Paradise Isle (1937) is a romantic drama with South Seas allure, blending exotic scenery, forbidden love, and themes of healing and sacrifice. A hidden gem of the 1930s, it offers both adventure and heartfelt storytelling.
π½οΈ Plot Summary:
When an artist is shipwrecked in the South Seas, he is rescued and cared for by Ida, a beautiful island girl. As he recovers, a tender romance blooms between them. But the clash between Western desires and island traditions threatens to tear them apart. Love, sacrifice, and cultural conflict test their bond in this poignant island drama.
π°οΈ Year Released: 1937
π Genre: Romance, Drama, Adventure
π¬ Directed by: Arthur Greville Collins
ποΈ Starring: Movita, Warren Hull, William B. Davidson, Warren Hymer
π― Why Watch It?
βοΈ A heartfelt South Seas romance with cultural intrigue
βοΈ Starring Movita, who later appeared in Mutiny on the Bounty
βοΈ Exotic island setting and dramatic storytelling
βοΈ A rare 1930s romantic adventure film in the public domain
π Donβt forget to LIKE π | COMMENT π¬ | SUBSCRIBE π for more vintage romances & classic dramas!
π Explore More Island Adventures & Romance Classics Here:
πΊ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
ββββββββββββββββββ
ποΈ #ParadiseIsle1937 #ClassicRomance #SouthSeasDrama #PublicDomainMovies
ββββββββββββββββββ
ππΊ On a faraway island, love blooms between two worldsβdiscover the beauty and heartbreak of Paradise Isle (1937) Full Movie!
________________________________________
π½οΈ Plot Summary:
When an artist is shipwrecked in the South Seas, he is rescued and cared for by Ida, a beautiful island girl. As he recovers, a tender romance blooms between them. But the clash between Western desires and island traditions threatens to tear them apart. Love, sacrifice, and cultural conflict test their bond in this poignant island drama.
π°οΈ Year Released: 1937
π Genre: Romance, Drama, Adventure
π¬ Directed by: Arthur Greville Collins
ποΈ Starring: Movita, Warren Hull, William B. Davidson, Warren Hymer
π― Why Watch It?
βοΈ A heartfelt South Seas romance with cultural intrigue
βοΈ Starring Movita, who later appeared in Mutiny on the Bounty
βοΈ Exotic island setting and dramatic storytelling
βοΈ A rare 1930s romantic adventure film in the public domain
π Donβt forget to LIKE π | COMMENT π¬ | SUBSCRIBE π for more vintage romances & classic dramas!
π Explore More Island Adventures & Romance Classics Here:
πΊ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
ββββββββββββββββββ
ποΈ #ParadiseIsle1937 #ClassicRomance #SouthSeasDrama #PublicDomainMovies
ββββββββββββββββββ
ππΊ On a faraway island, love blooms between two worldsβdiscover the beauty and heartbreak of Paradise Isle (1937) Full Movie!
________________________________________
Category
π₯
Short filmTranscript
00:00:00The End
00:02:30Hey, get that stuff aboard.
00:02:34I'm about ready to pull anchor.
00:02:36Bobby, Bobby!
00:02:44No luck?
00:02:45You're busy.
00:02:46Make talk tomorrow.
00:02:48Sit down.
00:02:49Have a drink.
00:02:49Thanks.
00:02:50Oh, Anna, bring a bottle.
00:02:52Flavie.
00:02:53You ought to know by this time that you can't get anything out of these natives when they've got a shinig on their minds.
00:02:59What's up, Lou, Anna?
00:03:00Wedding or funeral?
00:03:02Maybe funeral.
00:03:03Maybe moonbegin.
00:03:05Maybe.
00:03:05Yeah, maybe make feasts just for fun, huh?
00:03:09Well, here's luck, Hunter.
00:03:11And I'll have some before your next trip.
00:03:13There'll be a couple of funerals.
00:03:14Well, there won't be any next trip, trader.
00:03:17I'm not putting in here anymore.
00:03:18What do you mean?
00:03:19I mean, I'm tired of bucking a headwind for 200 miles just to pick up a few tons of copra or a handful of cocoa beans.
00:03:29It ain't worth the trip.
00:03:30Wait a minute, man.
00:03:31You can't leave me here to rot on this coral reef without the sight of a white man.
00:03:35I told you last time, Hunter.
00:03:36What I want is pearls.
00:03:39Yeah?
00:03:39Why don't you get them?
00:03:40Well, what'll I do?
00:03:41Make them for you?
00:03:42Some of the finest pearls in the South Seas came from here.
00:03:45Can't be all gone.
00:03:46That's what I thought when I came to this island.
00:03:48But I tell you, the natives don't dive anymore.
00:03:51All they take out of the water around here is fish.
00:04:03Here.
00:04:03Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:04Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:05Here.
00:04:06Here.
00:05:06Are you sick, baby?
00:05:21Water.
00:05:24Water.
00:05:36Here, you drink water.
00:05:48Well, I hope you think better of it.
00:05:51Goodbye, my friend.
00:05:52If they start bringing up Shell again,
00:05:55sail your old tub over to Nippurah and leave word for me.
00:05:58Oh, no.
00:06:02Oh, no.
00:06:03Come quick.
00:06:05Palangi wash ashore.
00:06:06Sick, dead, I think.
00:06:08Maybe.
00:06:09Well, it's a break for him.
00:06:10Tell him he's lucky.
00:06:12Oh, Oh, no.
00:06:12Come help, white man.
00:06:14What for?
00:06:15If he's dead, he'll keep to morning, won't he?
00:06:16Go on and beat it.
00:06:21Go on up.
00:06:22Go on up.
00:06:23Bring pipe.
00:06:23What's that crazy kid of yours talking about?
00:06:35White man washed up on the shore.
00:06:37No seat.
