- 2 months ago
Jail Bait (1954) Directed by Edward D Wood Jr. A Howco Release
A vicious criminal uses plastic surgery to escape the police.This movie features Steve Reeves (undubbed).
This is the original version of the film released in 1954.
A vicious criminal uses plastic surgery to escape the police.This movie features Steve Reeves (undubbed).
This is the original version of the film released in 1954.
Category
🎥
Short filmTranscript
00:00:00The
00:01:30Let's go, bud.
00:01:53Take your hands off me.
00:02:01Move on.
00:02:02Move on.
00:02:02Move on.
00:02:10Move on.
00:02:14Move on.
00:02:15Move on.
00:02:19Miss Gregor?
00:02:21That's right.
00:02:23I'm Inspector Johns.
00:02:25This is Detective Lieutenant Lawrence.
00:02:26How are you doing?
00:02:27I hope I'm happy to know you.
00:02:29You put up the bail for your brother?
00:02:31Yes.
00:02:31Hmm.
00:02:36Of course, you realize, Miss Gregor, that if your brother fails to show up for trial, you will forfeit the bail money.
00:02:42Inspector, Don is no criminal.
00:02:43Well, that'll be established later.
00:02:45He was carrying a gun.
00:02:46There are much worse crimes.
00:02:48Carrying a gun can be a dangerous business.
00:02:50So can building a skyscraper.
00:02:53Your brother had no license to carry that gun, Miss Gregor.
00:02:55It's against the law.
00:02:56Oh, man.
00:03:22Oh, God.
00:03:24How about my gun?
00:03:27I think we'll hold on to that for a little while.
00:03:30You have no right to keep my property.
00:03:32We've got all the rights right now.
00:03:34Now go on, get out of here before I have you put back in the cell.
00:03:38Don, there's been enough trouble.
00:03:40Let's go home.
00:03:54I wish I could have held on to him a little longer.
00:03:58I think you're wrong about him, Inspector.
00:04:00No, he's mixed up with Brady all right.
00:04:02I stake my passion on that.
00:04:04It's too bad, too.
00:04:05His father being what he is.
00:04:07How can I get out of here, Inspector?
00:04:09I don't know.
00:04:10I don't know.
00:04:11I don't know.
00:04:12I don't know.
00:04:13I don't know.
00:04:14I don't know.
00:04:15I don't know.
00:04:16I don't know.
00:04:17I don't know.
00:04:18I don't know.
00:04:19I don't know.
00:04:20I don't know.
00:04:21I don't know.
00:04:22I don't know.
00:04:23I don't know.
00:04:24How can a great doctor have such a jerk for a son?
00:04:26The sins of the father?
00:04:28No, Dr. Gregor is a great man.
00:04:30Both in his personal life and his business life.
00:04:32Sounds like a man I'd like to meet.
00:04:34You probably will.
00:04:36Next time we pick up Don Gregor.
00:04:53How are you?
00:04:54What will you say?
00:04:55The
00:05:23Let's go.
00:05:53Go ahead and say it, but change the words this time. The old record's getting a bit worn. Do you want me to repeat it for you word for word?
00:06:23Listen, sis. I'm over 21. I know what I'm doing. You'll know what you're doing. I wonder if you even realize what you're doing. I wonder if you realize how proud father would be of you if he knew.
00:06:41Oh, not that routine again. Do you know what it would do to him?
00:06:45The father doesn't know, and you won't tell him.
00:07:02No. I won't tell him. But he'll find out sooner or later.
00:07:14Probably later.
00:07:15Why are you taking that gun?
00:07:34Why, I might be walking down a dark street, and then robber might jump at me. I want to be protected.
00:07:39I just paid a thousand dollars bail because you carried one of those things tonight.
00:07:44Well, sister, that was very sisterly of it.
00:07:47You know that gun is jailbait.
00:07:58Don?
00:07:58I won't go bail for you again.
00:08:10Maybe you won't have to. I have other friends you know.
00:08:13By that, you mean Vic Brady.
00:08:16Maybe.
00:08:19Well, have a good evening, Don.
00:08:21Good night, Dad.
00:08:23Well, he was certainly in a rush.
00:08:28Don is all mixed up. He'll be all right.
00:08:31He had an engagement.
00:08:33Yeah, with Vic Brady.
00:08:40Ah!
00:08:42Oh, dear.
00:08:44Marilyn, my dear, how would you like to fix me a little refreshment, huh?
00:08:49Sure, Dad.
00:08:49Ah, thank you.
00:08:58How did you know?
00:09:10Although I've never even met the gentleman,
00:09:13but Inspector John,
00:09:15he seems like a fan of mine.
00:09:17This afternoon,
00:09:18we had a long telephone conversation
00:09:20earlier in the day.
00:09:21Well, here's a good drink for a parched throat.
00:09:26Hmm.
00:09:29You know,
00:09:30I had to perform a very difficult operation this morning,
00:09:34the victim of an automobile accident.
00:09:37You know that I had to remodel that patient's entire face,
00:09:40and it was strenuous
00:09:42and very, very complicated.
00:09:45Plastic surgery at times
00:09:47seems to me to be
00:09:48very, very complicated.
00:09:52Father, Don is...
00:09:53The inspector thinks that Don is headed for serious trouble.
00:09:56But don't worry about that
00:09:58because he'll all straighten himself out nicely.
00:09:59Don isn't really a bad boy.
00:10:01A little wild, perhaps, yes.
00:10:03Maybe I gave him too much in his youth.
00:10:05That plus the
00:10:06lack of a mother's attention.
00:10:09God rest her dear soul.
00:10:13But Don isn't really a bad boy.
00:10:16Because Vic Brady is a hardened criminal.
00:10:18Yes, I know.
00:10:21He'll be the one to lead Don
00:10:22into that serious trouble
00:10:24that Inspector John was talking about.
00:10:26Perhaps.
00:10:30Perhaps not.
00:10:39He needs to deal with Hahnem green.
00:10:46Wait.
00:10:49One minute of...
00:10:50What?
00:10:52He'll fuck the earth and give you back.
