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Heiress Unleashed Post-Divorce shortmintz
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Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Star's Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:24Three years later, I fell in love with Drake.
00:27Keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday.
00:50And instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:55You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:12Well, I think Drake's idea is great.
01:14And it could be really good for us.
01:19But the risk is way too high.
01:21Dad.
01:23Please.
01:23Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:35Think about it, Dorothy.
01:36Since you got married, has he ever even touched you?
01:39How often did he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake instead of being
01:56my late brother's widow.
01:57Ellie.
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:04It's the perfect time.
02:12Oh, my God.
02:13Oh, my God.
02:14Dorothy just pushed Stephanie into the pool.
02:16What?
02:22Quick, save Stephanie.
02:24She's carrying Nick's baby.
02:28Quick, get in there.
02:30He chose Stephanie over me.
02:48My baby.
02:49My baby is gone.
02:51Why would you do this to me?
02:55How dare you?
02:56You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:00Are you happy now that Stephanie's baby's gone?
03:02I didn't do it.
03:03I know you don't want me here.
03:05I told you whatever happened between me and Drake is in the past.
03:08You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:13He didn't do it.
03:14You know me, I would never do that to Stephanie.
03:18Apologize to Stephanie.
03:20I'm not going to apologize for something I didn't do.
03:22Apologize to Stephanie right now or I will divorce you.
03:30If you apologize right now, then I'm willing to give you another chance.
03:38It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:50I already have a life.
03:52And right now I just want to focus on being my marital Drake.
03:56I thought you would always be by my side, but I was wrong.
04:02The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:07Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:11Fine.
04:17Let's get a divorce.
04:25There's nothing left in my heart.
04:27Drake's nothing without me.
04:31My ring!
04:33My ring is gone!
04:35Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:40You're probably seeing someone else.
04:43Dorothy.
04:45Yes?
04:46We were married for three years.
04:47Were you seeing someone else?
04:49Of course she was.
04:50She'd probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:57And what about you?
04:58Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:03I only look after Stephanie because she's my brother's widow.
05:07Yeah.
05:08But you actually seeing someone else.
05:10So who is he?
05:10Big talk!
05:12Don't bring me down to your level.
05:14I'm not like you.
05:16Since your sister-in-law lost her ring,
05:19why don't you take...
05:25this one?
05:29You've been waiting for this for a long time, haven't you?
05:38Bye.
05:45And so I left.
05:47This is ridiculous!
05:52We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invest it in his business.
06:00How dare that Drake do this to my daughter?
06:02Look, it's actually a good thing, Dad.
06:08Now we know who he really is and he has no idea who I am.
06:12Still, you're my daughter.
06:13I can't let him do this to you.
06:15If it weren't for you, I would not have considered investing in his company.
06:19We're gonna pull our investment immediately.
06:21Yes.
06:22It's time to cut him off.
06:23He doesn't deserve you.
06:25I'm over Drake.
06:26If we withdraw the plans now,
06:30it's going to hurt the family business.
06:32He's not worth it.
06:34Honey.
06:37Why don't you just take a vacation?
06:39Or just put all this aside and take some time out for yourself?
06:44Yeah.
06:46No.
06:50I've wasted too much time with Drake over the three years.
06:53You know, now I want to focus on something that actually matters.
06:59You know, Christopher has been saying
07:01that many people want to buy the movie rights to live game.
07:05Universal, Paramount, every major studio wants this.
07:12Liar's Game, your story on the big screen.
07:15If you're in, I'd be happy to be the one headlining you.
07:19So that's why they're making it, because of you.
07:21I'm sorry, Christopher Santoro.
07:24See?
07:25They're not funding the film.
07:27They're funding you.
07:28Wrong.
07:30They're funding the story.
07:31It's more than good.
07:33It's phenomenal.
07:35Christopher is right.
07:37I'm taking my life back.
07:43I'm going to adapt it myself.
