👻🎭 Ghosts on the Loose (1943) Full Movie | The East Side Kids with Bela Lugosi in a Spooky Comedy Mix 🎬😂 - video Dailymotion

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✨ A wild blend of comedy and chills, Ghosts on the Loose delivers laughs, scares, and the unmistakable presence of horror legend Bela Lugosi—teamed with the mischievous East Side Kids!  📽️ Plot Summary: When Glimpy’s sister (Ava Gardner in one of her earliest roles) is about to be married, the East Side Kids volunteer to fix up the newlyweds’ home. But instead of the right house, they accidentally work on the creepy mansion next door—haunted by strange goings-on and a mysterious figure (Bela Lugosi). What follows is a hilarious clash of bumbling antics, ghostly scares, and unexpected surprises.  🕰️ Year Released: 1943 🎭 Genre: Comedy, Horror, Mystery 🎬 Directed by: William Beaudine 🎞️ Starring: Leo Gorcey, Huntz Hall, Bela Lugosi, Ava Gardner  🎯 Why Watch It? ✔️ Bela Lugosi bringing eerie menace in a lighthearted comedy setting ✔️ Early screen appearance of Ava Gardner before stardom ✔️ The East Side Kids’ signature slapstick humor ✔️ A fun mix of haunted house thrills and 1940s comedy  🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more spooky comedies & public domain gems!  👇 Explore More Haunted Classics & Vintage Comedies Here: 📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY ━━━━━━━━━━━━━━━━━━ 🎞️ #GhostsOnTheLoose #EastSideKids #BelaLugosi #AvaGardner #ClassicComedy #HauntedHouseMovies #PublicDomainMovies ━━━━━━━━━━━━━━━━━━ 👻😂 When the East Side Kids meet Bela Lugosi—expect laughs with your chills! ________________________________________

Transcript

00:00:00The End

00:00:30THE END

00:01:00And groom me only with my life

00:01:06And I will bless with mine

00:01:13For leave a kiss within the cup

00:01:21And I'm not asked for mine

00:01:27A thirst that from the soul doth rise

00:01:34The vast good drink divine

00:01:40But might I opt of next a cup

00:01:48I will not shame for mine

00:01:54It's a beautiful example of musical expression

00:02:00Sounded like a broken down doge

00:02:03Hey Dave

00:02:08Dave

00:02:10What color are your eyes?

00:02:15If you don't want them to be black

00:02:17You better keep them open

00:02:18I want you to pay some attention to this lethargy in opera

00:02:21Benny

00:02:22You're dimming a little on your dimuendo

00:02:25Oh that's fine

00:02:26Yes

00:02:27Great

00:02:28You from you I want a little more sweetness

00:02:30But I'm saying sweet

00:02:32If you can't sing any sweeter than that

00:02:34You better hum

00:02:34And Rocky

00:02:36MF

00:02:38That's for you

00:02:39MF what does that mean?

00:02:41Well I don't know

00:02:43Look it says MF there

00:02:44What do I know from those latin abbreviations?

00:02:46Hey

00:02:46I think it means mid-feeling

00:02:49Mid-feeling

00:02:50Danny you let me down to waste of all

00:02:54Your moderato obligato

00:02:56Was just a little bit staccato

00:02:59Oh uh

00:02:59I'm sorry MF but I got a cold

00:03:02What?

00:03:02I said I'm awfully sorry

00:03:04But I got a cold

00:03:05Quick

00:03:06Quick he's in the voice

00:03:07Play it again

00:03:08Play it again

00:03:09Come on once more

00:03:11Live to me only with thy knife

00:03:19And I will bless with mine

00:03:26Oh that lovely boy

00:03:43Perfectly lovely

00:03:45The rosary's always been one of my favorite hymns

00:03:48Oh you ain't heard nothing yet

00:03:49Why don't we polish it off a little

00:03:50Oh good

00:03:51Is she kidding?

00:03:55She must have a tin ear

00:03:57Yeah we're pretty good

00:03:58I'm gonna tell you something

00:04:00This thing must have some more crescendo

00:04:03If you ask me it's a little bit on the staccato side

00:04:06If you know what I mean

00:04:08Now screw on Glippi

00:04:09Let's have your version of this number

00:04:11Drink to me only

00:04:15With thine eyes

00:04:17And I'll be in the end

00:04:19See what I mean?

00:04:21You know what you was doing before?

00:04:23Yeah

00:04:23You see what they're doing now?

00:04:24Yeah

00:04:25Well I want you to reach a happy medium

00:04:27Now

00:04:28Hit that last note

00:04:29What are you doing?

00:04:31You told me to hit it

00:04:31You go to jail on my minor

00:04:33Give them a pick and send them home

00:04:35Pick that ahead

00:04:36Come on more music

00:04:38Bring to me only with thy knife

00:04:45Stand your feet

00:04:47Can you get a draw?

00:04:48Now don't let me stop

00:04:49We'll keep right on rehearsing

00:04:50It's getting better all the time

00:04:52Oh Marliss

00:04:53Upstairs

00:04:54Let's go to my house

00:04:55It's quieted in

00:04:55We'll never get rehearsed

00:04:57Hey Marliss

00:04:58Why can't I sing in that quartet?

00:05:00I used to sing in a quartet with six members

00:05:01I can sing in those fortissimoles

00:05:03And loud too

00:05:03You can't sing at this ceremony

00:05:05You're the best man

00:05:06I wouldn't say that

00:05:07I'm pretty good

00:05:08You're only the best man

00:05:10Because your sister's getting married

00:05:11It don't mean you're the best

00:05:12Or it don't even mean you're a man

00:05:13Now do you know what to do

00:05:14When this ritual starts?

00:05:16Yeah when a guy asks me for the ring

00:05:17I'll run home and get it

00:05:18What do you mean you'll run home and get it?

00:05:19You already got it

00:05:20I don't see it

00:05:21Glimpy

00:05:22Did you heart that ring?

00:05:25Oh Muggs

00:05:26You cut me to the quick

00:05:26Here you're there dear

00:05:29Oh

00:05:31Oh you look beautiful

00:05:34Oh then mommy

00:05:35You promised not to cry

00:05:36Oh I know

00:05:37I know

00:05:38But when I think of you

00:05:39Moving clear out into the country

00:05:41Into a strange house

00:05:42You've never even seen

00:05:43It isn't so far

00:05:44It's only two miles

00:05:46From the end of the subway

00:05:47And Jackson is beautiful

00:05:48We were lucky to get it so cheap

00:05:50I suppose so

00:05:51But when I think of you

00:05:52The owner promised to be out today

00:05:53And we can move in tonight

00:05:54Oh

00:05:55Oh no

00:05:56Oh then mommy

00:05:57Don't cry

00:05:57You'll get your nose all red

00:05:59Come on let's try on the day

00:06:00Oh

00:06:00I will not take

00:06:06For the fine

00:06:10What is this

00:06:16Duffy Stafford

00:06:16Why do you guys

00:06:19To go to all this trouble

00:06:19You ain't seen nothing

00:06:21This is going to be

00:06:22The most pretentatious wedding

00:06:23That Avenue A ever witnessed

00:06:24Where's Betty?

00:06:25Eh she's in the room

00:06:26Seeing which window curtain

00:06:27Looks best on her

00:06:27Yeah

00:06:29Watch out for my glasses

00:06:30You want a police escort

00:06:31At this wedding?

00:06:32I'm afraid they only

00:06:32Go to society weddings Muggs

00:06:34You want a police escort?

00:06:35For sure

00:06:36I'll get it

00:06:37How do you like the police?

00:06:38How does it look?

00:06:39Oh it looks fine

00:06:40I think it needs

00:06:41A few more declarations

00:06:43Hey Stax

00:06:44Skinny

00:06:45Scudo

00:06:45Yeah

00:06:45Get out there

00:06:46And rustle up some more flowers

00:06:47Oh that's fine

00:06:48More flowers?