00:10:55Well, thank you for coming out here.
00:11:00I'll hear you talk,
00:11:01but I'll share this video.
00:11:02He, Oh, yeah.
00:11:03This televisive is what happens,
00:11:04too.
00:11:05whiskey and soda well i see you got out of that scrape all right no thanks to you you left me
00:11:22holding a bag i was carrying a gun and too close to the spot so what nobody saw us pull the job
00:11:28besides carrying a rod first offense ain't a tough rap to beat i was lucky this time
00:11:33where's my cut not bad for a night's work huh oh the dough's good you got rid of that stuff fast
00:11:44it's the way i work fast
00:11:46they took my picture and fingerprints so what they've had my picture in a file so long it's
00:11:55getting moldy if anybody sees me they can identify me pretty quick now so you'll just have to be real
00:12:01careful like me you carrying a rod now sure slip it to me quick what don't argue do like i say
00:12:10you aren't very particular about the kind of customers you serve are you jimmy
00:12:27since we're off duty officially i guess a beer wouldn't hurt eh bob sounds good to me you know
00:12:32this uh well his face looks sort of familiar to me lay off me yeah like we might have met him
00:12:37recently what are you guys picking on me for you're raising your voice cops all alike yeah like crooks
00:12:43they're all alike on you to your grave yeah i never tried to keep you from getting to your grave too
00:12:48early why are you following me what makes you think you're so important we want to follow you
00:12:53your presence is enough oh did you hear that bob you know i would have sworn that the license for
00:12:59this bar says the public is invited oh jimmy come on with those beers will you yeah here we are you
00:13:05see just a quick beer before going home to a well-earned night's rest why don't you beat it leave me
00:13:11alone i'm not doing anything too bad your father's such a fine man he'll leave my father out of this
00:13:19yeah he's really a great guy i wish he could be left out of it i'm not responsible for bringing him
00:13:24in on this you are you know you're really pretty low character
00:13:32all right let him go go on get out of here
00:13:42you too go on get moving
00:13:51that's no way to talk to a cop boy you got a lot to learn he made me sore he was out to get you
00:13:57sore now forget the cop come on we got work to do get him if it's the last thing i ever do i
00:14:03said forget the cop let's go where to what do you mean where to just that where to the monterey
00:14:12theater the payroll remember yeah i forgot look maybe we ought ought to call it off this time
00:14:22you ain't gonna chicken out on me are you no it isn't that
00:14:25that cop has me riled i might get trigger happy so maybe you'll have to get trigger happy witnesses
00:14:33can identify pictures and the cops have both our mugs i'm not gone oh yes you are there's 20 grand in
00:14:40that payroll and i want my cut you'll go or i'll fix you but good with the cops come on get going
00:14:48maybe we should have called them uh brady's an old hand at being tailed i don't think it would
00:14:52have done much good when do you see the doctor tomorrow morning at his office i'd like to be there you
00:14:57will be
00:15:22but dad he's out there somewhere with a gun oh i know i should have called the inspector and told him but
00:15:46i just couldn't make up my mind to do it i just can't see don doing anything wrong
00:15:53i just can't make up my mind to believe it where have i failed you haven't failed dad words my daughter
00:16:03just words the proof is in the fact
00:16:07that was billy green spending an evening in maggie murphy's home and now two quiet people cotton watts and
00:16:20chick you know cotton i'm making a picture called the lion tamer the lion tamer uh-huh
00:16:26there ain't but one kind of lion i'll mess with what kind's that oh that's a dandelion
00:16:34now all i want you to do is meet me at the zoo in the morning at nine o'clock yeah with the rest of
00:16:40the monkey with the rest of the monkey i'll bring my ground for with me i want to get a moving picture
00:16:46of you in the lion's cage well if you ever do get a picture of me in a lion's cage you'll be moving
00:16:52all right oh cotton the lion can't hurt you he hurt me i know what he'd make me hurt myself why the lion's
00:17:01tame he'll eat right off your hand eat off of your hand and over your leg too i know them cats
00:17:08oh but you don't understand cotton the lion was raised on milk raised on milk i was too but i eat
00:17:16pork chops now why he can't bite you now how come he can't bite me he hasn't got a tooth in his head
00:17:23i know but he can gun me to death i don't want to gnawing on me now all i want to do is snap you as
00:17:31you enter the lion's cage you just want to snap me as i enter yes well you better snap me as i enter
00:17:38cause you will never be able to focus me when i start out cause i'm alabama bound
00:18:08so
00:18:10you
00:18:12you
00:18:14you
00:18:16you
00:18:18you
00:18:20you
00:18:22you
00:18:34you
00:18:36you
00:18:38you
00:18:40you
00:18:42you
00:18:44you
00:19:04you
00:19:06you
00:19:08you
00:19:10you
00:19:18all right now listen carefully and there won't be any slip up the only one in there is a night
00:19:22watchman and he probably knows the safe combination the payroll for a whole chain of
00:19:26theaters is in that safe calm down nerves can blow the whole show shoot first if i give the
00:19:33signal and ask questions later all right brady let's get this over with check your gun first
00:19:40Okay, okay, let's go.
00:20:10Keep the gun where it is, Pop.
00:20:13Come on, Doc. Take it away, Pop.
00:20:20Just be a good boy and you won't get hurt.
00:20:24Keep your eye on him while I get in this safe.
00:20:28Now, wait a minute.
00:20:30You can save us a lot of time and trouble if you know the combination.
00:20:34What safe? What combination?
00:20:37I don't know what you're talking about.
00:20:39You don't, huh? I think different life.
00:20:42You fellas better get out of here while you can.
00:20:45You're an awful dumb cop.
00:20:48This might sound corny, Pop, but I mean it.
00:20:51It's your life or the money in that safe.
00:20:55I don't know the combination.
00:20:58You know, Pop, there's always somebody trying to make my job a little tougher for me.
00:21:02That safe's gonna be open whether you open it or I have to use some juice on it.
00:21:07Your only choice is whether or not you're around to see it open.
00:21:11Doesn't make any difference to me one way or the other whether you live another day.
00:21:15It's all up to you.
