- 3 weeks ago
Category
🎥
Short filmTranscript
00:00:00You
00:00:30THE END
00:01:00I am not interested in your problems, Agent Karloff.
00:01:09I am only interested in getting our property back
00:01:11and getting rid of their agent permanently.
00:01:30The END
00:01:40This is Banner.
00:01:44I must meet you.
00:01:47Well, I can finish up here later.
00:01:50Sure.
00:01:51When can we meet?
00:01:52Not tomorrow.
00:01:54I've got a little side trip I've got to take first.
00:01:57The next day, then?
00:01:58I could meet you Thursday night in L.A., though.
00:02:00At the Bonaventure?
00:02:01Yeah, at the Bonaventure.
00:02:02Sure.
00:02:03Okay.
00:02:04All right, Miss Karloff.
00:02:05Eight-ish?
00:02:06Eight-ish it is, then.
00:02:08Okay.
00:02:09Sorry, Ling.
00:02:12Got to go.
00:02:13But maybe we can pick this up another time, huh?
00:02:16Or even another lifetime, darling.
00:02:20Ciao.
00:02:20Bye.
00:02:20Oh, my God.
00:02:50Oh, what a waste.
00:02:56Francois, are you coming?
00:02:57Oui, monsieur.
00:02:59At least, monsieur Banner, I got my gun off.
00:03:04God, I love this job.
00:03:06Ha, ha, ha, ha.
00:03:09Ha, ha, ha, ha.
00:03:20I'm living on the edge
00:03:31Without a prayer in sight
00:03:34You've got me walking on a ledge
00:03:39In the darkest part of night
00:03:44Standing at the end
00:03:47With so much left to learn
00:03:51You know that you're my only friend
00:03:55I've got nowhere left to turn
00:03:59I'm living on the edge
00:04:04Standing all alone
00:04:07I'm walking on a ledge
00:04:12With nowhere left to go
00:04:15But one day I'll be free
00:04:19And I'll step down off the ledge
00:04:23Until it's over
00:04:26I'll be living on the edge
00:04:32When I'm alone with you
00:04:40The world becomes so clear
00:04:44But then the moments are so few
00:04:48When I can have you near me
00:04:53So much time to work
00:04:57So little time to pay
00:05:00I guess it's just my love in life
00:05:05And a heavy price to pay
00:05:09I'm living on the edge
00:05:12Just standing all alone
00:05:16I'm walking on a ledge
00:05:22With nowhere left to go
00:05:25And one day I'll be free
00:05:28And I'll step down off the ledge
00:05:33Until it's over
00:05:34Until it's over
00:05:36I'll be living on the edge
00:05:42When it's over
00:05:46Truly over
00:05:50I'll be waiting for you
00:05:57When it's over
00:06:03Truly over
00:06:06Truly over
00:06:07I'll be here
00:06:10With you
00:06:14I'm living on the edge
00:06:23Just standing all alone
00:06:29I'm walking on a ledge
00:06:34With nowhere left to go
00:06:37And one day I'll be free
00:06:40And I'll step down off the ledge
00:06:45Until it's over
00:06:47I'll be living on the edge
00:06:52Where the hell is that
00:07:02Unreliable son of a bitch
00:07:04How come you can be on time
00:07:05And he can't
00:07:05He's here sir
00:07:06I saw him in his quarters
00:07:07Last night
00:07:08I'll bet you did
00:07:09I thought you'd do it through again
00:07:10Listen why don't you
00:07:11Just give this to him
00:07:12I'm sick and tired of
00:07:13Sitting around waiting
00:07:14For the great Mr. Banner
00:07:16You called?
00:07:20Well hi yo
00:07:21What the hell is she doing here?
00:07:25Well why don't you just think of me
00:07:27As your report card
00:07:28Python
00:07:28No Mr. E
00:07:30Counts on me
00:07:31To protect the special interests
00:07:33Of these special operations
00:07:35You're doing a swell job
00:07:36Chesley
00:07:37Just what I need
00:07:38A goddamn watchdog
00:07:39Just keep it up Python
00:07:44And you're a dead man
00:07:49You know Python
00:07:53It's really good
00:07:54To see our two agencies
00:07:56Working together again
00:07:57On this mission hot shot
00:08:00You're working for me
00:08:01Oh is that a fact
00:08:02Colonel
00:08:03As long as I outrank you
00:08:04It is
00:08:05Gentlemen
00:08:05I believe
00:08:06We have a job to do
00:08:07All right
00:08:09Just run it down Python
00:08:11It's pretty cut and dry
00:08:13Sonny
00:08:13But if you need me
00:08:15To explain it to you
00:08:16You've got to go someplace
00:08:17You're not supposed to be
00:08:18To take out a radar installation
00:08:20That's not supposed to exist
00:08:21And there's one more thing
00:08:23Super spy
00:08:24I want you to remember
00:08:26That it's because of you
00:08:27I lost my legs
00:08:28In the interest
00:08:30Of interagency cooperation
00:08:32Now you get the hell out of here
00:08:35Before I really get mad
00:08:37And I want you to check with me
00:08:38Every step of the way
00:08:41And if you need backup
00:08:43I'm your contact
00:08:44You understand
00:08:45Trust me
00:08:47I want you to check with me
00:09:17Okay, Banner
00:09:46It looks like the camp
00:09:47Is just a half a mile
00:09:48To the east
00:09:49We might as well
00:09:54Take it down
00:09:55Hey, did you get a good look
00:09:57At that radar unit?