00:06:49Right now

00:06:49Alright let's go

00:06:50Snap on it

00:06:50Give me a picture

00:06:51Will you burn your own room?

00:06:53What's the matter

00:06:54Jackie are you nervous?

00:06:55Oh not at all

00:06:56I thought I would be

00:06:57Oh oh glimpy

00:06:58Before I forget it

00:06:59Here you better take this ring

00:07:00Oh he ain't nervous

00:07:01Look at his hand

00:07:01Better stay up

00:07:03Look hold it

00:07:04And don't lose it

00:07:05Oh I won't lose

00:07:05I'll put it right here

00:07:06So we can go

00:07:07You'll lose it

00:07:07If you put it there

00:07:08Here keep it on your finger

00:07:09There

00:07:10Now you won't lose it

00:07:11Does this mean we're engaged?

00:07:12Oh

00:07:12What are you wearing this afternoon?

00:07:15I'm going to wear my black and white checker ensemble

00:07:17You can't wear that zoot suit

00:07:19This is a serious occasion

00:07:20What are you wearing Jack?

00:07:21A tuxedo

00:07:22Alright Danny, Rocky

00:07:23Go out and get glimpy a tuxedo

00:07:25A reasonable facsimile

00:07:26Right

00:07:26On our way Muggs

00:07:27Hey you think I'm wearing one of the monkey suits

00:07:29With a collar and tie?

00:07:30You wear what I tell you

00:07:31And you'll like it

00:07:32Okay will you get it or wear it?

00:07:33Say has the agent been here

00:07:34With the papers on my house yet

00:07:35Not sure

00:07:36You know I wish I was a big airplane engineer

00:07:38So I could buy one of those houses in the suburbs

00:07:41Well the houses are steel Muggs

00:07:42I couldn't have bought it

00:07:43I only hope there isn't anything wrong with it

00:07:45Well what makes you think there's anything wrong with it?

00:07:47It's too good to be true

00:07:48Oh you just got those before the wedding jitters

00:07:50You'll get over that

00:07:51You need a little more experience

00:07:52You really think the place looks pretty nice, huh?

00:07:54No, it's fine Muggs

00:07:55Yeah, it could look better with some of them pictures on the wall

00:07:57Those paintings, those morales

00:07:59Not morales, moral

00:08:01Look, do you guys mean murals?

00:08:03Oh yeah, yeah, yeah

00:08:04That's right

00:08:05He threw me off

00:08:05You know he's dumb sometimes

00:08:07Look, I gotta go make a phone call

00:08:09I'll see you later

00:08:09Okay

00:08:10Hey Muggs, what is it with those superbs?

00:08:12What are they?

00:08:13Superbs?

00:08:14Well that's a place where you got no running water

00:08:15You got no trolley cars

00:08:16You got nothing

00:08:17Oh, poor people, huh?

00:08:18That's right

00:08:18Let's go

00:08:19Hey Dave

00:08:20Dave

00:08:24Dave

00:08:39Hey fellas, look here, look

00:08:41Look, I got some flowers

00:08:42Put them back, put them back

00:08:43All they need is a little water, that's all

00:08:45Put them back

00:08:46Oh

00:08:46Okay

00:08:46Look here, that's supposed to bring good luck

00:09:01Oh, that's fine

00:09:02Now, Muggs said we got to keep the wedding honest

00:09:04Didn't he?

00:09:05Yeah

00:09:06Anybody got any strength?

00:09:09Man, look at all of them pretty posers laying there

00:09:30Must have fallen out of the truck

00:09:32Yeah

00:09:32Should I call them back?

00:09:33Yeah, you better

00:09:34Hey mister

00:09:35You dropped your flowers

00:09:38I guess it didn't hear me

00:09:40Too bad

00:09:41Shall we?

00:09:47Well, I guess that's everything, Mr. Gibson

00:09:49You have the papers and the keys to the house

00:09:51And I hope you'll both be very happy in it

00:09:53Well, thank you very much

00:09:54Oh, how about the present owners?

00:09:55Have they moved yet?

00:09:56Oh, they'll be out in plenty of time for you to move in

00:09:58Well, I hope so

00:09:59After all, it's our honeymoon, you know

00:10:01Oh, sure, sure, I understand

00:10:02I was married myself once

00:10:04Boy, will I ever forget that

00:10:06Well, maybe you'll have better luck

00:10:10I hope so

00:10:10Oh, how about the house?

00:10:12You say it's in pretty good condition

00:10:13Well, it could stand a little fixing up, maybe

00:10:16By the way, you're not superstitious, are you?

00:10:18Why?

00:10:19Well, the old couple are trying to tell me that the house next door is haunted

00:10:22On it?

00:10:23Yeah, but you know how old people are

00:10:25Always imagining things

00:10:26Oh, yeah, sure

00:10:27Of course, it's a lot of nonsense

00:10:29Sure

00:10:29Well, goodbye, Mr. Gibson

00:10:31Goodbye

00:10:31And may the house soon be filled with many pleasant memories

00:10:34Oh, thanks a lot

00:10:36Bye

00:10:37Okay, here's everything except the shoes

00:10:41You don't need them, do you?

00:10:42Oh, no, thanks

00:10:43He's got his own shoes

00:10:44And this collar may be a little small for Glimpy

00:10:46But it's the best I can do

00:10:47Oh, that's right

00:10:48Glimpy's got a small neck anyway

00:10:49Yeah, this is swell

00:10:50We'll take good care of it, too

00:10:51Well, make sure you get it back tonight

00:10:53I need it for Louie to love tomorrow

00:10:54Okay, come on, Rock

00:10:56Right, Danny

00:10:57What's the matter, Jack?

00:11:09Oh, nothing, Mrs. Williams

00:11:10Nothing at all

00:11:11Look, can I see Betty just for a minute?

00:11:13Oh, I should say not

00:11:14Why don't you know it's bad luck for the groom to see his bride before the wedding?

00:11:17Oh, Mom, just for a minute

00:11:18No, you'll be seeing her soon enough

00:11:20Now you and a long trail of pieces

00:11:21Okay

00:11:22We were just downtown and we heard some detectives down there talking about a mob going to break in on Jack Gibson's wedding

00:11:28We didn't think you'd like any of those downtown guys coming up here making a pinch right under your nose

00:11:32I see

00:11:33Whose mob is it?

00:11:35Well, we didn't get none of the details

00:11:36We was in a hurry

00:11:36I think he said it was one of the catchmen mob

00:11:39Okay, I'll have a couple of them then

00:11:41Take care of it

00:11:42The address is 32 East 33rd Street

00:11:4432 East 33rd

00:11:47Yeah, it's five o'clock

00:11:48Five o'clock

00:11:49All right, boys

00:11:50Thanks, Lieutenant

00:11:50We'll return to favor someday

00:11:52Hey, Shorty, would you mind sitting over there?

00:12:00That chair is reserved for the bride's mother

00:12:01Okay, thanks

00:12:03Stand still, will you?

00:12:15Oh, you look swell, Glimpy

00:12:18What's the trouble?

00:12:19Oh, we can't get this collar on

00:12:20Can't get the collar on, huh?

00:12:23Stand back

00:12:23Let me take a crack at it

00:12:24Get him from the back, Danny

00:12:26Now push in a little bit

00:12:28Take a deep breath

00:12:30Now hold it

00:12:31Let's see

00:12:33This one goes in here

00:12:34All right, now

00:12:35That's what I told you to hold it

00:12:37What do you think I am, a pile diver?

00:12:39Look, don't give me no opposition

00:12:40Just do like I tell you

00:12:41Now pull in your Adam's apple

00:12:43Pull it in

00:12:45Come on, I'm getting it

00:12:46I'm getting it

00:12:47Don't move

00:12:48Don't

00:12:49I got it

00:12:50I got it

00:12:50Now, that's what I told you to hold your breath

00:12:53Pull in your Adam's apple

00:12:54See ya

00:12:56Get him green

00:12:57I got it

00:12:58Here

00:12:59He's all right

00:12:59Get him up

00:13:00Let him relax his muscles

00:13:01All right, pull him up

00:13:01Here you are, how's that?

