💕 A landmark in cinema history, Becky Sharp (1935) is celebrated as the first feature-length film in full three-color Technicolor, bringing vivid life to William Makepeace Thackeray’s classic tale of ambition, charm, and social climbing.
📽️ Plot Summary:
Becky Sharp (Miriam Hopkins), a clever and ambitious young woman from humble beginnings, uses her wit, beauty, and cunning to rise through British high society during the Napoleonic Wars. From friendships and betrayals to love and manipulation, Becky’s journey is one of dazzling charm and ruthless determination — making her one of literature and film’s most fascinating anti-heroines.
🕰️ Year Released: 1935
🎭 Genre: Historical Drama, Literary Adaptation
🎬 Directed by: Rouben Mamoulian
🎞️ Starring: Miriam Hopkins, Frances Dee, Cedric Hardwicke, Billie Burke
🎯 Why Watch It?
✔️ The first feature-length film shot in three-color Technicolor
✔️ Miriam Hopkins in her iconic, Oscar-nominated role
✔️ A bold adaptation of Thackeray’s Vanity Fair
✔️ Gorgeous period costumes, lavish sets, and groundbreaking cinematography
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more historical dramas & public domain classics!
👇 Explore More Vintage Cinema Classics Here:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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🎞️ #BeckySharp #MiriamHopkins #RoubenMamoulian #Technicolor #VanityFair #classicmovies #fullmovie #1930s #historicaldrama #publicdomain #cinema
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💌✨ Ambition, charm, and scandal — follow Becky Sharp’s rise and fall in the groundbreaking Technicolor classic Becky Sharp (1935)!
________________________________________
📽️ Plot Summary:
Becky Sharp (Miriam Hopkins), a clever and ambitious young woman from humble beginnings, uses her wit, beauty, and cunning to rise through British high society during the Napoleonic Wars. From friendships and betrayals to love and manipulation, Becky’s journey is one of dazzling charm and ruthless determination — making her one of literature and film’s most fascinating anti-heroines.
🕰️ Year Released: 1935
🎭 Genre: Historical Drama, Literary Adaptation
🎬 Directed by: Rouben Mamoulian
🎞️ Starring: Miriam Hopkins, Frances Dee, Cedric Hardwicke, Billie Burke
🎯 Why Watch It?
✔️ The first feature-length film shot in three-color Technicolor
✔️ Miriam Hopkins in her iconic, Oscar-nominated role
✔️ A bold adaptation of Thackeray’s Vanity Fair
✔️ Gorgeous period costumes, lavish sets, and groundbreaking cinematography
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more historical dramas & public domain classics!
👇 Explore More Vintage Cinema Classics Here:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
━━━━━━━━━━━━━━━━━━
🎞️ #BeckySharp #MiriamHopkins #RoubenMamoulian #Technicolor #VanityFair #classicmovies #fullmovie #1930s #historicaldrama #publicdomain #cinema
━━━━━━━━━━━━━━━━━━
💌✨ Ambition, charm, and scandal — follow Becky Sharp’s rise and fall in the groundbreaking Technicolor classic Becky Sharp (1935)!
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Category
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Short filmTranscript
00:00:00.
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59Elizabeth
00:02:00Lines to Amelia
00:02:04Upon leaving Miss Pinkerton's academy
00:02:07Farewell, farewell
00:02:11Sweet friend of childhood years
00:02:15Let sorrow not detain thee
00:02:19Nor our tears
00:02:21Thy wings have grown
00:02:24They seek another nest
00:02:26Oh, I can't
00:02:29I can't
00:02:30Oh, Amelia
00:02:31Oh, Amelia
00:02:34Oh, Amelia
00:02:38Oh, pity for Amelia
00:02:39Now she'll never hear the end of that tender poem
00:02:42Oh, well, there's too much bad poetry in the world anyway
00:02:46But Becky
00:02:47Haven't you a single tear for the years you've spent here?
00:02:50Low, my sweet tears are not expected of charity pupils
00:02:52Oh, no, no tears
00:02:54Humility
00:02:55Gratitude for an education, not very useful
00:02:57But oh, so genteel
00:02:59And curtsies for the leftover food at the second table
00:03:02And the lovely frocks that the other girls would no longer wear
00:03:05Oh, no, Laura
00:03:06No tears
00:03:08We orphans must learn that the luxury of emotion is for our better
00:03:12Miss Pinkerton herself
00:03:15Miss Sedley
00:03:26As you now leave us
00:03:30To return to the polished and refined bosom of your family
00:03:34You depart rich in those virtues and accomplishments
00:03:39Which characterize the young English gentlewoman
00:03:43In music, dancing and orthography
00:03:48You have realized our fondest hopes
00:03:52And in the principles of religion and morality
00:03:55You have proved yourself worthy of this establishment
00:04:00Receive then, dear child
00:04:05This elegantly bound copy
00:04:08Of the illustrious Dr. Johnson's dictionary
00:04:12As a token of my affection
00:04:14A dictionary?
00:04:17Oh, it shall always rest under my pillow
00:04:19No
00:04:19No
00:04:20No
00:04:21No
00:04:22No
00:04:23No
00:04:24No
00:04:26No
00:04:27No
00:04:28No
00:04:29No
00:04:30Miss Sharp
00:04:31The time has come
00:04:33When you go
00:04:34Yes, mademoiselle
00:04:34Je vais vous faire mes adieux
00:04:35Be good enough to respond in the English tongue
00:04:38Oh, dear Miss Pinkerton
00:04:39I'd quite forgotten that you can't understand French
00:04:42For a moment I thought I was talking to my dear dead mother
00:04:45Whose language it was
00:04:47But who could blame me or any of us
00:04:49For thinking of you as a mother
00:04:51Miss Sharp
00:04:52What I meant to say was
00:04:54You are about to go forth into the world alone
00:04:57Unaided
00:04:58To exist by the fruits of your labor
00:05:00I hope you go with a feeling of gratitude
00:05:03For the gifts you have received within these walls
00:05:06Oh, ma'am, what other feeling is possible?
00:05:08Not one of hatred, certainly
00:05:10Not one of wanting to leave this place
00:05:12Or a feeling that you took me because I was useful
00:05:14Mercy, wasn't it a joy
00:05:16Teaching me younger girls music and French
00:05:18And knowing how much money I saved for you
00:05:21Oh, it was, it was
00:05:23Goodbye, then
00:05:24Oh, this dictionary
00:05:27For you
00:05:29Miss Pinkerton
00:05:30Mr. Joseph Sedley, ma'am
00:05:32Enter, sir
00:05:34Joseph
00:05:35Oh, dearest Josh
00:05:39Oh, bless my soul, it must be you, is it?
00:05:42Now, Josh, how many sisters have you?
00:05:43Monsters clever, you to put it that way
00:05:46Monsters clever
00:05:47Welcome to Chiswick, ma'am
00:05:49Your servant, ma'am
00:05:50Your sister's belongings are ready
00:05:52Splendid, Meredith
00:05:53Fetch my sister's trunk
00:05:55And now let us kiss our little friends, Emmy
00:05:57And be on our way
00:05:58Adieu, dear friend
00:06:01My Becky, do you think we must part now?
00:06:03Yes, part
00:06:04Where will you go?
00:06:05What's going to happen to you?
00:06:06Oh, does it matter?
00:06:07Thank heaven you are safely cared for
00:06:09Oh, Becky, permit me, my brother Joseph
00:06:11Your servant, ma'am
00:06:12Who's coming to take you away, darling?
00:06:14The diligence
00:06:15Public conveyance
00:06:17Well, it'll have to do
00:06:18I've no gallant brother to claim me
00:06:20But my four horses claim you
00:06:22That are waiting outside
00:06:23Miss Sharp's travelling arrangements
00:06:25Have already been made
00:06:26What is your destination?
00:06:29Well, I have no destination
00:06:30Not until I find a home
00:06:32Or a room, a garret
00:06:33Any pillar to lay my head upon
00:06:35Amelia, is this true?
00:06:36Not a pillar to her name?
00:06:38No, it isn't true, no longer
00:06:39Becky, you're coming home with me
00:06:41Until you find suitable employment somewhere
00:06:43No, no, I mustn't burden you
00:06:45Oh, you angel
00:06:47Huzzah!
00:06:48I shout huzzah!
00:06:50My man will see to your trunk presently
00:06:52I feel it my duty to warn you
00:06:54I can't abandon her
00:06:55She has nobody
00:06:56Nobody
00:06:57Goodbye, Miss Pinkerton
00:06:59Goodbye
00:07:00Goodbye
00:07:01Goodbye
00:07:05Goodbye
00:07:10Goodbye
00:07:11Goodbye
00:07:14Goodbye
00:07:14Goodbye
00:07:16Goodbye
00:07:18Miss Pinkerton
00:07:19Words are but little thanks
00:07:21Yet let this speak volumes
00:07:23I'll be right back.
00:07:25I'll be right back.
00:07:27I'll be right back.
00:07:29That's your rule.
00:07:53For you, Becky.
00:08:17Watch or press this one too.
00:08:19I've kept all of your dear flowers.
00:08:21Becky, I don't know what to say to you.
00:08:23My, Joe, dare I call you my...
00:08:27Your what, Joseph?
00:08:28My bird, or something similar.
00:08:33I wonder if young Osmond is calling Amelia something similar.
00:08:49I admire men who do not hesitate to express their emotions.
00:08:53And I offer you my heart, my true affection.
00:08:57I offer you love, Amelia, and a lifetime of devotion.
00:09:00Now you have heard us both.
00:09:01The choice is yours, madam.
00:09:03Why do you make it so difficult for me?
00:09:06Two little boys I grew up with.
00:09:08How am I to choose between them?
00:09:10I might say no to you, William, whom I've always respected.
00:09:14Or to you, George, whom I've always...
00:09:18I've always loved, Amelia.
00:09:20Loved?
00:09:21I admire you.
00:09:22Let him be your choice, then.
00:09:24Take George.
00:09:26Oh, my dear.
00:09:27I will love you, however, always.
00:09:28Only I will think of you as a sister.
00:09:30A sister who is married to my best, my oldest friend.
00:09:34William, William Dobb and I, no man ever had a truer friend.
00:09:37By Jove, that scoundrel kissed my sister's hand.
00:09:45I'll make you marry her.
00:09:47Too late, Joseph.
00:09:48The question has just been popped.
00:09:50What?
00:09:50Why, I didn't realize it.
00:09:52Why, that's beautiful.
00:09:54What a handsome best man you'll make.
00:09:56Only I'll not be there to see you.
00:10:00I'll be gone by then.
00:10:01Not if Joseph Sedley has anything to do with it.
00:10:03How can Joseph Sedley keep me here?
00:10:05By offering you the continued hospitality of his father's home.
00:10:10You're too noble.
00:10:11If you were to keep me here any longer, I should never want to leave.
00:10:15I dream that I could stay forever.
00:10:17Oh, see you about me and receive your roses.
00:10:21An idle dream, isn't it, Joseph?
00:10:23I... I...
00:10:25A foolish, unrealizable dream.
00:10:28But I must face the world.
00:10:30Look for employment.
00:10:32Becky, Becky, don't I...
