- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Naam.
00:01:36This guy is in the first place.
00:01:43Shit.
00:01:45C'mon.
00:01:46I can't put my wallet.
00:01:51Who the Seapace?
00:01:52No.
00:01:53Somewhere.
00:01:56It's in my car.
00:02:00what did you do
00:02:10you think?
00:02:26I don't think
00:02:27Where did you have it last?
00:02:34The train station, I think? The exchange booth?
00:02:39Oh, Jamie. I'm sorry.
00:02:44That bastard at the train station started when you dropped all this stuff.
00:02:50This is 170, not 70.
00:02:55Where do we need to go? We need, we need, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21I think it's nice.
00:03:25Yes, I have a credit card. The number is on file on my computer.
00:03:32Yes, I have them here.
00:03:39Okay.
00:03:40Five, five, three, three, seven, six, four, five.
00:03:46Eight, seven, eight, seven, nine, one, five, seven.
00:03:53Five, seven.
00:03:54Yeah.
00:03:55Expires 12.15.
00:03:56No, she'll definitely need another card sent out immediately.
00:04:01We're here for two weeks.
00:04:02No, I'm working here.
00:04:08Yes, I'll hold.
00:04:11You love how they ask. As if I have a choice.
00:04:14Do you know what I'm going to try to do while I'm here?
00:04:15Besides knowing Italian.
00:04:16I don't know why you think that's so ridiculous.
00:04:21I don't at all. I admire you. I just think it's too late for me.
00:04:24That's not true.
00:04:25You can't teach an old dog new tricks.
00:04:26And besides, what's the point? The whole bloody world speaks English.
00:04:31Well, I...
00:04:33need to finally transcribe the tapes.
00:04:38Yes.
00:04:39All right.
00:04:40Okay.
00:04:41I'm going to finally transcribe the tapes.
00:04:43OK.
00:04:44Well, I...
00:04:46I'm going to finally transcribe the tapes.
00:04:49Yes.
00:04:51All right.
00:04:52Okay.
00:04:54Oh, you're going to be fine.
00:04:57You're going to be fine.
00:04:59Okay, well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:12I think it's a fantastic idea, Jen. I always have. You know that?
00:05:20You sound very supportive.
00:05:22You have my support. I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be, has been, for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:59Why do you think he killed himself?
00:06:07Who?
00:06:09David Foster Wallace.
00:06:12I don't know.
00:06:16You can't get a sense by his writing?
00:06:19You have to read it when I'm done, don't I?
00:06:27Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point, maybe, where it was just day after day after day.
00:06:38I really don't know, do you know?
00:06:40Just so tedious.
00:06:43And of course he felt guilty.
00:06:45Most people think life is too short and there he was, all the talent in the world, and it wasn't I.
00:06:49Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit morbid.
00:06:55Love you.
00:07:13Love you too.
00:07:16Love you too.
00:07:35Do you feel alright?
00:07:37You feel okay?
00:07:38Yeah.
00:07:40You sure?
00:07:41Mm-hmm.
00:08:11Mm-hmm.
00:08:41Mm-hmm.
00:09:11Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Have a good day.
00:09:56There he is.
00:10:26book what kind of stories stories are you prepared before i can ask them a list of stories that dad
00:10:33told me about go ahead and ask from your father's list god rest his soul let's start with the war
00:10:40we went into an air raid shelter my mother your great-grandmother she was shaking sirens wailed
00:10:47and and then there was the sound of a bomb and the man next to us he said i was in a shelter
00:10:54last night with my wife and my little boy and half of it got blown away there was blood in his hair
00:11:02he was all alone that nearly finished my mother you know
00:11:08here we were in this tiny town in england miles from germany from russia from italy from any front lines
00:11:16and this man he had blood in his hair
00:11:25goodnight cappuccino
00:11:45goodnight today
00:11:54We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:51You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08They'd been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Yes, you're right.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Victoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36Okay.
00:20:36Okay.
00:20:37Di lacrime a de facco nutria l'alma.
00:20:44Con secca speme rinvedia la voglia.
00:20:50Lega di nuovo il cor quando desioglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:20:59I'm impressed.
00:21:07Are you hungry?
00:21:09Why, are you going to take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:29Red.
00:21:30Uh-huh.
00:21:32Grazia.
00:21:33So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:46There's something else.
00:21:49I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:10You want to listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:19That's tangled up.
00:22:20I don't know.
00:22:21Okay.
00:22:22Awful as it was, it made you stronger.
00:22:26These days people whine about all sorts of things and I'm not one of those old people who think my time had the only joy and the only problems.
00:22:39We all have our own private wars every era, but it was nothing like.
