β¨ Based on W. Somerset Maughamβs classic novel, Of Human Bondage is a raw and emotional story of unrequited love, obsession, and self-destructionβfeaturing one of Bette Davisβs most powerful early performances.
π½οΈ Plot Summary:
Philip Carey (Leslie Howard), a sensitive medical student with a physical disability, falls helplessly in love with Mildred Rogers (Bette Davis), a cruel and manipulative waitress. Despite her constant rejection and mistreatment, Philip cannot free himself from her hold. As his life spirals between hope and despair, he must choose between destructive passion and the chance at a new beginning.
π°οΈ Year Released: 1934
π Genre: Drama, Romance
π¬ Directed by: John Cromwell
ποΈ Starring: Bette Davis, Leslie Howard, Frances Dee, Kay Johnson
π― Why Watch It?
βοΈ Bette Davisβs breakthrough roleβan unforgettable, fearless performance
βοΈ Leslie Howardβs poignant portrayal of vulnerability and longing
βοΈ A faithful adaptation of Maughamβs literary classic
βοΈ A landmark in pre-Code Hollywood drama
π Donβt forget to LIKE π | COMMENT π¬ | SUBSCRIBE π for more timeless dramas & public domain gems!
π Explore More 1930sβ40s Classics Here:
πΊ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
ββββββββββββββββββ
ποΈ #OfHumanBondage #BetteDavis #LeslieHoward #ClassicDrama #1930sCinema #PublicDomainMovies #SomersetMaugham
ββββββββββββββββββ
ππ When love becomes obsession, freedom comes at the highest cost.
________________________________________
π½οΈ Plot Summary:
Philip Carey (Leslie Howard), a sensitive medical student with a physical disability, falls helplessly in love with Mildred Rogers (Bette Davis), a cruel and manipulative waitress. Despite her constant rejection and mistreatment, Philip cannot free himself from her hold. As his life spirals between hope and despair, he must choose between destructive passion and the chance at a new beginning.
π°οΈ Year Released: 1934
π Genre: Drama, Romance
π¬ Directed by: John Cromwell
ποΈ Starring: Bette Davis, Leslie Howard, Frances Dee, Kay Johnson
π― Why Watch It?
βοΈ Bette Davisβs breakthrough roleβan unforgettable, fearless performance
βοΈ Leslie Howardβs poignant portrayal of vulnerability and longing
βοΈ A faithful adaptation of Maughamβs literary classic
βοΈ A landmark in pre-Code Hollywood drama
π Donβt forget to LIKE π | COMMENT π¬ | SUBSCRIBE π for more timeless dramas & public domain gems!
π Explore More 1930sβ40s Classics Here:
πΊ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
ββββββββββββββββββ
ποΈ #OfHumanBondage #BetteDavis #LeslieHoward #ClassicDrama #1930sCinema #PublicDomainMovies #SomersetMaugham
ββββββββββββββββββ
ππ When love becomes obsession, freedom comes at the highest cost.
________________________________________
Category
π₯
Short filmTranscript
00:00:00.
00:00:04.
00:00:12.
00:00:16.
00:00:18.
00:00:24.
00:00:26.
00:00:30.
00:00:32.
00:00:34.
00:00:36.
00:00:38.
00:00:40.
00:00:42.
00:00:44.
00:00:46.
00:00:48.
00:00:50.
00:00:52.
00:00:54.
00:00:56.
00:00:58.
00:01:00.
00:01:02.
00:01:04.
00:01:06.
00:01:08.
00:01:10.
00:01:12.
00:01:14.
00:01:16.
00:01:18.
00:01:20.
00:01:22.
00:01:46.
00:01:48.
00:01:50.
00:02:08.
00:02:12.
00:02:14.
00:02:15.
00:02:16.
00:02:17.
00:02:18I'll meet you for a moment.
00:02:22Well, I've been studying painting with you for some time now.
00:02:27Do you think it's worth my while to go on?
00:02:29Why do you ask?
00:02:30Well, I feel there's no sense in my staying here unless I have talent.
00:02:33If you are not certain about your talent, why did you stay until now?
00:02:37Because all this is so, so beautiful to me.
00:02:40In my youth, it was all so beautiful to me.
00:02:44But now, it is the city of lost illusions.
00:02:48Is your studio very far?
00:02:50No, not very.
00:02:51Let us go there. You will show me what you have done.
00:02:53Yes.
00:03:03Have you any money?
00:03:04A little.
00:03:05Not enough to live on.
00:03:07I have to tell you, there is no talent here.
00:03:17Merely industry and intelligence.
00:03:19You will never be anything but mediocre.
00:03:22And it is very cruel to discover one's mediocrity only when it is too late.
00:03:29I know.
00:03:32Do you see that?
00:03:33That name does not belong there.
00:03:35It belongs somewhere else.
00:03:38Take your courage in both your hands and make something of your life.
00:03:41What do you think?
00:03:42Well, you see, I have my limitations.
00:03:56My father was a doctor.
00:03:57I have always been interested in medicine.
00:03:58And if one can't be great, at least one can be of some use to people.
00:04:26Well, I'm not sure.
00:04:27I don't know why I should have such a thing upon myself.
00:04:28Well, you're not sure.
00:04:29I'm not sure why I should have such a thing upon myself.