00:10:35What is it, Joseph?
00:10:37Do you care?
00:10:38Do I care?
00:10:39Why, when I...
00:10:40When I think of you without a home, I...
00:10:42I...
00:10:43I'm completely unmaned.
00:10:44Unmaned.
00:10:45I...
00:10:53Becky.
00:10:55Becky, I have news to tell you.
00:10:56This wonderful news.
00:10:58George, I've asked for your hand and you've accepted him.
00:11:01Oh, my little bushy bride.
00:11:03You're happy.
00:11:04Becky, you'll never know how happy you're not in love.
00:11:06Oh, perhaps I am.
00:11:07Perhaps I, too, have given my heart.
00:11:09And you never told me about him.
00:11:11We wanted to surprise you.
00:11:12Joseph is so shy, so timmy.
00:11:14Oh, Joseph.
00:11:15Oh, Becky, you poor, poor girl.
00:11:17Poor?
00:11:18Is Joseph so undesirable a match?
00:11:22Oh, then it must be I.
00:11:24A father would never approve.
00:11:25I... I know any.
00:11:27I understand.
00:11:29I've reached above my station.
00:11:30I've no fine pedigree.
00:11:31Oh, stop, Becky.
00:11:32Father has ambitions for Joseph.
00:11:34He plans to send him to India on government service.
00:11:36Wise father.
00:11:38Well, don't we, precious.
00:11:39I'll marry one of these days, some worthy tradesman.
00:11:41A draper, a greengrocer, someone humble, fit to my position.
00:11:45Present my compliments to your father and say that I'm leaving tonight.
00:11:50And good luck to Joseph, the civil servant.
00:11:52The government needs men of courage, decision, men of brains.
00:11:57It's a prudence.
00:11:59Tell me.
00:12:00It's not too late.
00:12:01It's a trash video.
00:12:03It's a trash video.
00:12:03It's a trash video.
00:12:05That's a trash video.
00:12:06It's a trash video.
00:12:07Let's go.
00:12:37Well, here we are.
00:12:42Don't be making up your mind too soon that you'd be wanting to stay here.
00:12:46Are those? Are they my pupils?
00:12:48Uh-huh.
00:12:50Rude of Satan, that's what they are.
00:12:53We're busy.
00:12:54For better or worse, you're in Queen's Crawley.
00:12:57The food's bad, the service hard, and the pay miserly.
00:13:02I, uh, I arranged for the position through correspondence.
00:13:05Sir Pink Crawley said nothing of all this in his letter, did he?
00:13:09Of course he didn't.
00:13:11He's best the devil himself at driving the bargain.
00:13:18Oh, black, Hines!
00:13:21The devil you're making all this and all this for!
00:13:23Don't...
00:13:24We cry, you little devil, I'll be the death of you!
00:13:27Oh, you violent!
00:13:29Blast your eyes!
00:13:31Quir, do you hear me?
00:13:32What?
00:13:35Children.
00:13:36Oh, you're governors.
00:13:42Come and meet them.
00:13:47Now, try and make ladies and gentlemen of them.
00:13:52If it's...
00:13:52Come, my sister.
00:13:54This is their brother.
00:13:56Not a witness of the name for all his holy hands.
00:14:00I welcome you under our roof tree.
00:14:03May you find peace and happiness here.
00:14:05Peace and happiness, he said.
00:14:07Yes!
00:14:08Ha, ha, ha, ha, ha!
00:14:10Sir, I don't think I've had sufficient training
00:14:14for the position your father so kindly offered me.
00:14:16If you would so inform the baronet.
00:14:19He informed the baronet?
00:14:21Hasn't the baronet ears of his home to hear?
00:14:24No.
00:14:26Bless you, Missy.
00:14:28I'm Sir Pinkcrawley.
00:14:29And these are my children.
00:14:31Ha, ha, ha, ha, ha!
00:14:34Oh, ha, ha, ha, ha!
00:14:36Be quiet, be quiet.
00:14:38Be quiet, be quiet.
00:14:40Be quiet, be quiet.
00:14:41Oh, ha, ha, ha, ha!
00:14:47Ah.
00:14:48Ah, and that's another, son.
00:14:53As worthless a scoundrel as ever wore the King's uniform.
00:15:05Then you'll not mistake, eh?
00:15:08Pox, take it.
00:15:10Why, you're the prettiest governess I've ever had my hands on.
00:15:14Sir, as I was saying, although I haven't had enough experience
00:15:17so exacting a position...
00:15:21Still, I should like to accept.
00:15:22These dear little children have completely won my heart.
00:15:25Ah, you'll live to regret it, but I'm glad.
00:15:30My name is Becky, darling.
00:15:32Would you like me to read you a pretty story?
00:15:34No.
00:15:42And here I bring you the blind washerwoman of Moorfields.
00:15:46A moral and instructive volume.
00:15:49Mr. Pitt, you're a kindness, but I haven't yet finished
00:15:51Trump's legacy that you brought me last week.
00:15:53Read them both, then. Read them both.
00:15:55Works by pious authors are soothing to the soul.
00:16:01What was that about the soul, Pitt?
00:16:03Let me hear it, too.
00:16:04You know how your servants always affect me.
00:16:07You're too far sunk in the morass of iniquity, my beloved brother, for my sermons.
00:16:11I hope to see you later, Miss Rebecca.
00:16:14Now I must work on my speech for the Quashinabu Aid Society.
00:16:19Quashinabu Aid Society.
00:16:21How on earth do you stand him, Becky?
00:16:23What choice have I?
00:16:24I must watch the side of my brains but I don't.
00:16:27Why bread with that little mouth that was made for cake and kisses?
00:16:30And of the two, you would willingly supply the second.
00:16:33Oh, not enough.
00:16:34Not half so nourishing as bread.
00:16:36On the contrary.
00:16:37Every kiss counts, Becky.
00:16:40I'm returning to London tomorrow.
00:16:42Regimental duty.
00:16:44London's such a large town.
00:16:46So many willing lips to please a soldier.
00:16:48Yes, but none like yours.
00:16:53Becky, these pretty little hands.
00:16:55Who will hold them when I'm gone?
00:16:57Well, they'll be very busy.
00:16:58Washing violet and combing robes and mending Sir Pit's shirts.
00:17:02Oh, you shouldn't be doing all that.
00:17:05Becky, if I were to ask you to come to London.
00:17:08To find a position for yourself.
00:17:10I've tried all that.
00:17:11No Queen's Crawley is my haven.
00:17:13Oh, but there must be something.
00:17:14Some...
00:17:15Becky, wait.
00:17:16I have an aunt in London.
00:17:18Young and pretty, of course.
00:17:19No old and a spinster but rich.
00:17:21I can persuade her that she shouldn't stay alone.
00:17:23That she needs a companion.
00:17:27And I need a protector, Rorden.
00:17:32Becky!
00:17:33Becky Sharp!
00:17:34Can't you hear me?
00:17:36Where is that girl?
00:17:38Sharp!
00:17:39Sharp!
00:17:40Sharp!
00:17:42Miss Crawley, ma'am.
00:17:43Are you perhaps calling Miss Sharp, ma'am?
00:17:45No.
00:17:46I'm calling on heaven to help me preserve me calm.
00:17:49Where are my drops?
00:17:50Where's my jelly?
00:17:51Am I to sit here and be murdered with inattention?
00:17:54Where in blazes is that Miss Begotten Girl?
00:17:57Miss Crawley, ma'am.
00:17:58If I may venture the opinion, ma'am.
00:18:00Miss Sharp has left the house, ma'am.
00:18:02Probably on some dark, amorous errand.
00:18:05Some dark, amorous errand, eh?
00:18:07I wouldn't put it past that.
00:18:09Oh, I've been watching her for weeks.
00:18:11A smile for the butcher and a smile for the baker.
00:18:14That girl hasn't a principle to bless herself with.
00:18:18That's what I like about her.
00:18:20What are those weeds doing here?
00:18:22You know how vegetation nauseates me.
00:18:24These were brought by your nephew, ma'am.
00:18:26Captain Crawley.
00:18:27They're a cozy nosegap.
00:18:29Throw it out.
00:18:30And throw my nephew out, too.
00:18:32What the devil is he doing round here every single day?
00:18:35Well, that's not hard to guess, ma'am.
00:18:37Miss Sharp has a way of blinking and a way of winking.
00:18:41Briggs, are you suggesting that my nephew would as much as notice that girl?
00:18:46How dare you? Show him in.
00:18:48And get Miss Sharp for me.
00:18:51Go to her room.
00:18:52Get her.
00:18:53Don't you come back here without her.
00:18:54Yes, ma'am.
00:18:55Oh, my head, my head.
00:18:57I know I forget the vapors.
00:19:01Miss Crawley is awaiting you, sir.
00:19:03Dear Aunt Julia.
00:19:05Well, sir.
00:19:06To what am I indebted for the questionable honor of this visit?
00:19:10To the affection of a devoted nephew.
00:19:12And do devoted nephews always get themselves oiled and barbored to call in their maiden aunts?
00:19:18Huh?
00:19:19How did you hope to find Becky Sharp at home?
00:19:22Answer me.
00:19:23Becky, eh?
00:19:25No, I'll not have you so much as look at Becky.
00:19:28Remember that.
00:19:29Why, that girl will twist you round her little finger.
00:19:32Yes, ma'am, Julia.
00:19:33I assure you...
00:19:34Don't assure me, sir.
00:19:35I'll assure you.
00:19:36I've been indulgent.
00:19:37I've been generous.
00:19:38I've paid your card debts.
00:19:39And I've laughed at your extravagance.
00:19:41But I'll not have you ensnared by any calculated little slip of a medium.
00:19:47The woman you marry must be a lady.
00:19:49And a lady of quality.
00:19:51Oh, oh, oh.
00:19:53How dare you come bounding into the room like this?
00:19:56Oh, just as I knowed.
00:19:58Miss Sharp's not in her room.
00:19:59She's not in the house.
00:20:00There isn't such a clothing in the closet.
00:20:02And there's a trunk all packed.
00:20:04Trunk?
00:20:05Packed?
00:20:06Well, where is it?
00:20:07Please, here.
00:20:08Instantly.
00:20:09Well, well, well.
00:20:10You expect me to go for it myself?
00:20:12Hurry.
00:20:13Hurry.
00:20:14Well, who is it now?
00:20:17Well, I'm never to have any peace.
00:20:21Right, and put that brandy down.
00:20:23Art and spirits are for evil leads only.
00:20:25Give it to me.
00:20:26Mr. Picktrawley, ma'am.
00:20:29That puling hypocrite.
00:20:32Don't you dare show me.
00:20:34Well, sir.
00:20:36Isn't London difficult enough without your presence?
00:20:39Here you come, ricking with the vulgar roses of the country.
00:20:43Madam, I've been sent by my good father.
00:20:45That old reprobate, what's he want?
00:20:47My dear father wishes to know if you still have need of Miss Rebecca's services.
00:20:51I certainly haven't.
00:20:53But neither has he.
00:20:54Sir Pitt is lonesome, madam.
00:20:56Very lonesome.
00:20:57If he's lonesome, let him join Napoleon at Elba.