07:46You are?
07:47Yes.
07:48I will.
07:49Good to you.
07:52I won't tell anyone I'm asking you.
08:04Congratulations to Aria Wong for winning the best director.
08:07This is my close friend from college.
08:14Aria, I need your help.
08:16I want to adapt the lives game myself, and I want you to direct it.
08:21Of course.
08:23All right.
08:24Okay.
08:25There's just one thing.
08:26I want to keep my identity as the writer a secret.
08:30I don't want anyone to know, especially not the team.
08:34SQ.
08:35Are you sure?
08:36But why keep it a secret?
08:38I just want people to focus on the story itself.
08:41Got it.
08:42Your secret's safe with me.
08:43Oh, my God.
08:49Dave.
08:51It's a bit weird.
08:53Ever since news got out about our movie, my phone has not stopped ringing.
08:57Really?
09:04It's Stephanie.
09:05Yeah, just take it.
09:13Hello?
09:14Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:18I'm interested in playing the lead.
09:20Can we arrange an audition?
09:21I'll speak to the writer, and I'll let you know.
09:27Thank you, Miss Wong.
09:30What do you think?
09:33Anyone can audition, right?
09:34As long as they're right for the role.
09:38What happened between me and Stephanie is not important here, so...
09:42Okay.
09:43I'll call her back and let her know.
09:46Mm-hmm.
09:46Okay.
09:51What about me?
09:59Can I be your hero?
10:04Oh, you mean, uh...
10:06A film, right?
10:09I've...
10:09I've never considered anyone else.
10:14I have to take this.
10:16Hi.
10:21You know, I'm not just talking about the film, Dorothy.
10:26It's okay.
10:28I can wait.
10:31Waited this long.
10:36Well, well, well.
10:38Look who it is.
10:39Why are you here?
10:44Oh, I see.
10:45You're the production assistant.
10:47Well, do your job.
10:50Slip me a water.
10:53Stephanie.
10:55Get your own water.
10:56I'm not your PA.
10:58Look.
10:59It's my first day on set,
11:00and I want to buy coffee for the crew.
11:03Why don't you be a doll
11:04and mark down everyone's order?
11:07Are you deaf?
11:08I'm not a PA.
11:11Here's a tip.
11:12Go on.
11:14Show some respect, Stephanie.
11:16Do you know who she is?
11:20What are you doing?
11:22Oh, no.
11:23She can't know I'm asking you.
11:24I want to keep my identity as the writer a secret.
11:30I don't want anyone to know,
11:32especially not the team.
11:37What do you mean?
11:39Who is she?
11:42No wonder she's a lower PA, I'm sure.
11:48Isn't that right?
11:49Well, actually, she's...
11:51She's just a PA.
11:55You're right.
11:58So why don't you show me a lower PA,
12:01your acting skills?
12:02Maybe I'll be impressed even by who the coffee's myself.
12:06Watch this.
12:12I loved you once.
12:14Or so I thought.
12:17But now I see that it was all just a lie.
12:20A beautiful...
12:24Painful lie.
12:29You took everything from me!
12:33My dreams!
12:35My future.
12:39See?
12:41There's no soul.
12:42That's not acting, it's just...
12:44reciting lines.
12:47Why don't you show how it's done?
12:48What?
12:49Go on.
12:54Go on.
12:54Go on.
12:54I loved you once.