00:21:17If you're smart, you'll find out that combination before I count three.
00:21:22Three.
00:21:23One.
00:21:24Two.
00:21:25Okay.
00:21:26You win.
00:21:27Okay.
00:21:28You win.
00:21:57Fromleo.
00:21:58Give it to me.
00:21:59Yes, a little.
00:22:00One, two.
00:22:01One, two.
00:22:02Two.
00:22:03One, two.
00:22:04One, two.
00:22:05One.
00:22:06Three.
00:22:07What makes you think you can get away with this?
00:22:20Let us worry about that.
00:22:22I'm through the night, Mac. I'll be on my...
00:22:37I think I got her, but we haven't got time to hang around and find out. Every cop in town will be here in a minute.
00:23:07Come on, get a move on. I said get a move on!
00:23:37Here we go.
00:25:12Put her down here.
00:25:29Did you call the inspector?
00:25:49Oh, yeah.
00:25:51Messy things, these shootings.
00:25:53Stick around a couple of more years.
00:25:55A bullet makes things real rosy compared to other methods.
00:25:58Yeah, I guess you're right.
00:25:59But this is bad enough.
00:26:01You think she'll live?
00:26:02Oh, sure.
00:26:03The bullet hit her high and passed right on through.
00:26:05In a couple of days, she won't even remember the pain.
00:26:07Well, you should have been a doctor, not a cop.
00:26:20You two.
00:26:21Come with me.
00:26:30Take her away.
00:26:31Take her away.
00:26:31Okay.
00:26:33Doctor?
00:26:38Sorry to get you up, inspector.
00:26:40Well, that's all right.
00:26:41My job doesn't seem important to a lot of people, but it's important to me.
00:26:45What's it all about?
00:26:47Robbery, attempted murder, and murder.
00:26:49How is she, Doc?
00:26:54Painted.
00:26:54Just a flesh wound.
00:26:55More shock than anything.
00:26:57When can we talk to her?
00:26:59I suggest you wait until morning.
00:27:00She'll be up and around by then.
00:27:03More than I can say for the old boy back there.
00:27:06Dead?
00:27:07Couldn't be any deader.
00:27:09She saw the man, though.
00:27:10How do you know?
00:27:12She came too far a moment.
00:27:13Mumbled it.
00:27:14See you later.
00:27:15Thanks, Doc.
00:27:16Where's the body, McCall?
00:27:17Back there.
00:27:27Right in there, inspector.
00:27:33Get these people out of here.
00:27:34All right.
00:27:43Louis, did you get a good shot?
00:27:46Fine.
00:27:47Take it to the office for the Sunrise Edition.
00:27:55Inspector playing hard to get these days?
00:27:58He's got a tough, thankless job on his hands.
00:28:00His publicity can get tough, too.
00:28:02Meaning?
00:28:03Meaning.
00:28:04I'm a newspaper woman.
00:28:05I'm here to cover a story.
00:28:07My people have a right to know this story.
00:28:10So, tell it to them.
00:28:11How can I tell it to them when the inspector won't let me in the room or even talk to him?
00:28:16Now, maybe you could help me.
00:28:18Yeah, maybe I could.
00:28:19But the inspector said no story.
00:28:21At least not for now.
00:28:22But honey...
00:28:24Please, lady.
00:28:25Oh.
00:28:27I'm on duty.
00:28:28Well, it looks like they got what they came after.
00:28:36Yeah.
00:28:36Maybe they got more than they came after.
00:28:38I don't get you, Inspector.
00:28:41Who was the girl?
00:28:43She's the secretary to the chain manager.
00:28:46She was checking the payroll list and knocking out some letters.
00:28:49That's why she was here so late tonight.
00:28:51The list had to be ready by morning for the payroll.
00:28:54She came in to check out with a night watchman and the boom was lowered on her.
00:28:58Clean through the heart.
00:29:01Poor old Mac.
00:29:02Oh, you knew him?
00:29:03Yeah, he was on the force for 30 years.
00:29:05Retired last year.
00:29:07Had a little bored with nothing to do, so he took a job as a night watchman.
00:29:11Then that makes our holder boys cop killers.
00:29:14Let's ride.
00:29:15Cop killers.
00:29:28Just a minute, I'm coming.
00:29:58So what's with him?
00:30:00He shot his first cop.
00:30:02You're joking.
00:30:03Does he look like I'm joking?
00:30:05Honey, that's bad business, cop killing.
00:30:07So what?
00:30:08They bleed like anybody else.
00:30:09Yeah, I know, honey, but...
00:30:10No buts about it.
00:30:11It's done and that's that.
00:30:13Besides the chance I was recognized.
00:30:16Some dumb dame had to still be in the place.
00:30:18I think I got her.
00:30:19You think?
00:30:20That's what I said.
00:30:21Why didn't you make sure?
00:30:22Make sure.
00:30:23Make sure.
00:30:24With this idiot standing over a cop's corpse and his gun still smoking
00:30:28and the sirens blaring.
00:30:29Any minute the place would be loaded with cops.
00:30:32You sound as crazy as he is.
00:30:33He wants to give himself up.
00:30:35He what?
00:30:36What do I have to do?
00:30:36Repeat myself all night?
00:30:38I said he...
00:30:38Hell yeah, I heard you.
00:30:40I heard you the first time.
00:30:41Now stop gibbering.
00:30:42I gotta think.
00:30:43What are you going to do about it?
00:30:45Shut up.
00:30:46What do you think it is I want to think about?
00:30:50Vic!
00:30:51Vic, he's gone!
00:30:58He got away.
00:31:00I can see that.
00:31:01I gotta get him before I can spill his story.
00:31:03You stay here.
00:31:05Stay here, he says.
00:31:07Where does he suppose I'd go dressed in this?
00:31:28Are you sure these are the two men?
00:31:38Yes, sir.
00:31:39Could you identify the men if you saw them again?
00:31:41Of course.
00:31:43Did you see the man who actually shot Mac?
00:31:45Yes, I did.
00:31:47Well, which one of these men did the shooting?
00:31:50This is the man.
