- 4 months ago
CHASED - Christina Ricci (Sleepy Hollow) - THRILLER - Full Movie in English
Category
š¹
FunTranscript
00:00:00Satsang with Mooji
00:00:30Go, go, go, go, go!
00:01:00Come on, come on, come on, come on, come on, you can make it, you can make it, I promise.
00:01:06Brett, how much further?
00:01:07We'll just get to the top, come on.
00:01:09I'm tired.
00:01:14Here.
00:01:16We're nearly there, wait till you see the view.
00:01:20Up here.
00:01:22Whoa.
00:01:24You up?
00:01:24Yeah.
00:01:25I'll get you.
00:01:25Oh, my God, you're right, it's gorgeous up here.
00:01:32Oh, we should have brought a blanket or something.
00:01:35Brett, I said we should have brought a blanket.
00:01:41Brett?
00:01:49Brett?
00:01:50Brett, for God's sake!
00:02:02Brett!
00:02:02Brett!
00:02:02Brett!
00:02:02Brett!
00:02:02Brett!
00:02:32No, no, no, no, no, no.
00:03:02No, no, no, no.
00:03:32No, no, no, no.
00:04:02No, no, no, no.
00:04:32No, no, no, no.
00:04:34Luke, how are you, Simon?
00:04:37I suppose I shouldn't be surprised it's you.
00:04:42Likewise.
00:04:43And who found it?
00:04:51Two kids at the festival.
00:04:53They fell into a crack in the ground.
00:04:55Took the police nearly a week to find them.
00:04:58What happened?
00:04:59The boy was killed instantly.
00:05:00The girl spent five days in pitch darkness with his corpse,
00:05:03but she died just after they found her.
00:05:05God help her.
00:05:06God help her.
00:05:07Sorry.
00:05:08He died just after they found her.
00:05:10God help her.
00:05:14God help her.
00:05:15He died.
00:05:16She died.
00:05:17He died.
00:05:18He died.
00:05:19He died.
00:05:20He died.
00:05:21He died.
00:05:22He died.
00:05:23I'm going to put it in a little bit, so I'm going to put it in a little bit, so I'm going to put it in a little bit.
00:05:53Oh, my God.
00:06:23Oh, my God.
00:06:31Michael.
00:06:33Michael.
00:06:35Michael, stop it.
00:06:41Oh, God.
00:06:48Oh, Michael.
00:06:51Stay there.
00:06:52Don't move.
00:06:53Oh, my God.
00:06:54Oh, my God.
00:06:55Don't move.
00:06:56Don't move.
00:06:57Don't move.
00:06:58You've got an accident.
00:06:59Don't.
00:07:00I'm going to call an ambulance.
00:07:01Don't try and move.
00:07:02Don't move.
00:07:03Don't move.
00:07:04Don't move.
00:07:05Don't move.
00:07:06You've got an accident.
00:07:07Don't.
00:07:08Don't.
00:07:09I'm going to call an ambulance.
00:07:10Don't try and move.
00:07:11Don't move.
00:07:12Don't move.
00:07:13Don't move.
00:07:14Don't move.
00:07:15Don't move.
00:07:16Don't move.
00:07:17Don't move.
00:07:18Don't move.
00:07:19Don't move.
00:07:20Don't move.
00:07:21Don't move.
00:07:22Don't move.
00:07:23Don't move.
00:07:24Don't move.
00:07:29Leo.
00:07:30How is she?
00:07:32I'll do further tests, of course.
00:07:35But I don't think you could've hit her quite as hard as you imagined, Mrs Kirkman.
00:07:37her quite as hard as you imagined, Mrs Kirkman. There's no way I couldn't have. I know how hard I
00:07:43hit her. But she only has a cut on her hairline and a few scratches. There's no serious damage.
00:07:49But she's unconscious. No, she's asleep. Look, the results are all fine. She's a bit disoriented,
00:07:57of course. Her short-term memory may be a bit shaky. There's no reason to keep her in.
00:08:02You're letting her go? I'll see her at my surgery. I can't just walk away and leave her.
00:08:09We'll look after her. This is awful. I don't even know her name. It's Cassie Grant.
00:08:21My girl.
00:08:22The Christ figure has his back to the church.
00:08:34It does, doesn't it?
00:08:36It seems to be the wrong way around.
00:08:41This is a very significant discovery, Luke.
00:08:45Yes.
00:08:46I know.
00:08:47I'm surprised you came to me.
00:08:53Simon Sansevier was a long time ago.
00:08:56Two years?
00:08:58To be honest, you weren't my first choice.
00:09:07The building itself is brick and stone, opus reticulatum, Roman.
00:09:12This church was built in the first century.
00:09:15And the altarpiece?
00:09:22Yes.
00:09:24The altarpiece was carved at around about the same time.
00:09:27It's unusual.
00:09:28A crucifixion shown from behind the cross.
00:09:31Never seen that before.
00:09:33It's going to deteriorate.
00:09:35How fast?
00:09:37I'll need to get a monitoring system in as soon as possible.
00:09:40How soon can you start?
00:09:43As soon as I can get a team together.
00:09:45Professor Kirkman, I'd prefer you to work alone at this stage.
