Cursed Films | Cannibal Holocaust | Documentary - video Dailymotion

Милан Ђорђевић

Cursed Films season 2 episode 5 Cannibal Holocaust

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31:33racism and the treatment of women the animal killings are something that not without justification

31:43people focus on and the function that they serve is obvious because the film is attempting to give

31:51a simulacra of reality and when you see the viscera of a tortoise slithering around

32:03that then adds a additional level of verisimilitude to the butchery of humans

32:11which to the best of my knowledge did not actually happen but once they started killing things i started

32:18bringing my passport and all my money and my plane ticket with me every day to the set

32:25i wasn't sure if i this was a snuff movie or not i didn't know what their intention was

32:35it feels like about as close to a snuff film as you want to see i mean these guys did kill a turtle so

32:43maybe they really is they these people really die like what the hell how the hell they make this movie

32:47you know pretty powerful stuff huh to use that contract between filmmaker and audience and take

32:58advantage in some ways of the audience's credulity is part of the game being played i know that there

33:06was some kind of fuss kicked up by the mercury theater war of the world broadcast in 1938 which

33:14is using some of the same tactics as does cannibal holocaust this is orson wells ladies and gentlemen

33:21out of character to assure you that the war of the world has no further significance than as the

33:27holiday offering it was intended to be but i don't know to what degree an audience of 1980

33:34who saw cannibal holocaust thought that they were watching human lives snuffed out on camera i would

33:41guess there was certainly a smidgen of the audience that did i don't have a film con immagini

33:49cialtrone immagini che insomma deve essere un film vero realismo proprio realismo realismo

33:58ho preso questi tre ho fatto un contratto dicendo loro voi farete questo film per un anno dovete sparire

34:08non dovete fare nessun altro film or youngsters who never came back e quindi io avevo messo questo

34:16veto di non fare altri film di non apparire perché per me devono essere morti the agreement was that we

34:25have to hide ourself we don't we don't have to to show in any other movie for a certain period of time but

34:32the plan was to tell that we really died he said okay everybody think is a is real that this is a

34:40real documentary he wanted to market the film as if it was a snuff movie i mean blair which is a

34:49different story because it was a different time and obviously we hadn't killed the filmmakers but

34:53with cannibal holocaust filmmakers basically hid the actors and i think that's part of why they got into

34:58trouble it was like a real court case and stuff like right he had to like prove himself in court that

35:16they that that you know just the techniques and the actors had like come out and actually like

35:20you know show themselves you know show themselves the president del tribunale

35:24diciamo come ha fatto ammazzare tutti gli attori ma io non ho ammazzato nessun attore ci stavano

35:33c'è tutta finzione questo film non c'entra niente

35:39perché mi dovete accusare che ti pare che io mangio il cestino con gli attori e poi li ammazzo

35:44so i don't really know much about that story and i generally don't talk about it but i will

36:00this time this is what i'll tell you i didn't sign anything and they never brought me into court

36:08i think it's a brilliant sales idea so the trial didn't have anything to do with people thinking

36:19he actually killed someone uh no no um um a lot of elements uh a lot of elements that are tied to the

36:30trial um that return in many interviews are often part of that wanting to create a legend basically you

36:38know what we do know for a fact is that there was indeed a hearing that involved central uffizi the

36:47cinematographer the producers the thing they were accused of was uh offesa della pubblica morale

36:56cercano di trovare una cosa che che potesse condannare deodato e trovano una piccola legge di

37:06pubblica sicurezza che la sarebbe nata nel periodo del fascismo e si proibiva di fare entrare la corrida

37:15in italia per questo motivo c'era appunto la morte dei tori tutto quattro e quindi io non potevo ammazzare gli animali

37:26e per quella condanna mi hanno dato quattro mesi con la condizionale a me al produttore al distributore

37:42e sequestro nel film the film was removed from theaters completely the film had to be literally

37:51canceled i was very happy i was so happy that the the movie has been banned so that nobody could see

37:59that series of events really kind of changed the course of that was career and pretty much everybody

38:04who participated in the film

38:05we find the cannibal genre to be the last big phenomenon

38:13italian cinema was a giant and a giant dies it doesn't die softly in the night

38:20it dies shouting and screaming and kicking and that's how italian genre cinema died

38:27in the jungle with people being ripped apart

38:33sadismo torno ripetere una forma certo non deve essere accentuata ma un minimo di sadismo

38:41nell'essere umano c'è sempre insomma

38:45altrimenti non se spiegherebbero le neifandizie che sono state fatte durante la guerra

38:53perché tutte queste atrocità se non ci fosse nell'animo delle persone una forma di sadismo

39:02poi certo c'è quello sadico al cento per cento quello sarebbe da uccidere insomma però

39:12sadismo è fatto in determinate maniere

39:18che un giorno a un mio fan ho detto ma settimo americano questo guardio settima voi quando

39:29vedete il taglio della testa di quell'americano in iraq vi fa impressione più quello o il film

39:38cannibal holocaust e lui mi ha risposto no cannibal holocaust è molto più forte del taglio della

39:44della testa che hanno fatto vedere dell'americano in iraq ha detto non solo ho raggiunto lo scopo

39:54ma l'ho superato ho superato la realtà

39:57ma l'ho più importante cosa che vogliono capire il film che non abbiamo capito ancora

40:07questo è un film è solo rock'n'roll

40:12un giorno ho venuto a vedere Alice Cooper

40:15e io stavo filmando in film

40:18e ho filmato parte del concerto

40:20poi siamo tornati in l'edizione

40:22e noi non potevamo la cantina e l'edizione

40:27ho fatto la clappi, potete vedere, vi fatti

40:29le mo'viola era veramente

40:34e era senza cantare

40:36come Alice Cooper può cantare senza cantare?

40:39poi ho capito che non c'è cantare

40:42era fai

40:43era fai

40:44era tutto registrato

40:47e è solo rock'n'roll

40:48so i think cannibal holocaust it sounds rock and roll

40:54it is something that i regret the most of course and uh apart to have to to to deal with myself

41:04for long long time to have been part of this cannibal holocaust so i never know if i ever

41:12forgive myself uh to be in the movie i can't understand the reason for such cruelty when

41:21you watch cannibal holocaust what do you feel nobody's ever asked me that um wow that's a good question

41:33well the first word that came to mind was awful

42:03so

42:11so

Cursed Films | Cannibal Holocaust | Documentary

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