- 7 weeks ago
Step into the fractured psyche of Mima Kirigoe in *Perfect Blue* (1997), Satoshi Kon’s chilling debut that redefined psychological thrillers in anime. This video explores the film’s haunting themes of identity, obsession, and the blurred line between reality and illusion.
From pop idol to actress, Mima’s descent into paranoia mirrors the dangers of fame and the internet age—years before social media existed. We’ll break down the symbolism, analyze key scenes, and uncover why *Perfect Blue* remains a cult classic that influenced filmmakers like Darren Aronofsky.
🔍 Topics Covered:
- Plot breakdown & character analysis
- Themes of celebrity culture & mental health
- Behind-the-scenes facts & production insights
- Legacy & influence on global cinema
🎬 Subscribe for more anime deep dives and cinematic breakdowns!
From pop idol to actress, Mima’s descent into paranoia mirrors the dangers of fame and the internet age—years before social media existed. We’ll break down the symbolism, analyze key scenes, and uncover why *Perfect Blue* remains a cult classic that influenced filmmakers like Darren Aronofsky.
🔍 Topics Covered:
- Plot breakdown & character analysis
- Themes of celebrity culture & mental health
- Behind-the-scenes facts & production insights
- Legacy & influence on global cinema
🎬 Subscribe for more anime deep dives and cinematic breakdowns!
Category
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Short filmTranscript
00:00:00Power-Tron! Special attack!
00:00:23Curses! I'll get you next time, Power-Tron!
00:00:28Hold it, Kingberg!
00:00:31Damn it! Did he get away?
00:00:33However, we Power-Trons will uphold the peace of the network without fail!
00:00:37Yeah!
00:00:51Let's check out a movie!
00:00:53Man, that's like way too expensive!
00:00:56Mm-hmm. Like I said, it's from that show they performed in Hiroshima.
00:01:00You mean the one I couldn't go to?
00:01:02Yeah, that time when Rei fumbled one of her songs and then those guys started all that trouble.
00:01:06And this is supposed to be the mini-disc from when Mima had sung in Rei's place one time.
00:01:10Yeah, I hear it's a real collector's item.
00:01:12Oh, yeah. So, like, is that rumor really true?
00:01:15What, the one about Mima?
00:01:17Uh-huh. That's what everyone's saying.
00:01:19It's 400 yen.
00:01:21Jam, fanzines.
00:01:22Three left.
00:01:23Only three left.
00:01:25400 yen.
00:01:27Yeah, I read about that too.
00:01:29And it's supposed to be your last concert here.
00:01:31At a nothing show like this?
00:01:33I'd say that's pretty cold of Mimarin.
00:01:35Seems like there's been a lot more solo acts going on lately.
00:01:39Yeah, but I think that Mimarin could really act.
00:01:42Huh? Hey, look, it's those guys over there.
00:01:45Yeah, same guys who caused trouble last week.
00:01:47Shit. Today of all days, they better not cause any trouble.
00:01:53Oh, I'm getting nervous.
00:01:56Rei, come on, please, sit still.
00:01:58Hey, what's up with this? It's all frayed.
00:02:00What are you doing?
00:02:01What the hell is the masking tape?
00:02:03Hello? Yeah?
00:02:04Remember your entrance in the second song, Mima.
00:02:07Please, Rumi, don't pressure me.
00:02:09I need a drink.
00:02:10I'm sorry, I'll call you back.
00:02:11You can have drinks after the show.
00:02:12Okay? It's just too crazy in here.
00:02:13All right, ladies, let's go. Hurry, you're on.
00:02:18All right, people, it looks like they're ready.
00:02:23So without further ado, please welcome to our stage,
00:02:27Cham!
00:02:37My class can play the music.
00:02:39It's just a music.
00:02:40I'm not sure you're playing the music.
00:02:41I'm not sure you're playing the music whereas I can't go.
00:02:42It's just a music.
00:02:43I'm not sure you're playing the music.
00:02:44How do you do it?
00:02:45And when you play the music?
00:02:47Yes.
00:02:48It seems great.
00:02:51Yes.
00:02:52I'm not sure you're making a music.
00:02:54You know I'm not sure you're looking at it.
00:02:55It's really beautiful, you're not sure you're looking for the music but it's a music.
00:02:58Sometimes you feel for your love
00:03:02Spend a little heart for her
00:03:06And she'll be there with you
00:03:07Grow her love
00:03:09Waiting only for you
00:03:11And when you love her, love her, she grows
00:03:15A little angel, angel in your heart
00:03:19You've got to push her, push her
00:03:21And then forever, forever
00:03:24And she tells me that she has a little heart of her heart
00:03:28She'll leave her together
00:03:30So you found the gift of her?
00:03:43Nikki, would you get a mop to aisle five?
00:03:45Yes, sir.
00:03:46Uh...
00:03:47Excuse me.
00:03:50Call me when you get to mop!
00:03:54Give me some soda!
00:04:15Nima should be acting, not singing
00:04:17I can't do this!
00:04:24Mika...
00:04:25They want her in a drama series
00:04:28You just don't pass up a deal like this
00:04:31She can do both
00:04:32She can sing and act
00:04:33Her schedule with the other two
00:04:35Has already created a difficult problem
00:04:36Listen, she didn't go to all those singing lessons
00:04:39Just so she could become an actress
00:04:40The producer of the show doesn't care
00:04:43He thinks Mima's a wonderful actress
00:04:44Of course!
00:04:45But what about Mima's feelings?
00:04:48Huh?
00:04:49And when you love her, love her
00:04:53She will be
00:04:54A little angel, angel in your heart
00:04:57You've got to push her, push her
00:04:59And then forever, ever
00:05:02She will be
00:05:04A little angel of your heart
00:05:06To be there together
00:05:08A little angel of your heart
00:05:10To be there together
00:05:11And then forever, ever
00:05:13And then forever, ever
00:05:14Yeah!
00:05:14Woo-hoo!
00:05:15That's amazing!
00:05:16Woo-hoo!
00:05:16Woo-hoo!
00:05:17Woo-hoo!
00:05:17Woo-hoo!
00:05:18Woo-hoo!
00:05:18Woo-hoo!
00:05:19Woo-hoo!
00:05:20Woo-hoo!
00:05:21Woo-hoo!
00:05:22Woo-hoo!
00:05:23Woo-hoo!
00:05:24Thank you very much!
00:05:25You guys are wonderful!
00:05:26It was a fun concert, but we only have time for one more song!
00:05:29We just got here!
00:05:30You gotta sing more than one!
00:05:31Yeah!
00:05:32Woo-hoo!
00:05:33Woo-hoo!
00:05:34Um...
00:05:35But before we sing our last song, we do have some news we would like to share with all of you!
00:05:40You see?
00:05:41Uh...
00:05:42I, Mima Kirikoui, had a really fun time being a member of CHAM-
00:05:46Outta way!
00:05:47Huh?
00:05:48I said outta my way!
00:05:49Get your slimy hands off me, you oversized freak!
00:05:58Listen, you can't tell me what I can and can't do, you asshole!
00:06:01Why don't you punks leave?
00:06:02What's that?
00:06:03What the hell?
