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Money Heist In English
Zubaari's Official
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4 months ago
Money Heist In English
Category
🎥
Short film
Transcript
Display full video transcript
00:00
There's people firing guns in the same place where we print money.
00:05
Don't you think intelligence should be aware?
00:09
We're calling the Royal Mac now.
00:12
Yeah, we're calling through.
00:30
Hello?
00:42
Good evening.
00:43
This is Rafael Murillo, inspector in charge of negotiations.
00:46
Who's this?
00:47
Coming back in charge of Weinstein.
00:50
He has a voice changer.
00:52
I'm cleaning up the signal.
00:53
So, how are your colleagues doing?
00:55
Well, at the moment, we don't have any casualties.
01:01
I'm glad.
01:04
Honestly, I'm glad.
01:09
Sorry, I can't hear you very well.
01:12
Yes, my apologies for this terrible metallic voice.
01:15
They have to understand that I must protect our identity.
01:18
I must provide us a helicopter and then we go to Brazil.
01:21
Is that what you want? A helicopter?
01:24
I want to negotiate with someone.
01:26
Someone who will waste time or check with a supervisor or with intelligence or with their mother for yes or no.
01:33
Then you should talk directly with the president.
01:35
But since he's kind of busy running the country now, I'll just stand in for him, if you don't mind.
01:42
Are there any other questions?
01:44
Yes.
01:45
What are you wearing?
01:49
What?
01:50
What are you wearing?
01:51
Don't you think I could say a lot about our personalities?
01:56
Look, I really have no problem answering your question, but you need to be fully aware.
02:07
This conversation is being heard by the members of the UTEV, UIT, CNI, their liaison office, the head of the GEO and a few more offices.
02:16
Well, in that case, I think we definitely should introduce ourselves. Ladies and gentlemen, it's a pleasure.
02:23
Forgive me for not sharing my name. What if you can call me?
02:25
Professor. That's what everybody calls me.
02:29
Hello. I'm Angel, deputy inspector of the police department.
02:37
Nice to meet you, Angel. How are you?
02:39
Hello. Good morning.
02:41
Good morning.
02:42
How are you?
02:43
Very good. Good. Thanks for asking. And you?
02:47
Well, this was a touching moment. Tell me, what do you want?
02:54
Time.
02:56
Let's try to set things straight. Listen, inspector, a few more seconds and we would have been able to escape.
03:03
But now we're perfectly prepared to defend ourselves, so...
03:06
We should avoid any type of intervention.
03:11
Can I trust you?
03:13
Yes, of course.
03:15
But in order for me to trust you, you need to do something for me.
03:21
Release the students, their minors. Things will be much easier.
03:26
But inspector, you still haven't told me what you're wearing yet.
03:32
I have on a light gray suit, with a blue shirt, high-heeled black boots, and...
03:40
Well, I think that's enough for now, don't you?
03:43
Now I have a clearer picture of you.
03:45
But inspector, a woman's suit comes with some kind of skirt or a pair of slacks, doesn't it?
03:50
So if I ask you again, please be...
03:53
I'll be more specific.
03:57
I'll think about your request.
03:59
Only a lunatic would take sixty hostages and play games with the negotiator.
04:11
Now...
04:12
It's way too calm to be a lunatic.
04:15
I want a helicopter flying 24-7 above their heads.
04:18
We won't give them food, water, or any other request. Is that clear?
04:22
Excuse me, inspector.
04:24
Just because you don't give them supplies, doesn't mean they'll surrender.
04:27
Have the G.O.s and I discussed it?
04:31
How we believe that we need to intervene immediately.
04:34
If they wanted a disaster like the Opera House in Moscow, they would have called you right away.
04:40
We don't need you here to bust off balls and feed your ego.
04:44
Come on now, inspector. Don't be so defensive. I'm here to help you.
04:49
I know you're going through a rough time.
04:51
If you're inferring among my period, I'm not. But thanks for your concern.
04:54
I'm referring to the charges of domestic violence you filed against your ex-husband.
05:07
Well, I see you've done your homework.
05:10
You can't help sticking your nose where he doesn't belong.
05:13
Internal for your assassin's job.
05:16
In fact, they believe the charges you made are fake.
05:18
Your ex-husband has rebuilt his personal life and his career in the police department.
05:24
Some of them just can't seem to move on.
05:27
Look, I don't know if you're just an asshole or...
05:33
This is your method.