00:13:05Good

00:13:06How's your voice, Danny?

00:13:08It's much better, I think

00:13:09Well, don't use it till you have to sing

00:13:11Tight?

00:13:16Oh, it's all in your mind

00:13:17That's not tight

00:13:18You got lots of room there

00:13:19Here you are, you see that?

00:13:27Mouse, look what we got

00:13:28Here, Mouse, look at this

00:13:30Oh, that's beautiful

00:13:32Now, that's got some class

00:13:33What's that?

00:13:36What?

00:13:38Rest in peace

00:13:39In loving memory

00:13:46To Louie the Lug from the gang

00:13:48We didn't mean to shoot you, Louie

00:13:51Honest

00:13:52Where did you get that?

00:13:56On the street

00:13:57Yeah, on a truck

00:13:59Fell off

00:14:00You know that

00:14:03Sacralurius

00:14:04No kidding?

00:14:06Take it back

00:14:07That guy, you think, got no conscience

00:14:10Can you imagine a thing like this?

00:14:12Hey, wait a minute

00:14:13Come here

00:14:14I don't suppose it would be any more

00:14:19Sacralurius if we brought it back

00:14:20After the wedding

00:14:21Put it in the parlor

00:14:22Wait a second

00:14:24Got to return that here for the wedding

00:14:28Take it away

00:14:29Here, hold on to those

00:14:33Hey, that's funny

00:14:34This is Louie's suit

00:14:36What are you doing?

00:14:38I ain't wearing this

00:14:39Don't worry about nothing

00:14:40Louie don't need that suit until tomorrow

00:14:42Yeah, but can't I wear my check suit

00:14:43With the belt on the back?

00:14:44No, you can't

00:14:44This is a high class wedding

00:14:45You're going to wear that suit right there

00:14:47Oh, but Muggs

00:14:48This suit belonged to Louie

00:14:49I bet I know what killed him

00:14:52This collar choked on the deck

00:14:53What are you taking a collar off for?

00:14:56What's the matter with you?

00:14:57Ah, grab him

00:14:57Hey, you fellas

00:14:58I didn't mean it

00:14:59I'm sorry

00:15:00You better get us back, Garn

00:15:01You must not move to that house

00:15:04I tell you

00:15:05You made one mistake, Tony

00:15:07But not buying in front of Elvis

00:15:08Now, don't make another mistake

00:15:11Get that place from Gibson

00:15:12Yeah, but Gibson's getting married today

00:15:15Why don't we just wait?

00:15:17Do you question my orders?

00:15:19No, it isn't that, Emil

00:15:20It's just that

00:15:20I can't see why this guy

00:15:23Would be any worse than that house

00:15:24In the Elwoods

00:15:25You can't see

00:15:26That old couple was too frightened

00:15:29To interfere

00:15:29But nobody knows

00:15:30What this young fool will do

00:15:32All right, Emil

00:15:34I'll get it

00:15:34And try to use your head

00:15:36Get him alone

00:15:37All right

00:15:39Come on, kid

00:15:41Now, don't take that off again

00:15:43Hey, fellas, ready yet?

00:15:44It's about time to get started

00:15:45What's the matter?

00:15:46Clippy's neck was a little bit too big

00:15:47For the collar

00:15:48But it's okay now

00:15:49Oh, well, where's the tie?

00:15:51Right, Ned

00:15:52Oh, put it on

00:15:53Jack

00:15:53There's a fellow outside

00:15:54Says he has to see you

00:15:55I can't see him now

00:15:56I'm getting married

00:15:56He says it's important

00:15:57Who is he?

00:15:59I don't know

00:16:00But he says it'll just take a few minutes

00:16:01Okay

00:16:01I'll be right back, fellas

00:16:03Hi, Jack

00:16:12Oh, toy

00:16:14I haven't seen you for a long time

00:16:15Where have you been?

00:16:16I've been busy

00:16:16I know you're in a hurry

00:16:18And I won't take a bunch of your time

00:16:19I want to buy that house

00:16:21On Elm Street

00:16:21Oh, don't be crazy

00:16:23I just bought it myself

00:16:24I know you did

00:16:25And I know what you paid for it

00:16:26I represent a party that

00:16:28Well, they are willing

00:16:30To double what you gave for them

00:16:31Why?

00:16:33What do they want in my place?

00:16:34What difference does it make?

00:16:36They want it

00:16:36They're willing to pay for it

00:16:37Now the answer's no

00:16:39Oh, wait a minute

00:16:40You can't take a bride

00:16:42In a house like that

00:16:43Look

00:16:44Suppose you tell me

00:16:46What all this mystery

00:16:47About that house is, huh?

00:16:48Haven't you heard?

00:16:50You know that big estate next door?

00:16:52Yeah

00:16:52It's haunted

00:16:53What do you know?

00:16:57All right, laugh if you like

00:16:58But, uh

00:16:58Why do you think

00:17:00They sold it to you so cheap?

00:17:02Well, who lives next door?

00:17:05And why do they want my place?

00:17:07Well, let's say

00:17:08That they're eccentric

00:17:09They don't like neighbors

00:17:11All right

00:17:12Now, that's perfect

00:17:13Don't touch nothing

00:17:13Okay, line up like I told you

00:17:21All right

00:17:22And don't forget

00:17:23You crescend those

00:17:24And dim you in those

00:17:25And I don't want

00:17:25No altercations in the lyrics

00:17:26Let's go

00:17:27You're out of step

00:17:33You lug

00:17:34So you can see why you don't want to take your wife to a place like that

00:17:57No, I guess I don't

00:17:58But she has a heart set

00:18:00I'm going there tonight

00:18:01I understand that

00:18:02Look, Jack

00:18:02There's $500 to buy in the deal

00:18:05Why don't you take your wife away for a few days?

00:18:08You know, on a honeymoon

00:18:08You have to do that anyway

00:18:10Explain about the house when you get back

00:18:12If I had more time, I...

00:18:14Oh, look

00:18:14Get all about business

00:18:15Until you come home

00:18:16Yeah

00:18:17Yeah

00:18:17When you get ready to close the deal

00:18:19Write me at this address

00:18:20They'll get in touch with me

00:18:22This is a place next to mine, huh?

00:18:24Yeah

00:18:25A haunted house

00:18:26Okay

00:18:28Okay

00:18:29Just a word of warning

00:18:31When you do get back

00:18:33Write to me

00:18:34Don't go out to me

00:18:35Yeah, okay

00:18:36Okay, I'll see you later

00:18:37Hey, Dave

00:18:42Dave

00:18:45Bring to me

00:19:02Only with thine eyes

00:19:06And I will bless with my heart

00:19:13Or leave a kiss within the cup

00:19:20And I'll not have for life

00:19:26The thirst that from the soul

00:19:31Does rise

00:19:32The fastest drink of wine

00:19:38But when I light up

00:19:42Joe's nectar's up

00:19:45I will not think

00:19:48For thine

00:19:50Are you ready, Glimpy?

00:19:57Yeah, I'll make it all dirty

00:19:59Come on

00:19:59Hey

00:20:17Dave

00:20:17Oh, I will

00:20:19Oh, I will

00:20:19Oh, I'll make it all

00:20:20Oh, I'll make it all

00:20:21Oh, I'll make it all

00:20:22Oh, I'll make it all

00:20:23Oh, I'll make it all

00:20:24Oh, I'll make it all

00:20:25Oh, I'll make it all

00:20:26Oh, I'll make it all

00:20:27Oh, I'll make it all

00:20:28Oh, I'll make it all

00:20:29Oh, I'll make it all

00:21:00Dearly beloved, we are assembled here today to join this man and this woman in holy marriage.