00:06:04Who do you think you're telling them to leave, you fucker?
00:06:05Hey, it wasn't me!
00:06:06I didn't say anything!
00:06:07Yeah!
00:06:08Hey!
00:06:09Who threw that?
00:06:10Get the hell over here!
00:06:11Whoever threw that!
00:06:12Go home!
00:06:17Damn, it's those guys again!
00:06:19We're canceling this show!
00:06:20Huh?
00:06:21But today is the...
00:06:23Shut up!
00:06:24God damn it!
00:06:31Stop it, no!
00:06:32Huh?
00:06:33Huh?
00:06:38Tonight...
00:06:40I mean today, I just wanted us to...
00:06:42Please, have a good time!
00:06:45Fuckin' attitude she has for a no-namer, want a good time here!
00:06:50What the hell?
00:06:51Damn weirdo!
00:06:52Ugh!
00:06:53Let's go, you guys!
00:06:54Come on!
00:06:55Come on, Sham!
00:06:56Come on, Sham!
00:06:57Uh...
00:06:58Uh...
00:06:59Uh...
00:07:00Uh...
00:07:01Uh...
00:07:02Um...
00:07:03Uh...
00:07:04Uh...
00:07:05Actually, what I wanted to say is...
00:07:07Uh...
00:07:08This is Mima's last performance with Cham!
00:07:10Oh!
00:07:11Oh!
00:07:12Oh!
00:07:13Oh!
00:07:14Oh!
00:07:15Oh!
00:07:16Oh!
00:07:17Oh!
00:07:18Oh!
00:07:19Oh!
00:07:20Yay!
00:07:30Oh!
00:07:31Oh!
00:07:33Oh!
00:07:33Thank you all so much!
00:07:34I'm really happy that I spent the last two and a half years being a part of Cham and sharing it all with you!
00:07:38I really hope that I can entertain you just the same as an actress.
00:07:44So now, if you please, this will be my last song.
00:08:02Well, you know, it totally makes sense from the agency's point of view.
00:08:05Pop idols just don't make money, right?
00:08:07Metamorphosis, huh?
00:08:09The day the sun was born, your warmth was all my life.
00:08:18Remembering that day when we loved each other.
00:08:25I thought that was everything, your warmth was in my heart.
00:08:33Remembering that time when we loved one another.
00:08:43And now I know that I feel like a coward.
00:08:47I don't feel pain, just keep living.
00:08:51My face looks so pale like a little white flower.
00:08:55Do I still believe?
00:08:57Over here, Mima!
00:08:58Over here, Mima!
00:09:01Over here, Mima!
00:09:03Over here, Mima!
00:09:05Over here, Mima!
00:09:07Over here, Mima!
00:09:08Mima!
00:09:09Mima! Mima!
00:09:09Here, here, take this!
00:09:10Thank you!
00:09:12How are you waiting?
00:09:12I'm always watching Mima's room!
00:09:14Yuck, this cheese has gone bad already.
00:09:44I'm sorry, I forgot to feed you yesterday.
00:09:59The earthquake that happened in the B.A. area flattened a number of towns throughout the region.
00:10:16The government reports 200 dead, but the total number of victims is yet to be determined.
00:10:22But many more of them still remain missing amid the rubble.
00:10:25Authorities have called in troops for rescue operations, however, because the area is getting dark and obtaining any source of light will be a problem.
00:10:33The full operation will have to be done in the long run.
00:10:35Well done, guys.
00:10:37Thanks for all the work and good times.
00:10:40Bye-bye, Mima the Pop Idol.
00:10:41Sing for us forever.
00:10:53Guess I can't do that.
00:10:57Huh?
00:10:59I always like looking into Mima's room.
00:11:06I'm linked with you.
00:11:07I've put up a link to Mima's room.
00:11:10What the heck?
00:11:11Huh?
00:11:12It did end up taking two paramedics to help the woman out of the car.
00:11:15She was unhurst, but apparently the car did.
00:11:18Now, an entertainer's room.
00:11:22Desperate to find a new star.
00:11:24Hello?
00:11:27Mima, honey, you're home.
00:11:29Oh, it's you, Mom.
00:11:31Yeah, I'm doing fine.
00:11:33How are you doing?
00:11:35You did?
00:11:37Really?
00:11:39Yeah, today was the last one.
00:11:41No more singing.
00:11:42What are you saying?
00:11:44You always said you wanted to be a singer.
00:11:45I told you, Mom.
00:11:47I'm going to be an actress.
00:11:49Honey, we have all been waiting for your new single.
00:11:52Not to mention your uncle over in Yamaguchi said he'd buy 20 copies.
00:11:55Do you realize that?
00:11:56You just don't understand how this industry works, Mom.
00:12:00Well, I do understand that singing is what you do best.
00:12:03Mom, the pop idol image is suffocating me.
00:12:06Besides, today pop idols are...
00:12:08Oh, wait.
00:12:10Another call.
00:12:10It reports that over the last seven years, the number of...
00:12:13Kirigoye residence.
00:12:15Hello?
00:12:19Hello?
00:12:19Hello?
00:12:22Wrong number.
00:12:25Uh-uh.
00:12:26They didn't say anything.
00:12:29Yeah, I know what you mean.
00:12:31Oh, wait a minute.
00:12:32The bath.
00:12:33Call me back in five minutes.
00:12:35Oh, Mother, can't you just wait one minute?
00:12:45A fax?
00:12:47Who's it from?
00:12:48Excuse me, who are you?
00:13:15Excuse me, who are you?
00:13:19Excuse me, who are you?
00:13:22Could you please bring me into these repairs, Kate?
00:13:24A little bit...
00:13:25Bring it in.
00:13:25Bring it down.
00:13:27Must have been the first take.
00:13:28They're both good.
00:13:32There's a Fresnel that's out.
00:13:33No, I'll stay right up there.
00:13:34That's number five.
00:13:35Then I just need you to be out.
00:13:36Bring in number five.
00:13:37What do you think, Rumi?
00:13:39Do you know what it means?
00:13:40No.
00:13:41Right here.
00:13:42Uh-uh.
00:13:44Uh-uh.
00:13:45Uh-uh.
00:13:45It's just a website.
00:13:48Somebody took it off the internet.
00:13:50Oh, that's really popular lately.
00:13:53Huh, so what's it mean?
00:13:54Hmm, how can I describe it?
00:13:57It's kind of like networking by using the computer.
00:14:00Yeah, and?
00:14:01Well, it looks like this person, whoever it is,
00:14:04put up a link to Mima's room, which is the title of the website.
00:14:08That makes sense?
00:14:10Hmm, that one bit.
00:14:11All right, sorry to keep you waiting.
00:14:14We're ready for the next take.
00:14:23Don't make me laugh.
00:14:25But I like to hear you laugh.
00:14:28Five seconds.
00:14:30Four, three, two.
00:14:32The murder victim, Rika, her younger sister is here.
00:14:37Would you like to see her?
00:14:38Mr. Yamashiro.
00:14:41Yes?
00:14:42Tell me, do you have any idea why the culprit peels off the skin of his victims?
00:14:47Uh, I assume he gets sexual stimulation from such activities.
00:14:52He wants to become one.
