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  • 2 months ago
Joan Fry, a society woman, falls in love with Chuck Riley, the white-leader of a powerful gang in Chinatown, and he quickly drags her down into the depths with him. But seeing her so much in love with him causes him to realize he isl in love with her, and he determines to lift her up again. “Boston” Charley, the rival gang-leader, has other plans.


Director: William A. Wellman.
Stars: Wallace Beery, Florence Vidor, Warner Oland, Jack McHugh, Pete Morrison, Jack Oakie, Tom London, Broderick O’Farrell, Richard Cramer.
Transcript
00:00:00The End
00:00:30The End
00:01:00And I resent men who don't know the difference between a limousine
00:01:19and a Pullman sleeper
00:01:21One dollar takes you through Chinatown
00:01:29The mystic, mysterious regions of the Orient
00:01:33See the dens of sin
00:01:36The sacred josh houses
00:01:38And the inner temple of the six companies
00:01:41Ancient secret orders of the great tron
00:01:44D. Chuck Riley, the boss of Chinatown
00:01:48In this palace of pleasure
00:01:51Where east meets west
00:01:53In raucous reverie
00:01:56Extra, right here
00:01:58John, wait a minute
00:02:00John, what's the idea of running away that way?
00:02:07We're going to Chinatown
00:02:08It's safer to ride with you in public
00:02:10Oh, I know, but it's so silly, John
00:02:12Ah-ha, my fair lady
00:02:17Just two seats reserved for you
00:02:19Two dollars, please
00:02:20Thank you
00:02:21Step right in
00:02:23Thank you
00:02:23Two more
00:02:24Oh, this is ridiculous, Joan
00:02:32You know, Chinatown's all a fake
00:02:35Then you should feel quite at home
00:02:39Oh, blow it
00:02:44Now, ladies and gentlemen
00:02:46Bear yourself for a real treat
00:02:49Chinatown, the mysterious
00:02:50Now in Chinatown
00:02:54On the right is the famous Port Arthur
00:02:57Known from coast to coast for its Chinese herbs
00:03:01And fancy dishes
00:03:03Straight ahead
00:03:05In the basement is located
00:03:07The den of Unwang
00:03:08The puppy king
00:03:09The Rockefeller, the mysterious audience
00:03:12You are passing through
00:03:14The man of Unwang
00:03:16Ah, ladies, please
00:03:20There is a broken victim
00:03:23Entering the den
00:03:24Right now
00:03:26In 15 minutes
00:03:28He will be buying Chicago
00:03:29St. Louis
00:03:30Or New York
00:03:32Today it's wine
00:03:33Women
00:03:33And song
00:03:34Tomorrow it may be
00:03:36American very dumb
00:03:37Home
00:03:38And charity
00:03:39On the right and forward
00:03:41Is the Chinese fish market
00:03:43And next to it
00:03:45Unwung's
00:03:46Famous lottery
00:03:47And now, ladies
00:03:48A point of vital interest
00:03:50We are approaching the boundary line
00:03:52Between the districts
00:03:54Of the two great tongues
00:03:55When they are at war
00:03:57No Chinaman may cross that street alive
00:04:00We are now approaching
00:04:02The Chinese theater
00:04:04We are a little late for the show
00:04:07Infrared last Thursday
00:04:09Oh
00:04:09Mary, look down
00:04:13Be careful now
00:04:17Come on
00:04:18Here, yes, I can assure you
00:04:23Wait a minute
00:04:37Wait a minute
00:04:38Now, don't get excited, folks
00:04:40This is just another rubber Chinaman
00:04:42To pull the rubber next
00:04:44Come on
00:04:47Get up from there
00:04:49The show's over
00:04:50He's dead
00:04:54Take it on the run
00:04:58Get these nutheads out of here
00:05:00Come on
00:05:00Okay, Chuck
00:05:01Come on
00:05:02Aren't you even going to make sure he's dead
00:05:05Hey, Tom
00:05:10Come on, Tom
00:05:11Put it in
00:05:12Let's drive out
00:05:13Hurry up
00:05:13Hurry up
00:05:15Get this bus away
00:05:15You're leaving a girl behind
00:05:17That's our tough luck
00:05:18When Chuck Riley says go, we go
00:05:20See?
