- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54No.
00:04:55I don't.
00:04:56I know who he is.
00:04:57Let's go and talk it out.
00:04:58At the table.
00:04:59So cool to me and Bijan, who's wrong?
00:05:00I've got the presidency.
00:05:01And the fancy party.
00:05:02He was wrong.
00:05:03I forgot the glass.
00:05:04When I was16, my birthday cake is.
00:05:06I'm not justí•´ìš”.
00:05:07I'm not ready to go here to agitate定 her name.
00:05:09I'm not of this.
00:05:10More like love.
00:05:12I was not half a�.
00:05:13Keep in there.
00:05:14Who drinks?
00:05:15You really!
00:05:16He's a 43-wife.
00:05:17Oh, my God.
00:05:47Oh, my God.
00:06:17Oh, my God.
00:06:47Oh, my God.
00:07:17Oh, my God.
00:07:47Oh, my God.
00:08:17Let's please, ladies and gentlemen.
00:08:47Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:00Okay.
00:09:00Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34You didn't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think, they were going to get married, and not long before the wedding, she went
00:09:54on holiday with some friends from work, and they came here to Santo Domingo as part
00:09:59of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things, especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having, whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for Laura's time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is...
00:12:29Great.
00:12:36Come on, loosen up.
00:12:49I feel uncomfortable.
00:12:50Well, no need.
00:12:58What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18You mean that he...
00:13:19You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand.
00:14:01You know, love can be a strange thing.
00:14:05I know.
00:14:23Oh, the light is not the best, but we shall do what we can.
00:14:48It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that, uh,
00:15:16but you don't end up reincarnating as a turtle.
00:15:21Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for the team.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:43Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00I hire him to keep up a conversation with us, all right?
00:16:04Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you
00:16:23for somebody who never bought soap.
00:16:24He's a pirate.
00:16:25Aww.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:52Hey, it's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:22Bye-bye.
00:17:32Uh, is it far to the fishing village?
00:17:35500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:52I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long, I...
00:18:16Bye.
00:18:43Hi.
00:18:43Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Wait, good morning.
00:19:04Good morning.
00:19:05Good morning, sir.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Eh, it's it.
00:19:19Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey
00:19:49Your feelings or your way to acariciar
00:19:52You've robbed all your feelings
00:19:54You're a little more than you, you'll never love you
00:19:56Uh, good morning, Consuelo
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up
00:20:07I'll bring you a few drinks
00:20:08For instance, would you like some alcohol
00:20:11Or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both
00:20:15I won't be long
00:20:19Here are some bottles
00:20:44Uh, who's that woman?
00:20:47Yeah, a very well-known American writer
00:20:49Joanne Sullivan?
00:20:52Mm-hmm
00:20:52I know her
00:20:54The two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:06Mm-hmm
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd
00:21:14Oh, my God
00:21:15Is it really you?
00:21:17Uh-huh
00:21:17Oh
00:21:18How are you?
00:21:21Fine
00:21:21Great to see my old valedictorian
00:21:23Great to see you
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine
00:21:27Oh, fantastic
00:21:28Come and sit down
00:21:29What are you doing?
00:21:32Escaping
00:21:33But don't ask me from what
00:21:35Because I don't know
00:21:36Maybe from myself
00:21:37Well, I imagine you're writing something now
00:21:40Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time
00:21:44If you don't write?
00:21:47Gymnastics
00:21:47And I drink
00:21:51I tend the garden
00:21:56I read
00:21:56Don't you like long for New York at all?
00:22:01No
00:22:05America is in an advanced state of decomposition, Andy
00:22:09Like the whole of the West
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any
00:22:19Men that I like
00:22:22That's probably a good thing
00:22:24I like everything sophisticated
00:22:27Or complicated
00:22:28I suppose I'm in a crisis
00:22:31Is that a plea for help, I hear?
00:22:34Oh, come on
00:22:35It wasn't a proposition
00:22:36I see
00:22:37Well, in that case
00:22:38I'll offer you a proposition
00:22:39What kind?
00:22:41Like I told you
00:22:42I'm working for a magazine
00:22:43And I'm doing a story on this island
00:22:46And you know it pretty well
00:22:47Yes, I do
00:22:48You could help me
00:22:50Whenever you want
00:22:52My pleasure
00:22:53Great
00:22:55Here comes the food
00:23:01Oh, good
00:23:01We can try the local cuisine
00:23:03Here it is
00:23:04The chef's special
00:23:05Mmm
00:23:05Mmm
00:23:06Mmm
00:23:07That looks
00:23:08Enjoy your food
00:23:10I'm starving
00:23:11Oh, that looks good
00:23:14Consuelo's such an extrovert
00:23:16She's always bright and sunny
00:23:17She's just my opposite
00:23:20I like her
00:23:21She's already had the cream
00:23:23Of the young men on the island
00:23:25If I could only get used to going to bed
00:23:28So easily
00:23:29Yes
00:23:31It's knowing how to start it up
00:23:33Yeah
00:23:34The warm-up
00:23:36It's simple as to make it with someone you know
00:23:40The first sub's taken already
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer
00:23:49I don't think Criela thinks it's such a good idea
00:23:52It might be more fun if we didn't leave her out
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the seventies
00:24:06Sex, lib, dreaming
00:24:07That's all, Dad
00:24:09You disappoint me
00:24:10Esa mujer tiene el corazón duro
00:24:20Con MFP
00:24:22Yeah, it's very at home here in this setting
00:24:44Been here long, do you know?
