- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I'm looking for the traffic di Napoli.
00:01:32Trevi, trevi, uomini, beccasso.
00:01:34Questa si si va al primo posto.
00:01:39Ehi.
00:01:43Shire.
00:01:45Whah.
00:01:46Can't put my wallet.
00:01:51Per le C-C as?
00:01:53No.
00:01:54But it's not missing.
00:01:55Is it somewhere?
00:01:56Maybe it's in a car.
00:02:00What are you hoping for?
00:02:13She's lost her purse, her purse.
00:02:14No, he hasn't caught anything from me back.
00:02:19Can you just give her a minute?
00:02:21She's not sitting here.
00:02:22Yes, yes, yes.
00:02:24He's not going to lose you, never lose you.
00:02:26Come on, sonny! Come on, mami!
00:02:33Where did you have it last?
00:02:36The train station, I think. The exchange booth.
00:02:42Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:53This is 170, not 70.
00:02:56Where do we need to go?
00:02:57We need... we need... we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21I think it's nice.
00:03:26Yes, I have a credit card. The number's on file on my computer.
00:03:30Yes, I have them here.
00:03:31It's nice.
00:03:32Yes, I have a credit card. The number's on file on my computer.
00:03:33Yes, I have them here.
00:03:34It's nice.
00:03:35It's nice.
00:03:36It's nice.
00:03:37Yes, I have a credit card. The number's on file on my computer.
00:03:41Yes, I have them here.
00:03:42Okay.
00:03:43It's nice.
00:03:44It's nice.
00:03:45It's nice.
00:03:46It's nice.
00:03:47This is nice.
00:03:48Anywhat?
00:03:50It's nice.
00:03:51It's nice.
00:04:009-1-5-7.
00:04:025-7.
00:04:04Yeah.
00:04:06Expires 12-15.
00:04:08No, she'll definitely need another card sent out immediately.
00:04:12We're here for two weeks.
00:04:14No, I'm working here.
00:04:20Yes, I'll hold.
00:04:22You love how they ask.
00:04:24As if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:28Besides, I know an Italian.
00:04:30I don't know why you think that's so ridiculous.
00:04:32I don't at all.
00:04:34I admire you.
00:04:36I just think it's too late for me.
00:04:38That's not true.
00:04:40You can't teach an old dog new tricks.
00:04:42And besides,
00:04:44what's the point?
00:04:46The whole bloody world speaks English.
00:04:48Well, I...
00:04:50I'm going to finally transcribe the tapes.
00:04:52Yes.
00:04:54All right.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end,
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:12I think it's a fantastic idea, Jen.
00:05:14I always have.
00:05:15You know that?
00:05:20You shouldn't sound very supportive.
00:05:24You have my support.
00:05:26I'm sorry if that came out wrong.
00:05:30I just know how emotional listening to them can be.
00:05:33Has been for you.
00:05:34I think enough time has passed.
00:05:36Well, that's great.
00:05:38That's great.
00:05:40Maybe.
00:05:41The other one.
00:05:42One.
00:05:43One.
00:05:44Two.
00:05:45One.
00:05:46Two.
00:05:47Two.
00:05:48Two.
00:05:50Two.
00:05:51One.
00:05:52Two.
00:05:53Two.
00:05:54Three.
00:05:54One.
00:05:55Three.
00:05:56Two.
00:05:58Three.
00:06:00Two.
00:06:01Two.
00:06:02One.
00:06:03Why do you think he killed himself?
00:06:04David Foster Wallace
00:06:12You can't get a sense by his writing
00:06:19Do you think he recognized a blank infinity
00:06:30Just stretching out
00:06:31He got to this point maybe where
00:06:36It was just day after day after day
00:06:38I really don't know
00:06:40Just so tedious
00:06:42And then of course he felt guilty
00:06:45Most people think life is too short
00:06:48And there he was all the talent in the world
00:06:49Jane can I
00:06:50Can we not talk about this
00:06:52Just a bit more
00:06:55Love you
00:07:00Love you too
00:07:14Love you too
00:07:16Do you feel alright?
00:07:19Do you feel okay?
00:07:21Do you feel alright?
00:07:36Do you feel okay?
00:07:38Yeah
00:07:38Are you sure?
00:07:41Do you feel okay?