00:21:00Then they can both be lonesome together.
00:21:02Good.
00:21:07The trunk, ma'am.
00:21:08Bring here.
00:21:12Open it.
00:21:13Yes.
00:21:15Now we shall see what we shall see.
00:21:18Angels above.
00:21:20Why, what the deuce is this?
00:21:22Not what a respectable female I should gaze on.
00:21:26Tides.
00:21:28And look at this.
00:21:30Phantomine.
00:21:31Oh, and an orrid licentious wink.
00:21:34I'm found to leave her things alone.
00:21:35She's acting on my orders, Ron.
00:21:37Here's a huge part.
00:21:39Cosmetics.
00:21:40Oh, sinful.
00:21:41Sinful, sinful.
00:21:42Give me that.
00:21:44And here is Becky Sharp herself.
00:21:48Wait.
00:21:49In Becky's own handwriting.
00:21:50A portrait of my mother.
00:21:52Becky Sharp's mother a dancer.
00:21:54At the risk of contradicting you, ma'am.
00:21:56Miss Sharp's mother was an aristocrat.
00:21:57A French lady by the name of Montmorency.
00:21:59You're wrong, Rodin.
00:22:00I have it on Miss Rebecca's own authority that her mother's name was Denier.
00:22:04But here it says a portrait of my mother by my father.
00:22:09A painter fellow.
00:22:11And I had it on Becky's own authority that her father was distinguished and a rich.
00:22:17I don't care what that stupid thing says.
00:22:19I don't believe a word of it.
00:22:20Not a single word of it.
00:22:21Believe it, Captain Crawley.
00:22:22Believe anything.
00:22:23Everything.
00:22:24Only these relics, they are mine, sacred to me.
00:22:28And no hands shall ever touch them but my own.
00:22:31How well I remember that sweet smile.
00:22:34Her portrait painted in exile.
00:22:37This is how she looked always when she bent over my bed,
00:22:40singing me to sleep.
00:22:41Yes, my mother was a dancer.
00:22:43She danced herself and she taught others to dance.
00:22:45But she was an aristocrat.
00:22:46Oh, make no mistake about that.
00:22:48A Montmorency of the finest blood of France.
00:22:50And that was the sin for which she was exiled by the revolution.
00:22:53A chateau burned.
00:22:54The estate confiscated.
00:22:55A fortune taken from her.
00:22:56Yes, she danced.
00:22:58Danced to feed her baby, her only child.
00:23:01To clothe me.
00:23:03To shelter me.
00:23:05Do you wonder now why I treasure these things
00:23:08that remind me of my sated mother?
00:23:11Oh.
00:23:12Oh.
00:23:13Oh.
00:23:14Oh.
00:23:15Oh.
00:23:16Oh.
00:23:17Oh.
00:23:18Oh.
00:23:19Oh.
00:23:20Oh.
00:23:21Oh.
00:23:22Oh.
00:23:23Oh.
00:23:24Oh.
00:23:25Oh.
00:23:26Oh.
00:23:27Oh.
00:23:29Oh, Miss Rebecca.
00:23:30Don't.
00:23:31Sorrow diminisheth when the heart is pure.
00:23:33Oh.
00:23:34Briggs.
00:23:35Oh, dear, you apologize to me, What quá?
00:23:39Miss Shum.
00:23:41Dear, Miss Shum.
00:23:49Poor girl.
00:23:50We were so unjust to her.
00:23:53I feel faint.
00:23:55A little branding, please.
00:23:57And send for Dr. Quackenbush.
00:23:59I know I'm going to die.
00:24:01We must all pass when the hour cometh.
00:24:20Come in.
00:24:22Oh, Becky, darling, why didn't you tell me?
00:24:24Do you suppose I would have cared who your mother was,
00:24:26how you were brought up?
00:24:27Why did you have to hide things from me?
00:24:29If you had led my life,
00:24:30you'd want to hide some things even from yourself.
00:24:33Oh, tell me, are you sorry about yesterday?
00:24:36I'm sorry?
00:24:37My Becky, darling, you're my wife now.
00:24:39My own sweet wife.
00:24:40Your wife?
00:24:41We've been married less than 24 hours,
00:24:43and already you doubt my words.
00:24:44I don't, darling. I only want to know.
00:24:46No? What more? Still more? Endlessly?
00:24:49Do you want to hear about my father?
00:24:51How he drank?
00:24:52How drink killed his talent,
00:24:53his hopes, his wife?
00:24:55Well, he beat us.
00:24:56And when I begged him,
00:24:57Daddy, Daddy, don't strike her. Strike me.
00:25:00What do you think he did?
00:25:01Well, I'll tell you. He struck me.
00:25:03Oh, my sweet Becky, my poor darling.
00:25:06Oh, don't pity me.
00:25:07Perhaps I'm lying.
00:25:08Perhaps I'm inventing the story as I go along.
00:25:10I don't care. I still love you.
00:25:12Oh, if that's what I wanted to hear.
00:25:14Love me, Rawdon. Love me.
00:25:16I've had so little love in my life.
00:25:18I've been kicked about so much.
00:25:20Well, take me away from here.
00:25:21Oh, but Becky, we couldn't do that.
00:25:22My aunt would disinherit me.
00:25:23Well, who cares if she does?
00:25:24We mean more to each other than money.
00:25:27Oh, darling, get a hackney-coach.
00:25:29Come for me when it's dark.
00:25:35Oh, why did I want you, my silly?
00:25:37What have you?
00:25:38Not a penny, not a plan, not ambition.
00:25:41Oh, but we'll make out, my Rawdon.
00:25:43We'll make out.
00:25:44Life owes me many things, and I intend to get them.
00:25:46All it takes is the least touch of wit.
00:25:48Oh, don't look so disturbed.
00:25:51I don't expect you to supply the wit.
00:25:53Is that my dowry to you?
00:25:56Oh.
00:26:01Lieutenant Osborne, you cynic.
00:26:04I'll not have you saying such things in my house.
00:26:06Marriage is far too sacred to jest about.
00:26:09Amelia, did you hear what your husband said?
00:26:11Oh, darling.
00:26:12That Rawdon was prolonging our honeymoon just to scare other men away from me.
00:26:16George is such a wit.
00:26:18Yes.
00:26:19Both of you are, dear.
00:26:21Do you think I've done justice to your treasure, Lieutenant Osborne?
00:26:24Beautiful.
00:26:25So delicate.
00:26:26Is that all the praise I deserve?
00:26:28Oh, Amelia.
00:26:29Your husband's embarrassing me.
00:26:31He simply doesn't respond to art.
00:26:34Don't be too critical, love.
00:26:36Your beauty is too gentle to reproduce.
00:26:38Oh, Becky.
00:26:39How talented you are.
00:26:41You're lovely.
00:26:42George, what the deuce is keeping you?
00:26:44We want you back in the game.
00:26:45Oh, George.
00:26:46George, please don't play anymore.
00:26:48You've lost so much lately.
00:26:49Oh, let him play.
00:26:50Gambling's an agreeable vice for young men.
00:26:52We can't afford it.
00:26:53We're already in debt.
00:26:54Debt?
00:26:55Oh, my precious look about you.
00:26:56This is the house the debt built.
00:26:57Why, I'm wearing debt.
00:26:58You're standing on a debt rug.
00:26:59Oh, we must owe money to every shopkeeper in London.
00:27:02We mustn't, but we do.
00:27:03Come on, George.
00:27:04Let me touch your hand.
00:27:05I'll bring you love.
00:27:06Now, old gentleman, I said eight, and I keep my word.
00:27:09Only three, Sean.
00:27:10Yes, why now?
00:27:11It's my turn.
00:27:12Where's your lady, Rawdon?
00:27:13She promised to stand behind my chair and bring me love.
00:27:15She promised me that.
00:27:16Perhaps that's the way she entices Rawdon's victims.
00:27:20She plays no favorites, does she, gentlemen?
00:27:22George, would you like to throw next?
00:27:24How many years since I heard you play love?
00:27:31It was on your own harpsichord.
00:27:33How I envied you for it.
00:27:35But then I envied you for so much.
00:27:37For all that you had.
00:27:39And I didn't.
00:27:40Becky, you envied?
00:27:41You didn't pay any attention to me at all.
00:27:44You were too busy with Joseph.
00:27:46That fat brother of yours?
00:27:47Oh, how you all worried for fear I'd marry him.
00:27:50That's why poor Joseph was shipped off to India, wasn't it?
00:27:53Becky, you no father.
00:27:54He was...
00:27:55Oh, never mind, Pat.
00:27:56That's all forgotten.
00:27:58That's the past.
00:27:59Oh, Becky.
00:28:00You're the most generous, most forgiving, darling.
00:28:17Becky, Amelia, Captain Thorndike has just told us.
00:28:20Napoleon has escaped from Elba.
00:28:22Napoleon?
00:28:23Napoleon?
00:28:24War?
00:28:25War, yes.
00:28:26Our regiment will be ordered to Belgium.
00:28:28Oh, terrible.
00:28:30How amusing.
00:28:31Becky.
00:28:32But what are you saying?
00:28:34What luck.
00:28:35What incredibly dazzling luck.
00:28:37Are you out of your mind?
00:28:38Yes, I'm crazy for joy.
00:28:40War, Belgium, a new start.
00:28:42But what have we here?
00:28:43Debts, tradesmen getting nasty, bills.
00:28:45Why do you think our luck will improve in Brussels?
00:28:47Because we'll force it to.
00:28:49Silver, aren't they pretty?
00:28:51I found them in a little curiosity shop and I couldn't resist them.
00:28:54Seven.
00:28:55Seven again.
00:28:57Becky.
00:29:00Don't imagine I'd ever use them.
00:29:02How silly you are.
00:29:03You look so frightened.
00:29:04They happened to amuse me.
00:29:05I had no idea they were loaded.
00:29:07Not for us, are they, dear?
00:29:09That's not the way to coax lady luck.
00:29:11Not your way.
00:29:12By Gadno.
00:29:13No, sweet.
00:29:14No.
00:29:15Remember what's ahead of us.
00:29:17Brussels.
00:29:18Brussels.
00:29:19Everybody will be there.
00:29:20The officers with their wives, the best people,
00:29:22the richest people, society.
00:29:24A new life, Rawdon.
00:29:26Oh, we should be very grateful to Napoleon.
00:29:29Oh, darling.
00:29:54Come on.
00:29:55Come on.
00:29:56Come on.
00:29:57Come on.
00:29:58Come on.
00:29:59Come on.
00:30:00Let's take a nap.
00:30:01Come get me.
00:30:02And we'll take a nap.
00:30:03Come on.
00:30:04Come on.
00:30:05Come on.
00:30:06I'll see you next time.
00:30:36It reminds me of that one.
00:30:46Now I understand why Wellington keeps us in Brussels.
00:30:49England expects every man to do his duty nightly.
00:30:52Now, General, don't make me sorry I invited you.
00:30:55I shall send you home.
00:30:56To be thrown out by the Duchess of Richmond
00:30:58is the beginning of a social career.
00:31:00Oh, impossible, man.
00:31:02Oh, don't listen to him. I adore it here.
00:31:04So breathtaking, so brilliant.
