💕 Also known as The Greeks Had a Word for Them, Three Broadway Girls (1932) is a sparkling pre-Code comedy about three glamorous friends whose romantic escapades — and rivalry — lead to endless laughs and complications.
📽️ Plot Summary:
Jean (Joan Blondell), Polaire (Madge Evans), and Schatzi (Ina Claire) are three fun-loving showgirls who use their charm, wit, and beauty to pursue wealthy men in New York high society. But when friendship collides with jealousy and true love enters the picture, the trio’s schemes spiral into witty banter, sharp comedy, and a delightful battle of hearts.
🕰️ Year Released: 1932
🎭 Genre: Pre-Code Comedy, Romance
🎬 Directed by: Lowell Sherman
🎞️ Starring: Joan Blondell, Madge Evans, Ina Claire, David Manners
🎯 Why Watch It?
✔️ A classic pre-Code Hollywood comedy full of risqué wit
✔️ Joan Blondell in one of her early scene-stealing roles
✔️ Glamorous, playful, and sharp-tongued humor of the 1930s
✔️ A lively mix of romance, rivalry, and high-society antics
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more pre-Code comedies & public domain classics!
👇 Explore More Vintage Pre-Code & Comedy Classics Here:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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🎞️ #ThreeBroadwayGirls #PreCode #JoanBlondell #MadgeEvans #InaClaire #ClassicMovies #1930s #RomanticComedy #PublicDomain #FullMovie
━━━━━━━━━━━━━━━━━━
💌💃 Three friends, three romances, and three times the laughs — discover the pre-Code comedy Three Broadway Girls (1932)!
________________________________________
📽️ Plot Summary:
Jean (Joan Blondell), Polaire (Madge Evans), and Schatzi (Ina Claire) are three fun-loving showgirls who use their charm, wit, and beauty to pursue wealthy men in New York high society. But when friendship collides with jealousy and true love enters the picture, the trio’s schemes spiral into witty banter, sharp comedy, and a delightful battle of hearts.
🕰️ Year Released: 1932
🎭 Genre: Pre-Code Comedy, Romance
🎬 Directed by: Lowell Sherman
🎞️ Starring: Joan Blondell, Madge Evans, Ina Claire, David Manners
🎯 Why Watch It?
✔️ A classic pre-Code Hollywood comedy full of risqué wit
✔️ Joan Blondell in one of her early scene-stealing roles
✔️ Glamorous, playful, and sharp-tongued humor of the 1930s
✔️ A lively mix of romance, rivalry, and high-society antics
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more pre-Code comedies & public domain classics!
👇 Explore More Vintage Pre-Code & Comedy Classics Here:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
━━━━━━━━━━━━━━━━━━
🎞️ #ThreeBroadwayGirls #PreCode #JoanBlondell #MadgeEvans #InaClaire #ClassicMovies #1930s #RomanticComedy #PublicDomain #FullMovie
━━━━━━━━━━━━━━━━━━
💌💃 Three friends, three romances, and three times the laughs — discover the pre-Code comedy Three Broadway Girls (1932)!
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Category
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Short filmTranscript
00:00:00The
00:00:30The End
00:01:00The End
00:01:29I'll wait
00:01:31Shotzi
00:01:32Shotzi
00:01:35What do you want?
00:01:36See you in the first doctor now, you'd better get dressed
00:01:38I'll be ready
00:01:39Well, you'd better be, it'll be terrible if we miss Jean
00:01:42Oh, Polaro, I'm dressed to go out right now
00:01:45The Flourish Shops, Mr. Hirsch
00:01:47Listen, Mr. Hirsch
00:01:49My girlfriend's fiancé sent us some more of those orchids, Mr. Hirsch
00:01:53Six of them
00:01:54Beauty
00:01:55Yes, but Mr. Hirsch, you paid us twice as much as that for six of them last week
00:02:02You mean not even stockbrokers aren't buying orchids anymore, Mr. Hirsch?
00:02:11All right, Mr. Hirsch
00:02:13Oh, no, I'll send them right down
00:02:14Hurry up, Shotzi
00:02:17I am hurrying
00:02:19Now listen, Pops, and I'll tell you
00:02:21I just took the money you gave me for the car
00:02:23And bought some more American tell-and-tell instead
00:02:25Yeah, you know, Pops
00:02:27A car goes out of style, but tell-and-tell goes on forever
00:02:30Oh, I didn't know you were in a shower
00:02:33Did you have a good time with Oscar and the medicine ball?
00:02:38Well, anyhow, Jean gets back today
00:02:40Yeah, Jean
00:02:41Yeah, I know you don't think she's in my class
00:02:44But you'll have to admit she's awful good company
00:02:46Yeah, besides, she's awful broke
00:02:49And you know what I think, Pops?
00:02:52I think her stocks went down
00:02:53And there she was in Paris
00:02:54And didn't know how to say sell short in French
00:02:56And anyhow
00:02:58Her fiancé's wife arrived
00:03:01And it seems that she's a very narrow-minded person
00:03:04And she bought Jean a ticket
00:03:05So Jean decided to come home
00:03:07Yeah, and she's on the island of France
00:03:09And ought to be in in about an hour
00:03:10Your bill, madame
00:03:22Bill?
00:03:25What's for?
00:03:26For the bear, madame
00:03:27$43
00:03:31$43
00:03:31It says $43
00:03:33You're trying to make me believe
00:03:37That I've drunk $43 worth of liquor
00:03:39Since I've been on this boat?
00:03:40Oh, no, madame
00:03:41These are only the drinks you haven't paid for yet
00:03:43Do you mean the drinks nobody else paid for?
00:03:46Well, yes, madame
00:03:47Yes, but I haven't paid for any drinks myself
00:03:49That was my point, madame
00:03:50Well, don't let it throw you
00:03:55This can be arranged
00:03:57I'll see you in the cabin over
00:04:02All right
00:04:03Thank you, sir
00:04:12Pardon me, but haven't I met you someplace before?
00:04:24Oh, that's possible
00:04:25I've been always bought for five days
00:04:27No, I don't mean that
00:04:27No, I've seen you somewhere before
00:04:29Was it the racist?
00:04:30The racist?
00:04:31Perhaps
00:04:32I know it was somewhere
00:04:33St. Cloud
00:04:35That's where it was
00:04:37I couldn't forget meeting a good-looking man like you
00:04:40You know, it's the silliest thing
00:04:42My stupid maid has packed my trunks
00:04:44And I have a far bill here
00:04:46I'm sure she must have packed my checkbook
00:04:49Anyway, I can't find it
00:04:50I wonder if you...
00:04:51Oh, you must allow me
00:04:52Oh, no, I shouldn't have said that
00:04:54I am fifth
00:04:54How much is it?
00:04:55Oh, no, I couldn't
00:04:56It's $43
00:04:57Oh, I feel terribly
00:05:01I wonder if you could make it 60
00:05:03I always believe in tipping hands with me
00:05:05Don't you?
00:05:07Oh, yes
00:05:07Yes
00:05:08Oh, you're so kind
00:05:21There's Dean
00:05:25Oh, you're so sweet
00:05:26Do my eyes deceive me?
00:05:31Or is she really alone?
00:05:33And without a man?
00:05:33Why do you think she'd be afraid of catching cold?
00:05:36Hey, Dean!
00:05:37Hello!
00:05:52Will you kind of get your suitcase out of the small of my back? I beg your pardon. I didn't know it was the small of your back
00:05:58Well, you're a stranger to me and that's the small of my back to you
00:06:01I
00:06:20Had a terrible time in Paris
00:06:24No, I mean the hotel in Paris
00:06:29Oh, well, what you need is a little drinky come on up to my place and have one sure you could do with a little drinking
00:06:35But that I could listen, do you know they close these ship's bonds, but you're still sold out some liquor? Oh, no
00:06:42broke
00:06:43Am I broke?
00:06:45Poor Jean. Yeah
00:06:47Okay, well just as long as you're back. Yes. We'll have fun anyhow Jean
00:06:52Well, I could do with some fun
00:06:54They kept all my clothes except what I got on what's in that little black bag? I sneaked out on him
00:06:59And all my braces except that when I peeked out on them too because I couldn't see let them keep the real one
00:07:04Yeah, there's nothing. I can call my own except my health any wonder. I wanted to see you know I know it's no wonder hey
00:07:10That's my goal phone
00:07:12What's your call? That's my call?
00:07:14I got a little go call. Have you two started scrapping already?
00:07:18Well now that we three are together we can put up our feet make a few plans plans what for for you
00:07:23We can lend you clothes and we can lend you money, huh?
00:07:27Well, that is some but the first thing to do is to put you back on the swim
00:07:31I'll tell you what I'll do Jean. I'll lend you my good luck bracelet that you've always wanted
00:07:35Oh, you can wear it and your luck changes and your luck will change too because I've had my bad dime strung on it
00:07:41You know my ten-cent piece with a hole in it. Oh, but for later
00:07:44I wouldn't want to take your bad dime. Why not my luck's all right. Oh, you're his fault
00:07:50Can't you keep anything why bother I can't do cool air tomorrow? I'll take it down to Collier's and have your bad dime sold off and put
00:07:57In a platinum chain with diamonds in it. Oh, that's certainly sweet of you Jean
00:08:01Not a bean in the world and talking about diamonds
00:08:06You know I don't believe any girl ever had any better friends than you two guys
00:08:08And I want you to know that you haven't got any better friends than I am. Oh, that's sweet of you to say that
00:08:13See yeah, that's sweet and as long as we three stick together. I don't care what happens
00:08:17I don't get you do either and we wouldn't have broken up only I had to go fall in love
00:08:22We're not gonna break up again. Not if I can help it because you know that I'm for you
00:08:26And I know that you're for me and there's no friends like old friends. It's the three of us against the men
00:08:36What are you gonna do?