00:31:52Don Gregor.
00:31:53I must ask you again.
00:31:56Did you actually see this man shoot Mac?
00:31:59Yes, sir.
00:31:59The other one was too busy shooting at me.
00:32:02Thanks for your help, Miss Willis.
00:32:03I'm only too glad to have been of any help at all.
00:32:06I wasn't very brave.
00:32:08I fainted early in the game.
00:32:10Bob, will you see that Miss Willis gets safely home?
00:32:12Why, sure thing.
00:32:14Well, Miss Willis, I may have to call on you again later.
00:32:16Of course, I understand.
00:32:23I'm fine.
00:32:25I'm fine.
00:32:25Let's go.
00:32:26I'll be right back.
00:32:27I'll be right back.
00:32:49Is Daddy in Dorothy?
00:32:50Yes.
00:32:51Do you suppose I could see him right away?
00:32:53It's very important.
00:32:55Well, I think that can be arranged.
00:32:57We don't see you very much anymore, Don.
00:32:59I've been rather...
00:33:01busy.
00:33:09Your son to see you, Dr. Greger.
00:33:14Go right in.
00:33:21Come in, Don. Come in.
00:33:36What is it, son?
00:33:38I'm in trouble, Dad.
00:33:41You want to tell me about it?
00:33:43Has it to do with that gun business last night?
00:33:47You know about that?
00:33:49Oh, yes.
00:33:50But I thought you'd get around to telling me about it yourself.
00:33:53Sooner or later.
00:33:59I...
00:34:02I wish it had been...
00:34:04sooner.
00:34:06I'm in bad trouble.
00:34:09Well, the carrying of the gun can be taken care of.
00:34:12I'll vouch for you.
00:34:14It goes deeper now.
00:34:22I don't quite understand.
00:34:25I...
00:34:28I walked all last night.
00:34:30And until tonight.
00:34:36I couldn't think straight.
00:34:39It wasn't until night came again...
00:34:41that my brain cleared.
00:34:44Funny thing about remembering.
00:34:47You never remember the right things until it's too late.
00:34:51I lived my whole life in the last 24 hours.
00:34:55Oh, don't stop me, Dad.
00:34:59The life I relived...
00:35:01wasn't very pleasant.
00:35:03Anyway, not for me.
00:35:07You insist.
00:35:09What I've done to you.
00:35:12But it's all over now.
00:35:15I...
00:35:17I...
00:35:18killed a man last night.
00:35:20Why did you kill?
00:35:25I don't know.
00:35:27I don't know.
00:35:29The gun was in my hand.
00:35:31I pulled the trigger and the man was falling.
00:35:34Do you know who the man was?
00:35:37The night watchman.
00:35:39Dick Brady and I held up the Monterey Theater chain.
00:35:43A girl saw us.
00:35:45In the excitement, the night watchman went for his gun.
00:35:48After that, it was either him or me.
00:35:52Better it had been you.
00:35:56Now what will you do?
00:35:58I don't know.
00:36:01Brady wants to kill me.
00:36:02That I'm sure.
00:36:05Maybe that would be best.
00:36:07It will be best if you turned yourself over to the police.
00:36:11And told of this Brady.
00:36:13I've thought of that too.
00:36:15But Dad.
00:36:17It was I did the shooting.
00:36:19Not Vic.
00:36:22No matter what you've done, you're still my son.
00:36:25And if you'll turn yourself over to the police,
00:36:28I'll stand by you.
00:36:31But if you don't,
00:36:34I'll do everything in my power to see that you're apprehended.
00:36:37Yes, Miss Lytel.
00:36:39Inspector Johns and Lieutenant Lawrence to see you, Doctor.
00:36:41Oh, yes.
00:36:43Tell them...
00:36:45Tell them just a minute, please.
00:36:47The police are outside now.
00:36:51Dad, don't turn me in now, please.
00:36:53You've got to help me.
00:36:54I'll go to them myself.
00:36:56They may help me later.
00:36:58But if they take me here,
00:37:00please help me, Dad.
00:37:02Do you promise to turn yourself in if I don't do so now?
00:37:04Yes, Dad, I promise.
00:37:06Get into that back hall.
00:37:08I'll call you when they're gone.
00:37:10Miss Lytel.
00:37:12Will you turn me in now?
00:37:14Yes, Dad.
00:37:15I promise.
00:37:17Get into that back hall.
00:37:19I'll call you when they're gone.
00:37:36Miss Lytel.
00:37:37Will you tell the inspector to come in, please?
00:37:45You may go right in, gentlemen.
00:37:46Thank you, Miss.
00:37:48You better stay here, McCall.
00:37:54Sure thing, Inspector.
00:37:56It's nice to meet you at last, Inspector.
00:37:59Won't you be seated, gentlemen?
00:38:01Thank you, Doctor.
00:38:02I'm sorry this meeting couldn't be under different circumstances.
00:38:06Life is life.
00:38:08Many things are not of our choosing.
00:38:11But we must face that which has ordained us.
00:38:14Destiny is a strange and mysterious thing, my dear Inspector.
00:38:19You hear about my son?
00:38:21Yes, I am.
00:38:23He's killed a man.
00:38:24Oh, then you know it.
00:38:26Don has told me.
00:38:27He was here?
00:38:28Where is he now?
00:38:29He will be with you soon.
00:38:31He has promised to turn himself over to you.
00:38:34And I have promised to do all I can to help him.
00:38:37Of course you know that your son shot and killed a policeman.
00:38:41Yes.
00:38:43Sorry it had to happen, Doctor.
00:38:46If you have nothing further to discuss with me, I'm afraid the strain has been a bit too much.
00:38:54Of course, I understand.
00:38:56Goodbye, Doctor.
00:39:02Let's go, McCall.
00:39:03Thank you, Miss.
00:39:14They're gone. Come on out, Don.
00:39:18I never thought carrying a gun would lead to this.
00:39:21Honest, Dad.
00:39:23You must remember your promise.
00:39:26I always thought I was tough.
00:39:29I'll remember the promise.
00:39:31I couldn't go on living with myself knowing what I've done.
