- 4 months ago
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:02The End
00:01:12The End
00:01:16The End
00:01:18The End
00:05:23You would sell your wife and daughter for just one Latin quarter.
00:05:27That's the song of Paris.
00:05:57How are you.
00:05:59Oh, you're oss husbands.
00:06:01How are you?
00:06:07How are you?
00:06:08You owe ten francs.
00:06:09How are you?
00:06:09Oh, hello, Mrs. Bendix.
00:06:11How's your appendix?
00:06:13And what is more?
00:06:15How are you?
00:06:17Bonjour. Hello, sir.
00:06:19How is the grocer?
00:06:21You owe 10 francs.
00:06:23How are you?
00:06:25Ah, how's my boyfriend?
00:06:27Some other boyfriend?
00:06:29This is my wife.
00:06:31How are you?
00:06:33How's your grandpa?
00:06:35He's back in jail.
00:06:37How's your business?
00:06:39How can it fail?
00:06:41Bonjour, Monsieur Cohen.
00:06:43How are things going?
00:06:45Come on, Savara.
00:06:47How are you?
00:06:49How are you?
00:07:07How are you?
00:07:09How are you?
00:07:13How are you?
00:07:15How are you?
00:07:17How are you?
00:07:23Good morning, Maurice.
00:07:25Nice there for your wedding.
00:07:27Yes. Is my suit ready?
00:07:29Certainly.
00:07:31I want to pay you today, Maurice.
00:07:33No hurry.
00:07:35Oh, no, no, no.
00:07:37You're just getting started, and business is bad, and...
00:07:39Look at these.
00:07:41All sold?
00:07:43One is yours.
00:07:44And the rest?
00:07:45For the Vicomte de Varese.
00:07:47Vicomte de Varese?
00:07:49The best dressed man in France?
00:07:51Mm-hmm.
00:07:52I'm making on his clothes now, and he'll make my reputation.
00:07:54He owes me 40,000 francs.
00:07:56That's what I call success.
00:07:57Yeah.
00:07:58That's fine.
00:07:59Two thousand francs, right?
00:08:00Right.
00:08:01Ah, ah.
00:08:02He owes me 40,000 francs.
00:08:04That's what I call success.
00:08:06Yeah, that's fine.
00:08:072,000 francs, right?
00:08:08Right.
00:08:21Oh, it's the across Paris run.
00:08:32Mr. Le Vicomte.
00:08:35Maurice.
00:08:38Mr. Le Vicomte was in the arrest?
00:08:40No, no, just temporarily.
00:08:42Maurice, have you some of my clothes ready?
00:08:44Are 15 suits enough?
00:08:46Oh, well, lock the door and give me a suit quickly.
00:08:48He may come along any minute.
00:08:50Who?
00:08:51The girl's husband.
00:08:52He came home unexpectedly.
00:08:54What girl?
00:08:55Well, she's...
00:08:57Well, I don't remember.
00:08:59The husband started running after me and I ran
00:09:01but I found myself in the race.
00:09:04I presume Mr. Le Vicomte has no more need of this?
00:09:06No, no, no.
00:09:07I got that off a fruit stand.
00:09:09Emile, Emile,
00:09:11would you mind giving the room to Mr. Le Vicomte, please?
00:09:13Oh, oh, yes.
00:09:15Yes.
00:09:16With pleasure.
00:09:17Oh.
00:09:18No, thank you.
00:09:19Thank you, Maurice.
00:09:22Hey, hey, hey.
00:09:23Courage in there.
00:09:27Um, uh,
00:09:28Monsieur, Monsieur Le Vicomte.
00:09:30About the bill.
00:09:36About the bill, Monsieur Le Vicomte.
00:09:37Yeah, the pants are a very good fit, Maurice.
00:09:40Monsieur Le Vicomte, about the bill.
00:09:43Oh, well.
00:09:44Tonight, Maurice, I'll go down to my family chateau
00:09:47and get my uncle the Duke to hand over my next allowance.
00:09:49Oh, thank you, Monsieur Le Vicomte.
00:09:51Uh, what about my friend,
00:09:53the shirt maker who's making the new shirts for you?
00:09:55Get his bill, too.
00:09:57And, and what about my friends, the hatter and the bootmaker?
00:10:01I'll pay them all at once.
00:10:02A clean sweep, Maurice.
00:10:03Oh, thank you, Monsieur Le Vicomte.
00:10:05Uh, very nice.
00:10:06Very nice.
00:10:07And now, Maurice, uh,
00:10:09do you suppose you could, uh, let me have a little something?
00:10:13Money?
00:10:14Yes, yes.
00:10:15You see, I'm running around without my wallet.
00:10:17How much could you spare?
00:10:18A thousand francs?
00:10:19Oh, no, no, no, no, no, no.
00:10:20That's too, that's too much.
00:10:21Now, if you'd said 500.
00:10:22Oh, Monsieur Le Vicomte, take the thousand.
00:10:23No, no, no, no, no, no.
00:10:24I, no, no, no.
00:10:25But Monsieur Le Vicomte, many did you?
00:10:26Well, I'll tell you.
00:10:27You let me have the two thousand,
00:10:28then we'll say no more about it.
00:10:29Tomorrow, Maurice, I'll be here with bags of gold for you.
00:10:31Bags of gold.
00:10:32A thousand thanks, Monsieur Le Vicomte.
00:10:35A thousand thanks, Monsieur Le Vicomte.
00:10:37Tomorrow, Maurice, I'll be here with bags of gold for you.
00:10:40Bags of gold.
00:10:41A thousand thanks, Monsieur Le Vicomte.
00:10:56Maurice, it's beautiful.
00:10:58Just see, with a little cloth, you make a work of art.
00:11:02So tell us art for your sweetheart.
00:11:04Oh, it's like poetry in a book.
00:11:06Oh, how beautiful I look.
00:11:09The love song of the needle united with a thread.
00:11:12The romance of the Caesar.
00:11:14So Claire and I could win.
00:11:16Movie.
00:11:17Oh, oh, Amy, Amy.
00:11:19Oh, you're a magician.
00:11:21Isn't it romantic?
00:11:23My face is glowing.
00:11:25I'm energetic.
00:11:27The art of sewing.
00:11:29I find poetic.
00:11:31My needle punctuates the rhythm of romance.
00:11:33I don't give a stitch if I don't get rich.
00:11:37A custom teller who has no custom is like a sailor.
00:11:42No one will trust him.
00:11:44But there is magic in the music of my shears.
00:11:47I shed no tears.
00:11:49I shed no tears.
00:11:50Lend me your ears.
00:11:52Isn't it romantic?
00:11:54Soon I will have found some girl that I adore.
00:11:59Isn't it romantic?
00:12:01While I sit around, my love can scrub the floor.
00:12:06She'll kiss me every hour.
00:12:10Or she'll get the sack.
00:12:13And when I take a shower, she can scrub my back.
00:12:19Isn't it romantic?
00:12:21On a moonlight light, she'll cook me onion soup.
00:12:25Kiddies are romantic.
00:12:27And if we don't fight, we soon will have a trope.
00:12:32We'll help the population.
00:12:36It's a duty that we owe to France.
00:12:41Isn't it romance?
00:12:45Isn't it romantic?
00:12:47Da-da-da-da-da.
00:12:49A very catchy strain.
00:12:51Isn't it romantic?
00:12:53Da-da-da-da-da.
00:12:55Oh, I forgot my cane.
00:12:58Oh, thank you very much.
00:13:01I'd better fix your time.
00:13:04Da-da-da-da-da-da-da-da-da-da-da.
00:13:09Goodbye.
00:13:10Isn't it romantic?
00:13:12Da-da-da-da-da-da.
00:13:13Taxi.
00:13:14Oh, no.
00:13:15I need some air.
00:13:16Isn't it romantic?
00:13:18Da-da-da-da-da-da-da.
00:13:20At last I've got a fair railroad station.
00:13:25Not too fast.
00:13:28I hate to take a chance.
