- 5 months ago
A bored WWI veteran gets a request for help from a young woman whose uncle is being held captive in a nursing home by villains trying to extort his fortune from him.
Ronald Colman as Hugh 'Bulldog' Drummond
Claud Allister as Algy
Lawrence Grant as Dr. Lakington
Montagu Love as Peterson
Wilson Benge as Danny
Joan Bennett as Phyllis
Lilyan Tashman as Irma
Charles Sellon as Travers
Ronald Colman as Hugh 'Bulldog' Drummond
Claud Allister as Algy
Lawrence Grant as Dr. Lakington
Montagu Love as Peterson
Wilson Benge as Danny
Joan Bennett as Phyllis
Lilyan Tashman as Irma
Charles Sellon as Travers
Category
đ„
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The End
00:02:29The End
00:02:59You're perfectly right, Colonel. We ought to complain. Do you know that's the third spoon I've heard dropped this month?
00:03:11Spoon's my hat.
00:03:12I wish somebody would throw a bomb and wake the place up.
00:03:17I wish somebody would throw a bomb and say, dear old boy, people don't do such things.
00:03:42How they do when they're as bored as I am.
00:03:45Bored, Drummond?
00:03:46So bored, my dear Algie, that I'd leave on going mad.
00:03:48Dear old boy.
00:03:50I mean it.
00:03:51Of course you do. Of course you do.
00:03:53Just you come into the bar.
00:03:55There, isn't that better?
00:04:03No, Algie, not a bit. I've been bored too long. I can't stand it anymore. I'm too rich to work. Too intelligent to play. Much. I tell you, if something doesn't happen within the next few days, I'll explode.
00:04:16I don't know what to suggest, dear old boy. Unless you advertise. And you, you can't very well do that, can you?
00:04:24I don't know. I might. I'd rather think that's an inspiration, Algie. By Jove I do. I didn't know you had it in you.
00:04:31Say, Bowman, give me a piece of paper and pencil.
00:04:32Now, let's see. To the editor. Personal column. The Times. London. Demobilized officer.
00:04:51Finding peace. Unbearably. Tedious.
00:05:04Dear old boy, you're not serious.
00:05:21You're wrong, Algie. All wrong. That advertisement was the best idea you ever had. Not one of these letters that holds its own, its own promise of excitement, adventure, and, who knows, romance.
00:05:39Here's one from a woman whose husband spends all his time raising pedigreed goldfish. She wants you to kill either the husband or the goldfish.
00:05:49I hope you'll draw the line of murder, sir.
00:05:52Oh, I will, Danny. I promise you.
00:05:54Thank you, sir. That's reassuring, sir. Now, you read yours.
00:05:59Right, Joe. Hello. I've got a good one. This is from a girl who signs herself, Phyllis Benton.
00:06:05Hmm. Nice name, Phyllis. Sounds like a chorus girl.
00:06:08She wants to know if my intentions are serious. If they are, well, I meet her at the Green Bay Inn, four miles from Godalming, on the London Road, at midnight, tonight.
00:06:18Is she proposing marriage?
00:06:20Well, she's reserved a couple of rooms for me in the name of John Smith.
00:06:23I don't like the sound of that, sir.
00:06:25She says if I'm a gentleman, I won't fail her because...
00:06:30Because, by Jove, she's in hideous danger.
00:06:33Hooray, hooray. Now I'll choose one.
00:06:35No, no. Wait a minute. Wait a minute. I haven't finished with Phyllis yet.
00:06:39She interests me, Algiers.
00:06:42I can see her coming into the Green Bay Inn, dark, voluptuous, and dramatic.
00:06:49Drummond, you beware of Phyllis. Wouldn't you beware, Danny?
00:06:53Indeed I would, sir. I'd beware within an inch of my lifetime.
00:06:57Why, hideous danger sounds very promising. I believe I'm for Phyllis, Algiers.
00:07:01And the Green Bay Inn. By Jove, I am for Phyllis.
00:07:07Dear old boy!
00:07:08Midnight tonight, eh? All right. I'll be there. Danny, pack my bag.
00:07:11Pajamas, toothbrush, and a gun.
00:07:15Please, sir. Don't you really think, sir?
00:07:19Yes, sir.
00:07:21On second thought, never mind the pajamas. Just a toothbrush and a gun.
00:07:32Uh, Danny?
00:07:33Yes, sir.
00:07:40The boots, Danny? The boots.
00:07:41Yes, sir.
00:07:42No, no, not those. The adventure boots.
00:07:44The seven-league boots with the nails in them.
00:07:51Yes, sir.
00:07:52Yes, sir.
00:07:53Yes, sir.
00:07:54Yes, sir.
00:07:59Danny, how are we going to stop him?
00:08:02That's beyond me, sir.
00:08:04He's ordered the Mercedes roadster.
00:08:06Great Scott, we must do something.
00:08:08Drummond for the last time, I beg of you.
00:08:11No good, Algier. My mind's made up.
00:08:13Very well, then.
00:08:14Danny, my coat.
00:08:16I'm coming with you to look after you.
00:08:18Wrong again, Algier.
00:08:20I'm the one that's bored with life, not you.
00:08:22I'm the one that's looking for a thrill, not you.
00:08:24This is my adventure, my boy, not yours.
00:08:30Hideous danger.
00:08:31Voluptuous.
00:08:32Dark.
00:08:33Dramatic danger.
00:08:34And Phyllis.
00:08:50Mad, sir, that's what he is.
00:08:52Stark staring mad, sir.
00:09:04Danny, Captain Drummond has other cars, hasn't he?
00:09:08Indeed, yes, sir.
00:09:09Several, sir.
00:09:10As you need one of them.
00:09:12Now you're going mad, sir.
00:09:14Which would you recommend?
00:09:16The Rolls-Royce, sir.
00:09:17The Rolls-Royce.
00:09:18A very nice little car.
00:09:21Have it brought round.
00:09:23And get your hat and coat.
00:09:25My hat and coat, sir?
00:09:26What am I to go mad to, sir?
00:09:28Not at all.
00:09:29I'm going to look after Drummond,
00:09:31and you're coming to look after me.
00:10:01The Rolls-Royce.
00:10:04Yeah.
00:10:06Fill every glass for wine
00:10:08inspires us and fires us
00:10:09with courage, love and joy.
00:10:14Fill every glass for wine
00:10:15inspires us and fires us
00:10:16with courage, love, and joy.
00:10:19Women and wine should life employ
00:10:22in their hotels on Earth's desires.
00:10:26Fill every glass for wine
00:10:28inspires us and fires us
00:10:29and fires us with courage, love and joy.
00:10:32Women and wives, and life and joy.
00:10:36Is there a death on every side?
00:10:39Fill every glass for wine,
00:10:41and fires us and fires us with courage, love and joy.
00:10:54Mr. Smythe, I suppose.
00:10:56Mr. Smythe, oh yes, yes, how to do now.
00:11:00Mr. Smythe, oh yes, yes, yes, yes, yes.
00:11:03I couldn't make people up here.
00:11:25The best rooms we have, sir.
00:11:27The bridal suites, sir.
00:11:29Wasted on you without a bride, sir.
00:11:31This is the sitting room.
00:11:33And that's the bedroom beyond?
00:11:35The bedroom is always beyond, sir.
00:11:45Twin beds, sir.
00:11:47So you can use your own judgment, sir.
00:11:51You can turn down one.
00:11:53Oh.
00:11:58And the balcony?
00:11:59Private to this suite, sir.
00:12:09I see.
00:12:11Nothing else, sir?
00:12:12No, nothing else, thank you.
00:12:13Always eager to oblige, sir.
00:12:15Now bear that in mind.
00:12:17I hope you will, sir.
00:12:19By the way, you might oblige me with a whiskey and soda, will you?
00:12:21Yes, sir.
00:12:23Yes, sir.
00:12:27Thank you, sir.