00:39:37Goodbye, Dad.
00:39:39And...
00:39:41Thanks.
00:39:43You better go out the back door down into the alley.
00:39:45The darkness of the night will hide you.
00:39:47For a while.
00:40:00Oh, my God.
00:40:01Oh, my God.
00:40:02Oh.
00:40:03You better go out.
00:40:04Oh.
00:40:05No, places.
00:40:07You better go out of here.
00:40:09You better go.
00:40:10Why do you think?
00:40:11I haven't raised my mind if you're never in my mind?
00:40:13What?
00:40:15What?
00:40:17No, that was what I was talking about?
00:40:18I was some reason why I was without my mind.
00:40:20I'm not worried about them.
00:40:22I was too old.
00:40:23I was scared of a day of listening.
00:40:25I was so scared of my son.
00:40:27I can go out of here.
00:40:28I was enough anos for those who are not so scared of me.
00:40:29Hold it.
00:40:55Where did you find him?
00:40:56His father's office.
00:40:58What now?
00:40:59When I know, I'll tell you.
00:41:02You're a fool.
00:41:05Maybe we're both fools.
00:41:07Twenty-three grand.
00:41:09That's how much of a fool I am.
00:41:13I'm getting out of here, Brady.
00:41:15You won't stop me.
00:41:17I'm gonna give myself up and I advise you to do the same.
00:41:21They know it was us.
00:41:24Stand by for your regular nightly coverage of world news.
00:41:30We're cop killers.
00:41:32They don't like that.
00:41:34You killed that cop.
00:41:36Get that.
00:41:37You pulled the trigger.
00:41:39Not me.
00:41:40You're the cop killer.
00:41:45The inspector was at my father's office while I was hiding there.
00:41:49He knows it was you and me.
00:41:52You didn't get that girl.
00:41:55She identified us.
00:42:00Guns and gunmen headline tonight's news.
00:42:02The city-wide hunt continued for the two men who shot and killed Paul McKenna, night watchman of the Monterey theater chain.
00:42:09McKenna was killed during a holdup which netted the killers nearly $25,000 in the 12 theater chain payroll money.
00:42:15The two men have been identified by eyewitnesses as being Vic Brady, a petty gangster, and Don Gregor, son of the world famous plastic surgeon Dr. Boris Gregor.
00:42:25It has been established that Don Gregor did the actual pulling of the trigger that sent McKenna, a retired police officer, to his death.
00:42:30You see?
00:42:35You're the cop killer.
00:42:37You won't go to the police.
00:42:40You'd burn.
00:42:43Maybe you're right.
00:42:46I've been in nothing but trouble most of my life.
00:42:50I don't know why I joined you.
00:42:53Money.
00:42:55My father would have been glad to give me anything I wanted.
00:42:59I don't know.
00:43:02Maybe for thrills.
00:43:06But I'm through hurting people, Vic.
00:43:11Too bad I have to talk against you.
00:43:13I don't want to.
00:43:15They have you dead to rights anyway.
00:43:19Don't you see, Vic?
00:43:21I've got to get this thing off my mind.
00:43:29Sure, I'll burn.
00:43:34I never thought it would lead to this.
00:43:40Don.
00:43:44You're not going anyplace.
00:43:58You're not going anyplace.
00:44:04Those shots will bring the cops down here.
00:44:07It's time of night.
00:44:08People just think of the car backfiring.
00:44:11Maybe you shouldn't have done that.
00:44:13Maybe I should have let them go to the cops.
00:44:15Maybe I should have let them put my neck in the noose.
00:44:18Maybe I should give you what I just gave him.
00:44:21Oh, Vic, honey. I'm with you all the way.
00:44:24What are you going to do with him?
00:44:26Get rid of him, of course.
00:44:28Where?
00:44:29The river. Where else?
00:44:31Now?
00:44:32You're a dumb dame.
00:44:34Later tonight.
00:44:44Where are you going with him?
00:44:46Get him out of the way for the time being.
00:45:11I don't like dead men cluttering up my place.
00:45:13I want him out of here.
00:45:15You better shut that trap of yours or you'll be joining him.
00:45:20So you've closed this off. So what?
00:45:23They know you're in on a theater job.
00:45:25You're as good as caught right now and with an extra murder to your credit.
00:45:30Ah, quit needling me.
00:45:32You're just no good.
00:45:34For me, for yourself, or anybody else.
00:45:37That's it, Vic.
00:45:39Destroy everything and everybody.
00:45:41It's your style.
00:45:43It's your style.
00:45:47Face it, Vic.
00:45:49You're as finished as the kid is.
00:45:51I wasn't in on your job.
00:45:53I'm not in trouble.
00:45:54Why should I stick around and take what's left?
00:45:56What is left?
00:45:58A has-been with a gun.
00:46:00A has-been?
00:46:02Baby, I've only just begun.
00:46:04I didn't set you up in all this luxury just to have you walk out on me.
00:46:06I pulled you out of that main street dive and made something out of you.
00:46:10No, you're not going to walk out on me.
00:46:12Try it and I swear you'll never walk out on anyone again.
00:46:15So if they do pick me up.
00:46:17It's only a robbery rap.
00:46:19I didn't kill that cop.
00:46:20Nobody will know about the kid there.
00:46:27That's better, baby.
00:46:29I knew you wouldn't walk out on me.
00:46:31Oh, Vic, honey, what are we going to do?
00:46:32I don't want you to go to jail.
00:46:34I ain't going to jail.
00:46:36How can you be so sure?
00:46:38Some will turn out.
00:46:39It always does.
00:46:41Your face is in their files.
00:46:45Vic, Vic, what is it?
00:46:47You hit it, baby.
00:46:49You hit the solution right on the head.
00:46:56My face.
00:47:02I couldn't find him anywhere.
00:47:18He didn't keep his promise to you.
00:47:20What? He must be going through.
00:47:22Don wouldn't lie to me about a thing like this.
00:47:25He left my office to give himself up.
00:47:28And unless he had been forcibly detained, he would have done so.
00:47:32I looked everywhere I ever heard him mention.
00:47:34No one had seen him today.