00:09:52We feel that the fewer the people from outside the church concerned with the conservation work, the better.
00:10:00As long as it's still under our jurisdiction, we'd like to make our own analysis.
00:10:05Calmly, quickly, and without any fuss.
00:10:10And no journalists.
00:10:13We'll cooperate in every way, Professor.
00:10:16We'll provide everything that you require.
00:10:18You sure about this?
00:10:25It's the least I can do, really.
00:10:27I've got more room than we know what to do with.
00:10:29You can stay as long as you need to.
00:10:30You don't remember why you were coming to Ashby Wake?
00:10:39No.
00:10:41I must know people here.
00:10:44I'm sorry.
00:10:45It's all a bit fuzzy.
00:10:47Dr. Byworth said you might be a bit confused to begin with.
00:10:53While Ashby's a small place, someone's bound to recognize you.
00:10:58Michael's quiet.
00:10:59Yes.
00:11:00How did you know his name?
00:11:03You must have said it.
00:11:05Of course.
00:11:08We're here.
00:11:18Oh!
00:11:20This is Emma.
00:11:27Hi, Emma.
00:11:28I'm Cassie.
00:11:30Hi.
00:11:35Wow, this is an incredible house.
00:11:37We bought it a year ago, just after we were married.
00:11:40Oh.
00:11:41I'm their stepmom.
00:11:43Still got loads to do to it.
00:11:49You have so many beautiful things.
00:11:52That's Simon, my husband.
00:11:53He's the expert.
00:11:55Now, just be comfortable.
00:11:58I'll make some tea.
00:12:00I'll help you.
00:12:01I'll help you.
00:13:11So what about this girl?
00:13:13Cassie?
00:13:15There really wasn't anything else I could do.
00:13:19God, Simon, I thought I'd killed her.
00:13:22God, it must have been awful.
00:13:23I was petrified.
00:13:29I thought she was dead.
00:13:33I don't know what I would have done.
00:13:38Thank God we can help her out.
00:13:41She's lost almost all her things.
00:13:42At least we can give her a bed.
00:13:46At least we can give her a bed.
00:14:16How are you feeling today?
00:14:17Much better, thank you.
00:14:20I hope you don't mind.
00:14:22The kids said they were hungry, so I thought I'd make them breakfast.
00:14:25I'll show to where everything is.
00:14:28You shouldn't be doing this.
00:14:30I don't mind.
00:14:32Is Mrs. Groves here yet?
00:14:34Mm-hmm.
00:14:37I'm meant to be in Oxford for a meeting.
00:14:40Well, I can take the kids to school.
00:14:42No, it's okay.
00:14:44I'd like to.
00:14:46You don't know where it is.
00:14:50Well, Emma can show me.
00:14:54Hey, Michael, how do you like your eggs?
00:14:56Scrambled or sunny-side up?
00:14:58Because they're not talking.
00:15:00Or do they do something weird here in England, like mix them with jelly?
00:15:04Ew!
00:15:05It's a marvelous, marvelous day.
00:15:06Get the kids, bring the family, and take everybody there.
00:15:08And, um, don't forget that.
00:15:10Bye.
00:15:11Bye.
00:15:12Bye.
00:15:13Bye.
00:15:14Bye.
00:15:14Bye.
00:15:15Bye.
00:15:16Bye.
00:15:17Bye.
00:15:18Bye.
00:15:19Bye.
00:15:20Bye.
00:15:21Bye.
00:15:22Bye.
00:15:23Bye.
00:15:24Bye.
00:15:25Bye.
00:15:26Bye.
00:15:27Bye.
00:15:28Bye.
00:15:29Bye.
00:15:30Bye.
00:15:31Bye.
00:15:32Bye.
00:15:33Bye.
00:15:34Bye.
00:15:35Bye.
00:15:36Bye.
00:15:37Bye.
00:15:38I'm so sorry. Excuse me.
00:15:42Most of the damage has been caused by these waterborne salts, actually, within the fabric of the... of the building.
00:15:58That's especially true on these figures to the right.
00:16:02There's bubbling and incrustation on most of the others, but, um...
00:16:07They're remarkable, aren't they?
00:16:12Joseph of Arimathea?
00:16:14He was at the crucifixion, and he came to England immediately afterwards.
00:16:20With the spear that wounded Christ on the cross, yes.
00:16:24And?
00:16:26And he built a church in Glastonbury.
00:16:29The first-century Roman church.
00:16:32Almost certainly this one.
00:16:37It's possible.
00:16:40It's probable.
00:16:42So when we look at this altarpiece, we know what we could be looking at.
00:16:49A record of the crucifixion of Christ by someone who was there.
00:16:53A record of the crucifixion, a tissue of your poor man.
00:17:07A dish, a dish, we all fall down, because there is a measure, each of us a cup.
00:17:23A dish, a dish, we all fall down, because there is a measure, each of us a cup.
00:17:27Cassie, I made this for you.
00:17:42I saw two people in town who look kind of familiar to me.
00:17:54I think they recognized me, but, um, I had no idea who they were.
00:18:05Happens to me all the time.
00:18:08Headaches.
00:18:09No.
00:18:11Anything else?
00:18:15Well, when I saw those people, I don't know, everything went kind of strange.