00:14:54Forgive me.
00:14:55Become what?
00:14:55A woman.
00:14:58Or perhaps.
00:15:00Ah, cut!
00:15:02Ah!
00:15:03Eri Ochiai is a great actress after all.
00:15:06She's a different person, so completely involved when the camera's rolling.
00:15:10That's good!
00:15:11Okay, scene 32.
00:15:15Hey, Rika's sister, we're ready for ya!
00:15:18Here?
00:15:21Hold this.
00:15:22You nervous?
00:15:23A bit.
00:15:24Hmm.
00:15:24She only has one line.
00:15:31What's she nervous about?
00:15:34Well, how's our star actress so far?
00:15:37Mr. Tadokoro, she's going on now.
00:15:44Excuse me, who are you?
00:15:46Excuse me, who are you?
00:15:47Excuse.
00:15:48Excuse.
00:15:52You see?
00:15:53That's what I mean.
00:15:54You believe it?
00:15:59Man, I'm exhausted.
00:16:00Man, I'm exhausted.
00:16:02Hey, Rika, let's get me.
00:16:04Do you have the guys in chat?
00:16:05Bring that in quick, quickly, quickly.
00:16:07Okay.
00:16:10Let's get moving.
00:16:11Come on.
00:16:11I'm ready to go.
00:16:15All right, everybody.
00:16:17All right, let's get this going quickly now.
00:16:18Hey, can I get an apple box over here?
00:16:20You got it.
00:16:20A cup of coffee.
00:16:22Good morning.
00:16:24Good morning.
00:16:25Well, hello, everyone.
00:16:26Ah, good morning.
00:16:28Mr. Shibuya, you decided to come.
00:16:30Hi, Eddie.
00:16:30How's it going?
00:16:31How's my script holding out for you?
00:16:33Hmm, your words are so difficult, Mr. Shibuya.
00:16:35I think I'll have to quit.
00:16:37Eddie, please don't say that.
00:16:39Oh, it's the best.
00:16:40I just love it.
00:16:42You've really outdone yourself.
00:16:44Oh, you little devil, you.
00:16:45Eddie, darling, I have these fan letters.
00:16:48They were sent to the station.
00:16:49They're all for you.
00:16:50Oh, thank you, Mr. Tajima.
00:16:52Kuro?
00:16:55Oh, this one's not for you.
00:16:58Well, keep up the good work.
00:16:59I'm back to mine.
00:17:01So, Mr. Shibuya, you have to tell me
00:17:03who ends up being the criminal.
00:17:05Sorry, can't tell you.
00:17:06That'd spoil all the fun.
00:17:10So what are you going to do about the criminal?
00:17:13You're running out of time.
00:17:14You've got to make a decision soon.
00:17:16Hmm.
00:17:18Good morning, Mr. Tajima.
00:17:20Mr. Shibuya, how's everything going?
00:17:22Huh?
00:17:23How's everything?
00:17:24Ah, hello there.
00:17:26Everyone tells me that Mima's doing great.
00:17:28Well, if that's the case, don't you feel that she's not doing enough?
00:17:33Did you hear that, Shibuya?
00:17:35Hey, don't look at me.
00:17:36It's not my decision.
00:17:37Help me out here.
00:17:39Please, would you?
00:17:40Try and make use of Mima just a little bit more.
00:17:44Ah, she's a pop idol, understand?
00:17:46They're just so hard to use.
00:17:48No problem.
00:17:49It's easy.
00:17:50She's done with being a pop idol.
00:17:52Really?
00:17:52We also want to give her a drastic image change.
00:17:56We're ready for the take.
00:18:00Almost forgot.
00:18:01This is for Mima.
00:18:03Your hair is like shining in the light.
00:18:05It's very pretty.
00:18:06Excuse me, who are you?
00:18:08Excuse me, who are you?
00:18:09Five seconds.
00:18:10Excuse me.
00:18:11Four, three, two...
00:18:16Mr. Tadakaro!
00:18:22Oh, my God, what happened?
00:18:26Mr. Tadakaro!
00:18:32I'm all right.
00:18:34What in the hell was that?
00:18:37I think that the letter just exploded.
00:18:39Call an ambulance!
00:18:40Quick!
00:18:41Got it!
00:19:10Okay, we're all set now.
00:19:14Rumi, you're so amazing!
00:19:16Thank you!
00:19:17And now I'll sign you up for online services, okay?
00:19:20Okay!
00:19:21Oh, Rumi, I was just wondering about...
00:19:25About what?
00:19:26About the other day.
00:19:28Oh, that?
00:19:30Okay.
00:19:31Credit card number...
00:19:33Don't you think we should have at least let the police know about it?
00:19:38Mr. Tadakaro said not to.
00:19:40He doesn't want us to do anything about it.
00:19:43But it was...
00:19:44I mean, a crime was committed.
00:19:46And if you think about it, I could have been the one who opened that letter.
00:19:50Everything's okay now.
00:19:51It was just a prank.
00:19:52Fortunately, Mr. Tadakaro wasn't badly hurt,
00:19:55so you shouldn't worry about it anymore, Mima, all right?
00:19:57Now I have to explain this all to you, so listen carefully.
00:20:02Okay.
00:20:03This is a browser for the World Wide Web.
00:20:06You launch it by double-clicking here.
00:20:09What?
00:20:10Double-clip?
00:20:11What are you going to do with a clip?
00:20:13I thought that's what you said.
00:20:14No, see, at the location here, you enter the URL.
00:20:18It's really not that difficult to understand.
00:20:20Oh, Rumi, come on!
00:20:22Will you please explain it to me in English?
00:20:25Oh, boy.
00:20:26Whatever gave you the idea to buy a computer anyway?
00:20:29Because they said it was easy.
00:20:32All right.
00:20:33I'll explain it from the beginning once more.
00:20:35Okay.
00:20:44H-T-T-P.
00:20:52Oh!
00:20:53Something came up!
00:20:55Hey, I'm not so bad at this.
00:20:58Now let's see.
00:20:59Hmm.
00:21:00There it is!
00:21:05It was just terrible.
00:21:11I screwed up the choreography and forgot my lyrics.
00:21:13I feel so sorry for all my fans.
00:21:16This morning when I got off the train,
00:21:18left foot first,
00:21:19all the bad stuff started.
00:21:20I always make it a point that my right foot goes first into the train and into the bath.
00:21:28Somebody sure knows me!
00:21:29What's this?
00:21:30Today was my 21st birthday.
00:21:33Yukiko, Ray, and the staff at the agency held a party for me.
00:21:36It was terrific.
00:21:37Coming home, I went grocery shopping at the usual store.
00:21:40I bought myself mineral water and milk.
00:21:43I get the best water, and the milk just has to be cow brand.
00:21:46I have to allow myself at least that luxury.
00:21:50And of course I get the right brand of food for my precious fish, the kind they like.
00:21:56May 12th, I was impressed with Eddie Ochiai's performance in Double Bind.
00:22:00She becomes another person when the camera is rolling.
00:22:04Where did this come from?
00:22:06How do they know so much?
00:22:08Excuse me, who are you?
00:22:23Excuse me, who are you?
00:22:26Excuse me, who are you?