00:05:21All right, Tom
00:05:22Put it in high
00:05:22But if you won't do anything for him
00:05:25Then I will
00:05:26He's a dead monkey
00:05:29How do you know?
00:05:31You haven't even looked at him
00:05:33I know he's dead
00:05:35I know who shot him
00:05:37Hello, Chuck
00:05:51Hello, Captain
00:05:52Hi, Chuck
00:05:53Hi
00:05:54How are you tonight?
00:05:56Hello there, Sergeant
00:05:57Cold as a mackerel
00:06:00So I see
00:06:02Now, Miss
00:06:04Tell us just what you know about this
00:06:06I don't know
00:06:06Hey, she's just a rubbernecker
00:06:08She don't know anything
00:06:10Raph, you can tell us something about it, Chuck
00:06:13Yeah?
00:06:14Don't be silly
00:06:15Oh, what's the use?
00:06:17Say, Raph, come out
00:06:18And let's have a look at him, boys
00:06:19Officer, will you tell me the nearest taxi stand?
00:06:24You better ride with the bulls
00:06:26It's much safer this hour of the night around here
00:06:29Come on
00:06:30Come on
00:06:31That's all there is, Captain
00:06:36Are you only not this?
00:06:39Come clean or I'm going to take you back and give you the steam
00:06:41Talk up now
00:06:43All right, Clark
00:06:43Come on
00:06:44Can't you let it out?
00:06:45Can't you speak?
00:06:46Talk up
00:06:46Don't you hear what I'm saying to you?
00:06:48I'm told you
00:06:49Can't you hear what I'm saying to you?
00:06:51Can't you understand what I'm saying to you?
00:06:52Don't speak English
00:06:54Mark, get inside
00:06:55Lay off, Murphy
00:06:56You'll never get nowhere
00:06:57Of the gentleman's eye
00:06:58Wait a minute, boys
00:07:00Wait a minute
00:07:00Now, don't mind those dicks
00:07:02Tell me what happened
00:07:04Don't leave
00:07:05Wait a minute
00:07:10Wait a minute
00:07:10Spill it in English
00:07:12It's all right
00:07:13Go on
00:07:14Well
00:07:14A whole yen
00:07:15Crossed the deadline
00:07:16Wang Lee
00:07:18Shot him
00:07:19And beat it
00:07:20All right
00:07:20Go ahead
00:07:21There you are
00:07:23Starting another tongue
00:07:53War, eh, Chuck
00:07:54No speak English
00:07:56Don't even on, boys
00:07:57Go on
00:08:05Clear out
00:08:06You can't order me around
00:08:10Like one of your Chinamen
00:08:11Goodbye
00:08:19So long, Chuck
00:08:20Good night, boys
00:08:21You won't find any taxis
00:08:24Around here tonight
00:08:25That's the village
00:08:26Sure
00:08:26Go on
00:08:43Go on
00:08:44Go on
00:08:46Go on
00:08:50Hey, listen, that was a close one, wasn't it, huh?
00:09:00How dare you put your hands on me, you, you gorilla?
00:09:03Say, listen, don't get dramatic.
00:09:06Go on out if you want to.
00:09:08Well, I certainly will.
00:09:20Go on out.
00:09:50Go on out.
00:10:20Where are you taking me?
00:10:42Why, I'm not taking you.
00:10:45You're following me.
00:10:47Would you mind waiting in here a moment?
00:10:59Why, I know not at all.
00:11:04Let me out, I tell you.
00:11:22Let me out.
00:11:23Stop your whining.
00:11:25You'll get out of here when it's safe for you to go and not before.
00:11:28Let me out.
00:11:29Let me out.
00:11:30Let me out.
00:11:31Let me out.
00:11:34THE END
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00:12:44That's bulletproof.
00:12:49THE END
00:12:59Have started war against the Ho Yens, as you're ordered.
00:13:19Two of theirs and one of ours shot.
00:13:26Ha!
00:13:27Ha!
00:13:29That's great.
00:13:39I'll teach him not to fool with Chuck Riley.
00:13:42THE END
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00:14:18Well, we've had enough. Let's dance.
00:14:21Let's go.
00:14:22Frank.
00:14:31Soon be, Dara.
