- 4 weeks ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:59That is really great.
00:02:07You're fantastic.
00:02:08Thanks.
00:02:09Here's my address.
00:02:10Salam.
00:02:29I don't know what I'm going to do
00:02:31Because the black woman's eyes
00:02:33I don't understand.
00:02:41Darling!
00:02:43Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:51You look great.
00:02:53Thanks.
00:02:54Bye, Criona.
00:02:55Ciao. Try to have a nice trip.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:27It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:36There's something in the air.
00:03:37It's extremely erotic.
00:03:44I feel strange all of a sudden.
00:03:46I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:55I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:16Hi.
00:04:23Hi.
00:04:24Hey, Priola.
00:04:25Ah, ciao.
00:04:26Hi.
00:04:27How's it going?
00:04:28Any news?
00:04:29No.
00:04:30Nothing yet.
00:04:31I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:50Good luck.
00:04:51Good luck.
00:04:52Good luck.
00:04:57I never wish I could help here.
00:05:00Good luck.
00:05:01Good luck.
00:06:33It seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:07:12Let's go.
00:07:13Let's go.
00:07:14Let's go.
00:07:15Let's go.
00:07:16Let's go.
00:07:17Let's go.
00:07:18Let's go.
00:07:19Let's go.
00:07:20Let's go.
00:07:21Let's go.
00:07:22Let's go.
00:07:23Let's go.
00:07:24Let's go.
00:07:25Let's go.
00:07:26Let's go.
00:07:27Let's go.
00:07:28Let's go.
00:07:29Let's go.
00:07:30Let's go.
00:07:31Let's go.
00:07:32Let's go.
00:07:33Let's go.
00:07:34Let's go.
00:07:35Let's go.
00:07:36Let's go.
00:07:37Let's go.
00:07:38Let's go.
00:07:39Let's go.
00:07:40Let's go.
00:07:41Let's go.
00:07:42Let's go.
00:07:43Let's go.
00:07:44Let's go.
00:07:49Number 13.
00:07:50team
00:08:09the surdates ladies and gentlemen
00:08:16Let's please, ladies and gentlemen.
00:08:46Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here, will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:16Are you trying to get me trapped?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:04Mm-hmm. Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:50Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I thought you'd think he'd be very lonely.
00:10:58Ready to talk to?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants a weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time, then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37Uh, I feel uncomfortable.
00:12:50Well, no need.
00:13:03What is it?
00:13:04I don't know, it's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:31He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please, help me.
00:14:00I understand.
00:14:03You know, love can be a strange thing.
00:14:05I know.
00:14:06That's a great job.
00:14:07You know, love can be a strange thing.
00:14:08You know, love can be a strange thing.
00:14:09I'm loved.
00:14:20You know, love can be a strange thing.
00:14:22I love you.
00:14:23I love you.
00:14:24I love you.
00:14:27I love you.
00:14:28Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:24Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warp.
00:15:35What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:52Hey, it's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:22Bye-bye.
00:17:33Is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:52I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long, Ira.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:17Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:19Bye.
00:18:19Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:21Bye.
00:18:42Bye.
00:18:43Bye.
00:18:45Bye.
00:18:46Hi.
00:18:46Well, so you came at last.
00:18:51Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:11No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:21Hey, hey, hey, hey, hey, hey, hey, hey.
00:19:51Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.
00:19:58Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Mm, well, a little of both.
00:20:15I won't be lost.
00:20:16Here are some bottles.
00:20:46Who's that woman there?
00:20:48A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:53I know her.
00:20:55The two of us were at the same school.
00:20:57I think I'll say hello.
00:21:06Joanne?
00:21:07Who is it?
00:21:09Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:16Is it really you?
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic. Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me, from what?
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:44How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:57I don't know.
00:21:59Don't you like long for New York at all?
00:22:05No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:17Here there aren't any men that I like.
00:22:21That's probably a good thing.
00:22:24I like everything sophisticated or complicated.
00:22:29I suppose I'm in a crisis.
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:34It wasn't a proposition.
00:22:35I see.
00:22:36Well, in that case, I'll offer you a proposition.
00:22:38What kind?
00:22:40Like I told you, I'm working for a magazine.
00:22:42I'm doing a story on this island.
00:22:45And you know it pretty well.
00:22:47Yes, I do.
00:22:49If you could help me.
00:22:52Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:02We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm up.
00:23:36It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three a crowd?
00:23:59Oh, Andy, come on.
00:24:01I thought you were emancipated.
00:24:03But you're still stuck in the seventies.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Hey.
00:24:11Jajaja.
00:24:18Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:41Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:07His steady date.
00:25:10She sits all day and waits for him.
00:25:12I believe she's Italian.
00:25:14Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl that air steward
00:25:26was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane.
00:25:35I met her boyfriend.