00:09:58Yeah, yeah
00:09:59There's only a couple of guys around
00:10:00It looks like a piece of cake
00:10:01Well, hell, Jake
00:10:03Let's go get a piece
00:10:04Oh, please, Banner
00:10:06Gold is ready
00:10:07I'm sorry
00:10:19I'm sorry
00:10:19I'm sorry
00:10:20I'm sorry
00:10:21I'm sorry
00:10:23But like
00:10:24Go
00:10:24Go
00:10:27Go
00:10:27Go
00:10:28Go
00:10:30Go
00:10:31Go
00:10:31Go
00:10:31Go
00:10:36Oh, Jack, I'm giving you your 38, would you?
00:11:05What?
00:11:07Just, uh, a little extra protection for me.
00:11:14Daddy Yankee?
00:11:17Buenos dias, senorita.
00:11:21Come on, Banner.
00:11:22Let's blow this pop stand.
00:11:24This?
00:11:25I'm sure our comrades will get a bang on this one.
00:11:27Here, take an end to this, will you?
00:11:35Oh, my God.
00:11:49Oh, my God.
00:11:53Oh, my God.
00:12:08Oh, my God.
00:12:10Oh, my God.
00:12:14Oh, my God.
00:12:24Oh, my God.
00:14:38Just hang in there, Val.
00:14:41This was never in the manual.
00:14:42The target is in sight, sir.
00:14:56Good, Lieutenant.
00:14:58What about your friend, Banner?
00:14:59You got him spotted yet?
00:15:01No, no sign of him yet.
00:15:05No sign of him yet.
00:16:33Black Panther, Black Panther, what's the status of our man?
00:16:40Banner's made it into the compound where the Cubans are storing that JVQ radar jamming unit.
00:16:46Thank God for small miracles.
00:16:49You were right.
00:16:51It is compact.
00:16:53Maybe even mobile.
00:16:55Could be a very serious threat.
00:16:57The only serious threat out there is that son of a bitch Banner.
00:17:01All right, just stick to the script and get the job done.
00:17:07Yes, sir.
00:17:07Whatever it takes.
00:17:08Just this plan.
00:18:09Stephen, hurry.
00:18:15Stephen, hurry.
00:18:29Shit.
00:18:39Oh, shit.
00:18:40Stratfish, he broke Banner, my friend.
00:18:54It's been a long time.
00:18:56Too long.
00:18:57Too bad.
00:18:59Our big visit will be short.
00:19:04What the hell is he?
00:19:08Two now.
00:19:10Jeez.
00:19:10Lieutenant.
00:19:11Lieutenant.
00:19:12Yes, sir.
00:19:12Take it there's a problem.
00:19:13Yes.
00:19:14We might need some backup.
00:19:15I figured you as much.
00:19:16What's your position?
00:19:18Banner's coordinates.
00:19:19They're 457.7 latitude, 52.8 longitude.
00:19:26He's got about 30 seconds, sir, to make a splash.
00:19:29Or should I say a bang?
00:19:31All right, just get on with it.
00:19:32Play it safe and cover your ass.
00:19:35Get out of there, with or without Banner.
00:19:37Yes, sir.
00:19:38Yes, I know the drill.
00:19:40Jacqueline.
00:19:41Yes.
00:19:41I hope he doesn't forget what he came there for.
00:19:44Yes, I'm sure he'll take the jamming unit out.
00:19:46He can take care of himself, sir.
00:19:48Yeah, if I know him, he'll probably take himself out with it.
00:19:52And don't worry about the backup.
00:19:54It's on its way.
00:19:56Out.
00:20:06Yeah, this is Python.
00:20:08Give me the Pentagon.
00:20:11Huh?
00:20:12I'm surprised that your government can't do better than this.
00:20:15Oh, General, you know what the budget cuts that our government's doing.
00:20:26I mean, it just makes our job a little harder.
00:20:28Ah!
00:20:37Nice.
00:20:38Nice.
00:20:39You know, General, time flies when you're having fun, doesn't it?
00:20:43Come on, get out of there, Stephen James Banner.
00:21:00It does look down there, General.
00:21:02Very small!
00:21:04No, get out.
00:21:05Oh!
00:21:06Oh!
00:21:08No, don't let me know.
00:21:10Give me the gun!
00:21:11Near me!
00:21:13I'm sure!
00:21:16Hey, me!
00:21:18Oh, come on!
00:21:18Come on.
00:21:29Go!
00:21:31Go!
00:21:32Oh, oh, oh.
00:21:34Breathe.
00:21:34oid.
00:21:35Armino!
00:21:36Armino!
00:21:37No lo siento!
00:21:38¡Excepto!
00:21:47Chachos, apúrate!
00:21:48Traigan a un equipo!
00:21:49Mándale, mándale!
00:21:51Apúrate, apúrate!
00:21:52¡Venga, armino!
00:22:05Púrate, apúrate!
00:22:06Dios mío, Santa María!
00:22:35El
00:23:05I wonder how I am so fired.
00:23:35Code 5, Code 4, come in. Can you read?
00:23:44I'm a little busy right now.
00:23:47I'm sorry, I lost your visual. Can you make it to the plane?
00:23:51Roger, I'm almost there. You'd better be too, Jack.
00:24:05Go, go, go.
00:24:26This is Code 5, Code 5. Jacqueline, are you there? Come in.
