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A Lady Without Passport (1950) is a classic drama starring Hedy Lamarr and John Hodiak. The film follows an undercover investigation that becomes complicated when personal emotions and hidden truths come to light. Blending romance, suspense, and intrigue, this mid-century Hollywood production captures the atmosphere of its era with striking performances and stylish direction.
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Transcript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Ramon
00:01:30I've been looking all over New York for you
00:01:34Get in
00:01:35You can't get away with that money, Ramon
00:01:39Paulino wants to see you in Havana
00:01:41Get in
00:01:44All right, stand back
00:02:09Victim's name, Romain Santes
00:02:18He had it tattooed on his chest
00:02:19Victim's address unknown
00:02:20This stuff was found in his pocket
00:02:23What good's half a thousand dollar bill to anybody
00:02:30No good without the other half
00:02:33We really drew a blank on this guy
00:02:35Wait a minute
00:02:36These are giving away free in airlines and so are these
00:02:40Looks like we better start checking flights
00:02:43Thanks, Doc
00:02:45Morning, miss
00:02:52Good morning
00:02:53May tell me you recognize the man in this picture
00:02:55Yes, I remember him
00:02:57Flight 30 yesterday morning
00:02:58Yesterday morning?
00:02:59Yes, nonstop to New York for Miami
00:03:01Did you notice anything unusual about this man's behavior?
00:03:04Well, he was looking sort of greeny
00:03:07So I gave him the inhaler and some gum and
00:03:09Anything else?
00:03:10No
00:03:11Miami, huh?
00:03:13All right, thank you very much
00:03:15Bye
00:03:15Goodbye
00:03:16Well, your man recently walked through a field of ripe sugar cane
00:03:22We found traces of it in his shoes and in the cuffs of his trousers
00:03:25Sugar cane, not in New York
00:03:27Not in Miami either
00:03:28This red clay we found in his shoes is typical of Cuba
00:03:31Miami and Cuba?
00:03:34Well, this is a job for the immigration boys
00:03:35Passes from flight 26 for Miami
00:03:43Now arriving at game 5
00:03:45Lieutenant Lanahan?
00:03:47Yeah
00:03:48I'm Chief Patrol Inspector Westlake
00:03:50Hi
00:03:50Got something for me?
00:03:51I have a picture of a dead man
00:03:53Half thousand dollar bills
00:03:54Some chewing gum and inhaler
00:03:55And a lot of questions
00:03:56It's quite a haul
00:03:57Come on
00:03:57I have a picture of a dead man
00:04:26We will prepare a dossier on Sanctes for you, but you will find only one item of interest.
00:04:49Since I'm starting from scratch, one would be a help.
00:04:52Sanctes was associated with a man named Palino, owner of the Gulfstream Cafe.
00:04:55Our information on Senor Palinoff's activities will be included in the dossier.
00:04:59In appearance, this Palinoff is...
00:05:01Senor, he is charming.
00:05:03He is refined, considerate.
00:05:05However, I am certain he is not so considerate toward the laws of the United States.
00:05:08Particularly those relating to the smuggling in of aliens?
00:05:10Well, see, five or six aliens make an appearance at his cafe every week or two.
00:05:15They are to be found sipping drinks at a table.
00:05:19Then suddenly, poof, they disappear.
00:05:21And the next week, a new group.
00:05:23Well, that's for me.
00:05:23I'll try to do as much for you sometime, lieutenant.
00:05:27That we will offer any assistance goes without saying.
00:05:29I regret we are unable to arrest him for you, but we, like you, we have no laws preventing aliens being taken out of the country.
00:05:35I understand.
00:05:36Thank you very much.
00:05:36Assure them.
00:05:40Senor, a word of caution.
00:05:42Palinoff is also arrogant and clever.
00:05:44He has spotted every man we have assigned to his cafe.
00:05:47I don't intend to walk in and wait for him to spot me.
00:05:49I want an invitation.
00:05:49I'm going to let Senor Palinoff come after me.
00:05:53I want an invitation.
00:05:57If it's not an invitation.
00:06:00There are no mandates coming after me.
00:06:02Shh.
00:06:03Shh.
00:06:04Shh.
00:06:05Shh.
00:06:06Shh.
00:06:06Carla.
00:06:06Oh, very good news in your face, but tell me the same.
00:06:16Not in Italian.
00:06:17We talk American just like all us Americans.
00:06:19Oh, I'm sorry.
00:06:21I'm sorry.
00:06:22I'm sorry.
00:06:23I'm sorry.
00:06:25This makes five since noon.
00:06:27Today, nobody will be refused.
00:06:31Mariana Loras.
00:06:36Here you can see everything.
00:06:43They come in their finery, trying to cling to their dignity.
00:06:47Trying to hide the desperation they feel.
00:06:50You will not keep me out of the United States.
00:06:52We're not here to keep you out.
00:06:53We're glad to admit you if you're eligible.
00:06:55I am eligible.
00:06:56Just fill in those forms.
00:06:57Your new application will be dated as of today.
00:06:59Application?
00:07:00How long I have to wait this time?
00:07:01Hungarian quota about three years.
00:07:03Three years?
00:07:04I don't wait three years.
00:07:06Let them wait three years, not me.
00:07:16The spell is broken.
00:07:18Now nobody will be admitted today.
00:07:34There is no other name.
00:07:36You are number two years.
00:07:37Now you will go to the book.
00:07:38Believe me.
00:07:39There is no other name.
00:07:41The spell is broken.
00:07:42There is no other name.
00:07:43If he hits you, I will be known.
00:07:44Now you will need them.
00:07:45You'll be there.
00:07:46I will choose to quit.
00:07:47Here is the note of time.
00:07:48This is in the book that I am the last,
00:07:49the man who will be visited.
00:07:50You will be asleep.
00:07:51The land is free,
00:07:52the man who will be here.
00:07:53To get you.
00:07:54That was very important.
00:07:55There is no other name.
00:07:56Now you should remember.
00:07:57The country,
00:07:58the place is empty.
00:07:59To get you,
00:08:00to find you and you,
00:08:31Oh, monsieur, excuse me.
00:08:49I, too, have just come from the embassy.
00:08:51So?
00:08:52So many so foolish laws.
00:08:54So many fasts.
00:08:55I overheard upstairs.
00:08:57I view your problems in great sympathy.
00:08:59Save your sympathy.
00:08:59Oh, well.
00:09:00Oh, allow me, monsieur.
00:09:12Would you do me the honor of having a drink with me?
00:09:16You pay.
00:09:17I drink.
00:09:18I drink.
00:09:35Oiga.
00:09:35Oiga, señores.
00:09:36Un retrato.
00:09:37Solamente de un peso.
00:09:38Solamente de un peso.
00:09:39Nada más.
00:09:40De un peso.
00:09:41Good, Umba.
00:09:47You will like what's offered here.
00:09:54Tokaya.
00:09:55The usual.
00:09:56Yes, I know how a man like yourself must resent those idiotic regulations of the United States.
00:10:03Resent them? I spit on them.
00:10:06Who are you?
00:10:07I am Halinov.