00:08:39Don't you worry about little jeannie. She's gonna be all right
00:08:41Well, I'm just saying to myself this morning as I looked out of that old skyline
00:08:45Well, I said if the worst comes to the worst there's always pop
00:08:52While in life there's pop
00:08:54Pop?
00:08:56Sure, Pop
00:08:58Oh
00:09:00You remember Pop
00:09:02Oh sure we remember Pop
00:09:04Pops
00:09:06What's the matter?
00:09:08Pops isn't dead I hope
00:09:10No, Pops isn't dead
00:09:12Maybe I'll give Pops a ring and let him know I'm back
00:09:17Just to prepare him
00:09:20Oh no, Jean, no, I wouldn't do that. Not if I were you
00:09:22No, Jean, she's right. That isn't a thing to do at all
00:09:24Oh, why not?
00:09:26Hello
00:09:30That you pop
00:09:33Yeah, Jean's here
00:09:36Guess I better call you back
00:09:40Hey, what's Pop to you?
00:09:44Now isn't Pops the father to all of us?
00:09:46Sorry, what's Pop to you?
00:09:47Well, you wouldn't expect a nice girl like me to leave a kind old gentleman like Pop sitting alone in the Metropolitan Club without a friend to call his own
00:09:55You answer my question. What's Pop to you?
00:09:59Well, he's my fiancé
00:10:01Not that we're engaged or anything like that
00:10:04Well, you would fall in love and go away
00:10:07Well, this is a fine welcome home
00:10:10Losing the only man who was ever kind to me
00:10:13And promised to remember me in his will
00:10:15I never have any luck
00:10:18There's one thing certain though
00:10:20At Pop's age, you won't have him long
00:10:22Now we'll wish Pop no bad luck if you don't mind
00:10:24And now we'll let Paulette call up Day Emery and have him throw a party for you tonight
00:10:28And have him bring along some nice friend of his who's fun
00:10:30Who'd like to meet a nice girl who's fun too
00:10:32You don't mind doing that for Jean, do you, Paulette?
00:10:34Sure, I'll call him
00:10:36Give me Wickersham
00:10:40No, never mind
00:10:41Well, there's one thing that's got to be understood before Jean meets any friend of mine
00:10:47And that is she's got to lay off him
00:10:49Now why bring that up?
00:10:51Because you never lay off anybody who belongs to someone else
00:10:53Oh, is that so?
00:10:54You never want anyone else to have any fun
00:10:56Oh, is that so?
00:10:58So you don't meet any friend of mine until you sign a paper saying you've changed your habits
00:11:02I'll change any habits of mine that don't suit you the day you change your face for what I can stand
00:11:06You don't have to stand anything about me any more than I do about you, you poor blonde boy
00:11:10Don't you call me a blonde boy
00:11:12Scrapping both of you
00:11:13She can't help it if she's Italian
00:11:14Oh, dirty little
00:11:15Quiet Jean
00:11:16Who started it?
00:11:17Oh, I did, of course
00:11:18There, you see?
00:11:19Well, she may have started it, but you gave a good cause
00:11:21Oh, you always take her side
00:11:22I take the side of the party that's right and you know it
00:11:24Yeah?
00:11:25You two don't stop scrapping, I'm gonna send you both home
00:11:27They dignified
00:11:29Miss Big Mouth
00:11:30You've got a rat
00:11:32Oh!
00:11:33Oh!
00:11:34Oh!
00:11:35It's so much you did to her
00:11:36It's okay
00:11:37It's hers anyhow
00:11:38Well, that's got nothing to do with it
00:11:39Now get a tire of the towel and wipe that beer off
00:11:40Alright, now see if there's anything besides beer in this joint
00:11:42Yeah
00:11:43Oh, my goodness
00:11:44You ought to be ashamed of yourself fighting about a man you haven't even met yet
00:11:47How can we three stick together if you two are scrapping all the time?
00:11:50Oh, well, I always said she was on the level and more fun than...
00:11:53Well, I always said you were more fun too as far as that goes
00:11:57Well, I'm not anymore
00:11:58I'm broke and disillusioned and that makes me bitter
00:12:01Oh, poor Gee
00:12:03Well, with one thing, no one can pan either one of you to the other
00:12:06Oh, well, you can have my good luck, Preston, anyhow, Gee
00:12:09I'll give you my red box first
00:12:11Oh, that's sweet
00:12:12Well, anyhow
00:12:13You will call up Dave, won't you?
00:12:16Sure, I will
00:12:17Yes
00:12:18Tell him not to bring any bromide, get a regular guy or nothing
00:12:20Having girl trouble day?
00:12:23Girl trouble?
00:12:24No, Father, why?
00:12:25Because you've rolled your dice but you haven't moved your men
00:12:26Oh, I'm sorry, Father
00:12:27Six and a five, uh-huh
00:12:28All right, W
00:12:29Take it
00:12:30Yes, Billings, what is it?
00:12:31A telephone for Mr. Day, sir
00:12:32Telephone, telephone
00:12:33Tell them he'll call back
00:12:37It's a lady, sir
00:12:38Of course it is
00:12:40Always a lady
00:12:41I believe it's the lady, Mr. Day
00:12:43You'll have to excuse me, Father
00:12:44Oh, no
00:12:45Good
00:12:46Good
00:12:47Good
00:12:48Good
00:12:49Good
00:12:50Good
00:12:51Good
00:12:52Good
00:12:53Good
00:12:54Good
00:12:55Good
00:12:57Good
00:12:58Good
00:12:59Good
00:13:03Good
00:13:04Good
00:13:05Good
00:13:06Good
00:13:07hello oh hello darling listen darling will you be sweet and give us a party
00:13:14tonight course I'd love to well now you've got to bring along someone nice
00:13:19for gene who do you get I'm not gonna tell you now wait you meet him goodbye
00:13:24darling why are those buildings wild oats they're only young one sir I haven't
00:13:32forgotten your place
00:14:02if you had the sense you were born with you remember that I gave you that red dress back
00:14:10they listen you owe me five pairs of sixteen dollars stop me quit grabbing and shut up
00:14:13shut up yourself every time I lend you a pay you promise to give a back of your nephew
00:14:16you keep yapping about stopping when I think of the champagne I lent her
00:14:20where's my rim and coat you rim and goat you need I might have a gold comb you borrowed last winter
00:14:24and didn't give back you gave it to me I lent it to you you gave it to me for Christmas
00:14:29hello good evening my table right here well what have you got that won't kill us blinders or burn
00:14:38holes in our clothing they've got good cordon rouge here very expensive did I ask you the price for this
00:14:43so if you don't know who I am you better ask one of the waiters now put some champagne on ice and
00:14:48then bring them in you yes well where are these friends of yours I'm not in the habit of being kept
00:14:54waiting in speakeasies you know I can call up 500 girls here London Paris Berlin Vienna have four
00:15:00hundred and fifty here in half an hour you won't though will you well I hope you didn't think that
00:15:05was an idle boat as long as it wasn't a threat I don't care I've got the three best bets on the
00:15:09whole west side for you tonight my own girls one of them so give them a break well don't think that
00:15:14I'm not anxious to meet them variety you know it's the spice of life well there we are well where
00:15:19are they I think you'll find the ladies in the bar that's what you do all the time they give me the
00:15:24while you are the whole house I would set them her slides what do you ask that you'll be
00:15:27you are about to die solution canons to the right of them canons to the left of them all
00:15:33would all would all would all the 600 500 hey I want to take you some time I want to buy a little
00:15:40drink right yes somebody you've been crazy to me well tell me surprise oh tell you'll see
00:15:46well here they are shot see gene and full air always together bigger than beef out for no good I call
00:15:57them the three musketeers of Riverside Drive you should be on the stage oh ladies of the folly
00:16:07yeah plenty of far we've been glorified if it hadn't been for Mr. Siegfried we'll all be married and send them
00:16:12um you're Mr. Emery aren't you yes yes I've seen you often at the races the races oh maybe for the polo I
00:16:21wouldn't forget you you are good looking you know yes isn't he yes I never forget a face I'll sit by you
00:16:27only that happens to be my place well all right all right I don't see why you have to be so fussy
00:16:33way to go well beggars can be choosers any old forts are strong
00:16:38you have introduced me day or do I do that for myself not unless you insist I always like to know who
00:16:49I'm talking to you mean to say you didn't know he was Boris Feldman oh I didn't whatever for refreshment
00:16:56well how about this well that's the best you've got the ramen thanks thanks uh caviar don't speak of
00:17:03food while I'm drinking my dinner I'll just take a sandwich if you don't mind for what kind a large
00:17:09club the lady will have a large club one large club one large club anything for me old man I'm having
00:17:17mine what do you do I play the piano is that all well I took tambourine lessons but I gave them up
00:17:27when I was very young oh dear a comic as well he happens to play it a little better than anyone else in
00:17:34the world you heard me why shouldn't I have heard you I'm allowed in public places I thought you two
00:17:41to get together about music I take piano lessons myself mr. Feldman I just love music yeah I hate it
00:17:50are you like mine we shall see oh quit crabbing Jean don't spoil the party I'm going home oh no no no
00:17:59I don't know where home is but I know I'll find it a lot quicker by myself than I will hang around
00:18:02with you two ball flushes I come back from Paris after all I've been through and you talk big about
00:18:07helping me get a new start in life and the best you can offer me the piano player oh gee piano player