00:24:29No, no. What was that explosion?
00:24:31It's our ticket out of here.
00:24:34The plane? The plane's been hit?
00:24:37All right, listen. I radioed for some backup earlier.
00:24:41There should be a chopper at the rendezvous point.
00:24:43Any minute.
00:24:44Okay, on my way.
00:24:47You better be there, you son of a bitch.
00:25:041-3-1-3. Roger, 3-1-3.
00:25:30Go on, Jacqueline. Get the hell out of here.
00:25:34Go on, Jacqueline.
00:25:59That smells too long.
00:26:04Come on, Jacqueline.
00:26:14Buddy.
00:26:16Three's a crowd.
00:26:22Oh, Steven.
00:26:24Jack.
00:26:25Bravo, Leader. This is Code 5, Commander. Do you have copy?
00:26:381-3-3.
00:26:40All right. The target is permanently disabled. I repeat, permanently disabled. Take your troops to the pre-designated coordinates and destroy the remains of the camp. Do you understand, Bravo, Leader?
00:26:521-2-3.
00:26:55Good.
00:26:59God damn it, Banner! Nobody touches that camp. Do you copy, Bravo, Leader?
00:27:05Banner! What frequency are you on?
00:27:09Switching to frequency 1.25 X-ray.
00:27:12Charlie Company, Team Leader.
00:27:13Charlie Company, Team Leader.
00:27:14Are you in position?
00:27:18Banner! Can anybody hear me?
00:27:23I knew he'd do this to me. They're gonna have my ass for this.
00:27:29Good. But remember, this is the 1980s, guys, and not the Bay of Pigs. So just back up Bravo Company with some firepower and get your boys home. Is it understood, Charlie?
00:27:42Yes, sir, Captain. We're moving in now.
00:27:44Good luck, man.
00:27:45Out!
00:27:46Out!
00:28:04Banner!
00:28:15Banner!
00:28:20Oh, man.
00:28:21Hmm...
00:28:24Mm, hmm...
00:28:30Mandy!
00:28:31Oh, shit!
00:28:32He's удивÕ
00:28:36He's deceived.
00:30:37Paul Cotter, high school senior, valedictorian, cheerleader and poet laureate of public school 247 in Brooklyn.
00:30:45Let's hear it for him.
00:30:46Yes, Natasha.
00:30:54I'm sorry.
00:30:55I'm sorry.
00:30:56The main agent Karloff is on the phone.
00:31:01Ah, comrade Karloff, is the meeting still on?
00:31:07Yes, sir.
00:31:08I reached Banner in Hong Kong.
00:31:10Thought this guy was raising hell in Cuba.
00:31:14That's the preliminary report.
00:31:16Let's see.
00:31:17Banner.
00:31:18E-A-N-N-E-R.
00:31:23Stephen James.
00:31:27Data is coming up on the screen now.
00:31:29Oh, yes.
00:31:30Number three.
00:31:31Age 32.
00:31:32Single.
00:31:33High kill ratio.
00:31:34Very deadly man, this Banner character.
00:31:36Sir, I don't understand what's so important about the print of that Christmas film Mr. E got from us.
00:31:43Why we'd even want it back?
00:31:44That film's story is not just fictitious Hollywood.
00:31:45There was only one print of that film before we destroyed the negative.
00:31:59But this film documents what one of our agents, the one Mickey Schultz, did last Christmas, and what his potential is for doing more damage this year.
00:32:08That footage is real, comrade.
00:32:13Pardon me, General, but this doesn't seem to be very important from our country's point of view.
00:32:19Just get the film away from the Americans and drop it in the vault at our UN operations.
00:32:26Yes, sir.
00:32:38Ladies and gentlemen, would you please give Mr. E your undivided attention?
00:32:57I believe you all know why you're here.
00:33:02Uh, if you will allow me, sir.
00:33:05It took a great deal of effort and interagency cooperation in order to obtain this valuable piece of black men.
00:33:14I have personally laid my reputation on the line.
00:33:18Now, if you will, pay close attention to what you're going to see on the screen.
00:33:23The subject had no knowledge that he was being filmed.
00:33:48Suffice it to say, this is confidential.
00:33:54I trust that nothing will go beyond this room.
00:33:57Agreed?
00:33:58Thank you, Mr. E.
00:33:59Roll film, please.
00:34:01OK, right away.
00:34:04OK, right away.
00:34:34What is this, a joke?
00:34:43I assure you, it's not.
00:34:46And if you'll just be patient, Lieutenant,
00:34:49we'll all be able to find out just how critical this is to our national security.
00:34:56And I'm a cop.
00:34:57I carry a badge, a gun, and bullets,
00:35:01and a nightstick, and handcuffs.
00:35:04Thanks, James.
00:35:35Let's go.
00:35:40You know what?
00:35:40You're a piece.
00:35:41You know what?
00:35:43I know what you're doing.
00:35:46What's going on?
00:35:47Now, remember, this particular incident happened over 20 years ago.
00:36:09The boy was just about eight years old then, was institutionalized, presumably for life.
00:36:17Oh, you mean subordinate, Clause.
00:36:24You didn't have to do it.
00:36:38Hey!
00:36:39Mickey, look at that!
00:36:40Mickey, look!
00:36:47Oh, my God.
00:37:17That, folks, was almost 20 years ago.
00:37:44Turn on the lights.
00:37:45What's wrong with the film?
00:37:47Damn.