00:12:28Voluptuous dark dramatic danger well here's to it
00:12:58Oh my hat
00:13:08Thank heaven Danny we're in time Algy you are a meddlesome jacker
00:13:18Dear old boy Danny and I have decided that if you will carry on with a voluptuous blackmailing
00:13:26Breach a promised female you'd much better do it in London where you can be near your lawyer
00:13:33Algy if I'd wanted a bodyguard I should have sent for my maiden aunt oh I say why not more of a man than you are
00:13:41Midnight now and if you think that I am
00:13:48Quiet
00:13:50Find a way to get rid of you later
00:13:53It's a lucky thing there's no Mrs. Drummond sir
00:13:56The point is an abstract one but they're well taken Danny very well taken
00:14:05I'm coming
00:14:20I'm watched
00:14:22I'm watched
00:14:24Watched
00:14:29Close the door
00:14:33Unlock it
00:14:37And draw the curtains
00:14:50Everywhere I go
00:14:52Everywhere I go
00:14:52I'm watched
00:14:56You mean
00:14:58Just that
00:15:01Danny there's a hole
00:15:04A peep hole sir
00:15:06It's peep
00:15:20Outro
00:15:21By
00:15:21By
00:15:22Joe
00:15:28Oh you
00:15:29You'll forgive my staring won't you
00:15:31Can you see her sir
00:15:33Yes
00:15:35Is she dark
00:15:36Enough
00:15:38Dramatic
00:15:39Rather
00:15:40Voluptuous
00:15:41I'll see you
00:15:48Oh you must think it's very strange of me
00:15:50I don't I think it's very charming of you
00:15:54Oh before I explain
00:15:55You must tell me
00:15:57On your word of honor
00:15:59Whether that advertisement I saw in the times was serious
00:16:02Or just a joke
00:16:03Oh your word of honor please
00:16:05Well it started as a joke I must admit but now
00:16:15Now you can take it as serious
00:16:17Word of honor
00:16:19Oh
00:16:21Oh I'm so relieved
00:16:23I'm glad you feel that way about it
00:16:25Oh I'll try to explain
00:16:27No no don't
00:16:28Why not
00:16:29I'm afraid of
00:16:32Waking up
00:16:33Oh Mr. Smith
00:16:34And that's another thing
00:16:35I find somehow that I can't masquerade with you
00:16:38My name is Drummond
00:16:40Captain Drummond
00:16:41Hugh Drummond
00:16:42Great Scott
00:16:43He's telling his real name
00:16:51He'd believe that I'm serious Captain Drummond
00:16:54And understand that there was no other way for me to see you
00:16:58Without your being seen
00:17:00Even at this hour of night
00:17:02I can't be entirely sure
00:17:05Of giving them the slip
00:17:08Giving them the slip
00:17:10Now you try and explain things quite clearly
00:17:13No I am trying
00:17:15I've taken a little house on the edge of Godalman
00:17:18Four miles from here
00:17:20Mm-hmm
00:17:21I took it because it's next door to the hospital
00:17:23Where my uncle is a patient
00:17:25Only he isn't a patient
00:17:27And it isn't a hospital
00:17:29And she isn't his sister
00:17:29Well you mean that
00:17:31Just what I say
00:17:33It belongs to a Dr. Lakington
00:17:35And to a man named Peterson
00:17:38And to Peterson's sister
00:17:40Only she isn't his sister
00:17:41He isn't a patient
00:17:43And it isn't a hospital
00:17:45And she isn't his sister
00:17:46Danny I believe you're right
00:17:48You see
00:17:50This Dr. Lakington
00:17:52And Peterson
00:17:53Claim to be treating my uncle for a nervous breakdown
00:17:56But I know they've got him in their power somehow
00:17:59And are bleeding him
00:18:01This doctor
00:18:02What's his name
00:18:03Is he a real doctor?
00:18:04Oh yes
00:18:05Oh all of that Captain Drummond
00:18:07Oh if you've seen him
00:18:09He's
00:18:11Oh you don't believe me
00:18:13Oh I do
00:18:14I do
00:18:15Only you may be wrong about his motives you know
00:18:18And unless you've got some very real evidence to the contrary
00:18:21This hospital may be all that it claims to be
00:18:24Oh now
00:18:26I don't look offended
00:18:28I'm only wondering why
00:18:30If these people are as bad as you think they are
00:18:33Why they should take so much trouble over your uncle
00:18:36Even in America where we come from Captain Drummond
00:18:39My uncle is considered a wealthy man
00:18:42Oh
00:18:43His name is John Travers
00:18:45Travers
00:18:46No not the John Travers
00:18:48Yes Captain Drummond
00:18:49The John Travers
00:18:51My turn sir
00:18:53No good being a hog sir
00:18:55Danny
00:18:56No class distinction sir
00:18:59Your own idea sir
00:19:01Quite right Danny
00:19:01Quite right
00:19:02Uh would you care to use my eyes off
00:19:09What does your uncle say about all this
00:19:11Oh I'm not allowed to see him
00:19:14I've only seen him once
00:19:15And that was by accident
00:19:17Had a window
00:19:19Just for a moment
00:19:21And then a pair of hands reached out and dragged him back
00:19:24Such a look as he had
00:19:26Oh I know they're keeping him under some drugs
00:19:29And twice
00:19:31Twice I heard him scream as though they were torturing him
00:19:33My dear Miss Benton
00:19:36Seems to me to be a case for the police
00:19:40Why haven't you been to them
00:19:43Because I'm not at all sure this hold they have on him
00:19:46Isn't in some way disgraceful to him
00:19:49Oh he's not above disgracing himself
00:19:51I see
00:19:52You don't believe a single word I've said
00:19:58Oh I do I do
00:19:59Only
00:20:00Well you must admit it
00:20:02Rather like a penny thriller isn't it
00:20:04Well I dare say it is
00:20:09Thank you Captain Drummond
00:20:11I'm sorry to have wasted so much of your time
00:20:15Now please
00:20:17I'm sorry I didn't mean that
00:20:19I mean that I want to help you
00:20:21No matter what
00:20:23Oh I don't know what will come of me if you don't help me
00:20:26I have no one to turn to
00:20:28I'm alone here
00:20:31Hadn't we better break in before she gets violent
00:20:36The door's locked sir
00:20:38You poor girl
00:20:42Now
00:20:45You tell me what it is you want me to do
00:20:48And I'll do it
00:20:51Word of honor
00:20:53Your word of honor
00:20:54I'm so afraid of not seeing you again if I don't
00:21:02Well then
00:21:04Would it be too much if I asked you to
00:21:15Don't be frightened
00:21:24I'll do it
00:21:26I'll do it
00:21:28Dear old boy
00:21:28Don't be alarmed
00:21:29We're still with you
00:21:31Miss Benton
00:21:32Now where is she
00:21:33No you don't
00:21:34Grab him Danny
00:21:35Dear old boy
00:21:36Control yourself
00:21:39You ought to be shocked
00:21:41Don't you realize what she is
00:21:43A lunatic sir
00:21:44Hasn't been out of a straight jacket for weeks
00:21:47Her hospital isn't a hospital
00:21:49That's quite true
00:21:50It's a lunatic asylum
00:21:52And this Dr. Lakington's been her keeper
00:21:55It can't be her story
00:21:56Never heard worth raving in my life
00:21:58Oh sir such things don't happen in the British Isles
00:22:02Not now
00:22:03You're perfectly right Danny
00:22:04Of course
00:22:11What the devil's the matter with you
00:22:19Captain Drummond
00:22:22Captain Drummond
00:22:30The lady who was just here
00:22:32Left
00:22:34Her bag
00:22:35I think
00:22:39Oh no she didn't
00:22:41Dr. Lakington
00:22:44My mistake
00:22:46I'm sorry
00:22:48Not at all
00:22:48No
00:22:49You won't forget me the next time you see me will you
00:22:57No
00:22:58The lunatic is she what do you think of that
00:23:07Algy my boy you get back to London as fast as the rolls can carry you
00:23:11I'm off to Godalming four miles from here
00:23:13You're not
00:23:14Just try and stop me
00:23:16Now you shut up
00:23:17Now you shut up
00:23:25Oh, shut up.
