.
00:17:12But hey, listen.
00:17:13From now on, I want you to think of me as your creditor.
00:17:17Okay?
00:17:18I don't want you to worry about owing money to those scumbags.
00:17:21From now on, you'll just owe money to me.
00:17:24As long as you're okay with that?
00:17:26I could be okay with it.
00:17:28As long as you can satisfy one small request.
00:17:30What kind of request?
00:17:42My only request is that you just relax.
00:17:47Okay?
00:17:48Why don't you just take a load off.
00:17:50Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:18:00You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:18I have nothing.
00:18:21Well, I mean, you always have me and, you know, other things.
00:18:30I can't hear you, you're, you're whispering.
00:19:04Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:20That bitch.
00:19:23Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:27I'm telling you, forget about the Fitz Gallery, okay?
00:19:30The people who are running it are crooks.
00:19:31But I want my paintings to be showcased in the most prestigious venue possible.
00:19:37I know, I know.
00:19:39And I said I would help you find other galleries.
00:19:42Remember?
00:19:43Just stop nagging me about it.
00:19:45Okay?
00:19:46Okay.
00:19:49You're a little angel.
00:19:50It's okay.
00:20:11Just sleep in.
00:20:12Well, it's certainly going to make things more complicated.
00:20:24So you want to pretend last night never happened?
00:20:26I thought we had a good thing going on between us.
00:20:34I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:38Yeah, but that was just something I said to make my husband jealous.
00:20:45You mean your ex-husband?
00:20:47Yeah.
00:20:47Ex.
00:20:49Yeah.
00:20:51But I mean, you and I are...
00:20:55You know I can't start a new relationship right now.
00:21:00So everything you said last night?
00:21:03We were just caught up in the heat of the moment.
00:21:07Heat of the moment.
00:21:08So it was all just bullshit?
00:21:11Why?
00:21:11To get me into bed with you?
00:21:13Just to have a one-night stand?
00:21:17Because you miss being with your damn husband?
00:21:33So everything you said last night?
00:21:38Get a hold of yourself.
00:21:39You just got divorced.
00:21:46You're not going to play mind games with men anymore.
00:21:49Hey.
00:21:52I wasn't sure what you like, so...
00:21:55I just made a little bit of everything.
00:21:58You made all this?
00:22:00Yeah.
00:22:00So what do you think?
00:22:12It's delicious.
00:22:18I mean, you deserve to have some of your awesome breakfast, too.
00:22:22Hey.
00:22:24You're not going to maybe sit here and eat this alone, are you?
00:22:26All that for some sauce, huh?
00:22:41Are you kidding me?
00:22:42I mean, you're not going to eat this alone, are you kidding me?
00:22:43I mean, you're not going to eat this alone, are you kidding me?
00:22:49Hello?
00:22:50Mommy, I miss you so much.
00:22:52Anna?
00:22:53Mommy, I miss you so much.
00:22:54Anna, honey, what?
00:22:56What's going on?
00:22:57Anna...
00:22:57Okay.
00:23:02Both of your resumes look excellent.
00:23:05I have a question.
00:23:06If you spilled a glass of milk in the ocean, how would you get it back?
00:23:13What does that question have to do with our work?
00:23:16Well, I suppose you could contain the section of the ocean with the spilled milk and then
00:23:25collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:31So, at our company, we are always trying to make the impossible possible, and for that
00:23:38we need people who can think on their feet, derive solutions, no matter how outlandish the
00:23:46task at hand may seem.
00:23:52Hello?
00:23:58Uh-huh.
00:23:58Okay.
00:24:09Congratulations, Ms. Michaels.
00:24:10Welcome to the Eastwood Corporation.
00:24:23If you don't mind me asking, why didn't I get the job?
00:24:28Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:37start to look for work again.
00:24:41We don't want to make enemies with the Crow Group.
00:24:43So, I guess you didn't get it?
00:24:59I just don't understand why Carl hates me so much.
00:25:03I mean, he doesn't want me to work for his company, but he doesn't want me to work for
00:25:06any other company either.
00:25:07Look, you don't need that corporate job anyways.
00:25:11Yeah?
00:25:12What else can I do?
00:25:15I mean, I thought you were an artist, now a painter.
00:25:17What did you know about that?
00:25:19You brought an easel.
00:25:25It's just a hobby.
00:25:27I gave it up.
00:25:29I don't paint anymore.
00:25:31Okay, well, if you don't love to paint anymore, then why were you an easel with you?
00:25:41I haven't painted in years.
00:25:44I'm sure it'll be just like riding and bike.
00:25:46Once you start, it'll all come back to you.
00:25:49That's my account.
00:25:55Why are they assigning it to someone else?
00:25:58Fine, fine.
00:25:59Just get me some damn answers and give me a call back soon, okay?
00:26:05Carl, this took me three months.
00:26:08I'm sorry.
00:26:09I just got some bad news at work.
00:26:11It's ruined now.
00:26:13Why?
00:26:13Start over.
00:26:14You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:24You're a remarkable woman, Tasha.
00:26:27Okay?
00:26:27And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:33If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:38And then you could put whatever paintings you want in them, right?
00:26:42Painting's my passion.
00:26:44What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:54Because together, we'd be unstoppable.
00:26:59And right now, I am drowning.
00:27:01Your dad and his partners have no faith in me.
00:27:05I need you.
00:27:09Look.
00:27:12You love me.
00:27:14Don't you?
00:27:17Of course I do.
00:27:19Okay, that doesn't matter.
00:27:21Do this one thing for me.
00:27:23This one little thing.
00:27:25Please.
00:27:25Here we go.
00:27:34Fly away with me.
00:27:38Take you high.
00:27:41Sorry.
00:27:42To smile.
00:27:45It's my only dream.
00:27:50Steering out into the sea.
00:27:53Finished?
00:27:54Yep.