00:21:15For as much as these two persons have come hither to be made one in the holiest state,

00:21:21if there be any here present who know any just cause why they may not lawfully be joined in marriage,

00:21:27I require him now to speak or forever hold his peace.

00:21:36I now pronounce you man and wife.

00:21:57Hey gang, Glippi's getting explixiated.

00:22:19He's suffocating.

00:22:20So much caution about a color.

00:22:29I hope he's not dating.

00:22:30Look, Glippi.

00:22:31Glippi.

00:22:32Glippi.

00:22:33Hey.

00:22:34There you are.

00:22:35You all right now?

00:22:36You feel good?

00:22:37Fine.

00:22:38Betty, why don't you invite us all over to your new home?

00:22:54We could have a party.

00:22:55Well, I'd like to very much, Daddy, but, uh...

00:22:57Well, it's all right, darling.

00:22:58We're not going out there at night anyway.

00:23:00Not going to our new house, but, Jack, why not?

00:23:02Well, it's, well, I made some extra money, so I thought we'd take a little trip first, you know, a honeymoon.

00:23:11You know anything about that, Glippi?

00:23:13It's news to me.

00:23:15Well, the place needs an awful lot of fixing up, you know.

00:23:17Oh, yeah?

00:23:19I hope you don't mind, darling.

00:23:22Oh, no, darling.

00:23:23Anything you want to do is all right with me.

00:23:27You've got lipstick all over me.

00:23:28Oh.

00:23:32Three-twenty-two Elm Street.

00:23:36That must be his new house.

00:23:38Certainly is, maybe.

00:23:39Well, folks, I guess we'd better go.

00:23:40Come on, darling.

00:23:54Someday I hope to get married.

00:23:56You know that, Scruino?

00:23:58What do you got there, Scruino?

00:23:59Man, this is rice.

00:24:00What's the idea of the pan?

00:24:01Nothing.

00:24:02I just had my mom to cook it, so it'd be nice and soft.

00:24:05Look at you.

00:24:06Oh, I see what you mean.

00:24:07Right?

00:24:11Hey, where are those gangsters that are supposed to be here?

00:24:13Gangsters?

00:24:14Yeah, gangsters.

00:24:15Well, maybe they lost the address, or maybe you scared them away.

00:24:19Yeah, you look like an old-time scarer.

00:24:22Why don't you use some diplomacy?

00:24:23I got my diploma when I graduated from school.

00:24:25Where did you graduate?

00:24:26Kindergarten?

00:24:27Oh, I skipped kindergarten.

00:24:28I was too old.

00:24:29Kindergarten!

00:24:30More vanilla.

00:24:46Louie isn't going to like this.

00:24:48You shouldn't have sold that nice young couple the house without warning them.

00:24:57Now, Sarah, there's no use starting something that we can't actually prove.

00:25:01You know in your heart, John, there's something going on in that house next door that isn't

00:25:05strictly honest.

00:25:06But we don't know positively, Sarah.

00:25:09Why, John Elwood, how can you say that after all we've seen and heard in the last six months?

00:25:14Now, now, let's not talk about it anymore.

00:25:16We're out of there and finished with the whole thing.

00:25:19Well, I've not finished with it.

00:25:20What are you going to do?

00:25:24Phone the police.

00:25:27Now, wait a minute, wait a minute.

00:25:30They'll ask a lot of questions, and the first thing you know, we'll be held as material witnesses.

00:25:34They don't have to know who gave them the information.

00:25:37Now, I wouldn't do it now, Sarah.

00:25:39Well, I would.

00:25:42Give me the police.

00:25:43Police Department, Lieutenant Brady speaking.

00:25:51This is Mrs. John G.

00:25:57I wish to report some mysterious goings-on at 322 Elm Street.

00:26:03322 Elm.

00:26:05What kind of goings-on?

00:26:07Oh, there's noises and screams and people going in and out all hours of the night.

00:26:12All kinds of funny businesses.

00:26:14Who is this speaking?

00:26:16This is Mrs. John G.

00:26:22Hello?

00:26:23Hello?

00:26:26Trace that call.

00:26:29Send in Mulligan and O'Brien.

00:26:34Well, I think that's the place.

00:26:37Don't look very cheerful, though, does it?

00:26:38You certainly do not.

00:26:40Now, come on, get your tools.

00:26:41We've got a hot night's work.

00:26:43Come on, Glimp.

00:26:44Okay.

00:26:51Oh, look at the beautiful flowers.

00:26:54Can't put ketchup on flowers.

00:26:56It is a pretty big place for some people, ain't it?

00:26:58Yeah.

00:27:00Hey, there's a house down there.

00:27:01Looks more like the place Jack was talking about.

00:27:03Yeah, it does at that.

00:27:08What did I do with that card?

00:27:11Hey, Climpy, my eyes ain't so good.

00:27:12What's the number on that house?

00:27:18322.

00:27:19Well, what's the number on that card?

00:27:23322.

00:27:24That must be the place, then.

00:27:25Looks like it.

00:27:26Hey, what are you guys waiting for?

00:27:27We want to decorate this house tonight, not tomorrow.

00:27:29Let's go.

00:27:30We're coming.

00:27:31We're coming.

00:27:31Come on, guys.

00:27:32Let's go.

00:27:33All right.

00:27:36You got all the accessories?

00:27:37Yeah, we got everything.

00:27:38Yeah, I got everything.

00:27:38Okay.

00:27:44Hey, Climpy, give me the key.

00:27:46Me, me, me, me.

00:27:48Drink to me all.

00:27:49Yeah, yeah.

00:27:51The key to the house.

00:27:52What key?

00:27:53You crazy?

00:27:54Lucky I got the address.

00:27:55It's a little detail we overlooked, I guess.

00:27:57Well, let's go home.

00:27:58Yeah, we'll see how I got a little later, Mark.

00:27:59Come back here.

00:28:00Ain't you got no ingenuity?

00:28:02Give me that hammer.

00:28:09Remind me to put a new glass in there in the morning.

00:28:12Hey, Muggs, watch out.

00:28:12You might cut your juggle up.

00:28:13What's the matter with you guys?

00:28:21You scared?

00:28:22Well, I'm not a bit.

00:28:23All right, then go on in.

00:28:25The rest of you lies can precede me.

00:28:28What's eating you?

00:28:29Man, if I get lost in there, ain't nobody ever going to find me.

00:28:33Eh, find you, don't worry.

00:28:34In you go.

00:28:35In who goes?

00:28:36In we all go.

00:28:37Come on, quit stalling.

00:28:38Come on.

00:28:39What?

00:28:40What do you want to do?

00:28:40Look at your brave, Mike.

00:28:41Well, go ahead, Clip.

00:28:44Uh, don't you think the lawn needs mowing or something like that?

00:28:47What are you going to do, take the water off your knees?

00:28:49Get in there.

00:29:00Hey, kind of misty in here.

00:29:02Anybody got a match?

00:29:05Oh, watch out.

00:29:06You're scared of bats.

00:29:11Oh, Jack wasn't kidding when he said this place didn't need to fix it up.

00:29:14That's better.

00:29:16Take a look in here.

00:29:17Oh, Jack wasn't kidding when he said this place didn't need to fix it up.

00:29:40Look at that.

00:29:42No curtains, no drapes, no lamps, no knickknacks, no nothing.

00:29:46Where are we going to get some furniture here?

00:29:48What about that house next door?

00:29:50What about it?

00:29:51Well, I saw a sign that says, uh, it's, you know, completely furniture.

00:29:54What do you want us to do, buy another house?

00:29:56Oh, just buy the furniture.

00:29:57Let someone else buy the house.

00:29:58That's good.

00:30:00It's the best idea you had in 10 years.

00:30:02Let's go take a look, fellas.

00:30:03Put that stuff down.

00:30:04Okay.

00:30:04Monk, there's boys in the house.