00:23:55Oh, shut up.
00:24:25Oh, shut up.
00:24:55Oh, shut up.
00:25:25And now, my dear, we can talk more comfortably.
00:25:32So, you're coming out in your true colors at last.
00:25:36How dare you spy on me?
00:25:40Spy on you?
00:25:42You're coming to stay with us at our house, where we can really watch you.
00:25:48And protect you from any further indiscreet behavior.
00:25:53What would your uncle think if he knew how you'd compromised yourself tonight?
00:26:00Your poor, sick uncle.
00:26:06And we trust that for Captain Drummond's sake, as well as for your own, you have made no foolish statements, which might cause him to meddle in affairs in which he cannot.
00:26:16And had better not concern himself.
00:26:23The point, Miss Phyllis, is this.
00:26:24Are you expecting to see Captain Drummond again?
00:26:30No, Mr. Peterson.
00:26:31I am not.
00:26:32Oh.
00:26:33We're very pleased to hear that, my dear.
00:26:34You're not to communicate with him again.
00:26:37You're not to try anything.
00:26:41You're not to try anything.
00:27:11You're not to try anything.
00:27:13I don't think I've got any secrets right now.
00:27:27I'm not to look back at that.
00:27:30You're not to be promised.
00:27:33I'm not to be promised.
00:27:34What do you think?
00:28:06Good evening.
00:28:20Miss Benton's still awake?
00:28:22Miss Benton is entertaining friends this evening.
00:28:25Friends?
00:28:25Well, I'm an old friend of her uncle's.
00:28:27I'm sure that she'll see me.
00:28:29Won't you come in?
00:28:30Thanks.
00:28:30I should love to.
00:28:36Oh, forgive my calling at this late hour, Miss Benton, but I wanted news of your uncle's health.
00:28:42I was passing by, I saw the light, and I heard the music.
00:28:45Oh, Phyllis, dear.
00:28:47Aren't you going to interview, sir?
00:28:50Miss Peterson, Captain Drummond.
00:28:54Just old-fashioned music lovers, my brother and I, Captain Drummond, trying to cheer dear little Phyllis up.
00:29:00Your brother, such a big brother.
00:29:05Not that he's any too big for you.
00:29:07And now, how is Mr. Drummond?
00:29:10Oh, nerves are slow things, you know, Captain Drummond.
00:29:13Yes?
00:29:15I've never had any trouble with mine.
00:29:16Really?
00:29:17I congratulate you.
00:29:20Mine are steady, too.
00:29:22Good.
00:29:23Are you, are you the doctor in charge of this case?
00:29:26I?
00:29:27Oh, dear, no.
00:29:28Dr. Lakington is in charge.
00:29:30I'm so sorry he isn't here to meet you.
00:29:33Yes, so am I.
00:29:36Well, Miss Benton, I shall be in the neighborhood for a few days.
00:29:39And if you're in need of cheer, there's racing over at Gatwick tomorrow.
00:29:42Wouldn't you like to come?
00:29:43Fond of gambling, Captain Drummond?
00:29:44Now and then, the small game.
00:29:46Stay with the small games, Captain.
00:29:49It's the big ones that spell disaster.
00:29:51Exactly what my grandmother always taught me.
00:29:54Never bet, except on a sure thing she said and then put your shirt on it.
00:29:58Oh, I can see her now.
00:30:00With the golden rays of the setting sun,
00:30:03lighting up her sweet old face.
00:30:07Help!
00:30:08Help!
00:30:13Somebody step on the cat's tail.
00:30:15No, no, that's my uncle.
00:30:17Oh, no, no, no, no, no.
00:30:21Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:30:51Is that Travers you beating up?
00:30:53Beating up, Captain Drummond.
00:30:55Don't you know hospital discipline when you see it?
00:30:57Hospital discipline, eh?
00:31:01Why, of course, how stupid of me.
00:31:04Well, when he recovers, tell him I called, will you?
00:31:06Oh, you're not leaving us?
00:31:08Don't you think I'd better?
00:31:10Perhaps you had.
00:31:12You'll say goodbye to Miss Phyllis for me, too, will you?
00:31:19And au revoir to you.
00:31:22Au revoir.
00:31:25Au revoir.
00:31:27Au revoir.
00:31:42Ah.
00:32:01blogovic.
00:32:04Oh.
00:32:05Oh.
00:32:08Oh, my God.
00:32:12What are the orders I've given in this house?
00:32:16What sort of a nursing home will people think this is,
00:32:19if they can hear the patients screaming for help?
00:32:22There, you dumb witchy scum!
00:32:28Get out!
00:32:35What are you crying for?
00:32:37Murderous torture!
00:32:38Oh, pull yourself together or we shan't let you see your uncle.
00:32:42Oh, you've no intention of letting me see him.
00:32:44You only want to shut me up or I can't interfere with your plans.
00:32:47You know you may be right.
00:32:48Just the same, you'd better come quietly.
00:32:50You can't help your...
00:32:53Drummond!
00:32:57Miss Benton, it just occurred to me this would be a fine time
00:32:59for you to visit my maiden aunt in London.
00:33:01Now, could you get ready in a hurry?
00:33:03No, Captain Drummond.
00:33:04No?
00:33:05Phyllis is not leaving here tonight.
00:33:08At the moment, I'm not sure whether you're leaving yourself.
00:33:10Are you planning to prevent me, Miss Peterson?
00:33:12I shall prevent you, Captain Drummond.
00:33:14I don't wish to seem curious, but would you tell me how?
00:33:17I'd rather show you.
00:33:18I've forgotten the old-fashioned music lovers.
00:33:19Just the same, Miss Benton.
00:33:20I'm going to get you out of this.
00:33:21Uh-oh.
00:33:22Come out and put up your hands.
00:33:23Dear old boy.
00:33:24Oh, was that you whistling?
00:33:25Was that you answering?
00:33:26Yes.
00:33:27I heard somebody whistle.
00:33:28And I'm fond of whistling.
00:33:29I thought it might be Drummond.
00:33:30Because...
00:33:31I thought it might be Drummond.
00:33:32Because...
00:33:33Oh, no.
00:33:34Oh, no.
00:33:35Oh, no.
00:33:36Oh, no.
00:33:37Oh, no.
00:33:38Oh, no.
00:33:39Oh, no.
00:33:40Oh, no.
00:33:41Oh, no.
00:33:42Oh, no.
00:33:43Oh, no.
00:33:44Oh, no.
00:33:45Oh, no.
00:33:46I'm sorry.
00:33:47Oh, no.
00:33:48Oh, no.
00:33:49Oh, no.
00:33:50No, no.
00:33:51Oh, no.
00:33:52I'm sorry, dear old boy.
00:33:53Was that you whistling?
00:33:54Was that you answering?
00:33:55Yes.
00:33:56I heard somebody whistle.
00:33:57And I've fond of whistling.
00:33:58I thought it might be Drummond, because he's fond of whistling too.
00:34:00So I whistled back.
00:34:01Like this.
00:34:04Bless my soul.
00:34:06How so here.
00:34:08Right you are.
00:34:09Wait.
00:34:10Wait.
00:34:11Wait.
00:34:12Wait till I get there.
00:34:13Wait, wait, wait till I get this blonde's telephone number.
00:34:20After them! After them!
00:34:22Get Bulldog Drummond!
00:34:35In the car, quick!
00:34:43Bougie!
00:34:55Get Miss Benton to the Green Bay Inn and stay there till I come.
00:35:01Hold it, Captain Drummond!
00:35:03Now, don't you fret, Miss Benton. I'll bring your uncle with me.
00:35:06I say, if you try to get me that Gordon's telephone number...
00:35:19Clean away, and you made no effort to stop.
00:35:23What could I do? Those yellow dogs of yours. You can't blame me, you know.