13:17so I thought
13:20but now I can see
13:23it was all a lie
13:25a beautiful
13:27painful lie
13:29you took
13:31everything from me
13:34my heart
13:36my dreams
13:39my future
13:41and for what
13:44for your own personal
13:47gains
13:48how is that possible
13:59Dorothy
14:01that was perfect
14:03the role is yours if you want it
14:05no
14:07this role is mine
14:09I'm the one with the investment
14:12without me there's no funding for this movie
14:14your investment
14:15do you even know who she is
14:17who is she
14:19who is she
14:25as you know
14:26no one
14:26but a PA
14:27Dorothy
14:29this movie is important to Stephanie
14:32I mean why are you here
14:33you're not a real actress
14:34what are you doing
14:35you're trying to ruin her career
14:36you're trying to get back at me
14:36by ruining her career
14:38I'm not ruining anything
14:39if she can't handle the role
14:41that's on her
14:43not me
14:43you can't blame this on anyone else
14:46you embarrassed her
14:47in front of everyone
14:48I know what you're doing
14:49you're the one pulling all the strings here
14:51you're trying to make her fail
14:52so you can take her place
14:54she's using this whole thing
14:55to get to you Drake
14:56she's been jealous from the start
14:58trying to ruin my chance
14:59just to get back to you
15:00I know
15:01I don't want to fight anymore
15:02let's just take a look at the script
15:04and maybe we can
15:05work something out
15:06and you were just so damn selfish
15:09you only care about yourself
15:12just give Stephanie her role back
15:14you know what
15:15I didn't want to do this
15:18but I will
15:20I'll take the role
15:21I'll play the lead
15:23I'll play the lead
15:27no way
15:28you can't be serious
15:29she's not even a real actress
15:31Dorothy's performance
15:35was far stronger than yours
15:36everyone in the room can see it
15:38I'm so glad
15:42you've agreed to do the role
15:43right it's settled then
15:46the lead roles go to
15:47Christopher and Dorothy
15:49I will double my investment
15:52if you give Stephanie a role
15:56you two are just such
16:00I will double my investment
16:14if you give a role to Stephanie
16:15you two are just such
16:17okay look if the money's on the table there's no reason to turn it down let's just give her a part
16:26we have nothing to lose i guess that'll be fine i'll talk to sq
16:33your father's production company is already the biggest investor in your movie so why take drake's
16:42money you don't you don't still have feelings for drake do you no he's an asshole i've got an idea
16:53why don't we just give her a character that'll make her miserable
16:58wow mrs sanzaro i feel bad now
17:04i only wish you didn't have feelings for drake anymore
17:12how did she land herself the role she's practically a nobody the fan base the real experience
17:20just one good scene it doesn't make sense
17:24find out everything you can about dorothy i want all the dirt
17:37director there must be a mistake i'm only a side character and not even in the main scene
17:42you wanted a role we gave you a role i came in with an investment
17:48you're more than welcome to take it back and leave the set
17:52even a small role in sq's film is going to do great things for your career now is not the time
17:58for you to be messing around fine
18:02two take one action
18:11lily you're my best friend how could you do this to me i'm sorry but this is
18:15what the hell are you doing it's part of the scene
18:21okay take it again from the slap action
18:29cut
18:34stephanie why aren't you saying your lines
18:37you have to keep going in the scene
18:40i think you've had enough for today
18:42i'll just try again tomorrow
18:48did you see her face
18:52absolute gold
18:54i mean she got what she wanted she asks for a role and that's what we gave her so
18:59seriously her performance is all over the place maybe we should just
19:04cut down on her screen time
19:06we all know the film's better without her slowing us down
19:10you're right
19:11i'm not gonna let anyone ruin your story
19:15so if you can just give me something that's a bit more
19:23something about her job
19:25what's going on with my scenes
19:33why have so many of them been cut
19:35it's a collective decision
19:37fuck that let me talk to the writer
19:41the writer is sq and as you know they never show their face so their decision is final
19:46i'll see you on set in five