00:24:47Only a few years, but it's as if he was
00:24:49The girl arrived a few months ago, that's all
00:24:52Oh, not bad
00:24:54You dance almost like a native
00:24:59Is she his woman?
00:25:08His steady date
00:25:09She sits all day and waits for us
00:25:12I believe she's Italian
00:25:14Poor thing
00:25:15Came here on vacation
00:25:17Took one look and got stuck
00:25:19Stuck on him
00:25:20Hey, maybe that person is
00:25:24Is the girl, that air steward was so
00:25:27Desperately seeking
00:25:28You said she's Italian?
00:25:31Yes, why?
00:25:33But then
00:25:33It must be her on the plane I met her boyfriend
00:25:37He came here to look for her
00:25:39He'll go back empty-handed, I'm sure
00:25:41Leon is like a drug
00:25:44He doesn't conquer
00:25:45He dominates
00:25:46Your friend had better resign himself to losing her
00:25:49I hope he doesn't find her
00:25:52It's like I said
00:25:54This aisle
00:25:54It wants to put evil spells on sexy girls
00:25:58Poor guy
00:26:00He must love that girl a lot
00:26:02To come all this way
00:26:03Since you feel so sorry for the poor guy
00:26:11Why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage
00:26:15Could it be terribly easy
00:26:17For you to make an oaf like that
00:26:20You know, come chasing after you like a beast in heat
00:26:24He's a womanizer
00:26:25And your friend will get back his girlfriend
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:32Hmm, it's a little risky
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne
00:26:39And besides, she'll just have to fake it
00:26:41Right?
00:26:43Go on, ask him to dance
00:26:44Have a heart
00:26:45Hey, look, have you finished?
00:26:48I've had enough
00:26:49I'm gonna go
00:26:50This music's getting on my nerves
00:27:02Sorry
00:27:09I wasn't serious
00:27:12I was a joke
00:27:14I love you, Andy
00:27:16I love you more than anything else in the world
00:27:22Me too
00:27:27I love you too
00:27:33God
00:27:35It's okay
00:27:40If you're tired
00:27:43It's happened before
00:27:46It'll pass
00:27:50It'll pass
00:27:50But if you're tired
00:27:51Oh, my God.
00:28:21Oh, my God.
00:28:51Oh, my God.
00:29:21Oh, my God.
00:29:51Oh, my God.
00:30:21Oh, my God.
00:30:22Oh, my God.
00:30:23Oh, my God.
00:30:25Oh, my God.
00:30:27Oh, my God.
00:30:28Oh, my God.
00:30:33Oh, my God.
00:30:34Oh, my God.
00:30:35Oh, my God.
00:30:37Oh, my God.
00:30:39Oh, my God.
00:30:40Oh, my God.
00:30:42Oh, my God.
00:30:43Oh, my God.
00:30:44Oh, my God.
00:30:45Oh, my God.
00:30:47Oh, my God.
00:30:48Oh, my God.
00:30:49Oh, my God.
00:30:50Oh, my God.
00:30:51Oh, my God.
00:30:52Oh, my God.
00:30:53Oh, my God.
00:30:54Oh, my God.
00:30:55Oh, my God.
00:30:56Oh, my God.
00:30:57Oh, my God.
00:30:58Oh, my God.
00:30:59Oh, my God.
00:31:00Oh, my God.
00:31:01Oh, my God.
00:31:02Oh, my God.
00:31:03Oh, my God.
00:31:04Oh, my God.
00:31:05Oh, my God.
00:31:06Oh, my God.
00:31:10Oh, my God.
00:31:21Oh, my God.
00:31:23Oh, my Lord.
00:31:29What are you doing?
00:31:31Oh, my God.
00:31:32I
00:31:50Feel that
00:32:02You there?
00:32:08Grilla!
00:32:15Grilla!
00:32:20Grilla!
00:32:22Grilla!
00:32:24Grilla!
00:32:32Grilla!
00:32:38Have you seen Grilla?
00:32:40No.
00:32:43There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along. So I took off to look around, alright?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:33:59I want to go back to America.
