- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¿Qué será que tú salas de las bolas que se van?
00:01:59That is really great.
00:02:07You're fantastic.
00:02:08Thanks.
00:02:09Here's my address.
00:02:10Salam.
00:02:29I don't know what I'm going to do
00:02:31Because the black woman's eyes
00:02:33I don't understand.
00:02:41Darling!
00:02:43Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:51You look great.
00:02:53Thanks.
00:02:54Bye, Criona.
00:02:55Ciao. Try to have a nice trip.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:27It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:36There's something in the air.
00:03:37It's extremely erotic.
00:03:44I feel strange all of a sudden.
00:03:46I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:55I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:16Hi.
00:04:23Hi.
00:04:24Hey, Priola.
00:04:25Ah, ciao.
00:04:26Hi.
00:04:27How's it going?
00:04:28Any news?
00:04:29No.
00:04:30Nothing yet.
00:04:31I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:50What happened?
00:04:51No.
00:04:52I know.
00:04:53I can't find anyone else.
00:04:54I can't find anyone else.
00:04:55I can't find anyone else, right?
00:04:56I'll never go nowhere.
00:04:57Sabah era mi amor, me dicen de tu traición
00:05:27No, no, no, no, no
00:05:57No, no, no, no, no
00:06:27No, no, no, no, no
00:06:57No, no, no, no
00:07:27No, no, no, no, no, no, no
00:07:57No, no, no, no, no, no, no
00:08:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:08:56You got an offer to make for the children of the sun?
00:08:59Okay. Here. Will that do?
00:09:01Sure. Keep the literature. That might help you spiritually.
00:09:16Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Twist my arm.
00:09:24Let's see.
00:09:26If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:32He didn't understand a thing. So it is.
00:09:35Did he make love to you?
00:09:36No. He's got other things to worry about.
00:09:39He's looking for his fiancée. That's why he's here.
00:09:42And how did he lose her?
00:09:43It's an interesting story.
00:09:44I adore interesting stories.
00:09:48Just think. They were going to get married.
00:09:51And not long before the wedding, she went on holiday with some friends from work.
00:09:55And they came here, to Santo Domingo, as part of the package deal.
00:09:59When it was time to leave, she disappeared.
00:10:01Come on. Really?
00:10:02Mm-hmm. Yeah.
00:10:03Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:13It's quite possible.
00:10:14The tropics can do funny things.
00:10:17Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:27This music can make you think again.
00:10:30And besides, who knows?
00:10:33She might have met a guy she, um, liked more.
00:10:37You know, simple islander.
00:10:39Oh, come on.
00:10:41That's only a depiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Mm.
00:10:51Be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I bet you'd think he'd be very lonely.
00:10:56Ready to talk to him?
00:10:58Okay.
00:10:59Okay.
00:11:01Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:10Hi, love.
00:11:12What?
00:11:13Very kind of you.
00:11:16Would you like something to drink?
00:11:18Yeah, I'll have what you're happy.
00:11:20Whatever it is.
00:11:23How's the search going?
00:11:25Did I find anything yet?
00:11:27No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:34I'm sure that sooner or later I'll find her.
00:11:36Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:39Excuse me, I'll be right back.
00:11:42And where are you going?
00:11:43Oh, I have to make a telephone call to New York.
00:11:46My magazine editor wants that weekly report.
00:11:51Well, that was rather sudden, wasn't it?
00:11:57Let's dance.
00:11:58I'm not too good a dancer.
00:12:00Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:13Well, we're going to have to make up for lost time then.
00:12:16Yeah.
00:12:19Yeah.
00:12:23Listen, Criela, maybe we should go back to the table, huh?
00:12:26Why?
00:12:27Your dancing is...
00:12:30Great.
00:12:35Come on, listen up.
00:12:37I feel uncomfortable.
00:12:50Well, there's no need.
00:13:02What is it?
00:13:03I don't know, it's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:14Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:26It's his way of loving me.
00:13:29He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:41And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:54Please help me.
00:13:59I understand, Criela.
00:14:02You know, love can be a strange thing.