00:30:13What'd we do?

00:30:22We'll make that place look like a million bucks.

00:30:25Oh, you are kidding.

00:30:26Okay, let's go.

00:30:34Hey, the door's open.

00:30:43Hmm.

00:30:43They must trust their neighbors.

00:30:52Wow, this is really nice.

00:30:55Lamps, drapes, books, everything.

00:30:57I wonder why he bought that old house next door instead of this one.

00:31:00Yeah, I guess there wasn't enough room in a yacht for a victory garden, huh?

00:31:04But you'll make some improvements over there with this stuff.

00:31:06Yeah, but do you think we should really take these things?

00:31:08Hey, certainly.

00:31:09Jack can pay for it later.

00:31:11All right, I don't care.

00:31:11I'm his brother-in-law.

00:31:13Good enough for me is good enough for my sister.

00:31:14Stop moving it, then, George.

00:31:15Stop moving it.

00:31:15Who, me?

00:31:16Pick up something.

00:31:16Don't pick up nothing heavy.

00:31:17I know I've got to get some folks on my mind.

00:31:27Good evening, sir.

00:31:28Good evening.

00:31:29Oh, but can you give us a room and a bath?

00:31:31Yes, sir.

00:31:34What's funny, dear?

00:31:35Oh, well, that's an old joke.

00:31:37I say, can you give us a room and a bath?

00:31:39And he's supposed to say, well, I can give you a room, but you'll have to take the bath yourself.

00:31:45Really?

00:31:46Would you care to register, sir?

00:31:49Thanks.

00:31:55There.

00:31:57How does that look, Mrs. Gibson?

00:31:59I like it very much.

00:32:02Oh, uh, are you, uh, Mr. John Gibson?

00:32:04Oh, yeah.

00:32:05Sure, look here.

00:32:07I've got my, uh, my draft card, Social Security, driver's license, automobile club, uh...

00:32:15Do you want to see a marriage certificate?

00:32:18No, thank you.

00:32:19I have a message for you.

00:32:20Message?

00:32:25Call Chelsea 5518, apartment 243.

00:32:30Who the dickens is?

00:32:31Chelsea 5518.

00:32:32I don't recognize the number.

00:32:34It sounds like a hotel.

00:32:35They said it was most urgent.

00:32:37They did, huh?

00:32:38Well, where are the phone booths?

00:32:39Right over there, sir.

00:32:40Oh, uh, well, come on, darling.

00:32:42Hold everything, huh?

00:32:43Yes.

00:32:43Hello?

00:33:01Yes?

00:33:01Hello?

00:33:03Yes?

00:33:04This is room 243.

00:33:06Well, this is John Gibson.

00:33:08What can I do for you?

00:33:09Oh, Mr. Gibson.

00:33:11It's about your house.

00:33:13This is Mrs. John G. Elwood.

00:33:17I thought you should know the truth about it.

00:33:19What do you mean?

00:33:23Uh-huh.

00:33:25Uh-huh.

00:33:26Well, look, when we go there, I'll take along a big box of ghost powder.

00:33:33Well, I just wanted you to know that I'd reported it to the police,

00:33:36and they should be out there by now.

00:33:38Well, what did you do that for?

00:33:40Well, of course I mind.

00:33:41I don't want a lot of cops poking around out there.

00:33:44Oh, okay, okay.

00:33:45Well, just forget it.

00:33:47All right, goodbye.

00:33:49What's the matter, darling?

00:33:51I was Mrs. Elwood.

00:33:52She sent the police to investigate the place next door to our house.

00:33:54There's something fishy about the whole thing.

00:33:56I'm glad we didn't go out there now.

00:33:57Aren't you?

00:33:58Well, I'm not.

00:34:00I think we ought to go out there right now.

00:34:01Right now?

00:34:02Yep.

00:34:03But, honey.

00:34:04Come on, darling.

00:34:04Don't be frightened.

00:34:05Who said anything about being frightened?

00:34:07Oh.

00:34:09Here.

00:34:11Darling.

00:34:12Oh, you got a nice hotel here.

00:34:14We sure enjoyed our stay.

00:34:15Come on, darling.

00:34:25Short day.

00:34:27All right, come on.

00:34:28Step on it.

00:34:28You ain't getting no overtime for this.

00:34:30Stop telling me.

00:34:31Hey, T.

00:34:32Come on, wake up.

00:34:33Come on.

00:34:34Get out of there and take that chair, would you?

00:34:35I'll carry this ashtray.

00:34:37Watch out for the glass on the way out.

00:34:38Let's go.

00:34:39Let's go.

00:34:40Yeah.

00:34:40Right in the living room.

00:34:54Okay, lay it down right here.

00:35:02Now we got something to wait with.

00:35:06You two fellas start to put up the wallpaper over there, and Rocky and Danny, you put up

00:35:09the curtains and drakes, and get them nice and cylindrical.

00:35:12Flippy, you can sweep.

00:35:14Thanks, T.

00:35:15What are you doing?

00:35:25Didn't you tell me I could sleep?

00:35:27Not sleep.

00:35:28Sweep.

00:35:29Now get up off there and go to work.

00:35:31Dust off that rust.

00:35:32Okay, Chief.

00:35:33What are you going to do?

00:35:34I got to think.

00:35:35I'm the supervisor.

00:35:36Oh, what do I always have to do stuff for?

00:35:38I'll give you a consolidation.

00:35:40Do a good job, and I'll reduce your dues for the next three months.

00:35:42Thanks, Chief.

00:35:45Now don't split that wood with those screws.

00:35:48What is this, Mark?

00:35:50And don't get too much glue on that paper.

00:35:51It sticks out through there.

00:35:52It makes lumps.

00:35:53Okay, okay.

00:35:55That goes under the drapes.

00:35:56Not all with them.

00:35:57Did you ever dress no houses?

00:35:59No.

00:36:15What are those lights to me, Gordon?

00:36:20Who is that in there?

00:36:36It's a gang of kids.

00:36:37They're friends of Jack Gibson's.

00:36:39You know, the guy that bought the house next door.

00:36:42Is it some more of your bunglings, your stupid fool?

00:36:45How'd I know that we're coming out of here?

00:36:47I'll get rid of them, though.

00:36:49Come on, Bruno.

00:36:50Yeah, let me get my hands on them.

00:36:52Wait a minute.

00:36:55Why do I have such idiots around me?

00:36:59Let's find out what Filda knows about it.

00:37:00I don't get to get into the house.

00:37:30They broke him.

00:37:31Are you still here?

00:37:31Yes, where's Monk?

00:37:32I don't know.

00:37:33He went up to see.

00:37:34Idiots.

00:37:35Imbassile, it's all of you.

00:37:37Hanko.

00:38:00Hanko.

00:38:10Hanko.

00:38:12Hanko.

00:38:13Hanko.

00:38:14Hanko.

00:38:15Hanko.

00:38:16Hanko.

00:38:17Hanko.

00:38:18Oh, shit!

00:38:19What's that?

00:38:33Well, maybe it's him right there.

00:38:34No matter, the altitude too much for you?

00:38:36No, no, no, no, no.

00:38:38That picture up there, he's alive.

00:38:40Who's alive?

00:38:41Him, him, up there.

00:38:46First place, it's not a him, it's a her.

00:38:49Please believe me, there was a him a minute ago.

00:38:54Oh, you're seeing things.

00:38:56Seeing things?

00:38:57Man, I heard him growl.

00:38:59All right, all right, just take it easy now, relax.

00:39:02You've been drinking too much coffee.

00:39:04What coffee?

00:39:05Hey, where'd you get it?

00:39:06Where'd you get it?

00:39:07Go to work.

00:39:08Come on, step on it.

00:39:10Come on, Danny, get those doilies hung.

00:39:12Yeah.

00:39:13Maybe we should have bought a spirit level and made it a little bit.

00:39:16even.

00:39:17Coffee drinker.

