- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25It must be.
00:01:30Il traffico di Napoli.
00:01:32I can't believe, adesso non cazzo.
00:01:34In questa settimana al primo posto.
00:01:41Oh no.
00:01:43Shit.
00:01:44Whoa.
00:01:46I can't buy my wallet.
00:01:51In Lucie case?
00:01:52No, no, no, no, no.
00:01:54No, no, no, no.
00:01:55In Lucie case.
00:01:56Somewhere.
00:01:57Maybe it's in my car.
00:01:59what did you do?
00:02:07What did you do?
00:02:11she lost her purse
00:02:14no, she didn't catch anything
00:02:18She didn't have anything
00:02:21she wasn't here sitting
00:02:22one moment
00:02:22I don't know anything
00:02:25I don't care
00:02:26Money!
00:02:27Money!
00:02:33Where did you have it last?
00:02:35Um...
00:02:36The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie.
00:02:43I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:53This is 170, not 70.
00:02:56Where do we need to go?
00:02:57We need...
00:02:58We need...
00:02:59We need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21Thank you, son.
00:03:26It's nice.
00:03:27Yes, I have a credit card.
00:03:28The number's on file on my computer.
00:03:29Yes, I have them here.
00:03:30Okay.
00:03:31Five-five, three-three...
00:03:33Seven-six, four-five.
00:03:34Eight-seven, eight-seven...
00:03:35Eight-seven.
00:03:36Eight-seven.
00:03:37Eight-seven.
00:03:38Eight-seven.
00:03:39Eight-seven.
00:03:40Nine-eight.
00:03:41One-eight.
00:03:42Yes, I have her credit card numbers on file on my computer.
00:03:49Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five,
00:03:59eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:07Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:17No, I'm working here.
00:04:21Yes, I'll hold.
00:04:24You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:42You can't teach an old dog new tricks.
00:04:45And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I want to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:10Nothing?
00:05:11Nothing.
00:05:12I think it's a fantastic idea, Jen.
00:05:13I always have.
00:05:14You know that?
00:05:15You don't sound very supportive.
00:05:16You have my support.
00:05:17I'm sorry if that came out wrong.
00:05:18I just know how emotional listening to them can be.
00:05:20Has been for you.
00:05:21I think enough time has passed.
00:05:23Well, that's great.
00:05:28out wrong. I just know how emotional listening to them can be, has been, for
00:05:35you. I think enough time has passed. Well, that's great.
00:05:58Why do you think he killed himself? David Foster Wallace. I don't know. You can't get a sense
00:06:18by his writing. You have to read it when I'm done, do I? Do you think he recognized a blank
00:06:30infinity just stretching out? He got to this point maybe where it was just day after day
00:06:38after day. I really don't know. Just so tedious. And then of course he felt guilty. Most people
00:06:47think life is too short, and there he was, all the talent in the world, and it wasn't
00:06:50a night. Jane, can I, can we not talk about this? Just, just, just a bit more than. Love
00:07:13you. Love you too.
00:07:20Do you feel alright? Do you feel okay? Yeah.
00:07:28Do you feel alright? Do you feel okay? Yeah.
00:07:35Are you sure? Mm-hmm.
00:07:43Mm-hmm.
00:07:45Mm-hmm.
00:07:46Mm-hmm.
00:07:50Mm-hmm.
00:08:04Mm-hmm.
00:08:13Mm-hmm.
00:08:27Mm-hmm.
00:08:29Mm-hmm.
00:08:31Oh, my God.
00:09:01Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:31Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:10:01Testing, testing.
00:10:22Okay.
00:10:23Do you have any stories for my book?
00:10:28What kind of stories?
00:10:30Stories that you've prepared for.
00:10:32I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb and the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:58There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19Here we go.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:10It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:24Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:35Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:53No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war.
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:19Um, Castello Aureganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:46you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great, that's cool.
00:13:59Hey, hey, hey.
00:14:00I used to be an old...
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit, I'm from Massachusetts.
00:14:08That's crazy, that's weird, right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:14Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry, I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:46How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it.
00:15:19I've got this weird, autistic mind for jokes, and I went to this music-slash-nerd summer camp when I was like 10, and I played the triangle.
00:15:25Right.
00:15:25And I'm an only child, so, you know, I understand.
00:15:31You look too young to be married.
00:15:32Are you newlywed?
00:15:34No.
00:15:35No.
