- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30…
00:01:31…
00:01:32…
00:01:33…
00:01:34…
00:01:36…
00:01:37…
00:01:38…
00:01:39…
00:01:40…
00:01:41...
00:01:42…
00:01:43…
00:01:44…
00:01:45…
00:01:46…
00:01:51At least in my wallet.
00:01:52No, it's not missing, it's not where the person is.
00:01:55Somewhere.
00:01:56Maybe it's in the car.
00:02:13She's lost her purse.
00:02:14Her purse.
00:02:15No, there's nothing.
00:02:16There's nothing.
00:02:17There's nothing.
00:02:19You just give her a minute.
00:02:21There's nothing.
00:02:22There's nothing.
00:02:23There's nothing.
00:02:24There's nothing.
00:02:25There's nothing.
00:02:26Okay, okay, okay.
00:02:27There's nothing.
00:02:28Mamma mia.
00:02:33Where did you have it lost?
00:02:35No.
00:02:36The train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie.
00:02:43I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:50It was stuck.
00:02:54This is 170, not 17.
00:02:57Where do we need to go?
00:02:58We need to, we need, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21Thank you, sir.
00:03:22Thank you, sir.
00:03:42It's nice.
00:03:44Yes, I have her credit card numbers on file on my computer.
00:03:49Yes, I have them here.
00:03:52Okay.
00:03:535533
00:03:567645
00:03:598787
00:04:009157
00:04:019157
00:04:0457.
00:04:05Yeah.
00:04:07Expires 1215.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:15No, I'm working here.
00:04:17No, I'm working here.
00:04:21Yes, I'll hold.
00:04:24You love how they ask.
00:04:25As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:37I admire you.
00:04:38I just think it's too late for me.
00:04:40That's not true.
00:04:42You can't teach an old dog new tricks.
00:04:45And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:50Well, I...
00:04:52Want to finally transcribe the tapes?
00:04:55Yes.
00:04:57All right.
00:05:00Okay.
00:05:02Well, if you can see it through to the end.
00:05:05I think that's wonderful.
00:05:07What does that mean?
00:05:10Nothing.
00:05:11Nothing?
00:05:14I think it's a fantastic idea, Jen.
00:05:16I always have. You know that?
00:05:21You shouldn't sound very supportive.
00:05:26You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:06:02Why do you think he killed himself?
00:06:09Who?
00:06:11David Foster Wallace.
00:06:14I don't know.
00:06:18You can't get a sentence by his writing?
00:06:20You have to read it when I'm done, though.
00:06:21I don't know.
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point, maybe, where it was just day after day after day.
00:06:39I really don't know.
00:06:41Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short.
00:06:48And there he was, all the talent in the world.
00:06:49And it wasn't enough.
00:06:50Jane, can I...
00:06:51Can we not talk about this?
00:06:54Just... just...
00:06:55Just a bit moment.
00:07:13Love you.
00:07:15Love you too.
00:07:36Do you feel alright?
00:07:38Do you feel okay?
00:07:39Yeah.
00:07:40You should.
00:08:10You feel alright?
00:08:13You're welcome.
00:08:15I'm so sorry.
00:08:23Don't worry.
00:08:24See you later.
00:08:26You're there.
00:08:27Come on.
00:08:29You're there.
00:08:31Look.
00:08:34You're there.
00:08:36You're there.
00:08:37What's going on?
00:09:07Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:32Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:10:07Testing, testing.
00:10:22Okay.
00:10:25Do you have any stories for my book?
00:10:26What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them the list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:58There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19One, uh, cappuccino, a cup of tea?
00:11:45Good night today.
00:11:46Boy, um, is dead.
00:11:49We were riding our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified,
00:12:05but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:42Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:24Andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Grazie.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird, autistic mind for jokes, and I went to this music-slash-nerd summer camp when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33Are you newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Can you tell me?
00:15:51Yes, you are.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01I stayed on the island because I have this awesome living situation.
00:18:06I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:18I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36De lacrime a de faco nutria l'alma.
00:20:44Con secca speme rinvedia la voglia.
00:20:50Lega de nuovo il cor quando de scioglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:20:59I'm impressed.