00:14:28Well, the light is not the best, but...
00:14:45We shall do what we can.
00:14:51It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:56But you told me you've never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:04It's in the form of a turtle.
00:15:06A turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:14You better start praying that, uh...
00:15:16You don't end up reincarnated as a turtle.
00:15:19Ha, ha.
00:15:21Sometimes you're a real asshole.
00:15:23Ha, ha, ha.
00:15:24Ha, ha.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:33What a warp routine.
00:15:37What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it? Are you uptight?
00:15:43Maybe.
00:15:44I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:56Haven't you noticed he hasn't said a word since we left?
00:15:59We hired him.
00:16:01To keep up a conversation with us, all right?
00:16:04Look at him.
00:16:05Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19It appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:23Aw.
00:16:45Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:51Yeah.
00:16:53Hey.
00:16:54It's wide open.
00:16:56There's no key.
00:16:57Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:13This is two.
00:17:14Keep it.
00:17:17One's enough.
00:17:18Good enough.
00:17:22Adios.
00:17:32Uh.
00:17:33Is it far to the fishing village?
00:17:35Five hundred meters.
00:17:37Down that way.
00:17:38Okay.
00:17:39Okay.
00:17:54I'm gonna go to the village.
00:17:55Okay.
00:17:56I prefer to stay here.
00:17:57Whatever you like.
00:17:58Can't wait to take a swim.
00:18:00Go ahead.
00:18:01See you later.
00:18:02All right.
00:18:03So long, Iris.
00:18:04Bye.
00:18:05Bye.
00:18:06Bye.
00:18:07Bye.
00:18:08Bye.
00:18:13Bye.
00:18:14Bye.
00:18:15Bye.
00:18:16Bye.
00:18:17Bye.
00:18:18Bye.
00:18:19Bye.
00:18:20Bye.
00:18:21Bye.
00:18:22Bye.
00:18:23Bye.
00:18:24Bye.
00:18:25Bye.
00:18:26Bye.
00:18:27Bye.
00:18:28Bye.
00:18:29Bye.
00:18:30Bye.
00:18:31Bye.
00:18:32Bye.
00:18:33Bye.
00:18:34Bye.
00:18:35Bye.
00:18:36Bye.
00:18:37Bye.
00:18:38Bye.
00:18:39Bye.
00:18:40Bye.
00:18:41Bye.
00:18:42Bye.
00:18:43Bye.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:54Hi there.
00:18:55Hello, sir.
00:19:02Good morning.
00:19:03Good morning.
00:19:04Good morning.
00:19:11Good, sir.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:16Ah, that's it.
00:19:34Good morning, Consuelo.
00:19:47What can I do for you today?
00:19:49Good morning, Consuelo.
00:19:51What can I do for you today?
00:19:54Good morning, Consuelo.
00:19:59Good morning, Consuelo.
00:20:02What can I do for you today?
00:20:04I've got an empty refrigerator to load up.
00:20:06I'll bring you a few drinks.
00:20:08For instance, would you like some alcohol
00:20:10or would you prefer some soft drinks?
00:20:12Mmm, well, a little of both.
00:20:14I won't be long.
00:20:29Here are some models.
00:20:43Uh, who's that woman there?
00:20:46A very well-known American writer.
00:20:50Joanne Sullivan?
00:20:51Mm-hmm.
00:20:52I know her.
00:20:53The two of us were at the same school.
00:20:55I think I'll say hello.
00:20:59Joanne?
00:21:00Mm-hmm.
00:21:01Who is it?
00:21:02Remember Andy the Nerd?
00:21:03Oh, Andy the Nerd.
00:21:04Oh, my God.
00:21:05Is it really you?
00:21:06Uh-huh.
00:21:07Oh.
00:21:08How are you?
00:21:09Fine.
00:21:10Great to see my old valedictorian.
00:21:11Great to see you.
00:21:12What are you doing here?
00:21:13Oh, I'm taking pictures for a magazine.
00:21:14Oh, fantastic.
00:21:15Come and sit down.
00:21:16Come and sit down.
00:21:17Come and sit down.