00:13:32Isn't it romance?
00:13:35Isn't it romantic?
00:13:38To fly around the town.
00:13:41Isn't it romantic?
00:13:43Da-da-da-da-da.
00:13:45I think I'll take that down.
00:13:47Isn't it romantic?
00:13:49Is it romantic?
00:13:50A, B, A, G, F, E, D, C, C, A, B flat.
00:13:55Isn't it romantic?
00:13:57Da-da-da-da-da-da-da.
00:13:59I'll write some words as well.
00:14:01Isn't it romantic?
00:14:02Sitting in the dream,
00:14:04As long as God itself.
00:14:06Blick, sitting in the drain, as long as God sells-
00:14:12La-la, la la la la la la la la,
00:14:16Goin' in the face, water's beneath.
00:14:21resolution from land,
00:14:24stri collision from land,
00:14:26vision from right now,
00:14:29You each need to come,
00:14:31roll the page, go in the right now,
00:14:33� you go in the middle row.
00:14:36If you're like me, you're the best you're going to send me on, and my voice will play.
00:14:45If you're the best you're going to send me on, and my voice will play.
00:15:06If you're the best you're going to send me on, and my voice will play.
00:15:24If you're the best you're going to send me on, and my voice will play.
00:15:31Isn't it romantic music in the night, a dream that can be heard?
00:15:47Isn't it romantic that a hero might appear and say the word?
00:15:57Brought by a secret charm or by my heart's command.
00:16:07My prince will ride in armor just to kiss my hand.
00:16:17Isn't it romantic? He will hear my call and bend his royal knees.
00:16:29Isn't it romantic? He'll be strong and tall and yet a slave to me.
00:16:39Please, lover of my fancy. Will you ever come tonight to love for a charm?
00:16:55Isn't it romantic?
00:17:01I'm going to bed.
00:17:11I just came up to join you.
00:17:12Join me?
00:17:13Joined you in a little chat before dinner.
00:17:15Not tonight.
00:17:17I've had another fainting spell, and my uncle the Duke thought bed was the best place for me.
00:17:21I always think that. If one isn't well.
00:17:24Well, Colt, why the latter?
00:17:26Well, it's more romantic.
00:17:27Oh, careful.
00:17:31Oh, I brought along my flute, hoping to entertain.
00:17:33No, Colt.
00:17:35Not tonight.
00:17:38Oh, before I go, remember what I said to you down by the horse trough?
00:17:42Quite well.
00:17:43What was it?
00:17:44I simply wished to see if it made any impression on you, princess.
00:17:47You said I love you.
00:17:49Made no impression whatever.
00:17:51There'd probably be no use of repeating the sentiment at this time.
00:17:54None at all.
00:17:57Oh, princess.
00:17:59I trust you do not find my wooing too ardent?
00:18:03I was just admiring your restraint.
00:18:05Good night, Colt.
00:18:06Well, aren't with the dreams, princess.
00:18:09Oh, oh, oh, oh!
00:18:12Oh, I'll never be able to use it again.
00:18:15Oh, Colt, did you break your leg?
00:18:17No, I fell flat on my flute.
00:18:19Oh, you're moved.
00:18:20Ichi, will you always move that way.
00:18:21I won't.
00:18:22Oh, I know very much.
00:18:24Oh.
00:18:25Oh, my God.
00:18:26I won't.
00:18:27You won't.
00:18:28Oh.
00:18:29Get out of here.
00:18:30Oh, I've come to the pool.
00:18:31Oh, I'm every one on my PA.
00:18:32Oh.
00:18:33Oh, get out of here.
00:18:34Oh, you won't.
00:18:35You won't.
00:18:36Get out of here.
00:18:37That's all you've got.
00:18:38You won't.
00:18:39Oh, boy.
00:18:40Go to the pool now.
00:18:42Well I'll never go.
00:18:43Oh, you won't.
00:18:44Oh, you won't.
00:18:45Oh, you won't.
00:18:46Oh, slowly so, but not too long.
00:18:50Oh, may it help our niece grow strong.
00:18:53Plants from the woods and herbs from the dells
00:18:56are certain cures for painting spells.
00:18:59Please, heaven, we don't star in vain.
00:19:02May morning bring our health again.
00:19:16Let's go.
00:19:40Oh, what?
00:19:41My dear Duke, you can get rid of me for 20,000 francs.
00:19:44My dear Contest, I have...
00:19:45Oh, Uncle, don't be so pumped.
00:19:47I'm only asking you for some of the money you're holding in trust for me.
00:19:50If I gave you any, you'd go straight back to Paris.
00:19:52You're staying here, Valentin.
00:19:54What you need is more of the simple life, young woman.
00:19:57Oh, Uncle.
00:19:58I say, come in.
00:20:00The new footman, Your Grace.
00:20:06Uncle?
00:20:07No.
00:20:15Can't we ever get a footman under 40 in this place?
00:20:20Valentin.
00:20:21There you do, Flamoy.
00:20:26How about the schedule for the guests for tomorrow, Your Grace?
00:20:29Oh, tomorrow?
00:20:31The bridge at three.
00:20:34And at dinner at eight.
00:20:36And after dinner, bridge.
00:20:39Rather an amusing day, Flamoy.
00:20:41Quite exciting, Your Grace.
00:20:43And what are the guests doing now, Flamoy?
00:20:45Playing bridge, Your Grace.
00:20:47Ah.
00:21:17You wait.
00:21:18I'm going right back to Paris.
00:21:42Hey there.
00:21:45A man.
00:21:47Oh, no.
00:21:48Just cousin Gilbert.
00:21:50What are you doing?
00:21:51Trying to get up enough energy to go to bed?
00:21:53Oh.
00:21:54What are you doing in this dull hole?
00:21:55No, I'm just passing through.
00:21:56I've got a taxi waiting to take me back to Paris.
00:21:58Take me with you?
00:21:59That's not a bad idea.
00:22:01It might save me from having to see Uncle.
00:22:03How much money can you loan me?
00:22:04I'm over my allowance, and Uncle won't let me have any money.
00:22:07Oh.
00:22:08Well, you don't know how to handle the old Skyhawk.
00:22:10I'll tell him I need the money for charity.
00:22:12To provide good homes for bad stenography.
00:22:14Turn off!
00:22:15Uh-oh.
00:22:16Send that taxi away.
00:22:17No, now, Uncle.
00:22:18Now, look.
00:22:19I've got to get back to Paris.
00:22:20You can't.
00:22:21What?
00:22:22You're staying here permanently.
00:22:23And if I hear any more of your debts, any more bills, I'll cut you off without a shoe.
00:22:27Oh, now.
00:22:28Do you understand?
00:22:29You imp... imp... what's the word?
00:22:31Impecunious?
00:22:32No, no, no.
00:22:33Impudent?
00:22:34No, no.
00:22:35No, no.
00:22:36Imp... imposter.
00:22:37No!
00:22:38No.
00:22:39Impertinent.
00:22:40Ah, that's it.
00:22:41Ah.
00:22:42You impertinent Jack...
00:22:43Jack...
00:22:44Jackal.
00:22:45No, no, no.
00:22:46Well, I'm sorry.
00:22:47Jackal.
00:22:48No, no.
00:22:49I wish you'd go to bed.
00:22:50Jackanapes.
00:22:51Liar.
00:22:52Cheek.
00:22:53Yeah.
00:22:54You'll be insulting me in a minute.
00:22:55Nitwik.
00:22:56Namskarl.
00:22:57No.
00:22:58Nankumpu.
00:22:59Lord, grant her rest be sweet and deep.
00:23:02And nights go riding through her sleep.
00:23:05Her own prince charming, young and bold.
00:23:08Who came to princesses of old.
00:23:11Never to us.
00:23:13Never to us.
00:23:15Never to us.
00:23:17Stir slowly.
00:23:19Slowly.
00:23:20And may it heal her.
00:23:23Holy.
00:23:24Holy.
00:23:25Holy.
00:23:26Holy.