00:04:30I don't know why I should have such a thing upon my bird I don't I've never had a day's illness in my life
00:04:59you've only got to look at me to know that it's what we call a winter cough a great
00:05:03many middle-aged women have it that's a nice thing to say to a lady no one's
00:05:08ever called me middle-aged before oh it's time you've got used to it all the
00:05:12same you're a nice one unfortunately I can't say the same for you good day
00:05:16madam that'll be all now the rest you come back tomorrow get him ready all
00:05:22right sir you're the boy's father yes sir what's the matter with you now you see
00:05:36well enough what the matter is the boy has a club foot oh
00:05:41carry you better take this case it's a subject you ought to know something
00:05:44about
00:05:54it's only for the looks of the thing you know I don't find it no trouble don't
00:05:58you that's wonderful I always did oh that's because you let them go on at you
00:06:03you seem to be a little slow carry I think I'll have to instruct the class there are
00:06:08many varieties of club feet this is one of the less interesting yours would
00:06:13probably prove more interesting you have telepizaquinus haven't you yes I
00:06:18believe so don't mind taking off a sock do you carry
00:06:25no not at all
00:06:38keep his feet nice and clean doesn't he hmm yes just as I thought telepizaquinus
00:06:50malformation requiring you to walk on the outside of the foot a very interesting
00:06:55example I must say do you mind if I have a look congenital club foot in simple
00:07:02language a foot twisted inward the cause of this twisting is not clear hereditary
00:07:07influence plays a part here as pointed out by dr. Little who traces recurring
00:07:11deformity through four generations well when you've quite finished I say old man I
00:07:19like that mm-hmm French isn't she yes she was a model in Paris you know I can't for
00:07:26the life of me understand why you gave up painting I'd rather look at that all day
00:07:30long than at this woman you know you can tell by the pelvis I like them with a
00:07:37little more oh there's life in the old girl yet don't inhale dearie I say I've got to
00:07:48be getting along it's a little matter of a barmaid at the crown on anchor and very nice too
00:07:52and very nice too cheerio a funny fellow isn't he oh I say Carrie it must have been wonderful having that
00:08:00life in Paris well it was and do you mean that you really knew all those fascinating women well some
00:08:07of them I see you're just the man I'm looking for I wonder if you couldn't help me in what way
00:08:10well there's a girl and I can't get anywhere with her and you've been to Paris and all that I'm sure
00:08:17you could say something that would give me a starter I'd ask Griffiths only he couldn't do it and
00:08:21remember whom he was doing it for oh but you're just the man you know say something to make her laugh
00:08:27what you don't believe it you are too suspicious I see she's marvelous isn't she no she's anemic
00:08:57you don't suppose she likes that bounder do you of course now is your chance say something
00:09:07well I see your friends going I don't know what you mean I was referring to the nobleman with
00:09:17the sandy moustache has he left you for another some people would do better to mind their own business
00:09:25why you have a very nice back am I on speaking terms with your back woman you know you can tell
00:09:38by the pelvis and that calls himself a gentleman I apologize what for I promised you something
00:09:48charming and she's turned out to be ill-natured and contemptible I'm sorry I let you in for it oh
00:09:53that's all right you don't suppose I care what an anemic little waitress says to me do you well I do
00:09:57I must be going coming along I think I'll have some more tea
00:10:23anything you want yes if you don't mind I'd like to talk to you
00:10:36filthy weather isn't it makes no difference to me I have to be here all day oh don't talk like that
00:10:45I wanted to say something pleasant yes say it you know you have a lovely smile you should use it more
00:10:53often don't go spoofing me well that works hard all day like I do don't have much reason to smile
00:11:01perhaps I could find a reason will you let me try well I don't know whether I will or whether I won't
00:11:09well I hope you'll decide you will
00:11:39well
00:11:45well
00:11:46well
00:11:47well
00:11:48well
00:12:22Like that, and that's like so.
00:12:52It's a nice little hand.
00:13:07Excuse me, won't you?
00:13:08Yeah, yeah.
00:13:13How do you do?
00:13:14You seem to be in a great hurry.
00:13:16Well, I've been waiting ten minutes.
00:13:21I didn't know you could drop.
00:13:23Didn't you?
00:13:24That meant to be me?
00:13:25Looks like you, doesn't it?
00:13:28If you look at it that way, tea?
00:13:32You are a strange sort.
00:13:35I say, will you die with me sometime?
00:13:39And we'll go to the theatre.
00:13:41I don't mind.
00:13:42When will you come?
00:13:43I'm off Thursdays.
00:13:45All right, shall we say Thursday?
00:13:47Seven o'clock, Victoria Station.
00:13:53All right.
00:13:54I'll meet you, Victoria, in the second-class waiting room.
00:14:03All tickets, please.
00:14:05Show me all tickets.
00:14:07All tickets, please.
00:14:09Show me all tickets.
00:14:11All tickets, please.
00:14:14Show me all tickets.
00:14:16All tickets, please.
00:14:17All tickets, please.
00:14:19All tickets, please.
00:14:21All tickets, please.
00:14:23Show me all tickets.
00:14:25All tickets, please.
00:14:29All tickets, please.
00:14:31All tickets, please.
00:14:33Show me all tickets.
00:14:35All tickets, please.
00:14:38Show me all tickets.
00:14:40All tickets, please.
00:14:42Show me all tickets.
00:14:44All tickets, please.
00:14:45Well, I thought you were never coming.
00:14:47I like that, after keeping me waiting.
00:14:49I almost went home.
00:14:51I was in the second-class waiting room.
00:14:53I thought you said you'd be there.
00:14:55Now, I say.
00:14:57Is it likely I'll sit in the second class
00:14:59when I could sit in the first?
00:15:01For a gentleman of brain
00:15:03that you don't use him, do you?
00:15:05Perhaps not.
00:15:07Anyway,
00:15:09you're going to have to sit in the second class
00:15:11when I could sit in the first.
00:15:13Perhaps not.
00:15:15Anyway, you're here, so it's all right, isn't it?
00:15:17You certainly do make a girl feel important to you.
00:15:23I love that music.
00:15:27Whenever I hear it, I think of you.
00:15:33How pale you are.
00:15:35How strange, how cold.
00:15:37You are going it.
00:15:43Do you always order champagne?
00:15:45No.
00:15:47And why'd you do it now?
00:15:53I was hoping it would make you
00:15:55more friendly.
00:15:59Do you think it will?
00:16:01Well, there's one thing I can say for you.
00:16:05A gentleman in every sense of the words.
00:16:31a gentleman.
00:16:35May I see you again?
00:16:37I don't mind.
00:16:39Doesn't it make any difference to you?
00:16:41No.
00:16:43You don't take me out.
00:16:45Someone else will.
00:17:01I'll say goodnight here.
00:17:11Won't you stay for a moment?
00:17:13No.
00:17:14Why not?
00:17:15Why?
00:17:16People will think I don't know what all.
00:17:31The two are often left.
00:17:32How many of them are.
00:17:33How many of them are and they are?
00:17:34Those are those who know I.
00:17:35The two of them are.
00:17:36The three of them.
00:17:37The three of them, who know the eyes.
00:17:38The three of them are gonna look for,
00:17:39the four of them.
00:17:40None, none, none.
00:17:41One, none.
00:17:42There is a line.
00:17:43One, none.
00:17:44If anyone else.
00:17:45You've got any answers to me.
00:17:46All right?
00:17:47We're talking.
00:17:48Play them.
00:17:49You're talking to me.
00:17:50They're talking to me.
00:17:51The two of them are coming.
00:17:52You're talking to me.
00:17:54The three of them.
00:17:55I want to know what war.
00:17:58The two of them are coming.
00:17:59we come along.
00:18:18I love that music.
00:18:20Whenever I hear it, I think of you.
00:18:23Whenever I hear it, I think of us.
00:18:59I've never danced with anyone who danced like you.
00:19:05I've been looking for you all my life.
00:19:14You don't seem to have much to do with your time.
00:19:16I should be studying.
00:19:18And why don't you?
00:19:20Well, I'd rather see you.
00:19:22Any of the girls notice you're waiting for me?
00:19:24I don't know.
00:19:25Why, what difference does it make?
00:19:26They all laugh at you, you know.