00:31:06And all was the danger of a sudden attack.
00:31:08Oh, no danger, my dear.
00:31:09There'll be no fight until the Prussians join us.
00:31:11Prussians?
00:31:16Mrs. Crawley, a waltz, a single waltz.
00:31:18No, no, no, don't ask me. Not the waltz.
00:31:20Can't I press you, Mrs. Crawley?
00:31:22That's just what I was afraid of.
00:31:24Such an immodest dance, don't you think, Prince?
00:31:26Oh, cling and swing.
00:31:28It's the dance of the angels.
00:31:29Of fallen angels.
00:31:34Mama, she slapped Papa.
00:31:36That was Papa Mrs. Crawley slapped.
00:31:39Pay no attention, Blanche.
00:31:40You're too fine to notice such vulgarity.
00:31:42Oh, that slap.
00:31:43What memories it evokes.
00:31:45Would you believe, ma'am,
00:31:46Mrs. Crawley honoured my ears once by slapping them?
00:31:49Why, the inelegant creature.
00:31:50Whatever induced it us in Richmond
00:31:52to invite a mere little ex-governor.
00:31:56Don't let me leave, gentlemen. I'm weakening.
00:31:58I find it impossible to choose from among you.
00:32:00Shall we?
00:32:01Then choose me, Becky.
00:32:03Becky.
00:32:04Don't you know me?
00:32:05Have I changed so much in these few years?
00:32:07Oh, no, it isn't true. It can't be.
00:32:09Not Joseph Sedley.
00:32:10The name sounds familiar to me, ma'am.
00:32:12By George, Becky, it's good to see you.
00:32:14You haven't changed a bit.
00:32:15I could have picked you out from amongst a regiment.
00:32:17I'm still the same little girl
00:32:18who wasn't good enough for you to marry.
00:32:20Oh, don't say that, Becky.
00:32:21You know I'd have married you in a moment
00:32:22if it hadn't been for those elephants.
00:32:23You know, it was father who shipped me off to India
00:32:25to hunt the blasted pachyderm.
00:32:27I know. Your dear little sister, Media, told me all about it.
00:32:29But then, what were you doing in India, Joseph?
00:32:32Your son?
00:32:33Becky, you blackened my character.
00:32:36No, I collected taxes and butterflies for a prince.
00:32:40I gave him a lot of butterflies.
00:32:42Well, I'd rather hear about the taxes.
00:32:44Come, let's make Rorden listen.
00:32:45Rorden, where is he?
00:32:46Three eights, good for six, and one for his knob, seven.
00:32:49Sorry, old chap, my game again.
00:32:50As usual.
00:32:51It's nothing but luck, eh, Rorden?
00:32:53Nothing but luck, George.
00:32:54Very good, then I owe you 30 pounds.
00:32:56Rorden, George, I've brought you a dear old friend.
00:32:59I don't see Rorden.
00:33:00I've already seen Joseph, all of them.
00:33:02Well, you've been neglecting me all evening.
00:33:04Take me for a dance, George.
00:33:05Joseph will play you silly cribbage.
00:33:07Rorden, perhaps you'll let him beat you at billiards.
00:33:09Billiards?
00:33:10I haven't touched a cue for three years.
00:33:12Oh, George.
00:33:13Although we have a similar game in India,
00:33:14except we play it with one ball and a mallet, a horseback.
00:33:17Come on.
00:33:18I'm dying for a dance.
00:33:20No, I want to talk to you.
00:33:22Here.
00:33:23Now you shall give me my answer.
00:33:25I'm not very good at giving answers.
00:33:26I so seldom listen to the questions.
00:33:27You'll listen to this one.
00:33:28Why didn't you reply to my letter?
00:33:30Because only very silly people put such things in writing.
00:33:33Rorden can read, you know.
00:33:34What if he had seen your letter?
00:33:36And somebody had whispered about it into Amelia's pearly little ears.
00:33:39It's too late for me to be concerned about Amelia.
00:33:41You and I are going away.
00:33:43Oh, oui.
00:33:44I love Rorden.
00:33:45Always remember that.
00:33:46I remember it daily.
00:33:47I remember when I lose between 10 pounds, 50 pounds.
00:33:50I tell myself it'll buy so much lace, so much silk for Becky.
00:33:53Champagne, servants.
00:33:54You've been expensive, Becky.
00:33:56But I lost willingly.
00:33:57Now I've no more.
00:33:59I'm in debt.
00:34:00Have you ever tried to borrow?
00:34:03Not a bad method.
00:34:04There's no one left to borrow from.
00:34:06But that doesn't matter, does it?
00:34:08You don't care anything about money.
00:34:10You make such charming conversations.
00:34:12Why do you deprive Amelia of it?
00:34:14Becky, listen to me.
00:34:16No, no, I don't want to go in there.
00:34:19I can't bear to see them together.
00:34:21Becky on George's arm.
00:34:23George is either dancing with her or losing at cards to her husband.
00:34:27Oh, William, I can't do anything. I'm helpless.
00:34:30I'll take Becky for the dance.
00:34:32And after the dance, she'll find him again. Trust her.
00:34:35If I could only make George understand.
00:34:38And there's another thing I didn't like about your letter.
00:34:41You misspelled every other word.
00:34:43Oh, hang my spelling. Don't play with me.
00:34:46Is there someone else?
00:34:48No.
00:34:49Who is that man?
00:34:50Oh, I intended just a homey intimate affair.
00:34:53A little singing, dancing.
00:34:55Oh, my dear, dear Lord Stane.
00:34:57Dear Lord Stane, I've been looking for you.
00:35:00I thought you were hopelessly lost.
00:35:01Your Grace, you must blame the Polish ambassador.
00:35:03Ah, diplomatic secrets?
00:35:05Not at all. The ambassador has too pretty a wife.
00:35:07She's won me over completely to the Polish cause.
00:35:10At least to the better half of the Polish cause.
00:35:12Tell me. What is his name?
00:35:16I want to know.
00:35:18How perfect your instincts are, Becky.
00:35:20The Marquis of Stane, Stane with his millions.
00:35:23Bigger game, eh?
00:35:25Do tell me about Napoleon. I'm so interested in him.
00:35:31Is there any danger here in Brussels?
00:35:33No, madam. As far as I know, Napoleon is many leagues away.
00:35:36Is it true that the King of Prussia is bent on leading his own army?
00:35:40Freddie. Freddie lead an army.
00:35:43I wish I could whisper to you what the Tsar Alexander told me about that.
00:35:46My lord, you have love with all the crown heads of Europe.
00:35:49No, only with those that still remain on their royal shoulders.
00:35:53You see, dear Lady Bearacres,
00:35:55royal heads have been known to hop away from their bodies,
00:35:58especially in France.
00:35:59Remarkable how many people managed to come tonight.
00:36:05Lady Blanche, I was so sorry to hear about your mother's misfortune.
00:36:08I do hope the operation was successful.
00:36:10To think of her going blind at her age,
00:36:13and now she can't recognize even acquaintances.
00:36:16These are glass eyes you're wearing, aren't they?
00:36:18Perfect. Perfect.
00:36:20I do hope they'll continue to attract men.
00:36:23Who is that remarkable woman?
00:36:25The brightest new star in our social sky.
00:36:27Introduce me.
00:36:28I could spend many nights studying astronomy.
00:36:31Mrs. Crawley, permit me.
00:36:32The Marquis of Stane, who prays the honor of your acquaintance?
00:36:35Hello.
00:36:36Will you favor me with the dance, Mrs. Crawley?
00:36:39What a joy, it's a waltz.
00:36:41So fond of it?
00:36:42Oh, I could die for the waltz.
00:36:44There's some who call it an immodest dance,
00:36:46but I've always called it the dance of the angels.
00:36:50George, Amelia's alone on the terrace.
00:36:52Go to her, ask her for a dance.
00:36:54It's a drink I need, not a dance.
00:36:58To me war means rising stocks.
00:37:00I play for Napoleon's defeat.
00:37:02What do you play?
00:37:03I?
00:37:04Patience.
00:37:05And we are both about the fortunes of nations.
00:37:08But not above wars.
00:37:10War champagne.
00:37:11Froth.
00:37:12Bubbles.
00:37:13Your head swims.
00:37:14Your heart beats.
00:37:15Then your glass is empty.
00:37:17And you wake with a headache.
00:37:21Headaches can be cured.
00:37:23Heartaches too, my lord.
00:37:25By drinking more wine.
00:37:27A new bottle.
00:37:28And a new hand to pour it.
00:37:30Oh, my lord.
00:37:32I get drunk so easily.
00:37:42Are we both waiting for the light in the sky, madam?
00:37:46Yes, I want this night to end.
00:37:48I don't want the dark.
00:37:50Heaven help us if it ends too soon.
00:37:53If light comes before it's due.
00:37:55Your grace.
00:38:00Your grace.
00:38:03Who is that man?
00:38:04Duke of Wellington.
00:38:05Oh.
00:38:07What's there in the distance?
00:38:08There?
00:38:09A village.
00:38:10A small village.
00:38:12Waterloo, or some such name.
00:38:17And then they went on for the...
00:38:20And it was at that point.
00:38:25The
00:38:51What was that?
00:38:52Did you hear it?
00:38:53Shh, listen again.
00:38:55A cannon?
00:38:56Thunder?
00:38:57Artillery?
00:38:58No.
00:38:59Must be a thunderstorm.
00:39:00Come on.
00:39:03I say, was that a cannon?
00:39:10Your grace, can they shoot this far?
00:39:12Sometimes I almost wish they could.
00:39:15Oh, it's nothing.
00:39:16It must have been the wind.
00:39:17Just a thunderstorm.
00:39:21I was so frightened.
00:39:23It's a false alarm.
00:39:24Oh, it's dark.
00:39:25Oh, it's dark.
00:39:26Use it!
00:39:27Use it!
00:39:54Get it!
00:39:55Get it!
00:39:57Napoleon!
00:39:59Get my cannon!
00:40:00Get my cannon!
00:40:01Let me go!
00:40:09Get him!
00:40:11Napoleon!
00:40:15Get my cat!
00:40:17Get my cat!
00:40:31It's me here. I'll take you home with my character.
00:40:39I'll take you home with my character.
00:40:49I'll take you home with my character.
00:41:01I'll take you home.
00:41:31I'll take you home with my character.
00:41:33I'll take you home with my character.
00:41:40Becky, come with me. I'll take you home.
00:41:42We could still leave.
00:41:47The call to colours. Did you hear it yet, Kenneth?
00:41:49The call to colours.
00:41:50It means nothing to me. You're coming with me.
00:41:52Oh, I'll desert, Becky.
00:41:54We'll go somewhere to Canada to Sydney.
00:41:57Only let's hurry. They're still fine.
00:41:59Why not take your wife, George?
00:42:01Occasionally, you must remember that you're married.
00:42:03George!
00:42:04Oh, my dear, I've been so concerned about you.
00:42:06Are you, Becky?
00:42:07Concerned about anyone but yourself?
00:42:09You can't take George from me.
00:42:10Oh, I haven't.
00:42:11You'll never take him from me.
00:42:12Oh, you're excited, Amelia.
00:42:13Frightened.