00:10:09And this is my humble home, my business, my hobby.
00:10:12I don't think much of it.
00:10:14I am Joseph Gombos.
00:10:16Hungarian?
00:10:18Formally.
00:10:19I am a Buddhist.
00:10:21I am a Buddhist.
00:10:23I am a Buddhist.
00:10:25I am a Buddhist.
00:10:27Are you two a Hungarian?
00:10:29Only when the occasion demands.
00:10:31I am a Levantine.
00:10:33Oh.
00:10:35I was brought to your establishment by...
00:10:40He was going to pay on the house.
00:10:43I could hardly ask a new friend to wash glasses to pay for his drink.
00:10:47You are insulting.
00:10:49Oh, I was joking.
00:10:51Put it away.
00:10:53I heard you speak of the laws governing immigration into the United States.
00:10:56You overheard.
00:10:58One overhears a more interesting thing.
00:11:00I will have another of the same.
00:11:02On the house.
00:11:03You were saying?
00:11:05One would think I had enough to do running the Gulf Stream Cafe.
00:11:08But no.
00:11:10I had to be plagued with a soft heart.
00:11:12It's hardly noticeable.
00:11:13Well, I hear of people who want to enter the United States.
00:11:16I am moved.
00:11:18What do you do?
00:11:19What can I do?
00:11:20Occasionally,
00:11:22I put someone in touch with a man who might help him.
00:11:25I would pay.
00:11:26I wouldn't dream of it.
00:11:27Any price.
00:11:28Within the reason.
00:11:29For you or anybody else.
00:11:40Wait.
00:11:41Miss Loris.
00:11:42I understand the embassy couldn't help you.
00:11:56Will you help me?
00:11:57How anxious are you to go?
00:11:58Very.
00:11:59Or I wouldn't have come back.
00:12:00I try not to get sentimental.
00:12:01I run a business.
00:12:02The fee for my services is $1,000.
00:12:03Payable in advance.
00:12:04I haven't the money.
00:12:05As I say, I try not to get sentimental.
00:12:06But sometimes...
00:12:07If I had $1,000, you wouldn't expect all of it here.
00:12:08It would be torn in half to ensure good faith.
00:12:09Good faith on both sides.
00:12:10You said you'd take me to Charleston, South Carolina.
00:12:11When I get there, I may be able to pay you.
00:12:13Trusting a woman as beautiful as yourself is very sentimental.
00:12:16How can I be sure of you in Charleston?
00:12:18I'll be sure of you in Charleston.
00:12:19How can I be sure of you in Charleston?
00:12:20How can I be sure of you in Charleston?
00:12:21How can I be sure of you in Charleston?
00:12:22Good faith?
00:12:23Good faith on both sides.
00:12:24You said you'd take me to Charleston, South Carolina.
00:12:27When I get there, I may be able to pay you.
00:12:30Trusting a woman as beautiful as yourself is very sentimental.
00:12:35How can I be sure of you in Charleston?
00:12:40Good faith.
00:12:42In view of the circumstances,
00:12:44the arrangements will take less time than I anticipated.
00:12:48Nothing has changed.
00:12:49The same in Havana as it is in Paris.
00:12:51Or Vienna.
00:12:55Allow me.
00:13:07If you'll be good enough to wait.
00:13:21I'm dead.
00:13:23I was hit by a taxi.
00:13:25I couldn't get the half bill.
00:13:28The police, I tried, but...
00:13:30But we may be visiting.
00:13:31New York cops.
00:13:32How are they going to figure out Havana connection?
00:13:34Don't underestimate.
00:13:35We all leave tracks to our past.
00:13:37Not me.
00:13:38Questions might be asked.
00:13:40Would I have to tell the truth when I answered?
00:13:42Again, you underestimate.
00:13:44A shrewd man never asks questions
00:13:46until he has gathered enough information
00:13:48to be able to distinguish between lies and truth.
00:13:50There's a Mr. Gombosch in the cafe.
00:13:55There is no reason to assume that he is anything more than he claims to be.
00:14:00I think, however, something more than a routine check is indicated.
00:14:04This place is like a morgue.
00:14:13I am Joseph Gombosch.
00:14:16Before this gloom descends upon my soul too,
00:14:18I offer to buy everyone a drink personally.
00:14:20At least to enliven the atmosphere.
00:14:30And to loosen tongues in intelligent conversation.
00:14:37No, thank you, senor.
00:14:43I withdraw my offer.
00:14:50Another glass gloomy one.
00:14:52In it is the best company to be found in this place.
00:15:03I never inquired.
00:15:05You are not by chance Hungarian.
00:15:07Viennese.
00:15:08No matter.
00:15:09As a favor to me.
00:15:10Don't be surprised at anything I say.
00:15:14Gombosch.
00:15:15Mr. Joseph Gombosch.
00:15:20Miss Marian Loris.
00:15:26I thought since you were both Hungarians in Havana,
00:15:28you might be lonesome.
00:15:29You are Hungarian?
00:15:31My dear friend,
00:15:32you mean to say you didn't recognize the name?
00:15:34Loris?
00:15:35Mayor of Budapest.
00:15:36One of the most famous men in all Hungary.
00:15:37Oh, that Loris.
00:15:38Of course.
00:15:39If not the most famous,
00:15:40at least the most infamous.
00:15:41What a charming scoundrel he was.
00:15:43Miss Loris here is his niece.
00:15:45The rumors around Budapest,
00:15:46about him,
00:15:47and the parties.
00:15:48Nowhere have there been such buckets,
00:15:49such orgies of the gourmet.
00:15:51Do you remember the story about the visiting princess?
00:15:53I can't say that I do.
00:15:54This you must hear.
00:15:56You will forgive me, Miss Loris.
00:15:58This I must tell senor Polinov in private.
00:16:03I waste my time telling a smart man like yourself,
00:16:06but never trust a beautiful woman.
00:16:07I trust everyone.
00:16:08As you wish,
00:16:09but she lied to you.
00:16:10Are you sure?
00:16:11Of course, I'm sure.
00:16:12There was never a mayor Loris in Budapest.
00:16:14Good day, Miss Loris.
00:16:16ого
00:16:18...
00:16:19...
00:16:21...
00:16:22...
00:16:26...
00:16:30l
00:16:31l
00:16:36He says that you deliver and knock down his food, is that right?
00:16:56Nothing of the sort. The man is insane. He's a fool.
00:17:06Stupid fool.
00:17:08He has to pay!
00:17:10Just a moment.
00:17:12Well, he's going to pay for that.
00:17:14I need to pay for that.
00:17:22Oh, guys, what are you thinking?
00:17:24I'm going to be here waiting for him to pay for me.
00:17:27I need my money. Call him.
00:17:29Why don't you do anything?
00:17:31But who will pay for all this?
00:17:33The gentleman was not familiar with the Cuban people.
00:17:35He's not familiar with the Cuban laws. He will pay you for the damage.
00:17:37I don't sell nothing by the best fruit, senor.
00:17:39And all that will ruin it.
00:17:40Will this take care of it?
00:17:45An expensive method, senor, to get rid of a pursuer.