00:37:48What are you guys doing then?
00:37:50What?
00:37:51It appears the, uh, the rest of the film is missing, sir.
00:37:56Gone.
00:37:57Find that film today.
00:38:00Put your best man on it.
00:38:02Yes, sir.
00:38:03Consider it done.
00:38:05Stephen, I'm so glad you could make dinner tonight.
00:38:20I must say, it's been a most enlightening evening.
00:38:21Why, thank you, Stephen.
00:38:22And I must say, I was certainly surprised to know you were free tonight.
00:38:35Well, if you're around the office since you're working on a very important project in Cuba.
00:38:40Maybe, but that's pretty much behind us now.
00:38:43Uh, tell me, Ms. Karloff, how long have you been with our agency?
00:38:47And how did you know about my son?
00:38:49Oh, well, you certainly aren't inquisitive, little devil, aren't you?
00:38:54I almost feel as if you don't trust me, Stephen.
00:38:58No, not at all.
00:38:59It's just been a long trip back from Hong Kong.
00:39:02That's all.
00:39:03I'm just a little tired.
00:39:04Excuse me, sir.
00:39:05You may have an urgent phone call.
00:39:07Oh, God.
00:39:08I'll never ask.
00:39:10Banner here.
00:39:11Stephen, I'm glad I found you.
00:39:13How did you, uh, I won't even ask.
00:39:16I suppose it's important, don't I?
00:39:18Mr. E is livid.
00:39:20Someone inside our headquarters snatched a highly secret film that must be recovered.
00:39:25You suspect, of course, a...
00:39:27Yes, a double agent.
00:39:30Uh, right, Lieutenant.
00:39:32I think the answer might be staring me right in the face.
00:39:35What?
00:39:36Never mind.
00:39:37I'll, uh, I'll explain it all later.
00:39:40Uh, where's the meet?
00:39:41At the submarine base.
00:39:42About one hour.
00:39:43Okay.
00:39:44Sure.
00:39:46Well, Mr. Alvin, I need to run, but duty does call.
00:39:51Uh, waiter, can this lovely lady have some coffee?
00:39:54Or perhaps you'd prefer, uh, black Russian?
00:40:02Again, a check!
00:40:05Give me a scotch of water straight off.
00:40:07Certainly, madam.
00:40:08Oh, and this should take care of the goddamn bill.
00:40:11Mr. E is livid.
00:40:12Someone inside our headquarters snatched a highly secret film that must be recovered.
00:40:28Also, sir.
00:40:29Come in.
00:40:30And then?
00:40:31alavenor.
00:40:32Come in.
00:40:33Yeah.
00:40:35Come in.
00:40:36Good morning, Jacklyn.
00:40:37Come in.
00:40:38Let's go in.
00:40:39Come in.
00:40:41We're just a little bit there.
00:40:42You've gotta help.
00:40:43Looking for me, Jacqueline?
00:40:45Looking for me, Jacqueline?
00:40:51Late as usual, Banner.
00:40:53Well, don't worry.
00:40:56I've brought along some of those gizmos you guys like to play with.
00:41:01Here's your A-48 decoder.
00:41:03It'll get you into the Soviet's computer room at the U.N.
00:41:06We think the film's in the safe by the main terminal room.
00:41:12God, I love these toys.
00:41:14Knock it off. I signed for that.
00:41:17Now, here's their latest printout, cross-referenced to gain access to the main computer.
00:41:21It should open the safe.
00:41:23Hopefully, the film's still in there.
00:41:25What's with this film anyway, Jacqueline?
00:41:29Porno movies, right?
00:41:30Not likely, but Mr. E's bent on getting this back into our hands.
00:41:34Says it could be a real smoking gun for the Kremlin.
00:41:37So they haven't even told you.
00:41:40Rather high security, Jacqueline.
00:41:42Rather high priority, Banner.
00:41:47Touche.
00:41:54Miss Karloff, what is your location?
00:41:56I'm right outside our computer operations building.
00:42:00Stephen has already gone in.
00:42:03Stephen?
00:42:04Are you two that close?
00:42:07Please, General.
00:42:09If he's as good as his record,
00:42:12he might just bypass security,
00:42:14decode the safe,
00:42:16and get the film back into United States' hands.
00:42:19I agree.
00:42:24I suggest we bring in more manpower and...
00:42:27Yet, Karloff.
00:42:29I don't want anyone,
00:42:31not even our own people,
00:42:32seeing that film.
00:42:34Homrad,
00:42:35Mickey,
00:42:36that kid in the film,
00:42:38is now an adult,
00:42:40and one of our agents.
00:42:41He must be protected.
00:42:46I see no purpose in going on with this charade.
00:43:06In truth,
00:43:11he's no agent.
00:43:16He's my grandson,
00:43:18a psychopathic killer
00:43:19whose identity,
00:43:21if known to the rest,
00:43:22could prove very embarrassing
00:43:24to our government.
00:43:26And definitely,
00:43:28the end of my career.
00:43:31But, sir, I thought that...
00:43:32Enough said, comrade.
00:43:34Just recover that film
00:43:36and deliver it directly to me.
00:43:39Yes, sir.
00:43:40Consider it done.
00:43:42End communication.
00:43:47Goodbye, Karloff.
00:43:58And good luck.
00:44:34PHONE RINGS
00:45:04PHONE RINGS
00:45:09Do you want to play a game?