00:21:18Come and sit down.
00:21:19Come and sit down.
00:21:20Come and sit down.
00:21:21Come and sit down.
00:21:22Come and sit down.
00:21:23Come and sit down.
00:21:24Come and sit down.
00:21:25What are you doing?
00:21:26Escaping.
00:21:27But don't ask me from what.
00:21:28Because I don't know.
00:21:29Maybe from myself.
00:21:30Well, I imagine you're writing something now.
00:21:31Checks, that's all.
00:21:32As long as the cash lasts.
00:21:33How do you spend your time if you don't write?
00:21:34Gymnastics.
00:21:35And I drink.
00:21:36I tend the garden.
00:21:37I read.
00:21:38Don't you like long for New York at all?
00:21:39No.
00:21:40America is in an advanced state of decomposition, Andy.
00:21:41Like the whole of the world.
00:21:42That's all.
00:21:43That's all.
00:21:44As long as the cash lasts.
00:21:45How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:47And I drink.
00:21:50I tend the garden.
00:21:55I read.
00:21:56Don't you like long for New York at all?
00:22:00No.
00:22:01America is in an advanced state of decomposition, Andy.
00:22:06Like the whole of the West.
00:22:08It's no good.
00:22:09I have no nostalgia.
00:22:11Only for company, that's all.
00:22:13Here there aren't any men that I like.
00:22:16That's probably a good thing.
00:22:18I like everything sophisticated or complicated.
00:22:23I suppose I'm in a crisis.
00:22:26Is that a plea for help, I hear?
00:22:28Oh, come on.
00:22:29It wasn't a proposition.
00:22:30I see.
00:22:31It was a proposition.
00:22:32I see.
00:22:33Well, in that case, I'll offer you a proposition.
00:22:38What kind?
00:22:39Like I told you, I'm working for a magazine.
00:22:42I'm doing a story on this island.
00:22:44And you know it pretty well.
00:22:46Yes, I do.
00:22:47If you could help me.
00:22:49Whenever you want.
00:22:51My pleasure.
00:22:52Great.
00:22:54Here comes the food.
00:22:56Oh, good.
00:22:57We can try the local cuisine.
00:22:58Here it is.
00:23:00The chef's special.
00:23:01Mmm.
00:23:02Mmm.
00:23:03That looks...
00:23:04Enjoy your food.
00:23:05I'm starving.
00:23:06Oh, that looks good.
00:23:07Consuela's such an extrovert.
00:23:08She's always bright and sunny.
00:23:09She's just my opposite.
00:23:10I like her.
00:23:11She's already had the cream of the young men on the island.
00:23:13If I could only get used to going to bed so easily.
00:23:16Yes.
00:23:17Yes.
00:23:18It's knowing how to start it up.
00:23:19Yeah.
00:23:20Warm up.
00:23:21It's simple as to make it with someone you know.
00:23:23The first up's taken already.
00:23:24Are you making advances?
00:23:25I'm attempting to make it with someone you know.
00:23:26The first up's taken already.
00:23:27Are you making advances?
00:23:30I'm attempting to find you an answer.
00:23:31I don't think Criella thinks it's such a good idea.
00:23:45It might be more fun if we didn't leave her out.
00:23:47Since when is three in the crowd?
00:23:48Oh, Andy, come on.
00:23:53I'd like to do it with someone.
00:23:54Come on.
