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Bartees Strange at Reading 2025 on his love of Bloc Party & why Jack Antonoff is the plumber of pop
NME
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6 weeks ago
NME caught up with the genre-spanning star backstage at Reading 2025 to talk about his brand-new music, horror fandom and being inspired by TV On The Radio
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Music
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00:00
oh I don't know this one a new Ari Aster movie oh wow okay slick Midsommar yeah
00:11
very slick he did hereditary yes yeah very did uh the one with Joaquin Phoenix or whatever the
00:17
dream sequence one is weird right but yeah it's good um so I mean what I like the some
00:24
big horror movies for you over the years like classics okay well I think hereditary is probably
00:31
my favorite horror movie of the 2000s wow like other than get out I mean get out and hereditary
00:36
or neck and neck um all timers I'm a big Halloween fan a lot of these are pretty normal mentions yeah
00:44
but they think why they're right but um you know there are some other ones like the German movie
00:48
funny games yes one of that's a deep one for me um I also love a lot of giallo movies um good night
00:56
there's a French one that I'm thinking of that I cannot remember right now oh my god oh my god
01:00
oh my god martyrs right I don't know that one one of the most brutal body horrors you will ever watch
01:06
in your life wow okay insane movie yeah have you watched weapons I haven't seen it yet my film of
01:13
yeah it's insane I can't wait I was gonna watch it yesterday in Leeds oh yeah but I didn't I was
01:20
like let me wait until I get back to the states so me and my girlfriend can watch it but I really
01:24
am excited to watch weapons I don't want to ask you to psychoanalyze yourself too much but
01:29
but um what do you think it is that you like so much about horror movies why do you think you
01:32
respond to this uh this this this genre I don't know but I have a feeling so it's like I feel like
01:41
when I was growing up I was kind of scared of everything like life was kind of scary for me
01:47
and there's something about horror movies and knowing that they're not real that's actually
01:52
really calming to me yeah it's like you can do anything in a movie and it's okay it's safe yeah
01:58
so I can experience things that are really scary and almost feel like I'm in a hug it's nice horror
02:05
movies really calm me down in a way that nothing else can a body horror feels like a hug for you
02:11
body horror is not my favorite calm down vibe what's your favorite come down by a movie like
02:16
it follows yeah okay you know or like talk to me or even freaking um god the guys that just did
02:24
talk to me did another movie oh bring her back that's like a I will make dinner to that movie
02:30
that is a brutal film so good yeah it was very very good it was maybe a bit too brutal for me
02:35
the mom is so creepy I was like you're killing in the same way that Tony Collette is absolutely
02:43
killing I was like you are you're so scary because you're so real like you're like the woman who
02:49
adopted a kid and is like a little fucking weird yeah that's uh Stanley Hawkins whose whole thing is
02:54
that she's like she plays nice characters she was in Paddington yeah that's what makes it even
02:59
weird I forgot she was in Paddington man I love horror movies I could talk horror movies all day
03:06
me too me too okay so uh you were talking about growing up there you were born in the UK originally
03:11
in Ipswich which is two hours from here so not too far Ipswich yeah uh and then you grew up in
03:17
Oklahoma right yeah so what's it like for you when you come back to the UK is it like I'm home or does
03:22
it is it it feels like another place it feels kind of weird it's kind of hard for me to say it's home
03:26
because I didn't live here that long I lived here probably five six years you know but I do have
03:32
a appreciation for it and there's a lot of things about me that wouldn't be the same if I wouldn't
03:36
have been born here like I kind of knew that the world was bigger than the places I was living
03:42
because I lived here yes you know like I knew there were other places and so I was always curious about
03:47
the music that was happening here and that's how I found out about like Burial and Jay Paul and
03:51
like so many artists that the Klaxons um Inter Shikari like so many bands and people that I
03:57
would have never found if I just focused on where I was at so well you know I still listen to like
04:02
Sorry You're Not a Winner and like all that shit I don't know Golden Scans or whatever I like it
04:07
uh and you're a big fan of uh Block Party Silent Alarm as well yeah they were here uh this weekend too
04:13
I heard it was really good yeah it was awesome uh what like what what spoke to you about that album
04:19
because you would have been in the States when you were listening to that so well I heard Helicopter
04:23
on FIFA and I was like who is this this song's amazing and then on Fuse I saw a live performance
04:30
and I was like he's black right I was like oh whoa that's so cool I'd never seen that and so
04:39
I was in love with it and the drummer was insane I remember being in love with the drummer and
04:45
thought that the guitar parts were so amazing and it was so downhill it was just incredible music
04:52
I loved it urgent um uh TV on the radio is uh Tunde Adebin Pei was singing your praises to NME uh not
05:00
too long ago oh and it was sort of in the context of that actually I think he was he was asked a
05:07
question about representation of people of color in guitar music right and uh and he was talking about
05:13