00:22:55It really brought people together, the war.
00:22:57We helped each other during that time.
00:23:00We had to laugh.
00:23:01We had to smile.
00:23:02Well, if not for ourselves, then for the people we'd lost.
00:23:03I shut that thing off.
00:23:04Would you get it out of my face?
00:23:07That is like, it's like a window in time.
00:23:21This sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never going to finish it.
00:23:29I don't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant so we got married.
00:23:59I lost the baby.
00:24:00I'm sorry.
00:24:01I lost the baby.
00:24:02I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:07I didn't go back after that to the States.
00:24:11Did you, uh, did you ever hear that story about the red string?
00:24:16I think I might have.
00:24:17Tell me.
00:24:18Tell me.
00:24:20Oh, hello.
00:24:21I love you too.
00:24:22So, a little boy.
00:24:23I'll try and find her.
00:24:24You need a small half of me.
00:24:25Yeah?
00:24:26Well, so you there's a good girl.
00:24:27Oh, I'm sorry.
00:24:28You, too.
00:24:29You're good.
00:24:30And then you go to the city and go to Paris.
00:24:31Don't come back now.
00:24:32Oh, I'm sorry.
00:24:33Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have. Tell me.
00:24:48It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate or your family or, you know,
00:25:00someone you bump into on the street, we're all connected by this red string.
00:25:08It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape. I'm sitting, waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure
00:25:32and how I'm going to show World War II from a totally different perspective.
00:25:41But...
00:25:41I don't know if it's that interesting.
00:25:48That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, uh, yeah.
00:26:16Make it great.
00:26:18Okay.
00:26:26Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:37What do you mean I'm gonna go?
00:26:38Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:40Oh, my God.
00:26:41Go!
00:26:41Oh, my gosh.
00:26:42I got it.
00:26:43I got it.
00:26:43I got it.
00:26:44I got it.
00:26:44Oh, no.
00:26:45What?
00:26:46What do you mean?
00:26:46Get it.
00:26:47Get it.
00:26:47Get it.
00:26:48Stronzo!
00:26:55It's the carabineri!
00:26:56The police!
00:26:57Please! No!
00:26:59No! No!
00:27:05We can't go back! We can't go back!
00:27:07We can't get back!
00:27:09You can't make me!
00:27:11I'm going to wake!
00:27:13Oh god!
00:27:15Oh god!
00:27:17Oh god!
00:27:23No, no!
00:27:25Yeah.
00:27:27It'd make you feel better if I said I said the whole thing up.
00:27:29Yes, it's true.
00:27:31Yes, it's true.
00:27:33I made the check when I went to the bathroom.
00:27:39You're horrible.
00:27:41You're horrible.
00:27:43You're horrible.
00:27:45Come on, let's go.
00:27:47Come on.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53No, no, no, no.
00:28:07Oh my gosh.
00:28:09Yeah.
00:28:13It went up my nose.
00:28:15Can we come back?
00:28:21Maybe.
00:28:23Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:33For cheap thrills and future crimes committed.
00:28:35No.
00:28:37No.
00:28:39Fair enough.
00:28:49I've got to go.
00:28:51Catch a fairy.
00:28:53Hey.
00:28:55Why do violists keep their viola cases on their dashboards?
00:29:11Why?
00:29:23So they can park in handicapped spots.
00:29:32Happy birthday.
00:30:58Nice.
00:31:29Jane.
00:31:30Tony.
00:31:31Got some pastries.
00:31:35You're still asleep?
00:31:36Jane.
00:31:37Tony.
00:31:38Got some pastries.
00:31:42You're still asleep?
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47Jane.
00:32:48Jane.
00:32:49Jane.
00:32:50Jane.
00:32:51Jane.
00:32:52I wish I had sometimes.
00:32:54You know, when you were 19, the world just felt so open and carefree and full of possibility.
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then. Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something. For youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:19You just ran out? What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well. It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor is actually a descendant of Walter Lake, which is fascinating.
00:33:47The three of us will plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07That's it.
00:34:08Please, sit down.
00:34:09Join us.
00:34:09Yeah.
00:34:09What?
00:34:10What?
00:34:10Ugh.
00:34:13You have a chance of a wreck.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay. I already ate, so I'll just grab a coffee or something.
00:34:25Can I have the check, please?
00:34:37In a cafe, put-put-put-put?
00:34:43Oh, no, thank you.
00:34:48Jane, you don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:01Okay?
00:35:02Grazie.
00:35:05Grazie.
00:35:09Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk expat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kitten.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my aunt.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08I have one.
00:36:09What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:30You can pretty much make that joke about any instrument.
00:36:39Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45Yeah.