00:28:00That is amazing.
00:28:03Thank you. I actually never thought I'd paint again.
00:28:07Well, that would have been a shame. You're easily one of the most talented artists I've ever met.
00:28:23We're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.
00:28:36The subject in your paintings, your muse, is he your lover?
00:28:41Oh. No. He's just a friend of mine.
00:28:48But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:29:01Is Ken really in love with me? He's so young, though. At his age, he probably doesn't even know what love is.
00:29:09Oh, uh, sorry. You're in the way.
00:29:13Actually, you're in my way.
00:29:15I'm trying to get into my home.
00:29:21Is this your new girlfriend?
00:29:25I've never seen you with anyone like this before.
00:29:28Ken's my roommate.
00:29:29Now, if you'll please step aside so I can get in.
00:29:36Call me again if you need anything, okay? Bye.
00:29:39Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:46Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:52So, if you have something private to do, just do it in your room.
00:29:54I never said you need to tell me when you're coming or going. I'm just saying.
00:29:57Fine, you don't need to explain. Just... I just want to be alone.
00:30:06What?
00:30:07I'm so sorry, sir. She just barged in without permission.
00:30:16It's okay.
00:30:18Miss Roberts, please. Grab a seat.
00:30:21We signed a contract. Why can't you show my paintings now?
00:30:25I'm afraid I don't have the answers you're looking for.
00:30:27You want to know what happened? Ask Karl Krohm.
00:30:29I want my paintings back. Right now.
00:30:37Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:59You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:31:11You better hope I find what I'm looking for, or I'm gonna make this entire gallery compensate me.
00:31:16And then I'm gonna sue you, and you'll be the first to lose your job.
00:31:20Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:29I hope you're not.
00:31:35If I do not know what happened, what have you been doing, I'm sure things will go ahead and just篤 all your problems and promises.
00:31:42Yeah.
00:31:46All right.
00:31:51you really care about her keep your voice down she's had a long day also you can't just come
00:32:19over here so casually in the future casually are you kicking me out you didn't mind my coming
00:32:27over so casually when you had me digging through your body for bullets you men are cold as hell
00:32:32I think my lucky star is on the lesbian look I just can't have her finding out about the work
00:32:36that we do okay are you serious about her yeah have you thought about the consequences if your
00:32:44dad finds out look no you and I have been best friends for over 20 years okay and my dad has
00:32:52taught me everything that I know I think maybe it's time I just figured things out on my own
00:32:57and you know exactly what I went through last time I'm not gonna lose her again
00:33:03don't worry Anna mommy's gonna find a way to bring you home soon
00:33:11all the evidence is here it's exactly what you thought let me know if you want me to find out
00:33:25more Carl let's meet
00:33:41oh wow it's not every day a famous painter comes to visit to what do I owe the pleasure
00:33:58the company I supposedly borrowed money from
00:34:01it's a shell company owned by you
00:34:06so what all our operations are legal you signed the documents you borrowed the money
00:34:14all you can do now is pay it back
00:34:18you know I don't think you actually want me to pay back the loans
00:34:25you were just looking for an excuse to have me back in your life
00:34:31you're obsessed with me this is just your sick way to dominate me and make me surrender to you
00:34:38I'm just getting even for the years I spent in your father's shadow
00:34:43the years of belittlement and him treating me like a clown
00:34:47my father hired you when no one else would
00:34:51not my fault that your insecure petty took his support as belittling
00:34:59I wouldn't upset me if I were you
00:35:03remember I'm your creditor now
00:35:06two months
00:35:08that's all I can give you to pay me back the remainder
00:35:11a hundred and eighty million
00:35:13what are you doing here
00:35:24I was just in the neighborhood
00:35:26thought I'd give you a ride home
00:35:27hi
00:35:31um hey who is this
00:35:35this is Ken's roommate
00:35:40we're gonna be dropping them off before we head home
00:35:43yeah hey listen I didn't introduce you last time
00:35:46but this is my best friend Nell and her girlfriend Maria
00:35:49Nell and I have been nothing more than friends since we were kids
00:35:57she's not into men and she never has been and her and I are nothing more than just platonic friends
00:36:03alright
00:36:04I'm sorry I jumped to conclusions the other day
00:36:09it's okay
00:36:09I just didn't want you to get the wrong idea
00:36:12look I appreciate it I really do I just I still think you and I are better off just as friends
00:36:26just why
00:36:30why
00:36:31why
00:36:36maybe because I'm just getting over a failed marriage
00:36:41because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back
00:36:48I also have no idea how I'm gonna get my daughter back
00:36:53and getting into a relationship with you that's just something I can't do right now
00:36:59love has brought me nothing but pain okay so just please just leave it
00:37:05do you have any other paintings
00:37:28do you have any other paintings
00:37:30yeah I have several what are you looking for
00:37:38I would like to buy them all I love your painting style it is so unique
00:37:45I own a large gallery and I would like to establish a long-term collaboration with you
00:37:50thank you for your kind words about my paintings but
00:37:54I've been in some trouble lately and it's probably best if I don't involve your gallery
00:38:01none of this matters to me
00:38:06if someone wishes to cause me trouble
00:38:08well
00:38:09just let me try
00:38:11I mean
00:38:18it has to be a mistake
00:38:21or a prank or a cruel practical joke
00:38:26I mean it seems pretty authentic to me
00:38:29it has their seal and
00:38:30your name and address are like clearly written on it so
00:38:34it looks authentic
00:38:38but how would they have seen my paintings?
00:38:42I don't know maybe one of those auction sites that you've been posting your work on
00:38:47I mean you're incredibly talented so
00:38:50anybody who's seen your work would automatically recognize it
00:38:53I own a large gallery and I would love to establish a long-term collaboration
00:39:02it's him
00:39:04it's him
00:39:06the guy who's been on my paintings
00:39:08he must be the owner of the Fitz gallery
00:39:10well in that case we better get going
00:39:12where?