00:23:47I want the money for my shirt.
00:24:12And my shoes.
00:24:13And my hat.
00:24:14You introduced this fellow to us.
00:24:16Plus, you said that his trade would bring other business.
00:24:19It will. We must be careful not to insult the Vicomte de Varese.
00:24:23He comes from the old nobility, quick to take offense.
00:24:26And slow the pain.
00:24:28Maurice Caudelin?
00:24:29Yes.
00:24:32I understand you made a lot of clothes for the Vicomte de Varese.
00:24:35You see, you see, Monsieur, I saw that I make clothes for the Vicomte.
00:24:38If Monsieur will take the chair, I'll show him samples.
00:24:40Monsieur is a friend of the Vicomte?
00:24:42Not at all. You know who I am.
00:24:44Oh, oh, now, now I understand.
00:24:48Oh, Monsieur, Monsieur, why don't you try to forgive and forget?
00:24:53This is Paris, city of romance, love.
00:24:56Oh, please, please, forgive Vicomte and forgive also your wife.
00:25:00I have no wife. What is all this?
00:25:03You are not the man who chase the Vicomte in his BVDs?
00:25:06Certainly not.
00:25:07I am the credit manager of the Association of Retail Merchants.
00:25:11I came here to tell you that not a tailor in Paris would make that fellow a suit without full payment in advance.
00:25:18You, you, you, you mean he...
00:25:20I mean the Vicomte de Varese never pays.
00:25:25The Vicomte never pays?
00:25:27My shirts!
00:25:28My hats!
00:25:29My boots!
00:25:30My suits!
00:25:31Gentlemen!
00:25:32You have my profound sympathy.
00:25:40The old nobility, eh?
00:25:42Do you know what I'd like to do?
00:25:44I'd like to get a crowd, march down there and attack that chateau!
00:25:48That's the talk!
00:25:49That's the talk!
00:25:50Wait!
00:25:51That's an idea.
00:25:52You think we could?
00:25:53Just like in the old days?
00:25:55What about the police?
00:25:57I don't mean attack it with a crowd.
00:25:59Let me attack it alone.
00:26:01I'll be a one-man French revolution.
00:26:03Let me have all the goods the Vicomte ordered.
00:26:06I'll deliver them to the chateau and I'll make him pay!
00:26:09I just heard you were going.
00:26:23Let my husband drive you.
00:26:24He has to go to be our pick-up of his employers and he'd love to drop you.
00:26:28Yeah.
00:26:29Tell Maurice you'd love to drop him.
00:26:30I'd love to drop you.
00:26:32Get in.
00:26:33Oh, that's fine.
00:26:34Over here.
00:26:35That's it.
00:26:37Fantastic.
00:26:38Oh, just like a millionaire.
00:26:39La millionaire.
00:26:40That's fine.
00:26:41Come on.
00:26:42Get out of here.
00:26:43Oh, no.
00:26:44I'm not going to drink.
00:26:45Oh, that was lovely.
00:26:46Come on.
00:26:47The bag.
00:26:48Hey.
00:26:49My bag.
00:26:50My hat.
00:26:51Come on.
00:26:52Here.
00:26:53Not too fast.
00:26:54Be sure.
00:26:55Be sure.
00:26:56Be sure.
00:26:57Be sure.
00:26:58Be sure.
00:26:59Be sure.
00:27:00Be sure.
00:27:01Be sure.
00:27:02Be sure.
00:27:03Be sure.
00:27:04Be sure.
00:27:05Be sure.
00:27:06Be sure.
00:27:07I take the same bread.
00:27:09...
00:27:10...
00:27:11When it comes,
00:27:28You have to lay me away every day,
00:27:30It doesn't matter.
00:27:31Kiss me, hear me saying
00:27:38Gently praying, I'll obey
00:27:42Like two children laying in the hay
00:27:49Hear me, my lord and my master
00:27:55I'll be a slave to the lost
00:28:01He'll make my heart feel so faster
00:28:04Not too fast
00:28:06Lover, when you take me and awake me
00:28:15I will know
00:28:18Lover, you can make me yummy now
00:28:24Look out, my mother, look out
00:28:25Oh, my mother, why are you going?
00:28:28Oh, Pierre, Pierre, you
00:28:30You take the horse, I'll take the lady
00:28:32Mademoiselle, are you hurt?
00:28:36Oh, no
00:28:36Mademoiselle, put your arms around me
00:28:40Oh, no, thank you, I can manage alone
00:28:42No, please, please
00:28:43I still suggest that you put your arms around me
00:28:45Do you think I put my arms around people I don't know?
00:28:47My name is Maurice
00:28:48Oh, that's nothing
00:28:57Such a time
00:29:00Oh, no, no, it's quite unnecessary
00:29:02Don't stand on it yet
00:29:03But I'm sure it's better
00:29:04No, no, no, no
00:29:05Tell me, do you live down here?
00:29:11I often wonder
00:29:11No, I said, do you live down here?
00:29:14I heard you
00:29:16I wonder if you can call it living
00:29:18Seems so dead
00:29:20I must go
00:29:21Oh, no, no, not right away
00:29:23Si, one foot wants to go
00:29:25The other wants to stay
00:29:26They both want to go
00:29:28My family's waiting for me
00:29:30But what about me?
00:29:32What do you mean, what about you?
00:29:33What I mean, I mean, I'm stuck here
00:29:35I can't go
00:29:36My car is in disrepair
00:29:38And I'm lonely
00:29:40You can't leave me
00:29:41Aren't you a little insane?
00:29:44Yes
00:29:44Let me sing for you
00:29:46You are insane
00:29:47But you sang for me
00:29:49I didn't even know you existed
00:29:52You don't exist either
00:29:54You're a dream
00:29:56Oh, give me just a moment
00:29:58Just to sing to you
00:30:00Mimi
00:30:00You're mad
00:30:02And my name's not Mimi
00:30:04Yes
00:30:05I am mad
00:30:06My left shoe's on my right foot
00:30:09My right shoe's on my left
00:30:11Oh, listen to me, Mimi
00:30:12Of reason I'm bereft
00:30:14The buttons of my trousers
00:30:16Are buttoned to my vest
00:30:18Oh, listen to me, Mimi
00:30:19There's fashion in my breast
00:30:22Mimi
00:30:24You funny little good for nothing
00:30:27Mimi
00:30:28Am I the guy?
00:30:30Mimi
00:30:31You sunny little honey of a Mimi
00:30:34I may be high
00:30:37Mimi
00:30:38You got me sad and dreamy
00:30:41You could free me
00:30:42If you'd see me
00:30:44Mimi
00:30:45Mimi
00:30:46You know I'd like to have a little son of a Mimi
00:30:49I may be high
00:30:51Mimi
00:30:53You funny little good for nothing
00:30:55Mimi
00:30:56Am I the guy?
00:30:58Mimi
00:30:59You sunny little honey of a Mimi
00:31:03I may be high
00:31:05Mimi
00:31:06You got me sad and dreamy
00:31:08You could free me
00:31:10If you'd see me
00:31:12Mimi
00:31:12You know I'd like to have a little son of a Lugard-Val-Val
00:31:18Thank you
00:31:19You think I'm rude, vulgar?
00:31:21You know since you came into my life I'm not myself
00:31:23Perhaps I'm in love with you
00:31:24Oh, really now?
00:31:25Afraid?
00:31:26Afraid?
00:31:27Of what?
00:31:28Of me
00:31:29Of what conceit?
00:31:30Afraid of yourself
00:31:31What insolence
00:31:33You think it takes years to fall in love?
00:31:35You're right
00:31:36I've known you a hundred years
00:31:37A thousand years
00:31:38You're impossible
00:31:39I hope to see you again somewhere soon
00:31:41Perhaps in another thousand years
00:31:46I dream of you every day
00:31:47Every night
00:31:48Everywhere
00:31:49I love you
00:31:50I love you
00:31:51I love you
00:31:52I love you
00:31:53I love you
00:31:54I love you
00:32:02Your hat
00:32:04Look at it
00:32:06What will you do without your straw hat, Maurice?