00:14:48Oh, look at the fat little John.
00:15:13Oh, watchy, watchy, watchy.
00:15:18Pick up your feet there, baby.
00:15:36I'm sick of these uptown women that come down here for a thrill.
00:15:48You're an exceptionally poor conversationalist, Wu-Cheng.
00:15:58He's most unkind of you to invite my opinion of your age.
00:16:04You're not a telegrapher.
00:16:06You're a philosopher.
00:16:07Come in a minute, Pete.
00:16:26The treaty's been broken, and I'm declaring war.
00:16:28Now, wait a minute. Wait a minute.
00:16:33Now, listen.
00:16:34You carry out my orders just exactly as rehearsed.
00:16:38Now, go to it.
00:16:39Okay, sir.
00:16:40Hey, thank you.
00:16:41Come here.
00:16:44The treaty's been broken, and I'll say,
00:16:48Suha Kamsoh.
00:16:49Well, let's go.
00:16:51Yes, sir.
00:16:51Let's go.
00:16:52Okay, sir.
00:16:53Standing on her, huh?
00:16:54I don't know.
00:16:55I don't know.
00:16:56I don't know.
00:16:57I don't know.
00:17:23Put this on the bulletin board at the four corners.
00:17:53THE END
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00:21:33THE KIDS
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00:25:03Maine
00:25:042-2-0
00:25:05Hello?
00:25:06Hello?
00:25:07Is Chuck Riley there?
00:25:09Yes.
00:25:10He's all aware.
00:25:12Chuck?
00:25:13Do you want to know the telephone?
00:25:16Yes.
00:25:17Is Chuck Riley there?
00:25:19Yes.
00:25:20He's all aware.
00:25:21Chuck?
00:25:22Do you want to know the telephone?
00:25:30Hello?
00:25:31Hello, Chuck?
00:25:33Well, this is Williams of this city examiner.
00:25:36Say, let me give you a tip, Chuck.
00:25:39You better not go near that Chinese theater tonight.
00:25:42Yeah?
00:25:43Why?
00:25:44Well, b-b-b-b-b-b-b-boston Charlie says
00:25:47that if you b-b-b-butt in there that his monkeys
00:25:50b-b-b-b-b-bump you off.
00:25:52Is that so?
00:25:56Hello?
00:25:57Hello?
00:25:58Hello?
00:25:59Uh-uh.
00:26:01Hello?
00:26:02Hello?
00:26:03Main s-s-s-6-9-3.
00:26:15Now, this is a very charming necklace.
00:26:21Chinese jade.
00:26:23Chinese jade.
00:26:25It is beautiful, but what is the price of this?
00:26:28$300.
00:26:29$300?
00:26:30I think it's on.
00:26:30Surely.
00:26:32Do you like this?
00:26:34That's beautiful, right?
00:26:35Hello?
00:26:36Hello.
00:26:36Is this Boston Charlie?
00:26:39What?
00:26:39Yes.
00:26:41Well, this is Williams of the Examiner.
00:26:44Say, let me give you a tip, Boston.
00:26:46Don't go near that Chinese theater tonight.
00:26:50Huh?
00:26:52Who said so?
00:26:54Well, Chuck Riley says that if he sees you there, he's going to have you.
00:26:58M-m-m-m-m-m-mokey's bumped you off.
00:27:01Chuck Riley?
00:27:06Hello?
00:27:08Hello?
00:27:08I don't care.
00:27:26I don't care, any claim you want.
00:27:29Go ahead.
00:27:32Where are you going, Jimmy?
00:27:34I'm going down to the Chinese Theater.
00:27:37I hear there's going to be a big show there tonight.
00:27:40I'll see you later, Barrel.
00:27:44You know, that boy's a smart cracker.
00:27:46Yeah, too bad that this is a boy's gutters, ain't it?
00:27:48It sure is.
00:27:49Come on, let's go for these drinks.
00:27:50Well, go ahead.
00:27:52Shoot it right there.
00:27:56I'll see you later.
00:28:26I'll see you later.
00:28:27Come on.
00:28:28Let me take the money.
00:28:29We will be talking to you later.
00:28:31Take the money, Mom.
00:28:32Go ahead.
00:28:33When you come back here, you will come back.
00:28:36Laugh at the time.