00:18:23I don't think you have anything to worry about.
00:18:27You've had a jolt.
00:18:29It'll take time to settle down.
00:18:33All right?
00:18:39Yeah.
00:18:42Hello.
00:18:43Where did you find that?
00:18:57That this is yours?
00:18:58You wrote this?
00:18:59Yes.
00:19:00The Forensics of Faith.
00:19:03It's about my work.
00:19:06I thought you restored art.
00:19:08I do.
00:19:09And work out where it comes from, and whether it's authentic or not.
00:19:12Which causes a lot of trouble.
00:19:14Keeps me busy, though.
00:19:16Too busy.
00:19:17It's been a godsend, Cassie, having you here with us.
00:19:20Oh, it's great being here, with the kids.
00:19:23They're really, really sweet.
00:19:29Have you been a nanny before?
00:19:30Or an au pair?
00:19:31I don't think so.
00:19:35Do you remember anything about your family?
00:19:39No.
00:19:40Not yet.
00:19:42I'll have a glass of that.
00:19:43All right.
00:19:44How long have you lived here?
00:19:48A year.
00:19:49Emma was born in Ashby Wake, and she was nine when we moved in here.
00:19:53We just thought it'd be a great place to make a fresh start.
00:19:57The kids had had such a difficult time.
00:20:00Michael was only four when his mother died.
00:20:04I'm sorry.
00:20:06She'd been ill a long time.
00:20:09It's been terrible for Michael.
00:20:11He's really had a struggle.
00:20:13It's so hard having to watch him suffer.
00:20:16It's so hard having to watch him suffer.
00:20:17She's nervous about her.
00:20:18She's difficult for him.
00:20:19She's interrupted by ŠŠ°Š²Š°Š¹ intimidating.
00:20:20Yes.
00:20:22Bird ×Å ģ¤ė¹
00:20:27Oh!
00:20:28Oh!
00:20:29It's so hard to get humble alright.
00:20:30Woah, It's so hard.
00:20:32It's hard to get the internet.
00:20:34And he's already had a lot of stories.
00:20:35It's like a lot of footage.
00:20:36It's kind of
00:20:39It's so hard to get me to your, you know,
00:20:41it's not a pl Hunter.
00:20:42Oh, oh!
00:21:06Oh!
00:21:12I don't know.
00:21:42I don't know.
00:22:12You all right?
00:22:27I know you, don't I?
00:22:34You don't remember, do you?
00:22:37No, no, I do.
00:22:40Outside of the school.
00:22:42Exactly.
00:22:51So whereabouts in the States you're from?
00:22:54Um, the Midwest.
00:23:00I'm staying with a family here.
00:23:01I was actually hit by a car a few days ago.
00:23:10You were run over?
00:23:12Yeah.
00:23:13I'm fine, obviously.
00:23:15Um, I just got a little concussion.
00:23:19Poor you.
00:23:20It must have been a terrible shock.
00:23:21Are you staying in Ashby Way?
00:23:30At Lime Court.
00:23:32It's on the outskirts.
00:23:33Big place.
00:23:35Cornfields.
00:23:35Yeah, yeah, that's it.
00:23:37Do you live around here?
00:23:45I haven't decided yet.
00:23:48I mean, I do love it.
00:23:50The West Country.
00:23:52I'm looking after someone's place up on Stookley Hill.
00:23:54The report shows unusually low acid and high salt levels in the soil.
00:24:05Mm-hmm.
00:24:07This might be damaging the walls.
00:24:10Yes, I know, Luke.
00:24:10I wrote the report.
00:24:12What's really interesting is that the soil was brought here about 1,200 years after the church was built.
00:24:18You didn't put that in the report?
00:24:21The church was buried, deliberately, around the time of the Black Death.
00:24:29Come on, Luke.
00:24:31We've known each other a long time.
00:24:33Why are you trying to keep this place under wraps?
00:24:38Look, there are things we don't understand yet.
00:24:40If the church was deliberately buried, there must have been a reason.
00:25:10What?
00:25:11What?
00:25:15Good night.
00:25:35What?
00:25:36Please!
00:25:40Please!
00:25:42Please!
00:25:45Michael.
00:26:15Michael?
00:26:32Michael?
00:26:38Was that you?
00:26:45Were you crying?
00:26:50Can't you sleep?
00:27:01It's a very good dog.
00:27:05Like the one that barks outside, huh?
00:27:10You've heard it, haven't you?
00:27:15And the children?
00:27:21Have you hurt them too?
00:27:24It's okay.
00:27:30And nothing to be afraid of.
00:27:36Mrs. Grubbs?
00:27:45Do you know anyone around here who has a pit bull kind of dog?
00:27:50What sort of a pit bull?
00:27:53I don't know.
00:27:56It's kind of caramel colored.
00:27:58That really big head.
00:28:00I've seen it here on the grounds.
00:28:02I haven't seen a pit bull like that around here for a long time.
00:28:06Where are the children?
00:28:08This is nearly done.
00:28:10What was Michael and Emma's mother like?
00:28:12Caroline.
00:28:13Oh, she was lovely.
00:28:15Lovely mum.
00:28:17It's not my place, I know.
00:28:19But it didn't help Professor Kirkman remarrying so soon after.