00:32:08And where's that smile of yours?
00:32:10No straw hat?
00:32:11No smile?
00:32:12It's all over, Maurice
00:32:13You can't go on
00:32:25Now we can go on, Pierre
00:32:27Good old Pierre
00:32:28We can go on if I ever fix this car
00:32:38Take a look
00:32:40Princess!
00:32:42Help!
00:32:44Help!
00:32:46Help!
00:33:04Princess!
00:33:06Help!
00:33:08Help! Help!
00:33:10Help!
00:33:14Help!
00:33:20She's fainted again.
00:33:24You know, I had an elder brother
00:33:26who used to faint quite often.
00:33:28He was a nipple maniac.
00:33:30A what? A nipple maniac.
00:33:32He used to go around finching things.
00:33:34Oh, I had a friend like that.
00:33:36He used to pinch business girls in elevators.
00:33:38I know. I knew a girl...
00:33:40This is no kind for reminiscences.
00:33:42Go and get a couple of footmen to carry her upstairs.
00:33:44But you gave the servants the afternoon off.
00:33:46Our footmen are playing football against the old soldiers' home.
00:33:48Well, you two carry her upstairs.
00:33:50Someone fetch a doctor.
00:33:52Yeah, you carry her. I'll get the doctor.
00:33:56Valentine, can you go for a doctor?
00:33:58Certainly. Bring him right in.
00:34:00Yeah, no, no, no.
00:34:02It's for Jeanette. She's fainted again.
00:34:04Oh.
00:34:16Princess, permit me to introduce Dr. Armand de Pagignac.
00:34:20Your Highness.
00:34:22And now, my dear, remove your dress.
00:34:24My what?
00:34:25Your dress.
00:34:26Oh?
00:34:27There's no occasion for distress.
00:34:29Is that necessary?
00:34:30Very.
00:34:31Yes.
00:34:32As long as professional ethics apply, I'll see you with only a doctor's eye.
00:34:35Oh, dear.
00:34:37Oh, dear.
00:34:38Uh.
00:34:39The doctor's eye is satisfied.
00:34:40Now, I'll hear your heart.
00:34:46Don't sigh.
00:34:51Oh, no.
00:35:02Oh, dear.
00:35:03Oh, no.
00:35:04Your heart.
00:35:05Don't sigh.
00:35:06All right.
00:35:10Very good. Nothing wrong here.
00:35:12Now I'll take your pulse, my dear.
00:35:16Perfectly regular. Right on the tip.
00:35:18Madam, oh madam, you cannot be sick.
00:35:22Then why do I lie awake in bed?
00:35:24And why does blood rush to my head?
00:35:26At night?
00:35:27Quite right. At night.
00:35:31Then why does music make me sad?
00:35:33And why do love songs drive me mad?
00:35:35At night.
00:35:36Quite right. At night.
00:35:39And frequently I faint.
00:35:41That's quaint.
00:35:44I feel depressed when I'm alone in bed at night.
00:35:48How old are you?
00:35:50I'm twenty-two.
00:35:52While other people dance, I fear for dead at night.
00:35:57At twenty-two.
00:36:00Now this won't do.
00:36:02Are you married?
00:36:04My husband died three years ago.
00:36:06At sixteen I was wed.
00:36:08You've been a widow for three years?
00:36:10Three years the prince is dead.
00:36:12Are you very happy with your spouse?
00:36:14He was the son of a noble house.
00:36:17It was the happiness of great peace.
00:36:21A rochambeau.
00:36:23My better half.
00:36:25My better half.
00:36:26And here you have his photographs.
00:36:28How old was your bridegroom dear?
00:36:42Seventy-two.
00:36:43Seventy-two?
00:36:44Seventy-two.
00:36:45Oh, this won't do.
00:36:47Sweet music makes me cry on part.
00:36:53Perhaps I'd better journey south.
00:36:57Perhaps my tonsils should come out.
00:37:00Well, it's a very pretty mouth.
00:37:05I'm wasting away.
00:37:07For three years I've sat alone.
00:37:10No joy I've tasted.
00:37:14With eyes and red lips and a figure like that?
00:37:19You're not wasted away.
00:37:22You're just wasted.
00:37:30Well, Doctor, we had planned an outing in the forest for this afternoon.
00:37:33But I suppose we'd better call it off.
00:37:35No, no.
00:37:36Go right ahead.
00:37:37Oh, then Jeanette is not in any danger.
00:37:39Well, nothing immediate.
00:37:41But the princess ought to be married.
00:37:46Married?
00:37:47To a man of her own age.
00:37:50Ah, but the only two eligible men in France.
00:37:53The only two of rank equal to her highness are, well, not exactly of my niece's age.
00:37:59How old are they?
00:38:00One is 85 and the other will be 12 on his next birthday.
00:38:05Ah, well, this is a problem.
00:38:08What do you recommend?
00:38:11Exercise.
00:38:13Exercise and exercise.
00:38:20Exercise.
00:38:27This gives me new hope.
00:38:29Eh?
00:38:30About my chances of marrying Jeanette.
00:38:32I'll ask her to consider me as a prescription.
00:38:34My dear Countess Arvignac, the only obstacle lies in the delicate matter of rank.
00:38:39Jeanette demands a prince at least.
00:38:42And you are not a prince.
00:38:45Well, I would have been if our family hadn't have been badly gypped during the crusades.
00:38:48Anyway, your grace mustn't forget the 10th Countess of Arvignac.
00:38:51What about him?
00:38:56Marie Antoinette?
00:38:57Positively.
00:38:58Now may I ask Jeanette?
00:39:00Yes, but not this afternoon.
00:39:03Quite right.
00:39:04Of course, that's me, you know.
00:39:06Always impetuous.
00:39:34Dear, you've got to wait for me.
00:39:35Come and retire women.
00:39:37After a few weeks of the night is particularly dry.
00:39:39Well, of course been too much.
00:39:40I act as Edwine.
00:39:41You had to wait to bits to go see.
00:39:42Well, you always take me back.
00:39:43It's a pure study in vain.
00:39:44If you slaughter, too.
00:39:45Yes.
00:39:45Follow me.
00:39:46First.
00:39:47Let me know.
00:39:48If you follow me.
00:39:49Let's move.
00:39:50It won't be under thepas.
00:39:51Please pause.
00:39:52A minute.
00:39:53You have did even hurt me.
00:39:54Let me look.
00:39:55Let's move Mr.
00:39:57Good olmas.
00:39:58Your source.
00:39:59내일.
00:40:00July.
00:40:01¶¶
00:40:31¶¶
00:41:01¶¶
00:41:19Mademoiselle, I'm looking for the Vicomte de Vares.
00:41:24I didn't know he was expecting a friend.
00:41:26Are you alone?
00:41:28Alone?
00:41:29I mean, in life. You're not married.
00:41:31No.
00:41:33I'll be right down.
00:41:41Who made that for you?
00:41:43McKintock and Armstrong, monsieur, of London.
00:41:46Might I recommend them for your own servants?
00:41:49Oh, no, no, thank you.
00:41:51I'm looking for the Vicomte de Varese.
00:41:53Possibly in the drawing room, monsieur.
00:42:06Madame.
00:42:07Monsieur.
00:42:09Oh, your smile is so disarming.
00:42:11So frank.
00:42:12So gay.
00:42:13So charming.
00:42:14Madame.
00:42:15Oh, we bore you with our sewing.
00:42:18Sewing?
00:42:19Quite so.
00:42:20Oh, no.
00:42:22A needle is magnetic.
00:42:24Oh, true.
00:42:25And how poetic.
00:42:27Madame.
00:42:28Monsieur.
00:42:31Oh.
00:42:32Oh.
00:42:33Oh.
00:42:34Oh.
00:42:35Oh, dear.
00:42:36Oh, dear.
00:42:45Hey.
00:42:46Hmm?
00:42:47Oh, no, no.
00:42:48Never use silk on armor.