00:28:37I'll see you later.
00:28:38You gotta come back and see you.
00:28:40I'll see you later.
00:28:41I'm going to go.
00:29:11How do you do, uh, Charlie?
00:29:15Very well, thank you, Mr...
00:29:17Riley.
00:29:18Riley.
00:29:18Yeah.
00:29:21What a pleasant surprise.
00:29:24I hope we obtain seats near each other.
00:29:27Yes, I'm quite sure it can be arranged.
00:29:30Uh, step up and squander your money.
00:29:34Not at all.
00:29:35Give me seven of those tickets.
00:29:45Wait a minute, you.
00:29:47And you.
00:29:48We're watching you two guys.
00:29:50One phony move and we'll drug the both of you.
00:29:53Wait a minute.
00:29:54Get them up.
00:29:59Get going.
00:30:02Sorry, Chuck.
00:30:03You're next.
00:30:04Get them up.
00:30:05Don't get tough.
00:30:06Don't get tough.
00:30:12You're okay.
00:30:13Go ahead.
00:30:17Mr. Riley.
00:30:22Mr. Riley, may I see you a moment?
00:30:24Mr. Riley, we've been all over Chinatown looking for you.
00:30:43How are you?
00:30:43I wanted my friends to meet you, Miss Van Dyke.
00:30:50How do you do?
00:30:50How do you do?
00:30:52Mr. Root.
00:30:53How are you?
00:30:54Mr. Tuttle.
00:30:55And you?
00:30:56Right in.
00:31:03What are you doing down here?
00:31:04Why, we thought it'd be fun, Miss Fry thought we'd get a kick out of Chinatown.
00:31:11And it's a big white boy.
00:31:12It's a big white boy.
00:31:15Isn't that nice?
00:31:25Mm-hmm.
00:31:29Well, I wouldn't advise you to go in there.
00:31:32You might get more of a kick than you can stand.
00:31:39Well, at least that man's Frank.
00:31:40I'll say that for you.
00:31:41I'll say that for you.
00:32:11I'll say that for you.
00:32:41Now, John, let's call off this animal, huh?
00:33:11Yes, Joan.
00:33:12We've met you, a gorilla.
00:33:14Come on, let's go up to town and get caught up.
00:33:15He may be a gorilla, but he's more of a man than anyone I know.
00:33:18Oh, really?
00:33:19Yes.
00:33:20I wouldn't dare be caged up with either of you for a night.
00:33:24Come on.
00:33:31Come on.
00:33:32Come on, let's go.
00:33:33No, I don't want to go.
00:33:34She wants to chase after that man Letter, not me.
00:33:36Come on.
00:33:36Come on.
00:33:38We'd better go with her, or she'll go native.
00:33:42Come on.
00:33:43Come on.
00:33:43Come on.
00:33:44Come on.
00:33:44Come on.
00:33:44Come on.
00:33:45Come on.
00:33:46Come on.
00:33:47Come on.
00:34:18Won't you take my seat?
00:34:36No, no, please.
00:34:37But you will be doing me a great favor.
00:34:46Not at all.
00:34:48John, you sit here.
00:34:51I will take that one.
00:34:53But I prefer this one.
00:34:54And it's just across the way.
00:34:56Well, if you sit.
00:34:57I'll see you.
00:34:58I'm going to take the ocean behind him.
00:35:02THE END
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00:37:24pick you in my own way when you get right yeah I am still quite green I'm
00:37:38sorry I thought I told you and your perfume babies not to come in here
00:37:54now I'll take you out come on now that you've seen me home will you please go
00:38:23yes you and those dumb friends of yours down here looking us over like animals in a zoo
00:38:33that's not fair no just a couple of bored uptown women and their cake eaters
00:38:39would faint if anybody slapped them in the jaw all right try
00:38:44tell those two big he men of yours about that will you
00:38:52so
00:39:02THE END
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00:42:28I got it. I got it. The biggest story of the year. A big town war. A big theater riot.
00:42:52Little children trampled in the aisles. Well, you can fill it up to the sky. Think about
00:42:57the two big leaders, Chuck Riley and Boston Charlie. And mind you, all for the favor of
00:43:03the big society dame who was down there slumming. Gee, that's great. But what's the dame's name?