00:19:27Oh, do they?
00:19:28Why?
00:19:29They say you're in love with me.
00:19:30May I call you Mildred?
00:19:31I don't mind.
00:19:32Look here.
00:19:33Don't say that anymore, will you?
00:19:34I don't know.
00:19:35I should be studying.
00:19:36And why don't you?
00:19:37Well, I'd rather see you.
00:19:38Any of the girls notice you're waiting for me?
00:19:39I don't know.
00:19:40Why, what difference does it make?
00:19:41They all laugh at you, you know.
00:19:42Oh, do they?
00:19:43Why?
00:19:44They say you're in love with me.
00:19:46I don't know.
00:19:52May I call you Mildred?
00:19:53I don't mind.
00:19:56Look here.
00:19:57Don't say that anymore, will you?
00:19:59Why not?
00:20:00Well, alternate, I'll call you Mildred.
00:20:03And you call me Philip, will you?
00:20:05If I think of it.
00:20:07I, um...
00:20:09I'm a little awkward at this, but...
00:20:12Will you kiss me goodnight?
00:20:14No.
00:20:15Yeah.
00:20:18Oh, Mildred.
00:20:19Will you come to the theater with me on Saturday?
00:20:22I don't mind.
00:20:32You're sure they're for Saturday?
00:20:33Certainly.
00:20:45I'm Mildred.
00:20:46I'm Mildred.
00:20:47We should know each other.
00:20:48Why?
00:20:49Because we are interested in the same thing.
00:20:51Thing?
00:20:52My dear young man.
00:20:53You are so, uh...
00:20:54so, uh...
00:20:55artistic.
00:20:56You, you should be more...
00:20:58Why?
00:20:59We are both interested in the same thing.
00:21:02Thing?
00:21:03My dear young man, you are so...
00:21:08Artistic.
00:21:09You, you should be more...
00:21:12Like so.
00:21:14Thanks. Thanks very much.
00:21:16That's...
00:21:17That's all right.
00:21:19Hit change?
00:21:25What time should I see you?
00:21:26Oh, I forgot to tell you, Philip. I can't go.
00:21:30Why not?
00:21:32Me aunt's ill.
00:21:36Oh.
00:21:44What's the sense in that?
00:21:46You don't suppose I want to go by myself, do you?
00:21:48I only got them for your sake.
00:21:50Well, you needn't go on about it.
00:21:56You're spying on me.
00:21:57I always thought you was a gentleman at every sense of the word.
00:22:00Are you going out with Miller?
00:22:01No.
00:22:02No.
00:22:04Violet.
00:22:06Violet.
00:22:08Violet, stop in the bun.
00:22:10Violet, stop in the bun.
00:22:12You're spying on me.
00:22:14I always thought you was a gentleman at every sense of the word.
00:22:17Are you going out with Miller?
00:22:19No.
00:22:21Violet, sweet, sweet Violet, stop in the bun.
00:22:22Violet, stop in the bun.
00:22:24Well, what if I am?
00:22:26I can go out with him if I want to, can't I?
00:22:28Violet, sweet Violet, stop in the bun.
00:22:31He's keeping you waiting, isn't he?
00:22:33Well, I'd rather wait for him than if you wait for me.
00:22:36Violet, sweet Violet, stop in the bun.
00:22:41Won't you change your mind?
00:22:43I'll get some more tickets and we'll...
00:22:44No.
00:22:46Violet, sweet Violet, stop in the bun.
00:22:50Violet, sweet Violet, stop in the bun.
00:22:52You keep looking for him the way I look for you.
00:22:55Violet.
00:22:57Violet.
00:22:59If you don't come out for me tonight, you'll never see me again.
00:23:02Good riddance to bad rubbish.
00:23:04Violet.
00:23:08Violet.
00:23:21Violet.
00:23:23Violet.
00:23:25Violet.
00:23:27Violet.
00:23:29Violet.
00:23:31Violet.
00:23:33Violet.
00:23:35Violet.
00:23:37Violet.
00:23:39Violet.
00:23:41Violet.
00:23:43Violet.
00:23:45Violet.
00:23:47Violet.
00:25:48Sorry, old boy.
00:26:11How about a nice large beer?
00:26:16It wouldn't help.
00:26:18Well, what would?
00:26:19Well, let's go.
00:26:27Well, let's go.
00:26:37Well, let's go.
00:26:44Well, let's go.
00:26:46Well, let's go.
00:26:54Well, let's go.
00:26:56I'm sorry.
00:26:58I didn't mean to.
00:26:59You're a bit too superior for me, my fine young friend.
00:27:07Mildred.
00:27:08Of course, you don't like me.
00:27:15I'm a cripple.
00:27:16Oh, beautiful.
00:27:17Oh, yes.
00:27:18I filled it all along.
00:27:19Foolish.
00:27:21My, my, my hat, silly.
00:27:26You are clumsy.
00:27:29Well, let's go.
00:27:30Well, let's go.
00:27:31Well, let's go.
00:27:35Well, let's go.
00:27:37You're a bit more.
00:27:49Well, let's go.
00:27:49You're off your nut.
00:27:51You don't know what you're doing.
00:27:51What sort of practice can you expect to have with a wife like that?
00:27:54I don't know. Let me ask you something.
00:27:56Why do you want to marry this girl?
00:28:00Because I'm so in love with her.
00:28:11That ring with the little design is very popular, sir.
00:28:14We celebrate many of them. They're 30 shillings.
00:28:17Thank you, sir.
00:28:21Philip, were you surprised by asking you to take me to dinner tonight?
00:28:26I was delighted.
00:28:28Were you?
00:28:29Yes.
00:28:30Why?
00:28:31Oh, I don't know. You've been so sweet of me all day.
00:28:33I've got something to ask you and it makes it so much easier for me.
00:28:37It makes it easier for me, too.
00:28:39I have something to tell you.
00:28:41No, no, no. Let me tell you first.
00:28:43There it is.
00:28:49I want you to marry me.
00:28:51I'm so sorry, Philip.
00:28:53That's just what I was about to tell you.
00:28:56I shouldn't have waited so long.
00:28:58Fact is, I'm going to be married.
00:29:03Are you?
00:29:05To whom?
00:29:06A man I know.
00:29:07He earns very good money.
00:29:09Yes, I'm sure of it.
00:29:12Now, you won't go on about it, will you, Philip?
00:29:15All right.
00:29:16I'm getting on.
00:29:17Twenty-four.
00:29:18It's time I settled down.
00:29:19The gentleman earns seven pounds.
00:29:20Whitney's got good prospects.
00:29:21Well, this is goodbye.
00:29:22I hate to eat and run, Philip, but...
00:29:24I'm getting on.
00:29:25Twenty-four.
00:29:26It's time I settled down.