00:39:14gotta go get you a dress
00:39:16can't have you showing up to the Fitzgala in rags
00:39:18babe
00:39:24which one do you like more?
00:39:26this one
00:39:27or this one
00:39:28I need to be the hottest girl at the Fitzgala
00:39:31everything just uh looks so good on you honey
00:39:36so um just pick whichever one you want
00:39:40I gotta take a call okay
00:39:41wrap this up you twitch
00:39:43I'll take them both
00:39:44wow
00:39:52I used to buy dresses like this all the time
00:39:55without even thinking about the money
00:39:56but
00:39:57I can't afford something like this now
00:40:00you know what
00:40:03consider it a congratulatory gift for me
00:40:05all right
00:40:06and when you make it big in the art world
00:40:09you can just hang me back
00:40:09oh hi excuse me
00:40:13yeah my uh friend would like to try on this dress
00:40:15oh your friend has amazing taste
00:40:17this dress is actually a limited edition
00:40:19each one handcrafted by hand and therefore entirely unique
00:40:23truly a work of art
00:40:24truly a work of art
00:40:25well how fitting that's going to be worn by a very talented artist
00:40:28I'll have someone on the team bring it out to you
00:40:31Veronica please bring the limited edition
00:40:35thank you
00:40:36what limited edition
00:40:40Tasha
00:40:42do you really think you can afford this dress
00:40:46you can afford this dress
00:40:51please
00:40:53Reina
00:40:55I don't think you need to worry about Tasha's finances
00:40:57okay
00:40:58we established that last time
00:41:00hey you
00:41:02get over here
00:41:03I'm gonna pay twice what it's worth
00:41:07but I want this dress
00:41:08ma'am this dress is four thousand dollars
00:41:10did I ask you how much it cost
00:41:11you pleuritarian scum
00:41:13just shut your mouth and add it to my bill
00:41:15she's willing to pay double
00:41:17I'll double her offer and I'll pay sixteen
00:41:20okay sir
00:41:21sold
00:41:22thirty two thousand
00:41:23you know what
00:41:25she wants to dress so bad let her have it
00:41:29you can put all the jewels you want on a pigeon
00:41:32but it'll never be a peacock
00:41:33I'll show you who's a pigeon you little bitch
00:41:35how dare you assault me
00:41:38Tasha
00:41:39are you okay
00:41:40what is going on here
00:41:44what's going on is that your crazy bitch wife pushed Tasha to the ground
00:41:47I swear to god
00:41:49they're all lying
00:41:50I never touched her
00:41:51I saw everything
00:41:52this gentleman and his girlfriend were very nice
00:41:55and politely inquired about a dress
00:41:56and suddenly your wife appears and attacks her for no reason
00:41:59shut your mouth you little lying asshole
00:42:02you know what why don't you just call security
00:42:03before this crazy maniac hits somebody else
00:42:05wait a second Reina
00:42:06what actually happened here
00:42:08what's going on
00:42:08why don't you believe me
00:42:09I'll cheer
00:42:10don't we just call 911
00:42:12are you blind
00:42:15oh Tasha can you stop this bullshit
00:42:16you know what Reina can you just stay away
00:42:18can I get someone down here
00:42:20room A122
00:42:21no no that's not necessary
00:42:22we are leaving right now
00:42:23let's go
00:42:24no but
00:42:25okay you've embarrassed us both enough
00:42:27for one day
00:42:28okay let's go
00:42:29wherever Reina goes
00:42:38trouble's sure to follow
00:42:39it is nice to see a better taste of her own medicine though
00:42:44yeah
00:42:45it's a shame though
00:42:46you would have looked really great in that dress
00:42:48don't worry about that
00:42:53I have a solution
00:42:54what are you going to do with all this stuff
00:43:04I'm going to design my own dress and wear it to the gala
00:43:07are you sure there's enough time
00:43:09have some faith in me
00:43:10I graduated with honors in design and fine art
00:43:14I got this
00:43:16all right
00:43:17how do I look
00:43:37how do I look
00:43:41what is
00:43:48is something wrong
00:43:50is it
00:43:51is it too much
00:43:52should I change something
00:43:53no
00:43:54no
00:43:55you look
00:43:57that dress
00:43:59like
00:43:59that is one of the most beautiful dresses I've ever seen
00:44:03but there's something missing
00:44:07should I
00:44:10resell the beads
00:44:12no
00:44:13I have a gift for you
00:44:15something to
00:44:17complete the whole look
00:44:19destroy harder you idiot
00:44:27Mrs. Crow
00:44:28I am doing everything I can
00:44:30I don't know what more I can do
00:44:32you're calling me fat
00:44:34of course not
00:44:35you're not fat at all
00:44:38it's the dress
00:44:39it's not made for a woman's body
00:44:41just shut up and do it
00:44:43babe
00:44:45just put on another dress
00:44:47you're going to be late
00:44:48I spent so much money on this dress
00:44:52I am wearing this dress
00:44:54I can't
00:45:13it's
00:45:13it's too much
00:45:16no
00:45:17it was made for you
00:45:19I can't wait to see what you've brought to the auction
00:45:31can we have a little hint
00:45:33well
00:45:34actually
00:45:35I brought some of my very own paintings to auction tonight
00:45:39what's wrong
00:45:43it's just Tasha Roberts
00:45:45my husband's dreadful ex-wife
00:45:48I'm tired of seeing her sorry face everywhere
00:45:53you know she's also a horrible person
00:45:57if it isn't everyone's favorite white collar criminal
00:46:02turned homeless vagrant
00:46:04Tasha Roberts
00:46:05so the other day
00:46:07when you were trying to buy this dress
00:46:09with that working class thug boyfriend of yours
00:46:13you were trying to come here
00:46:14are you sure you were even invited
00:46:17I'm sorry
00:46:21are you working with the security details
00:46:24do I need to show you my invitation
00:46:25honey
00:46:26I'm just trying to look out for you
00:46:28okay
00:46:29I want to spare you the embarrassment of being kicked out
00:46:32when everybody finds out
00:46:33that you are not invited
00:46:35you mean like how you were kicked out of the mall
00:46:37I see
00:46:39you still quite don't understand your place in the world
00:46:42you think you're fucking Cinderella or something
00:46:46and life is a fairy tale
00:46:47but don't worry
00:46:49I'll help you figure it all out
00:46:53what's wrong with you
00:46:55you can't just see people are walking through
00:46:57Rina this time you've gone too far
00:47:00stop shouting you dreadful o
00:47:02these were supposed to be auctioned tonight
00:47:04well if it is of any consolation
00:47:06I don't think the wine has reduced their value of very much at all
00:47:10now you can go and cry to your fairy godmother
00:47:14loser
00:47:16oh I think the auction is starting
00:47:19well I'll see you there
00:47:21toodles
00:47:22for our first auction item
00:47:32I'd like to welcome
00:47:33Ms. Rina Crow to the stage
00:47:34with her collection
00:47:36of original paintings
00:47:38as you can see
00:47:55Ms. Rina Crow's style is very unconventional
00:47:58certainly these works defy easy categorization
00:48:02and yet there are touches of whimsy
00:48:05and an almost playful quality about them
00:48:08as depicted here through the bold use of a duck
00:48:11as a central figure
00:48:12it's a dog
00:48:13what?