00:42:49Flannel is the thing.
00:42:50Oh.
00:42:51Are you interested in armor?
00:42:52Any kind of wearing apparel.
00:42:54Is this your only job?
00:42:55Oh, no.
00:42:56I potter around.
00:42:57Tell me, where can I find the Vicomte de Varese?
00:42:59Oh, he's somewhere about.
00:43:00I hate him.
00:43:01Imagine.
00:43:02He would like to tear down this beautiful chateau.
00:43:05No.
00:43:06It would be better to tear down the Vicomte.
00:43:08Ah.
00:43:09You're a man after my own heart.
00:43:11You have a soul.
00:43:12Someone looking for me?
00:43:13Ah.
00:43:14Monsieur le Vicomte.
00:43:15Yeah.
00:43:16Maurice.
00:43:17I came down about those.
00:43:18Yeah.
00:43:19Those.
00:43:20My, my.
00:43:21How well you're looking.
00:43:22You, uh, you've met my uncle?
00:43:25Uncle?
00:43:26The, the, the Duke?
00:43:27Oh, yes.
00:43:28We had a little chat.
00:43:29He's the first of your friends that I haven't wanted to hit with a battle axe.
00:43:33Oh.
00:43:34He recommended Flannel.
00:43:35Yeah, Flannel.
00:43:36Uh, would you pardon us a moment, Uncle?
00:43:38Uh, Maurice, may I have a word with you?
00:43:41Maurice, did you tell Uncle about those bills?
00:43:44But I didn't get a chance.
00:43:45And I didn't know he was your uncle.
00:43:47Oh, well, that's okay.
00:43:48Now, now, Vicomte, I've brought all your clothes and I, I want the money.
00:43:52See?
00:43:53It's 63,000 francs.
00:43:54Oh.
00:43:55And, and I'm here also on behalf of my fellow creditors.
00:43:58Put yourself in their place.
00:43:59Huh.
00:44:00I'd like to.
00:44:01It isn't everyone who can be a creditor nowadays.
00:44:03Now, Maurice, I'm going to be frank with you.
00:44:06Right now, I can't pay you.
00:44:08Ah.
00:44:09Then I have to see the duty.
00:44:10Shh.
00:44:11He'll throw you out.
00:44:12He hates tradesmen.
00:44:13He'll throw me out too.
00:44:14So what's the use?
00:44:15I won't leave the chateau without my money.
00:44:17Oh, why do you say that?
00:44:19I, well, I, I, I've got it.
00:44:22Then stay here.
00:44:24I'll have the money in a few days.
00:44:25I'll borrow it.
00:44:26No, no, no.
00:44:27This is no place for me.
00:44:28A tailor in a chateau.
00:44:29Well, why not?
00:44:30No, no.
00:44:31I'm going to see the duke.
00:44:32Oh, Maurice, please.
00:44:33Oh.
00:44:34Oh.
00:44:35Oh, the charming young man.
00:44:37I'm, uh, I'm trying to persuade him to stay.
00:44:40Oh, sorry.
00:44:41I can't.
00:44:42Oh, there you are.
00:44:43Yes.
00:44:44Because we're trying to persuade him to stay.
00:44:45No, really.
00:44:46We shall stay.
00:44:47Jeanette.
00:44:48Countess of Mignac.
00:44:49Let me present, um, um, um, Gilbert.
00:44:53Present your friend.
00:44:54Yes, yes, yes, of course.
00:44:57Uh, this is my good friend, Morrie, uh, Baron Cortellan.
00:45:02Yes, I've met the Baron.
00:45:04We're trying to persuade him to stay.
00:45:06Are we?
00:45:07The Baron must have changed.
00:45:09He used to make very sudden decisions.
00:45:13Uh, stands?
00:45:18Ah, Monsieur.
00:45:20Oh, Monsieur.
00:45:22Sailing friend, on your hearing's way, sir.
00:45:24Oh, Monsieur.
00:45:26Ha!
00:45:28Ha!
00:45:29Ha!
00:45:29Ha!
00:45:35Ha!
00:45:36Ha!
00:45:39Ha!
00:45:39Ha!
00:45:40Ha, ha, ha!
00:45:41Ha, ha! That's bad, eh?
00:45:44Ha, ha, ha, ha, ha!
00:45:46How did it go?
00:45:48Mimi, you funny little good-for-nothing Mimi, am I the guy?
00:45:55Mimi, you sunny little honey of a Mimi, I'm aiming high.
00:46:02Mimi, you got me sad and dreamy.
00:46:06You could free me if you see me.
00:46:10Mimi, you know I'd like to have a little son of a Mimi by and by.
00:46:16Ha, ha, ha, ha!
00:46:18That's bad, eh? I meant the wrong deal.
00:46:21Ha, ha, ha, ha!
00:46:23Mimi, you funny little good-for-nothing Mimi, am I the guy?
00:46:30Mimi, you sunny little honey of a Mimi, I'm aiming high.
00:46:37Mimi, you got me sad and dreamy.
00:46:40Mimi, you could free me if you see me.
00:46:44Mimi, you know I'd like to have a little son of a baby by and by.
00:46:51Ha, ha!
00:46:52Mimi, you funny little good-for-nothing Mimi, am I the guy?
00:46:57Mimi, you sunny little honey of a Mimi, I'm aiming high.
00:47:00Mimi, you sunny little honey of a Mimi, I'm aiming high.
00:47:06Mimi, you got me sad and dreamy.
00:47:08Mimi, you could free me if you'd see me.
00:47:12Mimi, you know I'd like to have a little son of a Mimi by and by.
00:47:18Ha, ha, ha, ha, ha!
00:47:20Mimi, you funny little good-for-nothing Mimi, am I the guy?
00:47:26Mimi, you sunny little honey of a Mimi, I'm aiming high.
00:47:33Bah!
00:47:34MISSING
00:47:57depois
00:48:02Ah, hi, Count.
00:48:14Your Grace, with your permission, I'd like to do my honey indoors today.
00:48:18Indoors?
00:48:19In your library.
00:48:21But what the deuce?
00:48:23Much as I love a good gallop, I'm giving it up in your interest.
00:48:26Yes, but why all this mystery?
00:48:29It concerns the Baron.
00:48:31I've never heard of the Coeur d'Alans in all my historical research.
00:48:35Have you?
00:48:36No, but I'm not as familiar as I might be with the nobility of the South.
00:48:40I ran through eight or ten volumes before breakfast and found not a Coeur d'Alans.
00:48:44That's not sure.
00:48:45Mind you, I still have 36 more volumes to look through before I'm sure.
00:48:49Yes, but this fellow's a friend of Gilbert's.
00:48:51Gilbert, I need only remind you, is none too choosy.
00:48:54Well, you go right ahead, my boy.
00:48:59Oh, well, Maurice, you look great.
00:49:03Is that my new riding habit?
00:49:05No, no, not until you've paid for it, Monsieur Le Vicomte.
00:49:09I've been up since daybreak altering it to fit me.
00:49:12Oh, I see.
00:49:13Have you picked out something good to ride on?
00:49:15The best I could get.
00:49:16Is it the big gray one?
00:49:17No, small.
00:49:18Orange with black stripes.
00:49:20Orange with black...
00:49:21What is it, a zebra?
00:49:22No, a bicycle.
00:49:24You can't use a bicycle in a hunt.
00:49:27You've got to ride a horse.
00:49:28No, but I've never been on a horse in my life.
00:49:30Barron, Barron, I want to loan you a horse worthy of a Coeur d'Alans.
00:49:34Thunderbolt.
00:49:35Thunderbolt?
00:49:36He's fast but furious.
00:49:37Well, thank you, but I think I'd better not.
00:49:40You see, the harder the horse, the harder I get.
00:49:44I might hurt Thunderbolt.
00:49:45Oh, he can take it.
00:49:46Oh, Barron, I took the liberty of choosing a horse for you.
00:49:48Oh, that's so kind of you.
00:49:49I won't need you, Thunderbolt.