19:50now it all makes sense
20:04now it all makes sense
20:11that's the head of the production company
20:14no wonder she got the role
20:16let's see how john's wife feels about that
20:20everyone i have an announcement to make
20:31today will be stephanie's last day on set
20:34you really think i don't see through your little gaze
20:41somebody will be walking out that door today
20:44but it won't be me
20:45you really think you can get away with this
20:49sleeping your way up
20:51john's wife is on her way
20:55let's see how you talk your way out of this one
20:57slut
20:59that's enough
21:04so were you the one who was stalking and secretly taking photos
21:11what scared the truth is going to come out
21:14someone had to expose her for who she really is
21:17so you admitted
21:18you did it
21:20damn right i did
21:21and i'd do it again if i had to
21:23you don't know who you just crossed
21:26oh i know
21:28just some rich old bastard throwing a tantrum
21:31i sent those photos to your wife too
21:34and now your mistress is about to be exposed
21:36yeah security
21:39stephanie is banned from the studio
21:42make sure she never sets foot here again
21:45you can't just do that
21:46oh this is insane
21:48i have rights
21:49i was only telling you the truth
21:50she is a mistress
21:51a loose woman
21:52a lady of the night
21:54is it true that dorothea is john's sugar baby
22:04otherwise why would he come onto the set
22:06and get me banned from the movie
22:07that's unbelievable
22:09and he humiliated me
22:11he had me dragged off the set like a criminal
22:13you should have seen it
22:14i'm not gonna let her
22:16just ruin her reputation like this
22:18i mean this whole message is making us look like fools
22:21dorothy's always been trouble
22:25i mean first she goes off with a married man
22:27and now this
22:28i don't know how you put up with her for three years
22:31you should have got a divorce earlier
22:34stephanie are you 100% sure that dorothy is john's sugar baby
22:40it's the only explanation
22:41she's clearly nothing but a slut
22:43oh
22:44drake
22:46stephanie is your sister-in-law
22:50now you need to take care of her and forget about dorothy
22:53can't you see she's the one behind all of this
22:56she was sleeping her way to the top
22:59killing stephanie's unborn child
23:02and john dragging her off the set
23:05you should be sticking up for stephanie
23:07i'm not gonna let her do this to you
23:12do you think you can just walk away from what you did like nothing happened
23:15do you think you can just walk away from what you did like nothing happened
23:29i didn't walk away from anything
23:31you did
23:32you told stephanie over me remember this one
23:34oh she's my sister-in-law
23:36i'm so sick
23:37of hearing this
23:38you have feelings for her and i'm just tired of it
23:42you're out of your mind if you think i'm gonna let you get away with this
23:45you do what you want to do for now get out
23:50why
23:51we were married for three years
23:58we never
23:59oh your dear
24:00fuck you might let go of it
24:02no wonder you want me to go
24:13just look at yourself
24:15you're not half the man christopher is
24:19get out
24:21or i will call the cops
24:23just go
24:25are you okay
24:34dorothy
24:40remember safety first
24:43the lifeguard's right there
24:45if you need him
24:46okay
24:46anything you need to let the ad know
24:51okay
24:51got it
24:52got it
24:53here's a coffee for you
25:02thank you
25:03it's still early before the shoot
25:04take your time
25:05so
25:10and
25:14and
25:17uh
25:19and
25:49Something's wrong.
26:03That's not acting.
26:04She's in trouble.
26:11Where's the lifeguard?
26:16Where's the lifeguard?
26:19Where the fuck is the lifeguard?
26:39Where the fuck is the lifeguard?
27:09Why did you do that?
27:15I'll do anything for you, Dorothy.
27:20Christopher risked everything without hesitation.
27:24How could I have been so blind?
27:39Well, I wasn't expecting that.
27:57Where were you?
27:58I'm sorry.
27:58I'm sorry.
27:58I'm sorry.
28:00I had a stomachache.
28:01I had to go to the back.
28:02Make sure it doesn't happen again.
28:08Do you think that I should call Dorothy just to make sure she's okay?
28:13Are you still hung up on her?
28:15No.
28:17It's not like that.
28:18I'm just trying to be helpful.
28:19Don't you remember, Jane?
28:22She's the one who had me kicked out of the movie.
28:25She's the one who killed my baby.