00:07:46Mmh
00:07:47Mmh
00:07:48Mmh
00:07:50Mmh
00:07:52Mmh
00:07:54Mmh
00:07:56Mmh
00:07:58Mmh
00:08:00Mmh
00:08:02Mmh
00:08:04Mmh
00:08:20Mmh
00:08:22Mmh
00:08:26Mmh
00:08:28Mmh
00:08:51Mmh
00:08:53Mmh
00:08:54You sure you won't come with?
00:09:19You'll be so busy
00:09:20I get boring all alone
00:09:23I think someone should be here in case the card is delivered
00:09:27True
00:09:28Then I think I might go out, see what the world has to offer
00:09:35If you do, leave me a message, okay?
00:09:39Mmh
00:09:41So I can worry about you
00:09:43Okay
00:09:44Okay
00:09:50I've left you some money here
00:09:52Thank you
00:09:55See you later
00:09:55Have a good day
00:10:14testing testing okay do you have any stories for my book what kind of stories stories are you
00:10:30prepared or i can ask them a list of stories that dad told me about go ahead and ask from
00:10:35your father's list god rest his soul let's start with the war we went into an air raid shelter my
00:10:42mother your great-grandmother she was shaking sirens wailed and and then there was a sound of
00:10:49a bomb and the man next to us he said i was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away there was blood in his hair he was all alone that nearly finished my
00:11:04mother you know here we were in this tiny town in england miles from germany from russia
00:11:12from italy from any front lines and this man he had blood in his hair
00:11:19good night
00:11:28R Beginning
00:11:45Why, uh, his dad came?
00:11:49imal
00:11:52we were riding our bikes to school when the germans started firing at us
00:12:01we jumped into a hedge we were terrified but afterwards we couldn't stop laughing
00:12:08it feels nice if i'm the only one who remembers that it's as vivid to me as if it happened
00:12:15yesterday oh hi leonard it's jane i decided to take an impromptu trip to ischia or um ischia
00:12:26as they pronounce it see i'm learning a little bit um anyway i'll be home later i hope you have
00:12:34a good day bye those friends are all dead now there's no one left that's one of my regrets you
00:12:42know sometimes i think i should have had more children not just your father
00:12:48you're all alone now that your parents are gone no brothers no sisters
00:12:55i'm upsetting you let's talk about something else you want to ask me more boring questions about the
00:13:06war all right then
00:13:09uh scusi scusi um the castle castle parlato anglese no no no no no no um castello
00:13:22are you going to go to oreganese uh andare andare andare andare andare si ah grazie
00:13:27they'd been shot through the neck the bullet went in one side and came out the other
00:13:35and there were all these bomb holes filled with water and he couldn't tell which was the german
00:13:40side and which was the allied side when he came home after something like that
00:13:46You couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:46How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it, I've got this weird, autistic mind for jokes, and I went to this music slash nerd summer camp when I was like 10 and I played the triangle.
00:15:25Right.
00:15:25And I'm an only child, so, you know, I understand.
00:15:31You look too young to be married, are you newlywed?
00:15:33No.
00:15:34No.
00:15:34No.
00:15:35No.
00:15:35No.
00:15:36No.
00:15:40You're making me feel like a stalker.
00:15:48What the fuck?
00:15:49Want to give me 10, please?
00:15:50Yes.
00:15:5110.
00:15:5110.
00:15:58One?
00:15:5810.
00:15:59All right.
00:16:02Oh, hey, have you got 50 cents?
00:16:06You can catch it.
00:16:34What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn a bones.
00:16:48But can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:04All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:12I've been coming here every day, and it still gets me.
00:17:15If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales
00:17:32in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40I just didn't want to go to college, and they paid for me to come over.
00:17:42Four connecting flights is a 72-hour plane ride.
00:17:44But, you know, it was worth it.
00:17:46My first time out of the U.S.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:58Fuck the relic dolphins!
00:18:00I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia,
00:18:08so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know,
00:18:13is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:19Anyway, so this relative gave me the name of this great uncle who lives on the island,
00:18:24so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen,
00:18:29easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's, like, deaf and blind and about four feet tall,
00:18:36and he mumbles a couple of things to me in some crazy dialect,
00:18:39ushers me inside, pours me a glass of wine and leads me to this basement apartment,
00:18:43and, uh, yeah, I never left.
00:18:54I am deafening to see who you are!
00:18:55That's big part of the entire building in the desert!
00:18:57That's motivo!
00:18:58I love you!
00:18:59That's-
00:19:00I love you!
00:19:01I love you!
00:19:02That's two John and Maddie,
00:19:03I love you!
00:19:04I love you!
00:19:05I love you!