00:42:14I don't want you, George.
00:42:15See her home, George.
00:42:16Take care of my poor family.
00:42:18Bye.
00:42:20Oh, why?
00:42:21Oh, why?
00:42:22Oh, why?
00:42:23Oh, why, George? I'll be watching you from the balcony.
00:42:34Ron!
00:42:35Oh, darling.
00:42:36Oh, Ron.
00:42:37Darling, where have you been?
00:42:39Wellington's orders.
00:42:40I just dashed back for a few moments.
00:42:42Oh, darling, I have so many things to tell you before I go.
00:42:45I've been happy with you.
00:42:47I've gambled and I've drank, but always, always, I've loved you.
00:42:51Not each other.
00:42:53Understood each other.
00:42:54Take this money.
00:42:55I shan't need it.
00:42:56And sell my watch, my silver dressing case.
00:42:58Oh, darling, I'll leave you with so many debts.
00:43:00No, don't.
00:43:01And sell my two horses.
00:43:02Don't think about money.
00:43:03I'll make out.
00:43:04And I'll pay for you, Ron.
00:43:06I want you back.
00:43:09I love you.
00:43:10I love you now.
00:43:12I've never loved anybody.
00:43:13Never.
00:43:14I must go now.
00:43:16But remember, never forget this.
00:43:19I worship you, Becky, from your little toes up.
00:43:35Oh, Ron.
00:43:36What shall I do?
00:43:37What will happen to me?
00:43:38What will I do, eh?
00:43:39Well, how shall I get out of here, eh?
00:43:41Answer me, little devil.
00:43:42Answer me.
00:43:43No horse, I am.
00:43:44I'll join the army.
00:43:45Now what?
00:43:46Now what?
00:43:47Am I to rot away in Brussels?
00:43:49Why did I ever leave India?
00:43:51Why?
00:43:52Why?
00:43:53Huh?
00:43:55Becky.
00:43:56Not a single horse has been in Brussels.
00:43:58Is this the end of Joseph Sedley?
00:44:00I can sell you a horse.
00:44:02Becky.
00:44:03I can sell you two horses, a thousand apiece.
00:44:06What?
00:44:07You're robbing me.
00:44:08Two thousand for the pale.
00:44:09No.
00:44:10Five hundred.
00:44:11Do you prefer to walk?
00:44:12You get winded so easily.
00:44:14Seven-fifty for one horse.
00:44:16Your proportions called for two horses.
00:44:18Two thousand for the pale.
00:44:20Two thousand pounds.
00:44:21I'm ruined.
00:44:22Ruined.
00:44:23I could have bought a herd of elephants for that.
00:44:27Becky, where are those horses?
00:44:29In the main stable.
00:44:30They'll recognize you.
00:44:42The drones.
00:44:43The marching men.
00:44:44In an hour they'll be dying for their country.
00:44:49Dying for their country.
00:45:07Dying for their country.
00:45:09Well, I'm dying for my breakfast.
00:45:39I'm dying for my breakfast.
00:46:09Lady Southstone, would you do me the honor?
00:46:19Lord Liverpool, please come to bed.
00:46:22And Mrs. Simms, Mrs. Simms, please.
00:46:24Your Grace, Mr. Shelley.
00:46:27My dear brother.
00:46:30Lord Holland and I wish to sue for the privilege of sitting on your right.
00:46:33The loser is to challenge the winner to pistols at 40 paces.
00:46:36Lord Holland's seat is next to Lady Southstone.
00:46:39And you are by the famous Mrs. Siddons.
00:46:42What would Mayfair say if the dangerous Bo Brummel sat next to me?
00:46:45Clap their head.
00:46:46You can't clap your hands when you're whispering behind your palm.
00:46:49Lord, stay.
00:46:54Huzzah!
00:46:55I shout a heartfelt huzzah!
00:46:57With all these famous men here, I feel I'm sitting in the house of Lord.
00:47:00Or lying in Westminster Abbey.
00:47:06Oh, my God.
00:47:07Why did you bring me here, Pitt?
00:47:09This is a wicked, immoral atmosphere.
00:47:12Look at Lord Steyn and that woman.
00:47:15That woman's your sister-in-law now, Jane, please remember.
00:47:17And remember also that she's very pious.
00:47:20Why, before I married you, she and I used to read sermons together.
00:47:23Everything is so delightful in your new home, my dear.
00:47:27These pictures, a family portrait.
00:47:30Ancestors, Lady Southstone.
00:47:31Oh, yours or Captain Crawford?
00:47:33Oh, mine.
00:47:35The Duke and Duchess de Clovenet.
00:47:37Lavinia and Alistair.
00:47:39I bought them last week, five pounds apiece.
00:47:41Lavinia and Alistair.
00:47:42Oh, my dear.
00:47:43Oh, my dear.
00:47:44Oh, my dear.
00:47:45Oh, my dear.
00:47:46Bravo.
00:47:47You've got the meeting out of your hand.
00:47:48Well, they may bite it later.
00:47:50Becky, you've arrived.
00:47:51Where, my lord?
00:47:52Not St. James's Palace.
00:47:53Not yet.
00:47:54Patience, Becky.
00:47:55Patience.
00:47:56To be presented, Miss Elizabeth Fortley Cooper.
00:48:11Mrs. Joseph Hamilton.
00:48:17Now, watch little Mrs. Crawley.
00:48:19She's waged me a hundred pounds for Prince Regent.
00:48:20We'll stop the presentation to talk to her.
00:48:21That's unthinkable.
00:48:22The court of St. James would be shaken to its solemn foundation.
00:48:24The foundations may be solemn, but the head isn't.
00:48:26To be presented, Mrs. Rodas Crawley.
00:48:41Oh, my dear.
00:48:42Did you get it?
00:48:43Yes, I have the address.
00:48:44And the man absolutely guarantees to take ten pounds off you in a week.
00:48:47Ah.
00:48:48To be presented, Lady Zippel Craig.
00:48:54Voila, madame.
00:48:55Oh.
00:48:56Excuse me!
00:48:57Reveston!
00:48:58Oh, my baby!
00:48:59Oh.
00:49:00Oh.
00:49:01Oh.
00:49:02Oh.
00:49:03Oh.
00:49:04Oh.
00:49:05Oh.
00:49:06Oh.
00:49:07Oh.
00:49:08Oh.
00:49:09Oh.
00:49:10Oh.
00:49:11Oh.
00:49:12Oh.
00:49:13Oh.
00:49:14Oh.
00:49:15Oh.
00:49:16Oh.
00:49:17Oh.
00:49:18Oh.
00:49:19Oh, yes.
00:49:20Well, excuse me, sir.
00:49:21Do I please?
00:49:22I hope to.
00:49:23It's a portion of the tongue.
00:49:24Yes, sir.
00:49:25And I, as a lady.
00:49:26It doesn't depend to my gemeins.
00:49:28Do I.
00:49:29Of course.
00:49:30Look, Becky, every time I come, it costs me money.
00:49:33You either borrow, or I have to gamble or lose like a gentleman.
00:49:36Well, why don't you come?
00:49:37To advance myself.
00:49:38You did or did you not promise me, Lord Stain and Heavenly had appointed you to some post?
00:49:42Well, I have talked to him and he thought she'd make a very good pus?
00:49:47When? When? I wonder when.
00:49:50Promises are not enough. Am I a consul?
00:49:52Do I wear a sword and a cocked hat?
00:49:54And do I stand for the British Slam?
00:49:56No. Thrice no.
00:49:58Yes, thrice yes. It's all settled.
00:50:01You're to be made consul for Sierra Leone.
00:50:03Sierra Leone?
00:50:05Sierra Leone?
00:50:07But Becky, those... those chaps are all cannibals.
00:50:10How would they take to me?
00:50:12Oh, I think they'd get to like you, bit by bit.
00:50:15Huh? But look here, Becky.
00:50:18Oh, at last.
00:50:20Hello, Rorden.
00:50:21Where on earth have you been? I've worried about you all night long.
00:50:24Oh, I'm sorry, you shouldn't have. I stayed at the club.
00:50:26Club, eh? You must have met some sirens, that's what.
00:50:29Sirens.
00:50:32Come now, Rorden, confess.
00:50:34You'll come again tomorrow, won't you?
00:50:36Well, I'm here now, you know.
00:50:37But wouldn't this be a good time to be buying that cocked hat and swords?
00:50:40That's right. I'll sally forth and have me outfitted, bit by bit.
00:50:43Your servant, Becky.
00:50:44Your servant, Rorden.
00:50:47I echo. Sirens.
00:50:54Curry and Carter, 37 pounds for livery.
00:50:57And here's a little billy-doo for 800 or they'll sue.
00:51:00Bagatelle.
00:51:01What's wrong, Rorden?
00:51:03Everything.
00:51:04I had a nasty night at the club, almost came to blows with Deuce Ace.
00:51:07Others had to separate us and all that sort of rut.
00:51:09But why?
00:51:10He kept hounding me and threatening me about the 400 pounds that I owe him.
00:51:14He demanded immediate payment.
00:51:15Well, at pretty time he picked, we haven't sixpence.
00:51:18I know, that's the devil of it.
00:51:20After the riot became a matter for the entire club.
00:51:22Naturally, a debt of honor.
00:51:23I was instructed to pay immediately.
00:51:25Well, you go away for a few days and the whole thing will blow over.
00:51:29No, it won't.
00:51:30This is not like owing money to a shopkeeper.
00:51:32This is a gambling debt.
00:51:33I pay or I'm expelled.
00:51:35Captain Dobbin is in charge of collecting it.
00:51:37Who?
00:51:38William Dobbin.
00:51:39He represents the club.
00:51:40Oh.
00:51:41Deuce Ace, that little swine.
00:51:43Why, he was here last week and he never even mentioned the debt.
00:51:46He and I gambled while you played billiards.
00:51:47Gamble?
00:51:48What did you play?
00:51:49Dice.
00:51:50And I won.
00:51:51For heaven's sake, you didn't buy anything.
00:51:52The loaded dice.
00:51:53Oh, come, come now.
00:51:54I promised you I never would.
00:51:55A promise is a promise.
00:51:56I don't even know where they are.
00:51:57I seem to have lost them.
00:51:59Why do you look at me like that?
00:52:01What do you see?
00:52:02Did I become a liar?
00:52:03A cheat?
00:52:04Oh, no, no.
00:52:05But how can I help worrying, Becky?
00:52:07Where is all this leading us?
00:52:08Is there any end?
00:52:09Are we getting anywhere?
00:52:10Who knows?
00:52:11Who cares?
00:52:12We live elegantly on nothing a year.
00:52:13Look at all the splendor.
00:52:14It won't last.
00:52:16We are paying heavily.
00:52:17Little bits of our soul.
00:52:18Well, it's worth the price.
00:52:20Women who cut me last year will give their eyes to be where I am now
00:52:23because they envy me.
00:52:24This is what I've worked for.
00:52:25I won't give it up.
00:52:26Don't ask me to.
00:52:28Oh, darling, enjoy it with me.
00:52:31Yes.
00:52:34But I can't get Deuce Ace out of my mind.
00:52:36Well, I'll raise the money somehow.