00:28:24Yeah, must have upset them.
00:28:27Not as much as moving here.
00:28:29They shouldn't have bought this place.
00:28:31Would you mind calling them in?
00:28:37Michael?
00:28:38Emma?
00:28:39You're not holding it straight.
00:28:50No!
00:28:52Michael?
00:28:53Michael?
00:28:54Michael?
00:28:55Michael, it's okay.
00:28:56It's okay.
00:28:57It's okay.
00:28:58It's okay.
00:29:02A journalist has been phoning the bishop's office.
00:29:04We can't have people talking to the press.
00:29:06No.
00:29:08You think it was me?
00:29:11No, no, of course not.
00:29:12Yes, you do.
00:29:15Well, was it?
00:29:16Ah.
00:29:22You still think you were right, don't you?
00:29:26About San Severo.
00:29:30All I did was tell the truth.
00:29:32As you saw it.
00:29:33Actually, what you did was undermine the faith of thousands of people.
00:29:36People who'd been taught to believe that a piece of wood, a sacred relic,
00:29:40a piece of 19th century driftwood, was a fragment of the Holy Cross.
00:29:44Which they believed was sacred.
00:29:49Luke, I'm only interested in the facts.
00:29:51I know.
00:29:54I know.
00:29:57No, thanks.
00:30:00Well, what we have here is authentic.
00:30:03This deserves to make the headlines.
00:30:04This is probably the earliest crucifixion we have.
00:30:08That's not what it is.
00:30:13Aristobulus, bishop of the Britons, wrote a series of letters.
00:30:18He was in Glastonbury, wasn't he?
00:30:19First century.
00:30:21Aristobulus mentions the church founded by St Joseph of Arimathea, and in the same letter, there's a sort of postscript that quite a few scholars puzzled about.
00:30:35They came only to see, from the east and from the west, from the city and from the plain.
00:30:45They came not in holy reverence to the Lord, but in lust.
00:30:51You're Latin's better than mine.
00:30:52They came only to see, not in holy reverence, but in lust.
00:31:08That's what I think the bas-relief is about.
00:31:14There have always been people, all through the ages, who came just for the spectacle.
00:31:21The people who knitted by the guillotine during the French Revolution, the crowds who turned up for the hangings at Newgate Jail, the people who camp outside American prisons when they're going to throw the switch.
00:31:36Yes, but it's still a crucifixion scene.
00:31:39It may be unorthodox, but...
00:31:41No, it's not just a crucifixion.
00:31:45It's not about Christ, Simon.
00:31:47It's about the people who came to watch.
00:31:59There you go, Becker.
00:32:00Thanks very much.
00:32:01Thank you very much.
00:32:09Here.
00:32:18Michael?
00:32:23Sweetie?
00:32:28It's okay.
00:32:30He doesn't hurt you. He's...
00:32:36Come on.
00:32:38Come on. Let's go.
00:33:00Shh.
00:33:05Look at my face.
00:33:08Michael!
00:33:14I won't let anything happen to you.
00:33:16Okay? I promise.
00:33:18I'm alright.
00:33:20I'm not gonna let anything happen to you.
00:33:22I promise.
00:33:24I'm okay.
00:33:26I'm so sorry, Dan. I just...
00:33:28I didn't know who else to talk to.
00:33:30Cassie, what is it?
00:33:32For the past few days, I've been having these...
00:33:38I don't even know what to call them.
00:33:40Visions.
00:33:42Hallucinations.
00:33:48I see these horrible things.
00:33:50And then later, I'm not even sure if I just imagine them.
00:33:54Well, you were run over by a car.
00:33:58But what I see is so real.
00:34:02I'm afraid I'm having premonitions.
00:34:04Premonitions?
00:34:06What about?
00:34:08I don't know.
00:34:10Well, do you know what they mean?
00:34:12I don't know. I don't know.
00:34:14F***.
00:34:16How can I know what's gonna happen if I don't even know what has happened?
00:34:22Hey.
00:34:26I'll help you.
00:34:30I feel so alone.
00:34:34You're not alone, Cassie.
00:34:36You're not alone.
00:34:38You're not alone.
00:34:56You're not alone.
00:35:28The dog was barking at us like crazy in the back of the truck.
00:35:52This guy was just staring at Michael.
00:35:55It was awful.
00:35:56Well, there's only one garage in Ashby Wake.
00:35:59We'll start there.
00:36:02But that's it.
00:36:04That's definitely the truck.
00:36:05What are you doing?
00:36:28Can I help you?
00:36:38Can you tell me who owns this car?
00:36:40Why do you want to know?
00:36:43I'd like to buy it.
00:36:44It's not for sale.
00:36:46It belongs to one of my mechanics.
00:36:49Is he here?
00:36:50No.
00:36:51Well, can we get his telephone number?
00:36:55No.
00:36:56He's not on the phone.
00:36:58Okay, then his address.
00:37:04Tyne Cottage.
00:37:06Longridge Road.
00:37:09His name's Argyle.
00:37:10Go.
00:37:20Go.
00:37:21Go.
00:37:22Go from.
00:37:26Go.
00:37:26Go.
00:37:27Go.
00:37:57Oh, Jesus.