00:34:03You're not being reasonable.
00:34:08I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16It'll be alright again soon, I swear.
00:34:19No, there's nothing to do with you. I don't know. It's just...
00:34:23Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:28It's only a question of time.
00:34:31I know it.
00:34:34All you have to do is be patient.
00:34:37Just a little longer.
00:34:39We'll be happy again.
00:34:41And then, I'll be able to give you what you need so badly.
00:34:44I'll be able to give you what you need so badly.
00:35:14Let's go.
00:35:44Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:14Come on.
00:36:38Care for a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:08Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:25Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40I've stopped looking for it.
00:37:50The broken hearts.
00:38:10I was sure you'd come.
00:38:15You were?
00:38:17Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:21Yes.
00:38:27Well, not today.
00:38:28What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:42I decide when I make love.
00:38:53You quite sure you don't want to come with us?
00:38:56No. I prefer to stay here and keep Consuelo.
00:39:01Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08It's not true.
00:39:12I'm not going to stay around and talk about it.
00:39:14Goodbye, I'll be yours.
00:39:15Goodbye.
00:39:16Goodbye.
00:39:45It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:11Well, since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you? I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:38You better hurry or you'll be too late.
00:40:42I'll take you back.
00:40:43I'll take you back.
00:40:44I'll take you back.
00:41:05Bet you're enjoying it.
00:41:06Joanne gave me one too with a dedication. I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:19I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:31So you snuck away to live on an island.
00:41:33Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Hi, Marco.
00:41:47I imagined bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah, wow, it's great.
00:41:51Yes, can I help you?
00:41:53I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:00I'll go make your bed up.
00:42:02Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:41Leon, where are you going?
00:42:43I'm leaving.
00:42:44But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:56Leon.
00:42:57Leon.
00:42:58Leon.
00:43:00Don't go.
00:43:03Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:18I love you.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:31I'm not leaving this island without you.
00:43:32I love you.
00:43:58Can I stay on board?
00:44:03I'm not leaving this island without me.
00:44:12Let's go.
00:44:13To get this straight.
00:44:15This time.
00:44:16Must be forever.
00:44:22I know.
00:44:23I know.
00:44:26So, stay.
00:44:39She's not a Consuelo. She's not on the beach. She's gone.
00:44:43There's no other explanation. I knew it. She's gone back to the States.
00:44:47How? Wearing a pareo? Andy, look!
00:44:55She hasn't gone. Her stuff's still here.
00:45:08Andy, you're not to worry. I'm sure that Criola will soon come back.
00:45:14Do believe me.
00:45:17I've got to be off now. So long. See you at dinner.
00:45:47Have you seen Leon?
00:45:57They've seen what he did with a girl.
00:46:09Sorry. To the stern. I want a word with him.
00:46:14I'll leave you two together.
00:46:16Wait. What do you want? Iris. Iris? You got her.
00:46:23You don't want Iris. Iris is free to do what she wants. Adios.
00:46:27Adios.
00:46:28Adios.
00:46:29Adios.
00:46:30Adios.
00:46:31Adios.
00:46:32Adios.
00:46:33Adios.
00:47:34No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:47:59I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:49:05Get out of here and stop bothering the customers.
00:49:19So this isn't the very first?
00:49:22No, it isn't the first time, but she came back in the past.
00:49:26Playing with fire.
00:49:28One can be burned in the end.
00:49:32I blame myself.
00:49:34My natural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:50She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:58Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened.
00:50:12Fate set a trap for her.
00:50:14Oh God.
00:50:15Now I'm the one who went and trapped her.
00:50:18Yep.
00:50:19Now you're trapped.
00:50:20It started as a game, that's all.
00:50:24It wasn't serious.
00:50:27Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:37Good evening.
00:50:38Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:42Thanks.
00:50:43Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:47I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:51Hi.
00:50:52I'm sure she'll be delighted to know you're here.
00:50:55She already knows.
00:50:57But you mean to say you've seen her?
00:51:00Yes.
00:51:01Briefly.
00:51:02Yeah, but where?
00:51:04You haven't said.
00:51:05I have to know immediately.
00:51:14Surely you can guess.
00:51:17She's on Leon's boat.
00:51:23Don't go.
00:51:24Don't go.
00:51:25I have to.
00:51:27Oh let me...
00:51:28gotta go.
00:51:50Oh, my God.
00:51:53Oh...
00:51:54You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:54You're hurting me.
00:52:55You're hurting me.
00:52:56I don't care.
00:52:57I don't care.
00:52:58I'm hurting you.
00:52:59I'm hurting you.
00:53:02Can I find you?
00:53:04Hold your hand.
00:53:07I'll be there.
00:53:08That's the next one.
00:53:09Thanks.
00:53:11I'll be there, I'll be there.
00:53:15I'll be there.