00:19:06I love you!
00:19:07That's so amazing!
00:19:08I never let you play excel!
00:19:10I never saw you!
00:19:11Why don't you watch me years ago,
00:19:12I love you, you hear you, Duat, You!
00:19:13I've never been around forever,
00:19:15and I love you.
00:19:16That's six months ago.
00:19:17That's a seman's greatest.
00:19:18Makes you feel accomplished?
00:19:19I really, always subtle.
00:19:20I think, that's my friend.
00:19:21I love you!
00:19:22And I hate you.
00:19:23Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:27Let's hear it then. In Italian. Let's hear the poem.
00:20:34Come on.
00:20:36Come on.
00:20:37Come on.
00:20:38Come on.
00:20:39I'm impressed.
00:20:41You hungry?
00:20:42No.
00:20:43I'm impressed.
00:20:45You hungry?
00:20:46Why, you gonna take me out?
00:20:47Yeah.
00:20:48Yeah.
00:20:49I'm impressed.
00:20:51You hungry?
00:20:52Why, you gonna take me out?
00:20:53Yeah.
00:20:54All right then.
00:20:55Okay.
00:20:56Okay.
00:20:57Two pastas with the house sauce.
00:20:58Two pastas with the house sauce.
00:21:00I'm impressed.
00:21:01I'm impressed.
00:21:02I'm impressed.
00:21:04You hungry?
00:21:05Why, you gonna take me out?
00:21:06Yeah.
00:21:07All right then.
00:21:08Okay.
00:21:09Two pastas with the house sauce please.
00:21:10Red.
00:21:11Red.
00:21:12Red.
00:21:13Uh-huh.
00:21:15Grazie.
00:21:16So you're really not gonna tell me what you do?
00:21:17No.
00:21:18No.
00:21:19No.
00:21:20No.
00:21:21No.
00:21:22No.
00:21:23No.
00:21:24No.
00:21:25No.
00:21:26No.
00:21:27No.
00:21:28No.
00:21:29No.
00:21:30No.
00:21:31No.
00:21:32No.
00:21:33No.
00:21:34No.
00:21:35No.
00:21:36No.
00:21:37No.
00:21:40No.
00:21:41No.
00:21:42No.
00:21:43No.
00:21:44No.
00:21:45I write freelance articles about parties and fashion trends in town and country UK.
00:21:49There's something else...
00:21:51I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:01I recorded her for hours and hours, but now, I don't know.
00:22:08Well, don't you know?
00:22:11You want to listen?
00:22:14A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no, I love to listen.
00:22:18Well, it's tangled up.
00:22:19I won't learn.
00:22:20Okay.
00:22:21Awful as it was, it made you stronger.
00:22:23These days, people whine about all sorts of things, and-
00:22:28Awful as it was, it made you stronger.
00:22:33These days, people whine about all sorts of things, and-
00:22:38Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things, and-
00:22:48I'm not one of those old people who think my time had the only joy and the only problems.
00:22:52We all have our own private wars, every era, but it was nothing like-
00:22:58It really brought people together, the war.
00:23:01We- We helped each other during that time.
00:23:04We had to laugh.
00:23:05We had to smile.
00:23:06Well, if not for ourselves, then for the people we'd lost.
00:23:10I'll shut that thing off, would you get it out of my face?
00:23:17That is like- It's like a window in time.
00:23:21The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno.
00:23:42Buongiorno.
00:23:43Signori.
00:23:52I got pregnant, so we got married.
00:23:54I lost the baby.
00:24:04I'm sorry.
00:24:05I'm sorry.
00:24:13Excuse me.
00:24:14It was your regret.
00:24:16Yes, thank you.
00:24:17You can take it away.
00:24:19Yes, thank you.
00:24:21Okay.
00:24:28I didn't go back after that to the States.
00:24:36Did you, uh, did you ever hear that story about the Red Strain?
00:24:42I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate, or your family, or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:06It can be tangled or stretched, but it can never be broken.
00:25:13But...
00:25:14There's this moment in the tape.
00:25:19I'm sitting waiting in the airport bar for my flight.
00:25:26And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure.
00:25:33I'm going to show World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:12Make a wish, huh?
00:26:14Make it great.
00:26:20Okay.
00:26:24Bravo. Bravo.
00:26:26Hey.
00:26:27Come here.
00:26:32What do you mean?
00:26:36What?
00:26:37Grab my hand.
00:26:38Wait.
00:26:39Go, go, go.