00:23:59oh andy come on i thought you were emancipated but you're still stuck in the 70s
00:24:06sex lib dreaming that's old hat you disappoint me
00:24:29yeah i'm very at home here in this setting been here long do you know only a few years
00:24:48but it's as if he was the girl arrived a few months ago that's all oh not bad
00:24:54is she his woman his steady date she sits all day and waits for him i believe she's italian
00:25:15poor thing came here on vacation took one look and got stuck stuck on him
00:25:20hey maybe that person is is the girl that air steward was so uh desperately seeking
00:25:29you said she's italian yes why but then it must be her on the plane i met her boyfriend
00:25:37he came here to look for him he'll go back empty-handed i'm sure leon is like a drug he
00:25:44doesn't conquer he dominates your friend had better resign himself to losing her
00:25:51i hope he doesn't find her it's like i said this isle is wants to put evil spells on sexy girls
00:25:59poor guy he must love that girl a lot to come all this way
00:26:03since you feel so sorry for the poor guy why don't you give him a hand me yeah he's a savage
00:26:16but it'd be terribly easy for you to make an hope like that you know come chasing after you like a
00:26:23beast in heat he's a womanized your friend to get back his girlfriend
00:26:27i think it's a magnificent idea don't you it's a little risky what you mean i might loser
00:26:37i trust creole a completely joanne and besides she'll just have to fake it right go on ask him to
00:26:44dance have a heart hey look have you finished i've had enough i'm gonna go this music is getting on my nerves
00:26:57Sorry. I wasn't serious. It was a joke.
00:27:15I love you, Andy. I love you more than anything else in the world.
00:27:27I love you, too. I love you, too.
00:27:34God!
00:27:39It's okay. If you're tired.
00:27:45It's happened before. It'll pass.
00:27:57It's okay.
00:27:59I love you, too.
00:28:02I love you, too.
00:28:05It's okay.
00:28:07It's okay.
00:28:08Oh, my God.
00:28:38Oh, my God.
00:29:08Oh, my God.
00:29:38Oh, my God.
00:30:08Oh, my God.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:54I can't have any fun shutting a bungalow.
00:30:58It's your life. Do what you want.
00:31:08What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:38Here.
00:32:04You there?
00:32:08Here.
00:32:10Here.
00:32:17Here.
00:32:22Here.
00:32:24Here.
00:32:39Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:32:54Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along. So I took off to look around, all right?
00:33:12Well, you'd have had more fun if you'd been with me.
00:33:13Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:28Andy.
00:33:34Yeah?
00:33:36I got to tell you something.
00:33:37Go ahead. Shoot.
00:33:39Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah.
00:33:44Let's go away.
00:33:46We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:53I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:57Well, I can't forget it. I want to go away. I want to go back to America.
00:34:04You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:23Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient. Just a little longer.
00:34:39We'll be happy again. And then...
00:34:41And then, I'll be able to give you what you need so badly.
00:34:45Dr. King Hendley.
00:35:15Let's go.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:15Oh, no.
00:36:17Do you want a drink?
00:36:40No, not for me.
00:36:44How come?
00:36:47One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:25Don't you tell the truth?
00:37:28I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:37I've stopped looking for it.
00:37:40I've stopped looking for it.
00:37:50It's a broken heart.
00:37:52I've stopped looking for it.
00:37:53From the other side.
00:37:54I knew you'd come.
00:37:58I knew you were there.
00:37:59You knew you were there?
00:38:01I knew you were there.
00:38:02I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:28What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:38:58I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always high.
00:39:08It's not true.
00:39:09I'm not going to stay around and talk about it.
00:39:13Goodbye, I'll be yours.
00:39:28I'm not going to stay around and talk about it.
00:39:29I'm not going to stay around and talk about it.
00:39:29I'm not going to stay around and talk about it.
00:39:30I'm not going to stay around and talk about it.
00:39:31I'm not going to stay around and talk about it.
00:39:32I'm not going to stay around and talk about it.
00:39:33I'm not going to stay around and talk about it.
00:39:34I'm not going to stay around and talk about it.
00:39:35I'm not going to stay around and talk about it.
00:39:36I'm not going to stay around and talk about it.
00:39:37I'm not going to stay around and talk about it.
00:39:38I'm not going to stay around and talk about it.
00:39:39I'm not going to stay around and talk about it.
00:39:40I'm not going to stay around and talk about it.
00:39:41It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:27She's the real reason for this.
00:40:30Oh, you always find the truth, don't you? I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:39You better hurry or you'll be too late.
00:40:43I'll take you back.
00:40:45I bet you're enjoying it.
00:40:47Joanne gave me one too with a dedication. I sobbed my eyes out.
00:40:51For a romantic novel, it's not bad.