00:22:28Dr. Asamiya, specializing in psychiatry.
00:22:32I was your sister's psychiatrist. I'm very sorry this happened.
00:22:36However, there are some things I'd like to ask you.
00:22:38Detective Yamashiro, another one.
00:22:41What?
00:22:58This looks like the fifth victim.
00:23:07Just three shots of her?
00:23:11Do you really think this is worth it for her to leave Cham? Do you?
00:23:16Rule me, darling. Do you know how much work it is in getting a recurring role in a series?
00:23:22I understand all that. However...
00:23:25This is when Mima proves herself.
00:23:29She's very close to establishing credibility as a real actress.
00:23:32Right. But we should be selling Mima as a pop idol.
00:23:36Yeah, come on. Times have changed since Rumi Hidaka was a working pop idol.
00:23:41I know that.
00:23:42Nowadays, there are no places for pop idols to appeal to the masses.
00:23:46This is the turning point that'll decide if Mima lasts or not.
00:23:49Well, excuse me, sir, for not surviving.
00:23:51Please, Rumi. There'd be nothing better than for her to be an actress and become a star.
00:23:57She came all the way to Tokyo to make it as a singer.
00:24:01Rumi, stop and think about it. On record sales, we make practically nothing. It'd be fine if she could sell more.
00:24:09Well, you know, I do agree with you. I wish they'd start using her a bit more.
00:24:13Sorry, we're not that profitable.
00:24:16Good morning!
00:24:17How's a new jam coming along?
00:24:20Hmph.
00:24:39It was totally worthless. Did you see it?
00:24:43Double-bind. Yeah, I saw it.
00:24:46It's boring!
00:24:48Do all the psycho thrillers made in Japan turn out that way?
00:24:53Mimorun wasn't even in it.
00:24:55Yeah, she is.
00:24:56How many scenes was she in last week? Four?
00:24:58No, it was only three.
00:24:59Yeah.
00:25:00Will somebody save Mimorun? Please?
00:25:02Hurry up! The train's coming!
00:25:19I know. I'm just gonna get a newspaper.
00:25:26Excuse me.
00:25:29Come on, keep it moving now.
00:25:49Mom, I'm here!
00:25:55Go for a run and stay.
00:25:56Hey, it's Mimorun.
00:26:13Good morning, Mimorun.
00:26:15Hey, Mimorun.
00:26:17Hey, wait! Mimorun!
00:26:18Ah. Do they all get unfriendly when they become actresses, or what?
00:26:23Hurry up!
00:26:24Good morning, everyone!
00:26:44Good morning, Mimorun!
00:26:52Good morning, everyone.
00:26:54Good morning, Mima.
00:26:55Cheers, everyone.
00:26:57Cheers!
00:27:02What's going on?
00:27:03Cham's new single.
00:27:04They're celebrating.
00:27:05Look.
00:27:06Wow, they got 83rd.
00:27:08I can't believe it.
00:27:09That's great.
00:27:11We three never even made the charts before.
00:27:13One, two, three!
00:27:18Congratulations!
00:27:19We did it!
00:27:22Now we're going to have to work really hard.
00:27:24But what about the audience?
00:27:26Will there be anyone there?
00:27:28Of course there will be, Mima.
00:27:32Here's your next script.
00:27:33It has a few more lines in it.
00:27:36Oh.
00:27:37You've done great, both of you, really.
00:27:40Cham's doing great as a duo.
00:27:41What can I say?
00:27:49Excuse me.
00:28:00Are you currently represented by an agent?
00:28:02I'm sorry.
00:28:03I'm in a hurry.
00:28:04Oh.
00:28:06Come on now.
00:28:07Wouldn't you be interested in becoming a model?
00:28:09You sure do have the look for it.
00:28:11A model?
00:28:13Cut!
00:28:14She's so pretty.
00:28:21Okay, everybody.
00:28:22Let's move.
00:28:23Set up for the next scene.
00:28:26All right.
00:28:27Next set up.
00:28:28Hey, who's that girl?
00:28:30I'm not sure.
00:28:33Oh, hey, Shibuya.
00:28:35I saw next week's script.
00:28:37You did a great job.
00:28:38It looks absolutely marvelous.
00:28:40I didn't expect any of that.
00:28:42Wait till you see.
00:28:44It gets even better after that.
00:28:46I'm sure.
00:28:47But I'm beginning to wonder
00:28:48if our darling Mima can handle that sort of thing.
00:28:52Or better yet, her agency.
00:29:02Mima's character, Yoko Takakura,
00:29:04completely changes personalities
00:29:06when she's raped by the customers
00:29:07at a local strip show.
00:29:09A rape scene?
00:29:10You have got to be out of your mind.
00:29:12It's pivotal, Rumi.
00:29:13She's the key figure in the second half.
00:29:15Pivotal?
00:29:15Mima is a pop idol.
00:29:18Don't worry, Mima.
00:29:19It'll be all right.
00:29:20We'll talk to the producers
00:29:21and we'll get it changed.
00:29:23Wait, wait, wait a minute.
00:29:24The scripts are behind schedule as it is
00:29:27and the art crew is getting antsy
00:29:28just sitting around.
00:29:29I mean, how will it look
00:29:30if we start complaining now?
00:29:32I just told Shibuya
00:29:33that she was pulling out
00:29:34from the pop idol scene.
00:29:35Will you stop already?
00:29:36It's our job to protect
00:29:37the celebrities in our agency.
00:29:38There is absolutely no way
00:29:40Mima can do such a thing.
00:29:41It's all right, Rumi.
00:29:43I'm an actress now.
00:29:45I've made that decision,
00:29:46so now that's what I'm going to do.
00:29:48Mima!
00:29:49Mima, fabulous.
00:29:51This kind of thing is commonplace
00:29:52for actresses.
00:29:53Jodi, what's her name?
00:29:55She had to do it, right?
00:29:56Mima, dear.
00:29:57Please, think it over.
00:29:58Do you realize what will happen?
00:30:00It's not as if they're really
00:30:01going to rape me or anything,
00:30:03although I'm sure my parents
00:30:05will flip when they see me like that.
00:30:09Anyway, Rumi, I'll do it.
00:30:10I have to give it my best shot.
00:30:14Mima.
00:30:17What a long day.
00:30:19No, I don't know.
00:30:21I'm just going to go to sleep.
00:30:23So, did you check out this article
00:30:25on the computer?
00:30:26I absolutely refuse to do it.
00:30:50How's my director doing?
00:30:52How's the set coming along?
00:30:54I'd prefer to shoot in a real club,
00:30:56but considering what we're filming,
00:30:58no one will let us shoot
00:30:59in their place.
00:31:00Ah, I'm tired.
00:31:02Please, I'm counting on you.
00:31:05Hey, hey, hey.
00:31:06Come on, Yada.
00:31:08What are we doing
00:31:08about our next meeting?
00:31:10We're running out of time here.
00:31:11All we have is a date.
00:31:12You ready to do this?
00:31:13That doesn't make much of a meeting.
00:31:14Yes, I am.
00:31:15Okay, everybody.
00:31:19She's really young.
00:31:20We're ready to roll.
00:31:26Quiet.