00:52:37I could borrow it from...
00:52:38Steyn?
00:52:39You won't, not from him.
00:52:40Well, we have to take the money where we can find it.
00:52:42Not Steyn's money.
00:52:43I won't have all London thinking that...
00:52:45You don't really trust me, do you?
00:52:47Is that what you wish to be?
00:52:48Oh, no, darling.
00:52:49I'll believe only what you tell me and nothing that you deny.
00:52:52Oh, then believe that I'm your Becky and that I love you.
00:52:56I love you and nothing else matters.
00:53:01Oh, don't worry, darling.
00:53:04Perhaps Dobbin can be persuaded to wait.
00:53:07Mrs. Crawley, I'm a brother opposite of your husband's
00:53:10and I'm sincerely trying to help him.
00:53:12And all I can say is that the debt will have to be paid promptly.
00:53:14It's a debt of honor.
00:53:15But I've told you we have no money.
00:53:17Where do you propose I turn for 400 pounds?
00:53:20I have no suggestions to make.
00:53:22And I'm afraid you'll have to raise 500, not four.
00:53:24Really?
00:53:25100 pounds added for interest or damages to Duce Ace's wounded feelings?
00:53:31I'll try to explain as kindly as I can.
00:53:34Mr. Duce Ace came to me privately.
00:53:36He was too much the gentleman to charge this before the club.
00:53:38It seems that you played dice with him sometime last week
00:53:41and he lost 100 pounds.
00:53:43He did?
00:53:44Well, it's so hard to remember.
00:53:46At your house, you used a pair of silver dice.
00:53:49Loaded dice.
00:53:50He managed to take them with him.
00:53:52After the game.
00:53:54Unfortunately, I've never seen them before.
00:53:58Do you intend to use them?
00:54:00I hope not.
00:54:01Oh, come, come on.
00:54:02You're rather enjoying this.
00:54:03Here I am.
00:54:04You've always considered me Amelia's bad angel.
00:54:07You've always hated me.
00:54:08Now I'm in your power.
00:54:09Well, not in my power.
00:54:10I'm still trying to help Rorden.
00:54:11Oh, of course.
00:54:12Then this isn't a personal matter.
00:54:14Then, if I appeal to your chivalry,
00:54:17would you lend me the money?
00:54:19No?
00:54:20But perhaps you'd grant me a delay.
00:54:23I don't think I could persuade Mr. D'Usays.
00:54:25I didn't think you would.
00:54:26So I came all prepared to do business with you.
00:54:29I have something to sell.
00:54:30Something I think you'd be interested in buying.
00:54:32Madam, I couldn't possibly be...
00:54:34Oh, wait.
00:54:35Wait until you see it.
00:54:36I brought it with me.
00:54:37By the way,
00:54:38I was brokenhearted to hear that Amelia had rejected you again.
00:54:40Mrs. Crawley.
00:54:41Poor darling Amelia.
00:54:42She's still possessed with the idea that she must be true to George.
00:54:45Loyal to the dear ghost who was so true to her when he was alive.
00:54:48I had no desire to discuss...
00:54:50Not to discuss how to gain the key to a rusted little heart captain.
00:54:53Oh, what noble self-denial.
00:54:55George wrote me a letter.
00:54:57Not a literary gem, but clear.
00:55:00The idea was that he and I eloped.
00:55:04You remember the Duchess of Richmond's Ball.
00:55:06We were to go away that night.
00:55:07Oh, it would be invaluable in your courtship.
00:55:10Can you imagine the change it would bring in Amelia?
00:55:13It's for sale.
00:55:14500 pounds.
00:55:15Mrs. Crawley, women like you...
00:55:17How much time have I to pay?
00:55:21Till tomorrow morning.
00:55:22Oh, generous.
00:55:24Generous.
00:55:25You'll get the money.
00:55:32I was just thinking,
00:55:33if I were Amelia,
00:55:34would I respond any more readily to your charms?
00:55:47I walked up and down in front of the hotel.
00:55:51And I didn't dare come in.
00:55:53But how could I resist when I knew you were in town and...
00:55:56But, Rebecca, you haven't told me anything.
00:55:58What is it?
00:55:59What has happened?
00:56:00Tell me.
00:56:01No, I can't.
00:56:02Your kindness only makes it worse.
00:56:04Rebecca, my dear girl.
00:56:05My own little sister.
00:56:07Tell me.
00:56:08I have a right to know.
00:56:09I'm the head of the family now.
00:56:10Why do you force me?
00:56:12It's so humiliating to talk of money.
00:56:15Oh, dear.
00:56:16Perhaps you're right.
00:56:17Your secrets are your own.
00:56:19Yes.
00:56:20Why should I tell you that I need 500 pounds at once or else I'll kill myself?
00:56:24You shouldn't.
00:56:25You mustn't.
00:56:26Even if you did, I couldn't afford any more money.
00:56:28Oh, I know.
00:56:29I know.
00:56:30You've always been most generous.
00:56:32Besides, someone else has offered to help me.
00:56:36Someone else?
00:56:37Who?
00:56:38Oh, a friend.
00:56:41On second thought, you can have it, sister.
00:56:44Brother.
00:56:47But on a condition that you let me rescue you from an unholy and imprudent connection.
00:56:52I refer to the Marquess of Steyn.
00:56:54Promise me that.
00:56:55Dear Rebecca, promise me.
00:56:57My conscience is against it.
00:56:59My conscience.
00:57:00And your conscience is kissing my hand now.
00:57:02Yes, my brotherly love.
00:57:03Oh, Rebecca, do you recall how...
00:57:05how we read sermons together?
00:57:07Couldn't we read a few soon?
00:57:11Isn't the Marquess of Steyn fortunate?
00:57:12He has no conscience.
00:57:14And as for brotherly love, not an ounce of it.
00:57:22Thus each performs her part, Mama.
00:57:25The birds have found their voices.
00:57:28And I'm to find 500 pounds for you and thus perform my part.
00:57:32Blowing rose of flesh, Mama.
00:57:35A bonny cheek to die.
00:57:38Why do you sing, my dear?
00:57:40Is that a prosaic matter?
00:57:42I sing because I'm embarrassed.
00:57:44And I sing because I hate to beg.
00:57:46I'm sorry I appear to make it so difficult for you.
00:57:48The money is at your disposal, of course.
00:57:50And what's it for this time?
00:57:52Pretty ribbons?
00:57:53Toast for your breakfast?
00:57:54Or to save my name?
00:57:55Or charity?
00:57:56Ah, charity.
00:57:57There we have it.
00:57:58I'm trying to help an unfortunate man with a deserving wife.
00:58:01Perhaps you know them.
00:58:03The Crawleys.
00:58:04He got in a disagreeable mess at his club.
00:58:07A gambling debt.
00:58:08I'm delighted with the opportunity to serve you.
00:58:14If I give you this money,
00:58:16will you consider the possibility of granting me this evening
00:58:20that little supper that you've promised me for so long now?
00:58:23Oh.
00:58:24I've been very patient, you know.
00:58:26I am sorry, but Rorden and I planned something else for this evening.
00:58:30Will he not be going to the club in a hurry to pay that unfortunate debt?
00:58:37Perhaps...
00:58:43He'll have to, won't he?
00:58:48Yes.
00:58:55Thank you, my dear.
00:58:57And now go on with your singing.
00:58:59You sing most charming.
00:59:03There's sunshine in my heart, Mama,
00:59:07which wakens and rejoices.
00:59:11And so I sing and blush, Mama,
00:59:14and that's the reason why.
00:59:17And so I sing and blush, Mama.
00:59:29And so I sing and blush, Mama.
00:59:34No luck.
00:59:35No.
00:59:36Did you try everybody?
00:59:37Yes.
00:59:38Everybody.
00:59:39Come here.
00:59:41Sit down.
00:59:43Shut your eyes.
00:59:46Isn't that a wonderful surprise?
00:59:51Wonderful.
00:59:53Where did you get it?
00:59:55Stained?
00:59:56Oh, nonsense.
00:59:57Young Southdown came in this afternoon.
00:59:58You know he owed me 500 pounds.
01:00:00No, I didn't.
01:00:01When did you discover it?
01:00:02The moment he sent the money, silly.
01:00:04Sent it?
01:00:05I thought he came over.
01:00:06Well, both.
01:00:07He came over and he sent Fifine in with it.
01:00:09Well, take it, darling.
01:00:11Be on your way with it.
01:00:12There's no time to lose.
01:00:15No, I suppose not.
01:00:18Well, darling, you've had a miserable day.
01:00:19You need some amusement.
01:00:21Would you like to stay at the club this evening
01:00:22and play billiards?
01:00:25Yes.
01:00:27You're not taking the money.
01:00:29Yes, I was going to leave the money, wasn't I?
01:00:31But you must go tonight.
01:00:33Tonight, eh?
01:00:34It would be quite serious if I didn't.
01:00:37Tonight.
01:00:39I agree with you.
01:00:41Oh, Rodden.
01:00:42It's our last day.
01:00:43We'll never have another.
01:00:44Once this last day is paid.
01:00:58But did it really happen?
01:01:01Well, it may have.
01:01:04No sugar.
01:01:05Thank you for remembering.
01:01:08Your little house is flooded.
01:01:11And my little head is in the clouds.
01:01:12But your senses swim.
01:01:14Don't leave that out, Becky.
01:01:15In a sea of happiness.
01:01:16I don't know what I'm about.
01:01:17I'll tell you.
01:01:19You are about to eat a strawberry.
01:01:22I saw you watching while I was kissing your hand.
01:01:24My lord, you've wounded me.
01:01:25Do you question my emotion?
01:01:27On the contrary.
01:01:28I'm flattered that a midnight visit from the wolf
01:01:30should prove so exciting to a lamb of your coolness
01:01:33and self-possession?
01:01:34Well, I'm sorry to disappoint your lordship,
01:01:36but this lamb is far from being excited.
01:01:41She thinks there's some good in every wolf.
01:01:45Poor, optimistic lamb.
01:01:47What was that?
01:01:48Nothing.
01:01:49Somebody singing in the street or quarrelling or making love.
01:01:55Why, you don't expect an intruder, do you?
01:01:57No.
01:01:58Returning husbands can hardly be called intruders.
01:02:01What a pity that yours is forced to remain away.
01:02:02You seem confident, my lord.
01:02:03I am.
01:02:04Curiously enough, Mr. Crawley was arrested by a bailiff
01:02:05just as he was entering his club.
01:02:06Arrested?
01:02:07So I have reason to believe.
01:02:08Of course, I wasn't there to see it myself.
01:02:09It was a most unfortunate mistake.
01:02:10In the morning, the mistake will be discovered.
01:02:11There will be apologies.
01:02:12The whole thing will be treated.
01:02:13There will be apologies.
01:02:14The whole thing will be treated.
01:02:15The whole thing will be treated.
01:02:16The whole thing will be treated.
01:02:17as a harmless little joke.
01:02:18Only a joke.
01:02:19Then we are free to enjoy the wine.
01:02:20And with your wit and charm,
01:02:22how easy it will be to forget everything.
01:02:23Not everything, Becky.
01:02:24You mustn't forget your ambitions.
01:02:25Ambitions?