00:18:13that's a good one not a piano player a pianist please same thing to me yeah but this piano player
00:18:19happens to get paid twenty five hundred dollars every time he plays how often do you play well
00:18:24never less than three never more than four times a week three or four times a week at twenty five
00:18:29I'm not too proud to apologize I'll tell you more about it in the morning what do you mean you can
00:18:49tell an awful lot about the liquor you drink the night before by where you find your hat the next
00:18:53morning so your first name is Jane that's the first name yes what year were you with the following
00:18:59ask me no questions I'll tell you no lies but it was years and years ago I want to talk to you in the
00:19:07bar it's a pleasure Boris Feldman's a great fellow wasted on Jean Jean isn't wasted on him so it seems
00:19:20that's the point isn't it darling I like to say something personal
00:19:24well go on say it you're an Italian aren't you you must be a traveling man in a way but I know
00:19:36women blonde Italian is the most beautiful thing on earth you Russian Russian from the Bronx oh say
00:19:44hello pops did you call me up no I'm not at home I'm with Jean and Polaire where oh in a sort of a drugstore
00:19:58you know what gives me more trouble anything else in the world well it might be your income tax it
00:20:05might be a waistline neither getting rid of the women who fall in love with me no I'm serious
00:20:13women who love me never want to let me go oh how do you account for that well in every man's life he
00:20:20has one dream that he feels sure will never come true he dreams that there's always some woman
00:20:26somewhere who'll say nothing ever lasts I knew this wouldn't but I never had anything like it before
00:20:32so good luck goodbye leading up to calling me your dream girl I may be but you're going to fall in love
00:20:40with me no tell me more I'm going to play just for you play the piano tell you if you don't fall in
00:20:51love with me after I play for you tonight you can take the price of a mink coat home with you five
00:20:58thousand dollars what do you say in the bed I don't say what I get if I win well I thought I was
00:21:05understood anything everything oh I'll take you up
00:21:09I'm looking for a place to wash my hands there's a room there a lot of gentlemen but don't let that
00:21:20stop you you go right in pardon me is that yours yes well just to make it legal you bet this against a
00:21:33mink coat is it done is it done mister I'm human
00:21:38sorry ladies and gentlemen to a class closing time I think he did it comes to the two o'clock
00:21:46is practically a tea room I think we'll have to go before they put us out to me I gotta go
00:21:59listen at nine in the morning but you know did anyone getting up at nine in the morning yes
00:22:03you're gonna be home what do you want to have come to my place did you get a telephone call huh
00:22:09where do you live Central Park West I think we'll go to my place
00:22:13now
00:22:19well
00:22:28well
00:22:29well
00:22:34well
00:22:38This is the way to listen to music, just lying around half cockeyed in the dark.
00:22:49That's the way to listen to anything, music or live.
00:22:54This is a life all right, only some people don't know it.
00:22:59Say, Dave, what do you think of Jean falling asleep on Feldman's playing and now she's sleeping on Polaris?
00:23:04Well, she said she didn't like piano players.
00:23:06I know, but that's a fine way to act when they invite you to their house.
00:23:17That's that.
00:23:19Well, should we have some light?
00:23:21Certainly, if it doesn't disturb your friend.
00:23:27What time is it?
00:23:28Why, it's after four.
00:23:30After four? Gee, I gotta go home. I can't sit up all night listening to you play the piano.
00:23:34I've got a golf lesson at nine in the morning. I'll go upstairs and get my coat.
00:23:41Oh, wear something for a thirst.
00:23:45Gee, you've been holding out on me.
00:23:48I didn't know you could really play.
00:23:50I can't, really.
00:23:51But you can really. I knew you had something.
00:23:54I see you think I've got a pretty talented girl, Feldman.
00:23:57Yes, that's why I want to talk to her.
00:23:58I don't want to talk. I hate people who can talk.
00:24:02So do I. But tell me, where did you learn what you know about music?
00:24:07Somebody sat me down on a piano stool when I was a kid.
00:24:09What made you get up?
00:24:11That's a long story, and I hate long stories.
00:24:15Yeah, so do I.
00:24:18Come on, everybody. Let's have a little drinky.
00:24:20Come into my study. I can talk to you better there, and we won't disturb your friend's slumber.
00:24:29Well, perhaps a little more music might help.
00:24:34Well, I'll be...
00:24:35I can make an artist of you.
00:24:51No, you couldn't. I haven't got the guts.
00:24:53Now, don't talk like a fool.
00:24:55Why not? I am a fool.
00:24:58I've got just enough sense to realize that you're a divine artist, which I object to.
00:25:02Well, why do you object?
00:25:03Because nothing that's divine is any fun.
00:25:06And anything that's not fun is out, as far as I'm concerned.
00:25:10Come in, Captain.
00:25:11Oh, I'd rather not.
00:25:12Well, I'm not proud.
00:25:13Oh, lay off Jean.
00:25:14Day isn't enjoying this anymore than you are.
00:25:16Well, why doesn't he stand up for his rights then and do something?
00:25:18Rights? I haven't any rights.
00:25:20Pilea's not my property.
00:25:22Well, Feldman's mine.
00:25:24All New Yorks are picked from, and you had to bring a piano player.
00:25:27What's wrong with that?
00:25:29I'm not worried.
00:25:30Don't lie to me.
00:25:31I'm not lying.
00:25:32Anyway, I think this party's seen better days.
00:25:36Why don't we all go out somewhere for breakfast?
00:25:38Yes, well, I'm for that.
00:25:39I'd do anything to get that Kentucky bell out of here, playing the piano for my personal property.
00:25:44I can make you work.
00:25:49I tell you, I'm too lazy.
00:25:51I'm no good.
00:25:52I know I'm no good.
00:25:53If you're good enough for Boris Feldman, you're good enough for the world.
00:25:56Oh.
00:25:58Would you kindly leave us alone?
00:26:00I just wanted to tell you that Mr. Emery's taking us all out to breakfast.
00:26:07Well, if he takes you out, I'll be perfectly satisfied.
00:26:12No man living can make a crack like that to me and get away with it.
00:26:17Day.
00:26:18Would you mind stepping here for just a half a second, Mrs. Stewart?
00:26:20Sure.
00:26:20Sure.
00:26:30I don't want to take advantage of my friend's day, but you're very fond of this girl.
00:26:35I've made her a proposition.
00:26:37Let her study with me for two years and I'll make her rich and famous.
00:26:42Well, I don't see why that's taking advantage of me.
00:26:45She won't have me make her anything but notorious.
00:26:47I don't want to be famous and I don't have to be rich.
00:26:50I never give advice except when I'm tight, so I think you'd better take him up and do what he tells you.
00:26:56Even if that washes up everything between you and me?
00:26:59Well, why does that follow?
00:27:01Doesn't it, Feldman?
00:27:03Obviously.
00:27:04She'll have to travel with my company, go on my tours, spend her summers in Europe studying.
00:27:11Now, will you tell her that I can offer her more than you or will you stand in her way?
00:27:16Well, I don't want to stand in her way, but...
00:27:17Well, there may be some point in my stepping out of your way.
00:27:21I've chosen.
00:27:23I'm bad for him, but I may be of some use to myself.
00:27:26When do we stop?
00:27:28Right away.
00:27:29That's a little sudden.
00:27:31No, it isn't.
00:27:33It's better to have everything straight like that.
00:27:35It's simpler.
00:27:37You are a sport, Dave.
00:27:38Oh, that's all right.
00:27:39But, uh, don't forget me if you fall off the piano stool.
00:27:50None of that.
00:27:52You're mine now and I'm jealous.
00:27:53Always in the course of a long evening, somebody always drinks a toast.
00:28:01Usually with less excuse than I've got.
00:28:02Well, here's to Polair's future.
00:28:11Polair's future?
00:28:12Why?
00:28:13Because she's promised to give me her hand.
00:28:16I did not say her hand, and I'm going to help her to make them famous.
00:28:20He thinks he can teach me to play the piano well enough to get paid for it.
00:28:23She's promised to work.
00:28:24I'll get you some coffee.
00:28:27I'll help you.
00:28:27Thanks, Noah.
00:28:28I keep my coffee in the strangest places.
00:28:29Just a moment.
00:28:31Do I win that bet?
00:28:33What bet?
00:28:34Did you or did you not bet me a mink coat that you'd make me love you?
00:28:38I did.
00:28:39Well, you haven't made me.
00:28:43Five thousand dollars, didn't we say?
00:28:45Five thousand, yes.
00:28:48Count them yourself.
00:28:50That's what I call high, wide, and handsome.
00:28:53And for me, it's as handsome does.
00:28:55I even return you a handkerchief.
00:28:57You can keep that.
00:28:58Thanks, though.
00:28:58I didn't win it.
00:29:01I've won much more.
00:29:03I can't remember when I've had a more profitable evening.
00:29:07I'll be going home, I guess.
00:29:11Wait a minute.
00:29:13I suppose you know you've made a little fool of yourself?
00:29:16I've always known that, my dear.
00:29:18Oh, yeah?
00:29:19Well, this party certainly died to death.
00:29:21I'm going home.
00:29:22What's your hurry?
00:29:24I'm not thinking of going yet.
00:29:26All right, then take off your coat and stick around a while.
00:29:29I'm cold.
00:29:30All right, keep it on, then.
00:29:32Come on, Dave.