00:45:13Uh, no computer, I do not want to play a game
00:45:17Oh, please enter your security code then
00:45:34I acknowledge your authority. Let us begin.
00:45:41By all means. I'd like to know, Computer, where the movie film that was recently deposited here is being kept?
00:45:49The motion picture film is being kept in the master safe in the east part of this room.
00:45:56Good. Computer, just what is on that film that's so damn important?
00:46:03Apparently, one of our Moscow-based generals had a son who is a psychopathic killer. One Christmas Eve, he hacked up his mother and his father.
00:46:17Enough. What the hell?
00:46:23Sir? Nothing, Computer. Begin sequencing the combination of the airlock safe.
00:46:32The sequencing to open the master safe has begun.
00:46:40Okay. Thank you, Computer.
00:46:42Only ten seconds now until you will have access to the vault.
00:46:48Continue, Computer.
00:46:50Countdown.
00:46:54Five.
00:46:55Four.
00:46:56Three.
00:46:57Two.
00:46:58And open.
00:47:00Three.
00:47:01Two.
00:47:02Three.
00:47:02Two.
00:47:03One.
00:47:04Um…
00:47:05Two.
00:47:06You don't have to remember me to, uh, good job, oh boy.
00:47:14Damn it, I'm not.
00:47:15Damn it, I'm not.
00:47:45Damn it, I'm not.
00:48:15Damn it, I'm not.
00:48:25I am over.
00:48:26I am over.
00:48:28I am over.
00:48:29We got everything wrong.
00:48:31I am over.
00:48:32Fight.
00:48:33I am over.
00:48:35Fight.
00:48:35We got shit.
00:48:37No.
00:48:38We got shit.
00:48:38I am over.
00:48:41Fight.
00:48:42Fight.
00:48:43Friend.
00:48:44Just and I lose.
00:48:46We got everything wrong.
00:48:50Fight.
00:48:51Fight.
00:48:52For your life.
00:48:54You've got to,
00:48:56I've got to show you how to do this.
00:49:00Mine in the air.
00:49:02Mine!
00:49:04Mine!
00:49:24Ah, ah, ah, ah, ah.
00:49:44Ah!
00:49:46Ah!
00:49:47Ah!
00:49:48Ah!
00:49:52You gonna look old, boy?
00:50:02Ah, Mr. E. Good timing.
00:50:04Hit it, driver.
00:50:22This is Banner.
00:50:24Catch me through the aerial surveillance.
00:50:26Yeah, this is field agent Banner.
00:50:29Getting some aerial surveillance on target,
00:50:32heading south on 101.
00:50:43Can you get the target in sight?
00:50:46Yep, it is a motorcycle.
00:50:49Right.
00:50:52Keep the distance and be ready to fire if necessary.
00:50:56Faster, driver.
00:51:23Oh, that was close.
00:51:25It'll be all right?
00:51:30Oh, we got it, we got it.
00:51:32No, no.
00:51:33Hold your fire.
00:51:34I think you're okay.
00:51:38Off the screen.
00:51:39Yes, Henry.
00:51:41I'm good.
00:51:42There's nothing left to say.
00:51:43I'm good.
00:51:44There's nothing left to say.
00:51:45I'm good.
00:51:46There's nothing left to say.
00:51:48No, no, no.
00:51:49We're not.
00:51:52It's a good one.
00:51:54All right, let's go.
00:51:55I can't see you.
00:51:56No, no, no.
00:51:57No.
00:51:58No, no, no.
00:51:59I can't see you.
00:52:00No, no, no.
00:52:01I can't see you.
00:52:02I'm good.
00:52:12That's good.
00:52:14Follow him, driver.
00:52:16Hey!
00:52:30Well, I'm afraid we've lost this matter.
00:52:36Well, maybe not.
00:52:38Oh, no!
00:52:50You know that film right here?
00:52:52You son of a bitch!
00:52:54You cheap son of a bitch!
00:52:56That's what you get for sticking me with a check!
00:52:59Not so fast, Karloff.
00:53:03You asshole!
00:53:08Of course, now that the film is gone, we could say we just did our part for detente, huh?
00:53:27Ciao.
00:53:28But, Fanner, I don't know how to land this thing!
00:53:32Oh, damn you!
00:53:34It does have a nice ass, though.
00:53:51Okay.
00:53:54Yes?
00:53:57What?
00:53:58Put it on the screen!
00:54:06How close is our sub?
00:54:09And the Americans?
00:54:12Get our divers in the water!
00:54:15Now!
00:54:16I want that film!
00:54:34Permission to come aboard, Corporal?
00:54:35Oh, yes, sir.
00:54:36Yes, sir.
00:54:37Captain Banner.
00:54:38Mr. Corporal, ma'am.
00:54:39Nice of you to drop in like this.
00:54:41I hope you didn't, uh, dress up on my account.
00:54:45Well, gee.
00:54:46Uh, Lieutenant.
00:54:49I've been running around a lot today.
00:54:51Rush the sub, close your fists on target, ma'am.
00:54:53Thank you, Corporal.
00:54:54Come on, Steven.
00:54:55Your gear is down in the torpedo.
00:54:57This way, sir.
00:54:58Captain Levy Bridge.
00:55:00Dive! Dive!
00:55:01Dive! Dive!
00:55:13I'm Scott.
00:55:14I'm Scott.
00:55:15I'm Scott.
00:55:16I'm Scott.
00:55:17Jacqueline, just what the hell is going on with this film?