00:15:35You're making me feel like a stalker.
00:15:48No.
00:15:49What the fuck?
00:15:58Oh, hey, have you got 50 cents?
00:16:06You can catch it.
00:16:11Thanks.
00:16:18What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:19Sorry, anyway, so this relative gave me the name of this great-uncle who lives on the island, so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I'm sorry, I'm sorry.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56the house...
00:20:57the beautiful...
00:20:59that...
00:21:01...
00:21:02No.
00:21:04I malloc.
00:21:05I'm impressed.
00:21:07Are you hungry?
00:21:09Why, you gonna take me out?
00:21:11Yeah.
00:21:17Alright then.
00:21:19Okay.
00:21:23Two pastas with the house sauce, please?
00:21:27Red. Red, please.
00:21:29Uh-huh. Grazie.
00:21:31So you're really not gonna tell me what you do?
00:21:39I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:11You wanna listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no, I love to listen.
00:22:33All tangled up.
00:22:35Okay.
00:22:41Awful as it was, it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:47And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars, every era, but it was nothing like it.
00:22:59It really brought people together, the war.
00:23:01We helped each other during that time.
00:23:03We had to laugh.
00:23:05We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:17That is like, it's like a window in time.
00:23:21The sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:09I missed you.
00:24:12I missed you.
00:24:13You may have a chance to take away them.
00:24:15Yes, thank you.
00:24:17You could take them away.
00:24:18Yes, thank you.
00:24:29I didn't go back after that to the States.
00:24:36Did you, uh, did you ever hear that saying
00:24:38Did you ever hear that story about the Red String?
00:24:43I think I might have. Tell me.
00:24:49It's like this Asian proverb says that
00:24:53anyone you're destined to meet, like your soulmate or your family
00:24:58or, you know, someone you bump into on the street,
00:25:02we're all connected by this Red String.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:16There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:25And I'm talking into the recorder,
00:25:28rambling on about how I'm about to embark on this amazing adventure
00:25:32and how I'm gonna show World War II
00:25:34from a totally different perspective.
00:25:37But...
00:25:45I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:54Maybe.
00:25:59Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:12Make a wish.
00:26:15Make it great.
00:26:16Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh, my gosh!
00:26:42Oh, my gosh.
00:26:43Oh, my gosh!
00:26:44Oh, my gosh!
00:26:45Oh, my gosh!
00:26:46Oh, my gosh!
00:26:47Oh, my gosh!
00:26:48Oh no!
00:26:49Oh no!
00:26:50Oh no!
00:26:51What?
00:26:52What?
00:26:53What do you mean?
00:26:54Stronzo!
00:26:55It's the carabinerie!
00:26:56It's the police!
00:26:57No!
00:26:58No!
00:26:59No, no, no, no.
00:27:01No, no, no!
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07You can't go back.
00:27:08You can't pay me, I'm getting away!
00:27:10You can't pay me, I'm getting away!
00:27:12Oh no!
00:27:14Oh no!
00:27:16Oh no!
00:27:18Oh no!
00:27:20Oh no!
00:27:22Oh no!
00:27:24Oh no!
00:27:26Did it make you feel better if I said I said no one day off?
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:38You're horrible.
00:27:40You're horrible.
00:27:42You're really horrible.
00:27:44Come on, let's go.
00:27:46Quick.
00:27:48Let's go.
00:27:50Why are we still running?
00:27:52I don't know why we're still running.
00:27:54I'm sorry, I'm sorry.
00:27:56Come on.
00:27:58Come on.
00:28:00Come on.
00:28:02Come on.
00:28:04Come on.
00:28:06Oh my gosh.
00:28:08Yeah?
00:28:10It went up my nose.
00:28:14We come back?
00:28:22Maybe.
00:28:24Maybe is not a no.
00:28:28And since I don't have a phone, you're gonna have to give me your number.
00:28:32For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:50I've gotta go catch a fairy.
00:28:54Hey.
00:28:56Why do violists keep their viola cases on their dashboards?
00:29:10Why?
00:29:22So they can park in handicapped spots.
00:29:32Happy birthday.
00:29:40Good night.
00:29:41Good night.
00:29:42Good night.
00:29:44Good night.
00:29:46Umm- mauviot.
00:29:48Alright.
00:29:501800s.
00:29:52Here's my wife.
00:29:56Whatever she gave us, she had her to live.