00:38:14So that's the dog?
00:38:17Yeah, that is the dog.
00:38:27You know, in England, we call this breaking and entering.
00:38:35I'm not going to break anything.
00:38:36I'm not going to break anything.
00:39:04Oh, God, look at this stuff.
00:39:07It's sad.
00:39:34Oh, God, I know these people.
00:39:42Dan, I know these people.
00:39:56That's my doctor from the hospital.
00:39:58Come on, let's go.
00:40:05Come on, let's go.
00:40:05That's Lyme Court.
00:40:15In the 60s, Lyme Court was a children's home.
00:40:33A church home.
00:40:34The staff was accused of molesting the kids.
00:40:41So what's new?
00:40:44Come on, Cassie.
00:40:45I really think we should get out of here.
00:40:46Jesus Christ, they were all involved.
00:40:49They were all in on it.
00:40:51All these guys.
00:40:52Everyone must know.
00:41:04The whole town must know.
00:41:09That's him at Lyme Court.
00:41:13He must have lived there.
00:41:14Oh, my God.
00:41:21Dan.
00:41:22Dan, it's Michael.
00:41:26He has a picture of Michael.
00:41:29Why does he have a picture of Michael?
00:41:31I don't know.
00:41:32Come on, let's get out of here before it comes back, eh?
00:41:37Wait, wait.
00:41:38You saw that place.
00:42:04That guy is obviously insane.
00:42:06All I saw was a sad, fucked up life.
00:42:09We're going to the police.
00:42:10And tell them what?
00:42:12That he's been taking snapshots of Michael?
00:42:13Yes.
00:42:15And what about all those other pictures?
00:42:17He must see himself as a kid in Michael.
00:42:19He wants to get rid of him, wipe out his past.
00:42:22And in one of my...
00:42:26Premonitions.
00:42:27Yes, in one of my premonitions,
00:42:29I saw Michael with half of his face blown off.
00:42:32But you can't go to the police and tell them that.
00:42:34Well, we have to do something.
00:42:38Chances.
00:42:43Okay.
00:42:47Why don't we find out a bit more
00:42:48before we do anything drastic?
00:42:50And all that happiness is so soon to be shattered.
00:42:56Jackie went with him on his last political journey.
00:43:00In Dallas, he was welcomed to Texas by state government.
00:43:03There, too, was the vice president, Mr. Lyndon Johnson,
00:43:07who is a Texan.
00:43:08In that state, the democratic government is not popular.
00:43:11But the Kennedy Charms seem to be as effective as ever.
00:43:15So the motorcade...
00:43:17Yes, you're welcome, sir.
00:43:19That is, sir.
00:43:20That is, sir.
00:43:20That is, sir.
00:43:21That is, sir.
00:43:21That is, sir.
00:43:22That is, sir.
00:43:23That is, sir.
00:43:24That is, sir.
00:43:25That is, sir.
00:43:26It was closed down after all the fuss.
00:43:41It was just abandoned.
00:43:42Then Mrs. Kirkman bought it and did it up.
00:43:45Did you ever come here?
00:43:47Did you know the priest that was in charge?
00:43:49Look, it doesn't matter now, does it?
00:43:51It's all over now.
00:43:53Nobody wants it all raked up again.
00:43:56It just seems like someone should have known what was going on in here.
00:43:59Cassie, nothing was ever proved.
00:44:02There were rumours, yes.
00:44:04It was wicked.
00:44:05Dreadful.
00:44:07But it's over.
00:44:13But safety standards have changed since those early days.
00:44:18Controversy over the precautions taken
00:44:20We're unashamed and frequently posed for the cameras.
00:44:33How many met this fate can never be known?
00:44:50He's dangerous.
00:45:02I think he wants revenge.
00:45:05Revenge, right.
00:45:06On whom?
00:45:07I don't know.
00:45:09The people that hurt him.
00:45:11Possibly the whole town.
00:45:13The whole town?
00:45:14He's obsessed with this kid that I look after.
00:45:18Michael.
00:45:20Now, why would he want to harm this kiddie?
00:45:22I don't know.
00:45:24Because of his childhood.
00:45:26The way he was hurt.
00:45:28Okay.
00:45:28Now, I don't suppose you've got a name for this gentleman.
00:45:32Frederick Michael Argyle.
00:45:34Fred?
00:45:37Look, miss, I don't think you have to worry about Fred.
00:45:39Everybody in Ashby Wait knows Fred.
00:45:41And you think he's funny.
00:45:43Jesus Christ, what is wrong with you people?
00:45:47Look, miss, I'm afraid that without any actual evidence,
00:45:49there's very little we can do.
00:45:52Great.
00:45:53Thanks a lot.
00:46:00And from the 19th century,
00:46:01this male figure on the right.
00:46:03The detail of his face.
00:46:09The figure on the bas-relief.
00:46:12And in this picture,
00:46:13we're looking at the figure of the older woman in the background.
00:46:18There's the detail of her face.
00:46:24And again, the identical face on the bas-relief.
00:46:29We must bury it.
00:46:33Isn't that rather drastic?
00:46:39I've been in turmoil.
00:46:41I think we all have.
00:46:43Ever since the discovery was made.