00:48:15it's a dog not a duck you buffoon
00:48:17oh yes of course
00:48:18a dog
00:48:20seen through a very unique prism
00:48:23portrayed as only an artist of Rina's caliber
00:48:27could possibly portray it
00:48:29now that we have familiarized ourselves
00:48:32with the art and the artist
00:48:33let's start the bidding
00:48:34the starting price will be $50,000
00:48:36do I hear $50,000?
00:48:40anyone?
00:48:42$50,000 do I hear $60,000?
00:48:47anyone?
00:48:48$50,000 going once
00:48:51$50,000 going twice
00:48:52sold!
00:48:54sold for $50,000
00:48:56and now we'll invite our second artist for the evening
00:49:05Ms. Tasha Roberts
00:49:06who will also be presenting a series of paintings
00:49:09Ms. Tasha Roberts, where are your paintings?
00:49:20I don't have my paintings tonight
00:49:22but
00:49:24I will be auctioning off this dress
00:49:27oh wow
00:49:40it's beautiful
00:49:41stupendous
00:49:44I've never seen a dress
00:49:45so beautiful
00:49:46oh stupendous
00:49:51I've never seen a dress
00:49:53so beautiful
00:49:54a stunning work of art
00:49:56indeed
00:49:56there's no need for me to say
00:49:58another word about this masterpiece
00:49:59everyone in the audience
00:50:00can clearly see
00:50:01the extraordinary talent
00:50:03and extraordinary artistry
00:50:05let's start the bidding
00:50:06at $50,000
00:50:07$55,000
00:50:08$75,000
00:50:10$90,000
00:50:11$100,000
00:50:12$150,000
00:50:15$250,000
00:50:17$250,000 going once
00:50:22$250,000 going twice
00:50:24sold!
00:50:26this beautiful dress was sold for $250,000
00:50:29is that the heart of some necklace that sold for $200,000,000 a few months ago in a bid now?
00:50:42impossible
00:50:43how can that lowly peasant possibly afford it?
00:50:46it must be a fake
00:50:47thank you so much for your bid, Ms. Winslow
00:50:53I'm going to design a few custom pieces in your size
00:50:57and design them to your elegance and style
00:51:00have you ever considered creating your own clothing brand?
00:51:05your creations are so extraordinary
00:51:08you should really share your talent with the rest of the world
00:51:11thank you
00:51:12I never considered it
00:51:14but I certainly will now
00:51:15I'd be careful if I were you
00:51:19I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry
00:51:25what are you talking about right now?
00:51:29this woman is a phony and a con artist
00:51:31for as long as I worked with her
00:51:33she's done nothing but defraud and cheat the people she's done business with
00:51:37and let me make it clear
00:51:39for everybody that wants to do business with this woman
00:51:42then they won't be allowed to do business with the crow group
00:51:46is that so?
00:51:51well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:55because of the baseless rumors and lies being spread by Ms. Raina Crow
00:51:59you will no longer be welcomed back to the Fitz Gallery
00:52:02that's the curator of the Fitz Gallery
00:52:05not just the curator, he's also the director of the Fitz Foundation
00:52:10the curator?
00:52:14is he the man who bought my paintings?
00:52:16why does he seem so familiar?
00:52:19Ms. Tasha Roberts is my guest of honor tonight
00:52:25alright, I invited her personally
00:52:27so if anybody treats her with the slightest bit of disrespect
00:52:30they'll be asked to leave and never again invite her back to the Fitz Gallery
00:52:34as the director of this esteemed organization
00:52:37am I interested to know that your guest of honor is wearing a cheap replica of a priceless work art
00:52:45she is not to be trusted
00:52:48I'm assuming you mean her diamonds
00:52:50what evidence do you have to prove that it's not real?
00:52:53well, the real Heart of the Sun has the initials of the Craft Man
00:52:57engraved in the joint between the gemstone and the pendant
00:53:01so Tasha, would you indulge us all
00:53:03and show us if what you're wearing is a genuine article
00:53:06or a cheap knockoff?