00:47:37If only I knew where Vic Brady lived.
00:47:40He won't be showing his face around here either.
00:47:43The inspector may take me.
00:47:45He knows that I helped Don this morning.
00:47:47And he wasn't happy about my actions.
00:47:49Maybe if I talk to the inspector.
00:47:51No, that's no good.
00:47:53Because as he said to me, I am an accessory after the fact.
00:47:57But, but your practice...
00:47:59It'll be ruined.
00:48:00Oh, Don.
00:48:02Don.
00:48:04How could he do such a thing?
00:48:06My life means little to me now.
00:48:08It's Don that we must think of.
00:48:11He didn't think much of us.
00:48:13But we must think of him.
00:48:14Yes.
00:48:24Yes, this is Dr. Greger.
00:48:27Who?
00:48:29Yes, yes, I understand.
00:48:31I...
00:48:33But I must have assistance.
00:48:35This thing is a physical impossibility to do by myself.
00:48:37I...
00:48:40All right.
00:48:42Seven o'clock this evening.
00:48:44Yes.
00:48:46Yes, yes.
00:48:47Goodbye.
00:48:49Who was it, Father?
00:48:50That's Brady. He's got Don.
00:48:52He gave me an address.
00:48:53I have to be there at seven o'clock this evening.
00:48:56I'm gonna call Inspector Johns right away.
00:48:57No, no.
00:48:58No, Brady says he'll kill Don if we notify the police.
00:49:01So this time we've got to play the game his way.
00:49:08Marilyn.
00:49:11Do you remember your nurse's training?
00:49:19Bob, why don't you do your shaving at home?
00:49:21Well, if I hold long enough to do it.
00:49:23You got a point there.
00:49:25There he was, Inspector.
00:49:26Right in our hands we didn't get him.
00:49:27I think the doctor was only doing what he thought was right.
00:49:31You gonna bring him in?
00:49:32Well, perhaps later. He's not the type to run out.
00:49:34Have you found out anything more about where Brady is staying?
00:49:37Yeah, he hasn't been back to his apartment in three days.
00:49:40I got some men stationed around there and some others following up some new leads.
00:49:43He's covered his tracks pretty well.
00:49:45Well, what about the woman angle?
00:49:47If there is one, he's kept it pretty far in the background.
00:49:49It isn't gonna be as easy as we think.
00:49:51Well, I didn't think it was going to be easy.
00:49:52Bob, since it's night time and technically you're off duty, why don't you hop in that new used car of yours and take a run out to the Gregor home?
00:50:01You know, she's a mighty pretty girl.
00:50:03Funny you mention it. I was just thinking about her.
00:50:05Mental telepathy. Go on, get out there and have a look around.
00:50:08You think he might be hiding out there?
00:50:10Oh, he's too smart for that, but he might try to contact them.
00:50:12I'm sure the doctor will tell you if he has.
00:50:15And as I said, she's a mighty pretty girl.
00:50:18Blondes have always been my weakness.
00:50:20Go on, get started.
00:50:22And Bob, being a pretty girl, don't take any chances. Don Gregor is a killer.
00:50:27Okay, Inspector.
00:50:42What's up?
00:50:44Just theです.
00:50:45I'll get you minutes.
00:50:47You can't touch that, don't talk a little
00:51:09Hello, Miss Greger.
00:51:18Oh, Lieutenant Lahn.
00:51:20I just thought I'd drop by.
00:51:22Have you heard from Don?
00:51:23We'd have called you if we had.
00:51:25Well, do you mind if I stop in a minute?
00:51:26As a matter of fact, I do mind.
00:51:28I have to go out and I'm already late.
00:51:30Well, that's too bad.
00:51:31I thought I could be of some help.
00:51:32Help?
00:51:33By involving my father in this?
00:51:35Miss Greger, if you just stopped to realize,
00:51:38you'd see that it wasn't a place that's involving your father.
00:51:40Good night, Lieutenant Loren.
00:52:08Who was that?
00:52:10Oh, no one.
00:52:11No.
00:52:12Are we ready?
00:52:13Yes.
00:52:14Oh, I've forgotten my purse.
00:52:15You go ahead to the car, Father.
00:52:17I'll be right along.
00:52:17Right.
00:52:18I'll be right along.
00:52:48I'll be right along.
00:53:18I'll be right along.
00:53:48I'll be right along.
00:53:49I'll be right along.
00:53:50I'll be right along.
00:53:55Who is it?
00:53:55This is Dr. Greger.
00:53:57Oh, come in.
00:53:59I thought I told you to come alone.
00:54:09My daughter is a nurse.
00:54:10My daughter is a nurse.
00:54:11I need her assistance.
00:54:13My daughter is a nurse.
00:54:14My daughter is a nurse.
00:54:15Okay.
00:54:16But I don't like my orders disobeyed.
00:54:17My daughter is just as concerned over the life of my son as I am.
00:54:21I need trained assistants.
00:54:23My daughter is a nurse.
00:54:24My daughter is a nurse.
00:54:25My daughter is a nurse.
00:54:26And if it's going to be done, she will help.
00:54:28If not, then your life is in your own hands.
00:54:31Oh, come on, Vic.
00:54:32Calm down.
00:54:33She's a sister.
00:54:34She's not going to do anything out of line.
00:54:36Yeah.
00:54:37Maybe you're right.
00:54:38Sure I am.
00:54:39Shut up, you.
00:54:40Okay, Doc.
00:54:41What do we do?
00:54:42I'll show you.
00:54:45Take off your shirt.
00:54:47And your shoes.
00:54:49And stretch out on this couch.
00:54:59You know, this can be a very dangerous operation.
00:55:02Done in such a crude manner.
00:55:04Doc, I've got little chance this way.
00:55:07I've got a better chance the other.
00:55:09You're going to give me a completely new face.
00:55:11With a new face, nobody could ever identify me as having been near that theater.
00:55:16It'll be like a new life to me.
00:55:18So let's get going.
00:55:19What do I do?
00:55:20All right.
00:55:39What's that for?
00:55:40To put you to sleep.