00:46:46And we grieve for those two poor young people.
00:46:51But these findings
00:46:52come as no great surprise to the scholars among us.
00:46:56You're not the first, Luke,
00:46:58to recognize that these figures appear again and again
00:47:01at scenes of human tragedy.
00:47:05It has been documented
00:47:06by certain churchmen.
00:47:09And we mustn't respect the fact
00:47:11that the church has been buried once before.
00:47:14Why?
00:47:15Bishop, forgive me.
00:47:18Burying the church,
00:47:19even tearing it down brick by brick,
00:47:20isn't going to stop these tragedies from happening.
00:47:22Indeed, it is not.
00:47:25Nothing on earth can do that.
00:47:27But we can prevent that place
00:47:29becoming a center of superstition and fear.
00:47:35If people become obsessed
00:47:37with evils that might occur,
00:47:42they neglect the present good
00:47:45that they should do.
00:47:48Can you handle matters
00:47:50with Professor Kirkman?
00:47:53Yes.
00:47:55So I'll drive up to see him
00:47:56first thing tomorrow.
00:48:03Frederick Michael Argon.
00:48:05Fred?
00:48:07Everybody in the church.
00:48:09He's a picture of Michael.
00:48:11Why does he have a picture of Michael?
00:48:12Now, why would he want to harm this kiddie?
00:48:14He wants to get rid of...
00:48:15Look, miss,
00:48:16I don't think you have to worry about Fred.
00:48:30Don't!
00:48:33Please!
00:48:36Don't!
00:48:36I'll teach you, Lyle.
00:48:37You won't run away again.
00:48:39I saw you.
00:48:40I always try to make sure
00:48:41aren't you, Argyle.
00:48:42Please!
00:48:43Please!
00:48:44Don't!
00:48:45I wasn't!
00:48:49Please!
00:48:50No!
00:48:50Try that again in a hurry.
00:48:57No!
00:48:58No!
00:48:58No!
00:48:59No!
00:48:59No!
00:48:59No!
00:49:00No!
00:49:00No!
00:49:00No!
00:49:01No!
00:49:01No!
00:49:02No!
00:49:02No!
00:49:02No!
00:49:03No!
00:49:04No!
00:49:04No!
00:49:05No!
00:49:05No!
00:49:06No!
00:49:06No!
00:49:07No!
00:49:07No!
00:49:08No!
00:49:08No!
00:49:09No!
00:49:10No!
00:49:10No!
00:49:11No!
00:49:11No!
00:49:12No!
00:49:12No!
00:49:13No!
00:49:14No!
00:49:14No!
00:49:17Deep breath!
00:49:18No!
00:49:19No!
00:49:19Okay!
00:49:20Oh!
00:49:21No!
00:49:21It's okay!
00:49:22I heard voices and now, sweetie, I heard them too.
00:49:30What's going on, Michael? What's the matter?
00:49:32He was having a bad dream.
00:49:34It's all right. Come on, then. You go up to bed. It's just a storm.
00:49:37It's all right. Come on. It's all right. Let me take him.
00:49:40It's OK, Michael. Michael, you go with Marion.
00:49:43OK.
00:49:44Michael, get these out.
00:49:53Yeah.
00:50:05Simon, where are these photographs from?
00:50:09Yeah, just my work.
00:50:13You have to tell me, where are these pictures from?
00:50:18They're from an altarpiece. Bass relief I've been working on.
00:50:24But I've seen these people.
00:50:26What?
00:50:27In Ashby Wake.
00:50:30No, they're from a work of art. A very old work of art.
00:50:34I've seen these people in your town.
00:50:36What are you talking about?
00:50:39This one?
00:50:42That's enough.
00:50:43Just go to bed, would you, Cassie, please?
00:50:45Oh, my God.
00:50:50Oh, my God.
00:50:52Just go to bed, would you, Cassie, please?
00:51:06Oh, my God.
00:51:21Oh, my God.
00:51:51Oh, my God.
00:52:06Oh, my God.
00:52:12Oh, my God.
00:52:17Oh, my God.
00:52:19Oh, my God.
00:52:22Oh, my God.
00:52:47Oh, my God.
00:52:56Now, ladies and gentlemen, your friend and his, the mayor.
00:52:59I just wanted to say I'm delighted to be here, and it gives me great pleasure to declare the Aspie Wake Fair open.
00:53:14Wait for me.
00:53:15Look at me!
00:53:16Run, silly.
00:53:17Come on.
00:53:19I'll reach me.
00:53:29Yeah, certainly.
00:53:34Thanks.
00:53:36Bye.
00:53:37Luke Fraser's been killed in a car accident.
00:53:48Oh, Simon.
00:53:53He's on his way to see me.
00:53:58The car somersaulted, and it was instantaneous, apparently.
00:54:01Oh.
00:54:07Um.
00:54:10I'd better go.
00:54:13The bishop wants to see me.
00:54:16Will you be here?
00:54:18Of course.
00:54:26Oh.
00:54:31What?
00:54:32Yeah, well, no, no.
00:54:40Oh, my God!
00:54:52Oh, boy.
00:54:53Whee!
00:55:23I'm grateful for your promptness, Professor Kirkman.
00:55:39It's a terrible blow.