00:21:09You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:13All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please?
00:21:28Red.
00:21:28White?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:32Yeah.
00:21:33So you're really not going to tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK.
00:21:46There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours, but now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen a little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no, I love to listen.
00:22:18I love to listen.
00:22:30Well, it's hangled up.
00:22:35I don't know.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy and the only problems.
00:22:52We all have our own private wars, every era, but it was nothing like it.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:22It's the sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:52I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected by
00:25:04this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing
00:25:32adventure and how I'm going to show World War II from a totally different perspective.
00:25:38But.
00:25:46I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:51You're keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:17Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:27Come on.
00:26:28Come on.
00:26:36What do you mean I'm ready to go?
00:26:37Ready?
00:26:38What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh, my God.
00:26:41Go!
00:26:41Oh, my gosh.
00:26:42Oh, my gosh.
00:26:42Oh, my gosh.
00:26:42Oh, my gosh.
00:26:42Oh, my gosh.
00:26:43Oh, my gosh.
00:26:43Oh, my gosh.
00:26:44Oh, my gosh.
00:26:45Oh, my gosh.
00:26:45Oh, my gosh.
00:26:46What do you mean?
00:26:50Stronzo.
00:26:55It's the carabinerary.
00:26:56It's the police.
00:26:58No.
00:26:58No.
00:27:02We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:08We can't go back.
00:27:10We haveIT.
00:27:12Oh, my God.
00:27:14Oh, my God.
00:27:14I mean, it's a little bit better than I said the whole thing up.
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:39You're horrible.
00:27:42You're horrible.
00:27:43You're horrible.
00:27:45Let's go.
00:27:51Why are we still running?
00:27:52I don't know why we're still running.
00:28:06Oh, my gosh.
00:28:13It went up my nose.
00:28:20Do we come back?
00:28:22Maybe.
00:28:24Maybe it's not a no, and since I don't have a phone, you're going to have to give me your number for cheap thrills and future crimes committed.
00:28:36No.
00:28:37You're enough.
00:28:38I've got to go catch a fairy.
00:28:50Hey.
00:28:51Why do violists keep their viola cases on their dashboards?
00:29:07Why?
00:29:08So they can park in handicapped spots.
00:29:22Oh.
00:29:23Happy birthday.
00:29:25Oh.
00:29:26Happy birthday.
00:29:29Oh.
00:29:30Happy birthday.
00:29:43You.
00:30:27You're awake.
00:30:50Yeah, I've got so much of this stuff to get through.
00:30:55That's it.
00:30:58Nice.
00:31:25I've got a bicycle seat.
00:31:27They stay with me too.
00:31:32Jane.
00:31:33Jane.
00:31:34Janey.
00:31:35Got some pastries.
00:31:39Still asleep?
00:31:40Jane.
00:31:41Jane.
00:31:42Jane.
00:31:43Jane.
00:31:44Got some pastries.
00:31:48Still asleep?
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47Jane.
00:32:48Jane.
00:32:49Jane.
00:32:50Jane.
00:32:51I wish I had sometimes.
00:32:54You know, when you were 19, the world just felt so open
00:32:57and carefree and full of possibility.
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake,
00:33:47which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:50I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07That's it.
00:34:08Please, sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:11I'm not going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:25Can I have the check, please?
00:34:37In a cafe, pour pour pour pour?
00:34:42Oh, no, thank you.
00:34:44Okay.
00:34:44Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You know that.
00:34:57Well, I don't do it a lot.
00:35:01Okay.
00:35:02Grazie.
00:35:05Grazie.
00:35:05Grazie.
00:35:05Okay.
00:35:09Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day, in this villa, owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat, covered in sauce, with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:45True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my aunt.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:09What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:35Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45Yeah.
00:36:46What, time to go?
00:36:47Already?
00:36:48Yeah.
00:36:49I've got to get that to work.
00:36:51Hmm.
00:37:00So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:37I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00Yeah.
00:38:00There you go.
00:38:06And thanks again.
00:38:07For yesterday.
00:38:08Oh, no problem.
00:38:11Hey.
00:38:13Ciao.
00:38:13Hi.
00:38:20How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him it's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:31Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:44I'll be waiting.