00:06:38Yeah.
00:06:39See nothing, hear nothing, know nothing, feel nothing.
00:06:43Quite meant better soon.
00:07:21Here we go.
00:07:32.
00:07:33Here we go.
00:07:37Here we go.
00:10:41What's your name?
00:10:43Kennedy.
00:10:44Richard Kennedy.
00:10:45Ken...
00:10:46Kenny?
00:10:47You like candy?
00:10:50Yes, thank you.
00:10:52It's very good.
00:10:53We have many coconuts here.
00:10:55What place is this, anyway?
00:10:57This missionary house.
00:10:59He got another island.
00:11:00No, no.
00:11:01What island is it?
00:11:02This Newly.
00:11:03Newly, huh?
00:11:04Newly, huh?
00:11:05That tells me a lot.
00:11:06How does one get off Newly?
00:11:08Not no.
00:11:09Well, don't traders come here?
00:11:11Oh, yes.
00:11:12Trader here this day.
00:11:13Where is he?
00:11:14Take me to him.
00:11:15Trader gone now, Kenny.
00:11:17Gone?
00:11:18Yes.
00:11:19He gone same time I find him new.
00:11:22Well, he'll come again soon, won't he?
00:11:24Long time.
00:11:25Many moons, maybe.
00:11:27There must be some boat that I can hire or buy if I have to...
00:11:31Buy.
00:11:33Oh, ho, ho, ho, ho, ho, ho.
00:11:34Is funny, Kenny?
00:11:36Yes, very funny.
00:11:39Make sleep now, Kenny.
00:11:42Feel better by and by.
00:11:44Maybe.
00:11:57Those cursed drums, can't you stop them?
00:11:59They're calling village for prey.
00:12:01Ray, stop soon.
00:12:10What's that?
00:12:11Oh, Tim.
00:12:13Oh, Ray.
00:12:15Stop soon.
00:12:17Make sleep, Kenny.
00:12:31Come on.
00:12:32I'm going to see the white man that he'll have found.
00:12:38Hello.
00:12:39Hello there.
00:12:40Who's that?
00:12:41Conor's my name.
00:12:42I'm the traitor on this island.
00:12:43Kennedy's my name.
00:12:44Good to know there's a white man here.
00:12:46Well, I don't know whether I'm white anymore or not.
00:12:47Isn't often a fella drops in on us like you did.
00:12:48How come?
00:12:49I was a passenger on the freighter Narcoser.
00:12:50She blew up at sea.
00:12:51You don't say.
00:12:52The old Narcoser.
00:12:53Bound for the Fijis.
00:12:54I'm the traitor.
00:12:55I'm the traitor.
00:12:56I'm the traitor.
00:12:57I'm the traitor.
00:12:58I'm the traitor.
00:12:59I'm the traitor.
00:13:00I'm the traitor.
00:13:01I'm the traitor.
00:13:02You get to know there's a white man here.
00:13:03Well, I don't know whether I'm white anymore or not.
00:13:06Isn't often a fella drops in on us like you did.
00:13:09How come?
00:13:10I was a passenger on the freighter Narcoser.
00:13:13She blew up at sea.
00:13:14You don't say.
00:13:15The old Narcoser.
00:13:17Bound for the Fijis, huh?
00:13:19I was on my way to an eye specialist in Suba.
00:13:22What, they have any doctors in the States?
00:13:24Plenty of them.
00:13:25There's only one Otto Steinmeier.
00:13:27He's in Suba.
00:13:28Oh, yes.
00:13:30Oh, yes. He's the fellow the British government sent down.
00:13:35Started a clinic or something, didn't he?
00:13:38No, that's the man.
00:13:40He's my one chance of seeing again.
00:13:44Oh, yeah?
00:13:48You don't say.
00:13:49That makes it tough, because I understand there are no boats.
00:13:53That's right.
00:13:58Well, I have a boat of sorts.
00:14:01Then you can get me to super.
00:14:02Wait a minute, wait a minute. That's a long jaunt.
00:14:05Tell me, this fellow Steinmeier costs a lot of dough, doesn't he?
00:14:10Yes.
00:14:13At the moment, I forgot that every dollar I own is at the bottom of the ocean.
00:14:16The Narcosis.
00:14:17That's tough luck, fella.
00:14:19Well, I guess I'll shove off.
00:14:21I just came in to see if I could be of any help.
00:14:23He's not help. He's not taking care of Kenny.
00:14:27Oh, so that's the way it is, huh?
00:14:31Doing all right for yourself.
00:14:33Looks like you don't need any help.
00:14:35You've got shelter, good housekeeper, everything just like home.
00:14:41Don't be ridiculous, Horner.
00:14:43Run along now.
00:14:44Food for breakfast, Kenny.
00:14:46All right, thanks.
00:14:47I'll run along, will you?
00:14:49Well, I'll drop in again, Kennedy.
00:14:51Wait, Horner.
00:14:52You said you have a boat.
00:14:53Yeah, but...
00:14:54All right, you get me to Steinmeier, and if he can do anything for me, I'll pay you double anything you ask.
00:15:00With what?
00:15:00Oh, man alive, if I can see again, I can paint.
00:15:03Oh, a painter?
00:15:05People seem to think so.
00:15:06At any rate, they pay well for what I paint.
00:15:08With any luck, I can pay you well.
00:15:10Come on, Horner.
00:15:11Take a gamble.
00:15:12What do you say?
00:15:13My boat wouldn't make it to silver.
00:15:17Well, Kennedy, I'll drop in on you again, maybe.
00:15:19Wait a minute, Horner.
00:15:48Kennedy.
00:15:49Didn't I tell you to run along?
00:15:52Your breakfast, Kennedy.
00:15:54All right, all right, but go away and leave me alone, will you?
00:15:56Oh, my God.