00:35:28Now, now, we're not blaming you, girlie. Only this game is up.
00:35:32Up? We've got rid of Drummond, haven't we?
00:35:35Yes, but we have the police here at any moment now.
00:35:38The only thing for us to do is to clear out. Quick.
00:35:40And leave Travers?
00:35:41He's right. The wise crook knows when to quit.
00:35:47You two can quit if you like. I'm going to see this thing through.
00:35:50Sweetheart, it's too risky.
00:35:52Not for me it isn't. Oh, that Drummond's got my blood up.
00:35:56Let Travers go. Not I. Why, he's got everything we want.
00:36:01Just think. One little signature and the works are ours.
00:36:06Where's the risk? Let the police come.
00:36:10Isn't Lakington a real doctor?
00:36:13And who's going to prove this isn't a real hospital?
00:36:16Anyone can prove that Travers isn't a real patient.
00:36:20I'll give him something real the matter with him.
00:36:24Break his legs. Fracture his skull if you must.
00:36:27But don't let him go.
00:36:31What do you say, Lakington?
00:36:33If you work fast, we might try once again for his signature.
00:36:40Can you bring him round enough to sign?
00:36:42It may be fatal.
00:36:45What if it is?
00:36:56Markovich.
00:37:00Yes, sir.
00:37:01Mr. Travers. To the central chamber.
00:37:06Girlie, I'd go through with anything for you.
00:37:12We did.
00:37:14...
00:37:19âŠ
00:37:23Do you want to pay?
00:37:24If we have mics, then Mr. Travers...
00:37:27Medicare and grossĐ”ŃŃ.
00:37:30mood
00:37:33Fun.
00:37:41Take him in there, Markovitch.
00:37:47The sight of the injection makes the lady faint.
00:37:55I don't like drugs.
00:38:11That's right, Markovitch.
00:38:24Now, you'll hold the arm while I administer the purses.
00:38:41That will be all, Markovitch.
00:38:45Hmm.
00:38:48Yes.
00:38:50It won't be long now.
00:38:53You'll have to work quickly, though.
00:38:56I doubt if it holds for more than ten minutes.
00:39:00I don't know.
00:39:02It won't be long now.
00:39:05You'll have to work quickly, though.
00:39:07I doubt if it holds for more than ten minutes.
00:39:11Consciousness.
00:39:12That ought to be enough.
00:39:14You'd better go.
00:39:16Let him find us alone.
00:39:19Quite.
00:39:20Quite.
00:39:36Oh, that Blakington's a swine.
00:39:39I shan't be sorry when we're through with him.
00:39:41You little devil!
00:39:42You've been leading him on!
00:39:43Oh, we won't!
00:39:44Don't be a fool!
00:39:45If I thought of you...
00:39:46I'll shut you out!
00:39:50I wouldn't double-cross you...
00:39:53with anybody.
00:39:56Look.
00:40:06He's coming round.
00:40:09Already.
00:40:12Already?
00:40:15You!
00:40:24Give me another cigarette.
00:40:34It's you!
00:40:36You two again?
00:40:38You've been better, Mr. Travels.
00:40:41Oh, you blackguards.
00:40:42You blackguards, you infernal blackguards.
00:40:45Oh, if you're going to use horrid language.
00:40:48Let's come to a point, Mr. Travers.
00:40:50Circumstances.
00:40:51Pressing circumstances have made it necessary for us to talk business again.
00:40:55Oh, my God.
00:40:57More money?
00:40:58Oh, come, Mr. Travers.
00:40:59We haven't made expenses out of you yet.
00:41:02Now, here's a letter, prepared by me.
00:41:05Instructing your London bankers to turn over to me certain securities and jewels
00:41:09which they're holding in their vaults for you.
00:41:11Now, if you'll be good enough to sign on the dotted line.
00:41:17I, I remember now.
00:41:20You, you dope my liquor.
00:41:23You got me into the room with that girl there.
00:41:26You framed me, you dirty blackguards.
00:41:36Mr. Travers, would you like another of Dr. Lakington's stimulating
00:41:40treatment?
00:41:41Oh, you inhuman devils.
00:41:45You can't do any more than you've done already.
00:41:49Oh, can't we?
00:41:50You know, Mr. Travers, Dr. Lakington is an expert with drugs.
00:41:55He's just been discussing the possibility of an injection which would cause you to be an idiot for the balance of your life.
00:42:01Are the bonds worth that price, do you think?
00:42:06I don't believe you.
00:42:09Well, I won't sign anything.
00:42:12In that case, Mr. Travers, perhaps you'd better come with me.
00:42:18No.
00:42:19No.
00:42:20No.
00:42:21Wait.
00:42:22I'm sorry.
00:42:23I'll do anything.
00:42:25Where is it?
00:42:26Where is it?
00:42:27Where is it?
00:42:28Where is it?
00:42:29That was close.
00:42:33He's gone under again.
00:42:34Well, I want you both to admit that I was right.
00:42:36You're always right, Gurley.
00:42:37You were right, Irma.
00:42:38What the?
00:42:39Ah!
00:42:40Ah!
00:42:41Ah!
00:42:42Ah!
00:42:43Ah!
00:42:44Ah!
00:42:45Ah!
00:42:46Ah!
00:42:47Ah!
00:42:48Ah!
00:42:49Ah!
00:42:50Ah!
00:42:51Ah!
00:42:52Ah!
00:42:53Ah!
00:42:54Ah!
00:42:55Ah!
00:42:56Ah!
00:42:57Ah!
00:42:58Ah!
00:42:59Ah!
00:43:00Ah!
00:43:01Ah!
00:43:02Ah!
00:43:03Ah!
00:43:04Ah!
00:43:05Ah!
00:43:06Ah!
00:43:07Ah!
00:43:08Ah!
00:43:09The bracket lights are...
00:43:10The bracket lights!
00:43:11The bracket lights!
00:43:12Ah!
00:43:13Ah!
00:43:14Ah!
00:43:15Ah!
00:43:16The idiot!
00:43:17Look!
00:43:18Flankington!
00:43:19Is he dead?
00:43:20No, not out.
00:43:21Where's Travers?
00:43:22Gone!
00:43:24And the paper with the signature, that's gone too.
00:43:26Ah!
00:43:27Ah!
00:43:28Ah!
00:43:29Ah!
00:43:30Bulldog drummond.
00:43:58Oh, my God.
00:44:28Oh, my God.
00:44:58Oh, my God.
00:45:28Oh, my God.
00:45:58Oh, my God.
00:46:00Oh, my God.
00:46:02Oh, my God.
00:46:04Oh, my God.
00:46:06Oh, my God.
00:46:08Oh, my God.
00:46:10Oh, my God.
00:46:12Oh, my God.
00:46:14Oh, my God.
00:46:16Oh, my God.
00:46:18Oh, my God.
00:46:20Oh, my God.
00:46:22Oh, my God.
00:46:24Oh, my God.
00:46:26Oh, my God.
00:46:28Oh, my God.
00:46:30Oh, my God.
00:46:32Oh, my gosh.
00:46:34Oh, my God.
00:46:40Oh, my God.
00:46:42Oh, my God.
00:46:44No, I don't know what you mean.
00:46:45Don't you?
00:46:46I'll explain more fully.
00:46:48No, you needn't.
00:46:50Listen.
00:46:51Isn't that a car?
00:47:03It's not only a car, it's the car.
00:47:08Ye-ho, Drummond.
00:47:10Here we are.
00:47:11Here we are.
00:47:14Daddy, here's Captain Rotherbatch.
00:47:16And he's got travels with him.
00:47:17Go down and leave the hands.
00:47:19Very good, sir.
00:47:38Miss Bentham?
00:47:40Here we are again.
00:47:44Oh, Uncle, are you all right?
00:47:46Well, he's just a little wet, that's all.
00:47:49I'm afraid we'd no time for these reunions now.
00:47:51Let Danny take charge of him, Miss Bentham.
00:47:53Danny, take him into the bedroom and drive him out.