00:29:58The physically court was inside her.
00:30:00and the spiritually court did her lost and ind электショre prender.
00:30:02And her teacher.
00:30:04Them treasure.
00:30:06On earth.
00:30:38You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through. Nice.
00:31:03There are the great big events.
00:31:05The things you think you'll always remember.
00:31:08And you do, but there are other smaller.
00:31:11Picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me, too.
00:31:29Jane.
00:31:41Tony.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:54Jane.
00:31:54My friends had lots of American boyfriends.
00:32:22And they used to bring us nylon stockings and chocolates and all sorts of things.
00:32:27And we used to go to London.
00:32:29And we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:37I never had an American boyfriend.
00:32:41I liked some of them.
00:32:44They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know, when you were 19 and the world just felt so open and carefree and full of possibility, you reminded me of that at that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then, not at all.
00:33:12Well, I felt nostalgia or something for youth.
00:33:15You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:30How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:13I don't know the chance of a wreck.
00:34:14I know, right?
00:34:19I'm off to you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:30Can I have the check, please?
00:34:36Okay.
00:34:37In the cafe, play, play?
00:34:43Oh, no thank you.
00:34:44Okay.
00:34:48Jane, you don't smoke.
00:34:50Yes, I do.
00:34:52Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You know that.
00:34:58Well, I don't do it a lot.
00:35:01Okay.
00:35:02Grazie.
00:35:03Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day, in this villa, owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And, uh, they were serving this, like, loaf of meat covered in sauce with all these other
00:35:35loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45What time to go?
00:36:47Already?
00:36:49Yeah.
00:36:49I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:02Um, I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:23Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:25So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:55Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:21I can't sleep last night.
00:39:37You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:46I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I'm staying near the port, so I can't believe I
00:40:16What are we doing?
00:40:30I think we'll make it out.
00:40:34So sexy and beautiful.
00:40:46I can't do this.
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:16Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:39Don't follow me.
00:41:46You need to behh.
00:41:47I can't do it.
00:41:56I can't do it.
00:41:58I can't do it.
00:42:00Yeah.
00:42:34There was one boy from Belgium. He was lovely. He had a mustache. My mother hated mustaches. But he was shipped off. I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight? Stop that thing.
00:43:16I know. You're home early.
00:43:19I do deserve that.
00:43:29I know, it doesn't matter, it has been.
00:43:31Jane, I'm sorry. Just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. Lots of dinner. I thought we were just staying here. The two of us. I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:23Bye.
00:44:24Bye.
00:44:24Bye.
00:44:24Bye.
00:44:24Bye.
00:44:24Bye.
00:44:24Bye.
00:44:25Bye.
00:44:25Bye.
00:44:27Bye.
00:44:29I need to know.
00:44:34I need to know.
00:44:41I need to know.
00:44:51Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:45:27Say cheese.
00:45:33You should kind of be in the middle.
00:45:35Never mind.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:27Across the lady.
00:46:29Down.
00:46:30Down.
00:46:31Down.
00:46:45Down.
00:46:46Let's go!
00:46:48Let's go!
00:46:50Let's go!
00:47:16Let's go!
00:47:46Let's go!
00:47:48Let's go!
00:47:54Let's go!
00:48:16Let's go!
00:48:46Oh!
00:48:58Hi!
00:49:00Did I wake you?
00:49:02No.
00:49:04I think I need to be less serious.
00:49:10Yeah.
00:49:12Let me put my pants on.
00:49:16Okay.
00:49:46Let's go!
00:49:48Let's go!
00:49:50Let's go!
00:49:52Let's go!
00:49:54Let's go!
00:49:56Let's go!
00:49:58Let's go!
00:50:00Let's go!
00:50:02Let's go!
00:50:04Let's go!
00:50:06Let's go!
00:50:08Let's go!
00:50:10Let's go!
00:50:12Let's go!
00:50:14Let's go!
00:50:16Let's go!
00:50:18Let's go!
00:50:20Let's go!
00:50:24Let's go!
00:50:26Let's go!
00:50:28Let's go!
00:50:30Let's go!
00:50:40Let's go!
00:50:42Let's go!
00:50:44Let's go!
00:50:46Let's go!
00:50:48Let's go!
00:52:48My parents thought you were lying about those cats.
00:52:52You said that?
00:52:56Were you?
00:52:57They were delicious.