28:27Not just my baby, but Nick's baby.
28:29I know I'm just her sister-in-law.
28:32Whatever happened between us is in the past, but I have no one now.
28:37No husband.
28:39No baby.
28:41I have left just you.
28:45Have you seen through Dorothy yet?
28:47She's nothing but a slut sleeping her way to the top.
28:49You don't know that.
28:52You know I'm right.
28:54Why else would John come onto the set and stand up for her?
28:57Not just John, but Christopher too.
28:59She's sleeping around with anyone she can find.
29:01She's a whore.
29:02Shut up!
29:12You want war?
29:14I'll give you war.
29:19Do it.
29:21Make sure Dorothy feels every bit of it.
29:28Breaking news.
29:29Unknown actress seduces Hollywood heartthrob.
29:32Rising star or opportunist.
29:35Actress Dorothy's shocking affair with Christopher.
29:37Christopher's new flame for a heartless gold digger.
29:40Dorothy!
29:42Liar!
29:42Happy!
29:45This is getting out of hand.
29:47Maybe we should just reveal her real identity.
29:51Let everyone know she's not just some random actress.
29:57Christopher, no.
29:59Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:02There's someone behind us.
30:05And whoever they are, I'll make them hang.
30:07Me too.
30:13Fuck off.
30:14This can't be right.
30:26I die in the second scene.
30:28This must be Dorothy and John forcing S.Q. to cut me out.
30:33They won't get away with this.
30:34Trey, can you believe this?
30:41They've completely written me out of the script.
30:44Do you remember when Nick was lying in that hospital bed?
30:47You promised him you'd look after me.
30:49I've already lost my husband and my baby.
30:52I can't lose my career too.
30:53Don't worry.
30:55I'll get you your character back.
30:56There's a tape of a documentary that apparently S.Q. has always wanted.
31:16So, if we win this bid and we gift it to them, we should be able to get you your role back.
31:25Up next, a rare gem.
31:27The original film documentary chronicling the creative journey of none other than herself.
31:33Legendary screenwriter, Margaret Lane.
31:3650,000.
31:37What's she doing here?
31:42I don't know.
31:44I'm not going to let her win this.
31:4660,000.
31:5170,000.
31:54100,000.
31:58This is my grandmother's documentary.
32:00It's her legacy.
32:02She's the one who inspired me to become a screenwriter.
32:05I can't let it fall into the wrong hands.
32:07500,000.
32:19500,000.
32:23Do you want to get you your role back?
32:25Don't worry.
32:26I've got it covered.
32:28Ladies and gentlemen, we are down to the final bid.
32:32Standing at a whopping 500,000.
32:35500,000 going once.
32:39500,000 going twice.
32:42Sold.
32:42To the lady in the blue dress.
32:44I can't believe this.
32:54You have no right to take that film reel with you.
33:01You have no right to take that film reel with you.
33:06What's going on?
33:07Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:20Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:27This is ridiculous.
33:28I was invited.
33:28Well, in that case, may I see your invitation?
33:38I did have it, I swear.
33:40I'm sorry, Miss Dorothy.
33:41If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
33:46This is the protocol.
33:47No, you don't understand.
33:48I'm sorry.
34:07I'm sorry.
34:08These are the rules.
34:10The documentary reel will go to the honourable couple.
34:32Stephanie, wait.
34:34Just sell it to me.
34:36Name your price.
34:37I'll pay you anything you want.
34:38It's really important to me, please.
34:40Why are you doing this?
34:42Are you just trying to get my attention by going after something that Stephanie wants?
34:47No, you don't understand.
34:49Just let me buy this.
34:52Whatever it takes.
34:54Dorothy.
34:55You think this is about money?
34:57Please.
34:58This isn't something you can just buy.
35:01Dorothy.
35:02What the hell are you doing?
35:03Why do you always have to go against her like that?
35:05This reel is important to Stephanie.
35:07She can use this to help her career.