00:43:09Name? I don't know the d-d-d-d-d-dame's name. She's not the s-s-s-story.
00:43:27THE END
00:43:31THE END
00:44:01Chuck, come here
00:44:09No
00:44:17No, I was just thinking
00:44:21Head uptown, body Barbary Coast
00:44:27Which are you?
00:44:31Uptown
00:44:38You're going back up there?
00:44:40Oh, yeah
00:44:45You just came down here for a thrill
00:44:53That's not true
00:44:56I'm here
00:45:00Because you're the only real man I've ever known
00:45:03For once in my life
00:45:14I wanted to be a real woman
00:45:19Oh, Chuck
00:45:31Don't you understand?
00:45:35I'm too used to the other to stay here
00:45:38This has been perfect
00:45:46But we'd only spoil it by prolonging it
00:45:49If a real woman loves a man
00:46:00She doesn't come to him one minute
00:46:03And leave him the next
00:46:04Now, Chuck
00:46:05What do you want me to do?
00:46:09Marry you?
00:46:09Make an honest man of you?
00:46:13Don't you?
00:46:15Don't you realize that our lives
00:46:17Are so different?
00:46:18It would never work
00:46:21It would never work
00:46:21THE END
00:46:51Good-bye.
00:47:12All right.
00:47:14Go on and get out.
00:47:16You've had your fun, you hit-and-run thrill-hunter you.
00:47:22But put this among your souvenirs.
00:47:26I think you're yellow.
00:47:28And you're a quitter.
00:47:29I think you're yellow.
00:47:30I think you're yellow.
00:47:32I think you're yellow.
00:47:34You're yellow.
00:47:35Go on and get out.
00:47:42Going my way?
00:47:53Sure she is.
00:47:55She came your way, and she's going your way.
00:47:59You're both alike.
00:48:15I've changed my mind, Chuck.
00:48:19I'm going...
00:48:21your way.
00:48:25I'm going...
00:48:55Please don't go, Chuck.
00:49:18They'll kill you before you ever get to the cemetery.
00:49:20What?
00:49:21Miss one of my Tong funerals?
00:49:24Why, you're crazy.
00:49:25Then, then let me go with you.
00:49:35I can't stand being left alone.
00:49:38Afraid.
00:49:39Say, listen.
00:49:41You belong to Chinatown now.
00:49:43No decent woman ever goes out of here, except on feast days.
00:49:47No.
00:49:49No decent woman.
00:49:53No, let's not start that again.
00:49:56Oh, Chuck, why will you persist in thinking that I came to you just for an adventure?
00:50:01Don't you realize now that I belong to you?
00:50:05Utterly and forever.
00:50:07I've burned all my bridges behind me.
00:50:11And now, now I'm afraid.
00:50:23They'll get you, just like they got him.
00:50:26Why don't you stop this stupid law?
00:50:33Now, don't be impatient, Joan.
00:50:37In another month, it will all be over.
00:50:40Chuck Riley will be the king of all the Chinatowns in America.
00:50:43In another month, Chuck Riley will be dead.
00:50:51Why doesn't the government do something?
00:50:54What can they do?
00:50:56Deport all Tong members?
00:50:59Yes.
00:51:01Yes, why don't they?
00:51:08I'll tell you why they don't.
00:51:10It's because they think all Tong members have immigration papers.
00:51:15Ha, ha, ha, ha, ha.
00:51:38Greetings, gentlemen.
00:51:45How are you?
00:51:49Is that for me?
00:51:51In loving memory of our comrade Sun Yip
00:51:55from the Chinese Benevolent and Protective Society.
00:52:02Isn't that sweet?
00:52:06Isn't that nice? Thank you.
00:52:13Oh, how thoughtful.
00:52:17Thank you. Thank you.
00:52:45Oh, say, Michi, no go out.
00:52:56Good night, boys.
00:53:13Okay, Chuck.
00:53:14Come on, Chuck.
00:53:14Oh, second.
00:53:24Good night.
00:53:24THE END
00:53:54Will you stop following me around and get out of here?
00:54:13Go on and get out of here!
00:54:15Go on!
00:54:24Go on!
00:54:54Go on and get out of here!
00:55:24Go on!
00:55:25Go on!