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah.
00:36:49I'm going to get back to work.
00:36:50So, what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:40I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00This, yeah.
00:38:02There you go.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:10How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him a pop.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:44Oh, my God.
00:39:14Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:32I couldn't sleep last night.
00:39:37You told me you were staying near the port so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:40:14What are we doing?
00:40:15I think we'll make it out.
00:40:16So sexy and beautiful.
00:40:20What are we doing?
00:40:21I think we'll make it out.
00:40:27I think we'll make it out.
00:40:28So sexy and beautiful.
00:40:29I think we'll make it out.
00:40:30I think we'll make it out.
00:40:31So sexy and beautiful.
00:40:36I think we'll make it out.
00:40:37You're beautiful.
00:40:38You're beautiful.
00:40:40Thanks again, guys.
00:40:41Soon, your confrontations are quite mine.
00:40:43With nomarkt trying to hide your book.
00:40:45There are people trying to lieber one.
00:40:47Cause they're stories.
00:40:48You're beautiful.
00:40:49You're beautiful.
00:40:50You're beautiful.
00:40:52I can't. I can't do this.
00:41:09What? What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women? Is this what you do?
00:41:31You need to be less serious.
00:41:39Don't follow me.
00:41:52Don't follow me.
00:42:22Don't follow me.
00:42:52My mother hated moustaches.
00:42:56And he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:13Stop that thing.
00:43:15I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely.
00:43:50Lots of dinner.
00:43:51I thought we were just staying here.
00:43:53Two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:44:24I don't know.
00:44:54Leonard, can we talk?
00:45:24Say cheese.
00:45:33You should kind of be in the middle.
00:45:36Hold on a second.
00:45:50That's what our living room is missing.
00:45:54What did you do?
00:46:09Put my hand over my mouth.
00:46:10You did?
00:46:11What did you do?
00:46:12Just wave.
00:46:14Good girl.
00:46:30Satsang with Mooji
00:47:00ORCHESTRA PLAYS
00:47:30ORCHESTRA PLAYS
00:48:00ORCHESTRA PLAYS
00:48:30ORCHESTRA PLAYS
00:49:00Did I wake you?
00:49:02No.
00:49:04I think I need to be less serious.
00:49:10Yeah.
00:49:12I'm gonna put my pants on.
00:49:16Okay.
00:49:30Mm.
00:52:32Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49You make me feel calm.
00:53:50You make me feel calm.
00:53:57You make me feel calm.
00:53:59You make me feel calm.
00:54:09You make me feel calm.
00:54:18You make me feel calm.
00:54:20You make me feel calm.
00:54:22You make me feel calm.
00:54:35You make me feel calm.
00:55:52I didn't sleep at all last night, where have you been?
00:56:15I was walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49Okay.
00:57:06If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:33That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:54If you go out like that again, just tell me. Don't worry.
00:58:04Okay.
00:58:07I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:30Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:39I tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:10If one little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:48No, with my life.
00:59:50This is it, you know. It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:11Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:15The horses.
01:00:20The horses.
01:00:21Yeah.
01:00:27The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:43There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:59They were lovely days, really.
01:01:08They're gone. For me.
01:01:10Jane.
01:01:11Jane.
01:01:12Jane.
01:01:13Jane.
01:01:14Jane.
01:01:15Jane.
01:01:16Jane.
01:01:17Jane.
01:01:18Jane.
01:01:19Jane.
01:01:20Jane.
01:01:21Jane.
01:01:22Jane.
01:01:23Jane.
01:01:24Jane.
01:01:25Jane.
01:01:26Jane.
01:01:27Jane.
01:01:28Jane.
01:01:29Jane.
01:01:30Jane.
01:01:31Jane.
01:01:32Jane.
01:01:33Jane.
01:01:34Jane.
01:01:35Jane.
01:01:36Jane.
01:01:37Jane.
01:01:38Jane.
01:01:39Jane.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:10What is it?
01:02:19You alright?
01:02:21You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine. It's fine. It's fine. It's fine. It's fine.
01:02:32You losing it?
01:02:34Yes.
01:02:36Fuck.
01:02:40I met these backpackers last night. Frank and Elsa. She's French. He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:56I want you to come with me.
01:03:00I want you to come with me.
01:04:14I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:07Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:26Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:01I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23I want you to do what you need to do.
01:10:35I want you to do it.
01:11:45Hi.
01:11:47Hi.
01:11:59You want some?
01:12:01Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:00We're thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:14:38Jay, you've got to come over to this side, the train's going to be here in a minute.
01:15:08It's four in the morning, the end of December, I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living, there's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:15:59Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:28That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:42Now shut that thing off.
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