- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:39¡Abrr!
00:01:40It was really great.
00:02:06You were fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:39Hello.
00:02:40Hello.
00:02:41Hello.
00:02:42Hello.
00:02:43Ciao.
00:02:44Mmm.
00:02:45All go according to plan?
00:02:46Not bad.
00:02:47You look great.
00:02:48Thanks.
00:02:49Bye, Criana.
00:02:50Ciao.
00:02:51Try to have a nice trip.
00:02:52I'll try.
00:02:53Good luck.
00:02:54I need it.
00:02:55Another conquest?
00:02:56No.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06I know that look.
00:03:07I know that look.
00:03:08I know that look.
00:03:09It really is beautiful.
00:03:15It really is beautiful.
00:03:16Yeah, well, I think the atmosphere is weird here.
00:03:22There's something in the air.
00:03:23It's extremely erotic.
00:03:29I feel strange all of a sudden.
00:03:30I hope the hotel's near.
00:03:31I'm almost there.
00:03:32Ah, it's beautiful.
00:03:33You were right.
00:03:34I just cannot imagine what it is like to do it here, you know?
00:03:35I know.
00:03:36I'm almost there.
00:03:37Ah, it's beautiful.
00:03:38You were right.
00:03:39I just cannot imagine what it is like to do it here, you know?
00:03:46I don't know.
00:03:47I'm sorry.
00:03:48I'm sorry.
00:03:49I'm sorry.
00:03:50You were right.
00:03:51I just cannot imagine what it is like to do it here, you know?
00:03:59I don't know.
00:04:16Hey, Priola.
00:04:38Joe.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:42I can't find anyone who recognizes her name or her picture.
00:04:46I'm sorry.
00:04:48I know.
00:04:49Good luck.
00:04:49Good luck.
00:04:50Good luck.
00:04:51Good luck.
00:04:52Good luck.
00:04:54Good luck.
00:04:55But what I was going to do was my love, they told me about your shame.
00:05:25I'm sorry, I'm sorry.
00:05:55I'll be laughing.
00:06:25I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:55Let's go.
00:07:25Will you place the same number, ma'am?
00:07:41Sure.
00:07:43I'll put it for you.
00:07:49Number 13, right there.
00:07:55Number 13, right there.
00:08:25Number 13, right there.
00:08:33Number 13, right there.
00:08:35uh hey excuse me have you have you ever seen this girl no i'm sorry never seen her before in my
00:08:56life you got an offer to make for the children of the sun okay here will that do sure keep the
00:09:04literature that might help you spiritually are you trying to get me trapped well it's not a bad idea
00:09:20twist my arm let's see
00:09:25if i'm not mistaken that man sitting over there is the one you spoke to
00:09:33airport so it is did he make love to you no he's got other things to worry about he's looking for
00:09:41his fiance that's why he's here and how did he lose it it's an interesting story i adore interesting
00:09:46stories just think they were going to get married and not long before the wedding she went on holiday
00:09:54with some friends from work and they came here to santo domingo as part of the package deal
00:10:00when it was time to leave she disappeared come on really yeah just up and deserted the others
00:10:08apparently she never contacted anyone but he's convinced she's still here somewhere
00:10:14it's quite possible the tropics can do funny things especially to anyone who's been under some kind of
00:10:20stress the misery and anguish of living in what we laughingly call civilization taxes overworked crime
00:10:26pollution traffic this music can make you think again and besides who knows she might have met a guy
00:10:36she um like more you know simple islander oh come on that's only in fiction love is everywhere
00:10:46if it's there it's there if it's not it's not be nice to the guy wouldn't hurt if you asked him to
00:10:54join us i thought you'd think he'd be very lonely i'm ready to talk to him okay marco
00:11:02how are you this is my husband
00:11:11very kind of you
00:11:15would you like something to drink
00:11:18yeah i'll have what you're happy whatever it is
00:11:22how's the search going to find anything yet no i'm afraid nothing much yet
00:11:29but they remember seeing her around
00:11:34i'm sure that sooner or later i'll find her well i sure hope you do uh you two carry on
00:11:40excuse me i i'll be right back where are you going
00:11:44oh i have to make a telephone call to new york um my magazine editor wants that weekly report
00:11:49well that was rather sudden wasn't it
00:11:55let's dance
00:11:59i'm not too good a dancer
00:12:01just let the music do the work
00:12:02no i haven't danced in years
00:12:14well we're gonna have to make up for lost time then
00:12:16listen frio maybe we should go back to the table
00:12:26why your dancing is great
00:12:33come on loosen up
00:12:40i feel uncomfortable
00:12:50well no need
00:12:55what is it
00:13:04i don't know it's just that your andy could be watching us
00:13:06well
00:13:09the truth is that i'm doing it so that he can watch us
00:13:13let's keep dancing like this
00:13:17like lovers okay
00:13:19you mean that he
00:13:23yes it's his way of loving me
00:13:28he likes to watch and thinks i don't know
00:13:33that's ridiculous yeah i know
00:13:35but you see i love him and i'll do anything
00:13:43he likes to think i'm quite faithful
00:13:53please help me
00:13:56i understand you know love can be a strange thing
00:14:10and i don't know
00:14:15but you know
00:14:17you know
00:14:20you know
00:14:20you know
00:14:22The light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:20Huh?
