- 3 months ago
A group of models and cameramen go to a castle to shoot covers for horror novels where they're captured and tortured by the castle's owner, the Crimson Executioner.Director Massimo Pupillo (as Max Hunter)
Identifier: BloodyPitOfHorror
Run time: 1:22:24
Year: 1965
Identifier: BloodyPitOfHorror
Run time: 1:22:24
Year: 1965
Category
🎥
Short filmTranscript
00:00:00On this fifth day of December in the year of our Lord, 1648, by virtue of the power vested
00:00:23in us by our noble sovereign, this tribunal of my sentence is you, the crimson executioner,
00:00:30to death. You will die by one of the very instruments you devised to torture and kill your innocent
00:00:36victims. You dared to take into your own hands the laws of both God and man. You set yourself
00:00:44up as both judge and executioner. You caused inhuman suffering and took life not from any
00:00:51sense of justice, but from hatred and self-gratification.
00:01:00You showed no mercy to your victims, and no mercy will be shown to you. You'll never
00:01:09kill me. Move along. I'll return and be avenged. Turn around. You fools. All of you. I am the
00:01:21crimson executioner. This day shall be written in blood. No man can judge me. I am the Supreme
00:01:36Lord. I shall have my revenge.
00:01:40I have my revenge.
00:01:43Come on.
00:02:13Come on.
00:02:43Come on.
00:03:13Let no man dare to break the seal.
00:03:17You are accursed, eternally damned, as are these dungeons, as is this castle that has witnessed such indescribable horrors.
00:03:26Your castle will stand throughout the centuries as a reminder of the barbarism and cruelty committed within its walls.
00:03:37May the dust of time not erase from the memory of man the infamy of the crimson executioner.
00:03:45Let's go.
00:03:46Let's go.
00:03:47Let's go.
00:03:48Let's go.
00:03:49Let's go.
00:03:50Let's go.
00:03:51Let's go.
00:03:52Let's go.
00:03:53Let's go.
00:03:54Let's go.
00:03:55Let's go.
00:03:56Let's go.
00:03:57Let's go.
00:03:58Let's go.
00:03:59Let's go.
00:04:00Let's go.
00:04:01Let's go.
00:04:02Let's go.
00:04:03Let's go.
00:04:04Let's go.
00:04:05Let's go.
00:04:06Let's go.
00:04:07Let's go.
00:04:08Let's go.
00:04:09Let's go.
00:04:10Let's go.
00:04:11Let's go.
00:04:13Let's go.
00:04:17Let's go.
00:07:15Josh, I'm stiff from that long ride.
00:07:20It's made to order.
00:07:21Yeah.
00:07:22Yeah.
00:07:23Yeah.
00:07:25Yeah.
00:07:27Yeah.
00:07:28Yeah.
00:07:29Yeah.
00:07:33Yeah.
00:07:35Yeah.
00:07:35Mmm, what is you?
00:07:50Hey, we don't want to lose you.
00:07:52Mmm, sure looks gloomy.
00:07:53How would you girls like to have a castle this old to live in?
00:07:56You'd have to be a creep to live in a place like this.
00:07:59I'd love to have a house like this all for myself.
00:08:02Imagine the peace and beauty.
00:08:05Of living all alone.
00:08:06You're a funny one, all right.
00:08:10All right, girls.
00:08:11Wonder what it looks like inside.
00:08:14What's wrong?
00:08:15Are you tired?
00:08:16I don't know what it is, Perry.
00:08:18I just feel very uneasy.
00:08:20No.
00:08:21Susie.
00:08:22Let me alone, Raoul.
00:08:23Don't be like that, baby.
00:08:25Everybody will see us.
00:08:26Have it your way.
00:08:27Are you all dead?
00:08:29Lay you any odds you want, our dear publisher will wind up saying,
00:08:33this place isn't suitable after all.
00:08:35Let's go home.
00:08:37Hello?
00:08:37Is everybody out?
00:08:38If they're all out, how can anyone be in the house?
00:08:42Oh, the brain has spelled it out.
00:08:44I'm not just a dumb blonde, you know.
00:08:46Who says you're a blonde?
00:08:48Must be in.
00:08:48Hello?
00:08:49Why doesn't anybody answer?
00:08:51Maybe nobody lives here.
00:08:53What a nuisance.
00:08:54Someone should have told me the castle's empty.
00:08:57We might as well try to get in anyway.
00:09:01Maybe one of the boys could scale that wall.
00:09:04That's a job for Tarzan.
00:09:06Who's going to volunteer to climb the wall?