00:29:32Let's go in the kitchen and get some coffee.
00:29:34Cold?
00:29:37What's this?
00:29:55Well, when I did that, I was hot.
00:29:58Your methods have never been exactly subtle, have they?
00:30:01They usually work.
00:30:04Which one were you planning that for, Feldman or Day?
00:30:07My business.
00:30:09I'm sorry, Jean.
00:30:10Can I help it if Feldman likes me?
00:30:13Try it on Day.
00:30:15He's a swell guy.
00:30:17Oh, don't bother me.
00:30:18I'm busy.
00:30:18I thought you'd gone.
00:30:24I'm waiting for the Marines to drag me out.
00:30:32I've done my best to get rid of them.
00:30:34Well, I'd rather you told them that I'd gone home.
00:30:37You're shy.
00:30:38I like that.
00:30:39I'm just not used to letting people in on my business the way you do.
00:30:42Where are you going?
00:30:44I'm going home to get a few things.
00:30:47Well, it's, uh, it's just ten minutes to five.
00:30:52I'll give you those ten minutes.
00:30:54I'll be back.
00:30:57No, not while Day's still here.
00:30:59Is she gone?
00:31:14Yes, she's gone.
00:31:16I'm going, too.
00:31:18Well, goodbye.
00:31:20Goodbye.
00:31:22Goodbye.
00:31:24Goodbye.
00:31:24Goodbye.
00:31:24Goodbye.
00:31:41Even suspect we've overstayed our welcome.
00:31:43You may be right there, too.
00:31:45Get your own hat and coat, Dave.
00:31:47How's that?
00:31:49Has Jean gone yet?
00:31:51Yes, she's gone home.
00:31:52I wonder where that is.
00:31:53I haven't the faintest idea.
00:31:58Well, no hard feelings, I hope, old man.
00:32:01Of course there are.
00:32:02Still, I'll wish you luck, since we may not meet again.
00:32:05Thanks.
00:32:05Thanks.
00:32:06Thanks.
00:32:07Thanks.
00:32:07Thanks.
00:32:07Thanks.
00:32:11Our program continues with Lucille Oliver singing Tosti's Goodbye.
00:32:36Well, I'd say to give you back your $5,000.
00:32:52Why?
00:32:54Ask me no questions, and I'll tell you no lies.
00:32:57Keep it.
00:33:00I didn't win it.
00:33:02Oh, yes, you did.
00:33:05You didn't try to make me love you, Feldman.
00:33:09You want me to?
00:33:13Oh, I'm still here.
00:33:14As I see you are.
00:33:23First, I'll have a little drinky, and then I'll go.
00:33:25Oh, you too.
00:33:37Sorry to hurry you, my dear, but...
00:33:39How many blonde Italians have you known?
00:33:43Only one.
00:33:54Oh, I'm hot.
00:33:57Oh, I wonder where my dress is.
00:34:02I did have a dress once.
00:34:06Pardon my appearance.
00:34:07I find it hard to.
00:34:15Oh, this is the most wonderful couch in the world.
00:34:22Do you mind if I stay here?
00:34:27Just what do you want?
00:34:34I want to take piano lessons.
00:34:37You won that bet.
00:34:43Did I?
00:34:45Did you want to win it?
00:34:47I'm afraid I did.
00:34:52Don't go.
00:34:54Let it ring.
00:34:55I'm sleeping.
00:35:04No.
00:35:06They'll go away.
00:35:10They've gone.
00:35:11I'm sleeping.
00:35:18I've been missing.
00:35:25I've been sleeping.
00:35:25I've been sleeping.
00:35:28I've been sleeping.
00:35:31Sometimes we have exposed.
00:35:31I don't remember the night.
00:35:33how many people have come out of mr. Feldman's apartment since I left a lady
00:35:40and a gentleman together only one lady that's all ma'am
00:35:50take me down yes
00:36:03I like you day don't take things too hard I like you too shatty thanks good night good night
00:36:12driver drive around the park
00:36:23drive around the park for a while
00:36:33I'm
00:36:40I'm
00:36:42I'm
00:36:44Pretty girl.
00:37:13I'm too late.
00:37:14Call an ambulance.
00:37:16Give me a hand.
00:37:17Come and help me with this driver.
00:37:25Hello.
00:37:27Yeah, this is she.
00:37:30Who?
00:37:32Hospital?
00:37:33What hospital?
00:37:35Taxi accident?
00:37:36Is she hurt badly?
00:37:37I'll be right over.
00:37:43Well, it was a milk wagon.
00:37:48Either my driver was a drinking man or he doesn't like milk wagons.
00:37:52I never should have let Jean have my bad dime.
00:37:55Well, I'll call day.
00:37:56Oh, no.
00:37:57Now that's all washed up.
00:38:00Well, where was Feldman?
00:38:02Yeah, that was too good to be true.
00:38:05Well, what are you gonna do?
00:38:07Get well?
00:38:08Get my bad dime back?
00:38:10And get good and even?
00:38:11Good and even with who?
00:38:12With that big stiff Jean.
00:38:13Jean?
00:38:14Yes.
00:38:15She beat me to it.
00:38:17Jean and Feldman.
00:38:18What?
00:38:19I wonder how they'll get on.
00:38:49But I saw you asleep.
00:38:59Say, listen.
00:39:00I just called you up to tell you that from now on I sleep when I please.
00:39:04And with or without music.
00:39:06Well, don't write wire.
00:39:10Emma?
00:39:11Come here.
00:39:12Take this address book and get on that telephone.
00:39:13We've got to see where we go from here.
00:39:14Yes, Miss Jean.
00:39:15Where do I begin?
00:39:16Start at the beginning and go right through.
00:39:17I'm back in circulation.
00:39:30Oh, come on.
00:39:31Tell me.
00:39:33What, my whole life story again?
00:39:35Tell me what you hear from Shotzi and Polaire.
00:39:39I'd rather not go into that.
00:39:41I don't hear anything.
00:39:44What do you hear from Polaire?
00:39:46Oh, nothing.
00:39:47I suppose she's where I saw her last.
00:39:49In Feldman's flat.
00:39:53Well.
00:39:54Now that we've got that off our mind, what have you done in your hip?
00:39:57Well, I can't understand why he didn't get there.
00:40:12I'm sure he said lunch and I waited as long as I could.
00:40:15I have this appointment at 3.30, you know.
00:40:17But if he comes and ask him to call me here.
00:40:19I wouldn't worry if I were you.
00:40:21Life isn't so easy these days that a girl can afford not to worry.
00:40:26Who's in that booth?
00:40:27That Miss Sutro?
00:40:28I believe it is, Miss.
00:40:30Who's in that next booth?
00:40:31It's your friend, Miss Lawrence.
00:40:33Well, hello you.
00:40:34Hello yourself.
00:40:35Where have you been keeping yourself?
00:40:36Ask me no questions or I'll tell you no lies.
00:40:37Where's Polaire?
00:40:38Ask me any questions you want to.
00:40:39I can keep my trap shut.
00:40:40How's Feldman?
00:40:41Oh, we parted.
00:40:42I knew that wouldn't last.
00:40:43Our temperament's worse suited.
00:40:44Who'd you have lunch with today?
00:40:45Well, what's it to you?
00:40:46Well, I don't know if it's anything to me.
00:40:47Only I had a luncheon engaging with Pops and he didn't keep it.
00:40:49So a little snooping seems in order.
00:40:50The gentleman he took out of his hands.
00:40:51Oh, ask him to wait.
00:40:52Ask him to come in.
00:40:53This is my life.
00:40:54This is my life.
00:40:55This is my life.
00:40:56I'm not a good friend.
00:40:57I'm not a good friend.
00:40:58I'm not a good friend.
00:40:59I'm not a good friend.
00:41:00I'm a good friend.
00:41:01I'm a good friend.
00:41:02I'm a good friend.
00:41:04My friend, Miss Lawrence, I'm a good friend.
00:41:05I'm a good friend.
00:41:06I'm a good friend.
00:41:07I'm a good friend.
00:41:08He's in order.
00:41:09The gentleman he took out of his hands.
00:41:10Oh, ask him to wait.
00:41:11Ask him to come in.
00:41:12This is my territory, Al Capone.
00:41:14Knowing your habits, I want to be sure of that.
00:41:16Oh, hello.
00:41:17Uh, you've met Mr. Emery, haven't you?
00:41:19Well, hello, Shafi.
00:41:20You know I've met him.
00:41:21She thought you were part.
00:41:23No.
00:41:24I can't imagine why she's so fretful about Pops.
00:41:26Are you two playing around together now?
00:41:28Well, he's my fiance.
00:41:29Nothing engaged or anything like that.
00:41:30That's like you.
00:41:31What is?
00:41:32Trying to take your best friend's man away from her.
00:41:34And you don't look so hot either.
00:41:35What do you mean?
00:41:36She gave him up, didn't she?
00:41:37Say, we're going out to have a little drinky.
00:41:38Won't you join us?
00:41:39This way to the hearing from me, Department.
00:41:40Say, anything you've got to say about me, you'll say before me.
00:41:43I wouldn't say what I've got to say about you before anybody.
00:41:47Ah!
00:41:48Now listen, young man, I've got news for you.
00:41:50At least I think a lot less of you if it isn't news.
00:41:52I'm not supposed to tell you, but now that I see what that baby's up to.
00:41:55Did you know that Polaris has been in the hospital?
00:41:56What?
00:41:57Yeah, ever since that night at Fellman.
00:41:58What hospital?