00:49:50What's my horse's name?
00:49:51Solitude.
00:49:52Oh, Solitude.
00:49:53Well, good hunting.
00:49:54Well, I'm sad.
00:49:55Solitude sounds just my type.
00:49:56You know why they call him Solitude?
00:49:57Why?
00:49:58Because he always comes home alone.
00:49:59Solitude for Baron Corcala.
00:50:00Solitude for Baron Corcala.
00:50:01Solitude for Baron Corcala.
00:50:02What's the point in giving the Baron a horse like that?
00:50:04I don't know.
00:50:05I'm sorry.
00:50:06I'm sorry.
00:50:07I'm sorry.
00:50:08I'm sorry.
00:50:09I'm sorry.
00:50:10I'm sorry.
00:50:11I'm sorry.
00:50:12I'm sorry.
00:50:13I'm sorry.
00:50:14I'm sorry.
00:50:15I'm sorry.
00:50:16I'm sorry.
00:50:17I'm sorry.
00:50:18I'm sorry.
00:50:19I'm sorry.
00:50:20I'm sorry.
00:50:21I'm sorry.
00:50:22Don't bother.
00:50:23Tell me, do you ever think of anything but men, dear?
00:50:25Oh, yes.
00:50:26Of what?
00:50:27Schoolboys.
00:50:28Oh.
00:50:29Look up!
00:50:30Look up!
00:50:31Look up!
00:50:32Look up!
00:50:33Look up!
00:50:34Look up!
00:50:36I know that Solitude.
00:50:39No, that's only Thunderbolt.
00:50:42There's Solitude.
00:50:45Hey!
00:50:55Hiya, will ya!
00:50:59Hiya, boys!
00:51:04Hiya, boys!
00:51:07Oh, Gilbert, he's not going to...
00:51:32Oh, Gilbert, don't let him!
00:51:37Oh, Gilbert!
00:52:07Oh, Gilbert!
00:52:16Oh, Gilbert!
00:52:22Oh, my God.
00:52:52Come on!
00:53:22Come on!
00:53:52Come on, let's go.
00:53:54Come on.
00:53:56Come on.
00:53:58Come on.
00:54:00Come on.
00:54:02Stand back.
00:54:04Stand back.
00:54:06Stand back.
00:54:20What is this?
00:54:21This? This is oats, madame.
00:54:24Very wild.
00:54:26And this is the stag.
00:54:28Very tired.
00:54:30And where's solitude?
00:54:33Oh, we agreed to separate.
00:54:37He went home, alone.
00:54:40And what are your plans?
00:54:42Oh, very simple, madame.
00:54:44After supper, the stag will go right to bed.
00:54:47He's had a hard day.
00:54:49Then the hunt just stopped, I suppose.
00:54:52A very happy ending, madame, of which we both approve.
00:54:55I do not approve.
00:54:56No, I mean the stag and myself.
00:54:58No true nobleman would mock the tradition of the hunt like this.
00:55:01There are things too fine, too sacred to be made ridiculous.
00:55:04Oh, your highness is losing your temper.
00:55:07Oh, I'm not losing my temper.
00:55:08Oh, I'm not losing my temper.
00:55:09You let that stag go.
00:55:10Oh, no.
00:55:11No, it'd be caught and killed.
00:55:13You wouldn't want that, madame.
00:55:14Look.
00:55:15Look at those eyes.
00:55:16Oh.
00:55:17Oh.
00:55:18Oh.
00:55:19Oh.
00:55:20Oh.
00:55:21Oh.
00:55:22Oh.
00:55:23Oh.
00:55:24Oh.
00:55:25Oh.
00:55:26You're not a gentleman.
00:55:27You, you need some lessons.
00:55:28And you, your highness, are not a woman.
00:55:29What?
00:55:30You need some lessons too.
00:55:31Oh.
00:55:32You know too much about hunting, etiquette, tradition.
00:55:34You know nothing about style, charm, love.
00:55:39Oh.
00:55:40Oh.
00:55:41Your riding habit.
00:55:42Hmm?
00:55:43Look.
00:55:44Your riding habit.
00:55:45It's not graceful.
00:55:46It's not in the mood.
00:55:47And your hair.
00:55:48It's too prim, madame.
00:55:49No.
00:55:50It's too severe.
00:55:51Please, let me fix that.
00:55:52Just that.
00:55:53That's it.
00:55:54But your riding habit.
00:55:55Oh, oh, oh.
00:55:56It's discouraging.
00:55:58Well, what are you doing now?
00:56:00I'm thinking.
00:56:01I'm thinking of you without these clothes.
00:56:03Open your eyes at once.
00:56:04Oh, no.
00:56:05No, madame.
00:56:06I mean, I mean with different clothes.
00:56:08Smart clothes.
00:56:09Look.
00:56:10Here they are.
00:56:11The clothes?
00:56:12Their hands.
00:56:25What's the meaning of this?
00:56:27Shh.
00:56:28Shh.
00:56:29The stallion.
00:56:30The stallion.
00:56:31He's asleep.
00:56:32What?
00:56:33We must go back.
00:56:34He's very tired.
00:56:35Oh.
00:56:36Go back.
00:56:37Go back.
00:56:38Quickly and quietly.
00:56:39Oh.
00:56:40Go back.
00:56:41Quickly and quietly.
00:56:42Oh.
00:56:43Go back.
00:56:44Quickly and quietly.
00:56:45On tiptoes.
00:56:46On tiptoes.
00:56:47On tiptoes.
00:56:48Oh, madame.
00:56:49Oh, madame.
00:56:55Oh.
00:56:58Oh.
00:56:59Oh.
00:57:00Oh.
00:57:02Oh.
00:57:03Oh.
00:57:04Good hunting?
00:57:08No luck.
00:57:10The Baron and the dear made friends and called the holding off.
00:57:14Well, I've had good hunting.
00:57:16There's no such title as Baron Cordelard.
00:57:18What?
00:57:20Yes, you're bad.
00:57:22Did you hear that?
00:57:24Yes, you're bad.
00:57:26Did you hear that?
00:57:28Well, I've had good hunting.
00:57:30Well, I've had good hunting.
00:57:32Yes, Gilbert, did you hear that?
00:57:34Are you sure?
00:57:36I've even been through the better class illegitimate.
00:57:38And still no Cordelard?
00:57:40Not a Cordelard.
00:57:42Now, Gilbert, who the deuce is your friend?
00:57:44Well, Uncle, I don't think I'd better tell you.
00:57:46It wouldn't be safe.
00:57:48Wouldn't be safe?
00:57:50You see, I owe Maurice something.
00:57:52You owe him something?
00:57:54Uncle, you shouldn't keep repeating everything I say.
00:57:56You're living a life of an echo.
00:57:58Will you kindly come to the point?
00:58:00Uncle?
00:58:02Uncle, we're living in the age of toppling thrones.
00:58:04Of uneasy crowns.
00:58:06Of persecuted royalty,
00:58:08compelled at times to travel under strange names.
00:58:12Right?
00:58:14Are you trying to hint that your friend is royalty?
00:58:18Well, I, uh...
00:58:20He has the Habsburg lip.
00:58:22And the name?
00:58:24Baron Cordelard is...
00:58:26A mere non-department.
00:58:28Mm-hmm.
00:58:56Well, we're all here except the Baron.
00:58:58Good. Then we're all here.
00:59:00Count, could you do something to entertain?
00:59:02No, I'm helpless since my accident.
00:59:04Well, we're all here except the Baron.
00:59:06Good. Then we're all here.
00:59:08Count, could you do something to entertain?
00:59:10No, I'm helpless since my accident.
00:59:12Accident?
00:59:13I fell flat on my flute.
00:59:14Oh.
00:59:16The R, Emperor.
00:59:18The R, Emperor.
00:59:20The R, Emperor.
00:59:22The R, Emperor.
00:59:24The R, Emperor.
00:59:26The R, Emperor.
00:59:28The R, Emperor.
00:59:30The R, Emperor.