05:36
If anyone's interested in my personal life, then I'd like you to know the case is being dealt with.
05:42
Now it's up to the judge.
05:43
I appreciate your concern.
05:49
Colonel.
05:50
Incoming call to the museum's relay.
05:58
Recorded.
05:59
Yes, yes.
06:00
We're recording.
06:02
Silence, please.
06:03
I'm really sorry, sweetie.
06:04
We're making out two voices.
06:05
Well, you know, I'm working.
06:07
Explain that to your mother and sister.
06:10
Just tell them I'm sorry.
06:11
Honestly, I have to work the whole night.
06:13
Don't give me a hard time, sweetie.
06:14
I'll be there as soon as I am.
06:15
I'm on time!
06:16
Okay, okay.
06:17
I need to go there.
06:18
I love you very much.
06:19
Alright.
06:20
See you soon, see you soon.
06:23
Cut it!
06:25
It's Almanza!
06:46
Why'd you bring me here?
07:05
They're safe.
07:07
They sent me to protect you.
07:10
That's all.
07:12
Can you please put on the coveralls?
07:14
Okay.
07:15
Okay.
07:44
What if things go wrong?
07:51
What if the plan fails?
07:52
Well, darling, it'll be the same as always.
07:55
Back to prison.
07:56
Yeah.
07:57
Cigarettes in the courtyard.
07:58
Four pieces of shrimp for Christmas.
08:00
Congenal visits.
08:01
Sometimes.
08:02
You're lucky, maybe.
08:03
The fucked up thing is if it all goes well,
08:05
what are we gonna do with all that money?
08:06
I'm getting myself a Maserati.
08:08
And the color?
08:09
The color's gonna be bright sky blue.
08:11
I dig it.
08:12
And a martial arts studio.
08:14
Why not?
08:15
And a nightclub, but with three stores, you know?
08:17
The huge speakers that make your ears bleed.
08:19
Boom, boom.
08:20
Ba-ga-bing-ba.
08:21
Boom, boom.
08:22
That's great.
08:23
It only needs three million for that shit.
08:25
And new lungs for you?
08:26
Cause yours got fucked up in the mine?
08:27
You're gonna spend all of your money on some lungs?
08:30
For you, Papa.
08:31
That's stupid.
08:32
And how the hell are you gonna find yourself a pair of lungs?
08:35
People sell their kidneys, you know?
08:36
There's gotta be people that sell lungs.
08:38
Seriously.
08:40
I want a winery in Provence with a 200-acre vineyard
08:44
to cultivate my own wine.
08:47
With some oak barrels.
08:49
Okay, but at the supermarket you can just buy any bottle of wine you want.
08:53
Why do you want a winery?
08:54
For the art.
08:56
For the art.
08:59
Well, I will buy an island.
09:02
Get a couple.
09:03
One out of three.
09:04
Yeah, that's pretty crowded.
09:06
Like an archipelago.
09:07
No, I want a tiny island.
09:10
With a house that's enormous.
09:11
And a balcony overlooking the sea.
09:14
I'll just get out of bed.
09:16
And dive in the water.
09:17
Why don't you need someone who's intelligent?
09:20
Yeah, well some of us need to pay off some debts that are owed.
09:23
You know what I mean?
09:24
Well, I do at least.
09:26
And then, if it's left, I'll get a plane.
09:30
Then I'll fly it.
09:31
Why don't you just find a pilot who's hot?
09:33
No, no, no.
09:34
I want to be able to mess with whoever's in the control tower and be like,
09:36
Yo, I'm making a pit stop.
09:37
Clear the runway for Spanish Beyoncé.
09:39
If you bought everything that you're dreaming of, let's say, a price that is very high, even then, you would still have lots of money left over.
09:52
If we're gonna steal big, then dream big.
09:57
I would record an album, The Corridos, and I would put my face on the cover.
10:02
You'd be like Bert Osborne, but 60 pounds heavier.
10:07
Yeah, yeah, yeah.
10:08
No, no, Bertine sings Ranchera.
10:10
Sat sing Corridos.
10:11
That man ain't there, Frank.
10:12
Come on.
10:13
Show him where the Corrido is now, Baba.
10:14
Do it.
10:15
No way.
10:16
Come on.
10:17
Come on.
10:18
Come on.
10:19
Come on.
10:20
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10:48
Maria, my dear, my love, I will not let you love me, I lost you, you will not be able to see me again.
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