00:31:28Scene 48.
00:31:29The manager gets dragged down.
00:31:31Take one.
00:31:33Ten seconds.
00:31:38Five, four, three, two.
00:31:42Yeah, looking good.
00:32:05Not half bad for an ex-pop, either.
00:32:07Get out of here, I'll call the police.
00:32:15You think I'd give a shit about the cops?
00:32:17Get your hands on me.
00:32:18Get off.
00:32:18Get off.
00:32:19No, I'm not.
00:32:20Hey, come on, Lee.
00:32:21Come on, Lee.
00:32:21Come on, Lee.
00:32:22Come on, Lee.
00:32:22Come on, Lee.
00:32:23Come on, Lee.
00:32:23Come on, Lee.
00:32:24Come on, Lee.
00:32:25Come on, Lee.
00:32:26Let me go.
00:32:28Let me go.
00:32:29Come on, Lee.
00:32:30Help me.
00:32:35Somebody help me.
00:32:36Over there.
00:32:50Hold your blazes.
00:32:55Okay.
00:32:56Everyone, we have to move the cameras.
00:33:01I'm really sorry.
00:33:03Oh, no.
00:33:04It's all right.
00:33:04Right, next up, the rape scene.
00:33:07Everyone get ready.
00:33:09Take one.
00:33:10Rolling!
00:33:12No, you've got to get there faster.
00:33:35Sorry, sir, it jammed.
00:33:37Once again, from the top.
00:33:39Okay, guys, can't break yet.
00:33:41Ready?
00:33:42Take two.
00:34:09Ready?
00:34:11No!
00:34:12No!
00:34:13No!
00:34:14No!
00:34:15No!
00:34:16No!
00:34:17Huh?
00:34:18No!
00:34:19No!
00:34:20Please, no, no!
00:34:22No!
00:34:23No!
00:34:24No, no!
00:34:25No! Please don't, don't!
00:34:28No!
00:34:55No! No! No!
00:34:59No! No!
00:35:01No! No!
00:35:04No!
00:35:20I'm so tired.
00:35:23I haven't seen Rumi. Where is she?
00:35:28Hmm?
00:35:29Uh, she had a meeting to go to.
00:35:33Hey, Mima, I... you know...
00:35:39Hmm?
00:35:42It's okay. Why don't I just treat you to a delicious meal, cause you've been working so hard.
00:35:46I'd love it!
00:35:53I'm home, fishies!
00:35:57I wonder if you're hungry yet?
00:36:01Hmm?
00:36:03Huh?
00:36:04Huh?
00:36:05Hmm?
00:36:06Hmm?
00:36:07Hmm?
00:36:09Hmm?
00:36:10I'm home, fishies!
00:36:11Hmm...
00:36:12Oh, I wonder if you're hungry yet?
00:36:14Hmm?
00:36:16Huh?
00:36:17Huh?
00:36:18Huh?
00:36:19Huh?
00:36:20Huh?
00:36:21Yoo-hoo!
00:36:22Huh?
00:36:24Huh?
00:36:25Huh?
00:36:26Huh?
00:36:27Ah?
00:36:28Ah?
00:36:29Ah...
00:36:31Ah...
00:36:32Ah...
00:36:33Ah...
00:36:34Oh, my God.
00:37:04Of course, I don't want to do it, but I didn't want to tell them that.
00:37:08All those people have done so much for me.
00:37:12See? Didn't I tell you?
00:37:15Is that really the job that you wanted?
00:37:17It's the pit.
00:37:34I don't want to do that drama anymore.
00:37:37The producer is a total pervert, and my role is really screwed up.
00:37:41I have to say singing in front of my fans is my favorite thing.
00:37:44Yep. That particular scene?
00:38:00Of course, I would be lying if I said I didn't have any hesitations.
00:38:03But I see it as a hurdle I had to get over as an actress.
00:38:06I heard the ratings went up.
00:38:12As always, the public at large are all a bunch of idiots.
00:38:15Yes. I'd like to be recognized as an actress.
00:38:18And not as an ex-pop idol?
00:38:20That's right.
00:38:21I'm fine with it because Rey was always the one I liked.
00:38:25Although, all the Miminen fans are totally upset.
00:38:28But being with Cham did teach me a lot.
00:38:30It was a great experience in its own way.
00:38:35Yeah, totally.
00:38:36Probably whining, Matt's not Miminen.
00:38:55In so many words, tell us what your day was like.
00:38:58Today I was still a little depressed, but receiving e-mail from all of you made me feel a little better.
00:39:05I have e-mail?
00:39:06June 24th. Please help me. Everyone is...
00:39:09Huh?
00:39:11Everyone is forcing me to do it. It's all the screenwriter's fault.
00:39:15Huh?
00:39:17What?
00:39:18This isn't true! I didn't write this!
00:39:21Of course you didn't.
00:39:22The real Mima is writing this.
00:39:25Huh?
00:39:25I know that deep down in your heart, you want to be a pop idol again.
00:39:30No!
00:39:31It's not true! I'm no longer...
00:39:34No longer what?
00:39:36Oh, yeah, that's right. You're no longer a pop idol.
00:39:39You're a filthy woman now, like a slut.
00:39:42No one likes a pop idol with a tarnished reputation.
00:39:46It's not true! It's not!
00:39:48You won't be able to step back into that spotlight now.
00:40:01It's all right. You don't have to worry. I'm here.
00:40:06From now on, I'll be in the light and you'll be in the shadows.
00:40:09What are you saying? Who in the hell are you?
00:40:16Nobody cares for you anymore.
00:40:18You're tarnished, Dan. You're filthy!
00:40:20Stop it! Stop it! I have not tarnished!
00:40:26Wait!
00:40:27No!
00:40:29Wait!
00:40:29Wait!
00:40:32Wait!
00:40:40Wait!
00:40:41Wait!
00:40:44Wait!
00:40:47Wait!
00:40:50Wait!
00:40:50Wait!
00:40:51Wait!
00:40:52Wait!
00:40:52Wait!
00:40:53Wait!
00:40:56Wait!
00:40:56Wait mae ela duu...
00:40:57Yêu ihr Cháfaux!
00:40:59What the?
00:41:29Hello, is anyone there?
00:41:44Hmm?
00:41:54Huh?
00:41:59Oh, my mom.
00:42:01Oh.
00:42:05Oh.
00:42:07Oh.
00:42:09Oh.
00:42:13Oh.
00:42:15Oh.
00:42:17Oh.
00:42:19Oh.
00:42:23Oh.
00:42:25Oh.
00:42:57It happened somewhere near 1 o'clock this morning.
00:43:02Hey, buddy.
00:43:03I called you last night and you weren't in.
00:43:05Oh, shit, you guys.
00:43:07How'd you know?
00:43:09So did you check it out?
00:43:10Mima's room?
00:43:11Yeah.
00:43:12But is that really her?
00:43:14No clue.
00:43:15According to that ad, Mimarin's going to be on stage today.
00:43:18No way!
00:43:20Police say Shibuya was stabbed multiple times with a sharp object,
00:43:23including his eyes and 65% of his body.
00:43:25Police sources at this time have not yet indicated...