00:09:08Okay, okay.
00:09:10Here comes Uncle Perry, the greatest acrobat in the world.
00:09:12He's a good boy.
00:09:28I bet he gets us inside.
00:09:30Yeah, you're right.
00:09:31Three years for unlawful breaking and entering.
00:09:42Take care, Perry.
00:10:02Max!
00:10:03You owe me a bonus for this little stunt, a double whiskey.
00:10:08What about that?
00:10:09I still think you're playing with fire.
00:10:11You should know me by now.
00:10:12I'm not the kind of man to let obstacles get in my way.
00:10:14I'm a man of action.
00:10:19Well, what do we do now?
00:10:21We follow the leader.
00:10:22What else?
00:10:27Ladies and gentlemen, welcome to the old...
00:10:29Let's go.
00:10:41Give me a car.
00:10:46Give me a car.
00:10:48Give me a car.
00:11:05Give me a car.
00:11:08hey what a funny place this is looks like a frankenstein film set
00:11:38oh
00:11:52hey there's something evil about this castle i'm sure of it hawaiians are far too impressionable
00:12:13king
00:12:24raul
00:12:31raul
00:12:39you idiot
00:12:44why must you play these childish jokes all the time
00:12:47raul
00:12:50raul take off that silly costume
00:13:27Could we speak to the owner?
00:13:33I'd like a word with him about a business matter.
00:13:36Could you take us to him?
00:13:38Follow me.
00:13:40Let's go.
00:13:55The rest of you wait in there.
00:13:57Stop where you are.
00:14:03How dare you force your way into my castle like this?
00:14:07What do you want here?
00:14:08I want to apologize.
00:14:09We didn't think anyone lived here, that's all.
00:14:11It's no excuse for trespassing.
00:14:13I don't like having my privacy disturbed.
00:14:16I'm sorry, sir.
00:14:18You're quite right.
00:14:20My name is Parks.
00:14:21I'd like to explain.
00:14:23We've been scouting for suitable locations to photograph material for book jackets.
00:14:26I'm a publisher.
00:14:28That's no concern of mine.
00:14:30Look here, I'd like to show you one of my books.
00:14:32I'm preparing an anthology of horror.
00:14:34He told you to stay where you were.
00:14:35We took the liberty of coming in here only because no one answered our knocking at the door.
00:14:41I don't like intrusion.
00:14:43I insist that you leave my castle immediately.
00:14:46Could you make just one exception?
00:14:49We've been on the road for several days.
00:14:51Everybody's so tired.
00:14:53I don't want any visitors here.
00:14:55I'd be only too glad to pay, of course.
00:14:57Pay?
00:14:58Now you're beginning to annoy me, Mr. Parks.
00:15:00I know my friend didn't mean to offend you, and we ask you to forgive us.
00:15:22You and your practical jokes.
00:15:26Ralph.
00:15:26Ralph.
00:15:47Hey.
00:15:48on your feet everybody we've been told to shove off the master of the house doesn't like having
00:16:08visitors around what again oh no not after all I went through to get you in here so we're right
00:16:16back where we started one castle is too modern one's too old why don't we build our own and get
00:16:21it over with Susie but wouldn't it cost an awful lot of money to build one huh oh can't you change
00:16:28his mind we're all tired well I'm tired too but we have no choice we've been told to go and that's
00:16:35it let's get moving quickly huh Edith wait perhaps I was a little too hasty Mr. Parks I'm not usually so
00:16:50inhospitable I realize you must all be very tired you see I don't usually receive people you can stay
00:16:57here overnight but I'll have to ask you to leave first thing in the morning thank you sir we really
00:17:03do appreciate your kind hospitality do you mind if we take a few pictures all right but please
00:17:09remember I don't like to be disturbed my servants will show you the chambers where you can do your
00:17:17work perfect let's get to work girls we mustn't waste any time go and change quickly Dermott you'd
00:17:23better check out the setting we need Edith you go along with it good girl come on Edith don't go
00:17:27near the dungeons they're absolutely out of bounds for everybody okay we won't get moving Dermott we're in a
00:17:32hurry I'll bet Max will flip over this one can you imagine finding a thing like this here wasn't it lucky
00:17:52I'll take credit for that I found it yeah food for everybody hey Max I want a bonus for finding this
00:17:58thing all right we'll see about the bonuses now it would be perfect for the Skeletrix series hey that
00:18:04looks great fine but now let's get to work I'll take the food to the girls right no I'll take care of that
00:18:09myself what a picture this will make
00:18:20what a picture this will make
00:18:22a
00:18:24oh
00:18:26even
00:18:35I
00:18:36I
00:18:36I
00:18:39I
00:18:40I
00:18:41I
00:18:44I
00:18:45Oh, Max!