00:41:59Let's go to the hospital.
00:42:00I'm sorry about that drink.
00:42:01I'm going.
00:42:02Hey, you can't get away with that.
00:42:03Well, you can't talk about that.
00:42:04That's because it's you.
00:42:17And this, because it's me.
00:42:21Well, I always knew you were a prince, but I never dreamed you were such a glutton for punishment.
00:42:26The recipient places the ring on the usual finger and kisses the donor.
00:42:32Wait a minute.
00:42:34How do you know I won't walk out on you again?
00:42:37Well, if I make you happy, you won't want to.
00:42:40And if I don't, do I deserve to lose you?
00:42:43Talk to your father first.
00:42:44Till then, I'm not holding you to any promises made.
00:42:46Except one.
00:42:47What's that?
00:42:48That you still like me.
00:42:49Darling.
00:42:50Well, we'll bury the hatchet.
00:42:51And have a little drinky, huh?
00:42:52Well, all right.
00:42:53Yes.
00:42:54Ah, remember what happened to Mary Gwina's car?
00:42:57Yeah.
00:42:58It's for you.
00:42:59It deserves it.
00:43:00Oh, it was.
00:43:01Hello?
00:43:02Yes, this is she.
00:43:03Who?
00:43:04What's the matter?
00:43:05It's Pop.
00:43:06What about Pop?
00:43:07He's passed.
00:43:08Where?
00:43:09Out.
00:43:10Oh.
00:43:11Oh, we'll bury the hatchet.
00:43:12And have a little drinky, huh?
00:43:13Well, all right, yes.
00:43:14Ah, remember what happened to Mary Gwina's car?
00:43:16Yeah.
00:43:17It's for you, Mr. Gwina.
00:43:18Oh, it was.
00:43:19Hello?
00:43:20Yes, this is she.
00:43:23Who?
00:43:24What's the matter?
00:43:26It's Pop.
00:43:27What about Pop?
00:43:28He's passed.
00:43:29Where?
00:43:30Out.
00:43:31Oh.
00:43:36It makes me feel a little queer.
00:43:38Yeah, me too.
00:43:40It makes me realize how fond I was about Pop.
00:43:44Me too.
00:43:46Oh, I'm going to miss Pop something terrible.
00:43:49Me too.
00:43:50You?
00:43:52Any objection to be missing Pop?
00:43:55Yes, I have.
00:43:56Why?
00:43:57Well, it don't seem respectful to his memory.
00:44:00Oh.
00:44:01Oh, is that so?
00:44:03And when I think of the way you took advantage of him.
00:44:05Me?
00:44:06Yes, you.
00:44:07How did I ever take advantage of Pop?
00:44:08Were you ever after anything but his money?
00:44:10Oh, I like your nerve.
00:44:11And when I think I could have saved him from you if I had the time.
00:44:14You say Pop from me?
00:44:16Maybe it isn't too late yet.
00:44:18Too late for what?
00:44:19For me to get busy.
00:44:20Call out the reserves.
00:44:21Get into action.
00:44:22And leave you holding the bag.
00:44:23Hey, what are you going to do?
00:44:24Come here, come here.
00:44:25Take this thing off my head.
00:44:26What are you going to do?
00:44:27Come here.
00:44:28Will you come in, please?
00:44:29If you ladies will sit down, I'll call Mr. Garrett.
00:44:30Hardly.
00:44:31Hardly.
00:44:32Oh, I don't like this.
00:44:33Well, you've got to go through with it.
00:44:34I don't like this.
00:44:35Well, you've got to go through with it.
00:44:36I don't like this.
00:44:37How do you do?
00:44:38How do you do?
00:44:39Which is Ms. Sutro?
00:44:40I am.
00:44:41This is Ms. Sutro.
00:44:42I don't like it
00:45:07Gwynne. I've heard both your names. This is a painful occasion, ladies. Very. My client and your
00:45:16late friend, as you know, Miss Sutro, was a man who all his life did things his own way. Are you
00:45:23trying to tell me something's wrong? No, my dear lady, not a thing. Only a little ceremony, for which
00:45:30my client left most strict instruction. Is the other lady ready? Yes, sir. What other lady? Just a moment, please. Show her in.
00:45:42Will you come in, please?
00:45:55You sit there, Miss Lauren.
00:46:00You may proceed.
00:46:15Being in sound health and body, I wish to make a few remarks in my own voice to supplement what I have
00:46:35already put in writing. Oh, poor Pops. He has a cold. He had a cold.
00:46:44I have of late years been associated with three young women, known as Jean, Shatzi, and Polaire.
00:46:50For Polaire, I have only the highest but most disinterested esteem. I have embodied my feelings
00:46:55for Shatzi in my will. I take this means, however, of warning my executives against the scheming
00:47:02of the one named Jean.
00:47:04That's a lie.
00:47:05I knew you'd say that. Sit down.
00:47:07Is there anything else, madame?
00:47:20No, I don't think so. What do you want, Shatzi?
00:47:24A large club.
00:47:26Say, remember, stupid, we're ordering breakfast. Try to have it here before the middle of the afternoon.
00:47:31Yes, madame.
00:47:33Can you beat that? A yes, madame, waiter, and a yes, ma'am, menu.
00:47:36I'm glad I told Day to bring your father here this afternoon and not for lunch.
00:47:40Wouldn't it be a terrible mistake if they came for dinner?
00:47:42Not a chance. They'll be here this afternoon at four.
00:47:54Hello?
00:47:57What do you want? It's Jean.
00:48:00What do you want to see us about?
00:48:02Well, make it some other time. I'm busy this afternoon.
00:48:07All right, then. Three o'clock.
00:48:10Will that be all, madame?
00:48:12That's all. Sclam.
00:48:14Yes, madame.
00:48:15No, no. Wait a minute.
00:48:18Is that all the clothes you've got?
00:48:21I don't think I understand you, madame.
00:48:23Well, have you got a real butler's suit?
00:48:24Can you get a real butler's suit?
00:48:26Yes, madame.
00:48:28Very well, then, Jeeves.
00:48:29You're going to be our butler for about half an hour this afternoon.
00:48:33When that dame shows up, we'll show her a family retainer that'll knock her eye out.
00:48:36Yes, great. She won't get over that for a year.
00:48:38You'll be back here at three o'clock with that butler's suit and serve tea.
00:48:41We won't want you for long.
00:48:42Now, you understand?
00:48:43Yes, madame.
00:48:44Is this Miss Sutcloth's apartment?
00:49:06Yes, miss.
00:49:07Will she in?
00:49:08I'll see if she's at home, miss.
00:49:10What name shall I say?
00:49:14Lawrence.
00:49:18Won't you be seated, miss?
00:49:25Just a moment.
00:49:28By any chance, is your name Meadows?
00:49:31No, miss.
00:49:33Herbert Scroggins.
00:49:34That's all I wanted to know.
00:49:45Well, well, well.
00:49:46Jean, my dear.
00:49:47How are you?
00:49:48No one knows.
00:49:50Well, but you came here to be a sponsor.
00:49:51I didn't come here with a handful of calling cards.
00:49:58Jean, my dear.
00:49:59Oh, it's simply wonderful to see you again.
00:50:02You're looking too marvelous yourself, my dear.
00:50:05Believe it or not.
00:50:07Why, we're forgetting Jean hasn't had her tea yet.
00:50:11Shall I call Joan, shall I say?
00:50:13Why not?
00:50:14Oh, here he is now.
00:50:15How are all the other slaves of the old plantation, Herbert?
00:50:26Well, there you have me, Mum.
00:50:29Shall I call?
00:50:30If you will.
00:50:34Cream?
00:50:35No.
00:50:37How wise she is not to take cream.
00:50:40You're two or three pounds of the good, aren't you?
00:50:41That's a cute little jacket.
00:50:47This?
00:50:48Yes.
00:50:49Where did you get it?
00:50:51I shot it in my own kitchen.
00:50:55Did you get that thing you're wearing?
00:50:57Oh, this?
00:50:58Oh, the man who made it is so well known, you never even heard of him.
00:51:03Oh, I've heard an eye.
00:51:04Oh, ginger.
00:51:13It don't last till you get it home.
00:51:15Yeah?
00:51:16Well, it lasted till it got home to me.
00:51:19Look.
00:51:21Got these since I saw you last.
00:51:24They're real.
00:51:25You knew they were.
00:51:27I can always tell real pearls.
00:51:28Even when they're such little ones.
00:51:34Oh, is that so?
00:51:36Well, some of these aren't so little.
00:51:40And some of them aren't so real, are they?
00:51:42Oh, is that so?
00:51:44Well, I didn't come here to be high-hatted and nobody gets away with it.
00:51:46What did you come here for?
00:51:47I came here because I made up my mind you've got to be told where you get off.
00:51:50Nobody gets away with double-crossing me.
00:51:51Who's double-crossing you?
00:51:52Now, don't tell me you didn't put Pops up in that photograph, gang.
00:51:54Oh, now, Jean, I swear.
00:51:55And I suppose you didn't take Day Emery away from me just as I got started on him.
00:51:57If Polly, I gave him up and said I could have him.
00:51:59Polly, I didn't want to give him up and you knew it anyway, didn't you?
00:52:01Oh, never mind what I did.
00:52:06Hello?
00:52:08Oh, yes, dear.
00:52:10When?
00:52:10Now?
00:52:13Well, all right.
00:52:16You've got to go.
00:52:18I've got to what?
00:52:18Go.
00:52:19They're on the way.
00:52:20They just telephoned.