00:48:01And now we'll be off to London just as soon as I've had something to eat.
00:48:05Algie, be a good fellow and rustle me up some bread and cheese, will you?
00:48:08Oh.
00:48:09And a pint of beer.
00:48:10Beer?
00:48:11Coffee for the women and children and the poor weak fools who can't curb their passion for...
00:48:15Strong drink, but...
00:48:17For the sober, honest man who has worked hard and needs health and strength for the labors to come...
00:48:24Beer.
00:48:31Ah!
00:48:33Hahahaha!!
00:48:34Hahahaha!
00:48:35Hahaha!
00:48:36Oh ho ho!
00:48:37Hahahaha!
00:48:38And now, Miss Benton, how did you get on?
00:48:42Oh, tell me! Tell me, please!
00:48:45What is there to tell? It was too easy, if anything.
00:48:48I got him out, gave him a slip.
00:48:53Oh, no!
00:48:54Oh, no!
00:48:56Oh, no!
00:48:57Oh, no!
00:48:58Oh, no!
00:48:59Oh, no!
00:49:00Oh, no!
00:49:01Oh, no!
00:49:02Oh, no!
00:49:03Oh, no!
00:49:04Oh, no!
00:49:05Oh, no!
00:49:06Oh, no!
00:49:07Oh, no!
00:49:37Oh, no!
00:49:38Oh, no!
00:49:39Oh, no!
00:49:40Oh, no!
00:49:41Oh, no!
00:49:42Dawn.
00:49:43Green Bay, Tim.
00:49:55I saw your smile as I passed you by
00:49:59And I says to myself, says I, says I,
00:50:04There's the one, the only one for me.
00:50:12I caught a glimpse of a roguish eye,
00:50:16And I says to myself, says I, says I,
00:50:21There's the one, the only one for me.
00:50:28A poet might speak of the blush in your cheek,
00:50:32As the bloom of a rose newly born.
00:50:36Your voice, the refrain of a song of the rain,
00:50:41In the light of a bright April morn.
00:50:47I saw an angel from out of the sky,
00:50:53And I says to myself, says I, says I,
00:50:59There's the one, the only one for me.
00:51:05There's the only one for me.
00:51:17There's the only one for me.
00:51:20I'll be back in a minute.
00:51:23And so, as I said before, here we are again.
00:51:26Oh, I think you're perfectly wonderful.
00:51:31That's very nice of you, but you mustn't say such things.
00:51:34I must be getting grummanditis.
00:51:36Grummanditis.
00:51:37Oh, I think you're perfectly wonderful.
00:51:40That's very nice of you, but you mustn't say such things.
00:51:43I must be getting grummanditis.
00:51:46Grummanditis.
00:51:47Oh, that's one of Algie's jokes, isn't it?
00:51:51Is it only a joke?
00:51:54Well, if there were any such complaints,
00:51:56I don't mind saying that I wish you'd catch it.
00:51:59Oh, I think I might oblige you.
00:52:01I don't know.
00:52:02You're perfectly wonderful.
00:52:05That's very nice of you, but you mustn't say such things.
00:52:08I don't mind saying that I wish you'd catch it.
00:52:11Oh, I think I might oblige.
00:52:14Will you?
00:52:15Please.
00:52:17Just like that?
00:52:20Why not?
00:52:26You have your own way of putting things, Captain Drummond.
00:52:29Oh, I don't want to be flippant.
00:52:31Let's forget all this kidding.
00:52:33I came out to look for adventure.
00:52:37I wasn't expecting to find you, Phyllis.
00:52:42But I have found you.
00:52:45And now, please, please, please take me seriously.
00:52:50Oh, he's high, and I said to myself that I,
00:52:55that I, that I, there's the one, the only one who loves me.
00:53:04We've just closed up.
00:53:06We can't serve anything more tonight, sir.
00:53:09You can serve us.
00:53:11We've just closed up, we can't serve anything more tonight, sir.
00:53:18You can serve us.
00:53:23A glass of milk.
00:53:29A glass of milk.
00:53:32A glass of milk.
00:53:35A glass of milk.
00:53:38Please believe I'm serious.
00:53:43When I...
00:53:46When I hit you...
00:53:48Oh, dear.
00:53:51Dear old boy, I hope I'm not interrupting.
00:53:54No, Al, you're not a bit. You're just developing a real genius for popping in.
00:53:58Sorry, but I thought you ought to be told that your friend Lakington is downstairs drinking milk.
00:54:05What? Milk. Not buttermilk. Just ordinary cow's milk.
00:54:25I'm afraid I've been a little optimistic.
00:54:28Danny. Danny.
00:54:31Yes, sir.
00:54:32You'd better get Mr. Travers out of the bedroom and take him...
00:54:35Take him up to this cubby hall up here.
00:54:37Very good, sir.
00:54:43Alty, give him a hand, will you, while I investigate.
00:54:45That's the idea, Danny.
00:54:47You take the feet, sir.
00:54:48You mind his head.
00:54:51Is there anyone else in the house?
00:55:10Yes, sir. My father.
00:55:13Asleep?
00:55:14Yes, sir.
00:55:15And that's all?
00:55:18Oh, Mr. Longworth, what do you think?
00:55:24I can't think.
00:55:25Algy, Algy, you call up the police.
00:55:29Tell them, tell them to send up a dozen men.
00:55:31Big men, with whiskers.
00:55:37Are you there?
00:55:39Are you there?
00:55:41Hello?
00:55:45Hello?
00:55:47Hello?
00:55:49I see Drummond. There's no answer.
00:55:51Don't be silly. Let me try.
00:55:55Hello?
00:55:59Algy?
00:56:00Uh-uh. You listen at the door.
00:56:07Hello? Hello?
00:56:08Everything's covered.
00:56:09Will it go up?
00:56:10Watch me.
00:56:11Be quiet about it.
00:56:12Remember, this is an inn.
00:56:13Oh, I'll be quiet.
00:56:14But first...
00:56:15Whiskey, I think.
00:56:16Double whiskey.
00:56:17Double whiskey.
00:56:47Uh-uh, with the gingerbread cookies.
00:56:48Great.
00:56:51Hello?
00:56:57Hello?
00:56:58Uh-uh.
00:57:00How gee, a rights.
00:57:02They've got the wires.
00:57:03Dear old boy,
00:57:04Hey that plenty, darling.
00:57:05This is gonna be a real lark.
00:57:06Only Miss Pentin, I think that you'd better go upstairs and join your uncle.
00:57:08Oh, I'd rather not.
00:57:09I beg it back then, darling.
00:57:10You're right, I think it won't just go upstairs, Miss Pentin.
00:57:11You look up there.
00:57:12Oh, I'd come here with your uncle's uncle.
00:57:13Hey, Miss Pentin, I think that you'd better go upstairs and join your uncle.
00:57:15No, I'd rather not.
00:57:16I beg your pardon?
00:57:17I'd rather not.
00:57:18This is much my show as it is yours.
00:57:21Splendid of you.
00:57:22But just the same...
00:57:25Would you mind stepping out of the line of pop-guns?
00:57:33The Lady Irma, if I'm not mistaken.
00:57:36Now then, turn off the lights, Algy.
00:57:39Now come in, Miss Peterson.
00:57:40Oh-ho, a dressy wench.
00:57:44Stop it! Stop it!
00:57:46All right.
00:57:47Turn them on again, Algy.
00:57:51I just wanted to make sure that I saw you first.
00:57:57Sorry as I am to include on your little love nest, Captain Drummond.
00:58:03A patient has disappeared from Dr. Lakington's hospital at Godalmay.
00:58:06I've come to fetch him back.
00:58:08Are you ready to surrender him?
00:58:10Is he supposed to be here?
00:58:11Hmm.
00:58:12You stole him away, Captain Drummond, in your high-powered car.
00:58:15Are you sure of that?
00:58:16Quite.
00:58:20Are you going to apologize?