00:18:58Why don't you ever knock?
00:19:00Oh, come on.
00:19:01Now, what's all this nonsense?
00:19:02I'm just like a father to you girls.
00:19:05Turn around.
00:19:06We have to get into our costumes.
00:19:07Okay, have your little games, but hurry up.
00:19:10We haven't any time to fool around.
00:19:11We've got work to do.
00:19:15You can turn around now if you want.
00:19:18Eat it.
00:19:19Bring the girls downstairs.
00:19:21We can't afford to waste any time.
00:19:23All right.
00:19:34How's the food?
00:19:36Terrible.
00:19:36As usual.
00:19:39Ah, bottle of wine, they call it.
00:19:41It tastes like water.
00:19:42Yeah, it's awful, isn't it?
00:19:43But I know where we can find real wine.
00:19:45I discovered where the cellar is.
00:19:47Come on.
00:19:47I'll show you.
00:19:49See you.
00:19:49Come on, Perry.
00:19:50Come on, Perry.
00:20:07You know, Perry, I wouldn't mind being the owner of this castle.
00:20:35You can have it. It gives me the creeps.
00:20:37Skeletons don't have nerves. What do you mean it gives you the creeps?
00:20:40What do you mean it gives you the creeps?
00:20:44What do you mean it gives you the creeps?
00:20:47THE END
00:21:17shh, you'll wake up the ghosts
00:21:28come on, this way
00:21:47THE END
00:22:17Now don't breathe, perfect like that
00:22:21All right, hold the pose, I want to take another shot
00:22:31Edith, hand me the other camera, will you?
00:22:35Thanks
00:22:36Now don't move, darling
00:22:38Hold it, you make a beautiful corpse
00:22:42You do, just keep it
00:22:43That's right
00:22:44Perfect
00:22:50It's no fun being dead
00:22:54Nobody ever said it was
00:22:55You mean it?
00:22:56You were very convincing
00:22:57Just imagine what Daddy will say when he sees this photo
00:23:00Go and change now
00:23:01Yeah
00:23:02Okay, Susie, it's your turn now
00:23:05Sure, here I am, but where's Perry?
00:23:08He's in it too
00:23:09Here I am
00:23:10Your personal scallop
00:23:13Always ready to die at the hands of a beautiful woman
00:23:15How are you going to change Annie's first?
00:23:17That's fine
00:23:17You're never around when you're needed
00:23:20Right, but look what I dug up for you
00:23:22Oh
00:23:22I'll go
00:23:23Rick, can I have your knife for a minute?
00:23:31Thanks
00:23:31What is it?
00:23:44Just a little homesick, I guess
00:23:46Are you all asleep over there?
00:23:56Get behind that camera, Dermot
00:23:58I'll see you next time
00:24:28Come on, sweetie.
00:24:58Come on, sweetie.
00:25:28Come on, sweetie.
00:25:58Come on, sweetie.
00:26:28Hold it.
00:26:32Now, Nancy, honey, give me the feeling of a cat.
00:26:35You know what I mean.
00:26:36Meow.
00:26:37Meow.
00:26:38Pshh.
00:26:39Meow.
00:26:41No, Nancy, that's too domesticated.
00:26:43I want you to think wild, fierce.
00:26:46Meow.
00:26:47Meow.
00:26:48Meow.
00:26:50Can't you think like an alley cat?
00:26:52For instance, you're about to fight another cat for a fish head or something.
00:26:56Meow.
00:26:56No, no, Nancy, that's the intellectual approach.
00:26:58You'll never be an alley cat.
00:27:00Let's try something else.
00:27:01I've got an idea.
00:27:02There.
00:27:03Now, raise your leg up.
00:27:05Up, up, up.
00:27:07Up.
00:27:08That's it.
00:27:09That's it.
00:27:09Now, imagine you're floating in the air like a thistle blown by the wind.
00:27:14That's beautiful.
00:27:16No.
00:27:17No, not like that.
00:27:18You've got to go up.
00:27:20Gently.
00:27:21That's right, baby.
00:27:22Now, hold it.
00:27:22No.
00:27:23No.
00:27:23Can't you keep that arm over your head?
00:27:25Now, everything's in place.
00:27:26Arm, leg, head, everything.
00:27:29Now, don't move.
00:27:32Come on, Nancy.
00:27:33Get that lovely foot of yours up.
00:27:35Like a feather.