00:16:07Oh, my God.
00:16:09Oh, my God.
00:16:10Oh, my God.
00:16:12Oh, my God.
00:16:12Oh, my God.
00:16:13Oh, my God.
00:16:15Hey, boy.
00:16:15What's up?
00:16:17Howdy, Billy.
00:16:19Hello, Paul.
00:16:20Billy.
00:16:21Very bad
00:16:26Try to go away yesterday not come back anymore
00:16:30White bird do this well try to say he no trade anymore for copra only for pearl
00:16:36Now chief there used to be big pearls here. Why your boys not dive anymore all going away?
00:16:44lie
00:16:45by the child
00:16:47by the big bull
00:16:49No take taboo you say there's plenty of shell and plenty of big pearl taboo
00:16:55That's a lot of nonsense. You tell me where the beds are and I'll get the shell out of there
00:17:00Not talk about the bull
00:17:02But taboo. Yeah, I'll say it's a bad taboo
00:17:06Your people no get any more barrels of beef no bush knives no lava lava
00:17:12But the copra for great by the banana trade a no come back only for pearl
00:17:19Now let's be sensible
00:17:21You let your boys die
00:17:23everything hunky-dory
00:17:26shot
00:17:27He's bloody boy
00:17:28God
00:17:29Very hungry
00:17:31No time taboo, and I can't help it if the sharks still kill a lot of boys, and they're your gods are very angry
00:17:37You better change your mind
00:17:39No pearl
00:17:41No credit very bad
00:17:43Well, so long penny
00:17:45So long penny
00:17:46No fun
00:17:47I
00:18:01What did you trade that calico for?
00:18:04Matt
00:18:05Bean
00:18:08From now on we trade only for pearls you understand
00:18:12No pearls don't give me that
00:18:14You're a big talking chief tell me there were plenty of big ones, too
00:18:18The trouble with you fellas is that you're just too lazy to die from that's all
00:18:22Double double give me my pipe
00:18:34Looks like your romance is in for a little tabooing to my boy. Yes, sir
00:18:40Palangi beating your time with your girl
00:18:44Time hmm
00:18:46White man like he left you know like white men
00:18:49There what did I tell you and a blind one at that. Yep
00:18:53blind is a bat
00:18:55But he's doing all right for himself
00:19:04Well
00:19:06You know when I help Kenny, I don't want any help
00:19:10I'd have been better off if you'd left me where you found me
00:19:14Can you not see?
00:19:16He need a lot
00:19:18Please I tell you I don't want any help. I want to be left alone
00:19:21Now go away and stay away. You understand stay away
00:19:44Here I go by by the finder
00:19:49High Street
00:19:53That that that that days is true
00:19:54And we don't μμ΄οΏ½ for an eastern city
00:19:56Bucking work
00:20:00Ca shouldn't be left alone
00:20:01But may be myoli
00:20:02κ³
00:20:03You know
00:20:04There it helps me
00:20:04Try you
00:20:06He needs to be left alone
00:20:07The coworker
00:20:07Good enough
00:20:09I want to be left alone
00:20:10smoother get Dad
00:21:51I guess I got a bit fed up with my own company and I heard some music and try to follow it.
00:22:02I must have gotten off my course a bit.
00:22:04Come, Kenny.
00:22:06I'm not let you get lost some more.
00:22:08Well, here we are again.
00:22:22Too bad there isn't a reward offered for me.
00:22:25Reward?
00:22:26What's that?
00:22:27Oh, that's what people get for finding things and...
00:22:30Like Ila?
00:22:31She finding you.
00:22:32Yes.
00:22:33Seems as though you're always finding me.
00:22:35We'll have to do something about that.
00:22:38I do.
00:22:40Ila, what are you up to?
00:22:41Listen.
00:22:42Ila, what are you up to?
00:22:43Listen.
00:22:44Good heavens, what is that?
00:22:45A fire bell?
00:22:46No, Kenny.
00:22:47This is how missionaries saying, uh, come to school.
00:22:48What are you going to do with it?
00:22:49I think so you're not getting lost anymore.
00:22:50Ilegal, you're not getting lost anymore.
00:22:51No, wait a minute.
00:22:52You're not going to tie that thing around my neck, are you?
00:22:54No Kenny.
00:22:55You wait, I'll fix.
00:22:57And I'll fix it.
00:23:13Now, wait a minute.
00:23:14Can you see me?
00:23:15Okay.
00:23:20Do they ever stop singing around here?
00:23:44More like this, sing all night, maybe.
00:23:48Say, where are you anyway?
00:23:50Here, in coconut tree.
00:23:52You crazy child, be careful, you'll fall.
00:23:54Not be afraid, Kenny. I not fall.
00:23:57I think, don't you listen.
00:24:17Here, Kenny, not get lost somewhere now.
00:24:19Well, not a bad idea.
00:24:21In fact, darn good.
00:24:23Darn good?
00:24:24So darn good, you won't have to worry about me anymore.
00:24:27Thanks a lot, Hila.
00:24:28Good night.
00:24:31Why you say good night, Kenny?
00:24:33I stay now.
00:24:34Oh, no, you don't stay now.
00:24:37Why, Kenny?
00:24:38Now, see here, Hila.
00:24:38What's that, Tony?
00:24:49Ah, the boyfriend?
00:24:51Yes, Tony, a friend.
00:24:53Well, that's what I'm trying to tell you.
00:24:54Native girl belongs with native boy.
00:24:56Why, Kenny?
00:24:58Because it's right that way.
00:24:59You see, Hila, white man very bad.
00:25:02You're good, Kenny.
00:25:03Not good for you.
00:25:04What I mean is, a native girl must stay away from white man, you see?
00:25:11Don't you understand what I'm trying to tell you?
00:25:12Stay away, not good.
00:25:16Stay away, not good.