00:59:32The R, Emperor.
00:59:34The R, Emperor.
00:59:36The R.
00:59:38The R, Emperor.
00:59:39The R, Emperor.
00:59:40The R, Emperor.
00:59:41The R, Emperor.
00:59:42Vậy up.
00:59:43Well, I know.
00:59:44She's not here, either.
00:59:45The Baron and Valentin are both...
00:59:47You know, Uncle, it's dangerous inviting guests here with a girl like that around.
00:59:50Somebody will shew us.
00:59:52The R, there you are.
00:59:53The Baron will be down in a moment.
00:59:55He had to send to Paris for his costume, and it was late getting here.
00:59:58I've been watching him put it on.
01:00:00It's all right, Uncle. She has the room next to Maurice,
01:00:02and she's bored holes in the connecting...
01:00:12I brought you over here because I want you.
01:00:14Oh, Countess.
01:00:16I want you to keep as far away from me as possible.
01:00:18Countess, I'll try.
01:00:20Pardon me, Countess. There's something I must do. Some place I must go.
01:00:50Let's go.
01:01:03Princess.
01:01:07Princess.
01:01:08Open your eyes, Princess.
01:01:10Open your eyes.
01:01:14No.
01:01:16Don't open your eyes.
01:01:18Sleep.
01:01:20So that I can tell you how beautiful you are.
01:01:24How beautiful.
01:01:26And how I love you.
01:01:51How dare you.
01:01:57Wait.
01:02:02Why did you do that?
01:02:03Because I love you.
01:02:04I love you.
01:02:15You... you kissed me, Princess.
01:02:19Why?
01:02:23Because... I love you, Maurice.
01:02:27I love you, Maurice.
01:02:30You... you love me?
01:02:34Yes.
01:02:36Oh, I fought against it.
01:02:38I was afraid.
01:02:40Oh, my darling.
01:02:42How foolish I was.
01:02:45Perhaps you were wise.
01:02:46Why?
01:02:47Fear is a warning, Princess.
01:02:53I don't understand you, Maurice.
01:02:57Let me... let me dream this dream a little longer.
01:03:01When I wake...
01:03:04I'll go away.
01:03:05Go away.
01:03:07Go away?
01:03:10Don't you want me, Maurice?
01:03:12I want you, my Princess.
01:03:15But...
01:03:17I have wanted the moon too.
01:03:19Look.
01:03:20My hands are empty.
01:03:22Hands?
01:03:25Your arms need never be empty of me, Maurice.
01:03:27Who...
01:03:29Who...
01:03:30Who have found each other...
01:03:31In darkness.
01:03:33Like ships...
01:03:35That come into harbor...
01:03:37Together...
01:03:38At night.
01:03:40When morning comes...
01:03:43One stays...
01:03:46One sails away.
01:03:51We'll sail together...
01:03:54Or stay together.
01:03:57I love you, my beautiful Princess.
01:04:00I love you.
01:04:02This, I can tell you...
01:04:04This is mine.
01:04:06Jeanette.
01:04:08Maurice.
01:04:10You don't know who I am.
01:04:13You are you.
01:04:15And I love you.
01:04:18But if... if I...
01:04:21If I were not...
01:04:23What you think...
01:04:25I am.
01:04:26If I...
01:04:27Whoever you are...
01:04:29Whatever you are...
01:04:32Wherever you are...
01:04:36I love you.
01:04:40Jeanette.
01:04:43You know what I think.
01:04:47I think I'm mad.
01:04:50And that you're mad.
01:04:51And that the whole world is mad.
01:04:54But I'm the luckiest man...
01:04:56Man of all.
01:04:58And the happiest.
01:05:00Listen, my beautiful Princess.
01:05:02I love you.
01:05:04I love you.
01:05:06And whatever comes tomorrow...
01:05:08Love me tonight.
01:05:10Love me tonight.
01:05:11Love me tonight.
01:05:15Love me tonight.
01:05:24Love me tonight.
01:05:33I like you.
01:05:34Whoever you are, whatever you are, wherever you are, I love you.
01:05:57Oh, my princess.
01:05:59You don't know who I am.
01:06:02I am.
01:06:03I am a tailor.
01:06:04A tailor, a tailor, isn't it romantic?
01:06:10Oh, I love you.
01:06:13Your heart and my heart were made to meet.
01:06:20Don't make them wait.
01:06:23Love me tonight.
01:06:27Yes?
01:06:31Yes.
01:06:32I'd like your advice on my new riding habit.
01:06:40Beautiful.
01:06:41Oh, do you really think so?
01:06:42Perfect.
01:06:44How about the length?
01:06:47Hmm.
01:06:48Divine.
01:06:51Here, look at it more closely.
01:06:53The closer I get, the more perfect.
01:06:59Monsieur has taste.
01:07:03How about the collar?
01:07:06Lucky collar.
01:07:07Oh.
01:07:08Oh.
01:07:10Oh.
01:07:11Anything wrong?
01:07:13Oh, certainly.
01:07:14The collar rides up.
01:07:15Oh, no, that won't go at all.
01:07:18You think so, monsieur?
01:07:20Oh, yes, madame, yes.
01:07:22Look, look, it's too tight here, madame.
01:07:25It's too tight across, across the chest.
01:07:27And the lapels, the lapels, they are too stiff.
01:07:31No, no, really.
01:07:32The whole thing likes, like smartness, youth, grace.
01:07:35Oh, no, no.
01:07:36Oh, Marie.
01:07:37Your Highness, I have never been so insulted.
01:07:39With your permission, I'm going.
01:07:41Madame Putoir.
01:07:43Madame Putoir.
01:07:43Well.
01:07:50Maurice, what am I going to do now?
01:07:53Don't worry, Jeannette.
01:07:56We'll fix it.
01:07:58How?
01:07:59We'll fix it.
01:08:01Oh, oh, let's...
01:08:03No, no, no, really.
01:08:04No, that's not possible, you know.
01:08:05But we'll make you a riding habit that will tend solitude.
01:08:14But how?
01:08:17The important thing is not to hurry.
01:08:27I have never been so insulted in my life.
01:08:30Who insulted?
01:08:31Who?
01:08:31Insulted?
01:08:32Insulted?
01:08:32Insulted?
01:08:33Insulted?
01:08:33Insulted?
01:08:33Oh, oh, oh, oh.
01:08:35Madame Poutoua's been insulted.
01:08:37Madame Poutoua has been insulted.
01:08:38QQXXDca.
01:08:40Boutoua has been insulted.
01:08:41What?
01:08:42Madame Poutoua has been insulted.
01:08:44At her age?
01:08:45Malkable.
01:08:46QQXXDca.
01:08:46QQXXDca.
01:08:48Some men have no taste.
01:08:50QQXXDca.
01:08:51QQXXDca.
01:08:52Ah, the old girl must have something.
01:08:54QQXXDca.
01:08:54QQXXDca.
01:08:55QQXDca.
01:08:56Ah.
01:08:56Ah.
01:08:56The old girl must have something.
01:08:58QQXXDca.
01:08:58QQXDca.
01:08:59Let us look into this.
01:09:18What's this? An offering?
01:09:20A scandal!
01:09:22I'll shoot him.
01:09:23Oh, let me die.
01:09:24No, let me explain.
01:09:26I was only fixing the princess's riding habit.
01:09:28What?
01:09:29Uncle, Uncle, that's the truth.
01:09:31Brr! Preposterous.
01:09:33No, I'll give you my word of honor.
01:09:36Why, the Baron often gives people advice about their clothes.
01:09:39Be quiet.
01:09:40What you say is insulting.
01:09:42I'll run him through for this.
01:09:43You've already shot him.
01:09:44Silence!
01:09:45Silence!
01:09:46Silence!
01:09:47I'll prove I'm telling the truth.
01:09:49Give me two hours.
01:09:50And I'll remodel that riding habit.
01:09:52What?
01:09:55All right.
01:09:57I'll convict you by your own falsehood.