00:53:09this was just given to me by a friend
00:53:12and I never claimed it was the real Heart of the Sun
00:53:16I don't want to embarrass him by having people pour over it for imperfections
00:53:21so it's a forgery
00:53:23you were so happy to have everyone believe it was the real thing
00:53:26until I challenged you and called your bluff
00:53:31Ms. Roberts
00:53:34you were so happy to have everyone believe it was the real thing
00:53:37until I challenged you and called your bluff
00:53:40Ms. Roberts
00:53:42you have nothing to fear from this woman
00:53:43just show her the necklace
00:53:45and I'll personally see to it that there are no despairing comments
00:53:48about its craftsmanship or quality
00:53:50and the question has to be asked whether it is the true Heart of the Sun
00:53:54what?
00:53:55how is this possible?
00:54:09I do say, this engraving looks entirely authentic to me
00:54:15this is indeed the one and only Heart of the Sun
00:54:19well that settles it then
00:54:22this necklace is authentic
00:54:24from now on
00:54:25no one will be permitted to question or harass my guest of honor
00:54:28now if everyone is satisfied
00:54:30can we please get back to tonight's festivities?
00:54:32thank you
00:54:34cheers
00:54:43Ken, you have a lot of explaining to do
00:54:47okay, what's wrong?
00:54:49I can't accept this necklace
00:54:52and I can't give you what you want
00:54:55do you even know what I want?
00:54:56I don't want to know
00:54:59we can just be friends, nothing more
00:55:02Tasha, you're just afraid
00:55:04you're just afraid of going after what your heart truly desires
00:55:08and I just think you're afraid of just being true to yourself
00:55:12you're the last person that should be lecturing anybody on the truth
00:55:17who are you?
00:55:19what do you do?
00:55:20is this even your house?
00:55:22I mean
00:55:24how do you own a necklace that's 200 million dollars?
00:55:30I just
00:55:31see, you
00:55:33you don't even respect me enough to tell me the truth
00:55:36but you
00:55:37you expect me to jump into a relationship with you?
00:55:41you could be a total stranger
00:55:44I have no idea who you are
00:55:47Tasha, I want to tell you
00:55:49I do, but
00:55:50I just can't right now
00:55:54alright?
00:55:55like maybe in the future
00:55:56when we can sit down and-
00:55:57no, Ken, there is no future for us
00:55:59not if you can't tell me one thing about yourself that isn't a lie
00:56:04when you find someone that you really love and trust
00:56:08you let them in
00:56:15but that person won't be me
00:56:20are you okay?
00:56:33director Fitz, I had a wonderful time at the gala
00:56:40thank you for supporting me and standing up for me
00:56:43I wasn't bothered by the way the other guests treated me
00:56:47I've endured far worse
00:56:52lovely
00:56:54I'm glad to hear it
00:56:56I would like to exclusively showcase your work at the Fitz gallery for the foreseeable future
00:57:01think of it as a sort of artist residency
00:57:04would you be interested in such an opportunity?
00:57:06this dress is every bit as exquisite as I expected it to be
00:57:20thank you my dear
00:57:21you're very welcome
00:57:23have you given any more thought to my proposal?
00:57:26if you wish to start a clothing brand
00:57:30I would be more than happy to invest whatever you require to get started
00:57:35it's a very gracious offer
00:57:37but I just I have to ask
00:57:39I mean there are so many other talented designers
00:57:42why do you have such faith in my abilities?
00:57:45it's not just me you know
00:57:47the curator of the Fitz gallery has never been seen in public before the gala last night
00:57:52and everyone in attendance was certain
00:57:56that the only reason he chose to make an appearance was because of you
00:58:00his guest of honor
00:58:04that was his first appearance ever?
00:58:06indeed
00:58:08his very first and only time to appear in the flesh
00:58:11before this he was a figure of myth and mystery
00:58:15many people doubted he existed at all
00:58:18but all because of you
00:58:19he chose to grace us with his presence last night
00:58:24seems like a marvelous young man
00:58:26don't you think?
00:58:28he certainly had a charm about him
00:58:30oh undoubtedly
00:58:32you know many people flock to the Fitz gallery
00:58:35for more than just the art
00:58:37they want to learn all about the enigmatic young curator
00:58:41really? I mean what's so interesting about him?
00:58:45have you ever wondered
00:58:47how the Fitz gallery has managed to surpass
00:58:50all of the established art collections
00:58:53to become the top venue for fine art
00:58:55in just two years?
00:58:57I mean I heard rumors
00:59:00something about foul play
00:59:02but I always just assumed they were baseless
00:59:04those rumors have quite a bit of truth to them
00:59:07seems like the Miller crime family
00:59:11is actually behind the Fitz foundation
00:59:14the one and the same Miller crime family
00:59:18that monopolizes all the underground trade in all of North America
00:59:23he seems like such a gentleman
00:59:25I just... I find it hard to believe that he ever was involved in something so sordid
00:59:29you must never judge a Brooklyn's cover, my dear girl
00:59:33even people close to us may be harboring many secrets
00:59:38we never really know what's going on inside
00:59:41you got that right
00:59:43I learned that lesson the hard way
00:59:45let me be frank
00:59:47I have tremendous faith in you
00:59:50thank you, Mr. Gwenglow, but I...
00:59:53dear, all my friends call me Laura
00:59:55this is in a shack
01:00:00for five million dollars
01:00:03she'd help you get your clothing brand started
01:00:07shall we become business partners in addition to being friends?
01:00:10my friends?
01:00:24Director Fitz, I'd like to work with you
01:00:28it would be my honor, Miss Tasha Roberts
01:00:30fly away, with me
01:00:33fly away, with me
01:00:36take you high, soaring
01:00:40see your smile, it's my only dream
01:00:48staring out into the sea
01:00:52waves now crashing up to me
01:00:55my toes slip into the sand
01:01:01dream that I'm with you
01:01:05staring out into the sea
01:01:09waves come crashing up to me
01:01:13my toes slip into the sand
01:01:17dream that I'm with you
01:01:20I'm with you
01:01:21I'm with you
01:01:33congratulations Miss Roberts
01:01:35we expect a huge success from your art exhibition
01:01:38thank you, thank you
01:01:39thank you
01:01:52you're looking at her
01:01:54you're obsessed with her
01:01:56didn't she humiliate me enough the other night at the gala?