00:25:18I know.
00:25:19Oh, Hila.
00:25:20What I mean, listen, you run along with Tono and we'll talk this over some other time.
00:25:26I bring breakfast, you make talk.
00:25:28Okay, you bring breakfast, I make talk.
00:25:31But go now.
00:25:32So long, Kenny.
00:25:32Good night, Hila.
00:25:36Why you come, Tono?
00:25:37You run away from white man.
00:25:39I run away again.
00:25:42Well, I guess you're happy now that you've got your white man answering to that bell.
00:26:00Kenny happy too.
00:26:02You're doing all right for yourself.
00:26:04Hey, Tono.
00:26:06Why you shave, Homer?
00:26:08Ain't it, I know.
00:26:09It makes a man feel good.
00:26:12Feel nice, Kenny?
00:26:35Swell.
00:26:35I hope the missionary won't mind my making free with his bravery.
00:26:39Oh, no.
00:26:40A missionary, not mine.
00:26:41He's growing long whiskers.
00:26:43Three cheers for the missionary's whiskers.
00:26:46Now, take a look.
00:26:48Did I do a good job?
00:26:50Nice, Kenny.
00:26:53Not bad.
00:26:55Pretty.
00:26:56Did he be put on?
00:26:57No, no, young lady.
00:26:59That ring never comes off of Kennedy until he's dead.
00:27:01And he goes to his son.
00:27:02Oh, when you have son, Kenny.
00:27:04Now, now, Miss Inquisitor, you come along.
00:27:06You've got a lot of work to do today.
00:27:08What do I get?
00:27:09A weaving lesson or fishing practice?
00:27:11Fish catching good today.
00:27:13Okay.
00:27:14About fishing we will go.
00:27:15Come on.
00:27:15White men want to take more.
00:27:42White men want to read the basket.
00:27:44White men want to fish.
00:27:46Always white men.
00:27:48Now, believe me.
00:27:50If I was a big, strong fellow like you,
00:27:53no blind man would get away with my girl.
00:27:56You know, I'm getting pretty good at this game.
00:27:58What do you say next time I try baiting the hook myself?
00:28:01Okay, Kenny.
00:28:02Next time you try.
00:28:05No, it really is...
00:28:06Shh.
00:28:07Fish looking at your hook.
00:28:10He grabbed it.
00:28:12That's one of these fish, too.
00:28:14Why don't you get yourself some pearls?
00:28:18Nice pickles.
00:28:20No.
00:28:21No.
00:28:21I mean, five pretty things to give you her.
00:28:25And maybe she like you.
00:28:27Pearls taboo.
00:28:28I'm sick of your taboos and your superstitions.
00:28:31If I knew where the beds were,
00:28:32I'd die for the pearls myself.
00:28:34Do you want to go?
00:28:50Okay.
00:28:51Oh, I wish you'd left a pair of scissors so I could get this.
00:29:17He left that here.
00:29:19Say, now I know who you are.
00:29:23You're Delilah.
00:29:25Delilah?
00:29:27Who's Delilah?
00:29:29Well, it's a long, long story.
00:29:31It's a next story.
00:29:33Please tell me.
00:29:35Alright.
00:29:37Once upon a time, there was a man named Sam.
00:29:41He's a strong man.
00:29:43A very big, strong man.
00:29:45He knows that if he have his hair cut off, he's not a strong man anymore.
00:29:51See?
00:29:53No hair, no strong.
00:29:55Right.
00:29:57When he loved Samson, he loved a beautiful woman named Delilah.
00:30:01But Delilah, she not loved Samson.
00:30:03She not loved big, strong men?
00:30:05It does seem a bit odd, doesn't it?
00:30:09Who is she loving?
00:30:11She loved money.
00:30:13In a lot.
00:30:14In a lot.
00:30:15In a lot.
00:30:16Big, strong men.
00:30:17Just like you.
00:30:18Hey, who's telling this story anyway?
00:30:19Any test.
00:30:20Right.
00:30:21Now, there were a lot of men called Philistines.
00:30:25They hated Samson, and they wanted to take him prisoner.
00:30:28You know, tie him up.
00:30:30What?
00:30:31Oh, so he wouldn't get around and tear up and whatnot.
00:30:35So they went to Delilah, and they said,
00:30:37Delilah, if you will help us get Samson much money.
00:30:41And they said, alright, we can do it.
00:30:43What'd she do?
00:30:45Like this.
00:30:49Very nice.
00:30:52Yeah.
00:30:53But not so nice for Samson.
00:30:55She cut his hair, and the Philistines get him.
00:30:59Look at Philistines.
00:31:00Philistines do to Samson.
00:31:03They blinded him.
00:31:05That was the beginning of the end for Samson.
00:31:08In a might do this to King.
00:31:10You're a good friend to King.
00:31:14I'll say you all.
00:31:16In a tell story now.
00:31:18Sorry about the people.
00:31:20I'll tell you.
00:31:22Once on time, on an island, people have nothing for you.
00:31:27So chiefs, they prayed to Tangaloa.
00:31:31They say, oh, Chief Tangaloa, what do you do to the food?
00:31:37Do you like Sturic Canyon?
00:31:40Oh, very much.
00:31:41Go on, go ahead.
00:31:42Tell me what happened.
00:31:43Tangaloa, he made big storm.
00:31:46He talked in thunder.
00:31:49He say, most beautiful princes.
00:31:52They've made friends.
00:31:54Given into sacri...
00:31:56Sacrifice?
00:31:58Yes.
00:31:59For saved people, they must jump from praying rock into sea.
00:32:07Come, King.
00:32:08I shall not.
00:32:10There are good people.
00:32:12Come, King.
00:32:13Come.
00:32:14Let's go.
00:32:15Come.
00:32:16He is an expert.
00:32:17Come, King.