00:43:28It's extremely shocking what happened,
00:43:30but our worrying about it won't do any good.
00:43:32We have to put it behind us.
00:43:34But then, there was also the letter bomb.
00:43:36What about that?
00:43:37Come on, Mima.
00:43:39Do you honestly think that Shibuya's murder can be connected with that?
00:43:42I'm not sure what I think anymore.
00:43:45You watch too many TV shows.
00:43:47Now don't you worry about it.
00:43:49You won't become a star looking like that.
00:43:52Smile, okey-doke.
00:43:54Mm-hmm.
00:43:55Shibuya won the New Writer's Prize in 1990.
00:44:01Serves?
00:44:02You write.
00:44:03Serves?
00:44:03Me?
00:44:13Hey, move it, Mimarin!
00:44:15Mima!
00:44:15Get off the road!
00:44:17What's wrong?
00:44:17I was wondering, do you think Mima's gonna be all right?
00:44:26Yeah, why?
00:44:27Well, that photographer, he's known for getting people to strip.
00:44:30So what?
00:44:31She doesn't care.
00:44:32I'm sure she can't wait to take it off.
00:44:34In front of the photographer and everyone, like, totally,
00:44:37I'm here!
00:44:39Isn't it time you girls get ready?
00:44:40Stop fooling around.
00:44:41All right.
00:44:42Oh, I like that expression.
00:44:53Try running your fingers through your hair.
00:44:55That's it.
00:44:55Hold it right there.
00:44:57You look beautiful.
00:44:58Yeah, just like that.
00:45:07Part your lips a little.
00:45:08Nice.
00:45:09Now let's take the top off.
00:45:10I'm going to take this year just as it comes.
00:45:21I'm making plans.
00:45:22I'm going to have fun.
00:45:24My feelings of love have faded away right now.
00:45:32I don't want to read it in a book.
00:45:36This is me.
00:45:38Why don't you take a look?
00:45:40That's what makes life for me.
00:45:42Life changing all the time.
00:45:44I'll have fun today.
00:45:46Living on my own now.
00:45:55I thought you decided to go through with this.
00:45:58Everyone is out here waiting for you.
00:46:01Come on, Mima.
00:46:03See?
00:46:04Didn't I tell you?
00:46:05You didn't believe me.
00:46:07You were better off as a pop idol.
00:46:09I was right, huh?
00:46:10Hey, Mima.
00:46:11Are you listening?
00:46:12Stop all this nonsense.
00:46:14Please tell me who you are.
00:46:16Who, me?
00:46:17I am a pop idol.
00:46:19The fans are all waiting.
00:46:21So I decided I'm going to sing with Rei and Yukiko again.
00:46:24No, I'm not.
00:46:26I'm an actress now.
00:46:28Don't be stupid.
00:46:30No one really wants that.
00:46:32Wait.
00:46:33This is what everyone really wants.
00:46:36I'm okay on my own right now.
00:46:40I've found a lonely place.
00:46:42So I've been built by myself all along.
00:46:45Oh, can you try?
00:46:47When I see my changing mood playing fire, you can fill my heart.
00:46:53I'm okay on my own right now.
00:46:56I've found a lonely place.
00:46:58So I've been built by myself all along.
00:47:04Everyone, thank you.
00:47:06I've been built by myself all along.
00:47:07I've been built by myself all along.
00:47:08I've been built by myself all along.
00:47:09I've been built by myself all along.
00:47:10I've been built by myself all along.
00:47:11I've been built by myself all along.
00:47:12I've been built by myself all along.
00:47:13I've been built by myself all along.
00:47:14I've been built by myself all along.
00:47:15I've been built by myself all along.
00:47:16I've been built by myself all along.
00:47:17I've been built by myself all along.
00:47:18I've been built by myself all along.
00:47:19I've been built by myself all along.
00:47:20I've been built by myself all along.
00:47:21BESTERDS!
00:47:51Hey, what are you doing?
00:47:55Hey, what's going on?
00:47:57Hey, come here.
00:47:58Did you read the new genre?
00:48:00I haven't seen it.
00:48:02I tried to get through some of the songs.
00:48:04No, it was a key time.
00:48:06Well, I've heard some great things.
00:48:21You believe me, right?
00:48:31She's just an impostor.
00:48:33It's not me.
00:48:39I trust you, Mr. Ramania.
00:48:42I'll always be with you and I'll never change.
00:48:45Not a bit, but I have a problem.
00:48:48It's that impostor. She keeps getting in my way.
00:48:51I don't know what to do.
00:48:59Mr. Ramania, thank you very much.
00:49:05You're the only one I can depend on.
00:49:18Oh, God. I don't know anything about myself anymore.
00:49:23Well, I wouldn't be so sure about that.
00:49:25How do you know that that person you were a second ago
00:49:28is the same person you are now?
00:49:30Huh?
00:49:31A continuous stream of memories.
00:49:33Given only that, we create the illusion within ourselves
00:49:36saying that we have only one fixed persona.
00:49:39Doctor, I'm really afraid.
00:49:41I'm scared that the other self will do something terrible
00:49:43that I don't know about. Something out of my control.
00:49:47It's all right.
00:49:48There is no way illusions can come to reality.
00:49:57Cut!
00:49:59What is it, Mima? What's wrong?
00:50:01I'm sorry, sir.
00:50:03Oh, this rain.
00:50:04Oh, I'm gonna catch a cold.
00:50:07I'm so sorry.
00:50:16Get those lights! Hurry up, everyone!
00:50:19Wrap it up, everyone!
00:50:20Come on, please.
00:50:21Come on, please.
00:50:26Hey, everybody.
00:50:27It's pouring really badly outside,
00:50:29but your hearts are like always sunny.
00:50:31Well, I think we're ready now.
00:50:32Welcome to...
00:50:33Ray and Yukiko's Idol Chanland!
00:50:40Mr. Tadakoro?
00:50:42I'm sure they're on the air now.
00:50:44I thought you'd like to see them.
00:50:49We're going to have our next show this Sunday.
00:50:51It's gonna be held at Ibaragi Sim City
00:50:53at 2 o'clock in the afternoon.
00:50:55How's it going?
00:50:56Doing fine. Just thought I'd drop by.
00:50:58We'll be waiting for you.
00:51:01Chanland will be back next week at the same time.
00:51:04Till then...
00:51:05One, two...
00:51:06Bye-bye!
00:51:07Good show, guys.
00:51:10Huh?
00:51:11Hey, it's Mima!
00:51:12Hey, it's Mima!
00:51:16Mima?
00:51:29Mima?
00:51:30NOOO!!!
00:51:31are you okay?
00:51:32Are you okay?
00:51:46Wait!
00:51:50Who are you?
00:51:51I told you. Can't you tell? I'm the real Mima.
00:52:21I'm the real Mima.
00:52:23I'm the real Mima.
00:52:25I'm the real Mima.
00:52:35In other news, today the Economic Planning Agency announced a New Citizens Life Index
00:52:40that would indicate the overall Japanese standard of living and the individual's wealth.
00:52:47It feels like I haven't seen you in a long time.
00:52:50Well, I've been very busy lately.
00:52:52So, tell me, are you getting used to acting?