01:09:59I'll give you two hours, sir.
01:10:00Yeah, he'll do it.
01:10:01I'll bet he can't do it.
01:10:02I'll bet you 10,000 francs he can.
01:10:04I'll bet you 50,000 he's alive.
01:10:05Yeah, done.
01:10:06Shh!
01:10:07Your grass, thumb flies.
01:10:09Quite right.
01:10:10Leave them alone.
01:10:11Everybody.
01:10:12I'll give you two hours, sir.
01:10:1450,000 francs now, huh?
01:10:16Maurice, what will you do now?
01:10:18You'll see.
01:10:19Two hours to go.
01:10:20Wait a minute.
01:10:21Here.
01:10:22Now.
01:10:23End this.
01:10:24Now I start.
01:10:27Five.
01:10:28Now, twelve.
01:10:31Five.
01:10:34Now, twelve.
01:10:39Twenty-two.
01:10:40Twenty-two.
01:10:47Twenty-eight.
01:10:49De-de-de-de-de-de-de-de-de-de.
01:10:50Distarity.
01:10:53De-de-de-de-de-de-de-de-de.
01:10:54De-de…
01:11:05De-den-the-de-de-de-de.
01:11:09Verseутствate.
01:11:11Fourty-too.
01:11:14Excuse me.
01:11:15De-de-de-de-de-de-de-de-de-de Hayrof.
01:11:17The Baron.
01:11:19I am a tailor.
01:11:33Does that make so much difference?
01:11:39A tailor.
01:11:41Last night, you said to me,
01:11:47whoever you are,
01:11:49whatever you are,
01:11:51wherever you are,
01:11:53I love you.
01:11:55Remember?
01:12:01Jeanette, what happened?
01:12:03What happened?
01:12:09My Baron, what happened?
01:12:13I just told her I am not a Baron.
01:12:15I am a tailor.
01:12:17A tailor?
01:12:19Yes.
01:12:21A tailor.
01:12:23Oh.
01:12:25Oh.
01:12:45The Baron.
01:12:47The Baron.
01:12:49He is not a Baron.
01:12:51What?
01:12:52The baron.
01:12:53He's not a baron.
01:12:54He's a tailor!
01:13:07What do you know about this?
01:13:09Well, I... I... I... I...
01:13:12You see, I owed him some bills.
01:13:14Bills?
01:13:15I'll deal with you later.
01:13:17But first I'll have Plamont give this tradesman his money and kick him out.
01:13:20Oh!
01:13:42A tailor!
01:13:44A tailor!
01:13:45A tailor!
01:13:46A tailor!
01:13:47The Bondi is a tailor!
01:13:49A tailor!
01:13:50The princess mustn't hear of this or the breath of life would fail her!
01:13:53I'd rather throw a bomb at her than have her way to commoner!
01:13:56And nothing could be commoner than the commoner who's a tailor!
01:14:00No!
01:14:01No!
01:14:02A tailor!
01:14:03A tailor?
01:14:04The Bondi is a tailor!
01:14:05The news would make your ancestor upon the wall grow paler.
01:14:09If painted ears could hear at all!
01:14:10If painted ears could hear at all!
01:14:12That frame would crash from off the walls!
01:14:18The son of a gun is nothing but a tailor!
01:14:20Oh!
01:14:21Oh!
01:14:22Oh!
01:14:23Oh!
01:14:24Oh!
01:14:25Ah!
01:14:26The son of a gun is nothing but a tailor!
01:14:27Come here, you geese!
01:14:28The great Maurice is not the light of the golden face!
01:14:30The son of a gun is nothing but a tailor!
01:14:34My lord, I said and bent my head, and now I wish I were dead instead!
01:14:35The son of a gun is nothing but a tailor!
01:14:36My lord, I said and bent my head, and now I wish I were dead instead!
01:14:37The son of a gun is nothing but a tailor!
01:14:41It makes me boil with rays to think I blacked his boots!
01:14:44I should have blacked his eye!
01:14:47To think I pressed his coat and vest when he's the one who can press the best!
01:15:00The son of a gun is nothing but a tailor!
01:15:02I made the bed where lay his head, and now my cheeks are burning red!
01:15:09The son of a gun is nothing but a tailor!
01:15:12The son of a gun is nothing but a tailor
01:15:16I used to flirt until it hurt
01:15:18While he stood there in his undershirt
01:15:20The son of a gun is nothing but a tailor
01:15:23I've given indigestion to a president
01:15:27Tolling to a dude
01:15:31Imagine cooking pheasant
01:15:33For a guy who's just a pheasant
01:15:35For the son of a gun is nothing but a tailor
01:15:38Working with a red-hot iron
01:15:40Makes a lady keepers fire until her strength is just about to fail her
01:15:44But it's worse to stand above a board
01:15:46And scrub the britches of a son of a gun who's nothing but a tailor
01:15:49Down upon my hands and knees is washing out his BBDs
01:15:52Is a job that hardly pleases me
01:15:55If I had known I would have tore the buttons off his panties
01:15:57For the son of a gun is nothing but a tailor
01:16:05Nothing but a tailor
01:16:10Nothing but a tailor
01:16:13Nothing but a tailor
01:16:18The son of a gun is nothing but a tailor
01:16:20The son of a gun is nothing but a tailor
01:16:21The son of a gun is nothing but a tailor
01:16:23The son of a gun is nothing but a tailor
01:16:24The son of a gun is nothing but a tailor
01:16:25The son of a gun is nothing but a tailor
01:16:27The son of a gun is nothing but a tailor
01:16:28The son of a gun is nothing but a tailor
01:16:29The son of a gun is nothing but a tailor
01:16:30The son of a gun is nothing but a tailor
01:16:31The son of a gun is nothing but a tailor
01:16:32The son of a gun is nothing but a tailor
01:16:33The son of a gun is nothing but a tailor
01:16:34The son of a gun is nothing but a tailor
01:16:35The son of a gun is nothing but a terror.
01:16:38The son of a gun is nothing but a terror.
01:16:42The son of a gun is nothing but a terror.
01:16:45I am a tailor.
01:16:49A tailor.
01:16:51A tailor.
01:16:53Does it make so much difference?
01:16:57I love you.
01:16:59I love you.
01:17:01This I can do.
01:17:03I love you.
01:17:05I love you.
01:17:07This I can do.
01:17:09I love you.
01:17:11I love you.
01:17:13This I can tell you.
01:17:15This is mine.
01:17:17I love you, Maurice.
01:17:19You don't know who I am.
01:17:21Whoever you are.
01:17:23Whatever you are.
01:17:25Wherever you are.
01:17:27I love you.
01:17:29And I love you.
01:17:31I love you.
01:17:33Good night.
01:17:35Good night.
01:17:39He's here.
01:17:41He can do it.
01:17:43He's here.
01:17:45Where is he?
01:17:47I'm here.
01:17:49Good night.
01:17:51Good night.
01:17:53Good night.
01:17:55Good night.
01:17:57Let's go.
01:18:27Let's go.
01:18:57Let's go.
01:18:59Maurice!
01:19:01Maurice!
01:19:02Princess!
01:19:03Stop the train.
01:19:04I'm going with you.
01:19:05Oh, no.
01:19:06Johannes forgets I'm a terror.
01:19:08I love you.
01:19:09I can't live without you.
01:19:10I love you.
01:19:11But you couldn't be a terror's wife.
01:19:14I could and I will.
01:19:15Stop the train.
01:19:16No.
01:19:17I love you too much.
01:19:18You belong to the chateau.
01:19:20Goodbye.
01:19:27Stop the train.
01:19:28What's the trouble?
01:19:30I love him.
01:19:31I love you.
01:19:32That's not a real, old common.
01:19:34Stop the train.
01:19:35No.
01:19:36No.
01:19:37Let's go.
01:20:07Let's go now, you come.
01:20:21Once upon a time, there was a princess and a prince charming.
01:20:34Who was not a prince.
01:20:35But who was charming.
01:20:37And they lived happily ever after.
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