00:40:55Is a model a fun thing to be, Criola?
00:40:57I wouldn't recommend it to my friends, but I'm not complaining.
00:41:01I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:07But I ended up with over-weight tits.
00:41:09So you snuck away to live on an island.
00:41:11Well, here at least they appreciate my boobs.
00:41:15Here comes a customer.
00:41:16Oh, it's Marco.
00:41:17You know him?
00:41:18Yes.
00:41:19You know him?
00:41:20Yes.
00:41:21You know him?
00:41:22Yes.
00:41:23You know him?
00:41:24Yes.
00:41:25Hi, Marco.
00:41:26Hi!
00:41:27Hi.
00:41:28Hi, Cruella.
00:41:29I imagine bumping in to you.
00:41:30Did you just get here?
00:41:31Yes.
00:41:32Yeah.
00:41:33Wow.
00:41:34It's great.
00:41:35Can I help you?
00:41:36Let's go.
00:41:37Oh, man.
00:41:38Can I help you?
00:41:39Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Creole.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:07Here, listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:55Leon.
00:42:58Leon.
00:42:58Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:18Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:23I know.
00:44:26So?
00:44:28Stay.
00:44:28Stay.
00:44:30She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58I'm not going.
00:45:00Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner.
00:45:24See you at dinner.
00:45:24See you at dinner.
00:45:52I've got to be off next.
00:45:57Have you seen Leon?
00:46:00Pete.
00:46:00Pete.
00:46:00He's seen what he did with the girl.
00:46:06Sorry.
00:46:10Sorry
00:46:12To the stern I want a word with him. I'll leave you two together. Wait
00:46:18What do you want? Iris? Iris you got her
00:46:24You don't want iris iris is free to do what she wants
00:46:28adios
00:46:39I
00:46:41I
00:46:43I
00:46:45I
00:46:47I
00:46:51I
00:46:53I
00:46:55I
00:46:57I
00:46:59I
00:47:01I
00:47:03I
00:47:05I
00:47:07I
00:47:39No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:06It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:13It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:36Oh, Christ.
00:49:07Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:15I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:43Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:13Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26Don't go.
00:51:27Don't go.
00:51:27Don't go.
00:51:28Don't go.
00:51:28Don't go.
00:51:29Don't go.
00:51:30Don't go.
00:51:31Don't go.
00:51:32Don't go.
00:51:32Don't go.
00:51:33Don't go.
00:51:33Don't go.
00:51:34Don't go.
00:51:35Don't go.
00:51:36Don't go.
00:51:37Don't go.
00:51:38Don't go.
00:51:39Don't go.
00:51:40Don't go.
00:51:41Don't go.
00:51:42Don't go.
00:51:43Don't go.
00:51:44Don't go.
00:51:45Don't go.
00:51:46Don't go.
00:51:47Don't go.
00:51:48Don't go.
00:51:49Don't go.
00:51:50Don't go.
00:51:51Don't go.
00:51:52Don't go.
00:51:53Don't go.
00:51:54Don't go.
00:51:55You're hurting me.
00:52:02You're hurting me.
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:32Hey, buddy.
00:52:35I'll go.
00:52:37See you later.
00:52:57I have a great day.
00:53:29Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:59Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No, no.
00:55:24I don't believe you.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:42I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:11I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:40I call it gin-balling.
00:56:42It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Tell mother everything.
00:56:58I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:04I have no intention of fighting with you.
00:57:07You're a kind, you're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She's bound to tire of it.
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand
00:58:21how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41Right.
00:58:51That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Good.
01:00:12Okay.
01:00:12Cheers.
01:00:12Cheers.
01:00:16Cheers.
01:00:17Cheers.
01:00:17Cheers.
01:00:17Cheers.
01:00:18Cheers.
01:00:18Let's go.
01:00:48Let's go.
01:01:19Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:01:28Hace frÃo, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:41En un moquete en el pantalón, vos estás tan frÃa, como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, boom, boom, boom, boom, boom, boom.
01:02:17I don't know anymore, Iris.
01:02:35¿Cómo puedes que te molestas de esta forma?