00:27:36Like a thistle blown by the wind.
00:27:38No.
00:27:38No, I can't, sir.
00:27:40It's too heavy.
00:27:41I can't.
00:27:42Oh, do it for me, baby.
00:27:44Let's fly together.
00:27:45Hold it.
00:27:52Hold it.
00:27:56Hammer about here.
00:28:04There.
00:28:05Dermot, can we take a break for a few minutes?
00:28:08No, no.
00:28:08We've got to be finished before morning.
00:28:10Put the spots over there.
00:28:11Okay.
00:28:12What are you doing here?
00:28:21I'd like to see the owner of the house.
00:28:23It's not possible.
00:28:24My master doesn't want to be disturbed.
00:28:25But tell him.
00:28:26I said it's impossible.
00:28:27Your master has a right to his privacy,
00:28:29but that's no way to speak to a lady.
00:28:33Rick.
00:28:33Rick.
00:28:38You met the owner of the house.
00:28:40What's he like?
00:28:40It's difficult to say, really.
00:28:42It was half hidden behind a table.
00:28:44Have you noticed the windows?
00:28:47They're all barred.
00:28:49What a strange place.
00:28:50If I was still a reporter, I bet I could discover a lot of interesting facts about this castle.
00:28:58Rick, but why are you wasting your time on horror stories?
00:29:01You should be doing the kind of work you were cut out for, reporting.
00:29:06I guess you're right, but I'm a little lazy.
00:29:07I've been taking the easy way out by doing this.
00:29:10I started out with the usual dreams and found out there's more money in writing this kind of commercial book.
00:29:16Edith, I realize I'm being indiscreet, but why did you want to speak to the owner of the castle?
00:29:21Just curiosity.
00:29:24Nothing more than that.
00:29:29Everything's ready, Dermot.
00:29:30Can I go?
00:29:31Not more in a few minutes, though.
00:29:32Time's running short.
00:29:33You bet.
00:29:34Come on, Susie.
00:29:35Don't call me like that.
00:29:36Then come on.
00:29:37But where?
00:29:37Oh, come on.
00:29:38Okay, I'm all set.
00:29:40Everybody out of the way.
00:29:42That's right.
00:29:43Hold that pose, Perry.
00:29:45Don't move.
00:29:46I'll be done in a minute.
00:29:48Now, here we go.
00:29:49Oh, my God.
00:30:04Raul, didn't you hear that yell?
00:30:21I didn't hear anything at all.
00:30:23Come along.
00:30:23Where are you taking me?
00:30:24You'll find out.
00:30:30Look at that.
00:30:32What is it?
00:30:32I don't know.
00:30:34Maybe it was an old torture cell.
00:30:36You know, these old castles.
00:30:40Nothing in it.
00:30:43Let me alone, Raul.
00:30:44I'm scared.
00:30:46Susie.
00:30:49Susie.
00:30:49Susie.
00:30:49Susie.
00:30:49Susie.
00:31:02Come, Camillo.
00:31:20Staying here won't help any.
00:31:23Come with me.
00:31:26There's no point in disturbing my master.
00:31:28He's been informed already of what has happened down here.
00:31:33And he hopes that you will all remain calm.
00:31:36The rope was badly worn, Rick.
00:31:38We overlooked that, I'm afraid.
00:31:40Well, what are you going to do now?
00:31:42Hmm.
00:31:42I don't know.
00:31:47We'll see.
00:31:52Remember, Rick, even the master of the house suggested that we keep calm.
00:31:55Tomorrow we notify the police.
00:31:56What do you mean, tomorrow?
00:31:57Listen.
00:31:58After all, it was only an accident.
00:32:00A tragic one.
00:32:01Not an accident.
00:32:03And besides, it's too late now.
00:32:04Look, Max, this double talk leaves me cold.
00:32:06What do you really mean?
00:32:09Well, well, I'm an editor.
00:32:14You've got to see my point.
00:32:16I have a deadline to meet.
00:32:36I know exactly how you feel, girls.
00:32:41But we must finish our work before daybreak.
00:32:43Was poor Perry lying dead?
00:32:45Oh, it's a big tragedy.
00:32:46You know, Perry was like a son to me.
00:32:48Don't you think I have a heart like the rest of you?
00:32:51How do I know?
00:32:53I never had a chance to see it.
00:32:55Perry would have known what I meant.
00:32:57Yeah, but he's dead.
00:32:59And I want to go on living.
00:33:03I'll double your salary.
00:33:04My life's worth more than that.
00:33:07Triple it.
00:33:08Okay, it's a deal.