00:55:26Go on!
00:55:27Go on!
00:55:28Go on!
00:55:30Go on!
00:55:31Go on!
00:55:36Go on!
00:55:40Wu-Cheng, come here.
00:55:53Open the door and let those gentlemen in.
00:56:10Well, well, Charlie, this is indeed a rare pleasure.
00:56:25Come right in and make yourself right at home.
00:56:32Ha-ha, the dove of peace.
00:56:35Iris Whit, eh?
00:56:41Step right up, gentlemen.
00:56:46Now, Mr. Riley, your attention for a moment.
00:56:49We, the merchants from this city, endorsed by our government officials,
00:56:54are here tonight to demand an end of this town warfare.
00:56:59Wait a minute, wait a minute.
00:57:01You're helpless to stop me, all of you.
00:57:04And you know it.
00:57:05And as for you, Boston Charlie,
00:57:09my Irish whip tells me that you're ripe for picking.
00:57:15Overripe.
00:57:17I'm a very busy man, if you please.
00:57:20But, Mr. Riley, you must listen to me.
00:57:22Wait!
00:57:24Wait, you must wait.
00:57:27You can stop this war.
00:57:30He told me how.
00:57:32Shut up, you! Shut up, you!
00:57:33Depart the tongue man, never have their papers!
00:57:35Ah! Keep your mouth shut!
00:57:38That's bad, look, and cut off the bag that time.
00:57:42Oh, so that's it.
00:57:45You'll make peace right now,
00:57:48or we'll deport every one of your men without papers.
00:57:51Mr. Riley, will you sign on the dotted line, please?
00:57:53Mr. Riley, will you sign on the dotted line, please?
00:58:09I'll give you my thanks later.
00:58:12You've torn up your last chance, Riley.
00:58:41Mr. Riley, isn't that too bad?
00:58:45You go out the same way that you came in, now.
00:58:48But you do not understand the answer.
00:58:50Don't give me any argument.
00:58:52Get out of here.
00:58:55All of you, come on.
00:58:56A brave jester, Chuck.
00:59:13What a lady's man.
00:59:16Eh?
00:59:16Good.
00:59:34Good.
00:59:35Good.
00:59:35Good.
00:59:36Good.
00:59:36Chuck, I tried to save you in spite of yourself, because I love you.
01:00:06No, Chuck, you can't.
01:00:18And don't come back for this.
01:00:23Where can I go?
01:00:25I can't go back uptown now.
01:00:28This has been perfect, but we'd only spoil it by prolonging it.
01:00:34It isn't that I wanted so long as for my own sake.
01:00:40I stayed here hoping that I could get you away from all this in time, to make you the man you could be outside, to make you go my way.
01:00:51I gave up my whole life for you gladly.
01:00:54I'm not sorry, but you can't, you can't end it like this.
01:01:03Chuck, you must listen.
01:01:07Chuck.
01:01:10Oh, Chuck.
01:01:12Chuck.
01:01:13Chuck.
01:01:14Chuck.
01:01:15Chuck.
01:01:16Chuck.
01:01:17Chuck.
01:01:18Chuck.
01:01:19Chuck.
01:01:20Chuck.
01:01:21Chuck.
01:01:22Chuck.
01:01:23Chuck.
01:01:24Chuck.
01:01:25Chuck.
01:01:26Chuck.
01:01:29Chuck.
01:01:30concur.
01:01:31Chuck.
01:01:40Knock.
01:01:42Get gen mitigated,
01:01:43pods,
01:01:45come!
01:01:46Chuck.
01:01:47THE END
01:02:17THE END
01:02:47THE END
01:02:53No, you ain't gonna get any more to drink.
01:02:56You had enough.
01:02:57Liquor ain't gonna help you with what you got.
01:03:00And it ain't gonna bring your sweetie back.
01:03:02No.
01:03:03Now listen, kid.
01:03:04You ain't no bum.
01:03:06I got you pegged for one of those Janes from uptown.
01:03:09And when your swell friends come down here looking for you,
01:03:13I ain't gonna take no rap in the pan for you either.
01:03:16You understand that?
01:03:18No, I ain't gonna find you in Delaney's bar.
01:03:21Go away.
01:03:22Go away, sister.
01:03:24Go away.