00:25:38He came here to look for her.
00:25:40He'll go back empty handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wont to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:00He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah.
00:26:15He's a savage.
00:26:17But it'd be terribly easy for you to make an oath like that.
00:26:21You know, come chasing after you like a beast in heat.
00:26:25He's a womanized.
00:26:26And your friend would get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:44Ask him to dance.
00:26:45Have a heart.
00:26:46Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52This music's getting on my nerves.
00:27:09Sorry.
00:27:11I wasn't serious.
00:27:14It was a joke.
00:27:16I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:27Me too.
00:27:32I love you too.
00:27:34God.
00:27:39It's okay.
00:27:42If you're tired.
00:27:43It's happened before.
00:27:49It'll pass.
00:28:13It's a good one.
00:28:14I love you.
00:28:15It's so late.
00:28:17It's so late.
00:28:21Do you want a nurse?
00:28:23I know you were gonna do this in the world.
00:28:24I love you.
00:28:25I love you.
00:28:27I love you.
00:28:28I love you too.
00:28:30I love you.
00:28:32Well, we've earned that.
00:28:34I love you too.
00:28:36I love you too.
00:28:37It's my home.
00:28:38It's not too late.
00:28:39Well, I love you too.
00:28:40I love you too.
00:28:41Let's go.
00:29:11Let's go.
00:29:41Let's go.
00:30:11Let's go.
00:30:12Stop it.
00:30:13You're hurting me.
00:30:14Stop it.
00:30:15Stop it.
00:30:16Leave me alone.
00:30:17Put me down.
00:30:18Stop it.
00:30:20Let me go.
00:30:21Let's go.
00:30:22Let's go.
00:30:23Let's go.
00:30:24Let's go.
00:30:25Let's go.
00:30:26Let's go.
00:30:27Let's go.
00:30:28Let's go.
00:30:29Let's go.
00:30:31Let's go.
00:30:32Let's go.
00:30:33Let's go.
00:30:34Let's go.
00:30:35Let's go.
00:30:36Let's go.
00:30:37Let's go.
00:30:38Let's go.
00:30:39Let's go.
00:30:40Let's go.
00:30:41Let's go.
00:30:42Let's go.
00:30:43Let's go.
00:30:44Let's go.
00:30:45Let's go.
00:30:46You know, you shouldn't go around by yourself.
00:30:48Let's ask him for trouble, especially dressed like that.
00:30:54I can't have any fun shutting a bungalow.
00:30:57It's your life. Do what you want.
00:31:17What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:50Viola?
00:31:57We'll be home.
00:32:05You there?
00:32:10Viola?
00:32:17Viola?
00:32:22Viola?
00:32:24Viola?
00:32:27Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach.
00:32:45The bungalow's empty.
00:32:46She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right.
00:32:53Thanks, Consuelo.
00:32:53Ciao.
00:32:57Where the hell have you been?
00:33:06I looked all over for you.
00:33:08I got bored here all along.
00:33:09So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:25Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:48Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:01I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:29It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:34:59Let's do it.
00:35:24Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54It's fine, Consuelo.
00:35:55Thanks.
00:35:56Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:24You care for a drink?
00:36:25No.
00:36:26Not for me.
00:36:27Welcome.
00:36:29Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:27I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40It's a broken heart.
00:37:51It's a broken heart.
00:37:55I was sure you'd come.
00:38:10I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:21Yes.
00:38:21Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:43You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:01I'll try not to be late.
00:39:04I told you that's the way it works.
00:39:05Bye.
00:39:05Hey, I'm always high.
00:39:08It's not true.
00:39:09Hey, you're good.
00:39:11I'm not going to stay around and talk about it.
00:39:13Goodbye, I'll be yours.
00:39:14Goodbye, I'll be yours.
00:39:16Goodbye, I'll be yours.
00:39:46Goodbye, I'll be yours.
00:40:16Goodbye, I'll be yours.
00:40:18Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:46I bet you're enjoying it.
00:41:06Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46I imagine bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah.
00:41:50Wow.
00:41:50It's great.
00:41:51Yes.
00:41:52Can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine.
00:41:57If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen.
00:42:10I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:02Oh.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:15I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:13I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:24I know.
00:44:26So?
00:44:28Stay.
00:44:28She's not a consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:47How?
00:44:52Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I gotta be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Good morning.
00:45:24Go here.
00:45:24Hmm?
00:45:34Good morning.
00:45:37Good morning.
00:45:44Hi, everybody.
00:45:47Good morning.
00:45:48Have you seen Leon?
00:45:59He's seen what he did with a girl.
00:46:10Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:19What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29Bye-bye.
00:46:34Bye-bye.
00:46:47Bye-bye.
00:47:47I told you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:13It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:29I'll wait.
00:48:33Oh, Christ.