00:52:21Yeah, you've got to go.
00:52:21We've got business here this afternoon.
00:52:22It's private business.
00:52:24Well, is it so private you can't let an old friend in on it?
00:52:27Yes, Jean, I'm sorry, but it is.
00:52:29Well, that's what I call carrying things too far.
00:52:33Keeping secrets from your oldest friend.
00:52:36Throwing your oldest friend out into the street.
00:52:39I'm sorry, Jean.
00:52:40Oh, why should I be interested anyway?
00:52:41Oh, Jean, to the left side of the...
00:52:42That might be you.
00:52:45I'll have to tell her.
00:52:46Oh, no, no, don't tell me.
00:52:48Oh, no, don't tell me.
00:52:50If it's so private, don't think of telling me.
00:52:52What is it?
00:52:57I'm going to be married.
00:53:00You're going to be married?
00:53:02Who to?
00:53:03Well, no, I don't want it talked about, but...
00:53:07Day Emery.
00:53:10You're going to marry Day Emery?
00:53:12Yes.
00:53:14And he's bringing his father here.
00:53:16Now?
00:53:17Yes, to look me over.
00:53:19And, well, you see, Jean's day wouldn't want anyone else here.
00:53:24Oh.
00:53:26Oh, I see.
00:53:29Well, love, why not let the old man look us all over?
00:53:33Oh, no.
00:53:34No, I'd rather not.
00:53:38Oh.
00:53:41Well, of course.
00:53:43That's the way you feel about it.
00:53:46It's all right with me.
00:53:51Ahem.
00:53:52Well, anyhow, let's all have a little drinky, just for good luck, huh?
00:53:55Nobody has any little drinky tea this afternoon.
00:53:57This is over, and that's that.
00:54:00Well, all right.
00:54:01I'll go.
00:54:03I'll do more than that.
00:54:04I'll take back all I said.
00:54:07Now, look, we're old friends.
00:54:10I always liked you two guys.
00:54:12Now, this is no time for hard feelings.
00:54:14Let's shake.
00:54:18You're a great scout, Jean.
00:54:21You're no slouch yourself.
00:54:23Goodbye.
00:54:23Goodbye.
00:54:24I'll be seeing you.
00:54:26Oh, Jean.
00:54:27What?
00:54:28Just a moment.
00:54:29Here are your gloves.
00:54:37Take them with you so you don't have to come back after them.
00:54:41Thanks.
00:54:44Are you sure you've got everything?
00:54:46You didn't hide a horse and buggy around here, did you?
00:54:48Oh, Polair.
00:54:55How about taking your wedding presents from me now?
00:54:59Oh, Jean.
00:55:00Yes, why not?
00:55:01Oh, you're crazy.
00:55:03No, I want you to have them.
00:55:04That's my business.
00:55:05Oh, no, I'm not.
00:55:05That's too much.
00:55:06But I want you to have them.
00:55:11I'm sorry you didn't get me out in time.
00:55:18Hello, darling.
00:55:20Where's your father?
00:55:21Isn't he coming?
00:55:22Oh, he prepared that I brought it to him.
00:55:23You don't mind, darling, do you?
00:55:25Oh, all right.
00:55:26I'm scared, but I don't mind.
00:55:28I'll get you a coat.
00:55:30I feel just like a mama, which I hope you appreciate.
00:55:32I do.
00:55:33How do you do, Mr. Emery?
00:55:35Oh, how do you do?
00:55:36I believe congratulations are in order.
00:55:38Yes, they are.
00:55:40Yes, I haven't seen you since the day of the big wind.
00:55:46Here's your hat and coat.
00:55:48I don't know why I should be so excited about a wedding
00:55:50when I think of all the times I could have gotten married.
00:55:52Yes.
00:55:53Good luck, old dear.
00:55:56Thanks, Jean, for everything.
00:55:58Don't mention it.
00:55:59Come on, Paulette.
00:56:00I want my bad dime.
00:56:02Why?
00:56:03Well, you know why.
00:56:03She's cuckoo not to believe in the fool thing.
00:56:05So am I.
00:56:06You don't want your bad dime.
00:56:07Come on.
00:56:07Oh, but I do say good luck.
00:56:13Now, Miss Soarhead, you can have your little drakey.
00:56:17I'll open up a pint for you.
00:56:19Pint?
00:56:20What teetotaler ever invented pint?
00:56:26Did you break anything?
00:56:27No, but I will.
00:56:40Now, you wait here and I'll go and find Father.
00:56:43I'm scared.
00:56:44I know you think I'm not half good enough for you.
00:56:47Oh, darling.
00:56:47Miss Gwynne, my father.
00:57:04How do you do, Miss Gwynne?
00:57:05How do you do, Miss Anne-Marie?
00:57:08Say.
00:57:09What?
00:57:09Come here.
00:57:11Just a minute.
00:57:11Come on.
00:57:13Oh, you'll join us later.
00:57:14Oh, I want to see you.
00:57:15Never mind, Father.
00:57:16Do as I say.
00:57:21You see, Miss Gwynne, I wanted a few minutes with you as own.
00:57:24Will you give me some tea?
00:57:25Why, yes, of course.
00:57:26Strong with cream and sugar.
00:57:32Well, I'll open another pint.
00:57:34Oh.
00:57:35They're both Polaire's, but she won't mind.
00:57:37I've had enough.
00:57:38You've had what?
00:57:39I've had enough.
00:57:40I'm going home.
00:57:42Boy, I never knew you to stop on one drink before.
00:57:44Call me a taxi, please.
00:57:45I'll be right down.
00:57:47What are you up to?
00:57:48Ask me no questions.
00:57:48I'll tell you no lies.
00:57:50Where are your pearls?
00:57:51My pearls?
00:57:52Oh, Polaire's got them.
00:57:53Polaire gave them back to you.
00:57:54No, I don't think so.
00:57:55Why, so are you?
00:57:56Well, I haven't got them, have I?
00:57:57Well, you might have put them down someplace.
00:57:58Well, if I did, you keep them.
00:58:00They're...
00:58:00Say, I can't understand why you're so careless about real pearls.
00:58:03Well, why should I worry?
00:58:04They're safe here, aren't they?
00:58:06You're up to something.
00:58:07Oh, what would I be up to?
00:58:08I don't know.
00:58:09But you're not going to leave this place until you find those pearls.
00:58:11A great fortune needs a serious master.
00:58:14That's why I can't leave my money to my son.
00:58:17Can't you?
00:58:17Day hasn't shown himself very serious.
00:58:21I've never cared about money.
00:58:27Well, you see, they're not here.
00:58:30Oh, they must be here.
00:58:30I saw Polaire give them back to you.
00:58:32I was standing right there.
00:58:33It's very funny to me that they're not around.
00:58:35Gene!
00:58:40Hello?
00:58:41Hello, operator.
00:58:42Operator.
00:58:43Now, get this.
00:58:44Miss Lawrence is on her way downstairs for a taxi cab.
00:58:46You send an elevator boy out to get the address she gives the driver.
00:58:49Yeah, now, I'll wait here.
00:58:51But I'm glad Day's made up his mind to marry at last.
00:58:55No matter whom?
00:58:56So long as she marries him for himself, not for his money.
00:59:01I didn't realize Day would be giving up so much.
00:59:05Oh, not that I mind for myself.
00:59:08But it's hard on him.
00:59:10No, it's good for him to want anyone as much as he wants you.
00:59:13And now that I've seen you, I shan't interfere.
00:59:23Shall we call Day now?
00:59:24Yes, please do.
00:59:26Hello?
00:59:27What's that address?
00:59:28What?
00:59:29Call me a taxi.
00:59:34I'm sorry to bother you, but I'm afraid I'll have to trouble you for my pearls.
00:59:41I'm totally sorry, but I'm afraid I'll have to bother you for my pearls.
00:59:47You'll pardon me, won't you?
00:59:49I'm struggling for my pearls.
00:59:53This name is nuts.
00:59:55You're a great scout, Father.
01:00:01When can we get married?
01:00:02Isn't that for the young lady to say?
01:00:04Oh, I'm ready any time.
01:00:06Oh, darling.
01:00:06Oh, I beg pardon, sir.
01:00:08Miss Willis?
01:00:08There's a Miss Lawrence here asking to see Miss Gwyn.
01:00:11Miss Lawrence?
01:00:11Jean?
01:00:12What's she doing here?
01:00:13Why, I can't imagine.
01:00:15A friend of yours?
01:00:16Oh, yes.
01:00:18Can she wait somewhere?
01:00:19She says her business is most urgent, Miss.
01:00:21Well, ask the young lady to come in.
01:00:22All right.
01:00:27Will you come this way, please?
01:00:29Of course, it just kills me to interrupt your session, but I'm afraid I'll have to trouble you for my...
01:00:34Oh.
01:00:36Oh, I beg your pardon?
01:00:39Miss Lawrence, my father.
01:00:41How do you do?
01:00:44How do you do?
01:00:46I thought you said you had urgent business here, Jean.
01:00:50Yes, it can wait.
01:00:51Why do you go down this street?
01:00:58The street's all right, lady.
01:00:58It's the traffic.
01:00:59I know it's the traffic.
01:01:00Why don't you go through the park?
01:01:01Well, it's just the same any place you go, lady.
01:01:03They'd only listen to me about this traffic.
01:01:05I've seen you somewhere before.
01:01:11Oh, have you indeed?
01:01:12Yes, you were pointed out to me at the Earl Carroll's Vanities.
01:01:14Oh, but I've never been to Earl Carroll's Vanities.