00:39:18Hey, Napoleon must be awful hot with that coat on.

00:39:22It's the best example of slow motion I've ever seen.

00:39:23Come on, hurry up.

00:39:24Limpy, we'll play statues later.

00:39:25Get back on that broom.

00:39:26Oh, come on.

00:39:27Come on.

00:39:28Come on.

00:39:29Come on.

00:39:30Come on.

00:39:31Come on.

00:39:32Come on.

00:39:33Come on.

00:39:34Come on.

00:39:35Come on.

00:39:36Come on.

00:39:37Come on.

00:39:38Come on.

00:39:39Come on.

00:39:40Come on.

00:39:41Come on.

00:39:42Come on.

00:39:43Come on, go.

00:39:44Come on, go.

00:39:46Go.

00:39:47Come on.

00:39:48Come on.

00:39:49Billy, we'll play statues later.

00:39:51Come on.

00:39:52Come on, Billy.

00:39:53Come on.

00:39:54Oh, my boy, Jesus!

00:39:55I'm trying to figure out where I should sweep that dust from here into the hall or dust from the

00:39:57hall into here.

00:39:58Just sweep it clockwise.

00:39:59Okay, Chief.

00:40:00The Point!

00:40:07The Point!

00:40:18Feminine!

00:40:19Hey, Fox! Fox! You warm, you warm!

00:40:21No, I'm not warm. Why?

00:40:23The Point took his coat off. He had it on, and he took it off.

00:40:26Look.

00:40:27He took his coat off, huh?

00:40:30You look.

00:40:37Well, what do you know?

00:40:37He put it back on.

00:40:38What's going on around here anyway?

00:40:40You going goofy, too?

00:40:41Don't answer that.

00:40:42Just go over and lie down next to Scrueno.

00:40:45Wait a minute.

00:40:45Shut up.

00:40:47Let's not have any animosity.

00:40:48Hey, Scrueno.

00:41:01Yeah.

00:41:02Are you sure you saw what you saw?

00:41:04Sure, I'm sure.

00:41:06But I try to tell Mugs.

00:41:08Gee, I'm back there sweeping.

00:41:09I got a bone in my hand.

00:41:09I look up at the point.

00:41:10He's got a coat on.

00:41:11He's standing like that.

00:41:14Then I turn around and he's got.

00:41:18Where are you going?

00:41:31What are you doing up there?

00:41:41Hey, look.

00:41:42Now he's in his long drawer.

00:41:48Get down off there.

00:41:51I'm going to send you to an optimist and have your eyes examined.

00:41:54Come on down.

00:41:56Huh?

00:41:57If I have to go up there and get you, I'll stab you at one of those horns.

00:42:04I want you two to quit clowning.

00:42:06Clowning?

00:42:07Who's clowning?

00:42:07Quit clowning.

00:42:08The thing was right.

00:42:08Stop acting like a couple of hysterical dames.

00:42:16Who's acting like a hysterical dame?

00:42:17I saw it and Scrueno saw it too, didn't you?

00:42:19Nothing else but.

00:42:20Come on, let's go home.

00:42:21I ought to slug the both of you.

00:42:23You're imagining things.

00:42:23It's all in your mind.

00:42:29Now, whose mind is that in?

00:42:32Did you hear that?

00:42:33Sightly I heard it.

00:42:34You think I'm thief?

00:42:35Come on, let's go home.

00:42:36We ain't going to go no place.

00:42:38We're going to find out what that was.

00:42:40You hear what he said?

00:42:40We're going to find out what it was.

00:42:42Well, you guys find out what it was.

00:42:43I'll be in the car waiting for you.

00:42:45You wait right there.

00:42:46I said we're going to find out what it was, and I meant it.

00:42:48Hey, Glimpy.

00:42:49Chief.

00:42:50You go first.

00:42:51Sightly.

00:42:54What am I saying?

00:42:55What's the matter?

00:42:56You scared?

00:42:57Scared?

00:42:57I'm not scared of nothing, but I'm not going out there.

00:42:58You wanted to go out, so you go out and see what it was.

00:43:00You're going to let me walk there all alone?

00:43:03Yeah.

00:43:03Remind me when we get back to town, I'll give you the Iron Cross for bravery.

00:43:07Right over the scuff.

00:43:09Sure, I'll go find out what it was.

00:43:14What are you doing?

00:43:15The noise came from that direction.

00:43:18Oh, Ed.

00:43:20I thought maybe Shortcut over there would be...

00:43:23What are you doing?

00:43:39What do you do?

00:43:41What do you do?

00:43:44Oh, Ed.

00:43:45One o'clock.

00:44:08And all ain't well, no how.

00:44:12Ah, there's nothing to worry about.

00:44:15I'll be fine.

00:44:19Oh my God.

00:44:21Oh my God.

00:44:25Come on.

00:44:27Come on.

00:44:29Come on.

00:44:30Come on.

00:44:31Come on.

00:44:32Come on.

00:44:37Come on.

00:44:38Come on, steady.

00:44:39Mo.

00:44:40Let's go home now.

00:44:43Just for that, you're going to go first.

00:44:45Me?

00:44:46Yeah, you.

00:44:47Now, go on.

00:44:48Get up there.

00:44:49We'll let you go home later.

00:44:50Go on.

00:44:51Go up there, all of you.

00:44:52All right.

00:44:53I'm going to be last for a change.

00:44:56Cliffy.

00:44:57Get up.

00:45:13Well, do you see anything?

00:45:16No.

00:45:17No.

00:45:18Who that?

00:45:19Who that?

00:45:20Who that say, who that?

00:45:21But I say, who that?

00:45:22Who said, who that, when I say, who that?

00:45:24What's the matter with you?

00:45:25That's just an echo.

00:45:26Just an echo.

00:45:27See that's what I tell you.

00:45:28There's nothing to be scared of.

00:45:29That's what you think.

00:45:30Well, boys, here we go again.

00:45:31Don't wait for me.

00:45:32Open that door.

00:45:38Oh.

00:45:39There go that echo here.

00:45:40Yeah.

00:45:41You had it.

00:45:42Hey.

00:45:43Oh, the other one.

00:45:44Oh, the other one.

00:45:45Take it all.

00:45:46Oh.

00:45:47Oh, the other one.

00:45:48Oh, the other one.

00:45:49The other one.

00:45:50Oh, the other one.

00:45:51Oh, the other one.

00:45:52Oh.

00:45:53Oh.

00:45:54Oh, the other one.

00:45:55Oh, Of course.

00:45:56Oh, the other one.

00:45:57Oh, that's all right.

00:45:58Oh.

00:45:59The other one.

00:46:00No, I don't believe it.

00:46:01Have they gone?

00:46:08Yes, in the cellar.

00:46:09Cellar?

00:46:11Oh, that's bad, Abel.

00:46:12You must get them out of there, quick.

00:46:14Open the door.

00:46:21Hey, Pat, give me a hand.

00:46:28Take a look in there.

00:46:31What's that, Muggs?

00:46:46Looks like a printing press.

00:46:47Jack never told me he had a printing press.

00:46:50Out of the sweaty allies.

00:46:51What the new order means to you.

00:47:03How to destroy the allies.

00:47:07What are they doing?

00:47:09Let me see.

00:47:13Look.

00:47:13The kids have found printing press and everything.

00:47:18Shall I take care of them?

00:47:19Oh, we have company upstairs, too.

00:47:21The police.

00:47:22The Gestapo.

00:47:23Did you hear the Gestapo?

00:47:24No, just two American detectives.

00:47:27Probably dumb ones, too.

00:47:29Don't worry about them.

00:47:30Let me see.

00:47:33Gee, that sounds like spies.

00:47:35Yeah, do you think Jack's mixed up with them?

00:47:37I don't know.

00:47:37Well, this is his house.

00:47:38Ah, Jack wouldn't have nothing to do with the Nazis.

00:47:41I hope not.

00:47:43What do you mean, Muggs?