00:29:27The gentleman earns seven pounds.
00:29:28Whitney's got good prospects.
00:29:29Well, this is goodbye.
00:29:31I hate to eat and run, Philip, but...
00:29:33Well, I have an engagement.
00:29:34I'm going to the theatre with the gentleman I'm going to marry.
00:29:39Love me tonight.
00:29:40Make yourselves in the day.
00:29:41Love me tonight.
00:29:42If you're coming here.
00:29:43Love me tonight.
00:29:44All the ladies.
00:29:45Love me tonight.
00:29:46All the ladies.
00:29:47Love me tonight.
00:29:48A ΠΌΠΎΠ³Π»ΠΈ son of the day.
00:29:49It's your company here.
00:29:50Back to me.
00:29:51All the ladies.
00:29:55Hai.
00:29:56Gee.
00:29:57Take benefits of the day.
00:29:58Gee.
00:30:03Taxi.
00:30:04French.
00:30:13All the ladies.
00:30:16All the ladies soldiers of the day, come be tonight.
00:30:20Get your coffee here.
00:30:22Come be tonight, all the ladies soldiers of the day.
00:30:28Get your coffee here.
00:30:30Come be tonight, all the ladies.
00:30:33All the ladies soldiers of the day.
00:30:46Come be tonight, all the ladies soldiers of the day, come be tonight.
00:31:04Come be tonight, all the ladies soldiers of the day, come be tonight.
00:31:10Have you seen her since?
00:31:23No.
00:31:25Well, London is the largest city in the world, and you know the cure for one woman.
00:31:30Another. Right-ho.
00:31:40Nora, you don't read such junk, do you?
00:31:46No, I write it.
00:31:48What?
00:31:49That's how I earn my living.
00:31:51I didn't know. Successful?
00:31:54Very.
00:31:55I have an immense popularity amongst kitchen maids.
00:31:58They think me so refined.
00:32:04Let's not talk about that.
00:32:08Let's talk about us.
00:32:09Nora.
00:32:24You're not really fond of me, are you?
00:32:27Clever boy.
00:32:28You ask such foolish questions.
00:32:31Oh, my dear, never struck me that you could be.
00:32:34Pleased?
00:32:35Delighted.
00:32:36So proud and so happy.
00:32:38And so...
00:32:39So grateful.
00:32:41I wish you hadn't been in love with...
00:32:44What was her name?
00:32:46Mildred.
00:32:47Because if she hadn't treated you so vulnerably,
00:32:51it wouldn't have taken you so long to understand how I feel.
00:32:54It wouldn't have taken you so long to understand how I feel.
00:32:58I saw you.
00:32:59I wasn't very quick.
00:33:00Let's go out and play.
00:33:01Not until you've passed that exam.
00:33:03Not until you've passed that exam.
00:33:04No.
00:33:05No.
00:33:06No.
00:33:07No.
00:33:08No.
00:33:09No.
00:33:10No.
00:33:11No.
00:33:12No.
00:33:13No.
00:33:14No.
00:33:15No.
00:33:16There's not enough food.
00:33:17No, no.
00:33:18No, no.
00:33:19No.
00:33:20No, no.
00:33:20No, no.
00:33:21No.
00:33:22No, no.
00:33:23No, no.
00:33:24No.
00:33:24No.
00:33:29Tell me, darling, what do you get out of this?
00:33:59You'll never know.
00:34:02I'm afraid you don't get much fun with me.
00:34:05I wish...
00:34:07If only I could take you dancing.
00:34:10I know how you love it.
00:34:12Philip, it's very silly of you to be so sensitive about your foot.
00:34:16You know, other people don't think about it nearly as much as you do.
00:34:19They notice it when they first see you and after that they forget all about it.
00:34:24You know, I only speak of it because I love you.
00:34:29And I don't want it to make you unhappy.
00:34:31Now, will you please stay here and go on cramming for that exam?
00:34:37There's a lady to see you, sir.
00:34:39Oh, is there?
00:34:40Yes.
00:34:41I shouldn't have let her in but she was that upset.
00:34:43I just...
00:34:44Nora!
00:34:45What do you want?
00:34:46I didn't think I'd ever see you again.
00:34:48What do you want?
00:34:51I don't think I'd ever see you again.
00:34:52I can't wait for you, but you can't wait for me.
00:34:53You can't wait for me.
00:34:54I'm going to wait for you.
00:34:55I'm going to wait for you.
00:34:56I'll wait for you.
00:34:57There's a lady to see you, sir.
00:34:58Oh, is there?
00:34:59I shouldn't have let her in but she was that upset.
00:35:01I just...
00:35:02Nora!
00:35:05What do you want?
00:35:08I didn't think I'd ever see you again.
00:35:12I didn't think I'd ever see you again.
00:35:15what's the matter he's left me you know
00:35:28oh has he
00:35:31yes
00:35:34because i'm going to have a baby
00:35:38well why don't you sit down
00:35:58i suppose you want him back
00:36:08he'll never come back why not he just won't that's all
00:36:14well you're his wife he has to provide for you
00:36:16he won't give me anything
00:36:19even if he did i wouldn't take it
00:36:26why not
00:36:28matter what's happened i've still got my pride
00:36:33that's something isn't it
00:36:37have you got any money
00:36:39nope
00:36:43well you better get yourself a place to live
00:36:46after that we'll see what can be done
00:36:49oh philip you're always so good to me
00:36:52that's why i knew i could come to you
00:36:55now look here mr miller i'd like to know what you intend to do about mildred
00:37:05i what you expect me to do well i expect you to take care of her
00:37:10you married her you know i i married mildred
00:37:14i'm married
00:37:16i'm married uh
00:37:21even one
00:37:25well all the same i'd still like to know what you intend to do about it
00:37:29me i can do nothing one man cannot solution the problem of the unmarried mother
00:37:35why didn't you tell me
00:37:45i just couldn't
00:37:48i just couldn't
00:37:50well brace up
00:37:52everything will be all right
00:37:56well
00:38:06do you still
00:38:19Are you still like me?
00:38:26Really?
00:38:28Strange as it may seem, I always have.
00:38:31I suppose I always shall.
00:38:34I did everything I could to make you love me.
00:38:38I thought you were incapable of loving anybody.
00:38:42It seems horrible to think that you were willing to sacrifice everything for that man.
00:38:46I'm awfully sorry, Philip.
00:38:50I shall never forget you wanted to marry me.
00:39:07Philip.
00:39:09Yes?
00:39:12You've been so nice to me.
00:39:16I'll do anything you want.
00:39:20Will you?
00:39:21Why?
00:39:22Why, I owe it to you.
00:39:26Oh.
00:39:27Do you?
00:39:33You're not angry?
00:39:36No.
00:39:37No.