00:26:40Oh, my God.
00:26:41Oh, my gosh.
00:26:42Oh, no.
00:26:43What?
00:26:44What do you mean?
00:26:45What do you mean?
00:26:46Oh, my God.
00:26:47Oh, my God.
00:26:48Oh, my God.
00:26:49Oh, my God.
00:26:50Oh, my God.
00:26:51Oh, my God.
00:26:52Oh, my God.
00:26:53Hey.
00:26:54Hey.
00:26:55Hey.
00:26:56It's the carabinerie.
00:26:57Hey, please.
00:26:58No.
00:26:59Hey.
00:27:00Yeah.
00:27:01Yeah.
00:27:02Oh, my God.
00:27:03Hey.
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07We can't go back.
00:27:08We can't go back.
00:27:09We can't go back.
00:27:10We can't go back.
00:27:11No, no, no, no.
00:27:12We can't go back.
00:27:13No, no, no, no.
00:27:14I mean up.
00:27:15Oh, my God.
00:27:16No, no, no.
00:27:17Hey.
00:27:18Oh, my God.
00:27:23You know.
00:27:24Yeah.
00:27:25Oh, my God.
00:27:26You know you.
00:27:27It would make me feel bad if I said I send all the out.
00:27:29Yes.
00:27:30It's true.
00:27:32Is it true?
00:27:34I made the check when I went to the bathroom.
00:27:36you're horrible
00:27:41you're horrible
00:27:43you're really horrible
00:27:45come on let's go
00:27:46come on
00:27:47let's go
00:27:49why are we still running
00:27:52I don't know why we're still running
00:27:54oh my gosh
00:28:07it went up my nose
00:28:15we come back
00:28:22maybe
00:28:23maybe it's not a no
00:28:28and since I don't have a phone
00:28:30you're going to have to give me your number
00:28:33for cheap thrills
00:28:35and future crimes committed
00:28:37no
00:28:37you're enough
00:28:41I've got to go
00:28:51catch a fairy
00:28:53hey
00:28:58why do violists
00:29:04keep their viola cases
00:29:08on their dashboards
00:29:09why
00:29:20so they can park in handicapped spots
00:29:25happy birthday
00:29:33thank you
00:29:49thank you
00:29:53thank you
00:29:55thank you
00:29:57thank you
00:30:30You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:00There are the great big events, the things you think you'll always remember and you do,
00:31:09but there are other smaller, picking a blackberry that's been in the sun or brushing the fingertip
00:31:15of someone you didn't know you loved until you touched them.
00:31:18Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle
00:31:25seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:30Jane.
00:31:31Jane.
00:31:32Jane.
00:31:33Got some pastries.
00:31:38Still asleep?
00:31:39Jane.
00:31:40Jane.
00:31:41Got some pastries.
00:31:45Still asleep?
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11my friends had lots of american boyfriends and they used to bring us nylon stockings and chocolates
00:32:25and all sorts of things and we used to go to london and we saw glenn miller one time
00:32:33we used to go all over the place there were wonderful times
00:32:38i never had an american boyfriend i liked some of them they were nice boys but i i didn't i didn't
00:32:49want to leave my mom and dad i wish i had sometimes you know when you were 19 and the world just felt so
00:32:56open and carefree and full of possibility you reminded me of that at that time you were 19 when
00:33:07we met yeah i wouldn't have described this carefree back then not at all well i felt nostalgia
00:33:14or something for youth you're not old jane we ran out on the bill you just ran what do you mean you
00:33:22ran out on the bill perhaps i'm not explaining it well it was it was fun it was just fun
00:33:37how's work the conductor's actually a descendant of water leg which is fascinating
00:33:48the three of us should plan a dinner before we leave i'd like that
00:33:51oh my god this is caleb hi no no we were just talking about you we were that's so weird sit please
00:34:08sit down join us i'm obviously gonna get back pretty soon that's okay i i already ate so i'll just grab a coffee
00:34:25i'll have the check please in a cafe before
00:34:43oh no thank you
00:34:44okay jane you don't smoke yes i do sometimes at parties you know that well i don't do it a lot
00:34:59i love it it's no variety english food on the other hand say what you like about it there's nothing
00:35:18like a good steak and kidney pie i went to this party the other day in this villa owned by this
00:35:25old drunk expat they had like a private chef and everything and uh they were serving this like
00:35:32loaf of meat covered in sauce with all these other loaves and this girl came over to me and said it
00:35:38was cat no no joke like a roasted mommy cat and her kittens that is disgusting true story
00:35:47why don't you tell leonard one of your viola jokes
00:35:58come on
00:36:00some of my hands come on let's hear one
00:36:07um i have one
00:36:09what is the definition of perfect pitch
