- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Good luck.
00:04:55How can I tell her, baby?
00:04:56No, I'm sorry.
00:04:57What's the deal?
00:04:58No, I'm sorry.
00:04:59You've had to pay for it.
00:05:00It's really great.
00:05:01Whoa.
00:05:02No, no, no, no.
00:05:03Let's go.
00:05:04No, no.
00:05:05I can't find any news.
00:05:07We're going to visit the rest of the rest of the moment.
00:05:08It's just a lark.
00:05:11This is what I see.
00:05:12.
00:05:13What are you doing?
00:05:14What are you doing here?
00:05:15It's just a lark.
00:05:16When you see, all the nod.
00:05:17So I know the crew is walking,
00:05:18I know the crew.
00:05:19It's not a lark.
00:05:20It's a good place.
00:05:21It's a good place.
00:05:22It's a good place.
00:05:23Let's go.
00:05:53Let's go.
00:06:23Let's go.
00:06:53Let's go.
00:07:23Let's go.
00:07:53Let's go.
00:08:23Let's go.
00:08:53Let's go.
00:09:22Let's go.
00:09:52Let's go.
00:10:22Let's go.
00:10:52Let's go.
00:11:22Let's go.
00:11:53That was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good at the answer.
00:12:01Just let the music do the work.
00:12:02Let's go.
00:12:32Come on, let's go.
00:13:02What is it?
00:13:03What is it?
00:13:03I don't know.
00:13:04I don't know.
00:13:04I don't know.
00:13:04I don't know.
00:13:05It's just that your auntie could be watching us.
00:13:07Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's go.
00:13:43You want to think that she could see you, he could see you, he could know.
00:13:47He wants to think I'm so good at the limit.
00:13:52He wants to think I'm unfaithful.
00:13:53Please happen.
00:13:56I understand.
00:14:05I don't know anything.
00:14:35Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:33What a warped for you to do.
00:15:35What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:57Haven't you noticed?
00:15:58He hasn't said a word since we left.
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:04We said a hundred dollars, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:32Uh.
00:17:33Is it far to the fishing village?
00:17:36Five hundred meters.
00:17:38Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:03I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long, Ira.
00:18:16Bye.
00:18:16Hi.
00:18:43Hi.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:02Good morning.
00:19:03Good morning.
00:19:12No thanks.
00:19:13Hey.
00:19:14Hey.
00:19:15Hey.
00:19:16Hey.
00:19:17Hey.
00:19:19Hey.
00:19:20Hey.
00:19:21Hey.
00:19:22Hey.
00:19:23Hey.
00:19:24Hey.
00:19:25Hey.
00:19:27Hey.
00:19:28Hey.
00:19:29Hey.
00:19:30Hey.
00:19:31Hey.
00:19:32Hey.
00:19:33Hey.
00:19:34Hey.
00:19:35Hey.
00:19:36Hey.
00:19:37Hey.
00:19:38Hey.
00:19:39Hey.
00:19:40Tell me, girl, that you love me
00:19:42I love you every day
00:19:44Tell me if you love your kisses
00:19:46For your way to walk
00:19:48I love your smile, your feelings
00:19:50Or your way to love
00:19:52You've lost all your feelings
00:19:54I love you more than love
00:19:58Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol?
00:20:11Or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:39Here are some models.
00:20:45Who's that woman there?
00:20:47A very well-known American writer.
00:20:49Joanne Sullivan?
00:20:51Mm-hmm.
00:20:52I know her.
00:20:53The two of us were at the same school.
00:20:55I think I'll say hello.
00:21:05Joanne?
00:21:06Who is it?
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd.
00:21:13Oh, my God.
00:21:15Is it really you?
00:21:16Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:19Fine.
00:21:20Great to see my old valedictorian.
00:21:22Great to see you.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:27Oh, fantastic.
00:21:28Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me, from what?
00:21:34Because I don't know.
00:21:35Maybe from myself.
00:21:37Well, I imagine you're writing something now?
00:21:39Checks, that's all.
00:21:41As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:55I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on. It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:44I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Good. We can try the local cuisine.
00:23:02Here it is, the chef's special.
00:23:05Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:14Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:25Mmm.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simple as to make it with someone you know.
00:23:41The first step's taken already.
00:23:43Are you making...
00:23:44...advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:12That woman has a hard heart with MFP.
00:24:21MFP.
00:24:22That woman has a different side of the road.
00:24:23I don't think it's such a good idea.
00:24:24This is the same man.
00:24:25But you can't get used it.
00:24:27How long have you been here at the same time?
00:24:28I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Not bad.
00:24:54Oh, you dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:46Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:13Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole, I completely, Joanne.
00:26:40And besides, you'll just have to fake it.
00:26:41Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I'm sorry.
00:26:53I wasn't serious.
00:26:58It was a joke.
00:27:01I love you, Andy.
00:27:02I love you more than anything else in the world.
00:27:08I love you, Andy.
00:27:09I love you more than anything else in the world.
00:27:22Me too.
00:27:27I love you more than anything else in the world.