00:58:22You know, Captain Drummond, a man of your intelligence,
00:58:25should find a more respectable amusement
00:58:27than kidnapping patients out of hospitals.
00:58:32The police don't take kindly to such conduct.
00:58:35You didn't bring the police with you?
00:58:37No.
00:58:38I thought you might see the force of my argument without them.
00:58:42Yes, I saw the force of your argument through the window.
00:58:45Are you going to apologize and surrender our patience, then?
00:58:49Well, I suppose I'll have to.
00:58:51Good.
00:58:52Good.
00:59:07I'm sorry, Miss Benton, but what else can I do?
00:59:13Nothing.
00:59:14I understand.
00:59:15You sure?
00:59:16While I'm gone, I think you'll be more comfortable in the bedroom.
00:59:20You're not crying for me?
00:59:38No.
00:59:41But where are you going?
00:59:43Just going to drive him back for you.
00:59:46Oh, no, you're not.
00:59:49I'll take him back myself.
00:59:52I have other plans for you.
00:59:55Oh, have you?
00:59:57Well, in that case, I'll just get him ready for the ride.
00:59:59No trickery, Bulldog Drummond.
01:00:02Just a fur coat to keep him warm.
01:00:04Oh.
01:00:05Algy, give the lady a drink.
01:00:06Where are your manners?
01:00:07What are you thinking of?
01:00:09Guess.
01:00:10Guess what I'm thinking of.
01:00:15Is it animal, vegetable, or mineral?
01:00:21Oh, look here.
01:00:22I'm not playing a game, you know.
01:00:25Not even the old, old game of love.
01:00:30Well, since...
01:00:32Since you speak so frankly...
01:00:34Oh, don't lose your self-control, will you?
01:00:36Oh, yes.
01:00:38Well, since...
01:00:39Since you speak so frankly...
01:00:41Oh, don't lose your self-control, will you?
01:00:43Oh, dear, no.
01:00:44No, no, no.
01:00:45I...
01:00:46I should never do that.
01:00:52I...
01:00:53I don't know, though.
01:00:54I might.
01:00:55A little bit.
01:00:56For you.
01:00:58Oh, you mustn't.
01:01:00You'd be so dangerous.
01:01:02You'd frighten me.
01:01:04You...
01:01:05You wouldn't like that.
01:01:06Well, I wouldn't want you to get hurt.
01:01:08Oh, thank you.
01:01:11Anything else?
01:01:13No, I...
01:01:14I don't think so.
01:01:15Now that you've showed me that you understand my romantic nature, I...
01:01:20I think we've got far enough for the moment.
01:01:26Let me see, though.
01:01:27There...
01:01:28There was something else.
01:01:30Oh.
01:01:31Don't tell me you've gone and lost your silver pencil.
01:01:34No, no, no.
01:01:35No, that's all right.
01:01:36Oh, I'm so glad.
01:01:38Ah, I know.
01:01:39Your telephone number.
01:01:41Shh.
01:01:42That's all loud.
01:01:44Oh, uh...
01:01:46What do you want with my telephone number?
01:01:49Well, I...
01:01:50I thought I'd just jot it down and give you a buzz one evening.
01:01:55Oh, would you?
01:01:56Would you like that?
01:01:59Oh, gee.
01:02:02Dear old girl.
01:02:03Oh.
01:02:06Captain Dunman says, would you bring up the whiskey, sir?
01:02:09The whiskey?
01:02:10Oh, all right.
01:02:11All right.
01:02:33Is that you, Charles?
01:02:36Watch the bedroom window.
01:02:37She's in there.
01:02:41Okay.
01:02:44Now, the muffler goes this way.
01:02:47And the hat.
01:02:51Like that.
01:02:52How's the disguise now?
01:02:54Quite perfect, sir.
01:02:55Good.
01:02:56And I'll trouble you for the fur coat and the pair of gloves.
01:03:04Phyllis.
01:03:05Phyllis, my dear.
01:03:07Who is it?
01:03:08Open the door.
01:03:09I want to talk to you, dear.
01:03:10Open the door.
01:03:12I'll do no such thing.
01:03:13I'll open this door only to Captain Drummond.
01:03:16You'll open this door if you know what's good for you.
01:03:19I won't! I won't!
01:03:20Your criminals and murderers are called for help us!
01:03:23Help us!
01:03:38Pass her down to the car.
01:03:39Come on!
01:03:40You two get Drummond.
01:03:41Drummond's the man I want.
01:03:42They'll never know you, sir.
01:03:43But isn't it whiskey?
01:03:44For me?
01:03:45Ha!
01:03:46Not a bit of Drummond thereafter.
01:03:47Dear old boy!
01:03:48Come on!
01:03:49I'll be right back.
01:03:50Come on!
01:03:51You two get Drummond.
01:03:52Drummond's the man I want.
01:03:55They'll never know you, sir.
01:03:56But isn't it whiskey?
01:03:57For me?
01:03:58Ha!
01:03:59Not a bit of Drummond thereafter.
01:04:00Dear old boy.
01:04:02I'll never know you.
01:04:03They'll never know you, sir.
01:04:04But isn't it whiskey?
01:04:05For me?
01:04:06Ha!
01:04:07Not a bit of Drummond thereafter!
01:04:08Uh!
01:04:09Dear old boy!
01:04:21Yes, but you two stay here until things quiet down.
01:04:24Then take Travers and Miss Benton up to London.
01:04:26Take them to some hotel and get them settled.
01:04:28and bring the whole of Scotland Yard down for me, Dr. Lakington.
01:04:31I'll have the gang ready to turn over.
01:04:33What if they should turn the tables on you, sir?
01:04:35While I've got a gun, I'll just have to shoot my way out.
01:04:37But what if they chased me now?
01:04:39Oh, now, Algy, do try not to get shot, won't you?
01:04:42Are you ready?
01:04:43Just a minute.
01:04:44Come on, quick.
01:04:52That's right. Mind the corner.
01:04:54Come on.
01:04:57Steady, Mr. Travers. Steady now.
01:05:00Here he is, Miss Peterson. Sorry I can't wait.
01:05:02Yes, Robin, you fool!
01:05:24You know what?
01:05:25Yes, sir.
01:05:26I'll get to you.
01:05:27Just a minute.
01:05:28Yes.
01:05:29Yes, sir.
01:05:30Yes.
01:05:31It's not that bad.
01:05:32You can do that.
01:05:33Yes, sir.
01:05:36Yes, sir.
01:05:37Yes, sir.
01:05:39Yes, sir.
01:05:40Yes, sir.
01:05:41I can't afford any money.
01:05:42Yes, sir.
01:05:43Yes, sir.
01:05:44He is back in front of the door.
01:05:45Yes, sir.
01:05:46Yes.
01:05:47He is back in front of the gate.
01:05:48No, sir.
01:05:49How are you going to pay attention?
01:05:51Yes, sir.
01:05:52Well, your boy's back in front of his cell.
01:05:53What?
01:06:11Come on, Jane.
01:06:23I'd like to get my hands on Cromond just for a minute.
01:06:27I'd let Lakington poison him.
01:06:53Come on.
01:07:23You did a great job, Gurley.
01:07:26Just the same.
01:07:27I wish you hadn't lost Drummond.
01:07:28No more than I do.
01:07:29With that young man on the loose.
01:07:30Don't try to quit the game.
01:07:31I was about to remark, my dear.
01:07:32If it was Drummond on the loose,
01:07:33we might do well to move to some other last part of the country.
01:07:36Taking Travers with us, of course.
01:07:37Not a bad idea.
01:07:38Not if Travers comes with us.
01:07:39When would you be starting?
01:07:40At once.
01:07:41Before he can make things too hot for us again.
01:07:42Good.
01:07:43Give me time to get a few drugs together.
01:07:47We shall need those.
01:07:48Where is Travers?
01:07:49What do you think you're doing?
01:07:50Is Travers to come with us, sir?
01:07:51No.
01:07:52No.
01:07:53No.
01:07:54No.
01:07:55No.