00:47:44Well, he told us not to come out here, remember?

00:47:46Yeah, you're right.

00:47:48He had a lot of extra dough when he left, too.

00:47:49Where did he get that?

00:47:50That's probably where this stuff comes in.

00:47:52Yeah, and how could he buy a big house like this?

00:47:55Why, you shut your big mouth.

00:47:56You want to be able to punch her right in the nose?

00:47:58Oh, stop drooling.

00:48:00We've got to figure this thing out.

00:48:01This is no time to argue.

00:48:07Your brother-in-law.

00:48:08I can't believe it.

00:48:09I'll not be able to face the Boy Scouts again.

00:48:11Ah, I don't feel bad, Climpy.

00:48:13We're not sure it was your brother-in-law.

00:48:15We're only guessing.

00:48:16What do you got in your mind, Muggs?

00:48:17Well, they don't know.

00:48:19If anybody else found that stuff here,

00:48:20I know what they think.

00:48:21Yeah, that's right.

00:48:24Maybe we'd better get it out of here.

00:48:25Well, we're going to take it.

00:48:27Why don't you put it in the house next door?

00:48:29Don't hit me.

00:48:30Well, you actually think I was a bully or something.

00:48:32That's a good idea.

00:48:33Put it in the house next door.

00:48:34Go on, move it, boys.

00:48:35Come on, guys.

00:48:36Watch your hands under there, too.

00:48:39They're taking the press out.

00:48:41Let them go.

00:48:42But they're taking the press.

00:48:43Let them take the evidence next door.

00:48:47Remove all the spits from us.

00:48:49Did you find anything in there?

00:48:51No, nothing in there.

00:48:52Oh, we better take a look upstairs.

00:48:54Okay.

00:48:54We'll go to the room thoroughly.

00:49:02I see that nothing is left to incriminate us.

00:49:04Yes, sir.

00:49:06Tony, you come with me.

00:49:10Get out!

00:49:10I guess it was okay letting Gibson buy that house, huh?

00:49:32Yes, that was a lucky mistake you made.

00:49:40Nothing in there.

00:49:41Huh?

00:49:41Nothing in there.

00:49:42Oh, we better take a look downstairs, then.

00:49:43That door wasn't open before, was it?

00:49:59Was that door there when we came in?

00:50:01Was that door there when we came in?

00:50:04No!

00:50:05It just this minute grew.

00:50:08Come on.

00:50:09Let's go.

00:50:10Let's go.

00:50:13I sure hope Jack appreciates what we're doing for him.

00:50:20He certainly should.

00:50:21As his brother-in-law, I personally thank you.

00:50:23One and all.

00:50:31Got some down here.

00:50:33Don't look like it.

00:50:39Hey, I got a good idea.

00:50:41Let's call the cops.

00:50:41What, with our fingerprints all over there?

00:50:44The best idea you can get is not to get any more ideas.

00:51:04Let's see if the people in that little place know anything about it.

00:51:07Yes.

00:51:07We should have left that door open.

00:51:21Hey, there's Jack and Betty.

00:51:24Well, we sure got them out of a tight spot just in time.

00:51:28Well, darling, here's our little love nest.

00:51:31Oh, Jack.

00:51:34It's wonderful.

00:51:36Yeah.

00:51:39With a couple of cops hammering at the door.

00:51:43I wonder who that is.

00:51:45Let's have a look.

00:51:50Well, did you find anything?

00:51:52Uh, no.

00:51:53No, there's no one around here.

00:51:55Say, by the way, who might you be?

00:51:56I'm Jack Gibson.

00:51:57This is my wife.

00:51:58We just bought that little place.

00:51:59Oh, I see.

00:52:01Uh-oh.

00:52:02We got our signals crossed.

00:52:04Jack bought that little house, not the big one.

00:52:07Like a vault.

00:52:09You're right.

00:52:10We better get that press back out of there.

00:52:12Let's go.

00:52:16Well, we were sent out to look over that big place there.

00:52:19Yes, I know.

00:52:20Uh, people we bought our house from seem to think something funny is going on.

00:52:23We couldn't find anything wrong.

00:52:24It's probably their imagination.

00:52:25You know how old folks are.

00:52:27Well, we'll be heading back to the station now.

00:52:29If you hear anything, give us a ring.

00:52:30Well, I don't think we'll bother you tonight.

00:52:32Well, good night.

00:52:33Good night.

00:52:36Hey.

00:52:36What are you whistling about?

00:52:38Ouch.

00:52:39Ouch.

00:52:40I'm going to tear your head up.

00:52:41Oh, yeah.

00:52:42Well, let's go.

00:53:02Hey, now.

00:53:07The sofa.

00:53:12This is for luck.

00:53:22Well, Allie, here we are.

00:53:24Look it over.

00:53:30Okay.

00:53:31I'll put that press back where it was and show it to the cops.

00:53:42R-17, Mulligan speaking.

00:53:45We've just looked the place all over.

00:53:47There's nothing here but a couple of newlyweds.

00:53:51Looks a little bad, doesn't it?

00:53:53I can't understand it.

00:53:55There should be more furniture here.

00:53:57Yeah, it would help, but I still think it's awful cute.

00:54:01Look.

00:54:01Easy.

00:54:04Need some help?

00:54:05There you are.

00:54:06No, no, thanks.

00:54:12Leave it just the way it was now.

00:54:14Okay, let's tell the law.

00:54:16Come on.

00:54:19Guess I may as well get the grips.

00:54:22Okay, we're coming right in.

00:54:25Let's go.

00:54:32Hey!

00:54:33Hey!

00:54:35What do you think of that?

00:54:39Their car's gone.

00:54:40Who?

00:54:40The cops.

00:54:41Isn't that awful?

00:54:43Hey, Muggs!

00:54:46What are you doing here?

00:54:49Well, just what I was about to ask you.

00:54:51Oh, that's a long story.

00:54:52We was decorating that house.

00:54:53Yeah, we thought it was yours.

00:54:54We found a printing press with a lot of nasty propaganda.

00:54:56Yeah, we thought it was yours, so we moved it over here.

00:54:58Yeah, then we found out that was yours, so we moved it back again.

00:55:01Nasty propaganda?

00:55:02Sure.

00:55:02So that's why they didn't want us to come out here.

00:55:04Why didn't you phone the police?

00:55:05We thought it was yours.

00:55:07Is there a phone next door?

00:55:08Yeah, but that ain't yours.

00:55:09Well, come on.

00:55:09Well, I don't confuse it, though.

00:55:12Won't you be glad?

00:55:13You want me?

00:55:14What?

00:55:20There it is.

00:55:25Henry Police Headquarters.

00:55:30Hello?

00:55:31This is 322 Elm Street.

00:55:33I'll send a couple of men out here right away.

00:55:35Yeah, tell them about the Nazis.

00:55:37Yes, I know they've been here, but send them back.

00:55:40Yes, they've gone.

00:55:42That's right.

00:55:45Christian, you must get the press back to that cottage.

00:55:47They're calling the police.

00:55:49Hurry up.

00:55:53Come on, let's go.

00:55:54Pick it up.

00:55:55Calling car 17.

00:55:57Calling car 17.

00:55:58Return at once to 322 Elm Street.

00:56:01Urgent, that is all.

00:56:04We just came from there.

00:56:08Let's go.

00:56:24Where are they?

00:56:25Well, they ought to be here any minute.

00:56:26Who?

00:56:27Oh, he's in the police.

00:56:28Get in there, y'all now.

00:56:32Come on, Jack.

00:56:33Okay.

00:56:36We tried to call you back, but you didn't hear us.

00:56:38There's a lot of intimidating evidence in that house.

00:56:40Hey, what is it?

00:56:41It's a gag?

00:56:41Well, these boys have found a printing press in the basement

00:56:43with a lot of subversive literature all over the place.

00:56:45It must be a Nazi hideout.