00:52:55Mm-hmm. It's hard, but I guess it's what I decided to do.
00:53:00You have become such a mature woman.
00:53:03And that's just great. Everyone seems to like the new Mima.
00:53:08Yeah.
00:53:11Well, it doesn't look like you agree.
00:53:14Um, Mima, what is it? Are you being harassed by someone?
00:53:18I've been checking out your website. It's a bit much.
00:53:23You change your image a little bit, and they complain.
00:53:27I think it's better if you don't look at it.
00:53:29Yeah.
00:53:30But maybe she is more like me than myself.
00:53:33Mima?
00:53:34My other self that I've now buried deep inside my heart.
00:53:38What if... what if that other personality started acting out on its own?
00:53:42It's all right. There's no way illusions can come to life.
00:53:46Rumi!
00:53:47Cut!
00:53:48Mima, dear. What the hell are you saying?
00:53:51Uh...
00:53:53I feel like I'm gonna have nightmares about this line.
00:53:56I'm sorry again.
00:53:57What is it?
00:53:58Uh... nothing.
00:53:59What is it?
00:54:00Uh... nothing.
00:54:03Once more from the top.
00:54:05All right, take two!
00:54:06Uh...
00:54:09In other news, today the Economic Planning Agency announced a New Citizens Life Index
00:54:18that will indicate the overall Japanese standard of living and the individual's qualities.
00:54:20All right, take two!
00:54:25In other news, today the Economic Planning Agency announced a New Citizens Life Index
00:54:30that will indicate the overall Japanese standard of living and individual level.
00:54:37It's been a while, Rumi.
00:54:40What are you talking about, Mima? I was just here yesterday.
00:54:44What was yesterday? Was all that real?
00:54:48What? Now that's weird.
00:54:53Mima, what's wrong with you?
00:54:55Oh my god, you're bleeding!
00:55:01This blood, Rumi, is it real?
00:55:04Mima...
00:55:18I guess I went to Harajuku today.
00:55:22You mean the murderer is just an illusion that she has simply created?
00:55:35Yes.
00:55:36She fears an imaginary security guard and then superimposes that figure as a serial murderer of people that she has been affiliated with.
00:55:43But, doctor, there's no way illusions can kill a person.
00:55:48I know.
00:55:49But what if that illusion had possessed someone?
00:55:52Well, possessed?
00:55:54You mean all those men that got murdered?
00:55:56Were those that no longer had any use to her.
00:56:01Find her quickly, Mr. Yamashiro.
00:56:03Before it's too late and another victim falls prey.
00:56:06Hm?
00:56:11How much is it?
00:56:12Hey.
00:56:17You sure are a weird pizza guy.
00:56:19Ah!
00:56:30Ah!
00:56:31Oh!
00:56:37Ah!
00:56:40Ah!
00:56:42Ah!
00:56:46Ah!
00:56:48Ah!
00:56:48Ah!
00:56:48Come on, baby, be more daring, that's it.
00:57:18All right, take three!
00:57:46Hello?
00:57:48Are you all right over there?
00:57:50I don't know.
00:57:51You haven't heard yet?
00:57:52What happened to Murano?
00:57:56No, it can't be.
00:57:58Police say that Murano died of multiple stab wounds to 75% of his body.
00:58:02Not Mr. Murano!
00:58:03No!
00:58:03It's complete chaos over here.
00:58:05That is not the point.
00:58:06We have nothing to do with it.
00:58:07All right, I know now that you're okay, but you stay put till I get there.
00:58:10The weapon used in the latest murder is said to closely resemble the one used in last week's killing of a popular screenwriter.
00:58:17Police are considering a personal grudge as the motive, and are looking into the connection between the two cases.
00:58:21There are also reports of the suspicious murder of the people who made the last night.
00:58:26...
00:58:36...
00:58:42That's her! Miss Kirigoe, please, we'd like to get your statement.
00:58:59Do you know anything about the murder of Mr. Murano?
00:59:01Do you know anything at all, Miss Kirigoe?
00:59:02Do you believe there's a connection between the killings of Mr. Murano and Mr. Shibuya, the screenwriter?
00:59:06How well did Mr. Murano and Mr. Shibuya know each other?
00:59:08Is it true you had expressed disappointment with the way Mrs. Shibuya had written your part?
00:59:12Is this your life?
00:59:17Hey, you think she's jinxed?
00:59:19Well, you know, what happens twice happens twice.
00:59:21Let's take bets on who's next.
00:59:23Well, you guys cut it out.
00:59:25Don't worry about them.
00:59:28Am I alive? Is this really happening?
00:59:30Huh?
00:59:31Maybe that truck hit me. And all this has been a dream.
00:59:34I just can't make out the difference anymore.
00:59:37Okay, everyone, are we ready?
00:59:40Okay, Mima, you're on.
00:59:49Remember now, you've just killed someone.
00:59:51Breathe harder than you did during the rehearsal.
00:59:53Okay, settle people.
00:59:54Yes.
00:59:55Settling down.
01:00:08And action!
01:00:09Are you awake?
01:00:22You are...
01:00:24Can you tell me what your name is?
01:00:26My name? I'm Mima Kirigoi.
01:00:31Okay, and what do you do?
01:00:33I don't know. Now I'm an actress.
01:00:37That must be really hard work.
01:00:39Yeah, it's really hard, but it's what I've chosen to do.
01:00:43Amazing. She thinks she's some new, young, up-and-coming actress named Mima Kirigoi.
01:00:49Hmm?
01:00:51Dissociative Identity Disorder.
01:00:56In other words, Multiple Personality Syndrome.
01:00:59All those crimes took place when she believed herself to be some other persona, a different personality.
01:01:04So now what? Where's the persona of the original Yoko?
01:01:07Yoko Takakura, the original persona, is nothing more than a made-up character in a drama for her.
01:01:16Being a normal girl, how she was raped in a strip club, everything happened as a part of her own drama series.
01:01:22By doing this, she salvaged her own heart.
01:01:30That's right. I'm an actress.
01:01:34That's a cut!
01:01:37Can you tell me what your name is?
01:01:39My name?
01:01:40I'm Mima Kirigoi.
01:01:44The original persona, Yoko Takakura, no longer exists.
01:01:47By killing and later becoming her sister, the top model, she salvaged her own heart.
01:01:57That's right. I'm a model.
01:02:00All right! That's the take!
01:02:07Well, we did it, Mima.
01:02:15Mima.
01:02:17Mima, good work. I'm so proud.
01:02:20Rumi.
01:02:22As of this moment, everyone, Double Bind is in the can.
01:02:26You did a great job. I'd say that is a wrap.
01:02:28Hey!
01:02:29Yeah!
01:02:30Yeah!
01:02:32Yeah!
01:02:33Mima, you were fantastic. Didn't you think so?
01:02:37She really was excellent, I have to admit.
01:02:39Mima, you were fantastic.
01:02:49Didn't you think so?
01:02:50She really was excellent, I have to admit.
01:02:52And we thank you for that.
01:02:54We'll see you at the wrap-up.
01:02:55See you then. Bye-bye.
01:02:56Okay, then. We'll be talking to you.
01:02:59Well, that's great. Shall we go?