00:53:17I'll be there, mate,
00:53:18and say anything...
00:53:21You're angry, neither.
00:53:23Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:53Hey, what are you doing here?
00:54:20Criola.
00:54:20What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:43It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:02I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't want you.
00:55:25I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:39My life is meaningless without you.
00:55:46I'm sorry.
00:55:48I'm sorry.
00:55:55I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:23But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I'm into this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Okay.
00:56:50Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She is bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:11They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:32That's not going to do any good.
00:58:58Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:28Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Mm-hmm.
00:59:58Mm-hmm.
01:00:15Oh, my God.
01:00:45Oh, my God.
01:01:15Mil horas, como un perro.
01:01:19Y cuando llegaste me miraste me dijiste loco.
01:01:23Estás mojado, ya no te quiero.
01:01:28Hace frÃo, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:41Tengo un boquete en el pantalón.
01:01:43Voces tan frÃas, como la nieve a mi alrededor.
01:01:47Voces tan blancas, que ya no sé qué hacer.
01:01:50La otra noche te esperé bajo la lluvia dos horas.
01:01:56Mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste loco.
01:02:04Estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17I don't know anymore, Iris.
01:02:34¿Cómo puedes humilartearte de esta manera?
01:02:38¿Cómo puedes aceptar todo esto?
01:02:39Porque yo lo amo como nunca lo amé a nadie.
01:02:42¿Cómo te llamas, entonces?
01:02:44¿No te preocupes por nada?
01:02:46Quizás has olvidado que nos debemos casar en un mes.
01:02:50¿No entiendes, Marco?
01:02:52No puedo dejar Leona.
01:02:54Dios mÃo, ¿cómo es posible?
01:02:57Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:14Ya no te quiero.
01:03:17Dime circo, ya eres una estrella.
01:03:21Una estrella roja que todos te lo imaginan.
01:03:25Dime, pregunto.
01:03:27You didn't know me, no, no.
01:03:30In a bag of pants,
01:03:32Your clothes are so cold,
01:03:34like the snow...
01:03:40Like a beer?
01:03:41Sure.
01:03:45There's gotta be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks are women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:06If only we had any guts,
01:04:08we'd do something about it.
01:04:10Come on.
01:04:11Hello.
01:04:41Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:37I need you, Leon, a ride to the mainland
01:05:39so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party,
01:05:48so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:00Anyway, it's okay.
01:06:06I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:34Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake,
01:06:43don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:07:21Look, doesn't it?
01:07:21Hope is on it.
01:07:22Let's go.
01:07:52I hope it's enough.
01:08:06Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:09I'm looking for Martin.
01:08:10He's not here.
01:08:11He left with Leon and Andy.
01:08:13Oh, my God.
01:08:15I have a terrible feeling.
01:08:17He came to me this morning and he had a strange, evil look in his eyes.
01:08:21He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:36Let me in on it.
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:39Let me in on it.
01:08:40Let me in on it.
01:09:53There must be something caught in the propeller.
01:10:19I'm going down to have a look.
01:10:22Come on.
01:10:24Let's go.
01:10:26Come on.
01:10:28Let's go.
01:10:30Come on.
01:10:32Let's go.
01:10:36Come on.
01:10:38Let's go.
01:10:40Come on.
01:10:42Let's go.
01:10:46Come on.
01:10:50Come on.
01:10:51Let's go.
01:10:52Let's go.
01:10:54Let's go.
01:10:56Let's go.
01:10:58Let's go.
01:11:00Let's go.
01:11:01Let's go.
01:11:02Let's go.
01:11:04Let's go.
01:11:06Let's go.
01:11:08Let's go.
01:11:10Let's go.
01:11:12Let's go.
01:11:13Let's go.
01:11:14Let's go.
01:11:15Let's go.
01:11:16Let's go.
01:11:17Let's go.
01:11:18Let's go.
01:11:20Let's go.
01:11:21Let's go.
01:11:22Come on.
01:11:24Consuelo?
01:11:26Have you seen Iris?
01:11:27She and Crila were very upset they left.
01:11:31Crila?
01:11:32What the hell is going on?
01:11:36Nothing.
01:11:47Iris!
01:12:02Iris!
01:12:24Stop it!
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Marco didn't really mean to kill you.
01:12:46It was pure desperation. Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon?
01:12:55No.
01:12:56Funny.
01:12:58I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:10I don't think they meant to kill Leon really.
01:13:12It's an ugly story.
01:13:13I never thought he would go that far.
01:13:14You're wrong about Andy.
01:13:15He loves you more than anything else in the world.
01:13:16He'd do anything to get you back, anything at all.
01:13:17He's changed, you know.
01:13:18You think so?
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:05Hey, you're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:56We thought...
01:14:57Well, he thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:38They say these islands cast a spell and love us.
01:15:51We get...
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