01:01:17No?
01:01:18Well, perhaps it was the polo at Westchester-Biltmore.
01:01:20Possible.
01:01:21Yeah.
01:01:22Could it have been the opera?
01:01:23I don't think so.
01:01:24Oh?
01:01:25A horse show?
01:01:26Maybe.
01:01:27Well, it must have been someplace.
01:01:29You are good-looking, you know, and I never forget a face.
01:01:33Is that all you came to say, Jean?
01:01:37Well, isn't that an all-right thing to say?
01:01:39Sure.
01:01:40Only you came a long way to say it.
01:01:43Oh, I know where I was.
01:01:44I beg your pardon.
01:01:44I know where I saw you before.
01:01:46Where?
01:01:46In the movies.
01:01:47The movies?
01:01:48What are you talking about?
01:01:49Yes, yes.
01:01:50It was about a year ago.
01:01:52Oh, she means the newsreel.
01:01:54Yes, yes.
01:01:56You were in a little boat getting off your yacht.
01:01:59How do you remember that?
01:02:00Oh, I never forget a yacht.
01:02:04I beg your pardon, sir.
01:02:06Yes, Billings, what is it?
01:02:07There's a Miss Sutro here, asking for Miss Lawrence.
01:02:12Chatsy.
01:02:12What does she want?
01:02:13Another friend?
01:02:14Why, yes, but don't ask her in.
01:02:16We'd better go.
01:02:17Come on, Jean.
01:02:18Just a moment.
01:02:19What's your hurry?
01:02:20Billings, ask the young lady to wait.
01:02:22I've just come.
01:02:24I'm sure Mr. Emery doesn't watch.
01:02:26Well, maybe he doesn't, but I do.
01:02:28Now, look here, Jean.
01:02:28What is there to get so excited about, darling?
01:02:30Well, that's what I don't know.
01:02:32But Jean's here for no good or Shatsy wouldn't come.
01:02:37You'll be sorry you pulled that one, baby.
01:02:39My dear Miss Lawrence.
01:02:42Where are my pearls?
01:02:43How should I know where your pearls are?
01:02:45Did you have her pearls?
01:02:46Certainly she had them.
01:02:48But what were you doing with them?
01:02:50That's a long story, and I hate long stories.
01:02:53I'll tell you what she was doing with them.
01:02:55She wanted to wear them here.
01:02:57So you wouldn't think she was a gold digger.
01:03:01Jean, you've got genius.
01:03:04I'm sorry, Mr. Emery, but they were real pearls, and real pearls are worth money.
01:03:07Of course, she may be playing a joke.
01:03:10If anybody's playing a joke, it's you, and it's gone far enough.
01:03:13She's trying to make me out a thief.
01:03:16I never thought of such a thing.
01:03:17You must be crazy.
01:03:18I'm not crazy, and I'm not a thief.
01:03:20I gave you back those pearls, and you know it perfectly well.
01:03:23Why, Shatsy saw me do it.
01:03:25Shatsy!
01:03:26Not all this is most embarrassing for me.
01:03:29Come on in here with me, Shatsy.
01:03:31There's going to be trouble.
01:03:31Oh, I knew it.
01:03:33Shatsy, you saw me give her those pearls.
01:03:35Sure I did.
01:03:36Well, I haven't got them, have I?
01:03:37Of all the low-down frame-ups, you know perfectly well those pearls are in your bag right this minute.
01:03:42Oh, are they?
01:03:43All right.
01:03:45Well, are they here?
01:03:47Are they there?
01:03:50Well, you must have them somewhere, Anya.
01:03:51Well, fetch me, then.
01:03:52This is a grave charge you've made, Miss Lawrence.
01:03:57It's a grave charge they've made against me.
01:04:00Fancy me framing an old friend.
01:04:03Couldn't they have fallen inside your dress?
01:04:06I think you'd better look.
01:04:08Do you?
01:04:11All right, I will.
01:04:13Well, I'll help you.
01:04:14No, thanks.
01:04:15No, I'll search myself.
01:04:16Now, watch closely, Mr. Emery.
01:04:17See that I don't pull any houdini tricks.
01:04:19Look, is it there?
01:04:21Is it there?
01:04:21Is it there?
01:04:26Are they there?
01:04:28Now, are you satisfied?
01:04:33What you're laughing at?
01:04:34I can't help it.
01:04:35Now, we'll search Polaire.
01:04:36Oh, I wouldn't if I would.
01:04:37Well, Polaire's got to be cleared.
01:04:39Not James Wade, I couldn't.
01:04:40Well, we don't have to go that far with you.
01:04:46Miss Gwynn.
01:04:47You, you.
01:04:51Polaire, dear.
01:04:52So you didn't give them back.
01:04:54But of course I gave them back and she's...
01:04:56Jay, what are you thinking?
01:05:00Well, I'm thinking this is the rottenest, vilest mess I've ever seen.
01:05:04I see.
01:05:07Well, you better think more than that day and be quick about it.
01:05:09What else is there for him to think?
01:05:10It is a rotten, vile mess, but that's what you get for playing around with our kind.
01:05:14I'm glad it happened now instead of later.
01:05:17I must have been crazy to think of marrying you.
01:05:19Polaire, Polaire, Polaire, come back.
01:05:36Jay.
01:05:37Where's she gone?
01:05:38Has she gone to your place?
01:05:39I'd give her time to cool off if I were you.
01:05:40And if I were you, I'd watch her to my father.
01:05:42What?
01:05:43In the presence of the family and intimate friends, including the Duke and Duchess of Ainsley.
01:05:52The Duchess being Mr. Emery's daughter by a former marriage.
01:05:57Mr. Day Emery will act as his father's best man.
01:06:01Uh, have you the ring, Mr. Day?
01:06:04Yes, I've got the ring.
01:06:06And the bride will be given away by her mother.
01:06:09Oh, pardon me.
01:06:11Just a moment.
01:06:11Yes, my love.
01:06:14I don't know why it is, but I don't seem to be able to remember my mother's name.
01:06:19Your mother is Mrs. Randolph Hill of Kansas City.
01:06:23Your father is Colonel Randolph Hill of Kansas City.
01:06:26My father's dead.
01:06:29Your mother's husband may be dead.
01:06:31But your father is Colonel Randolph Hill of Kansas City.
01:06:37Well, anyhow.
01:06:39Oh, now, sir, about placing the string quartet.
01:06:44Oh, yes, I'll come at once.
01:06:48Excuse me, dear.
01:06:49Come with me, dear.
01:06:50Yes, father.
01:06:51Pardon me.
01:06:53Georgette, dearie, come here.
01:06:55In here, please.
01:06:57Hey, wait a minute.
01:06:57We didn't come to the wedding.
01:06:58We came to see Miss Lawrence.
01:07:00And we'll see Miss Lawrence.
01:07:01Oh, uh, will you wait in the library, ladies?
01:07:13I'll tell Miss Lawrence that you are here.
01:07:16But who shall I say?
01:07:20Miss Sears and Miss Buck of Sears Roebuck.
01:07:23Are you sure you want to go through with this?
01:07:34I want my bad dime back, and I'm going to get it.
01:07:36Now for a view of the bride alone.
01:07:38Are you ready, Miss Lawrence?
01:07:39Yes, I'm delighted.
01:07:39Come on, boys.
01:07:40Come on, don't keep Miss Lawrence waiting here.
01:07:42Just hold yourself, Miss Lawrence.
01:07:43Say, listen, do you think there are any detectives around here to put us out?
01:07:52No, they're earning their money drinking the bride's health.
01:07:59Oh, please don't disturb me now.
01:08:01Don't go out for the therapy.
01:08:02Would you give a boy a drink, please?
01:08:03Come to your desk.
01:08:13Of all the snow scenes.
01:08:27Say, cut out the personal remarks and tell me what you two guys are doing here.
01:08:31I want my bad dime.
01:08:33Yeah, Jean, give it to her so she won't be so nervous on the water.
01:08:35Water?
01:08:36What water?
01:08:37We're going to Paris.
01:08:39Paris?
01:08:41Yeah.
01:08:41We're taking the Isle de France, too.
01:08:43When?
01:08:44Today.
01:08:45About the time you're being made an honest woman.
01:08:49Oh, gee, that's great, isn't it?
01:08:50Sure, it's great.
01:08:52So if you don't mind coming across, sure I'll come across.
01:08:55Georgette, donne moi la boîte de bijoux.
01:08:58C'est tout pour mademoiselle?
01:08:58Oui, c'est tout maintenant.
01:09:00Allez-vous, allez-vous.
01:09:01Hey, elle fait attention, foulette.
01:09:03Okay, la French, as she is spoke.
01:09:08Ten lessons for ten cents.
01:09:11C'est tout, Georgette.
01:09:12Allez-vous, allez-vous.
01:09:13Oui, madame.
01:09:14I had about all the luck I could stand just now.
01:09:16I wouldn't know what to do with it anymore.
01:09:18Yeah, but you have fun in Paris, huh?
01:09:20That's what we're going for.
01:09:22See, when people have fun together, that's something, isn't it?
01:09:25Sometimes I think that's all there is.
01:09:28So do I.
01:09:29Sometimes.
01:09:32You always like that kind of junk, Jean.
01:09:35Couldn't you have got some good preferred stock instead?
01:09:38Here.
01:09:39Thanks.
01:09:40Thanks.
01:09:41You brought me lots of luck.
01:09:42I'll say.
01:09:43I guess it was luck.
01:09:45Let's have a little drinky.