00:32:18There are people in the world.
00:32:19Come, King.
00:32:20I shall not dare you, all a few people.
00:32:22Come, King.
00:32:23Maybe he will.
00:32:24Let's go.
00:32:25Come, King.
00:32:26Come, King.
00:32:28Come, King.
00:32:30Come, King.
00:32:31so they're holding tight their hands and they jump into big waves and people have plenty for it
00:32:41nice story ken that's not a very happy ending for the beautiful princess and the brave prince
00:32:47well they're happy tangaloa he make prince into shark he make princess into turtle they're always
00:32:53together i see many times you've seen them yes every big moon children sing here for them
00:33:01to come i do like they do
00:33:04is that how they're doing kenny well did the royal couple show up
00:33:28no no it's not coming for ila they come only when children sing
00:33:32what are you about a child not a child in a woman i beg your pardon
00:33:38oh my fingers really itched to thank you
00:33:42i got all this city
00:33:45you see someday kenny
00:33:47ila pray and pray
00:33:49so
00:36:02Oh, not a bad-looking little bead.
00:36:05You and I can do some trading.
00:36:06Not. I keep him.
00:36:08What for? What good is it to you?
00:36:10Now, Hila, I've got plenty pretty things.
00:36:13Pearl for big doctor to make Kenny see.
00:36:15Don't be silly.
00:36:17Now, you want Kennedy to stay here, don't you?
00:36:20Yes, Kenny stay.
00:36:21Yeah? Listen.
00:36:23The minute he can see, he'll leave you.
00:36:25He'll go back to his own people.
00:36:27Not true. Can he not go?
00:36:30Honor, talk straight, Hila.
00:36:31If white man see, you're thinking he'd go away, sure?
00:36:43Huh?
00:36:44Oh, sure, he'd go away.
00:36:46Then I'd like big doctor to come here.
00:36:48Listen.
00:36:49There'll be a wedding, Fia Fia, for Elan Kennedy
00:36:51long before big doctor gets on this island.
00:36:58Kenny?
00:36:59Kenny?
00:37:00Oh, my God.
00:37:30Look Hila did I get the right one that's good Kenny you know help not all my good woman
00:37:49you're going to furnish a musical accompaniment for my labors
00:37:51Too big dog Kenny. Oh my error Kenny work either sing and play better better
00:37:59Oh
00:38:04le paumana ia
00:38:09ma le matano pie
00:38:15sa
00:38:18pia pia
00:38:22e l'onio mala e
00:38:26a
00:38:29why did I teach you the English words
00:38:31forget Kenny you sing words
00:38:33you play and listen carefully
00:38:38paradise
00:38:47I slides near the tropical sky
00:39:00Cometries sway while treadwinds sigh
00:39:13Off guitars of lovers
00:39:24In my paradise
00:39:35Now do you remember?
00:39:36I remember.
00:39:37You know, then comes rolling surf and native love and so on.
00:39:40We both sing now.
00:39:41All right.
00:39:44Cometries sway while treadwinds sigh
00:40:10Soft is high
00:40:16Of lullaby
00:40:21When I am alive
00:40:22When I am alive
00:40:31And I take inspiration
00:40:38And you are in love
00:40:40You will come to me
00:40:42Come with me to my land of swine.
00:41:12Come with me to my land of swine.
00:41:25My nose is not funny like that, Kenny. Touch.
00:41:33Of course not.
00:41:36Why?
00:41:39You're beautiful.
00:41:42Come with me.
00:41:48Dono, where do you think you're going?
00:42:04Suva.
00:42:05Suva? What for?
00:42:07Get big doctor.
00:42:09Make white man see.
00:42:11White man go away.
00:42:12You'll never make Suvan an outrigger.
00:42:14I make.
00:42:15Come Typhoon, go Tono.
00:42:18Call Sam, I go.
00:42:20So long.
00:42:21So long.
00:42:22Come on.
00:42:23Come on.
00:42:24Come on.
00:42:25Come on.
00:42:26Come on.
00:42:28Luana.
00:42:29Luana.
00:42:30Luana.
00:42:31You call Luana?
00:42:32Yes.
00:42:33I'm going over to Matia on business.
00:42:34Be away a couple of days.
00:42:35You'll look after things.
00:42:36You understand?
00:42:37Yes, I'm going over to my tea on business be away a couple of days. You look after things you understand. Yeah, I do
00:42:50Oh, I don't know about that. I tell you the setup's perfect. So you're the famous Dr. Otto Steinmeier. Oh, no, I'm not
00:43:14We'd never get away with a scheme like that. Listen, coxswain. This guy Kennedy is so crazy to get his eyesight back. He'll believe anything. You're the one that's crazy. Even to a blind man, I couldn't look like a doctor. All you got to do is to smell like one. Yes, but now I got the answer to that, too. We'll take a stroll down the beach. We'll drop in on old Doc Jonas.
00:43:44With a full one. And by the time it's empty, we'll have picked up everything we need to put on a good show. And you think it's a pretty, pretty good pearl, eh, you own it? It's good enough to get us a long way away from these cursed islands.
00:44:02I'll leave him on to do the talking first, and then I'll know that the human eye, Mr. Owner, is a very intricate mechanism.
00:44:18Wheeler, I've good news for you. This is Dr. Otto Steinmeier, the big doctor you're wanting for your white man.
00:44:26Not warning, doctor.
00:44:28What do you mean? You got the pearl, didn't you?
00:44:31Throw the pearl away. Not warning, doctor.
00:44:33You threw that pearl away? You're lying!
00:44:36Now, my Mr. Owner, this won't do. You're frightening the child.
00:44:41I'm here to help you, my dear. You love this white man, don't you?
00:44:46Well, then, you want him to see, don't you?
00:44:49No.
00:44:50Why not?