01:02:00but now I have to watch my husband stare at her picture
01:02:04well maybe if you didn't give her the opportunity to humiliate you
01:02:07to humiliate you?
01:02:08so it's my fault now?
01:02:09oh wait let me guess
01:02:10maybe it's my fault too
01:02:11why the two of you broke up
01:02:13okay
01:02:15Reina
01:02:16I've been thinking
01:02:18I don't think this is working
01:02:20I want a divorce
01:02:22Brutto
01:02:24Filho
01:02:25di puttana
01:02:26you used me to push Tasha out of your company
01:02:29take her property
01:02:30and now you cast me aside like what a used piece of garbage
01:02:34I won't allow this
01:02:35mark my words Karl Kroh
01:02:39you will regret this
01:02:41I'm spending too much time around Ken
01:02:43he's dominating all my thoughts
01:02:45I have to distance myself from him
01:02:47for my own sanity
01:02:49is there nothing I can do to get you to stay?
01:02:50no
01:02:51no
01:02:52no
01:02:53no
01:02:54no
01:02:55no
01:02:56no
01:02:57no
01:02:58no
01:02:59no
01:03:00no
01:03:01no
01:03:02no
01:03:03no
01:03:04no
01:03:05no
01:03:06no
01:03:07no
01:03:08no
01:03:09no
01:03:10no
01:03:11no
01:03:12no
01:03:14no
01:03:15no
01:03:16no
01:03:17no
01:03:18no
01:03:19no
01:03:20no
01:03:21no
01:03:23no
01:03:24You and I, our relationship will just keep going in circles.
01:03:31But thank you for everything you've done for me.
01:03:36I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:54This is what happens when you steal from the Millers!
01:04:16Please, let me go.
01:04:19I promise you'll never see me again.
01:04:23What do you got here?
01:04:30Right this way.
01:04:32Boss!
01:04:34I found this one peeking around the corner.
01:04:37Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:45Don't worry, boss. I got a knife with her name on it.
01:04:48We can dump her body with the other guy.
01:04:53No, let her go.
01:04:57What? Didn't you hear what I said? She's seen everything.
01:05:00Let her go before I rip off your fucking arms and throw them in the river.
01:05:12Walk away. This doesn't mean anything to you.
01:05:14Is this what you couldn't tell me about?
01:05:16Boss, you know this woman?
01:05:21You're gonna kill him.
01:05:23Call the police then. See if they can save his life.
01:05:25No! Don't call the police, you stupid bitch!
01:05:29My world is more cruel than you can possibly imagine.
01:05:34So since you didn't want to get involved, just walk away.
01:05:37Hey, babe. What do you want for breakfast?
01:06:02My world is more cruel than you can possibly imagine.
01:06:03So since you didn't want to get involved, just walk away.
01:06:07I never imagined that Ken could be such a dangerous and violent man.
01:06:12There must be something or someone forcing him to do all of this.
01:06:15No.
01:06:16No.
01:06:17No.
01:06:18No.
01:06:19No.
01:06:20No.
01:06:21No.
01:06:22No.
01:06:23No.
01:06:24No.
01:06:25No.
01:06:26No.
01:06:27No.
01:06:28No.
01:06:29No.
01:06:30No.
01:06:31No.
01:06:32No.
01:06:33No.
01:06:34No.
01:06:35No.
01:06:36There must be anyone forcing him to do all of this.
01:06:41Even people close to us may be harbouring many secrets.
01:06:46We never really know what is going on inside.
01:06:49Forget it, this has nothing to do with me.
01:06:52I decided to leave Ken so I have to do my best not to look back up.
01:06:57Tasha, let's talk.
01:07:19Your pro-magnet boyfriend, is he not joining us?
01:07:24It's all over. I'm not with him anymore.
01:07:27Where's Reyna?
01:07:29Reyna was a mistake.
01:07:32That's all over, too.
01:07:34Tasha, I want you back.
01:07:41I can't stop thinking about us.
01:07:43You were right. You belong in my life.
01:07:47So, if you just sign those documents, then you can come back to me.
01:07:53Come back to the house. We can carry on like none of this ever happened.
01:07:57I can give you your old job back. That would be fun, working together again.
01:08:02And then all that debt you owe me will be wiped clean.
01:08:04Do you think I'd get back with you after everything you put me through?
01:08:16Here is a hundred million dollars.
01:08:24I'll pay the rest on time, and for your agreement,
01:08:28take these documents and shove them right up your ass.
01:08:40You disgust me, Carl.
01:08:42You should think about Anna.
01:08:44Do you really want her growing up without a mother?
01:08:47With all her health problems, she could really use your support.
01:08:50Don't even dare talk about Anna.
01:08:52She'll be with me soon.
01:08:54Then I'll never let her out of my sight again.
01:08:56She needs her mother and her father.
01:08:58Not a father like you, she doesn't.
01:09:00She'd be better off with no father at all.
01:09:02I'm sorry, am I interrupting?
01:09:15Are you texting a new boyfriend already?
01:09:19Can it wait?
01:09:21I'm not done talking here.
01:09:23You're pathetic, Carl.
01:09:25Okay, Tasha.
01:09:27T-
01:09:27Tasha!
01:09:29Hey, Tasha.
01:09:34Tasha, come back.
01:09:35Where are you going?
01:09:36This place is disgusting.
01:09:38Come on, Tasha.
01:09:40Don't you remember the happy times?
01:09:41Come on, we can have that again.
01:09:43Think of Anna.
01:09:44Think of me, please.
01:09:46I love-
01:09:46Hey!