00:17:48Well, I didn't think it was a good idea for him to see me walk into the police station
00:17:51or to know that I was trying to shake him.
00:17:53I made a good contact with Polinov, but I can't count on that alone.
00:17:57Well, no. You people have an expression.
00:17:59A cat can be skinned nine different ways.
00:18:01That's right, but I've got to have a lead to this bunch of immigrants.
00:18:04He's going to smuggle in.
00:18:06That thought, it occurred to us too.
00:18:12They might have objected to having their pictures taken.
00:18:18You may wish to send these on to the United States, senor.
00:18:21It will make identification easier should they enter your country.
00:18:24You've been a great help, lieutenant.
00:18:30I think I've got myself a lead.
00:18:42Good evening.
00:18:43Good evening.
00:18:44Is Miss Loris in?
00:18:45If she is, she must have squeezed through the keyhole.
00:18:47But I wish to see her.
00:18:48Maybe if she had distinguished coddles like you, she would not have been locked out.
00:18:52You see, no money, no room.
00:18:54You know where she went?
00:18:55I tried the street of the cafes.
00:18:57Go fast, go fast.
00:18:59A beautiful girl don't remain alone very long in Havana.
00:19:05For me?
00:19:06I'll see you.
00:19:07Oh, thank you very much.
00:19:08That's very nice.
00:19:10Sort like it's cute.
00:19:11He got cake.
00:19:12I love you.
00:19:13Oh, thank you very much.
00:19:33See you next time.
00:19:35Bye.
00:19:37Simón, Simón.
00:20:07Simón, Simón.
00:20:37Simón, Simón.
00:21:07Simón, Simón.
00:21:37Simón, Simón.
00:22:07Simón, Simón.
00:22:38What foolishness is this?
00:22:39You'll step aside, please.
00:22:40Police, I will take care of this.
00:22:42It would serve you right if I were to step aside.
00:22:44Lucky for you, I have a forgiving nature.
00:22:46Come, I will take you home.
00:22:47Well, the police may object.
00:22:48Why?
00:22:49I have said I forgive you.
00:22:50The señorita, an alien, took employment in Cuba without a work permit.
00:22:54According to the statutes, this offense is punishable by arrest and deportation.
00:22:58This is ridiculous.
00:22:59I, Joseph Gombos, say so.
00:23:01You are a man of the world.
00:23:02The lady and I quarreled.
00:23:03She sometimes thinks I don't know what is best for her.
00:23:05She has a temper.
00:23:06So, you are going to prove that you could get along without me.
00:23:09My friend, what is one to do with this stubborn woman?
00:23:11This girl whom I love so dearly.
00:23:13We will forever have along with squirrels.
00:23:15There is nothing...
00:23:15I can do nothing for you.
00:23:17I am totally acquainted with the laws of my own country.
00:23:19There is not so much difference.
00:23:20I say the girl is innocent.
00:23:21That is for the judge to say.
00:23:23Come with me.
00:23:23She did not take employment.
00:23:25This means to work.
00:23:26To work is to be paid.
00:23:27Will you pay?
00:23:28No.
00:23:28No.
00:23:28I should pay to get myself charged as a criminal?
00:23:30Quiet.
00:23:31Do you know that this was not a lark dressing and costume pretending to be a cigarette girl?
00:23:35True.
00:23:36Every word of which.
00:23:37I swear she has never worked.
00:23:38It was all a joke.
00:23:39According to the statutes...
00:23:40The girl is not a criminal.
00:23:42No harm has been done.
00:23:43Discuss the matter with your chief.
00:23:45You may quote me, Joseph Gombos.
00:23:46She will agree.
00:23:47If not, you know where to find her.
00:23:49These facts on your papers are accurate?
00:23:52Oh, yes.
00:23:53You can be reached at this address?
00:23:55I'm no longer.
00:23:56Just today, a change.
00:23:57She is at my Hotel de Vicente.
00:23:59Next time, perhaps, she will listen to me.
00:24:00Look at yourself.
00:24:01I'm ashamed to be seen with you.
00:24:03Señorita.
00:24:04Señorita.
00:24:05Señorita.
00:24:06My cousin.
00:24:07Be thankful you are not in jail.
00:24:09In jail?
00:24:10Hotel Vicente.
00:24:11Yes, sir.
00:24:19Hotel Vicente.
00:24:49According to police records, this is why I'll be living.
00:24:57Thank you, sir.
00:24:57Your hotel?
00:25:02You would not have liked the jail.
00:25:04I understand it's rather overcrowded.
00:25:06Hotel rooms, too, may become overcrowded.
00:25:09Miss Loris, one may leave a hotel room whenever one wishes.
00:25:11But in jail, I believe there are certain formalities.
00:25:15A room for Miss Loris.
00:25:25Yes, sir.
00:25:26Yes, of course.
00:25:27Two-fourteen.
00:25:36Never mind.
00:25:37I know where it is.
00:25:40Get some wine right away.
00:25:42Yes, sir.
00:25:42Next to your own.
00:25:44This girl could sell me cigarettes, and I don't smoke.
00:26:08I smoke.
00:26:18Thank you, Mr. Gombos.
00:26:20May I?
00:26:21You're no longer ashamed to be seen with me?
00:26:34Only in public.
00:26:36I think it's only fair to warn you, Mr. Gombos.
00:26:38You're quite right.
00:26:40I am stubborn, and I do have a temper.
00:26:42I shall take care not to arouse it.
00:26:44That little matter we quarreled about.
00:26:48Oh?
00:26:49What was it?
00:26:50I seem to have forgotten.
00:26:51I believe it was your refusal to kiss me goodnight.
00:26:55We could quarrel again.
00:26:57As I told the policeman, the lady doesn't always know what is best for her.
00:27:01He was very understanding.
00:27:04No policeman's understanding.
00:27:06For ten years, they've driven me and everyone like me across the world.
00:27:11You can't stay here.
00:27:12We have laws.
00:27:13Get out.
00:27:14But where?
00:27:15Where can I go?
00:27:16Now, I'm in Cuba.
00:27:17I may stay, but I can't work.
00:27:20The law says don't earn your living or you'll be deported.
00:27:23Find your bread on the street.
00:27:27You live with anger.
00:27:29There are more pleasant companions.
00:27:38Another souvenir of the law.
00:27:40Buchenwald.
00:27:41Come in.
00:27:42Come in.
00:27:44Come in, senor.
00:27:48Come in, senor.
00:27:49Sometimes, even when it seems there is nothing to celebrate, one can find cause for mild rejoicing.
00:28:03The avoidance of arrest or perhaps just getting rid of a man who has acted like an insensitive boor.
00:28:11Good night, Miss Lourdes.
00:28:12Good night.
00:28:13Good night, Miss Lourdes.
00:28:15Good night.
00:28:16Good night.
00:28:17Good night.
00:28:18Good night.
00:28:19Good night.
00:28:20Good night.
00:28:21Good night.
00:28:22Good night.
00:28:23Good night.
00:28:24Good night.
00:28:25Good night.
00:28:26Good night.