01:03:25Say, ain't you got any home?
01:03:40Certainly I have a home.
01:03:43Well, why don't you go to it then?
01:03:45Go on.
01:03:45Pull yourself together, kid.
01:03:58You gotta sober up.
01:04:00Don't you worry.
01:04:01Because I'll take you to my house.
01:04:03Gee, I got a swell joint.
01:04:06Nobody will hurt you when you're with me.
01:04:09Well, I'm bigger and stronger than I look.
01:04:12And I'll take good care of you.
01:04:14You know, you just have to buck up for a little while,
01:04:17and then you'll be all right.
01:04:19If you get sick, I can go right down there and get a doctor for you.
01:04:24Don't you worry.
01:04:25You'll be all right.
01:04:26We haven't got far to go now.
01:04:28We're almost there.
01:04:30Just a few more steps.
01:04:32You'll be all right in a couple of days,
01:04:34and Chuck will want to take you back.
01:04:36Believe me.
01:04:37Here we are.
01:04:38Watch your steps now.
01:04:40One.
01:04:40Whoop.
01:04:41Don't fall.
01:04:42Two.
01:04:43Three.
01:04:44Attaboy.
01:04:44Attaboy.
01:04:44Two.
01:04:45Two.
01:04:45Two.
01:04:45Two.
01:04:45Two.
01:04:46Two.
01:04:46Two.
01:04:46Two.
01:04:47Two.
01:04:47Two.
01:04:47Two.
01:04:48Two.
01:04:48Two.
01:04:48Two.
01:04:49Two.
01:04:49Two.
01:04:49Two.
01:04:50Two.
01:04:50Two.
01:04:50Two.
01:04:51Two.
01:04:51Two.
01:04:51Two.
01:04:51Two.
01:04:52Two.
01:04:52Two.
01:04:52Two.
01:04:53Two.
01:04:53Two.
01:04:54Two.
01:04:54Two.
01:04:55Two.
01:04:55Two.
01:04:56Two.
01:04:56Two.
01:04:57Two.
01:04:57Two.
01:04:58Two.
01:04:58Two.
01:04:59Two.
01:04:59Two.
01:04:59Two.
01:04:59Two.
01:05:00Two.
01:05:01Two.
01:05:01Two.
01:05:02Two.
01:05:02Two.
01:05:03Two.
01:05:03Two.
01:05:04Two.
01:05:05Two.
01:05:05Two.
01:05:06Two.
01:05:06Two.
01:05:08THE END
01:05:38Our Father who art in heaven, hallowed be thy name. Thy kingdom come.
01:06:08The author'sRAID
01:06:14Our Father who art in heaven, hallowed be thy name.
01:06:24Come on.
01:06:54Can you beat him?
01:07:08Another trick get away.
01:07:10All right, boys.
01:07:13I can't understand.
01:07:19It's a good time tonight.
01:07:24It's too much for me, Edwin.
01:07:26That's your problem.
01:07:36Wait a minute.
01:07:37Wait a minute now.
01:07:39There's nothing to get worried about.
01:07:42I've got everything fixed.
01:07:47Come here.
01:07:50Now, what's the matter with you?
01:07:52All our men are running away.
01:07:55Oh, now, don't be silly.
01:07:58Those are Boston Charlie's men.
01:08:01All of our men have papers.
01:08:09Papers?
01:08:10Here's lots of papers.
01:08:13Chinese names and faces are very deceiving.
01:08:16These guys have been dead for years.
01:08:22Sorry?
01:08:24All right.
01:08:25Now, let's both of you get on the job.
01:08:27Quick.
01:08:28Get off.
01:08:31I told you it'd be okay.
01:08:33What do you want?
01:08:44Take the girl back.
01:08:46Won't you, Chuck?
01:08:48She's sick and she needs you.
01:08:51She ain't done nothing to you.
01:08:53And she's crazy about you, Chuck.
01:08:56Honest she is.
01:08:57She talks about you all the time.
01:09:00In her sleep, too.
01:09:02And you know that dump of mine.
01:09:05Gee, it ain't no place for a lady like her.
01:09:10And I tell you, she ain't gonna last much longer.
01:09:13They'll be coming to take her away, Chuck.
01:09:16Oh, why won't you give the dame another chance?