00:52:59You made me feel nervous.
00:53:05You made me feel nervous.
00:53:18You made me feel calm.
00:53:25You made me feel nervous.
00:53:31You made me feel nervous.
00:53:32You made me feel nervous.
00:53:34You're not allowed to drink.
00:53:36Want a drink?
00:54:06Is that him?
00:54:11Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:36He just shuffled around all night.
00:54:57OK.
00:55:26Again and again and again, again and again and again, once I was single, my pocket is it jingle, I wish I was single again, again and again and again, again and again and again.
00:55:52Once I was single, my pocket is it jingle, I wish I was single again.
00:56:13I didn't sleep at all last night, where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I'm thinking.
00:56:22You left your phone here, I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:38Leonard.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:45People are depending on me.
00:56:47I have to go to work.
00:56:49I don't know.
00:56:51I haven't.
00:57:04Get back.
00:57:06If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:33Well, that's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:53If you go out like that again, just tell me. Don't worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good?
00:58:29In the long run?
00:58:31Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:06If one little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:28With the book?
00:59:29No, with my life.
00:59:34This is it, you know.
00:59:35It ends with me.
00:59:36In the harvest time we all went to the family.
00:59:38In the harvest time, we went to the family, on the village, on the front.
00:59:39Sometimes I worry I'm not honoring her.
00:59:43And this is it, you know?
00:59:45It ends with me.
00:59:49No, with my life.
00:59:52This is it, you know.
00:59:54This is it, you know.
00:59:55It ends with me.
00:59:58with me in the harvest time we all went to the field where they were cutting the corn
01:00:11everyone was chasing rapids and then we had our tea in the harvest fields
01:00:21the horses yeah
01:00:22the horses back then they were kept beautifully dad used to dress them all up brass things and
01:00:36little horseshoes he put braids on them they used to be gorgeous what are your plans for tomorrow
01:00:46there was one duke he was a clydesdale i used to ride down to the marshes
01:00:53every night when he finished working
01:01:00they were lovely days really
01:01:08they're gone for me
01:01:11jane
01:01:13but not for you jane
01:01:16you know it's different for you in some ways it's easier
01:01:20you haven't got the war people don't die as much as they did back then
01:01:24but in some ways it's more disjointed
01:01:30you've got to make your own life
01:01:32one that you love and you can't be afraid of the time
01:01:40time is shiftable
01:01:49there are moments in my life that i would trade 60 years to have back again that's the truth
01:01:58you know the truth when you find it it'll come to you like something you've known before rather than
01:02:04something you're learning for the first time
01:02:06you know the truth when you're talking about it
01:02:09you know the truth when you're talking about it
01:02:11you're talking about it
01:02:11it's okay
01:02:14What is it?
01:02:20You all right?
01:02:23You okay?
01:02:24Yeah, I stung my toe.
01:02:27It's bleeding.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:34You losing it?
01:02:35Yes.
01:02:37Fuck.
01:02:43I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:13If you read a mask of words.
01:03:15Oh my God.
01:03:25Aliens, thank you for connecting there.
01:03:27Are you okay?
01:03:28Are youē, is you擠es, is you?
01:03:29What do you see?
01:04:00Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14I don't think I'd jump to doing another stick like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:30It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:25Yes.
01:05:25I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:29Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:55How does that make you feel?
01:07:04It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I don't see me!
01:09:03I don't see me!
01:09:11I'm sorry.
01:09:12I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:50Jane, this is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked, no guilt.
01:10:20This is good.
01:10:50No questions asked, no guilt.
01:11:22Hi.
01:11:48Hi.
01:11:52You want some?
01:12:00Oh, thanks.
01:12:03Oh, thanks.
01:12:33Frank and Elsa are coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:13Thanks.
01:13:14Thanks.
01:13:15Thanks.
01:13:16Thanks.
01:13:17Thanks.
01:13:18Thanks.
01:13:19Thanks.
01:13:20Thanks.
01:13:21Thanks.
01:13:22Thanks.
01:13:23Thanks.
01:13:24Thanks.
01:13:25Thanks.
01:13:26Thanks.
01:13:28Thanks.
01:13:59Ciao, buona fortuna.
01:14:10Ciao.
01:14:29Jase!
01:14:54You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:05The train's going to be here in a minute.
01:15:11It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her.
01:16:29That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:44Shut that thing off.
01:16:45the last
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