00:55:41I'm ready for your tricks.
00:55:43Well, you couldn't withstand the pain or stay rigid as you must if you were awake.
00:55:48Oh, Vic, honey, do what the doctor says.
00:55:50Shut up, you.
00:55:51Shut up, you.
00:55:54Okay.
00:55:55So I've got to go to sleep.
00:55:57Keep the gun on them.
00:55:59One false move and you let them have it.
00:56:01Get me?
00:56:02Yeah, yeah.
00:56:03Sure thing.
00:56:04You'll be all right.
00:56:05I'll see to that.
00:56:06You hear that, Doc?
00:56:08She'll do it, too.
00:56:09Further than that, you don't know where your son is.
00:56:12I do.
00:56:13If those that are holding him don't hear from me by morning, you'll never see him alive again.
00:56:20I understand.
00:56:22And I promise you that no harm will befall you if you will do as I tell you.
00:56:27And, Doc, don't forget.
00:56:30It's your son that's wanted for murder, not me.
00:56:34Let's get on with it.
00:56:36All right.
00:56:37Lie down.
00:56:38Just be careful, Doc.
00:56:41Keep track of his pulse while I'm gone.
00:56:56You're not going any place.
00:56:58I'm going to the kitchen to get some hot water.
00:57:00I guess that's okay.
00:57:02I assure you that it is quite necessary.
00:57:04Go ahead.
00:57:05I'll be right behind you.
00:57:06That won't be necessary.
00:57:07The telephone is in this room.
00:57:09I can go nowhere.
00:57:10I can do nothing.
00:57:12Okay.
00:57:13Go ahead.
00:57:14I lost all this room.
00:57:15I missed everybody.
00:57:16I had to find out in this room at the next garden of theilliamine.
00:57:17I don't have to worry about it.
00:57:19I'm sorry.
00:57:20Guys, I will be here.
00:57:21You're on here.
00:57:25Oh what?
00:57:30All right, man.
00:57:31You're on here.
00:57:32I can go nowhere.
00:57:33It's gone and on.
00:57:35I'm not too worried if I was hungry.
00:57:36I'm not too worried about today.
00:57:39Why don't you put that gun down?
00:57:50My father isn't going to do anything.
00:57:52He loves his son too much.
00:57:55Vic told me not to take any chances.
00:57:57And that's just what I'm going to do.
00:58:00Where is your father?
00:58:02He's been gone long enough to get ten basins of water.
00:58:09My father knows what he's doing.
00:58:20That's more than I think you do.
00:58:22I'll overlook that remark because you're needed here.
00:58:24But when this thing is finished, I'm off what's the use.
00:58:28Why don't you relax?
00:58:30Relax?
00:58:31Listen, you, I love that man and I'm not taking any chances.
00:58:36Love.
00:58:36I don't think you know what love means.
00:58:40If you did, you wouldn't feel that way about a cheap gunman like Vic Brady.
00:58:45Cheap?
00:58:47Cheap?
00:58:48Take a look at this place, sweetheart.
00:58:50Does this stuff look cheap to you?
00:58:52There's not a cheap bone in his body.
00:59:06So where will it all end?
00:59:18What are you going to do in a couple of years when that pretty face is gone?
00:59:22I'll worry about that when the time comes.
00:59:24You'd better, because he won't.
00:59:27He doesn't strike me as the sweet and gentle type.
00:59:30Oh, he does get rough once in a while.
00:59:34I did leave him once.
00:59:36But you came back.
00:59:37On the first bus.
00:59:39Why?
00:59:40I told you.
00:59:41I'm in love with him.
00:59:42Take it or leave it.
00:59:44If I were you, I'd leave it.
00:59:45I had a hard time finding your basin.
01:00:00Be careful, Doc.
01:00:03I'll have to kill him while I have the chance.
01:00:05That's dangerous talk, Doc.
01:00:07Remember your son's life.
01:00:09Yes, my son's life.
01:00:15Now, will you bring me some clean sheets?
01:00:26There.
01:00:28It is done.
01:00:31Thank goodness I couldn't have taken much more of that.
01:00:35He made his face look like raw meat.
01:00:38It will heal in very short order.
01:00:41The dye will change the color of his hair.
01:00:43And he will be an entirely different man.
01:00:46By the time the healing is complete.
01:00:51Now, I suppose you'd like to carry out the balance of your orders?
01:00:55For instance?
01:00:56Kill us now that the surgery is finished.
01:00:59Nothing personal, Doc.
01:01:00It's Brady's orders.
01:01:02That isn't a very smart move.
01:01:04You know, infection can set in.
01:01:06And who would he go to if he didn't come to me?
01:01:10Well, my daughter and I are leaving now.
01:01:14He will awaken shortly.
01:01:15And when he does,
01:01:17I want you to be sure and tell him to come to my home in two weeks.
01:01:20At which time,
01:01:22we will remove the bandages.
01:01:25I will leave this solution with you,
01:01:27with which to
01:01:28bathe the bandages.
01:01:31You will merely follow instructions.
01:01:34You have my son, as you say.
01:01:36Our lips are sealed for the crime we have performed,
01:01:39as well as for his crimes.
01:01:42But someday you're going to get caught.
01:01:50Be sure and send him to come to my home
01:01:52in two weeks.
01:01:54His life will depend on it.
01:01:57I don't know.
01:01:59Vic said
01:01:59young woman,
01:02:01you have no choice.
01:02:03Come, Marilyn.
01:02:11You know,
01:02:11it's too quiet around here.
01:02:13Even the commissioner's been off my neck
01:02:15for a whole week.
01:02:16I wonder where those two could have gone.
01:02:18Nowadays,
01:02:19people don't just simply fade from the earth
01:02:21without leaving some trace.
01:02:23Two weeks is a long time.
01:02:24Yeah, it's too long.
01:02:25I wonder where the doctor could have gone.
01:02:28His daughter said he's resting out of town.
01:02:29She said he'll be back today.
01:02:31I wonder if he found Don.
01:02:32I wonder if he's with him.
01:02:33You better get some doubts about that good doctor.
01:02:36No, not the way you think.