00:44:52Can you see he's leaving Isla?
00:44:53Who told you that?
00:44:55Only.
00:44:57But that's silly.
00:45:00If Kennedy see you, he love you.
00:45:03He never leaves you.
00:45:05You think?
00:45:06I'm sure of him.
00:45:08Does he know about the pearl, child?
00:45:10Well, that's fine.
00:45:12And he mustn't know.
00:45:14For a little while.
00:45:16But when I make him see, you tell him about pearl.
00:45:20Big surprise.
00:45:21Understand?
00:45:23He love you very much.
00:45:26Oh, good.
00:45:27Now, then.
00:45:29Where will I find this Kennedy of yours?
00:45:32I'm taking you.
00:45:39Hello there. Where have you been?
00:45:42Kennedy, big doctor here.
00:45:44Big doctor here? What are you talking about?
00:45:45He come to Ireland. I bring him here.
00:45:47Oh, Wheeler, you must be losing your mind seeing things.
00:45:50No, she isn't, Kennedy.
00:45:51I'm Steinmeier.
00:45:52In the flesh.
00:45:54Steinmeier?
00:45:54Why, it's a miracle.
00:45:57Not at all, my boy.
00:45:58I happened to call it Matea.
00:46:00Ran into your storekeeper.
00:46:02He told me about the shipwreck.
00:46:04Your eyes and all.
00:46:05And naturally, I came right over.
00:46:07That's marvelous.
00:46:08And you got my letter from New York?
00:46:10Your letter.
00:46:11Oh, yeah, yes, yes, yes, of course.
00:46:13But let's get in out of the sun.
00:46:16I'd like to have a look at those eyes.
00:46:21Eli.
00:46:22Eli, still, I can't believe it.
00:46:24It's wonderful.
00:46:25Now, then, let's have a look.
00:46:27Oh, wait a minute, doctor.
00:46:28Before you started, it's only fair to tell you that things are different now than they were when I wrote to you.
00:46:33Yeah?
00:46:34Then I had money, which now is at the bottom of the ocean in the old Narcosis.
00:46:38Frankly, I haven't a dime.
00:46:40Tut-tut, my boy.
00:46:42I'm not worried about my fee.
00:46:44My whole concern is getting these eyes in shape.
00:46:47That's certainly swell.
00:46:48You won't lose by it.
00:46:50The minute I get on my feet...
00:46:51Ah, forget it.
00:46:52You must help us stand back there.
00:46:55In fact, I suppose you've had many...
00:46:57...opinions about your case.
00:46:59Plenty of them.
00:47:00And what were some of them?
00:47:02Oh, atrophied nerve, paralysis, the usual sort of guesswork.
00:47:07They all agreed that the Steinmeier operation was the only thing.
00:47:09Well, it's not as bad as I thought.
00:47:12There's a chance.
00:47:13A very good chance, in fact.
00:47:15Doc, those are the sweetest words I ever heard in my life.
00:47:19You hear, Eli?
00:47:21I'll be able to see again.
00:47:22Now, yes, sir.
00:47:25By morning, when these drops have had time to take effect, we can really go to work.
00:47:29There.
00:47:41There.
00:47:42Not too tight, is it?
00:47:43No.
00:47:45Well, that's all for today.
00:47:47Doc, I...
00:47:48I can't tell you how much I...
00:47:49Forget it.
00:47:51Forget it.
00:47:52Just you keep as quiet as possible.
00:47:55I'll be around the first thing in the morning.
00:47:58And you see that he does as I say, young lady.
00:48:00Eli, take care of Kenny.
00:48:02Good.
00:48:02Oh, by the way, doctor, has anyone made any sort of comfortable arrangements for you?
00:48:06I'd be glad to put you up, but you see...
00:48:08Don't worry about that.
00:48:09Mr. Horner, I believe his name is.
00:48:12He's...
00:48:13Hey, he's found room for me.
00:48:14Good.
00:48:14Good day.
00:48:15Goodbye.
00:48:16Come, Kenny.
00:48:18Make race like Dr. C.
00:48:19How'd it go?
00:48:23Okay.
00:48:28Well, did you get it?
00:48:30Of course not.
00:48:31You don't think I'm going to run the chance of being suspected?
00:48:35This Kennedy's no fool.
00:48:37I'm going back in the morning and...
00:48:45Hi, Billy.
00:48:46Hello, Father.
00:48:46You pick, doctor?
00:48:50I...
00:48:50Yes, I'm the doctor.
00:48:54You come.
00:48:54My son is very sick.
00:48:57You see, Chief, the big doctor tired.
00:48:59Come a little while.
00:49:01Come now.
00:49:02Come now.
00:49:02Come now.
00:49:31Come now, sir.
00:49:55Boy, better now.
00:49:57I think I'll be running along, Chief.
00:49:59You stay.
00:50:00Better now, eh?
00:50:26Good doctor.
00:50:27I pay.
00:50:28Oh, that's all right.
00:50:29Never mind the pay.
00:50:31Bye, Chief.
00:50:32So far.
00:50:35Oh, uh, by the way, Chief.
00:50:40You've got good boat?
00:50:42Got big bonita boat.
00:50:44Well, there is something you can do for me.
00:50:48Now, if you'll send that boat.
00:50:52Hello, Billy.
00:51:01Hello, sir.
00:51:02Nice night.
00:51:04Sir, a marvelous, marvelous night.
00:51:09Where's the doctor?
00:51:10He calls Bull's jungle.
00:51:11Oh, yes, yes, of course, Billy.
00:51:19I was just joshing.
00:51:22I'll be running along.
00:51:23So long.
00:51:23I'll be running along.
00:51:26I'll be running along.
00:51:34Yes, sir.
00:51:36I'll be running along.
00:51:37I'll be running along.
00:51:41Okay.