00:39:42Then will you stay and have some dinner?
00:39:45Yes, if you want me to.
00:39:47Of course, Philip.
00:39:49Nothing could like me more.
00:39:51Just a moment and I'll have everything ready.
00:39:53I'll have everything ready.
00:40:23come in.
00:40:25Come in.
00:40:29Come in.
00:40:37Hello, darling.
00:40:38Nora.
00:40:41How did you happen to come?
00:40:43Just passing by.
00:40:47I wanted to rub my nose against your door.
00:40:55Why haven't I heard from you?
00:40:57I was just going to write.
00:40:58Why haven't you come to see me?
00:41:01Well, I've been busy.
00:41:06Why so silent?
00:41:09Well, you see...
00:41:11Nora.
00:41:13I've got something strange to tell you.
00:41:16You've been so good to me it only makes it harder.
00:41:18Philip, what's wrong?
00:41:21I'm sorry.
00:41:22It's just over.
00:41:24You mean you don't care for me anymore?
00:41:26I'm afraid so.
00:41:28What have I done?
00:41:30Nothing.
00:41:31You've been wonderful to me.
00:41:33It's just that I...
00:41:35Of course, I knew you never loved me as much as I love you.
00:41:38I'm sorry.
00:41:40I'm sorry.
00:41:41It's just over.
00:41:43You mean you don't care for me anymore?
00:41:45I'm afraid so.
00:41:46There's usually one who loves.
00:41:49And one who is loved.
00:41:51Oh, it's always the same.
00:41:53If you want a man to be nice to you,
00:41:55you have to be rotten to him.
00:41:57If you treat a man honestly, you...
00:41:59Philip.
00:42:01There's someone else.
00:42:03I don't care for you.
00:42:05I don't care for you.
00:42:07I don't care for you.
00:42:09I don't care for you.
00:42:11I don't care for you.
00:42:12I don't care for you.
00:42:14I don't care for you.
00:42:16Yes.
00:42:19Who is she?
00:42:21Mildred.
00:42:23She's come back.
00:42:26After all she's done...
00:42:29How could you?
00:42:32That's what I'd like to know.
00:42:35Just as though you were...
00:42:37bound to her in some way.
00:42:39Yes.
00:42:41As I am to you.
00:42:43And as she was to Miller.
00:42:46As every human being is.
00:42:48To something or other.
00:42:49To something or other.
00:43:04Funny looking little thing, isn't it?
00:43:07I can't believe it's mine.
00:43:08It's mine.
00:43:09No, if you'll excuse me.
00:43:19So glad it's over, darling.
00:43:21You've been so good to me, Philip.
00:43:24From now on, things will be different.
00:43:25Now you will take good care of her, won't you?
00:43:26That I will, Mum.
00:43:28Good day.
00:43:29Good day.
00:43:31Good day.
00:43:32Good day.
00:43:34I know you don't like it, Philip.
00:43:36I can't do anything else if I'm going to work.
00:43:38No, I suppose not.
00:43:40But be sure and go over on Sundays and see the baby's properly taken care of.
00:43:46I will.
00:43:48What are we going to do this afternoon?
00:43:50I asked Griffiths to come over.
00:43:52I'll come over.
00:43:54And see if the baby's properly taken care of.
00:43:56I will.
00:43:58What are we going to do this afternoon?
00:44:00I asked Griffiths to come over.
00:44:02I'll come over.
00:44:04I'll come over.
00:44:06I'll come over.
00:44:07I asked Griffiths to come over.
00:44:09Oh, did you?
00:44:11Why?
00:44:13Well, I know you'll find him amusing and I...
00:44:15I'm always afraid of...
00:44:17boring you.
00:44:26Hello, hello, hello.
00:44:28Sorry I'm late.
00:44:30Had to get rid of a girl.
00:44:31Why didn't you bring her along?
00:44:33Oh, I'm not interested in my girl.
00:44:35I'm only interested in other men's girls.
00:44:38Do you like me?
00:44:46Really, I'm too hungry to know.
00:44:48But I think I like you lots.
00:44:50I'd like you a lot more if you got him to take us out to dinner tonight.
00:44:53And if you do, I'll tell you some funny stories.
00:44:55And you'll laugh and think you're having a wonderful time.
00:44:57What will he do?
00:44:59Oh, pay the bill.
00:45:00What's that bill?
00:45:02Your missus?
00:45:03I'm sorry.
00:45:04I thought it was your sister.
00:45:05Ha, ha, ha, ha, ha.
00:45:06Ha, ha, ha.
00:45:08Ha, ha, ha, ha.
00:45:09Ha, ha, ha, ha, ha, ha.
00:45:11Ha, ha, ha, ha.
00:45:13So he says, what's that bill?
00:45:15Your missus?
00:45:16I'm sorry.
00:45:17I thought it was your sister.
00:45:18Ha, ha, ha, ha.
00:45:20Ha, ha, ha, ha.
00:45:22Ha, ha, ha, ha, ha, ha.
00:45:23Oh, that'll lay up!
00:45:30That'll lay up!
00:45:33Good night, Philip.
00:45:49Good night.
00:45:53Just a moment.
00:46:03Are you in love with Mildred?
00:46:05I?
00:46:08So that's what you've been so funny about, huh?
00:46:11Well, my dear old boy...
00:46:12It doesn't matter to you, Harry.
00:46:14You've got so many women.
00:46:17Don't take Mildred away from me.
00:46:19But my dear old boy, she's nothing to me at all.
00:46:22Nothing at all.
00:46:40Do you like it, Philip?
00:46:42Very much.
00:46:44So nice of you to give it to me.
00:46:52What are you thinking about?
00:46:56You were having quite a flirtation with Griffiths last night.
00:46:59Yes, I was, wasn't I?
00:47:02As a matter of fact, well...
00:47:04I'm sort of in love with him.
00:47:07Well, I'm not surprised.
00:47:08Why, what do you mean?
00:47:10Well, Griffiths is good looking, he's amusing, he says the kind of things that make you laugh.
00:47:13Oh, thank you not to make fun of me.
00:47:15You're a bit too superior for me, my fine young friends.
00:47:17Oh, good heavens, Mildred, I wasn't making fun of you.
00:47:18Well, you certainly don't act as if it's serious.
00:47:20Well, I don't think it is.
00:47:21Oh, you don't, eh? Why not?
00:47:22Because Griffiths isn't in love with you.
00:47:23How do you know?
00:47:24I asked him.
00:47:29Would you like to read a letter I got from him this morning?
00:47:31I've been up all night thinking about you.
00:47:40And I've just sent for a special messenger who will take this to you in the dawn.
00:47:47You've no notion of the time I had with your friend last night.
00:47:53He kept asking me if I love you, and of course, what could I say?