00:55:41Luke was a remarkable man.
00:55:44Yes. Yes.
00:55:48There are things I think you should see.
00:55:53Aristobulus called them the gathering,
00:55:56the people who came to the crucifixion
00:55:59not to worship or to comfort,
00:56:02but to watch.
00:56:08Yeah.
00:56:12From the East and from the West they came not in holy reverence but in lust.
00:56:18Indeed.
00:56:20There's always been a tradition in the church that the gathering was cursed,
00:56:25cast into the outer darkness,
00:56:27and that its members were doomed to be the spectators of mankind's suffering forevermore.
00:56:34The First World War.
00:56:43Detonation of the first atomic bomb.
00:56:52I've shaken your faith, Professor.
00:56:53No, I don't have a faith.
00:57:00Your faith in scientific rationality.
00:57:04Ah.
00:57:05Have you got a phone?
00:57:12Yes.
00:57:18I know where these people are.
00:57:24They're here now.
00:57:25multiplicity.
00:57:30Malala.
00:57:32Cassie, look at me.
00:57:34Look at my legs.
00:57:37Look at me.
00:57:40Look at your hands.
00:57:42Oh, my hair.
00:57:44Help.
00:57:45Hey guys, let's go, okay?
00:58:10They're here.
00:58:11Mrs. Groves?
00:58:15Hello, Michael, Emma.
00:58:17Are you going to buy a balloon for the race?
00:58:19Mrs. Groves, can you watch them for a minute?
00:58:21Well, I don't know.
00:58:22Mrs. Groves, this is really important.
00:58:24Please.
00:58:32Cassie!
00:58:34Where are the children?
00:58:35They're over there with Mrs. Groves.
00:58:36What's going on?
00:58:37Simon said we were in danger.
00:58:39You're just going to have to trust me.
00:58:40You've got to get the kids out of here.
00:59:00Oi, Jez, look who's here.
00:59:02It's G.I. Joe.
00:59:04Well, very nice of you to turn up, Freddy.
00:59:06What you got there, Freddy boy?
00:59:07You've been shooting rabbits again?
00:59:14Shit.
00:59:19Shoot!
00:59:21No.
00:59:23Please.
00:59:25Please.
00:59:25Please.
00:59:26Please.
00:59:54Hello, stranger.
01:00:24Hello, stranger.
01:00:54Hello?
01:00:56Hello?
01:01:01Hello?
01:01:05Cassie.
01:01:07You stay the f*** away from me.
01:01:10What?
01:01:12Who are you?
01:01:14What are you talking about?
01:01:17I'm talking about a sculpture that was made 2,000 years ago.
01:01:21I saw pictures of it last night. I saw you.
01:01:26You were in them.
01:01:30Yes.
01:01:32Yes?
01:01:34What the hell does that mean?
01:01:38Who the f*** are you?
01:01:40You shouldn't have gone to the police, Cassie.
01:01:42I tried to warn you.
01:01:44They might have gotten away, and I couldn't allow that to happen.
01:01:49There was an officer here.
01:01:53Where is he?
01:01:56Right behind you.
01:01:58Oh, Jesus!
01:02:03Jesus Christ!
01:02:05Hello.
01:02:06Oh, Frederick!
01:02:07He's been to the pit.
01:02:08A crucifixion on a hill.
01:02:10We went to watch.
01:02:12But we were punished.
01:02:14Unfairly, in my view.
01:02:15It's a natural thing to be curious.
01:02:18You knew about Argyle this entire time.
01:02:21So did you.
01:02:22What are you talking about?
01:02:23I'm not going to hurt you, Cassie.
01:02:25I'd never do that.
01:02:27But you were going to hurt you.
01:02:28You were going to hurt you, Cassie.
01:02:30It's a natural thing to be curious.
01:02:34You knew about Argyle this entire time.
01:02:37So did you.
01:02:38What are you talking about?
01:02:40I'm not going to hurt you, Cassie.
01:02:44I'd never do that.
01:02:48You know something's going to happen. That's why you're still here.
01:02:53You're one of us, Cassie.
01:02:57You've just... forgotten.
01:03:01All those years ago, we were condemned to come back and watch.
01:03:06And that's what we did.
01:03:09But as time has passed, we've found we can be of use.
01:03:14We can make sure that things are in place for what's inevitably going to happen.
01:03:20That nothing gets in the way.
01:03:22But it's pathetic.
01:03:23It's obscene.
01:03:25Watching people suffer.
01:03:27Getting some kind of thrill out of it.
01:03:28Is there a thrill out of it?
01:03:30No, there's no thrill.
01:03:34We can't stop what's going to happen, Cassie.
01:03:41Fuck you, Dan.
01:03:43There's nothing you can do, Cassie.
01:03:44I want you to meet Dr. Byworth, who is presenting the prizes.
01:03:49A big welcome to Dr. Byworth.
01:03:53Thank you very much, Mr. Mayor.
01:04:03Well, it's a great pleasure to be here.
01:04:05And it's been another excellent turn-up this year.
01:04:07Please, Captain D.
01:04:11That's a great pleasure to be here.
01:04:18Thank you, Mr. Mayor.
01:04:24Thank you, Mr. Mayor.