35:09Her career?
35:10Is this about your role being cut from the head?
35:15Is that why you're doing this?
35:19I'm the writer.
35:21I'm going to fix this.
35:22I'm going to write the story and bring your character back.
35:25Just let me have the real places.
35:28You're the writer.
35:30Are you telling me that you're SQ?
35:32You, the writer-esque you.
35:38Can you give us a break?
35:39Look, this reel is important to Stephanie.
35:43End it.
35:44Don't make this harder than it has to be.
35:47You've been with Dorothy for so long, and you don't even know her.
35:50Oh, and you do.
35:52A hell of a lot more than you.
35:53What the fuck do you think you are?
35:54Both of you, calm down.
35:55Scratched all over.
36:10It's ruined.
36:11Not even fit to be a gift anymore.
36:13I can fix this.
36:15Stephanie, I know someone who can restore it.
36:16Just sell it to me.
36:18Please, just name your price.
36:19Even if I had no use for it, I'd never give it to you.
36:25I want to be a writer like you, Grandma.
36:54I want to make movies like you do.
36:58This reel has more than pictures and sound on it.
37:03Really?
37:04An entire world I've captured.
37:07But it's just one way of seeing things.
37:10The magic is creating it yourself.
37:13Someday you will.
37:24Dorothy.
37:25Dorothy.
37:27I need you to go apologize to Stephanie and give her her rollback.
37:31Apologize?
37:32To her?
37:34She destroyed the reel.
37:35She wouldn't have done that if you hadn't pushed her.
37:37So go apologize or I'm pulling my funding.
37:45Look, Dorothy.
37:47Let's be real here.
37:49Without Stephanie, who's going to invest?
37:53Even the production company will call out if they hear that she's not involved anymore.
37:56Her name carries weight.
37:58Let's not pretend that your reputation is exactly stellar right now.
38:01Christopher's fans hate you.
38:03Stephanie's fans hate you.
38:05Even if you actually make this film, no one's going to support it.
38:09You will be buried.
38:12If you apologize to Stephanie now, I can help you.
38:18I can control the press.
38:20I can control the narrative.
38:22I can actually give you a chance.
38:23What's so funny?
38:29What's so funny?
38:31Pull your funding.
38:33Do it.
38:34You'll see it does nothing for the movie.
38:36Okay.
38:37So what if I tell the production head to pull his funding too?
38:41Didn't I tell you that I know Mr. Bennett?
38:43No.
38:45Go ahead.
38:46Quiet.
38:47You want me to call?
38:48Mm-hmm.
38:50Fine.
38:53Hi, Mr. Bennett.
38:56It's Drake.
38:57Drake Mossbacher.
38:58Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
39:02I've seen it and it's a sinking ship.
39:05You're pulling out?
39:07Great.
39:07I'll take full control of the investment.
39:09Not a problem.
39:16So you sat with him?
39:20That's why he's supporting you, isn't it?
39:23Is this how you see me?
39:26The type of woman who would use her body to get what she wants?
39:29What other explanation do you have?
39:32You know nothing about Dorothy.
39:37Apologize to Stephanie.
39:38Cut ties with Mr. Bennett and end this.
39:40Dorothy, come back to me.
39:41Whatever he's offering you, I'll match it.
39:43I'll double it.
39:44You must be out of your fucking mind.
39:47What makes you think I would ever go back to that living hell?
39:51Living hell?
39:52You heard me.
39:53Being married to you was a fucking nightmare.
39:57You made me believe you loved me.
40:00And then you had me waiting in vain for three years, Drake.
40:04You said you always protect me, but then when I need you the most,
40:09you just turned your back on me.
40:11You chose your sister-in-law over your wife.
40:14I've had enough, Drake.
40:18You were my prison.
40:20So just go back to your precious Stephanie.
40:27Let's just go.
40:28Why are you hurt?
40:38Are you okay?
40:46What are you doing?