00:33:09Me too.
00:33:10Then let's get back to work.
00:33:12Where's Susie?
00:33:14I think she went off with Raoul.
00:33:15It's just like her.
00:33:16They always disappear at the wrong moment.
00:33:19We'll worry about her later.
00:33:20Let's go back to work now.
00:33:21Well, I thought I'd seen just about everything.
00:33:26But this kind of bargaining is really more than I can stand.
00:33:29Rick, look at this.
00:33:30What is it?
00:33:34It's the negative of the photograph I took right when the accident occurred.
00:33:40Poor Perry.
00:33:42What a terrible thing.
00:33:45What's this?
00:33:47What's that strange shadow near the frame of the door?
00:33:52It almost looks like a man's head.
00:33:54Yes, it does.
00:33:55That's exactly what I thought.
00:33:59But it just can't be.
00:34:02Still, it does look like a man's head.
00:34:04With a hood on.
00:34:05Oh, my God.
00:34:27No!
00:34:53No! No!
00:34:57No! No!
00:35:06Will it show up more clearly on the print?
00:35:09It should. We'll see in a minute.
00:35:13No!
00:35:15No!
00:35:17No!
00:35:19No!
00:35:21No! No!
00:35:23No! No! No!
00:35:25We'll see in a minute.
00:35:27I've done the best I could.
00:35:29Of course, it's only a small detail.
00:35:33Hmm.
00:35:35There.
00:35:37This is the maximum enlargement I can make here.
00:35:41Of course, it's still not very clear.
00:35:45Hmm.
00:35:47This doesn't help us very much, I'm afraid.
00:35:49It's hardly at all visible.
00:35:51Huh?
00:35:53Do you think the negative could have been defective?
00:35:55No, it was perfect.
00:35:56May I see that photograph?
00:36:06I heard about the accident that took place tonight.
00:36:09A most appalling accident.
00:36:11Unfortunately, it's blurred.
00:36:14Yeah, it was out of focus.
00:36:17Perhaps this will sound strange.
00:36:20But I've something to tell you.
00:36:23That may provide an explanation of the shadow in your photograph.
00:36:27Have you ever heard of the Crimson Executioner?
00:36:33Who did you say?
00:36:34The Crimson Executioner?
00:36:35He was a maniac and a killer who was put to death for his crimes centuries ago.
00:36:39He was buried in his own castle.
00:36:41What you don't know is that this is the castle where the Crimson Executioner lived and died.
00:36:47When I came here, the castle had been uninhabited for centuries.
00:36:51For me, it was ideal because I desired solitude.
00:36:55Everybody else feared the curse that had been placed on it.
00:36:59When they sealed up his tomb, the Crimson Executioner swore that he would avenge himself.
00:37:03He was a man of extraordinary physical strength.
00:37:09Obsessed by an ideal of purity.
00:37:11For centuries, he was entombed.
00:37:15There in the dungeons, and only a seal has protected mankind from his supernatural powers.
00:37:20If the shadow in the photograph is the Crimson Executioner, I fear anything might happen.
00:37:28I had to tell you.
00:37:44I can see you two already know each other.
00:37:46I've never had the pleasure.
00:37:48This is the first time I've seen this lady.
00:37:57I must retire now.
00:37:59I'm a creature of habit.
00:38:02I hope you will sleep well.
00:38:06Good night.
00:38:07Good night.
00:38:08Good night.
00:38:09Good night.
00:38:10Good night.
00:38:11Good night.
00:38:12Good night.
00:38:13Good night.
00:38:14Good night.
00:38:15Good night.
00:38:16Good night.
00:38:17Good night.
00:38:18Good night.
00:38:19Good night.
00:38:20Good night.
00:38:21Good night.
00:38:22Good night.
00:38:23Good night.
00:38:24Good night.
00:38:25Good night.
00:38:26Good night.
00:38:27Good night.
00:38:28Good night.
00:38:29Good night.
00:38:30Good night.
00:38:31Good night.
00:38:32Good night.
00:38:33Good night.
00:38:34Good night.
00:38:35Do you think it's too daring?
00:39:04No, I bet Max will like it.
00:39:07He always does.
00:39:11Hi, girls. Has Susie come back yet?
00:39:13No, maybe we should go on without her. She'll be along.
00:39:19You'll make a big hit in that costume, Annie.
00:39:21Won't I, too?
00:39:23What? Oh, now, what's gotten into you? You mustn't hide those beautiful legs of yours.
00:39:34They desecrated your world of beauty.
00:39:43With their sordidness, the day of the Crimson Executioner has now come.