how there was not that many people that he could look to but he kind of found it awesome that people
05:18
looked to him uh and then your name came up as someone that he was pals with so what's your
05:23
relationship like with him and did you grow up seeing him when you were younger too yeah man I
05:27
remember I saw them playing on Letterman when I came home from football practice um it was just on
05:31
in the living room and they were doing Wolf Like Me that was the moment yes I remember just being
05:36
like I want to be like him that guy is the coolest guy I've ever seen in my life well that's Tunde
05:42
but yeah we're buddies we talk every once in a while nice uh because I mean their music was always
05:47
like a little bit weirder and kind of more left field as well so obviously I get you know get the
05:52
representation thing be very powerful but also just the music itself was like a little different
05:56
and kind of weird compared to what else was out there yeah I think that's why I connected with it
06:01
because I think the first time I heard it I was like I've never heard anything like this
06:04
like when I heard Block Party I was like I know I had a reference for it you know it was like it was
06:10
like a lot of things that were happening but it was just like cooler but the tv stuff I was like
06:15
this feels like hearing Radiohead or or something or it's I don't know how they're doing it and I
06:21
have to see it you know yeah I saw them like I've seen them so many times like since like as a kid in
06:27
high school like I love them wow um I mean I can imagine someone having that reaction to horror because it
06:33
doesn't really sound like anything else that's out there and I think one of the kind of um
06:37
most surprising or contradictory things about um the record is that it was partly produced by Jack
06:44
Antonoff he's like Mr. Mainstream uh Taylor Swift guy right um and I know that the you've said that
06:52
the record was essentially finished right or close to finish by the time he got on it and he like
06:56
tweaked a few things yeah but he he added a lot I mean he helps me kind of take it from like 80 to
07:03
100 percent for sure and there were some songs that completely came alive like once he got involved and
07:09
I he's really good man I really like him what was he actually doing to the to the songs to to help you
07:15
for example like all the structures and stuff stayed the same and a lot of all the lyrics and all that
07:21
stuff but like for example too much he just kind of made that song sound like it was from outer space
07:27
like all these weird ship noises and like the synths and the swells the dynamics were all things
07:34
that he was able to kind of build around the framework of my production and um on songs like
07:39
wants needs like he just helped me just like punch it up and simplify it um and he like made my bridge
07:46
work the bridge didn't work and he started sampling parts of other songs on the record and bringing
07:51
them in and it was really amazing the dude's freaky yeah well I mean he's one like producer of the year
07:57
that the grammy's like three times yeah I think it was like three times in a row yeah I mean but what
08:02
does he do that other producers don't do what does he got I haven't worked with all the other ones but
08:07
one thing I do think is like like I produce a lot of records now and I think the biggest thing is like
08:13
you become who you're working with right and you help them take a few extra steps they wouldn't
08:20
normally take and the way you do that is by building trust and getting to a point where it's
08:25
like at the beginning they're only going to listen to you so much but by the end they should trust you
08:30
with everything right right and he's no one's better than that than him at that wow and and I think
08:35
it's because he kind of approaches records like a plumber he's like not a precious guy like he'll pull up
08:42
he's there early he's working hard like everything's set up like he every idea you we can throw it up
08:48
the wall no idea is bad he's not a tremendously talented player so when he plays it disarms the
08:55
situation right because he's not a freaky guitar player or drummer he's just like good at getting
09:01
the ideas out so after he plays you're like oh well I can play that better and then you're like
09:05
it becomes a conversation like you it's very low stakes and it becomes like really beautiful stuff
09:11
because he has great taste like the guy's great that's amazing jack antonoff the plumber of pop
09:16
I think he is he's like a blue collar pop guy like it's sick that's awesome yeah uh I mean you just
09:23
put our record so I always feel bad asking about this but where's the new material no I'm gonna
09:28
record in January probably are you actually yeah so you got stuff stuff ready to go yes what can you
09:35
tell us it's just something simple I've kind of done all I need to do with the big stuff right like
09:41
everyone knows I can produce and like I can make a thing sound cool and I can do all the
09:45
this blah blah I'm gonna do something small wow yeah so you're gonna self-produce or you're gonna
09:50
get the the plumber of pop back I'm gonna just do it how I always do it I'll probably start it by
09:54
myself and probably I don't know I'm definitely gonna show it to Jack just because we're friends
10:00
like that's the thing like Jack and I are just kind of buddies now so I'm just gonna like go over to
10:05
this house and awesome play it for him and if he's like I have an idea I'll be like cool let's go play
10:10
with it well I can't wait to hear it yeah but thank you so much for your time yeah of course great to
10:15
chat yeah good talking to you
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