00:15:22Huh?
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:31I was joking.
00:15:32Get away.
00:15:33What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:41Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59We hired him to keep up a conversation with us, alright?
00:16:04Look at him.
00:16:05Look at him.
00:16:06The hat.
00:16:07His base.
00:16:08He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:03What a disappointment.
00:17:07We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:19Adios.
00:17:33Uh.
00:17:34Is it far to the fishing village?
00:17:36Five hundred meters.
00:17:38Down that way.
00:17:39Okay.
00:17:49I'm gonna go to the village.
00:17:50Okay.
00:17:51I prefer to stay here.
00:17:52Whatever you like.
00:17:53Mm-hmm.
00:17:54Can't wait to take a swim.
00:17:55Go ahead.
00:17:56See you later.
00:17:57All right.
00:17:58See you later.
00:17:59All right.
00:18:00So long, Iris.
00:18:01Bye.
00:18:02So long, Iris.
00:18:03Bye.
00:18:04Bye.
00:18:05Bye.
00:18:06Bye.
00:18:12Bye.
00:18:14Bye.
00:18:15So long now.
00:18:16Bye.
00:18:43Hi.
00:18:45Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:19Hey, hey.
00:19:21Hey, hey.
00:19:21Hey, hey.
00:19:22Hey, hey.
00:19:23Hey, hey.
00:19:23Hey, hey, hey.
00:19:24Hey, hey, hey.
00:19:34Hey.
00:19:35Hey.
00:19:36Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Hmm, well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:20Here are some bottles.
00:20:26Here are some bottles.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:20:57Mm-hmm.
00:20:58Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh, how are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now?
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine and I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:48If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01We're good.
00:23:01We can try the local cuisine.
00:23:03Here it is.
00:23:04The chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:07Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:11Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:33Yeah.
00:23:35The warm-up.
00:23:38It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:01I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:18Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:31It's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:24:59Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl,
00:25:25that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then,
00:25:34it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy,
00:26:11why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanizer.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:32Hmm, it's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:27:02Sorry.
00:27:09I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:21Me too.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:38It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:46It'll pass.
00:27:50It's nice.
00:27:51Yes.
00:27:53Yes.
00:27:54It's nice.
00:27:55I know.
00:27:59Yes.
00:28:00No.
00:28:01Please.
00:28:10Yes.
00:28:11I know.
00:28:13I know.
00:28:14Yes.
00:28:15Oh, my God.
00:28:15Yes.
00:28:16Oh, my God.
00:28:46Oh, my God.
00:29:16Oh, my God.
00:29:46Oh, my God.
00:30:16Oh, my God.
00:30:17Leave me alone.
00:30:18Put me down.
00:30:20Let me go.
00:30:23Let's go.
00:30:25Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:38You don't have to.
00:30:39You don't have to.
00:30:40Thanks, anyway.
00:30:42You know, you should go around by yourself.
00:30:48Let's ask him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:58It's your life.
00:30:59Do what you want.
00:31:04What are you doing?
00:31:05Offering you a little hospitality.
00:31:19Here.
00:31:20Have a drink.
00:31:22Have a drink.
00:31:30Here.
00:31:31Here.
00:31:32Here.
00:31:33Here.
00:31:34Here.
00:31:35Here.
00:31:36Here.
00:31:37Here.
00:31:38Here.
00:31:39Here.
00:31:40Here.
00:31:41You there?
00:32:05Grilla.
00:32:10Grilla.
00:32:17Grilla.
00:32:22Grilla.
00:32:24Grilla.
00:32:35Have you seen Criola?
00:32:39No.
00:32:43There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:25Things I'd never have found without her.
00:33:28Andi.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:37Let's go away from here.
00:33:39Why? Something the matter?
00:33:41Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:48Besides, I got a little money in advance.
00:33:51I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:55Well, I can't forget it. I want to go away. I want to go back to America.
00:34:01You're not being reasonable.
00:34:03I know, but I can't stay here another minute.
00:34:07I suppose it's my fault, huh?
00:34:09No, of course not.
00:34:11I'll be all right again soon, I swear.
00:34:14No, it's... there's nothing to do with you. I don't know. It's just...
00:34:18Look.
00:34:19I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:23It's only a question of time. I know it.
00:34:27All you have to do is be patient. Just a little longer. We'll be happy again.
00:34:32And then... I'll be able to give you what you need so badly.
00:35:02Please.
00:35:03Please.
00:35:04Please.
00:35:07Just a little more.
00:35:09I'll be back toiós.
00:35:13I'll be back home.
00:35:21My mother...
00:35:24moments, jÄ… from love.
00:35:29Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:29Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:36:58Hmm?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40To broken hearts.