01:04:29hey hey can you help me please can you help me push this yeah of course around
01:04:47the back please okay okay I'll go this side
01:04:50you ready yeah all right right goes to miss Caldwell
01:04:59it's the engine gonna start you've got to let out the club right
01:05:08right Christ Christ
01:05:15run run run run there's a bomb in the truck run run
01:05:23congratulations
01:05:30yeah
01:05:37yeah
01:05:40yeah
01:05:45yeah
01:05:49Oh, no!
01:05:51Oh, no!
01:05:53Oh, no!
01:05:55Oh, no!
01:05:57Oh, no!
01:05:59Oh, no!
01:06:01Oh, no!
01:06:03Khar-rama! Khar-rama!
01:06:05Khar-rama-rama! Khar-rama!
01:06:07Khar-rama-rama-khar-y!
01:06:13You know I got it!
01:06:15Oh, my God!
01:06:17Shit!
01:06:19You're a little late.
01:06:21You missed it.
01:06:23I'm sorry if I ruined it for you.
01:06:25You haven't?
01:06:27You've seen it, Cassie. You know what's coming.
01:06:29He's ticking off his list.
01:06:31He's on his way to kill Michael now.
01:06:33Michael's on a train to London.
01:06:35I think you'll find that Michael's at Lyme Court with Emma.
01:06:42Cassie...
01:06:43Don't touch me.
01:06:45It won't make any difference!
01:06:49The train was cancelled.
01:06:51This man...
01:06:53Marion!
01:06:55Where's Marion?
01:06:57Cassie, is that you?
01:06:59Marion, I can't get you here.
01:07:01I can't get Simon. The train was cancelled, but I thought we'd be safe here.
01:07:03There's a man.
01:07:05Marion!
01:07:07Michael!
01:07:09Michael!
01:07:11Michael!
01:07:13Michael!
01:07:15Oh!
01:07:16Michael!
01:07:17Oh!
01:07:18Michael!
01:07:19Oh!
01:07:20Cassie!
01:07:21Take Michael!
01:07:22Marion!
01:07:23Go!
01:07:24Go!
01:07:25Oh God!
01:07:26Take Michael!
01:07:27Go!
01:07:28Go!
01:07:29Run!
01:07:30Run!
01:07:31Run!
01:07:32Come on!
01:07:33Go!
01:07:36Into the field!
01:07:37Did you see Marion?
01:08:07Come here!
01:08:37No.
01:09:01Stay here.
01:09:07Oh, my God.
01:09:37Oh, my God.
01:10:07Oh, God. I'll call an ambulance.
01:10:09The children.
01:10:10I'll be okay.
01:10:12Get the children.
01:10:12Oh, Christ.
01:10:13Get the children.
01:10:15I'll be okay.
01:10:16I'll be okay.
01:10:46I'll be okay.
01:11:16I'll be okay.
01:11:46I'll be okay.
01:12:16I'll be okay.
01:12:46I'll be okay.
01:13:16I'll be okay.
01:13:46I'll be okay.
01:13:47Please.
01:13:48No.
01:13:49Please.
01:13:50Please.
01:13:51Don't.
01:13:52Please.
01:13:54I'll be okay.
01:14:01I'll be okay.
01:14:03I'll be okay.
01:14:04I'll be okay.
01:14:13I'll be okay.
01:14:15I'll be okay.
01:14:17Oh, my God!
01:14:47Ugh!
01:14:49Ugh!
01:14:55Ugh!
01:14:57Ugh!
01:15:05Ugh!
01:15:17Ugh!
01:15:18Oh, my God.
01:15:48Cassie.
01:16:18Cassie.
01:16:48I did see that man shoot you.
01:17:17Yes, you did.
01:17:19But he couldn't hurt me.
01:17:21No one can.
01:17:22I'm not like you.
01:17:23A long, long time ago, there was a girl walking in a field outside of a city.
01:17:32And she came upon something, a terrible thing.
01:17:40And she stopped and watched.
01:17:43She shouldn't have done that.
01:17:45Why not?
01:17:48Because it was a horrible, horrible thing.
01:17:52She should have tried to stop it.
01:17:54Or help.
01:17:56Or at least she could have cried out against it.
01:17:58But she didn't.
01:18:02She just watched.
01:18:03What happened to her?
01:18:16She wandered lost for a long time.
01:18:22And she was very unhappy.
01:18:27But then she learned something important.
01:18:31That everyone gets a second chance.
01:18:34You just have to know to take it.
01:18:36I'm going to sleep.
01:18:42They're cards.
01:18:44What about the voices?
01:18:48They're gone.
01:18:50You don't have to be afraid of them anymore.
01:18:52You're going to stay with me, Cassie?
01:18:56No.
01:18:58You don't need me.
01:19:01We're both free now, Michael.
01:19:22You all right?
01:19:36Time to sleep.
01:19:44Not bare.
01:19:45Night-night.
01:19:52Night-night.
01:20:45Oh, my God.
01:21:15Oh, my God.
01:21:45Oh, my God.
01:22:15Oh, my God.
01:22:45Oh, my God.
01:23:15Oh, my God.
01:23:45Oh, my God.
01:24:15Oh, my God.
01:24:45Oh, my God.
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