00:55:20I've been going around here like...
00:55:22Steven, I'll explain everything later.
00:55:24The Russians have to be stopped at any cost.
00:55:27Understood?
00:55:28Yes, yes.
00:55:29Captain, understood.
00:55:32Ma'am, yes, ma'am.
00:55:34Sorry, Steven.
00:55:35Just be careful, okay?
00:55:37Those guys are acting real serious.
00:55:59Hey, hey, hey.
00:56:00Oh, you're right.
00:56:02Oh.
00:56:03Now that I see...
00:56:05God, would you look at that picture?
00:56:09What year was that taken, anyway?
00:56:11Still hiding your eyes in front of whining, don't you, Steven?
00:56:16Oh, Jacqueline.
00:56:18You know I can trust you.
00:56:21Just hold on.
00:56:22Besides, I've always been able to see right through me, anyway.
00:56:25You don't pull me.
00:56:271983.
00:56:29Kyle.
00:56:30What?
00:56:32Oh, the picture, remember?
00:56:34Operation Karnak, I believe.
00:56:36Oh, yeah.
00:56:38Well, we sure got around, didn't we?
00:56:46How did I ever let myself get involved with you, Stephen?
00:56:49We didn't know the rules.
00:56:51Oh, rules, rules.
00:56:52No interpersonal relationships between agents, that's...
00:56:56Well, banner, those are the rules, you know.
00:56:59I know.
00:57:00The agency's rules, Jasmine.
00:57:02Why do you think they call our unit S-O-V?
00:57:05What the hell with them?
00:57:06The hell with Mr. E.
00:57:08May I have this, Dad?
00:57:10Stephen!
00:57:11Stephen Boucher!
00:57:22The locket looks really nice on you, Stephen.
00:57:25Do you really like it?
00:57:26Of course I do.
00:57:27I love it.
00:57:28It'll be my good luck charm.
00:57:31Kind of like a gold dog tattoo, you know?
00:57:34Oh, that's the thanks I get for...
00:57:36Damn it, Jacqueline.
00:57:38I don't know why you always want to pick a fight when I gotta leave.
00:57:41Maybe it pisses me off.
00:57:43You know?
00:57:44Well, I never could compete with all your women, Ben.
00:57:47Hey, there never was a contest.
00:57:50Especially me when you don't.
00:57:53Look, Stephen.
00:57:54You are what you are.
00:57:55And it feels like I'm just holding you back.
00:57:58Just holding you, Jacqueline.
00:58:04I'm so proud of you, Stephen Jones, Ben.
00:58:07You're all the kind.
00:58:09And always so strong.
00:58:11Tell that to my heart, George.
00:58:13You're too excited.
00:58:14So think if the moment is breaking, make sure you can't come, Jacqueline.
00:58:19What?
00:58:20To New Zealand?
00:58:22I'm afraid not, babe.
00:58:24I sure won't miss you, though.
00:58:27I'll always miss you.
00:58:37Stephen, I can watch you fight, and I can watch you win.
00:58:41But I will never watch you die.
00:58:44And that is the reality of you.
00:58:47That sometimes, some place in the world where you let your guard down,
00:58:51some faceless assassin will kill you.
00:58:54And I think I'd rather not be there for that scene,
00:58:57if you don't mind, darling.
00:59:03And I'll...
00:59:06This is to select air.
00:59:08That's my presentation.
00:59:10Fly switch to air.
00:59:11That's my presentation.
00:59:12Fly switch to air.
00:59:13LCP-1I.
00:59:14That announcement.
00:59:15Ship hovering mode and missile launch.
00:59:175-Nav weapons.
00:59:18Navigation fire control.
00:59:19Transmatch set.
00:59:20Completed.
00:59:21Start at sight point.
00:59:22Also, they select training fire.
00:59:24Weapons, you have permission to fire.
00:59:26You have permission to fire, aye, Kevin.
00:59:28Weapons time.
00:59:29You have permission to fire.
00:59:30Stop her, Scope.
00:59:31And fire!
00:59:32I want.
00:59:33You have permission to fire.
00:59:34You have permission to fire.
00:59:35You have permission to fire.
00:59:36You have permission to fire.
00:59:37You have permission to fire.
00:59:38You have permission to fire.
00:59:39You have permission to fire.
00:59:40You have permission to fire.
00:59:41You have permission to fire.
00:59:42You have permission to fire.
00:59:43You have permission to fire.
00:59:44You have permission to fire.
00:59:45You have permission to fire.
00:59:46You have permission to fire.
00:59:47You have permission to fire.
00:59:48You have permission to fire.
00:59:49You have permission to fire.
00:59:50You have permission to fire.
00:59:51You have permission to fire.
00:59:52You have permission to fire.
00:59:53You have permission to fire.
00:59:54You have permission to fire.
00:59:55You have permission to fire.
00:59:56You have permission to fire.
00:59:57You have permission to fire.
00:59:58You have permission to fire.
00:59:59Let's go!
01:00:29Let's go!
01:00:59Oh!
01:01:00Oh!
01:01:29Ladies and gentlemen, we have at great cost recovered the film that Mr. E. here so desperately wanted.
01:01:38Why, thank you, Captain Banner.
01:01:40I assure you, sir, your efforts will not go unrecognized.
01:01:44After viewing it, though, sir, I must say that this snuff movie Detective Brody obtained appears at first glance to be nothing more than one of those awful holiday horror movies we see in the theaters.