00:56:46How about the people?

00:56:47Seen any signs of them around?

00:56:48Heard a lot of noises.

00:56:49Didn't see no people.

00:56:50Well, we better take a look.

00:56:51Yeah, follow me.

00:56:53We got all the evidence down this down.

00:56:55It's a potty.

00:56:56It's a potty.

00:56:56It's a potty here.

00:56:57It's a potty.

00:57:13Who's that?

00:57:13How can you picture that?

00:57:27I must be having optical delusions.

00:57:29What's the matter?

00:57:30Well, it was a printing press here ten minutes ago.

00:57:32Well, it just got up and walked away, huh?

00:57:34Well, if ink can run, I guess a printing press can walk.

00:57:37That's right.

00:57:37You can still see the ink on our hands from where we touched it.

00:57:40That dirt could have been on your hands for the last six months, for all we know.

00:57:43Come on, we'd better get out of here before we start seeing things ourselves.

00:57:47I'm telling you, it was dead.

00:57:48I'm telling you, it was dead.

00:57:49I don't always look like that.

00:57:51I don't care.

00:57:52There was a ink on it right there.

00:58:00All right, all right.

00:58:02It was there, and you saw it.

00:58:04But it ain't there now.

00:58:05They can't figure this thing out.

00:58:07We've seen that press with our own eyes.

00:58:09So did I.

00:58:09That's what I said.

00:58:11It didn't just disappear.

00:58:13Somebody must have taken it out of here.

00:58:15You know, I think.

00:58:16Yeah, I'll do all the thinking around here.

00:58:18All right, go ahead and think.

00:58:19You're always thinking, think.

00:58:20Think a while.

00:58:21Because you're such a smart guy, we should think.

00:58:26Hey, Mumps.

00:58:27Look.

00:58:31What do you think that's for?

00:58:32Mice.

00:58:34Oh, my.

00:58:34You'll never learn nothing, will you?

00:58:37Hey.

00:58:38I bet that's how they got that press out of here.

00:58:40Wait.

00:58:42Just keep quiet.

00:58:44You follow me.

00:58:44Nobody here.

00:59:02Let's go home.

00:59:03Come on.

00:59:03What are you, a coward?

00:59:14You're in there already.

00:59:16What are you talking about?

00:59:17Hey.

00:59:18Hey.

00:59:18It's got my head.

00:59:19I'll put you right there.

00:59:19No.

00:59:20Come on, Pat.

00:59:21Hey, wait a minute.

00:59:24That's funny.

00:59:26Now what?

00:59:28Those lights in my cottage.

00:59:29I turned them out.

00:59:31Now the lights are turning themselves on and off.

00:59:34Come on, Pat.

00:59:35Go ahead if you want them.

00:59:36I want to see for myself.

00:59:37Come on, Betty.

00:59:37I want to find out for himself, too.

00:59:38I want to find out for myself.

00:59:52What doggone.

00:59:54Fellas, look at here.

00:59:56Hmm.

00:59:57What's this?

00:59:58Looks like the printing press.

00:59:59Ah, so it does.

01:00:01So it does.

01:00:04Ah, what are these?

01:00:05What do these look like?

01:00:06Like them same things we all have been telling you all about.

01:00:10What's it doing here?

01:00:11That's something you'll get a chance to explain, man.

01:00:14You'd better think fast.

01:00:16Now, look.

01:00:17You don't think this belongs to me.

01:00:19This is your house, isn't it?

01:00:20Yes, but we'd better find Monk's and tell him.

01:00:23You ain't kidding.

01:00:24Come on.

01:00:24Take a ride.

01:00:25Come on.

01:00:32Hey, Bruno.

01:00:33Ah, get up.

01:00:36Hey, young man.

01:00:50Come on.

01:00:51Let him walk.

01:00:52Hey, look.

01:00:53Hey, take it easy, will ya?

01:00:54Fuck it.

01:00:55Hey, take it easy, will ya?

01:00:56Fuck it.

01:00:56What are you?

01:00:57Ah, you're nuts.

01:01:00Ah, yeah.

01:01:02Oh, yeah.

01:01:03Oh, yeah.

01:01:04Oh, yeah.

01:01:05Oh, you look like a gorilla.

01:01:08You look like a gorilla.

01:01:10Oh!

01:01:11Why, you fucking might.

01:01:14Come on, Benny.

01:01:15We'll talk this thing over.

01:01:17Get the rest of the fellas.

01:01:20Listen, officer, this is absolutely ridiculous.

01:01:22All I know is the press is on your property.

01:01:24I'll have to take you to headquarters to talk to the lieutenant.

01:01:27Hey, fellas!

01:01:28Jack, come here!

01:01:30We saw him down the tunnel.

01:01:32They got Muggs and Glippi, and they took him to a room.

01:01:34All right, but this is the last time I believe any of you.

01:01:37O'Brien, beat it back to the house and go down the basement.

01:01:40I'll look down the tunnel.

01:01:43It's the first time since I knew you that you couldn't say nothing.

01:01:46Are you kidding?

01:01:50You better wait here, honey. You boys stay with her.

01:01:52Okay, Jack.

01:01:56Hurry up. They got Muggs and Glippi in there.

01:01:58Let me have a try, Jack.

01:02:01Hey, what's that?

01:02:03Must be somebody in there.

01:02:06Must be some way to get in there.

01:02:08Yeah.

01:02:10Look around here.

01:02:12We've got to get out of here, boss.

01:02:13Glenn!

01:02:22Look!

01:02:23What's the matter?

01:02:24Grab that woman!

01:02:25Where are we going?

01:02:26Grab that woman. She didn't again.

01:02:27Here.

01:02:28Follow me. I'll show you.

01:02:29Get ready.

01:02:38Hey, Glippi! Glippi!

01:02:39Hey, Muggs!

01:02:40Muggs!

01:02:41Hey, Muggs!

01:02:42Muggs!

01:02:43Hey, Muggs!

01:02:44Muggs!

01:02:45Hey, Muggs!

01:02:46Hey, Muggs!

01:02:47Muggs!

01:02:48Hey, Muggs!

01:02:49Hey, Climpy!

01:02:51Climpy!

01:02:53Hey, Mumps!

01:02:55Mumps!

01:02:57Hey, Climpy!

01:02:59There!

01:03:07It's Mumps!

01:03:09Hey, Mumps!

01:03:11Why don't you go home and get dressed?

01:03:15Climpy, look!

01:03:19Five times I'll be playing leapfrog.

01:03:21Let me out. In shape, honey?

01:03:23Let's go.

01:03:25What's the matter, kid?

01:03:27You feel good?

01:03:29Come on, come out of it!

01:03:31Mumps!

01:03:33You're all right, kid.

01:03:35Steady!

01:03:37Wake up!

01:03:39The winner! A new champ!

01:03:41I knew you could do it, kid!

01:03:43What a honeymoon.

01:03:49You always gotta do everything the hard way.

01:03:59Everybody else gets plain, ordinary, common measles.

01:04:03So you gotta go out and dig up German measles.

01:04:05What are you picking on me for?

01:04:07I know them guys were Nazis.

01:04:09Did you know I'm sick?

01:04:15Watch forward, honey.

01:04:17Don't, Climpy, I apologize.

01:04:21And remember, you've got seven days more to go.

01:04:23Let's go.

01:04:25Let's go.

01:04:27Let's go.

01:04:29To a new team

01:04:31fight.

01:04:33That's true, Pauly.

01:04:35Let's go.

01:04:37So you'll be playing!

01:04:39A new team.

01:04:41To a new team.

01:04:43To a new team.

01:04:45To a new team.

01:04:47To a new team.

01:04:49To a new team.

01:04:51To a new team.

01:04:53To a new team.

01:04:55So you'll find our team.

👻🎭 Ghosts on the Loose (1943) Full Movie | The East Side Kids with Bela Lugosi in a Spooky Comedy Mix 🎬😂

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