01:09:47Hey!
01:09:48Hey!
01:09:59Sorry, folks.
01:10:09It's the end of the line for you.
01:10:13No hard feelings.
01:10:14But, we gotta do what the people who pay us tell us to do.
01:10:19Who's paying you?
01:10:22I'll give you a hint.
01:10:24A very beautiful woman paid us a small fortune to make sure you two would-
01:10:29To make sure you two don't make it.
01:10:32Reina.
01:10:33That fucking bitch.
01:10:35Do you know who I am?
01:10:37I'm Carl Crow.
01:10:39Who?
01:10:39The CEO of the Crow Group.
01:10:42What if she's paying you?
01:10:43I'll pay double, okay?
01:10:44Yeah, yeah.
01:10:44You're gonna pay me double.
01:10:46I guess you haven't heard the news, buddy.
01:10:49See, I don't think you have the means to outbid your pretty little friend.
01:10:55Oh, that back-stabbing slut!
01:10:59Please, pack up the phone.
01:11:01You're trying to phone a friend?
01:11:03That's a big no-no, sweetheart.
01:11:06That's breaking the rules.
01:11:10Sweetie.
01:11:11Don't waste the little time you have left trying to call for help.
01:11:15It won't do you any good.
01:11:17No one.
01:11:20They're gonna help you now.
01:11:25Three hours.
01:11:26Where's Tasha?
01:11:29Hey, Nell.
01:11:29Hey, listen, I need you to do me a favor.
01:11:33Yeah, I need you to pull out the city surveillance system in the area
01:11:35and find all the footage.
01:11:38Yeah, no, something's wrong.
01:11:40What are you doing?
01:11:51We have to get out of here.
01:12:00Huh?
01:12:00Out?
01:12:01You should just go.
01:12:08Save yourself.
01:12:09Leave me.
01:12:11It's what I deserve.
01:12:14I'm not gonna leave you.
01:12:17I'm not that type of person.
01:12:18Come on, let's go.
01:12:28Come down here.
01:12:29Wait until they come in.
01:12:36Hey, Tasha.
01:12:40I'm so sorry.
01:12:41Now's not the time for that.
01:13:03All in.
01:13:03Looks like we got ourselves a suicidal prick here, fellas.
01:13:16I can't think of any other reason why somebody would kick in a door
01:13:19that's got Vincent Centerelli on the other side of it.
01:13:21Oh, shit.
01:13:26Boss.
01:13:29I didn't realize it was you.
01:13:32These your guys?
01:13:35Where the fuck are they?
01:13:37You better find them.
01:13:38Quick.
01:13:39Now it's your turn.
01:13:55Pretty little thing like you, I was gonna make it painless, but I guess you didn't want that.
01:14:21All the same.
01:14:22Hey, who's this fucking monkey?
01:14:26Lower your fucking gun.
01:14:27Vinny, what the fuck is going on?
01:14:29You fucking deaf?
01:14:29Yo, lower your fucking gun.
01:14:32Are you...
01:14:33Are you Ken Miller?
01:14:35How can that be?
01:14:36What the fuck is going on?
01:14:38Ken Miller.
01:14:40The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:14:50It's you.
01:14:52You know what you have to do.
01:15:02Boss.
01:15:03Please.
01:15:05He's my brother.
01:15:08Rules are rules.
01:15:17I love...
01:15:18I was pushing you away as Ken and growing closer to you as Fitz.
01:15:28I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:15:36And I just, I just can't win over your heart.
01:15:45Is Ken Miller always this loving with the hostages he rescues, or is it just special treatment reserved for his lovers?
01:15:53Tasha, I love you, and my heart has belonged to you and only you for the past 15 years.
01:16:02No, we just met a few months ago.
01:16:11We met 15 years ago.
01:16:14You went to Marr Middle School.
01:16:20Yeah.
01:16:22And you saved my life, eh?
01:16:23Stand up, chicken, and hit us back.
01:16:34Isn't that what your dad does for a living?
01:16:37Beat people up?
01:16:38I'm not my dad.
01:16:41You and your father are both scum.
01:16:43Let's teach this little and thug a lesson.
01:16:45Yeah, idiot.
01:16:46Get up and show us what you've got.
01:16:50Hey.
01:16:52Hey, hey, hey, hey, hey, stop.
01:16:54That's enough, that's enough.
01:16:56It's none of your business, Robert.
01:16:57Get out of here, Robert.
01:16:58Hey, stop.
01:16:59Go home.
01:17:00I'll call your parents.
01:17:00Go.
01:17:01Oh, crap.
01:17:01Crap.
01:17:08Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:17:20you.
01:17:23Look, this isn't just some feeling for me, okay?
01:17:26This is, this is everything to me.
01:17:29Like, you are everything to me.
01:17:32No matter what happens between us, I'll always care about you.
01:17:38And maybe, one day we can, make it work in a different way.
01:17:56I just need some time to process this.
01:18:03Okay.
01:18:05And after that?
01:18:08Maybe we can pick up where we left off, that first night you spent here?
01:18:13Maybe.
01:18:16You play your cards, right?
01:18:17Does everything look good to you, my artist?
01:18:35Yeah.
01:18:37Thanks for everything.
01:18:39That doesn't sound very convincing.
01:18:41Is there anything you want to change?
01:18:43No.
01:18:44I just, I never got around to asking why you wanted to start an art gallery in the first
01:18:48place.
01:18:49Honestly, just to get to you.
01:18:52See, I thought if I owned the world's greatest art museum that one day you might find your way
01:18:56in here and, I don't know, that I might find you.
01:18:59I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know, that I don't know.
01:19:29I want to see what kind of woman this is that has ensnared my son.
01:19:40I doubt she's worthy of joining the Miller family.
01:19:44As you wish, sir, I will make the arrangements.
01:19:51Honestly, it's to get to you.