00:37:51To broken hearts.
00:37:51I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:19Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:49You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09I'm talking about her.
00:39:13I'm talking about her.
00:39:13I'm talking about her.
00:39:14I'm talking about her.
00:39:14I'm talking about her.
00:39:14I'm talking about her.
00:39:14I'm talking about her.
00:39:15I'm talking about her.
00:39:16I'm talking about her.
00:39:16I'm talking about her.
00:39:17I'm talking about her.
00:39:18I'm talking about her.
00:39:18I'm talking about her.
00:39:19I'm talking about her.
00:39:20I'm talking about her.
00:39:21I'm talking about her.
00:39:22I'm talking about her.
00:39:23I'm talking about her.
00:39:24I'm talking about her.
00:39:25I'm talking about her.
00:39:26I'm talking about her.
00:39:27I'm talking about her.
00:39:28I'm talking about her.
00:39:29I'm talking about her.
00:39:30I'm talking about her.
00:39:31I'm talking about her.
00:39:32I'm talking about her.
00:40:03It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:53Joanne gave me one too with a dedication.
00:40:55I sobbed my eyes out.
00:41:10For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends,
00:41:22but I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or model,
00:41:28but I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:42:59Don't go.
00:43:00Don't go.
00:43:01Damn you.
00:43:04Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't you?
00:43:12Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:33Can I stay on board?
00:43:46Can I stay on board?
00:44:00I'll get this straight.
00:44:14This time.
00:44:16Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:48She's gone.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Creole will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:46Have you seen Leon?
00:45:58He's seen what he did with a girl.
00:46:01Sorry. To the stir. I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait. What do you want?
00:46:20Iris. Iris? You got her.
00:46:24You don't want Iris. Iris is free to do what she wants.
00:46:28Adios.
00:46:46I'll leave you two together.
00:46:51I'll leave you two together.
00:47:25No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:02I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:19It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ!
00:48:34He's...
00:48:36I know him.
00:48:53I know him.
00:48:55I know him.
00:48:56I know him.
00:48:56I know him.
00:48:57So this isn't the very first no it isn't the first time but she came back in the past
00:49:27playing with fire one can be burned in the end
00:49:33i blame myself my unnatural desire to see the excitement men get in seeing a
00:49:39seeing a naked woman perverted i guess i proposed it to her i must be an
00:49:46asshole because now she's gone for good she did it because she knew you liked it not for herself
00:49:54she's not the kind of woman who sleeps around a lot are you serious yes i am whatever she became
00:50:03was to please you she realized simply that she had to go to bed with other guys in order to try to keep
00:50:10your interest in her going and look what happened fate set a trap for her god i'm the one who went
00:50:17and trapped her yep now you're trapped it started as a game that's all it wasn't serious
00:50:30games can be dangerous to play if you don't keep to the rules
00:50:37good evening good evening where can i find consuelo back there in the kitchen
00:50:41thanks you've forgotten we met one night in san domingo i'm married a creola oh yes now i remember
00:50:51you hi i'm uh i'm sure she'll be delighted to know you're here she already knows but you mean to say
00:50:58you you've seen her yes briefly yeah but where you haven't said i have to know immediately
00:51:07i'm sure you can guess she's on leon's boat don't go don't go i have to
00:51:37you're hurting me
00:52:01you're hurting me
00:52:07you're hurting me
00:52:25where can i find leon leon's gone fishing senor in his boat thanks
00:52:37to the
00:53:35Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:54:05Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:26What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought I would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished, God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:37Ridiculous.
00:55:37My life is meaningless without you.
00:56:03I'm sorry.
00:56:04I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:38Oh.
00:56:39I'm into this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:53Hmm.
00:56:54Hmm.
00:56:55Okay.
00:56:57Tell mother everything.
00:56:59I'm all ears.
00:57:01Look.
00:57:04I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She is bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all,
00:57:43but this island.
00:57:44It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Hmm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Hmm.
00:58:06A Puritan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:11They reject the previous moral values they had
00:58:15and abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand
00:58:21how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:26Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41That's not going to do any good.
00:58:58Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Now we eat.
01:00:09There's a time for love.
01:00:22Let's go.
01:00:52Let's go.
01:01:22Let's go.
01:01:52Let's go.
01:02:22Let's go.
01:02:52Let's go.
01:03:22Let's go.
01:03:52Let's go.
01:04:22Let's go.
01:04:52Let's go.
01:05:22Let's go.
01:05:52Let's go.
01:06:22Let's go.
01:06:52Let's go.
01:07:22Let's go.
01:07:52Let's go.
01:08:22Let's go.
01:08:52Let's go.
01:09:22Let's go.
01:09:52Let's go.
01:10:22Let's go.
01:10:52Let's go.
01:11:22Let's go.
01:11:52Let's go.
01:12:22Let's go.
01:12:52Let's go.
01:13:22Let's go.
01:13:52Let's go.
01:14:22Let's go.
01:14:52Let's go.
01:15:22Let's go.
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