00:28:27Good night.
00:28:28Good night.
00:28:29Good night.
00:28:30Good night.
00:28:31Good night.
00:28:32Good night.
00:28:33Good night.
00:28:34Good night.
00:28:35Good night.
00:28:36Good night.
00:28:37Good night.
00:28:38It was a mistake talking, please senor. I will tell you this room looks like any other room. I didn't know it
00:28:59That one is a hard head. I have found nothing
00:29:08I didn't know.
00:29:14A cup
00:29:38Gambus, Gambus, police.
00:29:50We've had to do with the police before.
00:29:53This is just the first time a cop's moved in on a girl.
00:29:56You want?
00:29:57The girl had nothing to do with it.
00:29:59She just likes the rooms at the Vicente.
00:30:02Other girls like them at the Gulfstream Cafe.
00:30:05Shut up.
00:30:06Never can tell what she's liable to whisper in that cop's ear.
00:30:10Some quiet night.
00:30:12The girl knows nothing.
00:30:14She can tell nothing.
00:30:16Just one way to be sure.
00:30:19If he is killed, he will be replaced.
00:30:22Perhaps by a smarter man.
00:30:24Certainly someone we won't know.
00:30:26There's no trouble to keep an eye on.
00:30:36Yes.
00:30:40Who's there?
00:30:42Marianne and Lawrence.
00:30:44Come in.
00:30:49Police?
00:30:50Oh, I don't think so.
00:30:54Do you?
00:30:57You suspect me, don't you?
00:31:00Why don't you say what you think?
00:31:02Last night, after bringing you to my hotel, I had visitors for the first time.
00:31:06A remarkable coincidence.
00:31:08Oh.
00:31:08One encounters coincidence frequently.
00:31:12Who would guess that in Havana, I would meet the beautiful niece of Mayor Loris of Budapest.
00:31:17There was a Mayor Loris in Budapest.
00:31:19I know nothing about him.
00:31:21And I don't know why Paulino chose that introduction.
00:31:24As for the visitors, I...
00:31:29Well, let's say the visitors were just thieves.
00:31:34I'm prepared to ignore the whole incident.
00:31:36I came here this morning to thank you for your kindness.
00:31:39Any gentleman would have provided a room for a lady in distress.
00:31:42But not every gentleman would have been so considerate.
00:31:46Wait.
00:31:50Havana can be lonely.
00:31:52Surely you can find the company you want?
00:31:54I have.
00:31:56I hoped I had too.
00:31:58I'm sorry.
00:31:59We're both disappointed.
00:32:01You wouldn't want to knock on the door again.
00:32:03We could pretend you just arrived.
00:32:05I would open the door and be so pleased to see you.
00:32:08I'd bow.
00:32:09Wish you good morning.
00:32:10Invite you in.
00:32:11We'd go to breakfast together.
00:32:12Spend the day.
00:32:15Goodbye, Mr. Gombos.
00:32:24Come in.
00:32:27Good morning.
00:32:31Buenos dias.
00:32:32Buenos dias.
00:32:32Good morning.
00:32:32Good morning.
00:32:33Good morning.
00:32:33Good morning.
00:32:33Good morning.
00:32:34Good morning.
00:32:35Good morning.
00:32:35Good morning.
00:32:36Good morning.
00:32:36Good morning.
00:32:37Good morning.
00:32:37Good morning.
00:32:38Good morning.
00:32:38Good morning.
00:32:39Good morning.
00:32:39Good morning.
00:32:40Good morning.
00:32:40Good morning.
00:32:41Good morning.
00:32:41Good morning.
00:32:41Good morning.
00:32:42Good morning.
00:32:42Good morning.
00:32:43Good morning.
00:32:43Good morning.
00:32:44Good morning.
00:32:45Good morning.
00:32:45Good morning.
00:32:46Good morning.
00:32:46Good morning.
00:32:47Good morning.
00:32:47Good morning.
00:32:48Good morning.
00:32:49Good morning.
00:32:49Good morning.
00:32:50Good morning.
00:32:51Good morning.
00:32:52Good morning.
00:32:53Good morning.
00:32:54Good morning.
00:32:55Good morning.
00:32:56Good morning.
00:32:57Good morning.
00:32:58Good morning.
00:32:59Havana looks different today.
00:33:23Maybe it's because I'm seeing it with you.
00:33:26Surprised?
00:33:27You knew it without my telling you, didn't you?
00:33:30A little kindness means a great deal to you.
00:33:32Kindness has been a stranger to me for a long time.
00:33:35But anyone who came along, right man or wrong, if he was gentle, considerate...
00:33:39Not anyone. Havana does look lovely.
00:33:43It's a way station, the last one, then the United States.
00:33:47Is it everything people dream about?
00:33:50I don't know. It is what many have dreamed.
00:33:53Others whose dreams have edges which are too round.
00:33:56Colors too bright. They are disappointed.
00:33:59Oh, I'm not looking for streets paved with gold.
00:34:02A home, respect, freedom.
00:34:04And neighbors who want the same thing.
00:34:07Marianne, don't hope for too much.
00:34:11I'm just beginning to hope.
00:34:13Even if things go as you expect.
00:34:15I've been to the United States.
00:34:17A little thing like an accent, a foreign name can set you apart.
00:34:21There's always someone who laughs.
00:34:23Can't be bothered with things like that.
00:34:29Joseph, what is it?
00:34:31You're going away. We will be separated.
00:34:33Oh, we'll go together.
00:34:34Polinov will arrange it.
00:34:35He hasn't yet.
00:34:36But if you have the money, there's no reason...
00:34:38You have no money. How will you go?
00:34:40I'll go.
00:34:41How?
00:34:42I'll make my arrangements.
00:34:44I'll speak to Polinov about you.
00:34:46No.
00:34:55No.
00:34:57I'll speak to Polinov myself.
00:35:16You are taking Miss Loras to the United States.
00:35:28I demand to be taken also.
00:35:30It occurs to me that you are in no position to demand anything.
00:35:33Don't expect me to plead.
00:35:34I pay for what I get in cash.
00:35:38Go on.
00:35:41I must leave Havana and get to the United States.
00:35:43Have you tired of Havana so soon?
00:35:46Are its charms so ordinary that they may be easily cast aside?
00:35:50You go on.
00:35:52Why the hurried leave?
00:35:54Is there anyone you wouldn't care to face when the facts are known?
00:35:58When I go, I don't go alone.
00:36:00And I don't promise transportation as bait to assure me of companionship.
00:36:04You use lies as bait.
00:36:06A blackmailer should know all about lies.
00:36:08No better than a policeman.
00:36:10It's out in the open.
00:36:12Why, the stench can reach any nastro.
00:36:14I've got a personal interest in you, but you know from now on you're for me.
00:36:16Don't let anyone else squash you underfoot.
00:36:17Save yourself until I get ready.
00:36:18Senor.
00:36:19Oh.
00:36:20Oh.
00:36:21Oh.
00:36:22Oh.
00:36:23Oh.
00:36:24Oh.
00:36:25Oh.
00:36:26Oh.
00:36:27Oh.