40:46What are you doing?
40:47Well, you want me, don't you?
40:49Just kiss me.
40:49I'm all yours.
40:50Jeff, you're Nick's wife.
40:52I've always thought of you like a sister.
40:55Sister?
40:57Funny.
40:58Don't you remember when you came to me the night Nick and I got married?
41:01Don't you remember what you said?
41:04Remember this?
41:05Yeah.
41:06Why not marry Stephanie?
41:08God.
41:08You were practically begging me not to marry Nick.
41:11No, I shouldn't have said that.
41:12I shouldn't have said that.
41:12I don't see that.
41:16What's that?
41:17Oh, it's nothing.
41:19What is that?
41:19No, Drake, no.
41:20Please.
41:23You lied about this.
41:27You lied about this.
41:31You said that Dorothy pushed you into the water,
41:34but this shows you shoving her in.
41:36It's a glitch.
41:38A glitch.
41:39So, do you actually expect me to believe that?
41:42What's this?
41:45Buying pills off the black market?
41:48Tell them I hit your pregnancy.
41:51It's you.
41:51First time when you blamed Dorothy like some sort of scapegoat
41:54and she was innocent the whole time.
41:56Please, no, you have to believe me.
41:58I didn't...
41:59Do you know what?
41:59I've always thought of you like a sister.
42:01I've always taken care of you.
42:03I even thought that I loved you once,
42:04but that was before you were Nick's wife.
42:05You changed.
42:12You changed.
42:14You're not the person I thought you were.
42:16I only looked after you because I thought it was my duty
42:20as Nick's brother to look after his widow.
42:22I guess there's no need to look after you anymore, huh?
42:27But what does that mean?
42:29You're just going to throw me away?
42:31I'm not going to throw you away,
42:32but this is my house.
42:34When I'm back, I hope you'll be gone.
42:39But you can't just walk away from me like that.
42:41I've said everything that I need to say.
42:43Now I'm going to go find the person that I actually care about.
42:50Dorothy, this is all your fault.
42:56Let's take this bitch down.
42:58Don't I say please?
43:15No.
43:17I was wrong.
43:20I misunderstood everything about you and about us.
43:23Can you please just hear me out?
43:29You think you can just come here and apologise?
43:32After everything?
43:34I didn't mean to hurt you.
43:37Look, I understand what I did,
43:38but it was just because it was definitely an anyone.
43:40Can you please just forgive me?
43:43I don't need your apology, Drake.
43:46You let me down.
43:47You abandoned me.
43:50When I needed you the most.
43:51You used me.
43:54Manipulated me.
43:55And now you beg for my forgiveness?
43:58Oh my God, please just don't show me out.
44:00I can fix this.
44:01I can fix that.
44:02I can do anything, Dorothy, please.
44:05No.
44:07You were never the person who thought you were.
44:10And I'm not either.
44:13I've moved on.
44:16I don't need you.
44:17Not like I used to.
44:22Just stay back.
44:24After everything.
44:25Yeah, that's it.
44:38I deserve better than this.
44:40Before you all celebrate this movie,
45:08there's something you should know.
45:10Dorothy is nothing but a homewrecker.
45:13What's going on?
45:15A glorified mistress who's been playing the part of a wonderful actress
45:18when all she's really done is ruin lives.
45:22This is true, Dorothy.
45:25Are you involved with a married man?
45:26What's your response to Stephanie's claim?
45:31This is ridiculous.
45:33Let's talk about how she got here.
45:36Shall we?
45:37She didn't get here off her talent.
45:39Oh no.
45:40She got here by clinging to powerful men.
45:43No real experience.
45:45No skill.
45:46Just a man's name and a man's money.
45:49Security!
45:50Get her out of here.
45:50Wait.
45:52If she has something to say, let's hear it.
45:55Dorothy, it's a trap.
45:57I'm not afraid of the truth.