01:09:47Just to say goodbye.
01:09:48Sure.
01:09:48I don't see why not.
01:09:49All right, I'll ring.
01:09:51Ah, just what we wanted.
01:09:53That's fine.
01:09:54Mr. Emery asked me to tell you that the guests are arriving, Miss Lawrence.
01:09:57All right, that's fine.
01:09:58Thanks.
01:09:58To Gay Perry.
01:10:08How long is staying over?
01:10:09Oh, as long as the staying's good.
01:10:10We haven't made any plans except for catching the boat, and we'll have to step on it to do that.
01:10:14Let's have one more little drinky on our late friends.
01:10:16Before we bury her.
01:10:17What do you mean, bury me?
01:10:18I mean, bury you.
01:10:28So when those two Italian aviators said to me, why don't we all go to Paris?
01:10:39I said, sure, why don't we all go to Paris?
01:10:40So we're all going to Paris.
01:10:42And if they only have half of what they say, they own everything in Paris except one of the bridges across the river.
01:10:48Yeah, we're sailing too.
01:10:50Yeah?
01:10:50On Mr. Emery's yacht.
01:10:52Well, now you're not going to compare Mr. Emery's yacht with the Yields of France.
01:10:55Why, they've got lifeboats bigger than his whole boat.
01:10:58Oh, we're going to our own island for our honeymoon.
01:11:03Mr. Emery owns all of it.
01:11:05Too much real estate's a poor investment.
01:11:09Why do you want some chopped suey at 2 a.m.?
01:11:12Mr. Emery says it's very romantic.
01:11:15There's lots of quail on our island.
01:11:17You can get plenty of quail in Paris.
01:11:20Yeah, well, I got something you can't get from Paris.
01:11:22What?
01:11:23I got $1 million.
01:11:25Clear and free?
01:11:26In my own name and my own bank.
01:11:29A million's not enough for a girl who sacrifices everything to go straight.
01:11:33Well, Jean always did like money.
01:11:35Yeah.
01:11:36Not as much as I like fowling around with you two guys.
01:11:40Well, then what do you marry him for anyway?
01:11:42I don't know.
01:11:43Why did you want to marry Day?
01:11:45Well, that was different.
01:11:46She liked the poor sap.
01:11:48Yeah.
01:11:49Yeah, he was a fine one.
01:11:51He was a fine one.
01:11:51No, you lay off day.
01:11:52Well, anyhow.
01:11:54Yeah.
01:11:54Yeah, anyhow.
01:11:55Yeah, anyhow.
01:11:56Anyhow.
01:11:57Anyhow.
01:12:01Who was that?
01:12:03It's the three of us.
01:12:04I'm sorry I pulled that pearl trick on you.
01:12:12We won't talk about that.
01:12:13No, we won't talk about that.
01:12:15Anyhow, it got me someplace.
01:12:17It wasn't that.
01:12:17It was my bad time.
01:12:19Oh, they're going to hold people.
01:12:21Oh, where are you supposed to go?
01:12:23Maybe it's a fire.
01:12:29That reminds me.
01:12:32What?
01:12:37It reminds me of it.
01:12:42I live next door to a firehouse.
01:12:49I'm sorry.
01:12:54I'm not too sorry for you as I am for myself.
01:12:58I'm going to go get married and be stuck on an island with nothing on it but quail.
01:13:07Why can't I have some fun?
01:13:09I'm still young.
01:13:11I'm still beautiful.
01:13:12I have everything.
01:13:14Why must I give up all my good times for that old fluff?
01:13:17Young girls all just have to pay for their mistakes.
01:13:23Poor Jean.
01:13:24She wishes she was going to Paris with us.
01:13:26Don't you, Jean?
01:13:28Well, maybe I do.
01:13:29Hey, you better keep sober.
01:13:31Oh, yes.
01:13:32Well, I'm glad we're going where this stuff grows wild.
01:13:36Yeah, goodbye, Jean.
01:13:38What?
01:13:39Goodbye.
01:13:42You are mumbling.
01:13:44I'm mumbling.
01:13:46I am.
01:13:47We'll think of you off on your island all covered with quail whenever we eat one.
01:13:55Well, we've got to go.
01:13:57No, no, don't go.
01:13:59We've got to...
01:14:00Now, come on, Jean, you fuck up.
01:14:02Oh, yeah, we can't leave you like this.
01:14:04No, you can't go and leave me like this.
01:14:08Take me with you.
01:14:10Oh, Jean.
01:14:10Oh, Jean.
01:14:11Oh, take me.
01:14:12Oh, you can't leave me feeling the way I do.
01:14:14It wouldn't be you.
01:14:15Oh, no, Jean.
01:14:16You've got to get married.
01:14:18Well, when you've got a million and all that junk, why be a hug?
01:14:27Why be a hug?
01:14:28Sure, that's what I say.
01:14:29Yes, come on, let's go.
01:14:31Come on, we'll go.
01:14:32Come on, we'll go.
01:14:32We'll go.
01:14:34We'll go down.
01:14:34Oh, the kids are out there.
01:14:37Come on, little people.
01:14:38We'll go up the back stairway.
01:14:39Up that door.
01:14:39We'll go up here.
01:14:40Come on, get them, my Joe.
01:14:41Come on.
01:14:41Come on.
01:14:42Come on.
01:14:42Come on.
01:14:43Come on.
01:14:43Yeah, that's right.
01:14:44Come on.
01:14:44Come on.
01:14:45All right.
01:14:46Come on.
01:14:46Come on.
01:14:47You two go on.
01:14:50I'll meet you in the taxi.
01:14:50Well, what is there to say you about?
01:15:02You might have listened to me.
01:15:03I had so much to tell you, and I won't be any good until I've said it.
01:15:06What can you say that will change anything now?
01:15:08Well, at least give me the satisfaction of telling you that I can't get you out of my mind.
01:15:16I'll go in there and make sure of myself.
01:15:18Oh, please, sir.
01:15:19It's very unlucky for the bridegroom to speak to the bride before the ceremony.
01:15:23I'm too old for such nonsense, and the guests are waiting.
01:15:29Hang on to that door out there.
01:15:31I don't trust these old-fashioned lies.
01:15:39Court.
01:15:41What is it?
01:15:42Are you nearly ready, my love?
01:15:45Am I ready?
01:15:46Yes, I'll be ready in two minutes.
01:15:48I'll get you cold.
01:15:49Where's my dress?
01:15:50Where's my dress?
01:15:51Dress, more or less, never bothered you before.
01:15:57Here.
01:15:58Take this, take that.
01:16:01What's that?
01:16:04It's Susan's bed.
01:16:05Come on.
01:16:08Can't you forgive me?
01:16:10Sure I forgive you.
01:16:11Well, then, if you forgive me.
01:16:13No, it stops there.
01:16:15Marry a nice girl, Day, and get a horse.
01:16:18We can't talk to you now.
01:16:20You've got to let me see you again.
01:16:21Hey.
01:16:23Try and find me.
01:16:25Full air.
01:16:25Full air.
01:16:26Come back.
01:16:26Day.
01:16:28Father, I love her.
01:16:29No more.
01:16:30My boy, there's trouble enough.
01:16:31I know there's trouble enough.
01:16:32The rocket's crossing I ever had.
01:16:35Oh, you.
01:16:36You would stop the dog of that staff.
01:16:38Don't you call him a sack.
01:16:39Now, quit scrapping.
01:16:40Come on.
01:16:40Get on me.
01:16:40Get on me up.
01:16:41Get on me up.
01:16:42No, you don't, Jean.
01:16:43What about Jean?
01:16:44Oh, I don't know.
01:16:44I knocked.
01:16:45She spoke to me, and she's gone.
01:16:46Gone where?
01:16:46I don't know.
01:16:49Day, what do you think?
01:16:50Go ahead.
01:16:55What does it mean?
01:16:56I don't know.
01:16:57But I'm going to find out.
01:17:03Oh, I'm dying.
01:17:04I'm dying.
01:17:05I'll never be the same.
01:17:07Oh, the jewels.
01:17:08Where are the jewels?
01:17:08Oh, I'll be pinched for this.
01:17:13I wish I'd never gone to that house.
01:17:18I wish I hadn't seen him.
01:17:20I love him, and I'm never going to see him again.
01:17:25Drive right through that next traffic stop.
01:17:27If I drive through the light, they'll pinch me.
01:17:29If you don't drive through the light, I'll kill you.
01:17:30Take your choice.
01:17:34Whoever gave me the job of managing you two?
01:17:36The.
01:17:43But why?
01:17:59You dared me to find you.
01:18:01Yes, but now what?
01:18:02You told me to marry a nice girl.
01:18:04I'm not a nice girl.
01:18:06I'm not a nice girl.
01:18:08I'm not a nice girl.
01:18:13You've always said that, and I've never believed you.
01:18:16Hey, you.
01:18:17You know, I ought to give you a good balling out for walking out on your father's wedding.
01:18:20You should ball him out.
01:18:21Sure.
01:18:22Wasn't I almost his mama?
01:18:25Hey, isn't that my bracelet?
01:18:26What?
01:18:27Sure, it's a bracelet Pops left me.
01:18:28Oh, Jean, for the love of Pete.
01:18:29Well, it looks like it.
01:18:31About that trip to Rome.
01:18:32Huh?
01:18:32Well, uh...
01:18:33You can have the bracelet.
01:18:34You know, I'm sure I've met you before.
01:18:36I never forget a face, and you are good-looking, you know.
01:18:40Come here, I want to talk.
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