01:01:55But, of course, as all of us know in this room, the murders are real.
01:02:00Certainly, it does reveal the identity of a very sick little boy, and mainly that the killer is the grandson of one of Russia's most premier generals.
01:02:10A very damaging piece of blackmail.
01:02:13But if you want my opinion, Mr. E., and I'm sure that you do, I think in the spirit of glasnost and the friendship that we're now experiencing between our two countries,
01:02:23you should destroy this little film and put our agency to better use next time.
01:02:27That's enough, Captain.
01:02:28Banner, that's just not your call.
01:02:30Alright, well, if you'll excuse me, I do have a plane to catch.
01:02:34Oh, and I hope you're amused at this clever little piece of satire.
01:02:38But think hard about what you're going to do with this film.
01:02:42It was up to me, quite frankly, I would burn it.
01:02:47Good day, gentlemen, ladies, detective, Mr. E., enjoy.
01:02:54If you all remember, in the opening segment of this film, the young boy had just killed his mother and her lover.
01:03:06And that was in 1965.
01:03:09And Detective Brody here had put him away.
01:03:12In the next portion, you'll see that young Mickey is back in action.
01:03:17Only now he's quite grown up.
01:03:20And very, very deadly.
01:03:25Just roll the film, Brody.
01:03:47Hi, Janie.
01:03:48You're just in time.
01:03:50Bobby's over here.
01:03:52Look, Bobby, Janie's here.
01:03:54I know.
01:03:55Hi, Bobby.
01:03:56Hi.
01:03:57Gosh, Mrs. Brown, what a beautiful tree.
01:04:00This year looks like Christmas in here.
01:04:01Thanks, Janie.
01:04:02Look, um, here's 20 bucks for pizza in case you get hungry.
01:04:06That should cover a tip, too.
01:04:08I'll be out real late tonight.
01:04:10And, uh, see that he doesn't get into his presents, okay?
01:04:13I know.
01:04:14No problem, Mrs. Brown.
01:04:15Bobby and I will be just fine.
01:04:18Bobby, now, don't make a mess.
01:04:19I just had the place cleaned.
01:04:21I know.
01:04:22Ciao, everyone.
01:04:28Ah!
01:04:29Woo!
01:04:30Sorry!
01:04:33No, baby.
01:04:40Stop, stop.
01:04:41Stop, stop.
01:04:42I think I got him.
01:04:43I don't know.
01:04:44I don't know.
01:04:45I don't know.
01:04:46Okay.
01:04:47I'm gonna head in, Karen.
01:04:49Relax.
01:04:50Don't get so bent out of shape.
01:04:51No!
01:04:52I just love him so much.
01:04:53I regret it.
01:04:54They said that he wasn't even you.
01:04:55Sure.
01:04:56Just then I thought it was safe to come back into this apartment.
01:04:58It's in this apartment.
01:04:59Yeah, I knew you were gonna say this.
01:05:00Sure you did.
01:05:01I had this really freaky dream about this big red moon and it was just bleeding all over me.
01:05:08It was so gross.
01:05:09You know, I get crazy when there's a full moon.
01:05:12I got it.
01:05:13I got a word that's just gonna kill you.
01:05:15Oh yeah?
01:05:16Yeah.
01:05:17Try it.
01:05:18How do you spell fornicate?
01:05:19Fornicate?
01:05:20That's easy.
01:05:21F?
01:05:22You got that?
01:05:23Yeah.
01:05:24O.
01:05:25You got that?
01:05:26Yeah.
01:05:27O.
01:05:28You got that?
01:05:29Yeah.
01:05:30You got that?
01:05:31You got that?
01:05:32Andy.
01:05:33But, Danny, I'm not sleepy.
01:05:35Shh, Bobby.
01:05:36Now you just close your eyes and get some rest.
01:05:39I'll try to get these people out of here as soon as I can.
01:05:42Remember, Santa's coming tonight.
01:05:44I do.
01:05:49As strange and amusing as this might appear,
01:05:53keep in mind that every murder you see on this film is real.
01:05:58Rumors have it that a series of so-called snuff films were made
01:06:02using easily manipulated mental patients to commit actual murders.
01:06:07This particular film our experts have documented is absolutely authentic.
01:06:13And more important, the identity of this killer is what is of interest to us.
01:06:19Great interest.
01:06:20Great interest.
01:06:21Great interest.
01:06:24Thanks.
01:06:25Thanks.
01:06:26Let's go.
01:06:56Let's go.
01:07:26Let's go.
01:07:36Who is it?
01:07:38Who is there?
01:07:40Who is it?
01:08:02Attention. Attention all units. This is an all-points bulletin for a heavyset man reportedly dressed in a red suit, black boots, white beard, and possibly armed a reindeer.
01:08:14A suspect escaped tonight from Sunnydale Sanitarium. His name is Mickey Schultz. His alias. Get this gag. It's Kris Kringle.
01:08:26So it's back in town, huh? A real nut. You know what, Anderson?
01:08:35What, Brody?
01:08:36About 20 years ago, he killed his mother and his old man with a butcher knife on Christmas Eve. I never saw so much blood in my life. And I'll never forget it either.
01:08:49Watch it, Brody. A red light.
01:08:51Fuck, um, I'm a cop. Anyway, we went in. And we found the two of them laying there, cacked up like a side of beef. And that little monster's standing there with a knife in his hands.