01:09:20She loves you, Chuck.
01:09:21Get out of here!
01:09:32Gee, you're gonna be sorry for this, Chuck.
01:09:39Just you wait and see.
01:09:45Hey, come back here.
01:09:47Hey, kid!
01:09:52Hey, kid, come back here.
01:09:53I didn't mean it.
01:09:55Come on back here.
01:09:56Don't run away.
01:09:57Come on back here.
01:10:08Stop that kid!
01:10:10Get that kid!
01:10:17Oh!
01:10:26Gee, the poor kid.
01:10:27Come on, Ed.
01:10:29Bring him up here!
01:10:32Bring him up to me!
01:10:34All right, I'll bring him up, Chuck!
01:10:36I'll see if you can find that cell on the other side.
01:10:39All right, they're Shane.
01:10:40Let's take him up.
01:10:47Peter, Chuck, the cops are coming.
01:11:07Get me the nearest hospital, please.
01:11:10Quick.
01:11:17The authorities are being taken and passed.
01:11:24Not all.
01:11:26It must be that you're able to stop this.
01:11:28The authorities are waiting to stop,
01:11:30and they were going to die.
01:11:32This is the case of a thunderstorm.
01:11:35It's not the case of a thunderstorm.
01:11:37It's not the case of a thunderstorm.
01:11:38So you've got to be able to get moreDAYS.
01:11:41If you want to get more than a thunderstorm,
01:11:44you should keep going.
01:11:45I don't care about 60 miles, I don't care about it.
01:12:15Run over?
01:12:23No.
01:12:24Somebody threw her out of her car.
01:12:26Does she belong here?
01:12:27Yeah.
01:12:28She used to hang out here.
01:12:31Now put her over there, boys.
01:12:45Now put her over there.
01:13:15Now put her over there.
01:13:45Now put her over there.
01:14:15Now put her over there.
01:14:25Now put her over there.
01:14:35Now put her over there.
01:14:45Now put her over there.
01:14:55Now put her over there.
01:14:57Now put her over there.
01:15:07Now put her over there.
01:15:17Now put her over there.
01:15:19Now put her over there.
01:15:29Now put her over there.
01:15:31Now put her over there.
01:15:41Now put her over there.
01:15:43Now put her over there.
01:15:45Now put her over there.
01:15:55Now put her over there.
01:15:57Now put her over there.
01:15:59Now put her over there.
01:16:01Now put her over there.
01:16:09Now put her over there.
01:16:11THE END
01:16:41If she means anything to you, I take her out of all of this for good.
01:17:11The END
01:17:21Joan?
01:17:24Joan?
01:17:29You're all right now, dear.
01:17:31We're going your way.
01:17:42Chuck.
01:17:43You are now on the Street of Thighs.
01:17:48On your right is the pleasure palace of Boston Charlie Wu, where East meets West in raucous revelry.
01:17:55In that very house, the famous white boss Chuck Riley lived and loved the woman for whom he abandoned all his empire.
01:18:06Look, ladies and gentlemen, there you see Boston Charlie himself, the shrewdest, cruelest emperor of Chinatown since the one and only Chuck Riley.
01:18:18The Lonely.
01:18:22All of Chinatown's a fake.
01:18:24I don't believe there ever was any such guy as Chuck Riley.
01:18:28I don't believe there ever was any such guy as Chuck Riley.
01:18:29I don't believe there ever was any such guy as Chuck Riley.
01:18:30I don't believe there ever was any such guy as Chuck Riley.
01:18:31I don't believe there ever was any such guy as Chuck Riley.
01:18:32I don't believe there ever was any such guy as Chuck Riley.
01:18:33I don't believe there ever was any such guy as Chuck Riley.
01:18:34I don't believe there ever was any such guy as Chuck Riley.
01:18:35I don't believe there ever was any such guy as Chuck Riley.
01:18:36I don't believe there ever was any such guy as Chuck Riley.
01:18:37I don't believe there ever was any such guy as Chuck Riley.
01:18:38I don't believe there ever was any such guy as Chuck Riley.
01:18:39I don't believe there ever was any such guy as Chuck Riley.
01:18:40I don't believe there ever was any such guy as Chuck Riley.
01:18:41THE END
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