00:36:28Oh.
00:36:29Oh.
00:36:30Oh.
00:36:31Oh.
00:36:32Oh.
00:36:33Oh.
00:36:34Oh.
00:36:35Oh.
00:36:36Oh.
00:36:37Oh.
00:36:38Oh.
00:36:39Oh.
00:36:40Oh.
00:36:41Oh.
00:36:42Oh.
00:36:43Oh.
00:36:44Oh.
00:36:45Oh.
00:36:46Oh.
00:36:47Oh.
00:36:48Oh.
00:36:49Oh.
00:36:50Oh.
00:36:51Hello, Mr. Westlake.
00:36:52Pete Kochak.
00:36:53This thing's blowing up pretty fast.
00:36:54Probably in my face.
00:36:55This guy knows who I am.
00:36:57He also knows we can't touch him unless we get him in the states.
00:36:59We can't let this one blow up, Pete.
00:37:01There's got to be a way to salvage it.
00:37:03What about the lorries girl?
00:37:04I got the report you mailed.
00:37:06She ought to be a lead.
00:37:07Well, I wouldn't count too much on her.
00:37:09She...
00:37:10Yeah, but I don't...
00:37:13Well, maybe I'm not the right guy for this job anymore.
00:37:16Replace me.
00:37:17Maybe I will.
00:37:18Meanwhile, you stay with that girl.
00:37:20Don't let her out of your sight.
00:37:22And get the answers.
00:37:24Yes, sir.
00:37:27You saw Palino?
00:37:42You go. I don't go.
00:37:44And I have a reason. He won't take you.
00:37:47When do you leave?
00:37:48Tomorrow.
00:37:49Tomorrow.
00:37:50At night, I think.
00:37:52How will you go?
00:37:53Tell me when you find out.
00:37:55At least I'll be able to wait bon voyage.
00:37:57Joseph, you know what it means to me to go to America.
00:38:00Some are not so impatient.
00:38:01They wait to enter legally.
00:38:03I would enter legally if I could.
00:38:05I must go with Palino for not at all.
00:38:07No one has asked you to make excuses.
00:38:09My father is in the United States.
00:38:11For ten years we've waited.
00:38:13He's fortunate his daughter has her own ways of joining him.
00:38:16He can't help me to get in.
00:38:18He's an alien.
00:38:19Illegal in the United States.
00:38:22I've never said that to anyone before.
00:38:24No need to tell me.
00:38:26I have a home waiting for me, Joseph. A home.
00:38:29I don't want to hear it.
00:38:31I've destroyed your chance to get to America.
00:38:34Brought you nothing but unhappiness.
00:38:36Or people like us shouldn't have emotions.
00:38:38I don't know what we've done, but somehow we're robbed of the future.
00:38:42You have just told me about your future. You have made a choice.
00:38:46Don't you understand?
00:38:48My father, a home, freedom.
00:38:50A dream I've had for ten years.
00:38:52All this weighs the scales heavily on one side.
00:38:58What do you want me to do?
00:39:02Whatever you wish.
00:39:05Joseph, if you'd ask me to stay, that would outweigh everything.
00:39:12Matt, if you'd ask me to stay.
00:39:19Matt, don't go.
00:39:22We'll find a way.
00:39:27We'll find some way.
00:39:44I'll see you in a minute.
00:39:57I'll see you in a minute.
00:40:27Go away.
00:40:41I'd like to watch you.
00:40:42You better learn to do as you were told.
00:40:46In my family, the men give the commands.
00:40:48And if they have not obeyed.
00:40:49What happened?
00:40:57Dear Marianne, each time I see you,
00:41:21you look lovelier, more desirable.
00:41:25I have wonderful news.
00:41:27A change of plans.
00:41:29We'll leave tonight at once.
00:41:31I've changed my mind.
00:41:33I'm not going.
00:41:34No?
00:41:34No.
00:41:35Gambus.
00:41:36He clutters up my life.
00:41:39Because of him, I must leave a day earlier.
00:41:41Because of him, I must be deprived of your company.
00:41:44I would hate him
00:41:45if he were not a member of the United States Immigration Service.
00:41:51You're lying.
00:41:51Why do you suppose he sought you out?
00:41:53Why does he try to worm information?
00:41:55Get out.
00:41:56You have only to ask Mr. Gambus.
00:41:58If that is his real name.
00:42:09Joseph, are you police?
00:42:11Marianne, I'm...
00:42:12Answer me.
00:42:12No, I'm not a policeman.
00:42:14I was going to...
00:42:14You need to take the casualties.
00:42:18You're an immigration inspector.
00:42:20Marianne, listen to me.
00:42:21I came to Havana to get Palinov,
00:42:22but when I met you, something happened.
00:42:25I told you the truth to...
00:42:27Marianne!
00:42:28Hurry.
00:42:35Sit down.
00:42:42If this letter were mailed,
00:42:45there'd be no search for you.
00:42:49I'll send to Jose.
00:42:50Wait for him.
00:42:52Tomorrow, mail a letter.
00:42:54Good night, Mr. Gambus.
00:43:12Walk over there.
00:43:42Push your face through that wall.
00:44:12Saw it.
00:44:36The End
00:44:36Oh!
00:44:37THE END
00:45:07DROP IT!
00:45:12You're gonna talk.
00:45:14Senor, I do not know what this is all about.
00:45:16What is the senor?
00:45:17Get the police, Lieutenant Carfagno.
00:45:18Yes, senor.
00:45:19Where's Palinov?
00:45:21I do not know.
00:45:22I swear by my mother, senor.
00:45:23He goes tonight, that I know.
00:45:24How?
00:45:25As always, by out of line.
00:45:26From where?
00:45:27I do not know, senor.
00:45:28They speak only with the Elfield.
00:45:29I've never been there.
00:45:30If I knew senor, believe me, I would...
00:45:31I don't believe you.
00:45:32What's the pilot's name?
00:45:33I've heard him speak of a senor James.
00:45:34That we check.
00:45:35Out.
00:45:36Hey!
00:45:41Hold it.
00:45:46Operator.
00:45:47Emergency.
00:45:48Get me Mr. Westlake of the Immigration Service at Miami.
00:45:51Karczak.
00:45:52Pete Karczak.
00:45:53Immigration.
00:46:00Mr. Westlake Karczak, sir.
00:46:01Palinov and the aliens are flying out of here sometime tonight.
00:46:04The pilot's name is James.
00:46:06Hold it, Pete.
00:46:07Jack, that civil aeronautics folder, a licensed pilot named James.
00:46:10Right.
00:46:11Know anything about what kind of a job they fly?
00:46:13What kind of a plane is it?
00:46:14What kind of a plane?
00:46:15It flies.
00:46:18It flies.
00:46:19Thanks.
00:46:20With that kind of a load, it'd have to be a twin engine job.
00:46:23Hang on, Pete.
00:46:24We'll check on that pilot.
00:46:27Let's see.
00:46:28One, two, three.
00:46:31Maximum range, full load.
00:46:33His home field will have to be right in our district.
00:46:35Here it is.
00:46:36Archer Delby James, based right here in Miami.