00:47:57He'll doubtless tell you all this, so I'm making sure that you...
00:48:01Well, I can't help it if I love him, can I?
00:48:13No, I suppose not, but...
00:48:14And what's your going on about?
00:48:16Nothing.
00:48:18Only I was fool enough to think that you cared for me.
00:48:21I do, Philip.
00:48:22As a friend.
00:48:25Not in any other way.
00:48:26But you do care for Griffiths in the other way.
00:48:33But you're... you're rather cold.
00:48:35That sort of thing doesn't mean anything to you.
00:48:39That's what you think.
00:48:50There's no use going on about it, Philip.
00:48:52You said yourself I couldn't help it if I'm in love with him.
00:49:04Well, if there's anything else to be said, say it.
00:49:08That's a nice dress you have on, Mildred.
00:49:11I couldn't afford it, but I paid for it.
00:49:15You have a nice apartment.
00:49:17I couldn't afford it, but I paid for it.
00:49:19If you're a gentleman,
00:49:20do you think you'd throw what you've done for me in the face?
00:49:22Do you think it matters to me whether I'm a gentleman or not?
00:49:25If I were a gentleman,
00:49:26you don't suppose I'd care for a cheap, vulgar little...
00:49:28I'm sorry, Philip.
00:49:33I didn't want to end this way.
00:49:39Harry's waiting for me.
00:49:40What do you intend to do?
00:49:43We're going to Paris.
00:49:47Get out.
00:49:48Get out!
00:49:49Get out!
00:49:53Get out.
00:49:54Get out.
00:49:54Get out.
00:49:55Let's go.
00:50:25I've moved three times, and each time this woman's hounded me down. I don't like to do this, but...
00:50:48All right, sir, I'll move on. Come on, Green Lady. You can't stay here. Come on now.
00:50:55Look here, Carrie. Mildred and I are all washed up.
00:51:22That's too bad.
00:51:26If you'll excuse me, I'm due in the ward.
00:51:27Anything interesting, Carrie? I was just thinking what an unusual name you have.
00:51:34It's a very old Yorkshire name. Once took a day's riding across our estate. And here I am in a charity hospital.
00:51:41Because my father loved fast women and slow horses. How the mighty are fallen!
00:51:48Hello!
00:51:55Hello!
00:51:56Hello, Father.
00:51:57Carrie, this is my daughter, christened Maria Del Sol. Her mother always calls her Sally.
00:52:03This young man is a student here. He's been very nice to me. And with some inducement, he might be nice to you.
00:52:10Now, Father? Father? Father's genius is saying the wrong thing. He thinks it's fun to embarrass me.
00:52:17It is! Why don't you try it sometime, Carrie?
00:52:19I will, if I get the chance. You shall have it.
00:52:22You're coming to see us on the first Sunday, I'm home.
00:52:24Oh, yes, please do.
00:52:29Oh, yes, please do.
00:52:30Oh, yes, please do.
00:52:31Why don't you try it sometime, Carrie.
00:52:33I will, if I get the chance.
00:52:34You shall have it. You're coming to see us the first Sunday I'm home.
00:52:40Oh, yes, please do.
00:52:42Hi!
00:52:43Hi, my mother.
00:52:45Now.
00:52:47How are you?
00:52:48What a quaint house.
00:53:15Yes, it is, but it's not very sanitary.
00:53:17Sanitation be hanged, give me art.
00:53:19I've got nine children and they thrive on bad dreams.
00:53:23Look at that now.
00:53:25I am, with great admiration.
00:53:31Shall I bring the ale, Father?
00:53:32Right, Miguel, the sooner the better.
00:53:36I hope you didn't have the table in here on my account.
00:53:38I'd have been quite happy to have had dinner with Mrs. Athelneer and the children.
00:53:42Oh, no. I always take meals by myself.
00:53:44I like these antique customs.
00:53:47I don't think women ought to sit down at table with men.
00:53:50Oh, don't you? Why not?
00:53:51It ruins conversation.
00:53:55I'm sure it's very bad for them.
00:53:56It puts ideas in their heads.
00:53:58And women are never at ease with themselves when they have ideas.
00:54:01You sound like the voice of old England.
00:54:03I am, sir.
00:54:04And it's this fine old Yorkshire pudding that gives me strength to carry on.
00:54:10Now, stop getting up and down like a jumping jack every time she comes into the room.
00:54:13She doesn't want you to make a fuss about her, do you, Sally?
00:54:16And she won't get rude if you sit still while she waits on you.
00:54:20She don't care to hang for chivalry, do you, Sally?
00:54:23No, Father.
00:54:24You speak quietly while I hear the young man so boldly.
00:54:31Yes, Father.
00:54:33Do you know what I'm talking about, Sally?
00:54:36How could I, darling?
00:54:37You're so clever.
00:54:39Don't stand by my chair in order to make eyes at him.
00:54:43Better get Phillip some more ale.
00:54:45My word.
00:54:57Is there anything better than English ale?
00:55:00Let us thank God for simple pleasures.
00:55:03A good appetite, roast beef and beer.
00:55:07I was married to a lady once.
00:55:11Good heavens.
00:55:13Never marry a lady, my lord.
00:55:15Oh, really? Why?
00:55:16Because a lady has a point of view, a personality and an individuality.
00:55:21All to devil you with.
00:55:23Hang it all you want a waifu and cook your dinner and look after your children.
00:55:27Don't you think so, Sally?
00:55:29Father, I think you'd talk the hind leg off a donkey.
00:55:32Well, it's clean fun.
00:55:33Now, Sally, wait it on me, I'll wait on you.
00:55:35Take my chair here.
00:55:37While I fetch you and the young man some cheese.
00:55:39Thank you, Father.
00:55:40Well, what do you think of us?
00:55:45You don't know what this means to me.
00:55:47You see, I've practically never had any family.
00:55:49This is almost the only place I've ever known that's had the quality of...
00:55:53of home.
00:55:57Well, thank you, Father.
00:55:58It's no use moaning over her, Carrie.
00:56:08Sally never kisses a gentleman until he's been here twice.
00:56:15You must ask me again sometime.
00:56:18Do it yourself.
00:56:20Why don't you come next Sunday?
00:56:21Why don't you come next Sunday?
00:56:22Why don't you come next Sunday?
00:56:51You must be a friend.
00:56:52How can I come next Sunday?
00:56:53You've been a friend, Ray.
00:56:54Well, you're a very young man.
00:56:55I was young, Sally.
00:56:56Well, I've never met one of his friends.
00:56:57I've never met him, you know?
00:56:58I'm a fool.
00:56:59I know.
00:57:01Not really, Mallory.
00:57:02Well, I have never met him in a hurry.
00:57:03But not even in some sense.
00:57:04I have never met him as a mother, who can marry you.