01:03:01Mima, go and get changed.
01:03:09Oh, I'm sorry, doctor.
01:03:19Hey now, Mima, I'm not Toko anymore. Did you forget?
01:03:24Illusions can't come to reality.
01:03:27You can stop dreaming now.
01:03:39What's taking Mima so long?
01:03:49Well, I'm going back to the office. Take Mima home, will you?
01:03:53Uh, Mr. Tadokoro, you were saying something about Mima's next job?
01:03:58Oh, yeah, it's great. A starring role in a video movie.
01:04:01There happens to be a few smutty scenes, but what are you going to do?
01:04:09Ah! Somebody help me! Ah! Ah!
01:04:14Ah! Like anyone can hear you right now!
01:04:19Who are you? Why are you doing this?
01:04:22I'm protecting my dear Mima-rin. What do you think?
01:04:25Protecting? But I'm Mima-rin.
01:04:29No, no, no, no, no, no, damn it!
01:04:33You didn't know I was Mimania.
01:04:35You're just pretending to be Mima-rin.
01:04:36No, stop!
01:04:40No, no, no, no!
01:04:45You tarnished Mima-rin's name, fooling that photographer and screenwriter.
01:04:50With that little mouth of yours.
01:04:53But how can... can it be that you...
01:04:56The real Mima-rin is nice. She emails me every day.
01:05:00And she says you're in her way.
01:05:02Did you kill them? Did you?
01:05:04And you'll die soon, too.
01:05:06You're a bad girl.
01:05:22You have to follow the script!
01:05:24And... take two!
01:05:30Run!
01:05:50Run!
01:05:51Run!
01:06:20Oh, yeah.
01:06:50All right, looks good.
01:07:07All right, let's go.
01:07:10Ready to go.
01:07:12Good job, mother.
01:07:20Mima!
01:07:31Oh, my God, what happened to you?
01:07:36I looked all over for you.
01:07:39Is it you?
01:07:40What in the world has happened here?
01:07:50This can't...
01:07:55Are you sure you weren't just dreaming?
01:08:10Are you all right?
01:08:12We're going back to Mima's room.
01:08:20Rumi, are you here?
01:08:39Yes, what is it?
01:08:40Uh, nothing.
01:08:44I have to call Mr. Tarakoro.
01:08:50I have to call him.
01:09:20No.
01:09:48No.
01:09:49No.
01:09:50This is not my room.
01:09:52Of course not. This is Mima's room.
01:09:57You're...
01:09:58Look, I'm wearing the new costume. Isn't it just fabulous?
01:10:02I'm wearing it at tomorrow's show. Isn't it great?
01:10:06It's perfect on me.
01:10:10But Rumi, why are you...
01:10:13Why is Rumi... Rumi?
01:10:17Oh, it's okay. Rumi went home.
01:10:21She said she worked hard and needed to get some sleep.
01:10:24Don't talk like that!
01:10:26This is a joke, isn't it, Rumi?
01:10:28Your heart goes thump, thump, thump, thump
01:10:30When you're in love, but then it pays off, pays off
01:10:34When you're loved back.
01:10:35What do you think?
01:10:36Perfect, huh? After all, I am a pop idol and a pop idol has to sing.
01:10:40But...
01:10:41You just have to keep getting in my way.
01:10:44Rumi was totally furious, too.
01:10:46No, no, please. Stop this.
01:10:49But you don't have to worry.
01:10:51A pop idol is always protected by her fans.
01:10:53They always listen to any favor that I, Mima, ask them.
01:10:57Although Mr. Mamania failed just a little bit.
01:11:00Mr. Mamania...
01:11:02How do you know him?
01:11:05But it doesn't make any difference.
01:11:07You reap what you sow, especially about you.
01:11:09Oh, boy.
01:11:33Oh, my God.
01:12:03Oh, my God.
01:12:33Oh, my God.
01:13:03Please, Rumi, it is you, isn't it?
01:13:10Wake up!
01:13:11You're the one who needs to wake up.
01:13:13Somebody help me, help me!
01:13:23Help me, help me!
01:13:26Help!
01:13:27Please!
01:13:31Somebody help me!
01:13:33Please!
01:13:34Somebody!
01:13:35Help me!
01:13:39Help me!
01:13:40Somebody!
01:13:42Ah!
01:13:43No!
01:13:44Ah!
01:13:52Let's end all of this.
01:14:12We don't need two Mimas now, do we?
01:14:15I am Mima!
01:14:17That's funny.
01:14:19Mima is a pop idol.
01:14:20And you're just a dirty old imposter.
01:14:23You're the imposter!
01:14:25I'm not gonna take this anymore!
01:14:50No!
01:14:50I'm not gonna take this anymore!
01:14:53No!
01:14:53No!
01:14:54No!
01:14:55No!
01:14:56No!
01:14:57No!
01:14:58No!
01:14:59No!
01:15:00No!
01:15:01No!
01:15:02No!
01:15:03No!
01:15:04No!
01:15:05No!
01:15:06No!
01:15:07No!
01:15:08No!
01:15:09No!
01:15:10No!
01:15:11No!
01:15:12No!
01:15:12No!
01:15:13No!
01:15:14No!
01:15:15No!
01:15:16No!
01:15:17No!
01:15:18No!
01:15:19No!
01:15:20No!
01:15:21No!
01:15:22No!
01:15:23No!
01:15:24No!
01:15:25No!
01:15:26No!
01:15:27No!
01:15:28No!
01:15:29oh shit oh oh man this is serious call the police no call an ambulance I know
01:15:59you
01:16:29Thank you for the pretty flowers you always bring.
01:16:44I'll put them in my room.
01:16:45They're pretty.
01:16:47Very pretty.
01:16:55I didn't know you were here.
01:16:58You must be very busy lately.
01:17:00Uh, no.
01:17:01Once in a while she returns to her roomy personality.
01:17:05I know I'll never see her ever again.
01:17:09But thanks to her, I am who I am today.
01:17:21Oh my gosh, that girl looks just like me, Makira Goy.
01:17:24You're lying. There's no way me, Makira Goy would be here of all places.
01:17:27Well, maybe she's just a look-alike.
01:17:29No, I'm the real thing.
01:17:42I'm sorry, I'm sorry, I'm sorry.
01:18:12All of the swirls in the dress
01:18:17I was hiding in my clothes
01:18:22When I was a kid
01:18:27I took my first love
01:18:33I was in a dream
01:18:36I was in a dream
01:18:39So sweet love
01:18:41I just thought you'd be right there
01:18:48I just thought you'd be right there
01:18:52I've been doing so much for a long time
01:18:58I've been doing so much for a long time
01:19:02I've been doing so much for a long time
01:19:06Altyazı M.K.
01:20:06過ごせる時だけが欲しかったね
01:20:14悲しい時強がる癖だけ
01:20:32治らなくて
01:20:35あの日のままのニューシーズ
01:20:40あなたきっと気づいていたよね
01:20:46黙ったまま見つめてくれた瞳
01:20:54忘れないよ
01:21:03気づいていたよね
01:21:12お願いします
01:21:15明日の動画でお会いしましょう
01:21:21よろしくお願いします
01:21:22You
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