00:46:38Twin motor planes, scenic flights, flying lessons, private fairing jobs.
00:46:41Out of the city about half the time.
00:46:43Plane number NC54860.
00:46:46Get through to the South Miami airport, quick.
00:46:48Right.
00:46:51On the nose, Pete.
00:46:52A wrap-up if I ever saw one.
00:46:54It better be a wrap-up.
00:46:55I'll be back tonight.
00:46:57You.
00:46:58Come on.
00:47:01That's right, James.
00:47:02Plane number NC54860.
00:47:05Right.
00:47:07Took off four hours ago.
00:47:08Didn't file a flight plan.
00:47:09Yeah.
00:47:10No idea where he's going.
00:47:11Thanks.
00:47:12Hold it a minute.
00:47:13He's in flight to Cuba for the pickup.
00:47:14Time's like a dream.
00:47:15He's our man.
00:47:16We want him.
00:47:17Right.
00:47:36Take this guy, will you?
00:47:37And there's a dead man upstairs, the one who followed me.
00:47:38Adelante.
00:47:39Well, you know if he's flying out tonight.
00:47:40Do you know where?
00:47:41Probably a private airfield somewhere.
00:47:42Can we cover them?
00:47:43But there are dozens on the islands, or maybe hundreds.
00:47:44It could be in a clearing or a strip through a sugar cane field.
00:47:45I can get you the plane number.
00:47:46Of what use?
00:47:47If we don't know where to look.
00:47:48But I've got to get them before they take off.
00:47:49Why not in the States, signor?
00:47:50There you get them on two charges.
00:47:51Illegal entry and smuggling.
00:47:52You get not only Polinov, but the people he's smuggling in.
00:47:53Yeah, I thought of that too.
00:47:54Want to have a look?
00:47:55Come on.
00:47:56Come on.
00:47:57Come on.
00:47:58Come on.
00:47:59Come on.
00:48:00Come on.
00:48:01Come on.
00:48:02Come on.
00:48:03Come on.
00:48:04Come on.
00:48:05Come on.
00:48:06Come on.
00:48:07Come on.
00:48:08Come on.
00:48:09Come on.
00:48:10How come on?
00:48:11Come on.
00:48:12Come on.
00:48:13Come on.
00:48:14Come on.
00:48:15Come on.
00:48:16Come on.
00:48:17Have I forgotten anything?
00:48:19Check me.
00:48:20No, sir.
00:48:21The minute that plane sits down anywhere from South Carolina to Texas, we've got him.
00:48:24I figure they'll take off from Cuba in time to cross the United States coastline before daybreak.
00:48:28An early morning landing and...
00:48:31Border Patrol, Westlake speaking.
00:48:33This is East Savannah, Georgia Municipal Airport.
00:48:36That airplane you're studying about.
00:48:39Well, she's been standing right here on the field ever since 5.30 this afternoon.
00:48:44Sure, I'm sure.
00:48:46N.C. 54860.
00:48:51Hold it.
00:48:52I don't get this at all.
00:48:54Instead of flying south to Cuba, James has flown north to Savannah, Georgia.
00:48:58Well, maybe he's...
00:48:59Any passengers?
00:49:00Oh, no, sir.
00:49:01There were no passengers.
00:49:02James flew in alone and headed up to town like he always does.
00:49:05I expect he'll be hitting the spots for the next couple of days.
00:49:08Okay, thanks.
00:49:11We've fallen flat on their faces.
00:49:13James isn't our man.
00:49:16James, my friend.
00:49:18Good to see you again.
00:49:20How was the flight?
00:49:22Like all of them, flew the other plane to Savannah, left it on a field like a sitting duck, then picked up this one.
00:49:28Who's gonna shepherd this flock?
00:49:30I am.
00:49:31Huh?
00:49:32Personal reasons.
00:49:33Oh.
00:49:34Please.
00:49:35Will you all board the plane?
00:49:37This is your pilot.
00:49:39You are now going to the United States without all the annoying delays of more prosaic travel across foreign borders.
00:49:45Without the worries of customs, health, or immigration departments.
00:49:49Will you all make yourself comfortable?
00:49:51You'll have to sit in your baggage.
00:49:52We have no seats.
00:49:53That's right.
00:49:54A twin-engine job.
00:49:55Pilot and plane registration unknown.
00:49:56Carrying three men and three women.
00:49:57Descriptions on teletype.
00:49:58Please impound plane and hold passengers.
00:50:00Maybe if we had time to get these sketches to every air for you.
00:50:01Well, they've got the descriptions.
00:50:02Have you any idea how many planes are gonna land in this territory today?
00:50:04Our only hope is that they'll come down on a small field where the attendants know every plane and every pilot.
00:50:07Well, wouldn't they land in a larger field for just that reason?
00:50:08I wonder.
00:50:09There's one disadvantage to breaking the law.
00:50:10It gives you a sense of guilt.
00:50:11Your attendants is to be overcautious now.
00:50:12Now.
00:50:13I'm not sure.
00:50:14I'm sorry.
00:50:15I'm sorry.
00:50:16I'm sorry.
00:50:17I'm sorry.
00:50:18I'm sorry.
00:50:19I'm sorry.
00:50:20I'm sorry.
00:50:21I'm sorry.
00:50:22I'm sorry.
00:50:23I'm sorry.
00:50:24I'm sorry.
00:50:25I'm sorry.
00:50:26I'm sorry.
00:50:27I'm sorry.
00:50:28I'm sorry.
00:50:29I'm sorry.
00:50:30Your tendency is to be overcautious and hide.
00:50:33Now put yourself in that pilot's place.
00:50:35In a big field, there are too many people.
00:50:36One of them might be a smart law enforcement officer.
00:50:39Remember, you're a smuggler.
00:50:41And too many people watching you makes you uneasy.
00:50:44At least, I hope you're uneasy.
00:50:46If not, you and your load of aliens are going to land here and there's not a thing in the world we can do about it.
00:50:55My friends, soon you will be the land of your choosing.
00:50:58Now, there are a few instructions.
00:51:00First, the papers we have so carefully prepared.
00:51:02You better check them.
00:51:03Mm-hmm.
00:51:04Social Security, driver's licenses, credit plate, and bank book.
00:51:08Mm-hmm.
00:51:09Everybody got them?
00:51:10Yes, sir.
00:51:11Good.
00:51:12Now as to destination.
00:51:13You, Mr. Sandring, will be met at East Savannah Airport.
00:51:16You think we do Chicago.
00:51:17You'll be flown there in another plane by our pilot.
00:51:21After landing in a private airfield, we will drive to East Savannah Airport.
00:51:26From there, you'll be flown to New York or Chicago.
00:51:29Except, of course, Miss Loris, who wishes to go to Charleston.
00:51:32She and I will leave you with Savannah, and I will personally escort her to Charleston.
00:51:37Heading for the promised land.
00:51:41Dimitri Mathias, 17, tubercular.
00:51:44Refused visa on account of contagious disease.
00:51:47A. Sestina, 47.
00:51:50Naturalized in 1929.