01:02:38¿Cómo puedes aceptar todo esto?
01:02:39Porque yo lo he como nunca lo he querido.
01:02:42¿Cómo te llamas?
01:02:44¿No te preocupes por nada?
01:02:46Quizás has olvidado que nos acabamos de casar en un mes.
01:02:50No entiendo, Marco.
01:02:51No, I'm not able to leave Leona.
01:02:54My God, how is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:05Go away from here.
01:03:06Go away from here.
01:03:08Y cuando llegaste me miraste me dices loco, estás mojado, ya no te quiero.
01:03:17Dime circo, ya eres tú una estrella, una estrella roja que todos te lo imaginan.
01:03:25Si te pregunto, tú no me conocÃas o no, en un boquete en el pantalón,
01:03:32Las voces están frÃas, como la nieve a mi...
01:03:35¿Quieres una cerveza?
01:03:41SÃ.
01:03:44Hay que ser una vida mejor en algún lugar.
01:03:47¿De acuerdo?
01:03:48¿No me wonder si todos los paradigmas son asà como un maldito?
01:03:54¿Qué tÃo?
01:03:56¿Qué tÃo?
01:03:57Nosotros somos aquÃ.
01:04:00Getting drunk.
01:04:06If only we had any guts, we'd do something about it.
01:04:09¿Qué tÃo?
01:04:36¿Qué tÃo?
01:04:37¿Qué tÃo?
01:04:37¿Qué tÃo?
01:04:39Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:09I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:52Okay.
01:06:52Okay.
01:06:53Okay.
01:06:55Okay.
01:07:25Let's go.
01:07:55I hope it's enough.
01:08:06Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:09I'm looking for Martin out here.
01:08:12He left with Leon and Andy.
01:08:14Oh, my God.
01:08:15I have a terrible feeling.
01:08:17He came to me this morning and he had a strange, evil look in his eyes.
01:08:21He said some awful things about Leon yesterday when he was drunk.
01:08:25But when I saw him this morning, he wasn't drunk.
01:08:32Hey, what's all the mystery?
01:08:35Let me in on it.
01:08:37Let me in on it.
01:08:39Don't worry.
01:08:40Let me in on it.
01:08:43Oh, my God.
01:09:13Oh, my God.
01:09:43Oh, my God.
01:10:13There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:43Come on, let's go.
01:10:51I'm going down to have a look.
01:11:21I'm going down to have a look.
01:11:51I'm going down to have a look.
01:12:21I'm going down to have a look.
01:12:51I'm going down to have a look.
01:12:53I'm going down to have a look.
01:12:55I'm going down to have a look.
01:12:57I'm going down to have a look.
01:12:59I'm going down to have a look.
01:13:01I'm going down to have a look.
01:13:03I'm going down to have a look.
01:13:05I'm going down to have a look.
01:13:07I'm going down to have a look.
01:13:09I'm going down to have a look.
01:13:11I'm going down to have a look.
01:13:13I'm going down to have a look.
01:13:15I'm going down to have a look.
01:13:19I'm going down to have a look.
01:13:21I'm going down to have a look.
01:13:22I'm going down to have a look.
01:13:23I don't think they're meant to kill Leon, really.
01:13:26It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't, really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Yeah.
01:14:40So you need courage.
01:14:41Yeah.
01:14:41So you need courage.
01:14:41Yeah.
01:14:42To be honest, Anne.
01:14:42He's like, hey, honey.
01:14:46I'm not sure you have 달 plays.
01:14:47He's like Kriola.
01:14:48No, you're not sure.
01:14:49No.
01:14:50No.
01:14:50No, no.
01:14:50No, no.
01:14:51No, no, no.
01:14:52No, no.
01:14:52No, no, no, no.
01:14:53No, no, no.
01:14:53No, no.
01:14:54No, no.
01:14:55No, no, no.
01:14:56We thought...
01:15:00Well, he thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:12Come here.
01:15:13You were right, Jack. There's magic everywhere here. Kiss me.
01:15:30It's in the very air. Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:43We get...
01:15:52We get...
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2:15:42
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