01:19:54See, I thought if I owned the world's greatest art museum that one day you might find your way in here.
01:19:58And I don't know, that I might find you.
01:20:02Okay, okay.
01:20:04Just concentrate on painting.
01:20:06Don't think about him.
01:20:24Who are you?
01:20:27Miss Tasha Roberts.
01:20:29Mortimer Miller would like to speak with you privately at his home.
01:20:34Come here.
01:20:36Take a look.
01:20:41She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:20:47She's young, beautiful, well-educated.
01:20:52I think she'll make a fine wife for my son, Ken.
01:20:56With all due respect, sir.
01:21:01I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:21:05Choose you.
01:21:09Not a chance.
01:21:11You're no match for my son.
01:21:14Now, you owe money to the Crow Group.
01:21:23I'm going to pay your debt.
01:21:28And in return, you will agree to never see my son again.
01:21:37It's our decision whether we want to be together or not.
01:21:42Your son and I love each other.
01:21:44There's nothing in this world that can keep us apart.
01:21:48Natasha, do you want us to be together?
01:21:51It's impossible.
01:21:52Father.
01:21:53It's impossible.
01:21:55Father.
01:21:56I forbid it.
01:21:57Father, this is the love of my life.
01:21:59I can't lose her again.
01:22:02I'd rather leave the family business.
01:22:04Then leave if you wish.
01:22:06But she will never have my approval, ever.
01:22:09And she'll never be a part of the Miller family as long as I live.
01:22:13You'll come running back.
01:22:15Without the Miller family power and money,
01:22:20you'll accomplish nothing.
01:22:23You're making a big mistake.
01:22:27Choosing this old hag instead of family.
01:22:41Ken, where are you?
01:22:43Why aren't you back yet?
01:22:48Oh, you're still awake?
01:22:53Who did this to you?
01:23:08Don't worry about me.
01:23:09I'm fine.
01:23:10There's nothing out of the ordinary.
01:23:11Hey, babe.
01:23:25Yeah, no, I'm just right outside.
01:23:26You son of a bitch.
01:23:33You make me cut my own brother's hand.
01:23:36Now you think you can betray the Miller family?
01:23:39Walk away scot-free?
01:23:41Not a fucking chance.
01:23:44This guy needs nothing to the Miller family now.
01:23:46He's worthless.
01:23:48Helpless.
01:23:49You're absolutely nothing now.
01:23:52Let's make him feel the pain that my brother felt.
01:23:57Come on, boys.
01:23:57Stop.
01:24:22Stop hurting him!
01:24:25Stupid bitch.
01:24:26Stop!
01:24:28Stop!
01:24:28Stop!
01:24:28Stop!
01:24:50Stop at once, you insolent fools!
01:24:54You insolent fools!
01:24:54Son, you know how hard it is for me to admit that I made a mistake?
01:25:12But today the two of you have proved me wrong beyond a shadow of a doubt.
01:25:18Tasha, you are the perfect woman for my son.
01:25:24Tasha, you are the perfect woman for my son.
01:25:25Go.
01:25:26Be together.
01:25:30You approve?
01:25:32You have my blessing.
01:25:36From this day onward,
01:25:38you've got nothing more to do with the legal activities of the family.
01:25:42But you'll always be a miller, as will she.
01:25:49As will she.
01:25:51Get off me!
01:26:03Get off me!
01:26:16Get off me!
01:26:18You useless, impotent man-child!
01:26:21The Krog Group is bankrupt!
01:26:23That hurt!
01:26:24Getting involved with you is the worst decision I could have made in my life!
01:26:28Get off! This is all your fault!
01:26:30You spent every single thing that we had!
01:26:32Now we have nothing left!
01:26:33No company, no house, no money, not even a dime!
01:26:37And it's all because of you, you greedy cow!
01:26:40Don't you- don't-
01:26:41Hey, hey, hey!
01:26:46The late Mrs. Miller was a beautiful woman, sir.
01:26:54Yes.
01:26:58Back then, my wife protected me from every danger that befell our family.
01:27:05And today, my son found the perfect woman that doesn't do the same for him.
01:27:13He's a lucky man.
01:27:16Wow, you look so beautiful.
01:27:30No, you- you can't be here right now!
01:27:32Babe, I don't want to rush you, but everybody's waiting to see you.
01:27:37Kim, can you promise me one thing?
01:27:39I can promise you two, if you like.
01:27:41I'm serious.
01:27:42I want you to walk away from the family business.
01:27:44There's a city called Ostia.
01:27:45It's on the southwest side of Rome by the ocean.
01:27:46What?
01:27:47You know what I found over there?
01:27:48I found doing an art teaching job at a public school.
01:27:50I already took tickets, maybe even in the morning.
01:27:51You're sending me away?
01:27:52You're sending me away?
01:27:53No.
01:27:54I opened my own restaurant.
01:27:55It's just down the street.
01:27:56Oh, and one more thing.
01:27:57I enrolled Anna at the school they're going to be teaching at.
01:27:58I think she's going to really love it over there.
01:27:59Oh, and one more thing.
01:28:00I enrolled Anna at the school they're going to be teaching at.
01:28:01I think she's going to really love it over there.
01:28:02So you really are walking away.
01:28:03Yeah.
01:28:04I'm sorry.
01:28:05I'm sorry.
01:28:06We're going to do an art teaching job at a public school.
01:28:09I'm doing tickets.
01:28:10I leave in the morning.
01:28:11You're sending me away?
01:28:12No.
01:28:13I opened my own restaurant.
01:28:14It's just down the street.
01:28:17Oh, and one more thing.
01:28:20I enrolled Anna at the school they're going to be teaching at.
01:28:23I think she's gonna really love it over there.
01:28:26So you really are walking away.
01:28:29Yeah.
01:28:31We got some songs.
01:29:01We got some songs.
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