00:51:51Stripped of U.S. citizenship and deported in 1938.
00:51:54Will you sit down and relax?
00:51:56I guess he figures the competition isn't so rough in the rackets these days, and he wants in again.
00:52:00Elizabeth Ellen Eskew, 35.
00:52:03The lady doesn't believe in paying duty on the jewelry she brings into this country.
00:52:08Marianne Morris.
00:52:10Hello, sir. Jack.
00:52:12All right.
00:52:13Did you get her?
00:52:14We located James' plane.
00:52:16It's been on the ground in Savannah since yesterday, and he's off on a tear.
00:52:19That's great.
00:52:20We don't know when or where they're coming in.
00:52:22And the odds against picking them up, well, you can figure that for yourself.
00:52:26Cheer up, Pete. You did a good job. And we might get them yet.
00:52:32The worst that can happen is that this bunch will get through.
00:52:38Yeah, that's the worst.
00:52:49What are you doing?
00:52:50Soothing, isn't it? Like an elevator.
00:52:52Why are you going down?
00:52:54We're stopping at Jacksonville to refuel.
00:52:56James, you're crazy to make stops in this hot plane.
00:52:58Got a heavy load?
00:52:59Anyway, relax.
00:53:00We're not stopping at the main Jacksonville airport.
00:53:04We're stopping to refuel.
00:53:06No one will get out of the plane.
00:53:08And you will try not to be seen peering out of the windows.
00:53:24And you will be able to make that one.
00:53:34Hello.
00:53:35Yes.
00:53:36I've never seen that plane around here before, have I?
00:53:39No.
00:53:40Make yourself to home.
00:53:41Just be a few minutes.
00:53:42Okay.
00:53:43I'll take you a few minutes.
00:54:06I'll get you right quick.
00:54:13I'll get you right quick.
00:54:43Sure, he gave me the message, baby.
00:54:45But how many times do I got to tell you not to call me here?
00:54:49If the boss catches me using the phone, I'll get canned.
00:54:53Yeah, I'll see you tonight. Goodbye.
00:54:56Goodbye.
00:55:03Hey! That gas, you...
00:55:05Hello. Hello.
00:55:07What's the matter? Immigration on our tails. The guy spotted us.
00:55:11That plane, the one immigration once landed here.
00:55:13Taken off now. I think he got scared. Hold it.
00:55:19He just banked, and I think he's...
00:55:21He's heading due south after takeoff.
00:55:23Takeoff.
00:55:25I don't know.
00:55:26I don't know.
00:55:27I don't know.
00:55:28You're not.
00:55:29You're not.
00:55:30I'm not.
00:55:31I'm not.
00:55:32I'm not.
00:55:33I'm not.
00:55:34I'm not.
00:55:35I'm not.
00:55:36I'm not.
00:55:37I'm not.
00:55:38I'm not.
00:55:39He just banked, and I think he's...
00:55:40Heading due south after takeoff just now.
00:55:42Eight people aboard.
00:55:43Twin engine plane.
00:55:44The color is...
00:55:45Yellow.
00:55:46With green stripe on sides.
00:55:47Just took off from South Jacksonville Airport.
00:55:50Lieutenants Carter, Maxim, and Lynch.
00:55:52Take off and locate.
00:55:55Control tower to Carter.
00:55:57Patrol southwest area six.
00:55:59Roger.
00:56:01Control tower to Lynch.
00:56:03Patrol area two.
00:56:05Southeast.
00:56:06Roger.
00:56:07Roger.
00:56:08Control tower to Maxon.
00:56:10Patrol area four.
00:56:12Due south.
00:56:13Due south.
00:56:14Due south.
00:56:15Due 10.
00:56:16From Naval Air Station, Jacksonville.
00:56:21We have three boys up, and they can do 100 miles an hour faster than the ship we're looking for.
00:56:26We got them off the ground in time, so this plane of yours can't be far away.
00:56:30Keep you advised.
00:56:31Right.
00:56:33You contacted Civil Air and Nordics to radio every plane in the area?
00:56:35All private and commercial pilots have been notified.
00:56:37They'll report in as they spot the plane.
00:56:39There'll be no slip of this time.
00:56:40Just like we had them in a sack.
00:56:42Havana to Jacksonville is 550 miles.
00:56:45They didn't refuel.
00:56:46With that plane and that load, they've got maybe enough gas for another 300.
00:56:49If they had an auxiliary tank.
00:56:51Well, they're smart enough not to fly a heavy load in without auxiliary gas.
00:56:54There isn't a field where they can land without being caught.
00:56:56And every plane in the territory is only looking at it.
00:56:58I don't think I'd like to be in that ship right now.
00:57:01We stop for gas, then no gas.
00:57:15Why?
00:57:16The pilot, he run to the plane like a man with fright.
00:57:18One does not stop to refuel if there's no need.
00:57:20There was need, then no fuel.
00:57:21Quiet!
00:57:22You don't tell Sestina to be quiet.
00:57:24Why no gas?
00:57:25You say we fly to Savannah, that's north.
00:57:27But I see the sun.
00:57:28We go south.
00:57:29My friends, no man and no scheme is perfect.
00:57:32There is always a chance for a slip-up.
00:57:34We have encountered unforeseen difficulties.
00:57:36Now there's no need to be excited.
00:57:38We're very changing our plan.
00:57:39How?
00:57:40We'll find the feeling land, get a car, and...
00:57:45There's a plane for us.
00:57:47Maybe.
00:58:00Well, I'm sitting in his lap.
00:58:02What do I do now?
00:58:03Pursue.
00:58:04Report location, direction, and speed.
00:58:12Five miles, due east of Lake Marion.
00:58:14Altitude, 2,000.
00:58:16Air speed, 140.
00:58:17That is all.
00:58:18About 175 miles from Jacksonville.
00:58:20He's got to come down in the next hour.
00:58:27Sit down anywhere near over you like a blanket.
00:58:29Might be best at that.
00:58:31Do you like jail?
00:58:32I can get along without him.
00:58:34But if two to five wraps are worse, they can hang on us.
00:58:36You're wrong, my friend.
00:58:37Once we're caught in the investigate, it's the matter of murder.
00:58:40Not me.
00:58:41Talk for yourself.
00:58:42Not me either.
00:58:43Why should I kill a man?
00:58:45But there have been killings under orders from an organization.
00:58:48You and I are that organization.
00:58:50They both share the responsibility.
00:58:52You know, it gets pretty tiresome playing tag with a guy when he won't run.
00:59:07Well, I should have brought along some papers to deliver, like when I had a bicycle.
00:59:12Anyway, we're trotting along over Lake Okeechobee.
00:59:16Still heading south.
00:59:23A friend of mine has a boat near the mouth of the Shark River.
00:59:25It'll take us to Havana.
00:59:27What will the Navy be doing?
00:59:28He won't be around.
00:59:29He can't follow where we're going.
00:59:31There's not enough gas to take us to the Keys.
00:59:33In a very little while we'll be going down.
00:59:35Maybe we can slug through to the coast if we're still alive after we land in that.
00:59:46South of Okeechobee.