00:48:34Oh, Christ.
00:49:05Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:25Well, it wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:01Not briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:31Don't go.
00:51:54You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:54You're hurting me.
00:53:24Put it in the pail.
00:53:43You know how to cook it?
00:53:48You'll have to learn.
00:53:53Hey, what are you doing here?
00:54:19Criola?
00:54:20Criola?
00:54:21Criola?
00:54:23Criola?
00:54:26Criola?
00:54:27What do you want?
00:54:29I've come to get her.
00:54:31Leon!
00:54:32No, what are you doing?
00:54:34Criola, I never thought it would come to this.
00:54:37Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No.
00:54:46It's not too late.
00:54:47It's not.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:50No, it's not.
00:54:51Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:00I have no more strength.
00:55:01No more desire to go on.
00:55:02It's finished.
00:55:03You don't know what you're saying.
00:55:04You're coming back.
00:55:05No.
00:55:06Yes.
00:55:07No.
00:55:08It can't be finished.
00:55:09God damn it.
00:55:10Leave me alone.
00:55:11It's finished.
00:55:12With Leon, I'm alive.
00:55:13He satisfies me.
00:55:14No.
00:55:15No.
00:55:16I don't believe it.
00:55:17I'm terribly sorry, Ant.
00:55:18Really.
00:55:19It's ridiculous.
00:55:20Ridiculous.
00:55:21My life is meaningless without you.
00:55:49I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:39I invented this.
00:56:40I call it gin balling.
00:56:42It's a very silly game.
00:56:44For what?
00:56:46It serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:55Okay.
00:56:56Tell Mother everything.
00:56:59I'm all ears.
00:57:01Look.
00:57:03I have no intention of fighting with you.
00:57:06You're a kind, sweet patient.
00:57:08Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She's bound to tire of it.
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:19She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:56Yeah.
00:57:57It's blinded Eve and Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm.
00:58:06A Puritan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:23Oh, yes, you can.
00:58:26Please.
00:58:27Right.
00:58:28Let's not say any more.
00:58:29You want to sit here all night?
00:58:40I...
00:58:53That's not going to do any good.
00:59:01Hey.
00:59:02What's the matter?
00:59:03You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:10But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:23Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:53I'm...
00:59:54We'll meet you.
00:59:55We'll see you soon.
00:59:57I'm gonna go with it.
00:59:59What are you?
01:00:01I have to tell you about to eat?
01:00:02We'll see you soon.
01:00:03Bye.
01:00:04Bye.
01:00:15Bye.
01:00:17Bye.
01:00:18Bye.
01:00:19Bye.
01:00:20Oh, my God.
01:00:50Oh, my God.
01:01:20Oh, my God.
01:01:50Oh, my God.
01:02:20Oh, my God.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:00I'll never give Leona.
01:03:03For any reason.
01:03:05I'll never give Leona.
01:03:08And when you came and looked and said, you're loco, you're mojado, I don't want you to.
01:03:17You're a circus, you're a star, a blue star that everyone can imagine.
01:03:25If I ask you, you didn't know me, you're a fan of the pantalons, a cold, like the snow.
01:03:38Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right. I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:58And we are here, getting drunk.
01:04:06If only we had any guts.
01:04:08We'd do something about it.
01:04:09I'm sorry, don't you?
01:04:11Here, don't you.
01:04:11I'm sorry, don't you?
01:04:13I'm sorry.
01:04:14Hello.
01:04:37Hello.
01:04:37Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:03Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:34Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:46I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:07:16I have work to do.
01:07:18I have work to do.
01:07:19I have work to do.
01:07:20I have work to do.
01:07:21I have work to do.
01:07:22I have work to do.
01:07:23I have work to do.
01:07:24I have work to do.
01:07:25I have work to do.
01:07:26I have work to do.
01:07:27I have work to do.
01:07:28I have work to do.
01:07:29I have work to do.
01:07:30I have work to do.
01:07:31I have work to do.
01:07:32I have work to do.
01:07:33I have work to do.
01:07:34I have work to do.
01:07:35I have work to do.
01:07:36I have work to do.
01:07:37I have work to do.
01:07:38I have work to do.
01:07:39I have work to do.
01:07:40I have work to do.
01:07:41I have work to do.
01:07:42I have work to do.
01:07:43I have work to do.
01:07:44I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Oh, God.
01:08:51Oh, God.
01:08:53Oh, my God.
01:09:23Oh, my God.
01:09:53Oh, my God.
01:10:23Oh, my God.
01:10:53Oh, my God.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:11:50Iris!
01:12:02Stop it!
01:12:15You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:53You must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:06I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:48But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Yeah.
01:14:49Hello, Andy.
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:10You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:28It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:42We get...
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1:17:34
1:47:39
1:47:07
35:38
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