00:36:17what
00:36:20when you throw a viola into the dumpster without hitting the rim
00:36:26you didn't just make that up i did it's too good i did well i'm impressed and i'm stealing it
00:36:30you can pretty much make that joke about any instrument
00:36:38do you play anything this and that you know
00:36:44shall we what time to go already yeah i'm gonna get back to work
00:36:51so what's next new agenda caleb um i'm thinking tibet oh tibet really yeah then just think
00:37:08on the shopping festival at the end of the summer yeah i've heard about that that's where the the
00:37:12buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this a bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:42okay
00:37:47i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53fun you know don't knock on the front door come around the side i need regina
00:38:04thank you and thanks again for yesterday
00:38:07oh no problem hey ciao
00:38:21how stoned are you come on man we should tell him pop it's not a big deal
00:38:28so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:37i'm fine from here okay i'll see you after work yep i'll be waiting
00:39:07hey god you scared me are you following me maybe is that weird yeah
00:39:22i couldn't sleep last night
00:39:37you told me you were staying near the port so i got the first ferry this morning
00:39:41i came looking for you
00:39:44and i can't believe i found you
00:39:52i won't see you
00:40:19What are we doing?
00:40:30I think we're making it out.
00:40:33So sexy and beautiful.
00:40:49I can't do this.
00:41:09What?
00:41:10What?
00:41:11I can't do this.
00:41:12Why?
00:41:19Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:38Don't follow me.
00:41:59Bye.
00:42:02Bye.
00:42:12Bye.
00:42:16Bye.
00:42:18Bye.
00:42:19There was one boy from Belgium.
00:42:47He was lovely. He had a moustache. My mother hated moustaches.
00:42:56But he was shipped off. I never saw him again.
00:43:04Anyways, I met your grandfather not long after and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight? Stop that thing.
00:43:16I know. You're home early.
00:43:27I do deserve that.
00:43:29And I just met my husband.
00:43:36Jane, I'm sorry. Just give me a minute.
00:43:38I have a hell of a mess in my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:47Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50Lots of dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58Okay.
00:43:59I'm sorry.
00:44:00I'll take care of your husband.
00:44:01I'm sorry.
00:44:02Okay.
00:44:03Well, I'm sorry, I'm sorry.
00:44:05You've got to go to bed.
00:44:07I have to go.
00:44:08You've got to go to bed.
00:44:09I'm sorry, I have to go.
00:44:10I know.
00:44:11I'm sorry.
00:44:42Leonard, can we talk?
00:45:12Say cheese.
00:45:28No, you should kind of be in the middle.
00:45:35Hold on a second.
00:45:51That's what our living room is missing.
00:46:06What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15What did you do?
00:46:36BIRDS CHIRP
00:49:06I think I need to be less serious.
00:49:11Yeah.
00:49:13Will you put my pants on?
00:49:16Okay.
00:49:36I think I need to be less serious.
00:49:44I think I need to be less serious.
00:49:46I think I need to be less serious.
00:49:47I think I need to be less serious.
00:49:59I think I need to be less serious.
00:50:00I think I need to be less serious.
00:52:31Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:53Were you?
00:52:57They were delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:31You want a drink?
00:53:37You want a drink?
00:53:45You want a drink?
00:53:53You want a drink?
00:54:01You want a drink?
00:54:05You want a drink?
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:41Yeah.
00:54:45Yeah.
00:54:48Yeah.
00:55:04Yeah.
00:55:10Again, and again, and again, again, and again, again, and again, once I was single, my pocket
00:55:38single, I wish I was single again, again, and again, again, and again, once I was single,
00:55:55my pocket, single, I wish I was single again.
00:56:08I didn't sleep at all last night, where have you been?
00:56:15Just walking.
00:56:17All night.
00:56:19I've been thinking.
00:56:21You left your phone here, I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:27I have to go to work.
00:56:29Can you be late?
00:56:31No, I can't be late.
00:56:35Leonard.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52Okay.
00:57:05If it wasn't the war, it would have been something else.
00:57:18There's always something else, isn't there?
00:57:23That's the thing.
00:57:24That's the thing about struggle.
00:57:36I'm going to make some tea.
00:57:37Do you want some?