00:57:06All right.
00:57:07I shall never met him.
00:57:08And even in a house.
00:57:09I have never met him before you...
00:57:10He's a fool.
00:57:11We have never met him before you.
00:57:12May I walk the station with you?
00:57:13No.
00:57:14Why not?
00:57:15It's too late, and you're a child.
00:57:17I'm 20.
00:57:18Let's talk it over when you're 30.
00:57:37Did you hear what I said, old man?
00:57:39Yes, I heard.
00:57:41Sorry if I brought up a painful subject,
00:57:44only I thought you'd be interested to hear about Mildred.
00:57:47Sorry she's had such a bad time.
00:57:49I gave her all I could, but you know me, always stony broke.
00:57:54I thought perhaps you'd want to...
00:57:56I can't do anything.
00:57:57Got another cigarette?
00:58:01I don't blame you.
00:58:02I wouldn't have told you, only she asked me to give you her address.
00:58:07Gave me a bit of a jolt, I can tell you,
00:58:09of seeing her lugging that baby around and asking for something to eat.
00:58:12She has the baby with her?
00:58:14Yes.
00:58:16It's not difficult to imagine her next step.
00:58:39It's traumatic.
00:58:41Let's...
00:58:42You could.
00:58:43I can have a baby, too.
00:58:44You could...
00:58:45I can have a baby...
00:58:46You could.
00:58:47You could.
00:58:48You could.
00:58:49You could.
00:58:50I could.
00:58:51Maybe...
00:58:52Maybe...
00:58:53I could.
00:58:54I could.
00:58:55You could.
00:58:56I can.
00:58:57You could.
00:58:58Or...
00:58:59You could.
00:59:00Baby, all right?
00:59:12I'm very grateful to you, Philip.
00:59:15If I could afford it, I'd have given you a place of your own.
00:59:18As it is, you're welcome to my room.
00:59:22I don't know what will become of me and...
00:59:25and baby.
00:59:26You ain't taken us in.
00:59:28Oh, you'd have got on, I expect.
00:59:31You've always been much nicer to me than I deserved.
00:59:35I'm beginning to realise how silly I've been.
00:59:38Well, you couldn't help how you felt.
00:59:40Let's not talk about it, shall we?
00:59:44I don't feel like that now.
00:59:47Okay, Mildred.
00:59:49Let's have no misunderstanding about this.
00:59:51The reason you're here is because...
00:59:53I know.
00:59:55Because you once liked me enough to want to marry me.
00:59:57I don't want to marry you.
01:00:01Yes.
01:00:02Well, at least I can cook for you and keep your flat clean.
01:00:11Maybe someday you'll...
01:00:12you'll feel better about me and...
01:00:15things will be like they used to be.
01:00:17you'll feel better.
01:00:22Oh, thanks.
01:00:23I'll smoke it later.
01:00:28Well...
01:00:30good night.
01:00:34Good night.
01:00:36All right.
01:01:06The landlubbie came upstairs a little while ago, she said, Mrs. Carey, she said, how can
01:01:35you stand it?
01:01:37Well, what's the matter with them?
01:01:40They're indecent.
01:01:41Disgusting, I call it, to have drawings of naked people about.
01:01:45If you want to know what I think, I've half a mind to take them down myself.
01:01:50You do nothing of the kind.
01:01:55I love those pictures, Mildred.
01:01:58I love them for what they were meant to be.
01:02:02What happened to it?
01:02:09Hmm?
01:02:10What?
01:02:11The way you used to love me.
01:02:15Oh, I don't know.
01:02:17What happened to it?
01:02:19Hmm?
01:02:20What?
01:02:21The way you used to love me.
01:02:23Oh, I don't know.
01:02:24I was disappointed so often and hurt so much.
01:02:28Sorry, what difference does it make, anyway?
01:02:30Nothing, only remember how you got when I was so cold to you?
01:02:35You're getting me that way.
01:02:36You're so cold to me.
01:02:37No one else, is there?
01:02:42No one else, is there?
01:02:51No one else, is there?
01:02:54THE END
01:03:24He's not in love with anybody
01:03:54Where were you?
01:04:19Antelny's
01:04:21What are you doing up?
01:04:24I couldn't sleep
01:04:26Hadn't you better put on something warmer?
01:04:32Oh, I'll be alright
01:04:35Just let me stay here
01:04:40Phil
01:04:47Phil, I love you so
01:04:50Oh, nonsense
01:04:51Tisn't
01:04:52I can't live without you
01:04:54Please get up
01:04:56You're making a fool of yourself and a fool of me
01:04:58Oh, Phil, please
01:05:00I can't go on like this
01:05:16Nonsense, you haven't anywhere to go
01:05:20Stay here as long as you like
01:05:22But with the definite understanding that
01:05:34You disgust me
01:05:36Me?
01:05:40I disgust you
01:05:44You
01:05:46You
01:05:47You
01:05:48You're too fine
01:05:49You won't have none of me
01:05:51But you'll sit here all night looking at your naked females
01:05:54Mildred
01:05:55You
01:05:56You
01:05:57Dirty swine
01:05:58I never cared for you not once
01:06:00I was always making a fool of you
01:06:02You bored me stiff
01:06:03I hated you
01:06:04It made me sick when I had to let you kiss me
01:06:07I only did it because you begged me
01:06:09You hounded me
01:06:10You drove me crazy
01:06:11And after you kissed me
01:06:13I always used to wipe my mouth
01:06:15Wipe my mouth
01:06:16Wipe my mouth
01:06:17But I made up for it
01:06:18For every kiss I had a laugh
01:06:20We laughed at you
01:06:21Miller and me
01:06:22And Griffiths and me
01:06:23We laughed at you
01:06:24Because you were such a mug
01:06:26A mug
01:06:27A mug
01:06:29You know what you are
01:06:30You gippy-lake monster
01:06:32You're a cripple
01:06:33A cripple
01:06:34A cripple
01:06:35You love these things
01:06:43You love what they were meant to be
01:06:45Well, here's
01:06:48What they were meant to be
01:06:50What they were meant to be
01:07:05You want to be a doctor?
01:07:08You want to be a doctor?
01:07:36This will take you through medical school
01:07:58You're leaving?
01:07:59Why?
01:08:01My money's gone
01:08:02What do you intend to do?
01:08:04Oh
01:08:06Anything?
01:08:10Before you go out into the world
01:08:11Don't you think we ought to try
01:08:12And do something about that foot?
01:08:15Think it'll do any good?
01:08:17I'll know better tomorrow
01:08:24How are you, Philip?
01:08:25I'm all right, Sally
01:08:26How's the foot?
01:08:28Well
01:08:30Let's try, shall we?