00:27:28I love you.
00:27:29I love you.
00:27:30I love you.
00:27:31I love you.
00:27:32I love you too.
00:27:33God.
00:27:34God.
00:27:39It's okay.
00:27:40If you're, if you're tired.
00:27:43It's happened before.
00:27:44It's happened before.
00:27:46It'll pass.
00:27:48It'll pass.
00:28:18I love you.
00:28:47Oh, my God.
00:29:17Oh, my God.
00:29:47Oh, my God.
00:30:17Put me down, you...
00:30:19Let me go.
00:30:24Vamos.
00:30:32It's a good thing you came.
00:30:35I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:19Offering you a little hospitality.
00:31:20Here, have a drink.
00:31:30Viola?
00:31:37Viola?
00:31:51Viola?
00:32:05You there?
00:32:10Viola?
00:32:11Viola?
00:32:17Viola?
00:32:20Viola?
00:32:22Viola?
00:32:23Viola?
00:32:24Viola?
00:32:25Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach.
00:32:45The bungalow's empty.
00:32:46She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right.
00:32:53Thanks, Consuelo.
00:32:53Ciao.
00:32:55Where the hell have you been?
00:33:06I looked all over for you.
00:33:08I got bored here all along.
00:33:09So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Anthony.
00:33:34Yeah?
00:33:34I got to tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why?
00:33:40Something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:44We can't yet.
00:33:46We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:56Well, I can't forget it.
00:33:59I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:31I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:35:01You have to do it.
00:35:25Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only healthy vice.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:12You want to drink?
00:36:24Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one
00:36:52who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be
00:37:13a flagrant couple of exceptions.
00:37:16Of course you include yourself
00:37:18in that sweeping statement.
00:37:22Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40I don't know.
00:37:49The broken hearts.
00:37:51I was sure you'd come you were mm-hmm you want to make love with me again
00:38:21what are you afraid of that your woman will find out
00:38:34well answer me iris doesn't enter into this and i decide when i make love
00:38:51are you quite sure you don't want to come with us no i prefer to stay here and keep consuelo
00:38:58okay i'll try not to be late i told you that's the way it was
00:39:05hey i'm always here
00:39:07it's not true
00:39:09it's not true
00:39:16it's not true
00:39:22it's not true
00:39:28it's not true
00:39:35it's not true
00:39:40it's not true
00:39:44It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:11Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:39You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:06Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:19Oh, my God.
00:42:24You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:53Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll wait.
00:44:01Get this straight.
00:44:15This time.
00:44:16Must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24Do you know where to go?
00:45:31All right.
00:45:32Get out of the物 as you can.
00:45:33Take it.
00:45:33Take it.
00:45:34Take it.
00:45:36You may not miss me.
00:45:37Bye.
00:45:37Bye.
00:45:38Bye.
00:45:39Bye.
00:45:40Bye.
00:45:40Bye.
00:45:41Bye.
00:45:42Bye.
00:45:43Bye.
00:45:44Bye.
00:45:45Bye.
00:45:45Bye.
00:45:45Bye.
00:45:46Bye.
00:45:47Bye.
00:45:47Bye.
00:45:49Bye.
00:45:49Bye.
00:45:50Bye.
00:45:50Bye.
00:45:51Bye.
00:45:52Bye.
00:45:52Have you seen Leon?
00:46:00Sorry.
00:46:12To disturb.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29Iris is free to do what she wants.
00:46:59I'll be out.
00:47:06I'm sorry.
00:47:38No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:13It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:37Oh, Christ.
00:48:47Oh, Christ.
00:48:52Oh, Christ.
00:48:56Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire. One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess. I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:49She did it because she knew you liked it.
00:49:53Not for herself.
00:49:56She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Not briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:16She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:28Don't go.
00:51:53You're hurting me.
00:52:02You're hurting me.
00:52:23Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:53You're hurting me.
00:53:23Put it in the pail.
00:53:43You know how to cook it?
00:53:48You'll have to learn.
00:53:53Hey.
00:53:57What are you doing here?
00:54:01Creole.
00:54:03What do you want?
00:54:13What are you doing here?
00:54:23Creole.
00:54:25What do you want?
00:54:29I've come to get her.
00:54:31Leon.
00:54:33No, what are you doing?
00:54:35Creole.
00:54:36I never thought it would come to this.
00:54:37Please.
00:54:38I know it's all my fault, but please don't humiliate yourself like this.
00:54:43It's too late.
00:54:44It's too late.
00:54:45No.
00:54:46It's not too late.
00:54:47It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Creole.
00:55:00With a bastard like that.
00:55:02I have no more strength.
00:55:04No more desire to go on.
00:55:06It's finished.
00:55:07You don't know what you're saying.
00:55:09You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:13It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:17It's finished.
00:55:19With Leon, I'm alive.
00:55:20He satisfies me.
00:55:21No.
00:55:22No.
00:55:27I'm terribly sorry, Andy.
00:55:30Really.
00:55:32It's ridiculous.
00:55:34My life is meaningless without you.