45:59Let's hear what she's got.
46:04What's going on?
46:05So tell us, Dorothy.
46:07How did you get here?
46:09Did you use your relationship with John Bennett to land the part?
46:13A homework, are you saying?
46:30Is there something wrong with me appearing with my own dad?
46:34You're the one who sent me this photo, right?
46:35How about you take another one?
46:38This time, of my lovely family of three.
46:41Dorothy, Dorothy, Dorothy.
46:42Are you really John Bennett's daughter?
46:44Yes.
46:45I bet you never ask my last name.
46:47It's Bennett's, by the way.
46:48So, Dorothy is the producer's daughter.
46:54Dorothy, so did you use your father to get the part?
46:57So it's just nepotism, then.
47:00Well, even if she didn't fuck her way to the top,
47:06she still only got here through her connections.
47:08Whether you like it or not, my performance speaks for itself.
47:11And everyone here saw it.
47:14She was actually really good.
47:15Yeah, she handled the mortgage.
47:17Oh, are you saying that everyone here is wrong?
47:19You think you're so clever, don't you?
47:22Fine.
47:23You can act a little bit.
47:25But let's be real.
47:26You didn't land this role on your own.
47:28You just snapped your bony little fingers
47:30and let Daddy give you a role.
47:32How else would a nobody like you
47:34have landed yourself the lead otherwise?
47:36Dorothy isn't just a nobody.
47:40She wrote Liar's Game.
47:43She is SQ.
47:48Dorothy is SQ.
47:50How can that be possible?
47:52Liar's Game is a masterpiece.
47:54There's no way you could have written it.
47:55You don't have to believe me.
47:57Just let the credit speak for itself.
48:00How can this be true?
48:08Dorothy Bennett, you're the daughter of the producer
48:12and the famous writer SQ.
48:13Why did you keep your identity a secret so long?
48:15Why did you keep your identity a secret so long?
48:20Stephanie Marsbecker, Linda Marsbecker, and Ellie Marsbecker.
48:23I'm arresting you on suspicion of defamation.
48:25No, no, no, no, no, I didn't do anything wrong.
48:28This was all Stephanie's idea.
48:29I didn't do anything.
48:37This whole time, she was actually telling the truth.
48:40Dorothy's SQ.
48:43She's genius.
48:44That's why she always had a book in her hand.
48:50Always writing something on her laptop,
48:52always lost in her thoughts.
48:56Didn't even see her.
48:59Guess I was blind all along.
49:02I don't deserve that.
49:04I've missed this place.
49:25Don't you remember?
49:26Of course I do.
49:28We saw so many films here.
49:31We would just stay in our seats and talk about life and everything.
49:38But you just made me feel like I could face more anything, really.
49:45God, I used to be so nervous back then.
49:48About everything.
49:49About the future.
49:52But you just made me feel like I could face more anything,
49:56really.
49:57No.
49:59Someone had to be there to make sure you didn't overthink everything.
50:02I remember you used to unpick every little detail
50:05like it was a life or death situation.
50:11You know, Dorothy,
50:13life's not been the same without you.
50:20Even when we parted ways,
50:21I always knew that we would find each other again.
50:26I don't care what we've been through.
50:30I don't care what's happened.
50:32All I know
50:32is that I need you now.
50:38More than ever.
50:39And the award for best adapted screenplay goes to...
50:57Dorothy Bennett with Liar's Game.
51:03Wow.
51:04Best screenplay.
51:06What, shall I start calling you Your Majesty?
51:08I think that's a great idea.
51:11Why don't I start now?
51:12You deserve this.
51:15Your Majesty.
51:17Every bit of it.
51:19Now,
51:20since you won,
51:23I think this calls for a reward.
51:25Oh, yeah?
51:28And what would that be?
51:31Me.
51:32You've been listening.
51:44Oh, yeah.
51:49Uh...
51:50Yeah.
51:50Okay.
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