01:09:07My partner, Kelly, he started puking. He started puking his guts out all over the place.
01:09:14Uh, excuse me, Brody. I think we should acknowledge that APB.
01:09:18Don't worry about it, Anderson. I got my own way of finding this. One looking to his dead black eyes, and I'll know him.
01:09:28He's a stone nut. Ever since he saw his mama kissing Santa Claus, he's been crazy ever since. You know what, Anderson?
01:09:39When the doctors examined the kid's head, they found dog shit for brains.
01:09:45Thank you, detective, for that illuminating and tasteful description of the murder.
01:09:51Shall we proceed? The next brutal murder takes place here.
01:10:06Hey, man. What's going on?
01:10:10Shoot, I'll check it. I gotta do everything myself.
01:10:21Hmm.
01:10:30Hmm.
01:10:36Hmm.
01:10:40Hmm.
01:10:46Hmm.
01:10:48I don't know.
01:11:18Well, I guess that's graphic enough to give us the general idea.
01:11:23Obviously, our murderer is quite mad.
01:11:26And he continues killing until there's only one girl left.
01:11:38Mmm. Want some?
01:11:40Mmm. Yeah.
01:11:42Oh, minute. I gotta pee.
01:11:45Hey, watch your mouth.
01:11:46You have to learn how to talk more like a lady.
01:11:48Hey, Sherry. Get a load of this.
01:12:07Fire out.
01:12:08My baby does it.
01:12:18Okay.
01:12:21Swish splat.
01:12:22Are you looking at?
01:12:36Yes.
01:12:37Yes.
01:12:38Yes.
01:12:38John, what's all the racket going on?
01:13:01Oh, the tub.
01:13:08Oh, the tub.
01:13:38Did you hear that?
01:13:39Oh, it's probably just Sherry.
01:13:41She's a moaner.
01:13:42Yeah, how would you know?
01:13:45Billy, hurry.
01:13:46I think you better go see what's wrong.
01:13:47No way, Jose.
01:13:49Please.
01:13:49I better call the police.
01:13:57Oh, my God.
01:14:09Oh, my God.
01:14:23The phone's dead.
01:14:26So am I.
01:14:32I'll just fast forward this to get to the end.
01:14:34Now, the point is, is that these murders are real, and the cycle they use to commit them
01:14:44is none other than the grandson of General Alexey Grossoff of the USSR secret police.
01:14:52And he knows that we know all about it and won't hesitate to use it against him.
01:15:00Oh, my God.
01:15:10Oh, my God.
01:15:19Oh, my God.
01:15:24Oh, my God.
01:15:54It's okay, Miss.
01:16:18Brody's in charge now.
01:16:20Oh, no, you're not, Detective.
01:16:24As a matter of fact, with this film in the hands of SOB,
01:16:29we are very clearly in charge.
01:16:32It is our intention to leak the information to the KGB
01:16:35and let them take care of their own.
01:16:39It keeps our hands clean of all that messy business
01:16:41and gets rid of an adversary at the same time.
01:16:53Now you know why it was so important to obtain this evidence.
01:16:56Right, Mr. E.
01:17:03Now you know,
01:17:05and soon,
01:17:07the whole world will know
01:17:08that my grandson
01:17:11grew up to be
01:17:13a very sick man.
01:17:15The last part is
01:17:19he's still out there.
01:17:22It's a very sick man.
01:17:23I don't know.
01:17:28So...
01:17:29...
01:17:30...
01:18:00You're really very good, Stephen James, Fana. You know, having this picnic was a great idea.
01:18:07Well, I'm just full of great ideas, Fanchella.
01:18:10Such as mine?
01:18:11Such as a little more champagne, but...
01:18:13Please, that crazy story you were telling me about that Mickey character, is it really true?
01:18:19Ah, classified, darling. In fact, I really shouldn't say no more about it.
01:18:24What if he was still alive? Wouldn't you be in danger? I mean, you were responsible for his cop of death.
01:18:29Well, I suppose I do have to take that chance, don't I?
01:18:35Get down, Fanchella.
01:18:37Jesus.
01:18:41Fanchella, it's only...
01:18:44Jack on.
01:18:45Just saving your ass again.
01:18:48And it is such a nice ass, Stephen.
01:18:51That little Fanchella of yours just happens to be working at the Soviet embassy down here at the Ivers.
01:18:57That should be back in Washington by now, Lieutenant.
01:19:00Stephen, work is in everything you know.
01:19:03People do change.
01:19:05Stephen, it's so good to see you again.
01:19:20But, darling, I thought you and me, this wasn't supposed to happen.
01:19:23Oh, shut up and kiss me.
01:19:25I thought that was my life, you guys.
01:19:28Oh, say love me.
01:19:30Living on the edge
01:19:34Without a prayer in sight
01:19:37You've got me walking on a ledge
01:19:42In the darkest part of night
01:19:47Standing at the edge
01:19:51With so much laughter
01:19:53Burn in the wind
01:19:55You're my heart
01:19:56And I thought that was my life, you've got the sacred wind
01:20:00working on a ledge
01:20:03Including you
01:20:04Kate, how come me
01:20:05họ
01:20:06He always considered
01:20:10The heaven
01:20:11Lost
01:20:13A
01:20:13Po Diana
01:20:16Over
01:20:18Our
01:20:19We
01:20:20Got
01:20:20Much
01:20:22St
01:20:22Scop
01:20:23Knock
01:20:24Up
01:20:25The
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