00:39:48I've been wondering about the owner of this castle.
00:39:54Well, if you want my opinion, I think he's slightly off his nut.
00:39:56You would be, too. If you lived isolated in this place, you'd end up the same way he is.
00:40:02Hey, Dermot.
00:40:03Yeah?
00:40:04Look at this. This must be where the executioner was killed, if the legend is true.
00:40:09What is it? Looks like a coffin.
00:40:12No, it was a medieval instrument of torture.
00:40:14The infamous iron mailing.
00:40:24Susie!
00:40:25No one can dare say that this was an accident.
00:40:47Come on.
00:40:55Just as I thought, the rope wasn't worn. It was cut.
00:41:15At this point, there's only one explanation.
00:41:19Deliberate murder.
00:41:22Deliberate murder?
00:41:22But why, Rick?
00:41:25It doesn't make any sense.
00:41:27That's what we've got to find out.
00:41:29Any idea where Raoul is?
00:41:31Raoul?
00:41:32No, no. I don't mean he had anything to do with this.
00:41:35But perhaps he saw who did it.
00:41:38He was near Susie all the time.
00:41:41Here. Take this.
00:41:42My car is the fastest we have.
00:41:44Go to the nearest police station and try and get help.
00:41:46Okay, Rick. I will.
00:41:48But how about you?
00:41:50What are you going to do?
00:41:51Stay here?
00:41:53With a murderer at large, you're all in danger.
00:41:55I know, but it's impossible to leave with things as they are.
00:41:57And we've got to find Raoul. He might have some evidence.
00:42:00I'll be as fast as I can.
00:42:01How much longer do we have to wait now?
00:42:22We get paid.
00:42:24Why should you care?
00:42:25There, you get prettier by the minute, girls.
00:42:32Take a look at this, Max.
00:42:33I have a new idea.
00:42:35I don't want the girls to know this yet.
00:42:38Susie's been murdered.
00:42:39What's that?
00:42:40So you like the idea?
00:42:41Oh, sure. It's great.
00:42:43We'd better watch out.
00:42:44Dermot's already on his way to the police station.
00:42:46Don't tell the girls. They'd only get panicky.
00:42:48But then Perry was killed, too.
00:42:49We completely agree.
00:42:50Well, what do we do now?
00:42:52I'll have a look around.
00:42:53You'd better stay with the girls.
00:42:55See you later.
00:42:55I'll have a look around here.
00:43:25What are you doing here?
00:43:30I want to see your master right away.
00:43:31No, he doesn't want to see anybody.
00:43:32It's urgent that I see him, no matter what. Understand?
00:43:34I said you can't see him.
00:43:45Peter, what are you doing here?
00:43:49I want you to see what I found.
00:43:50I'm sure you recognize her.
00:43:57Edith, what's your portrait doing in this castle?
00:43:59Then you do know the owner.
00:44:02Yes.
00:44:02Travis and I were engaged.
00:44:04Travis Anderson.
00:44:05Isn't he the actor who disappeared several years ago?
00:44:07Yes.
00:44:08He used to be a muscle man in costume films.
00:44:12It all happened so suddenly, so unexpectedly.
00:44:14He left without a word.
00:44:17He just vanished.
00:44:18He's always been a little strange.
00:44:21Even with me, he seemed so cold.
00:44:25Yet I'm certain that he really loved me.
00:44:28In all this time, I haven't stopped wondering
00:44:30why he ever disappeared like that.
00:44:32Now I found him here in this castle.
00:44:36I thought I recognized his voice,
00:44:37and now that I've found this,
00:44:39I know it's Travis.
00:44:40I must try to speak to him.
00:44:41Edith, we have no time for that.
00:44:44You've got to trust me.
00:44:45What is it?
00:44:46I'll tell you later.
00:44:48Where's Canuglio?
00:44:49I left her downstairs when I went to find Travis.
00:44:51There's not a moment to lose.
00:44:52We must find her.
00:44:53What's happened, Rick?
00:44:54Don't ask any questions.
00:44:55Hurry.
00:44:59We've got to reach the others.
00:45:00It's important that we all stay together.
00:45:02But what's going on?
00:45:03I don't understand.
00:45:05Canuglio.
00:45:18Canuglio.
00:45:21Canuglio.
00:45:26Watch out, Rick.
00:45:28Don't try to get any close to me or you'll get killed.
00:45:32There's no escape from me.
00:45:33I know it.
00:45:34You must save yourself.
00:45:35Well, there's still a chance.
00:45:38Don't you see?