00:53:42Hello there, young lady.
00:54:08See, it's about time you were getting here.
00:54:10Where's Steinmeier?
00:54:12Isn't it time yet?
00:54:14Dr. Gone, Cammie.
00:54:16Holder gone too.
00:54:18What are you talking about?
00:54:20She's a other side island.
00:54:22Gone on canoe.
00:54:24Steinmeier's a big man.
00:54:26I'm sure he wouldn't walk out on me
00:54:28just because of his feet.
00:54:30Feet? What's that game?
00:54:32Feet? Well, that's his pay.
00:54:34See, I can't pay him.
00:54:36I pay?
00:54:38You gave him what?
00:54:40He had died.
00:54:42He gave doctor to make any sleep.
00:54:46Why did you do it?
00:54:48Oh, Ila.
00:54:50Really?
00:54:52You say Hohner's gone?
00:55:00Hohner's gone.
00:55:02Hohner's gone.
00:55:06I might have known about Steinmeier.
00:55:14Look at those smart guys.
00:55:16Go first, Kenny.
00:55:20You son?
00:55:21No, Eli.
00:55:24Not a lot more, will you?
00:55:26I'm gonna be alone for you.
00:55:28Is that too long, Kenny?
00:55:30No.
00:55:32I just child anything but that.
00:55:36I wanna think things out by myself.
00:56:00You should be able to do something else.
00:56:02No.
00:56:04He's been the only one.
00:56:06I'm gonna have a good time.
00:56:08This is a good time.
00:56:10I'm gonna have a good time.
00:56:12Pass that question.
00:56:14It's a good time.
00:56:16I'll do something to chase.
00:56:18I can't wait.
00:56:20Once, I'll be okay with you.
00:56:22I'm gonna have to.
00:56:24I'll be here.
00:56:26He's all over at the least.
00:58:54What do you say before a boy to talk to you?
00:58:57Can he?
00:58:58Oh, I'm sorry.
00:59:00Listen to you, look.
00:59:01He's in my eyes.
00:59:03Can he?
00:59:04No, I think you'd better wait.
00:59:07Can he leave a minute?
00:59:09No.
00:59:10Of course he isn't going away.
00:59:12But he doesn't?
00:59:14He wants to be done.
00:59:18Now, now, I want my eyes to see, don't you?
00:59:22Yes.
00:59:24Let me go with Big Dot.
00:59:27Say a prayer for me.
00:59:31Goodbye.
00:59:33Goodbye.
00:59:35Goodbye.
00:59:37Goodbye.
00:59:39Goodbye.
00:59:41Goodbye.
00:59:43Goodbye.
00:59:45Goodbye.
00:59:47Goodbye.
00:59:49Goodbye.
00:59:52Goodbye.
00:59:53Goodbye.
00:59:54Goodbye.
00:59:55Goodbye.
00:59:56Goodbye.
00:59:57Goodbye.
00:59:58Goodbye.
00:59:59Goodbye.
01:00:00Goodbye.
01:00:01Goodbye.
01:00:02Goodbye.
01:00:03Goodbye.
01:00:04Goodbye.
01:00:05Goodbye.
01:00:06Goodbye.
01:00:07Goodbye.
01:00:08Goodbye.
01:00:09Goodbye.
01:00:10Goodbye.
01:00:11Goodbye.
01:00:12Goodbye.
01:00:13I'm speaking from New York.
01:00:18What are you doing, Mr. Kennedy?
01:00:20Possibly in cooperation?
01:00:22No, I haven't said it.
01:00:24You think that's going to stop me?
01:00:27That's grand every time.
01:00:29We're talking about the charity because I...
01:00:31Wait a minute, wait a minute.
01:00:32I haven't said anything about charity.
01:00:34I have my money.
01:00:36Hey, listen, I'll tell you what I can.
01:00:38You can pay it now.
01:00:39Easy.
01:00:43Here, my turn.
01:00:45The operation is a failure.
01:00:47You don't owe me a sale.
01:00:48If it's a success,
01:00:50then you are trapped.
01:00:56That isn't so weak.
01:00:58You mean because of the little girl?
01:01:00Yeah.
01:01:01You see, he will save my life.
01:01:04Care of me, though I will take you.
01:01:07You see?
01:01:08Yeah, that way.
01:01:09Whatever she's done,
01:01:11what she'd love to do.
01:01:13It didn't cost her.
01:01:16It did.
01:01:18Then pay her back some day.
01:01:20But now I can settle back there.
01:01:22You're silly.
01:01:24She'll hardly be gone before she'll find us
01:01:26with her own people.
01:01:27You've just got to forget it.
01:01:29I think it will work.
01:01:31I can live here a year or a half.
01:01:34Then we begin slipping,
01:01:36getting into this deadly tropical land.
01:01:39Inside of three years,
01:01:41mark my words,
01:01:42you will be a good one.
01:01:44Kennedy,
01:01:46the world needs what you have to do.
01:01:49The canvas of yours hangs in my design.
01:01:52And often when I'm feeling dark, tired,
01:01:56I pray,
01:01:57low,
01:01:58I stand here.
01:02:00It refreshes me.
01:02:01It fills me with an urge to accomplish things.
01:02:04Big things.
01:02:06It's a gift like that.
01:02:07It must not be lost.
01:02:08Bill?
01:02:09What about it?
01:02:10It's my proposition.
01:02:11Take it or leave it.
01:02:12What?
01:02:13Okay.
01:02:14Now you're talking.
01:02:15What do you think we have right to it?
01:02:22You seem to be in superb condition.
01:02:24All right, Bakes.
01:02:25I'm going to operate immediately.
01:02:26Get things ready.
01:02:27Listen, Doctor.
01:02:28I don't know what you're talking about.
01:02:31Now you're talking.
01:02:33What do you say we have right to it?