01:02:26I work like a galley slave to get into your fine society.
01:02:27And what have I got for it?
01:02:28The privilege of dining with the dullest people in London.
01:02:29You can't have ancestors and not be dull.
01:02:30I'd rather be a Paterson's wife.
01:02:31But you're not, Becky.
01:02:32You don't cook or so,
01:02:33we must think of the same as a bit of a nightmare.
01:02:34If you say the whole thing will be treated as a harmless little joke.
01:02:35No joke.
01:02:36Then we are free to enjoy the wine.
01:02:37And with your wit and charm,
01:02:38how easy it will be to forget everything!
01:02:40Not everything, Becky.
01:02:42You mustn't forget your ambitions.
01:02:44Ambitions?
01:02:46I work like a galley slave to get into your fine society.
01:02:49And what have I got for it?
01:02:50The privilege of dining with the dullest people in London.
01:02:55You can't have ancestors and not be dull.
01:02:56I'd rather be a Parson's wife.
01:02:58But you're not, Becky.
01:02:59You don't cook and sew and mend stockings?
01:03:02No.
01:03:03Nor do I replenish the earth.
01:03:11Therefore, you must enjoy life as you find it, Vicky.
01:03:14We mustn't be hypocrites, you know.
01:03:17Otherwise, what would happen to things like this little feast of ours?
01:03:20This innocent little feast?
01:03:23My lord, always your little generosity.
01:03:27What beautiful pearls.
01:03:31Did you hear something?
01:03:32You heard your own wicked little heart.
01:03:34No, no.
01:03:35How did you do it, Vicky?
01:03:37How did you ever catch my fancy?
01:03:39Because there isn't an ounce of sweetness or goodness about you.
01:03:42That's your secret.
01:03:43Oh, wait, wait.
01:03:44We must drink to that.
01:03:46To your marvelous portrait of me.
01:03:47To your shrewd understanding.
01:03:49Here's to...
01:03:57My lord and I are having...
01:04:01My lord and I...
01:04:02My lord and I...
01:04:05You didn't go to the club.
01:04:07When you left the house, you didn't go to the club.
01:04:09A trap, hmm?
01:04:12Mrs. Crawley's husband returns home unexpectedly.
01:04:15He doesn't go to his club.
01:04:16Well, sir, how much am I blackmailed for?
01:04:19Oh, I've done nothing.
01:04:20I'm innocent, my lord.
01:04:21Tell him I'm innocent.
01:04:22Innocent?
01:04:23Come, what's the amount?
01:04:25I've already paid $500 for your absence.
01:04:29No, no, no!
01:04:30Run!
01:04:31Run!
01:04:38I'll make you pay for this.
01:04:40You'll regret this to the end of your life.
01:04:46Why bother?
01:04:47Why bother?
01:04:49Why bother about something that you don't own...
01:04:51and I don't want?
01:04:57Oh, Rodan, listen to me.
01:04:58If I've ever done anything...
01:04:59No, girls.
01:05:00Take the bath.
01:05:01I can explain.
01:05:02I've nothing to hide.
01:05:03All the world might have been here.
01:05:04Don't hate me!
01:05:05Oh, let them go.
01:05:06I don't want them.
01:05:07It's only you I want.
01:05:08I love you.
01:05:09I love you.
01:05:10I won't let you go.
01:05:12I'll fight for you.
01:05:13I couldn't have done anything else.
01:05:15I had to help.
01:05:16I had to do something for you.
01:05:17For both of us.
01:05:18Don't hate me.
01:05:19Try to understand.
01:05:20Oh, my darling, I'm yours.
01:05:22Nothing else matters.
01:05:23My love for you is the only real thing I have in my life.
01:05:26Don't take that away from me.
01:05:32Don't leave me.
01:05:33You can't leave me.
01:05:34I'm your wife.
01:05:35Not my wife.
01:05:36Just someone I was once married to.
01:05:38But that's over with.
01:05:39Ron!
01:05:40Ron!
01:05:45Oh!
01:05:46Oh!
01:05:47Oh!
01:05:48Ron.
01:05:50Oh, Ron.
01:05:51Oh!
01:05:56Oh!
01:05:58They'll all laugh at me.
01:06:00Oh!
01:06:02Oh!
01:06:03They'll laugh!
01:06:04Oh!
01:06:05Oh!
01:06:10Oh!
01:06:15Oh!
01:06:57Oh, I love Whindy.
01:07:04Oh, I love Philly.
01:07:06Oh, dear Whindy.
01:07:07Oh, I love Whindy.
01:07:09Oh, dear Whindy.
01:07:13Capital, capital.
01:07:15I've no idea such places existed.
01:07:18The seamy side of life, my boy.
01:07:19The seamy side, eh?
01:07:20Yes, and we've been watching the sea.
01:07:27Young Molly who lives at the foot of the hill
01:07:38Whose fame every maiden with envy does fill
01:07:42No, Maya's a tricking man.
01:07:47It's Mrs. Crawley, Becky.
01:07:49She's been out of England.
01:07:49So she's had to come back one, thanks to speak to you.
01:07:54Oh, that's enough.
01:07:56I bet my feel you're singing, too.
01:07:58Here, here.
01:07:59Don't annoy her lady, sir.
01:08:01With the delicate air.
01:08:06I feel you're delicate.
01:08:08See how delicate I am.
01:08:10Delicate!
01:08:10Don't take me, ye swains, who won't conquer the fair
01:08:16How to win the dear last with the delicate
01:08:20Delicate, that was my trouble, too
01:08:24How to win the dear last with the delicate
01:08:31Delicate, that was my girl
01:08:53How to win the dear last with the delicate
01:08:57I am a hunter!
01:09:03Come here!
01:09:14Out! Out with you! You imposter! You fraud!
01:09:18You'll disgrace my house! The finest place in far!
01:09:22A pigsty run by a hog for swine!
01:09:25And what are you?
01:09:26A lady!
01:09:39That's right, dearie. Read the cards.
01:09:43Ask him where to find the money for the landlord.
01:09:47Because you pay today or out you go.
01:09:50Tell him I'll settle tomorrow.
01:09:52Do you think he'll believe that?
01:09:54He heard all about what happened to the great singer last night.
01:09:58I'm expecting a remittance any day now.
01:10:01I'll bring to my brother who's a rich man, a baronet.
01:10:04Your brother!
01:10:05I used to call them my cousins.
01:10:08I had an o and a coat.
01:10:11You wouldn't think it, would you, looking at me now?
01:10:14I was a dancer.
01:10:15I had my own park lane, my jewels, my carriages.
01:10:22Now I've got my broom and my scrubbing brush.
01:10:27There won't be any brush for me, nor broom, you old crow.
01:10:29It's not in the cards.
01:10:32The King of Hearts.
01:10:34Rorden.
01:10:35See how close we are to each other?
01:10:37There's the King of Spades between you.
01:10:39The King of Spades.
01:10:41He always keeps us apart.
01:10:43Well, you couldn't forget about it if you're drinking up brandy.
01:10:47Superstition, nonsense.
01:10:49I'm not the Queen of Hearts and Rorden's not the King.
01:10:52Who cares?
01:10:54Cards won't bring him back anywhere.
01:10:56Then why do you sit here wishing, sighing?
01:11:00Because I dream and I don't want to dream.
01:11:02I don't want to see him shipwrecked, killed, dying of fever.
01:11:06The Ace of Spades.
01:11:08Do you think he's dead?
01:11:11Cards never lie.
01:11:32What the devil?
01:11:34Perhaps we're not welcome.
01:11:35Here.
01:11:38Mrs. Crawley?
01:11:43Becky?
01:11:45Come in.
01:11:48Becky!
01:11:49What a time I had finding you.
01:11:51What happened to you after the theatre last night?
01:11:52Did you fly off in a balloon?
01:11:54Becky, you mustn't look away.
01:11:56Emmy, how can I face you here, looking like this?
01:11:59Joseph, my gentle friend.
01:12:02That's better.
01:12:03I thought you were going to throw me out.
01:12:04You know, that brush in my stomach wasn't very cordial.
01:12:07Emmy, what are you doing here?
01:12:09Why did you come?
01:12:10Nothing could have kept me away.
01:12:12When Joseph came home and said that he'd seen you...
01:12:14I said, Emmy, I've just seen Becky cutting capers.
01:12:18She said you didn't.
01:12:19I said I did. Capers.
01:12:20We've gone on arguing for hours.
01:12:22But Dobbin arrived with a pioneer.
01:12:24Dobbin?
01:12:25Is he with you?
01:12:26Are you married to him?
01:12:27Oh, no, he just happened to accompany us.
01:12:29That happens.
01:12:30He's been happening for years.
01:12:32What I mean to say is, accompanying Emmy.
01:12:34At this very moment, he's down in the taproom, accompanying a mug of beer.
01:12:37He wouldn't come up.
01:12:38He still remembers.
01:12:40Don't, Becky.
01:12:42The past must be forgotten.
01:12:44Oh, not there, dear. It's such a mess.
01:12:46I've been too sick, too dejected to put things in order.
01:12:49It doesn't matter, dear.
01:12:51We always used to sit on the bed for our talks.
01:12:54Come sit by me.
01:12:55Amelia.
01:12:59Becky, I...
01:13:01I still have your little bed. It's in my house.
01:13:04Oh!
01:13:05Would you like to have it again for your very own?
01:13:08I offer it to you with...
01:13:10With all the old affection.
01:13:11Amelia.
01:13:13You can't stay here.
01:13:14Come and live with me.
01:13:16Oh, this is a dream.
01:13:17A dream, eh?
01:13:18Well, it isn't.
01:13:20Leave us, Joss.
01:13:21Go down to Dobbin in the taproom.
01:13:23Becky and I have much to say that's not for strange years.
01:13:25My years, strange?
01:13:27They're the same ones I've worn for 40 years.
01:13:32Did you mean what you saved me?
01:13:34Do you know what you're doing for me?
01:13:35You're saving me from myself, from this.
01:13:38From Pitt with this.
01:13:39Learing charity in his clammy hands.
01:13:41I've written him a letter.
01:13:42Pleading for money.
01:13:43You have no need of him now?
01:13:45No, I can go with you.
01:13:46Oh, for the first time in years, I'm happy again.
01:13:50I can breathe.
01:13:51You've done this for me.
01:13:53You, Emma, you.
01:13:55Always you've been like a sister to me.
01:13:57Always.
01:14:00Come in.
01:14:02Oh.
01:14:03You've decided to come up after all.
01:14:07Amelia.
01:14:08Joseph has just told me that you've asked Mrs. Crawley to...
01:14:11Oh, I knew it.
01:14:12It was too good to laugh.
01:14:13But you've asked her to come and live with you.
01:14:15He told you the truth, William.
01:14:16Becky's the oldest friend I have in the world.
01:14:18She wasn't always a friend to you.
01:14:19I don't care to remember that.
01:14:21Isn't there such a thing as forgiveness?
01:14:23Forgive her if you will help her.
01:14:24Give her money, but don't take her with you.
01:14:26She needs me.
01:14:28She's hard.
01:14:29She's selfish.
01:14:30She'll take advantage of you.