00:45:39It's a diabolical trap.
00:45:41It's impossible for anyone to reach me.
00:45:45These wires are connected to the bows on the walls.
00:45:48The slightest touch will release the arrows in every direction,
00:45:51and anyone nearby will be killed.
00:45:52Nobody can stop the mechanism that operates the spider.
00:45:58It has poison in its claws.
00:46:01I'll be killed the moment it reaches me.
00:46:07Now it's hopeless.
00:46:10Watch out, Rick.
00:46:14Don't do it, Rick.
00:46:17You'll be killed.
00:46:18I tell you, it's hopeless.
00:46:36Don't do it, Rick.
00:46:38Leave me.
00:46:38It's no use.
00:46:39Please don't come any closer.
00:46:53You're mad to miss your life like this.
00:46:54Rick!
00:47:12Oh, my God.
00:47:42Oh, my God.
00:47:44Oh, my God.
00:47:46Oh, my God.
00:47:48Oh, my God.
00:47:50Oh, my God.
00:47:52Oh, my God.
00:47:54Oh, my God.
00:47:56Oh, my God.
00:47:58Oh, my God.
00:48:00Oh, my God.
00:48:02Oh, my God.
00:48:04Oh, my God.
00:48:06Oh, my God.
00:48:08Oh, my God.
00:48:10Oh, my God.
00:48:11Oh, my God.
00:48:12It's all over for me.
00:48:28It's the end for all of us.
00:48:42Give up, Rick. It's no use. It's too late.
00:48:47Rick!
00:49:12What a horrible death. I've got to get her down from here.
00:49:19Eden, go find the others. Hurry up.
00:49:21You've got to get out of that castle at once, at once.
00:49:24No, no, Rick, no. Not without you.
00:49:27What would I tell you?
00:49:42Go away, Edith. Go away. Don't worry about me.
00:49:46Derbert will be back here soon with the police.
00:50:12Open the door! Let us out! Let us out!
00:50:31It's no use. We've been locked in.
00:50:33No! What do we do?
00:50:35Max! Max, what's happening? Where are the others?
00:50:38I don't know, but don't lose your head.
00:50:40Just come on down here.
00:50:42Go and tell Rick that we need him.
00:50:44All right.
00:50:45We have to get out of here.
00:50:55Rick! Rick, all the doors are locked. We can't get out.
00:50:58Keep calm, Edith. We'll make it somehow. Just a minute.
00:51:10Get out of here.
00:51:20Edith!
00:51:23Edith!
00:51:24Edith!
00:51:40Edith!
00:51:50Edith.
00:51:52Edith!
00:51:53Edith!
00:51:54Edith!
00:51:55Don't come any nearer.
00:51:56Don't touch me.
00:52:00Edith!
00:52:01You were the murderer.
00:52:02Now I know it, Travis.
00:52:08How could you?
00:52:10You're a monster.
00:52:11A monster.
00:52:15You.
00:52:17You no longer mean anything to me.
00:52:20Even though I missed you when I abandoned the world.
00:52:29I was forced to retreat to this castle.
00:52:32I was forced to retreat to this castle.
00:52:36Mankind is made up of inferior creatures.
00:52:40Spiritually and physically deformed.
00:52:42Who would have corrupted the harmony of my perfect body.
00:53:02I, I came to the isolation of this castle.
00:53:04To avoid the contagion of human sentiment.
00:53:08I, I came to the isolation of this castle.
00:53:12To avoid the contagion of human sentiment.
00:53:14I, I came to the isolation of this castle.
00:53:16To avoid the contagion of human sentiment.
00:53:24I, I came to the isolation of this castle.
00:53:26I, I came to the isolation of this castle.
00:53:28To avoid the contagion of human sentiment.
00:53:30To avoid the contagion of human sentiment.
00:53:36And a woman's love.
00:53:44Would have destroyed me.
00:53:45It's because of that.
00:53:58I abandoned you.
00:54:01Travis, you've lost your sanity.
00:54:03You're an egotist.
00:54:05Obsessed with your sick thoughts.
00:54:08You're wrong, Edith.
00:54:10Last night I had a moment of weakness because of you.
00:54:16When I first caught sight of you.
00:54:22And I said you could stay together with your friends.
00:54:26But that was a mistake.
00:54:33I know of only one who was never overcome by weakness.
00:54:38The Crimson Executioner.
00:54:41He despised your world.
00:54:45As passionately as I do.
00:54:48Look at him.
00:54:49Look at him.
00:54:55His magnificent body was preserved intact through all these centuries undisturbed.
00:55:04His spirit lives in me.