00:59:48He's over the Everglades.
00:59:49He must be almost out of gas.
00:59:50He must be out of his mind.
00:59:51Why doesn't he head for someplace to land?
00:59:53Where?
00:59:54Any field.
00:59:55He's committing suicide.
01:00:03Still, it follows.
01:00:04What kind of a country is this?
01:00:06Even in the air of the United States, police follow.
01:00:09What's for dinner tonight?
01:00:22And if it's due again, I'll...
01:00:25Hey, wait a minute.
01:00:28Why, that crazy dope is going down.
01:00:39He's going to try and crash land.
01:00:50We're over the Shock River.
01:01:09All right.
01:01:10That's right.
01:01:11See you next time.
01:01:12You might be too pricey now.
01:01:14But...
01:01:15Spน Aldousers...
01:01:16Spixel...
01:01:17Sp zombies are A7.
01:01:21I've come to pass my Samuel.
01:01:22I'll...
01:01:23I come to pass.
01:01:24He has a philosophical philosophy.
01:01:26After I have to take it to the Spicy.
01:01:34I guess he's got it.
01:01:35On?
01:01:36I'm going to pass my Samuel.
01:01:37I'm in practice.
01:01:38They got themselves a raft.
01:01:44If them things only hold three or four, what good is it for eight?
01:02:08A guy on the raft just shot one of the other men.
01:02:30There's two men and a woman going downriver on the raft.
01:02:38More others heading into the jungles where there'll be bait for crocodiles or water moccasins.
01:02:43It ain't good.
01:02:45Well, I'm heading back now.
01:02:47Somebody better get after these characters.
01:03:08You figured the two men on the life raft must be Paulinoff and the pilot.
01:03:13But why did they take the girl?
01:03:15Maybe they were afraid they'd get lonesome.
01:03:17They'd get lonesome.
01:03:47They headed in on them.
01:03:48Let's go after them.
01:03:49Wait, Paulinoff went downriver.
01:03:50I know, Pete.
01:03:51Well, there's an even chance of losing him.
01:03:52He may have a boat in one of the inlets.
01:03:53Maybe he'll get away.
01:03:54Maybe we'll get him next year.
01:03:55That's a chance we've got to take.
01:03:56No.
01:03:57But those poor devils don't know what they're going to do.
01:03:58I know, Pete.
01:03:59Well, there's an even chance of losing him.
01:04:00He may have a boat in one of the inlets.
01:04:01Maybe he'll get away.
01:04:02Maybe we'll get him next year.
01:04:03That's a chance we've got to take.
01:04:04No.
01:04:05But those poor devils won't last a day in this country unless we find them.
01:04:06That's more important than Paulinoff.
01:04:07If I've got a choice between preventing poor people from being chewed up, bitten by snakes,
01:04:11or dying of exposure, or picking up a couple of snugglers, well, it's okay with me if they get away.
01:04:14Mr. Westlake.
01:04:15You're right.
01:04:16I've got no argument.
01:04:17One of the people on that raft is an alien.
01:04:18I'm a slave.
01:04:19I'm a slave.
01:04:20I'm a slave.
01:04:21I'm a slave.
01:04:22I'm a slave.
01:04:23I'm a slave.
01:04:24I'm a slave.
01:04:25I'm a slave.
01:04:26I'm a slave.
01:04:27I'm a slave.
01:04:28I'm a slave.
01:04:29I'm a slave.
01:04:30I'm a slave.
01:04:31I'm a slave.
01:04:32I'm a slave.
01:04:35I want to go after her and not Paulinoff.
01:04:37Look, I'm not going to send you down river after two killers alone.
01:04:40Even if the two of us could find those characters in there.
01:04:42The girl's in the spot and I've put her there.
01:04:49Watch yourself, Pete.
01:05:05Look, I've hung up on the roof.
01:05:21The raft's gone.
01:05:35Look, it's gonna be better.
01:05:37iarlyme
01:05:53Hey!
01:05:54uchenCai
01:05:57I don't want to continue.
01:06:27Let's get him out of here.
01:06:57Let's get him out of here.
01:07:09Let's get him out of here.
01:07:10Let's get him out of here.
01:07:14I'm going to get my leg.
01:07:15I love the knee.
01:07:18You two better go ahead.
01:07:23There's no use of us all getting caught.
01:07:25We'll find the key on the boat near the fuel tank.
01:07:27We can't leave him here.
01:07:28I intend to be 12 miles at sea by daybreak.
01:07:30We've left people here before he and I.
01:07:32He's right.
01:07:33Go ahead.
01:07:34Well, try and get up.
01:07:35I'll be quiet until they pick me up.
01:07:37Come, we can't help.
01:08:05I'll be quiet.
01:08:26Let's go.
01:08:56Let's go.
01:09:26They're in the boat.
01:09:28Who are you?
01:09:31I've been waiting for you, Polinov.
01:09:33Joseph.
01:09:34Stay where you are.
01:09:39This is the end of the line.
01:09:42I'm prepared to make a deal.
01:09:44You're in no position to make a deal.
01:09:49You're wrong.
01:09:51We both have something the other wants.
01:09:54If you try to keep me here, you'll only take one of us alive.
01:09:58It won't be the one you want.
01:09:59What do you want me to do?
01:10:07Start the motor of that boat.
01:10:09The key is next to the fuel tank.
01:10:10Find it.
01:10:11Quickly.
01:10:11Wait.
01:10:11Wait.
01:10:11Wait.
01:10:11Wait.
01:10:20Wait.
01:10:21Get out on the pier.
01:10:45Cast off the stern.
01:10:51Now get to the far end of the pier.
01:10:53We're coming out.
01:11:04Throw your gun in the water.
01:11:07No.
01:11:09Hurry or I'll shoot.
01:11:10Keep your gun, he'll kill you.
01:11:11Wait, Marianne.
01:11:21Hold the rope till we get on board.
01:11:39Miss Loris, you may go with me or stay as you wish.
01:11:42If you stay, this man will arrest you.
01:11:44You'll face jail, deportation.
01:11:46If we return to Cuba, nothing will happen to you.
01:11:50Next time, we'll get through.
01:11:55Would you arrest me, Joseph?
01:11:59I've got to, Marianne.
01:12:02I'll stay.
01:12:06Cast off, Pop.
01:12:08Look out, Marianne.
01:12:29Are you all right?
01:12:33He isn't going as far as he thinks he is with no gas.
01:12:36He'll be caught as soon as it's clear.
01:12:38And with his gift for languages, my boss will want to hear him talk.
01:12:42This boss, he'll want to hear me talk, too.
01:12:46Yes, and I'll do some talking.
01:12:49Millions of people right now are pretty happy to be right where they are.
01:12:53But when someone wants to go somewhere else so badly that they'll risk their lives,
01:12:56then it's time for me to help them, not turn them away.
01:13:00I've learned something, Marianne.
01:13:02I'm glad, Joseph.
01:13:03Not Joseph.
01:13:06Karchak.
01:13:07Pete Karchak.
01:13:09Karchak?
01:13:10Pete Karchak.
01:13:12A real American name.
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