00:38:45I'll be waiting.
00:38:45I'll be waiting.
00:38:46I'll be waiting.
00:38:46I'll be waiting.
00:38:47I'll be waiting.
00:38:47I'll be waiting.
00:38:48I'll be waiting.
00:38:48I'll be waiting.
00:38:49I'll be waiting.
00:38:49I'll be waiting.
00:38:49I'll be waiting.
00:38:50I'll be waiting.
00:38:50I'll be waiting.
00:38:50I'll be waiting.
00:38:51I'll be waiting.
00:38:51I'll be waiting.
00:38:52I'll be waiting.
00:38:52I'll be waiting.
00:38:53I'll be waiting.
00:38:53I'll be waiting.
00:38:54I'll be waiting.
00:38:54I'll be waiting.
00:38:55I'll be waiting.
00:38:55I'll be waiting.
00:38:56I'll be waiting.
00:38:56I'll be waiting.
00:38:57I'll be waiting.
00:38:58I'll be waiting.
00:38:59I'll be waiting.
00:39:00Hey.
00:39:02God, you scared me.
00:39:04Are you following me?
00:39:06Maybe.
00:39:08Is that weird?
00:39:10Yeah.
00:39:12Whoa.
00:39:14Whoa.
00:39:16Whoa.
00:39:18Whoa.
00:39:20Whoa.
00:39:22Whoa.
00:39:24Whoa.
00:39:26Whoa.
00:39:28Whoa.
00:39:30I couldn't sleep last night.
00:39:36You told me you were staying near the port,
00:39:38so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:42And I can't believe I found you.
00:40:00What are we doing?
00:40:14What are we doing?
00:40:28I think we're making it out.
00:40:30I think we're making it out.
00:40:32So sexy.
00:40:34And beautiful.
00:40:36We're doing the first of all.
00:40:38I'm doing the second.
00:40:40I'm going to see you guys out next to you.
00:40:42I can't do this.
00:41:09What?
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:12Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:37Don't follow me.
00:41:39Don't follow me.
00:42:07There's no more.
00:42:08Don't follow me.
00:42:09Do you have to use a lot of people?
00:42:10I can't do this.
00:42:11You can't do this.
00:42:13I can't do this.
00:42:15I can't do this.
00:42:16You can't do it.
00:42:17I can't do it.
00:42:18There was one boy from Belgium.
00:42:48He was lovely. He had a mustache. My mother hated mustaches. But he was shipped off. I never saw him again. Anyways, I met your grandfather not long after and we got married.
00:43:08Was it love at first sight with Grandpa?
00:43:11Love at first sight? Stop that thing.
00:43:15I know. You're home early.
00:43:22I do deserve that.
00:43:28Can I do some off for your husband?
00:43:35Jane, I'm sorry. Just give me a minute. I have a hell of a mess in my bed. I've got so much stuff to do.
00:43:43Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. Lots of dinner. I thought we'd just stay in here. The two of us. I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Okay.
00:43:58Okay.
00:43:59I'm sorry.
00:44:00Okay.
00:44:01Let's go.
00:44:02Let's go.
00:44:03Let's go, buddy.
00:44:04And if you go to the sky.
00:44:07Let's go and see.
00:44:08Well, let's go.
00:44:09Here you go.
00:44:10Let's go.
00:44:11Look at the sky.
00:44:12Let's go.
00:44:14Let's go.
00:44:16Let's go.
00:44:17Let's go.
00:44:18So let's go.
00:44:20Let's go.
00:44:21Let's go.
00:44:22Let's go.
00:44:52Leonard, can we talk?
00:45:22Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:36Hold on a second.
00:45:41That's what our living rooms mean.
00:45:48What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just waved.
00:46:18Let me see you.
00:46:24Let me see you.
00:46:29Let me see you.
00:46:31Let me see you.
00:46:39BIRDS CHIRP
00:48:45Oh.
00:48:46Hi.
00:48:47Did I wake you?