01:07:56No.
01:07:57No.
01:07:58No.
01:07:59No.
01:08:00No.
01:08:01No.
01:08:02No.
01:08:03No.
01:08:04No.
01:08:05No.
01:08:06No.
01:08:07No.
01:08:08No.
01:08:09What are you doing?
01:08:11Raymond!
01:08:12Hands up!
01:08:19Nothing.
01:08:20Well, I'll be...
01:08:22Can't you stay away from here?
01:08:24I find it very difficult.
01:08:30You're getting to be a nuisance, Drummond.
01:08:33Where's Travers?
01:08:35Who's Travers?
01:08:36Careful, Drummond.
01:08:38You're not the only one who can shoot straight.
01:08:42Is that the torture chamber?
01:08:44Put those hands up!
01:08:46Absolutely, no deception.
01:08:48I apologize for my slight loss of temper.
01:08:51It's quite all right.
01:08:53Hadn't we better...
01:08:54Yes, perhaps we had.
01:08:56If you have your straps, Lakington...
01:09:00Always.
01:09:09More of the Wild West show?
01:09:11Don't shoot till I tell you, my dear.
01:09:14Not until he tells you, my dear.
01:09:16Much as I regret...
01:09:18To submit you to this slight indignity.
01:09:25Don't mention it, please.
01:09:38Let's go.
01:09:39Would you mind?
01:10:09Delighted.
01:10:14There.
01:10:18Would you mind deflecting that blast any other direction?
01:10:22What blast?
01:10:25Even your best friends won't tell you.
01:10:34Where's Travers?
01:10:37I wonder.
01:10:39Still at the inn?
01:10:40Possibly.
01:10:41Possibly not.
01:10:42Now look here, my adventurous young friend.
01:10:44Why not leave this to me, Peterson?
01:10:47I think I know how to handle Bulldog Drummond.
01:10:58Markovich.
01:11:00Bring the girl here.
01:11:03What girl?
01:11:04Not Phyllis.
01:11:05You haven't got Phyllis here.
01:11:06Oh, haven't we?
01:11:08Where did you get her?
01:11:09How did you get her?
01:11:10How did you get her?
01:11:11You're not the only one who can think fast, Captain Drummond.
01:11:17Oh, my.
01:11:18I don't live known.
01:11:19Phyllis.
01:11:20What do you want with her, you filthy hound?
01:11:22I want her to teach you to answer questions.
01:11:25Just an old Spanish custom.
01:11:28In there, Markovich.
01:11:31Nickington, if you hurt one hair of that girl's head, I'll kill you.
01:11:35I'll take my chances of anything you can do.
01:11:37Now.
01:11:38What are you going to do to her?
01:11:39Phyllis!
01:11:40Phyllis!
01:11:41She doesn't know where Travis is.
01:11:42She doesn't know.
01:11:43She doesn't know.
01:11:44What do you want to do to her?
01:11:45She doesn't know.
01:11:46I want her to teach you to answer questions.
01:11:47Just an old Spanish custom.
01:11:49In there, Markovich.
01:11:51Nickington, if you hurt one hair of that girl's head, I'll kill you.
01:11:54I'll take my chances of anything you can do.
01:11:57Now.
01:11:58What are you going to do to her?
01:12:00Phyllis!
01:12:01Phyllis!
01:12:02She doesn't know where Travis is.
01:12:03She doesn't know.
01:12:04Phyllis!
01:12:05Phyllis!
01:12:06Stop that!
01:12:07Stop that!
01:12:08I'll tell you anything you want to know.
01:12:09Blakington!
01:12:10Hold up.
01:12:11The trick's turned.
01:12:12Too bad.
01:12:13I hadn't even started.
01:12:17Oh.
01:12:18Oh.
01:12:19Oh.
01:12:20Oh.
01:12:21Oh.
01:12:22Oh.
01:12:23Oh.
01:12:24Oh.
01:12:25Oh.
01:12:26Oh.
01:12:27Oh.
01:12:28Oh.
01:12:29Oh.
01:12:30Oh.
01:12:31Oh.
01:12:32Oh.
01:12:33Oh.
01:12:34Oh.
01:12:35Oh.
01:12:36Oh.
01:12:37Oh.
01:12:38Oh.
01:12:39Oh.
01:12:40Oh.
01:12:41Oh.
01:12:42Oh.
01:12:43Oh.
01:12:44Oh.
01:12:45Oh.
01:12:46Oh.
01:12:47Oh.
01:12:48Oh.
01:12:49Oh.
01:12:50Oh.
01:12:51Oh.
01:12:52Oh.
01:12:53Oh.
01:12:54Oh.
01:12:55Oh.
01:12:56Oh.
01:12:57We leave you, Captain Drummond, in Dr. Lakington's loving hand.
01:13:14I wonder if you know, Captain Drummond, how loving my hands can be.
01:13:27You can see that in the middle of the night, you can see the face of the face of the face of the face.
01:13:34I'm sorry, Captain Drummond.
01:13:38I'm sorry.
01:13:43I'm sorry if you're talking about the face of the face of the face of the face of the face of the face.
01:13:49I'm sorry.
01:13:53Phyllis, Phyllis, my dear.
01:14:23She'll come round presently.
01:14:30And now we are going to amuse ourselves.
01:14:40An excellent room in which to amuse oneself, Captain Drummond.
01:14:48No fear of interruption.
01:14:54Are you interested in electricity?
01:15:00No?
01:15:03Let me show you an invention of mine.
01:15:07An electric door so perfectly contrived that no one can come in or get out of this room while the current is switched on.
01:15:24Ingenious, isn't it?
01:15:34I've honored you in showing you that, Captain Drummond.
01:15:38Not even Peterson.
01:15:42Curse him.
01:15:44Knows about that door.
01:15:47Of course, I shouldn't have shown it to you had there been any likelihood of your ever leaving this room alive.
01:15:58Alive.
01:16:02No more of that.
01:16:03No more of that now.
01:16:04We are...
01:16:06We are amusing ourselves.
01:16:09Charming.
01:16:10Charming.
01:16:19Charming.
01:16:21I really never noticed, Miss Phyllis.
01:16:25Until this evening.
01:16:27Fortunately, there's time to rectify that oversight.
01:16:35Stop that, you dirty swine.
01:16:38Don't, don't, don't, don't let me get my revenge.
01:16:45So easily.
01:16:50Don't.
01:16:53Don't.
01:16:54And now, Captain Drummond, I'm going to put you to sleep.
01:17:10You get the idea?
01:17:13You can dream the rest.
01:17:19I shall be more free.
01:17:24Don't.
01:17:26Hi, Captain Drummond.
01:17:29I'm going to be a good boy.
01:17:30You go to your car and there.
01:17:32You've got a good boy.
01:17:33You can listen to me.
01:17:34No.
01:17:35You're all right.
01:17:37You've got a good boy when I'm out of heaven.
01:17:39I'll be back.
01:17:41You've got a good boy.
01:17:42No.
01:17:44Can you help me?
01:17:47No.
01:17:48No.
01:17:49No.
01:17:50No.
01:17:51No.
01:17:52No.
01:19:05It seems I...
01:19:07I'll have to keep that promise, Dr. Lakington.
01:19:10What promise?
01:19:12To kill you.
01:19:23Ha-ha-ha-ha!
01:19:31Ha-ha-ha-ha-ha!
01:19:33You!
01:19:37You!
01:19:39Ha-ha-ha-ha-ha!
01:19:41Ha-ha-ha-ha!
01:19:43Ha-ha-ha-ha-ha!
01:19:45Ha-ha-ha-ha-ha!
01:19:47Ha-ha-ha-ha!
01:19:49Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha!
01:19:51No, Captain Drummond! You're killing him!
01:19:53Don't say that, my dear.
01:19:55I'm being as gentle as I can.
01:19:59I'm as gentle as I can.
01:20:01I'm sorry, you had to see it.
01:20:09Oh, that's...
01:20:13That wasn't pretty, was it, my dear?