01:02:35You seem to be in superb condition.
01:02:38All right, Bates. I'm going to operate immediately. Get things ready.
01:02:42Listen, Doctor. You feel fairly certain of this, don't you?
01:02:45I'd rather chuck the whole thing than risk another disappointment.
01:02:48I know. And I think we've got better than just a chance.
01:02:53In about five minutes, we'll have this cabin
01:02:56converted into the snuggest little operating room you ever saw.
01:03:02It's a strange thing those natives have seen.
01:03:05Odd rhythm.
01:03:07Like a chant.
01:03:13I rather think it's a prayer.
01:03:26He's enough to have someMPTH into the building.
01:03:34Hiya, sailor.
01:03:35Hello.
01:03:37You know, that's the trip all right?
01:03:40Good.
01:03:41Got me a decent smokey tobacco?
01:03:43Oh, Kennedy, he's all right, doctor says he'll have the bandages off in a few more
01:03:56days.
01:03:57Then he go away?
01:03:58Won't go away?
01:03:59I sure hope so.
01:04:01Hanging around here is getting on my nerves.
01:04:04He'll come in with you to see Kenny, please.
01:04:10No, no, you don't.
01:04:12Visitors not allowed.
01:04:13Why?
01:04:14Doctor's orders.
01:04:15Can he see?
01:04:17Perhaps.
01:04:18In three or four days.
01:04:28Take it easy, my boy.
01:04:30Don't try to see everything blunt.
01:04:32It's no use, doctor.
01:04:33I just can't tell you what this means.
01:04:35Don't try.
01:04:36I wouldn't mind getting a thrill like that myself.
01:04:39Your thrill should come from being able to do a job like this.
01:04:42Pardon me, sir.
01:04:43That little naked girl is coming along inside of the router again.
01:04:45I can't see her, doctor.
01:04:46There may be a few, but I can't see her.
01:04:47Keep my end of the bargain.
01:04:48I'll see her.
01:04:49You go below.
01:04:50What will you tell her?
01:04:51You leave it to me.
01:04:52I'll make her understand everything.
01:04:53Can he see?
01:04:54Yes, my child.
01:04:55Kennedy sees.
01:04:56Kennedy sees.
01:04:57Kennedy wants to see.
01:04:58Just a moment.
01:04:59Just a moment.
01:05:00Let's have a little talk, you and I, eh?
01:05:01See, Kennedy first.
01:05:02No.
01:05:03I can't see her.
01:05:04I can't see her.
01:05:05I can't see her.
01:05:06You go below.
01:05:07What will you tell her?
01:05:08You leave it to me.
01:05:09I'll make her understand everything.
01:05:11I can't see her.
01:05:12I can't see her.
01:05:13I can't see her.
01:05:14I can't see her.
01:05:15I can't see her.
01:05:16I can't see her.
01:05:17I can't see her.
01:05:18I can't see her.
01:05:19I can't see her.
01:05:20I can't see her.
01:05:21I can't see her.
01:05:22Yes, my child.
01:05:23Kennedy sees.
01:05:24Kennedy wants to see Eli.
01:05:25Just a moment.
01:05:26Let's have a little talk, you and I, eh?
01:05:27See, Kenny first.
01:05:28No, no.
01:05:29Now, listen to me.
01:05:30You love Kennedy very much, don't you?
01:05:32You want him to be happy?
01:05:34You are making him very happy.
01:05:36And I want happiness for you both.
01:05:38But if Kennedy stays here, neither one of you will be happy.
01:05:41Not?
01:05:42Why?
01:05:43Sit down, please.
01:05:48It's like this, my child.
01:05:50A native girl belongs with her.
01:05:52A white man with his...
01:05:54You see?
01:05:56How can he love him, Eli?
01:05:58You're a sweet child.
01:06:00And you've been very good together.
01:06:02And he's grateful.
01:06:04Grateful?
01:06:05What does that mean?
01:06:08See here, Eli.
01:06:09Do you like Tono?
01:06:10Oh, yes.
01:06:11He's doing nice things.
01:06:12He's bringing you here.
01:06:13Then you're grateful to him.
01:06:15But that doesn't mean that you want to be good in all the time.
01:06:18No.
01:06:19That's what I'm trying to tell you, child.
01:06:22You've been very good to Kennedy.
01:06:24And he's grateful.
01:06:26Please go away without seeing him now.
01:06:29Giving to Kennedy.
01:06:30I'm going to...
01:06:32You're giving to Kennedy.
01:06:34I'm sorry.
01:06:35I'm sorry.
01:06:36I'm sorry.
01:06:37I'm sorry.
01:06:38You're giving to Kennedy.
01:06:39You're giving to Kennedy.
01:06:41Well, she sent you this ring, my boy.
01:07:00I'm sorry.
01:07:01I'm sorry.
01:07:02I'm sorry.
01:07:03I'm sorry.
01:07:04I'm sorry.
01:07:05I'm sorry.
01:07:06I'm sorry.
01:07:07I'm sorry.
01:07:08I'm sorry.
01:07:38See ya, love?
01:07:43All set to sail, son.
01:07:44Make ready to weigh anchor.
01:07:45Very good, sir.
01:07:59It's no use, doctor.
01:08:00You'll have to let me out of our bargain.
01:08:01I can't go through with it.
01:08:03You'll have to let me out of our bargain.
01:08:04I can't go through with it.
01:08:06I know how you feel, my boy.
01:08:08It's rough going now.
01:08:10But once you get back to work...
01:08:11But don't you understand, man?
01:08:12The painting is done with the heart.
01:08:15And mine's here.
01:08:17Always will be.
01:08:33Come to the view, to my left of smile.
01:08:45Come to the view, to my left of smile.
01:09:03Come to the view.
01:09:33Come to the view.
01:10:04Come to the view.
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