01:02:38But I do feel
01:02:39the two weeks is too long.
01:02:41Maybe we better get out
01:02:42to the Gregor house.
01:02:43I'm glad.
01:02:43Inspector John's.
01:02:48Well, speak of the devil.
01:02:50Yes, doctor.
01:02:52Yes, we've missed you of late.
01:02:54Tonight?
01:02:55Well, yes, yes,
01:02:56we can get out there, doctor.
01:02:58All right, we'll see you later.
01:03:01Sit down, Bob.
01:03:03We'll get out to the Gregor house
01:03:05a little later.
01:03:06I wonder what the old boy wants.
01:03:07I don't like it.
01:03:12I tell you,
01:03:13that doctor's got something up his sleeve.
01:03:15You've got to go.
01:03:16I don't need you to tell me that.
01:03:18What could he have planned?
01:03:20He knows we have Don.
01:03:22He doesn't know Don's already
01:03:23at the bottom of the river.
01:03:25He'd be too afraid to try anything.
01:03:27But if he does,
01:03:28how could he or anyone else
01:03:30ever prove you were Vic Brady?
01:03:31He could say that he did the operation
01:03:33that destroyed Vic Brady.
01:03:35How could he prove it?
01:03:37Yeah.
01:03:38Maybe you're right.
01:03:40It's foolproof.
01:03:43Like, with a new face,
01:03:44nobody could ever tell
01:03:45I was Vic Brady.
01:03:48When these wrappings come off tonight, baby,
01:03:50we're going to blow this town for good.
01:03:53South America,
01:03:54the foreign countries,
01:03:55where we'll live like kings.
01:03:57Anything you want
01:03:58for the rest of our lives.
01:04:01All right.
01:04:02I hope he made me
01:04:04a real nice face.
01:04:07The one I used to have,
01:04:08I got used to it.
01:04:10I liked it.
01:04:12He wouldn't dare mess up that job.
01:04:14I'd kill him and he knows it.
01:04:15Sure, honey.
01:04:16Bet he did real good.
01:04:18I might even slip my grand or two
01:04:20if he did a good job.
01:04:21That won't be necessary.
01:04:23He'll have a different kind of fee
01:04:25this time.
01:04:26Yeah.
01:04:26Sure.
01:04:27Come on, get dressed.
01:04:28It's about time
01:04:30to pay a call
01:04:31on the kindly old doctor.
01:04:48Excuse me, Robin.
01:04:48On time, Doc?
01:04:59You appear to be a man
01:05:00who is usually on time.
01:05:03You got it right, Doc.
01:05:05Let's get these Christmas wrappings off
01:05:06and see the presents you gave me.
01:05:09Keep your eye on them, honey.
01:05:10When do you release Don?
01:05:13Don?
01:05:15Oh, yeah.
01:05:16Just as soon as we leave here.
01:05:19How sure can I be?
01:05:20Why, Doc, you got my word for it.
01:05:23Now, let's get with it.
01:05:25And, Doc, for your sake,
01:05:27I hope you made a good job.
01:05:29I know I made a good job.
01:05:32Marilyn, will you please get me the...
01:05:34the shears?
01:05:37Will you sit over here, please?
01:05:39Yes.
01:05:48You soak the bandages, as I told you?
01:05:53Of course.
01:05:55Then there should be nothing wrong.
01:06:00Oh, I see we have some other guests
01:06:02for this evening's unveiling.
01:06:03The cops!
01:06:06Hold it, take it easy, Brady.
01:06:09Brady.
01:06:11You got the wrong man, copper.
01:06:13I don't know on him, Brady.
01:06:15What are you up to now, Brady?
01:06:17Copper, you got a surprise coming.
01:06:20I don't know who you think I am.
01:06:22But the Doc here will tell you
01:06:23I'm just another one of his patients.
01:06:25Who's behind those bandages, Doctor?
01:06:29Yeah, Doc.
01:06:30What's behind these bandages?
01:06:32Show them.
01:06:34A doctor's duty sometimes
01:06:35must be shown in strange ways.
01:06:38First, he has a loyalty to his patients.
01:06:41Then he has his loyalty to the law.
01:06:44And still another,
01:06:46loyalty to his own family.
01:06:49I don't know who you police officers
01:06:50think this gentleman is,
01:06:51but he is my husband,
01:06:53a law-abiding citizen.
01:06:54I'll have you reported for this.
01:06:56We know one thing.
01:06:57No matter who he is,
01:06:59he's no gentleman.
01:07:00I've taken enough of these insults.
01:07:02Take these wrappings off, Doc.
01:07:06Did you bring the scissors, Marilyn?
01:07:10Here they are, Father.
01:07:17Cut the gap, Doc, and get busy.
01:07:19Show these guys I'm not who they think I am.
01:07:24This man is not who you think he is.
01:07:39Be careful with those scissors, Doc.
01:07:41My face is still tender.
01:07:44And in need of a shave, too, I'll bet.
01:07:46There.
01:08:06It is done.
01:08:14You see, Inspector, that is not Vic Brady, the man you expected.
01:08:24You're right, Doctor. It's not the man we expected.
01:08:29See? What did I tell you?
01:08:31Let anybody say they saw this face at the scene of any holdup.
01:08:35Come on, coppers, take a good look.
01:08:38See if you can identify me as Vic Brady.
01:08:41Well, then I take over here.
01:08:45Come in, Miss Willis.
01:08:50Can you identify this man?
01:08:53Yes, Inspector. That's the man that killed Matt.
01:08:58What, are you all crazy? Look at me again!
01:09:02The mirror, please.
01:09:05Perhaps you'd better take a look yourself first.
01:09:14No. No! No!
01:09:23This is my son.
01:09:26The man who killed the police.
01:09:28No!
01:09:29The man who killed Matt.
01:09:30No!
01:09:31No!
01:09:31No!
01:09:34No!
01:09:36No!
01:09:37No!
01:09:38No!
01:09:38No!
01:09:40No!
01:09:47No!
01:09:52No!
01:09:52Let's go.
01:10:22Let's go.
01:10:52Let's go.
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