01:20:17I'm sorry, you had to see it.
01:20:21Oh, my dear.
01:20:23I'm sorry, you had to see it.
01:20:25Oh, my dear.
01:20:27I'm sorry, you had to see it.
01:20:30Something tells me that's algae.
01:20:42I'll bet it's algae.
01:20:47Dear old boy.
01:20:49It's algae.
01:20:51I thought I'd just give you a buzz, find out how you were.
01:20:54Have you stopped your way out of this?
01:20:57Algae, I just had to kill Lakington.
01:21:00So the sooner you'll bring the police here from Scotland Yard, the better.
01:21:04Of course.
01:21:05I...
01:21:06Yes, yes.
01:21:08I think you're off of that one.
01:21:10Algae, I'll have to ring off now.
01:21:13Peterson's just come in.
01:21:15And he doesn't seem to want me to say any more.
01:21:18Yes, but you...
01:21:20If you move a muscle, I'll shoot.
01:21:23Then I certainly shall not move a muscle.
01:21:26Lakington!
01:21:28Lakington!
01:21:30You'll have to call louder than that.
01:21:33You've killed him!
01:21:48It's an old Spanish custom.
01:21:50I told you I'd kill him.
01:21:52And I told you I'd kill you.
01:21:54I don't think you committed yourself positively on that point.
01:21:57I said if you lied to me.
01:21:58I didn't lie to you.
01:21:59Travers was not at the Green Bay Inn.
01:22:00I never said he was.
01:22:01I said I left him there.
01:22:03Don't wait downstairs, Alma.
01:22:06Come with me.
01:22:09This is no good.
01:22:11I know it isn't.
01:22:13Do as you're told.
01:22:14Please.
01:22:15Do as you're told!
01:22:17Now, you saved Travers.
01:22:24Don't you wish you could save his niece?
01:22:27What do you mean?
01:22:30I can't afford to have a witness to your death.
01:22:32I shall be forced to kill the pair of you.
01:22:35You think of everything, don't you?
01:22:38But listen, you can't do that.
01:22:40Put your hands up!
01:22:41Why, it'll be cold-blooded murder.
01:22:43I'm not afraid of murder.
01:22:44A man and a woman are found shot at the hospital.
01:22:47The doctor's dead, too, with a revolver in his hand.
01:22:49Do you grasp that?
01:22:50Oh, yes.
01:22:51It couldn't be clearer, only.
01:22:53Well, supposing you were found here, too.
01:22:56I shan't be found here.
01:22:58Are you sure of that?
01:23:00Try and get out of this.
01:23:14He's killed both of them.
01:23:21It's all right now.
01:23:23Now, we can wait in comfort for the police.
01:23:28I've got to hand it to you, Drummond.
01:23:31I've lost, and you've won.
01:23:34Will you do me a favor?
01:23:37What's that?
01:23:39I don't want to see my girl lock up.
01:23:44I'd like you for that, Pete.
01:23:47Let her go, will you?
01:23:49Just let me call her on the phone.
01:23:51Help me, sir.
01:23:59Hello?
01:24:01Hello?
01:24:03That you, Homer?
01:24:05Listen, kid.
01:24:07I've lost.
01:24:09Drummond's won.
01:24:11But he's willing to let you get away.
01:24:15Work the old circus gag.
01:24:19Don't cry.
01:24:21Goodbye, kid.
01:24:25The circus gag.
01:24:29Get out, boys.
01:24:31If you've never worked fast before in your lives, do it now.
01:24:33Do it now.
01:24:34Give me my coat, Mr. Hardy.
01:24:40What's the...
01:24:42the circus gag?
01:24:44She knows, Sonny.
01:24:46Does she? Daddy?
01:24:50I hope the police come soon.
01:24:52They won't belong.
01:24:54Sit down, Miss Benton, won't you?
01:24:56Make yourself comfortable, Pete.
01:24:57I suppose...
01:25:04You wouldn't consider coming into partnership with us?
01:25:09I'm not cut out for crime.
01:25:12You're wrong there.
01:25:14You'd be a wonder at it.
01:25:15We've got to pull this off, boys.
01:25:25So keep your heads.
01:25:29Hey, Pete, tell me.
01:25:30Why are you a crook?
01:25:33Why did you put that advertisement in the Times?
01:25:35Well, I like adventure.
01:25:37So do I.
01:25:40I call for you in the name of all.
01:25:42Come here.
01:25:46All right, Peterson.
01:25:50Captain Drummond, sir.
01:25:52Inspector McAndrew of Scotland Yard, sir.
01:25:53You've made good time, Inspector.
01:25:54Here's your man.
01:25:55Will you take him along?
01:26:01Carl!
01:26:03Don't cry, Curly.
01:26:05So they got the woman after all.
01:26:06Well, Pete, I'm sorry, but I did my best.
01:26:09Let's go.
01:26:11I'm sorry, sir, but you'll have to wait
01:26:13until I get back from locking this pair up.
01:26:16I'll put one of my men on the door
01:26:17to see that you don't leave
01:26:19and that no one enters.
01:26:21So long, Pete.
01:26:22Bye-bye, Irma.
01:26:26We'll see who lasts last, Bulldog Drummond.
01:26:29Well, it won't be long, Philip.
01:26:38And so here we are.
01:26:39I've saved the hangman a job
01:26:41and got all the excitement I was looking for.
01:26:43I'm only sorry to have dragged you into it.
01:26:44But while we're waiting,
01:26:45why can't we go back to what we were talking about
01:26:46last night at the inn
01:26:47when that jackass and algae interrupted us?
01:26:48Dear old boy!
01:26:50How did you get in?
01:26:55I walked in.
01:26:57And so here we are.
01:26:58I've saved the hangman a job
01:26:59and got all the excitement I was looking for.
01:27:01I'm only sorry to have dragged you into it.
01:27:03But while we're waiting,
01:27:04why can't we go back to what we were talking about
01:27:06last night at the inn
01:27:07when that jackass and algae interrupted us?
01:27:09Dear old boy!
01:27:11How did you get in?
01:27:17I walked in.
01:27:19The man at the door didn't stop you?
01:27:21There's no man at the door.
01:27:23What?
01:27:24There's no one there at all.
01:27:25There was a note pinned to the front door.
01:27:28A note?
01:27:29For you.
01:27:35Dear Drummond,
01:27:37thanks for the start.
01:27:38But the police were my own gang.
01:27:40That was the circus gang.
01:27:43Best wishes to the real police when they get here.
01:27:45Peterson.
01:27:46Pete to you.
01:27:49Good night, and I think I fell for that.
01:27:54Algy, get down and find out which way they went
01:27:55and look alive about it!
01:27:56Rather!
01:27:58Operator!
01:28:00I've still got to get that blonde's telephone number!
01:28:04Hello, give me Scott of the yard.
01:28:06Police headquarters in London.
01:28:07The police, yes.
01:28:09Well, be quick about it.
01:28:10I'm in a hurry.
01:28:12You idiot.
01:28:13I'm sorry, sorry, sorry.
01:28:14No offense.
01:28:16You.
01:28:17Let them go.
01:28:18London, yes.
01:28:19I want them to get off.
01:28:21Is this London?
01:28:23I think she loves him.
01:28:25Waiting for Scotland Yard, yes.
01:28:27Women do love men.
01:28:29Yes.
01:28:31An old Spanish customer.
01:28:32Hello?
01:28:33Give me detective headquarters, yes.
01:28:34Waiting, waiting.
01:28:36I love you.
01:28:38Waiting?
01:28:39Huh?
01:28:40What was that you said, Phyllis?
01:28:42Just that.
01:28:43I love you.
01:28:46My dear girl, why haven't you said that before?
01:29:05No offense.
01:29:10I fell down.
01:29:12I love you.
01:29:14I'm gonna go.
01:29:16I love you.
01:29:18I love you.
01:29:22I love you.
01:29:24I love you.
01:29:26I love you, Miss.
Be the first to comment