01:14:31As your friend, I can't let you do this.
01:14:33Promise me you won't.
01:14:34I've given you the devotion of a lifetime.
01:14:36This is the only favor I've ever asked of you.
01:14:38If you deny me, this will mean the end of our friendship.
01:14:42I must do what's right.
01:14:45Then, goodbye.
01:14:50William!
01:14:51You're in love with the man.
01:15:04You can't live without him.
01:15:06It would break your heart to lose him.
01:15:08Emmy, I'm not coming home with you.
01:15:11I'll not let you do this.
01:15:12I'll send you back to Dobbin.
01:15:13No matter how much he's hated me.
01:15:16Don't give up, love.
01:15:17Don't let it be taken from you by me or anybody else.
01:15:20Fight for it.
01:15:21Keep it.
01:15:22It doesn't come often.
01:15:23But you, you...
01:15:24Don't worry about me.
01:15:25I'll manage.
01:15:26Go downstairs.
01:15:27He'll be waiting for you.
01:15:28Take his hand.
01:15:29Ask him to marry you.
01:15:31I can't.
01:15:32I'll never marry him.
01:15:33You will?
01:15:34Why shouldn't you?
01:15:35Because of George.
01:15:37I must be true to his memory.
01:15:39His love.
01:15:40Love?
01:15:41Why, you fool.
01:15:42You monkey, he never really loved you.
01:15:43He did.
01:15:44I'll prove it to you.
01:15:45No matter what you say or think, he did.
01:15:47Oh, he was never faithful to you.
01:15:48He made love to me because you were hardly married to him.
01:15:51Your husband in heaven.
01:15:53Here it is.
01:15:55You know the handwriting.
01:15:57He wrote this to me.
01:15:58Sent it to me in Brussels right under your unsuspecting little nose.
01:16:01Now you know.
01:16:02Now you're free to forget the past.
01:16:05Go to the man who really loves you.
01:16:07Marry him.
01:16:08Go on.
01:16:09Go on.
01:16:10I say, Emmy, did you and Dobbin have a breath?
01:16:14Just you're drunk.
01:16:16Drunk?
01:16:17I drunk.
01:16:19This is an injustice.
01:16:22Am I her only brother?
01:16:25Similarly, is she my only sister?
01:16:28Similarly, where is she running to?
01:16:32To Dobbin.
01:16:33She's going to marry him.
01:16:34Huh?
01:16:35Why, I think that's beautiful.
01:16:39What's the matter with you?
01:16:40What have you lost?
01:16:41Lost my heart out of my bosom.
01:16:44To see my sister blessed with such happiness.
01:16:47Why, weep.
01:16:48They'll be happy, but they haven't stolen all the happiness in the world.
01:16:51I think they have.
01:16:54Would you like to sit down and be just as happy as they are?
01:16:57Yes.
01:16:58Do you like brandy, Joseph?
01:17:00Well, how would it sit with a beer in there?
01:17:03Perfect.
01:17:04Extra fine cognac.
01:17:05And we have biscuits and gorgonzola.
01:17:08We'll have a little feast.
01:17:09Do you mind sharing the plate with me?
01:17:11Quite the contrast.
01:17:12I'll even share the bottle.
01:17:15Have only one night.
01:17:16I'm ashamed to admit.
01:17:18Isn't it enchanting?
01:17:19Enchanting.
01:17:20You're enchanting too.
01:17:23Drink hearty, drink deep.
01:17:26A million years have passed since we drank together.
01:17:29Or sat together undisturbed.
01:17:32Returning glance for glance.
01:17:35Smile for smile.
01:17:37Gorgonzola for gorgonzola.
01:17:40To the happy two people.
01:17:43To the memory of the past.
01:17:45And the joy of the present.
01:17:48When two people meet again and they agree.
01:17:51That's it.
01:17:52Agree.
01:17:53I honor the sentiment, Becky.
01:17:56To pitch their little tent or little cottage.
01:17:59With the trees and the stars above.
01:18:01I honor the stars above.
01:18:03And the murmuring of moonlit streams.
01:18:06And the perfume of flowers.
01:18:09That's you, you dear gay fellow.
01:18:12It's you that are gay, Becky.
01:18:15Gay and...
01:18:16and...
01:18:17and gallant.
01:18:18Come...
01:18:19Come closer, Becky.
01:18:20Oh, Josh, you frighten me.
01:18:22You're so intense.
01:18:23Intense, but...
01:18:24but honorable, Becky.
01:18:26Tell me.
01:18:27Are you a widow?
01:18:29Yes or no?
01:18:31Because...
01:18:32you must become...
01:18:33my widow next.
01:18:35Later.
01:18:36Later we'll talk about it.
01:18:37Now you must help me pack.
01:18:38I've had enough of all this.
01:18:39We're going.
01:18:40Going?
01:18:41Where?
01:18:42Mayfair.
01:18:43India.
01:18:44Anywhere.
01:18:45Away from all this.
01:18:46We can't, Becky.
01:18:47I have no money.
01:18:49No money?
01:18:50You're poor?
01:18:52Who dares accuse Joseph Waterloo of poverty?
01:18:56No.
01:18:57It's just that I have no cash.
01:18:59We have to wait here for a week.
01:19:01Until my next month alarm has come.
01:19:02But I can't wait.
01:19:03The landlord will have me jailed by then.
01:19:05Speak of the devil.
01:19:08Who's there?
01:19:09It's I, Rebecca.
01:19:10And Jane.
01:19:14They are here.
01:19:15My letter, they've come.
01:19:17What shall I do?
01:19:18Let me, let me throw them out.
01:19:20Wait.
01:19:21Perhaps they're a blessing in disguise.
01:19:23Vicky.
01:19:24Sister.
01:19:25Brother.
01:19:26The money we need.
01:19:27I'll get it from Pitt.
01:19:29Oh, darling Jane.
01:19:31I can't believe it's really you.
01:19:33One moment.
01:19:34One moment.
01:19:35I must make myself resentful.
01:19:37Climb out of the window.
01:19:39If Pitt finds you here, I'll never get the money from him.
01:19:42Climb out.
01:19:43I can't.
01:19:44Listen.
01:19:45She's gone to my head.
01:19:46I'm almost ready.
01:19:48Quite ready.
01:19:49There you are.
01:19:51There it is.
01:19:52There it is.
01:19:53There it is.
01:19:54Oh.
01:19:55This bliss.
01:19:57This happiness.
01:19:59Jane.
01:20:00Jane.
01:20:01My Jane.
01:20:02My Jane.
01:20:03My forgiving kinsman.
01:20:05To see you again.
01:20:07To feel my hand in yours after such a long time.
01:20:10Your letter came, Rebecca.
01:20:11Our hearts were deeply touched by your plight.
01:20:13My prayers have been answered.
01:20:15Yes.
01:20:16We've come to rescue you.
01:20:17To restore you to the bosom of our family.
01:20:19To the tranquility of Queen's Crawley.
01:20:21Queen's Crawley.
01:20:22I'm overcome.
01:20:23But before we do that, my dear, you must cleanse your soul.
01:20:27Ah.
01:20:28Rebecca.
01:20:29Would it not make you happy to go to church with us?
01:20:31Before we talk of anything else?
01:20:33Oh, I'd go happily.
01:20:34Happily.
01:20:35As soon as I settle with the landlord.
01:20:37He'll not let me leave the house until I pay the money I owe him.
01:20:40Isn't the peace of your soul more urgent?
01:20:43Yes.
01:20:44But so is the landlord.
01:20:45Urgent.
01:20:46And I trust it's not a large amount.
01:20:50Oh, no.
01:20:51Two hundred pounds.
01:20:52Settle with him for thirty-five.
01:20:54A hundred and fifty?
01:20:55Fifty, then.
01:20:56Make it a hundred, brother.
01:20:57Then we can go and listen to the sermon.
01:20:59Oh.
01:21:01What was that?
01:21:03Aren't you alone?
01:21:04Alone.
01:21:05Always alone.
01:21:06It must have been a mouse.
01:21:08And now, dear, get your wallet and come.
01:21:10To regain peace.
01:21:12Yes.
01:21:13Regain.
01:21:14Peace.
01:21:15Oh.
01:21:16Peace.
01:21:17Oh.
01:21:18Peace.
01:21:19Regain.
01:21:20Barney.
01:21:21Oh.
01:21:22What is wrong?
01:21:23You feel?
01:21:24My heart.
01:21:25The excitement of seeing you again.
01:21:28Water.
01:21:29Oh, no, no, no.
01:21:30Perhaps I'll feel better soon if I rested.
01:21:33Yes.
01:21:34Rest.
01:21:35And I shall stay with you and care for you in your knees.
01:21:37Oh, no, you mustn't.
01:21:38I'd never forgive myself if you missed the service.
01:21:40You must go, dear.
01:21:41I'm used to my solitude.
01:21:42Please go and come back for me later.
01:21:45Come, dear.
01:21:46Rebecca's overwrought.
01:21:47Soon she'll be better.
01:21:48This book of moral precepts which we've brought you.
01:21:50When you're better, read and profit.
01:21:52The title is Rewards of Virtue.
01:21:54Ah.
01:21:55Until later then, poor child.
01:21:57Rest well.
01:21:58100 pounds.
01:21:59And I owe the landlord 12.
01:22:00Don't stand there blinking at me.
01:22:01We must get out of here.
01:22:02I'm not blinking.
01:22:03That's love.
01:22:04Oh, the trunk before love.
01:22:05Put those letters in the locket.
01:22:06We're going.
01:22:07Going.
01:22:08India.
01:22:09Rich princes.
01:22:10Taxes to collect.
01:22:11Motherflies.
01:22:12Little.
01:22:13Ah.
01:22:14Ah.
01:22:15And barges and rubies and gold.
01:22:16The book.
01:22:17The book.
01:22:18Oh.
01:22:19The book.
01:22:20Oh.
01:22:21Pit.
01:22:22Brother.
01:22:23Yes, Rebecca.
01:22:24My deepest gratitude, brother.
01:22:25But virtue is its own reward.
01:22:27Oh.
01:22:28Oh.
01:22:29Oh.
01:22:30Oh.
01:22:31Oh.
01:22:32Oh.
01:22:33Oh.
01:22:34Oh.
01:22:35Oh.
01:22:36Oh.
01:22:37Oh.
01:22:38Oh.
01:22:39Oh.
01:22:40Oh.
01:22:41Oh.
01:22:42Oh.
01:22:43Oh.
01:22:44Oh.
01:22:45Oh.
01:22:46Oh.
01:22:47Oh.
01:22:48Oh.
01:22:49Oh.
01:22:50Oh.
01:22:51Oh.
01:22:52Oh.
01:22:53Oh.
01:22:54Oh.
01:22:55Oh.
01:22:56Oh.
01:22:57Oh.
01:22:58Oh.
01:22:59Oh.
01:23:00Oh.
01:23:01Oh.
01:23:02Oh.
01:23:03Oh.
01:23:04Oh.
01:23:05Oh.
01:23:06Oh.
01:23:10Oh.
01:23:11Oh.
01:23:12Oh.
01:23:13Oh.
01:23:14Oh.
01:23:15Oh.
01:23:16Oh.
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