00:56:02I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:09No problem.
00:56:10Really.
00:56:11I don't mind having a break.
00:56:14Why don't you stick around?
00:56:16You might even keep us company if you like.
00:56:22Thanks.
00:56:23But not tonight.
00:56:24Maybe some other time.
00:56:26I'm not in the best of moods.
00:56:28I'm in the best of moods.
00:56:38Oh.
00:56:39I'm into this.
00:56:40I call it gin balling.
00:56:41It's a very silly game.
00:56:43Hmm?
00:56:44For what?
00:56:45Serves to calm the nerves.
00:56:46Try it.
00:56:47Okay.
00:56:48Mmm.
00:56:49Mmm.
00:56:50Okay.
00:56:51Tell mother everything.
00:56:52I'm all ears.
00:56:53Look.
00:56:54I have no intention of fighting with you.
00:56:55You're a kind, sweet patient.
00:56:56Okay.
00:56:57Get to the point.
00:56:58The question is, will she tire of that dope?
00:57:00That's what you want to know.
00:57:01Is that it?
00:57:02She is bound to tire of it.
00:57:03She always does.
00:57:04Oh, this place plays tricks on one sometimes.
00:57:05Even I fell once, you know?
00:57:06There's no truth in all of this.
00:57:07I have no idea.
00:57:08I have no idea of fighting with you.
00:57:09I have no idea of fighting with you.
00:57:10You're a kind, sweet, patient.
00:57:11Oh, okay.
00:57:12Get to the point.
00:57:13The question is, will she tire of that dope?
00:57:15That's what you want to know.
00:57:16Is that it?
00:57:17She is bound to tire of it.
00:57:18She always does.
00:57:20This place, plays tricks on one sometimes.
00:57:27Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:56Yeah.
00:57:58It's blinded even Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm.
00:58:06A Buridan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:11They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:24Oh, yes, you can.
00:58:26Please.
00:58:28Right.
00:58:29Let's not say anymore.
00:58:30You want to sit here all night?
00:58:32I...
00:58:33That's not going to do any good.
00:58:47Hey.
00:58:48What's the matter?
00:58:49You've suddenly developed morals?
00:58:50I'm as immoral as you are.
00:58:52But there is such a thing as the right moment.
00:58:54Night.
00:58:55It's way past my bedtime.
00:58:56Night.
00:58:57It's way past my bedtime.
00:59:03Ah.
00:59:04Uh.
00:59:05I swear.
00:59:06Oh, dear.
00:59:08Hello, dear.
00:59:09Bye-bye.
00:59:10What are youorieux�es?
00:59:11Oh, dear?
00:59:12I will France.
00:59:13Ma'am.
00:59:14That's a long passage of France.
00:59:15Whooautham?
00:59:16Well, my sir.
00:59:17Well, I don't know.
00:59:18Okay.
00:59:19She's her.
00:59:20I don't know plenty effect because she was worried.
00:59:22I don't know for her.
00:59:24Well, her goodness.
00:59:25That she helps me.
00:59:26Probably not.
00:59:27Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:57There's a time for food.
01:00:27There's a time for food.
01:00:57There's a time for food.
01:01:27There's a time for food.
01:01:29There's a time for food.
01:01:31There's a time for food.
01:01:33There's a time for food.
01:01:35There's a time for food.
01:01:37There's a time for food.
01:01:39There's a time for food.
01:01:41There's a time for food.
01:01:43There's a time for food.
01:01:45There's a time for food.
01:01:47There's a time for food.
01:01:49There's a time for food.
01:01:51There's a time for food.
01:01:53There's a time for food.
01:01:55There's a time for food.
01:01:57There's a time for food.
01:01:59There's a time for food.
01:02:01There's a time for food.
01:02:03There's a time for food.
01:02:05There's a time for food.
01:02:07There's a time for food.
01:02:09There's a time for food.
01:02:11There's a time for food.
01:02:13There's a time for food.
01:02:15There's a time for food.
01:02:17There's a time for food.
01:02:19There's a time for food.
01:02:21There's a time for food.
01:02:22There's a time for food.
01:02:24There's a time for food.
01:02:25There's a time for food.
01:02:30I don't know anymore, Iris.
01:02:33How can you humiliate yourself this way?
01:02:35How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:43Don't I account for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:16If you're in a circus, you're already a star.
01:03:21A star that you imagine all.
01:03:25If you ask me, you didn't know me.
01:03:29The jacket on the pantalons.
01:03:32The sun is so cold, like the snow is...
01:03:35Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:06If only we had any guts.
01:04:08We'd do something about it.
01:04:12Hello.
01:04:33Hello.
01:04:37Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:37I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:00Anyway, it's okay.
01:06:06I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:07:21I have work to do.
01:07:22Let's go.
01:07:52I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let's go.
01:08:38Let's go.
01:08:39Let me in on it.
01:08:47Let me in on it.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:11:50Iris!
01:12:02You've got no call.
01:12:17You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:31Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risked losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't, really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:38The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:50We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:51We get...
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