00:57:38I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:02No worry.
00:58:04Okay.
00:58:05I can't seem to figure out what's going on in your head.
00:58:25Do you think everything we've been through actually does us any good?
00:58:29in the long run?
00:58:34Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:59:05I know what you want me to say, Jane.
00:59:08One little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:41With the book?
00:59:44No, with my life.
00:59:48This is it, you know.
00:59:49It ends with me.
01:00:03In the harvest time we all went to the field where they were cutting the corn.
01:00:09Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21Yeah.
01:00:22The horses back then, they were kept beautifully.
01:00:34Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:42There was one.
01:00:43Duke.
01:00:44He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:58They were lovely days really.
01:01:03They're gone.
01:01:04They're gone.
01:01:05For me.
01:01:06Jane.
01:01:07But not for you.
01:01:08Jane.
01:01:09You know it's different for you.
01:01:10In some ways it's easier.
01:01:11You haven't got the war.
01:01:12People don't die as much as they did back then.
01:01:13But in some ways it's more disjointed.
01:01:28You've got to make your own life.
01:01:32One that you love and you can't be afraid of the time.
01:01:37Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:56You know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning
01:02:03for the first time.
01:02:05Sorry.
01:02:06Ah!
01:02:07Ah!
01:02:08What is it?
01:02:09Ah!
01:02:10Ah!
01:02:11You all right?
01:02:12Ah!
01:02:13You okay?
01:02:14Yeah.
01:02:15Stunned my toe.
01:02:16Ah!
01:02:17Ah!
01:02:18Ah!
01:02:19Ah!
01:02:20You all right?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah.
01:02:24Stunned my toe.
01:02:25Ah!
01:02:26It's bleeding.
01:02:27Ah!
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33Are you finishing that?
01:02:34Yes.
01:02:35Ah!
01:02:36Fuck.
01:02:37I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:55I want you to come with me.
01:03:00But really.
01:03:01And I'm sorry.
01:03:03It's fine.
01:03:04It's fine.
01:03:05I know.
01:03:06I know.
01:03:07That's all.
01:03:08It's fine.
01:03:09It's fine.
01:03:10I know.
01:03:11It's fine.
01:03:13But we only did.
01:04:14Oh, when did they not?
01:04:17I don't think I'd chance to do another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:33I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:01I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23I want you to do what you need to do.
01:10:29I want you to do what you need to do.
01:10:30I want you to do what you need to do.
01:10:31I want you to do what you need to do.
01:10:33I want you to do what you need to do.
01:10:35I want you to do what you need to do.
01:10:36I want you to do what you need to do.
01:10:37I want you to do what you need to do.
01:10:37I want you to do what you need to do.
01:10:38I want you to do what you need to do.
01:10:39I want you to do what you need to do.
01:10:40I want you to do what you need to do.
01:10:41I want you to do what you need to do.
01:10:42I want you to do what you need to do.
01:10:43I want you to do what you need to do.
01:10:44I want you to do what you need to do.
01:10:45I want you to do what you need to do.
01:11:46Hi.
01:11:48You want some?
01:12:00Oh, thanks.
01:12:02Oh, thanks.
01:12:03Oh, thanks.
01:12:05Oh, thanks.
01:12:35Frank, you know, it's coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:56I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:14Yeah.
01:13:16Yeah.
01:13:18Yeah.
01:13:20Yeah.
01:13:22Yeah.
01:13:24Yeah.
01:13:26Yeah.
01:13:28Yeah.
01:13:30Yeah.
01:13:32Yeah.
01:13:34Yeah.
01:13:36Yeah.
01:13:38Yeah.
01:13:40Yeah.
01:13:42Yeah.
01:13:44Yeah.
01:13:46Yeah.
01:13:48Yeah.
01:13:50Yeah.
01:13:52Yeah.
01:13:54Yeah.
01:13:56Yeah.
01:13:58Yeah.
01:14:08Yeah.
01:14:09Yeah.
01:14:10Yeah.
01:14:12Yeah.
01:14:14Yeah.
01:14:16Yeah.
01:14:18Yeah.
01:14:20Yeah.
01:14:22Yeah.
01:14:34Yeah.
01:14:36Yeah.
01:14:38Jase, you've got to come over to this side, the train's going to be here in a minute.
01:15:06It's four in the morning, the end of December, I'm riding you now just to see you.
01:15:36New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:42Now shut that thing off.
01:16:44Ah, the last...
01:16:45The last...
01:16:46The last...
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