00:48:49oh hi did I wake you no I think I need to be less serious
00:49:08yeah when you put my pants on
00:49:14okay
00:49:44yeah
00:49:51yeah
00:49:53yeah
00:49:59yeah
00:50:03yeah
00:50:10yeah
00:50:15yeah
00:50:18yeah
00:50:22yeah
00:50:29yeah
00:50:31yeah
00:50:35yeah
00:50:37yeah
00:50:39yeah
00:50:41yeah
00:50:43yeah
00:50:58yeah
00:51:00yeah
00:51:02yeah
00:51:04yeah
00:51:19yeah
00:51:21yeah
00:51:23yeah
00:51:25yeah
00:51:27yeah
00:51:42yeah
00:51:44yeah
00:51:46yeah
00:51:48yeah
00:51:49yeah
00:51:53yeah
00:51:54yeah
00:51:55yeah
00:51:58yeah
00:52:29Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:57Were you?
00:52:57They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24Want a drink?
00:53:49Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18I'm sorry.
00:55:48I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I've got to go.
00:56:51Okay.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:33That's the thing.
00:57:35That's the thing about struggle.
00:57:47I'm going to make some tea.
00:57:49Do you want some?
00:57:51I'm alright.
00:57:59If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:21Do you think everything we've been through actually does us any good in the long run?
00:58:34Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:10One little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:40With the book?
00:59:41No.
00:59:42With my life.
00:59:43This is it, you know.
00:59:55It ends with me.
00:59:57In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up.
01:00:33Brass things and little horseshoes.
01:00:36He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:43There was one.
01:00:46Duke.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:59They were lovely days really.
01:01:07They're gone.
01:01:08For me.
01:01:09Jane.
01:01:12But not for you.
01:01:13Jane.
01:01:14You know it's different for you.
01:01:17In some ways it's easier.
01:01:19You haven't got the war.
01:01:20People don't die as much as they did back then.
01:01:23But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:32One that you love and you can't be afraid of the,
01:01:35of the time.
01:01:38Time is shiftable.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Sorry.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17Ah!
01:02:18Ah!
01:02:19Ah!
01:02:20You alright?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah.
01:02:24Stump my toe.
01:02:25Ah!
01:02:26It's bleeding.
01:02:27Ah!
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33You losing it?
01:02:34Yes.
01:02:35Ah!
01:02:36Fuck.
01:02:37I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:07She hasn't even done anything.
01:03:10She's so feared, but I wouldn't let her live in Jane any longer.
01:03:16Don't they sit at me?
01:03:17No.
01:03:18I want you toillah.
01:03:19Bye.
01:03:21Bye.
01:03:24Bye.
01:03:25Bye.
01:03:27Bye.
01:03:33Bye.
01:03:34Bye.
01:03:35Oh, my God.
01:04:05Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm a knack of it.
01:04:11Long day.
01:04:14God, when are they not?
01:04:17I don't think I'd chance at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:33I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:07Have you?
01:05:16Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:01I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23No уст A day after me.
01:10:27No guilt.
01:10:35Yeah.
01:10:35No guilt.
01:10:37No guilt yet.
01:10:39No guilt.
01:10:40No guilt.
01:10:41No guilt and we are out.
01:10:45No guilt.
01:10:46No guilt.
01:11:46Hi.
01:11:57You want some?
01:12:00Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:14So, you know, we're going to head out in a couple of weeks or so, and we're going to head out in a couple of weeks or so, and we're going to head out in a couple of weeks.
01:13:22We're going to head out in a couple of weeks or so, and we're going to head out in a couple of weeks or so.
01:13:34We're going to head out in a couple of weeks or so, and we're going to head out in a couple of weeks or so, and we're going to head out in a couple of weeks or so.
01:13:40We're going to head out in a couple of weeks or so, and we're going to head out in a couple of weeks.
01:14:10We're going to head out in a couple of weeks.
01:14:40Jay, you've got to come over to this side, the train's going to be here in a minute.
01:15:08It's four in the morning, the end of December, I'm riding you now just to see if you're there.
01:15:38New York is cold but I like where I'm living, there's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:02Are you living for nothing now? Hope you're keeping some kind of record. Yes.
01:16:14And Jane came by with a lock of your hair. She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100. Why not? I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45I'm not telling you why not.
01:16:47I'm not telling you why not.
01:16:49I'm not telling you why not.
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