00:55:07And I'll continue his mission of vengeance.
00:55:09This is the sacred duty I've sworn to.
00:55:15We're alike.
00:55:22Now that you have profaned his tomb.
00:55:27And broken the seal that imprisoned his great spirit.
00:55:31His power has been released at last.
00:55:40And his noble crusade against sin lives again through me.
00:55:44Yes, the black fire of the long-awaited vengeance is here.
00:56:00And your friends cannot escape.
00:56:07The Crimson Executioner has passed judgment.
00:56:11And now.
00:56:26At last.
00:56:29You'll witness the glory of his return.
00:56:36And you'll pay just like the others.
00:56:38Oh.
00:56:38Oh.
00:56:39Oh.
00:56:40Oh.
00:56:48Travis.
00:56:50Don't do it.
00:56:51Come back.
00:56:52Come back.
00:56:53Come back.
00:56:53Come back.
00:57:10Come back.
00:57:11Come back.
00:57:11Come back.
00:57:11Come back.
00:57:11Come back.
00:57:11Come back.
00:57:12Come back.
00:57:12Come back.
00:57:13Come back.
00:57:13Come back.
00:57:13Come back.
00:57:13Come back.
00:57:14Come back.
00:57:14Come back.
00:57:15Come back.
00:57:15Come back.
00:57:15Come back.
00:57:15Come back.
00:57:16Come back.
00:57:16Come back.
00:57:16Come back.
00:57:17Come back.
00:57:17Come back.
00:57:17Come back.
00:57:18Come back.
00:57:18Come back.
00:57:19Come back.
00:57:19Come back.
00:57:19Come back.
00:57:20Come back.
00:57:21Come back.
00:57:21Come back.
00:57:21Come back.
00:57:21Come back.
00:57:23Come back.
00:57:23Come back.
00:57:23Come back.
00:57:24Come back.
00:57:24Come back.
00:57:25Come back.
00:57:26Come back.
00:57:27Come back.
00:57:27Come back.
00:57:28Come back.
00:57:29Now you'll be punished for your lechery.
00:57:47That crimson executioner will torture you, yes, will torture you, till death.
00:58:17Oh!
00:58:26Oh!
00:58:30Oh!
00:58:37Oh
00:59:07Oh
00:59:37That's just a small portion of the torture that awaits you
01:00:07I promise you that none will escape the wrath
01:00:12Of the Crimson Executioner
01:00:17As for Rick
01:00:29This is how he will die
01:00:33Why are you doing this?
01:00:35Why don't you let us go?
01:00:38What have we done to you?
01:00:46You're torturing innocent people
01:00:49Come back to your senses
01:00:51You're the owner of this castle
01:00:54Not the Crimson Executioner
01:00:57Oh, see?
01:01:01I am the Crimson Executioner
01:01:03But I am the Crimson Executioner
01:01:06What are you doing?
01:01:07Oh, try it out
01:01:08I may not help it
01:01:09But I am the Crimson Executioner
01:01:13The Crimson Executioner
01:01:14Is that true?
01:01:15What are you doing?
01:01:16What are you doing?
01:01:17I am the Crimson Executioner
01:01:18I am the Crimson Executioner
01:01:20Oh
01:01:50Oh
01:02:20Oh
01:02:50Oh
01:03:20I
01:03:46Can't stand it anymore let me go
01:03:50The Crimson Executioner
01:03:52Invented the torture of icy water
01:03:55For creatures like you
01:04:16My vengeance needs blood
01:04:20The Crimson Executioner
01:04:24Cries out for blood
01:04:26The Crimson Executioner
01:04:28The Crimson Decisioner
01:04:30Cries out for blood
01:04:32The Crimson Decisioner
01:04:34The Crimson Decisioner
01:04:36Riding the permitted
01:04:37The Crimson Decisioner
01:04:38The Crimson Decisioner
01:04:39Cries out for a while
01:04:40The Crimson Decisioner
01:04:41You better prepare to die, you sinner.
01:05:11Ha, ha, ha, ha, ha, ha, ha, ha.
01:05:41I'm
01:06:11Don't
01:06:41I
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01:08:11Rick
01:08:19Edith
01:08:27Where are you?
01:08:31You mustn't worry about me. I'm not in danger. Try to find the others if you can Rick
01:08:37They're in Anderson's hands
01:08:39He took them to the dungeon. He's insane. He thinks it's a crimson executioner. You've got to stop him or he'll kill them all
01:08:47Hurry Rick
01:08:49Yes, but where are you Edith?
01:08:51Watch out
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