01:08:31All right
01:08:34Careful now
01:08:35Careful now
01:08:36Careful now
01:09:04No open
01:09:07Sorry, nothing today
01:09:09All situations filled
01:09:10Nothing today
01:09:11No experience?
01:09:12How do you?
01:09:13Nothing today
01:09:14All situations filled
01:09:15Sorry, no vacancy
01:09:16Nothing today
01:09:17No opening
01:09:19No opening.
01:09:20Sorry.
01:09:21Nothing today.
01:09:22All situations filled.
01:09:23Nothing today.
01:09:25No experience?
01:09:26How until you?
01:09:27Nothing today.
01:09:28All situations filled.
01:09:29Sorry, no vacancy.
01:09:30Nothing today.
01:09:31No opening.
01:09:32Nothing.
01:09:33Nothing.
01:09:34Nothing.
01:09:35Nothing.
01:09:36Nothing.
01:09:37Nothing.
01:09:38Nothing.
01:09:48Nothing.
01:09:49Nothing.
01:09:50Nothing.
01:09:51Nothing.
01:09:52Nothing.
01:09:53Nothing.
01:09:54Anything.
01:09:56Nothing.
01:09:57It's great.
01:09:58It's great.
01:09:59No.
01:10:00Nothing.
01:10:01Anything.
01:10:02No.
01:10:03I'm a little baby.
01:10:05But I am looking for the eye from natural importance for my dreamotape.
01:10:09Who you are?
01:10:10Hear the door of my dream, fairy song?
01:10:12If ye come.
01:10:15You ask me.
01:10:17Why haven't you been to see us?
01:10:30Why, I don't know. I've had things to do.
01:10:33Well, you've been putting on weight.
01:10:37I'm sure you haven't.
01:10:39Why do you say that?
01:10:40The way you look.
01:10:42Oh, that's only my look.
01:10:44I'm afraid it's more than that.
01:10:46I sent you a note last Sunday, and when you didn't answer,
01:10:48I went round to your room.
01:10:50Your landlady said she had to put you out.
01:10:56Hello, Philip.
01:11:08My dear fellow, by prearranged signal,
01:11:10my daughter just communicated to me
01:11:13confirmation of our suspicions.
01:11:16As you know, I've been on the beach most of my life.
01:11:18In fact, in Tahiti, I was president of the Beachcombers Union.
01:11:22And as such, I'd like to inquire into your amateur standing.
01:11:26Where have you been staying?
01:11:28Oh, anywhere.
01:11:30Why didn't you come here?
01:11:32False modesty, I suppose.
01:11:34Now, stop being an Englishman.
01:11:36When a man's on his opposite time, he came down to earth.
01:11:39We want you here with us.
01:11:41Well, I...
01:11:45Thanks very much, but I...
01:11:46Don't talk trash.
01:11:47You've got to stay here until you get your bearings.
01:11:49And I want no more fine talk about it.
01:11:51It's all arranged.
01:11:56Well...
01:11:59Well, here goes my amateur standing.
01:12:01I...
01:12:03I really have no place to go.
01:12:05It's awfully good of you.
01:12:06Nonsense.
01:12:07As you know, the house is completely unsanitary.
01:12:10You'll probably wind up with some foul disease.
01:12:12Now, let him alone, Father.
01:12:14I want to talk to him.
01:12:15Well, I suppose youth must be served,
01:12:17but I must say I'm sick and tired of serving it.
01:12:19Nine of them.
01:12:21Will that do?
01:12:22Looks as if it might.
01:12:33Wouldn't be a very nice night to be out.
01:12:35Not very, no.
01:12:37It's going to be jolly having you here.
01:12:39I hope I shan't have to stay very long.
01:12:41You do? Why?
01:12:42I can't go on like this, you know.
01:12:44I need a job.
01:12:46That's right, Father, and I discussed that.
01:12:48There isn't much you've overlooked.
01:12:50I have to sew that on, too.
01:12:53And Father has a job for you.
01:12:54Has he where?
01:12:55Where he works.
01:12:56Where he works.
01:13:20I've got a gracias prayer to be Tuesday,
01:13:26there's some time to work here.
01:13:27And here's my daughter near my Todos.
01:13:29There is a lot of places above the Lord.
01:13:31And for a while, I still have only one.
01:13:33And while one else to Whμ³€Π°Π»Π° has her to sit down,
01:13:34you know?
01:13:35Do you know?
01:13:36I need to do another thing,
01:13:37and forgive us for now.
01:13:38All these things,
01:13:39why does the Lord have the way,
01:13:40or be good or me.
01:13:41Oh, for sure.
01:13:42Everybody wants the thing.
01:13:43I need to go away.
01:13:44I need to go ahead and think for life.
01:13:45Well, I was a holy man.
01:13:46You walk all right now.
01:13:56I saw you in the window.
01:14:01Well, I never thought you'd come to that.
01:14:07You're very hoarse.
01:14:09Roadsaw?
01:14:12You haven't forgotten your doctorate, have you?
01:14:15No.
01:14:17Because that's what I want to see you about.
01:14:22And not go to a doctor.
01:14:28Well, there's the free hospital.
01:14:30And have all them students staring at me.
01:14:36What seems to be the trouble?
01:14:38Well, I cough all the time.
01:14:42Let's have a look at your throat.
01:14:44Phil.
01:14:53Phil, it's not my lungs, is it?
01:15:23Where's the baby?
01:15:36She died, last summer.
01:15:42You might say you're sorry.
01:15:45I'm not, I'm very glad.
01:15:53I'm afraid I can't help you much.
01:16:03Don't leave me, Philip.
01:16:05I know I've treated you shocking, but don't leave me.
01:16:08Not yet, please.
01:16:10There's no one I can go to.
01:16:12You're the only one who ever treated me like I was human.
01:16:15You're a gentleman, Philip.
01:16:17The only one I've ever met.
01:16:26Some things you need.
01:16:29See you.
01:16:39Don't hang out.
01:16:43THE END
01:17:13Our last day
01:17:19My Sally
01:17:24Darling
01:17:26I was so determined not to let you see
01:17:31Well that's sweet of you
01:17:33To care because I'm going away
01:17:35I suppose I'm a fool to care
01:17:39But it doesn't mean you have to do anything about it
01:17:43You can't help it just because someone loves you
01:17:47And you don't love back
01:17:48Sally look at me
01:17:51Darling
01:17:55Do you think you'll always feel like this about me?
01:17:59Yes
01:17:59I've known it since the first time you came to our house
01:18:04I thought at first that
01:18:08That I meant something to you too
01:18:11Oh but you did
01:18:12You do
01:18:13When I come back
01:18:17If you still feel the same
01:18:19Will you marry me darling?
01:18:26Don't you mean if you still feel the same?
01:18:28Well this is what you might call the irony of faith
01:18:52Come on now be quick
01:18:54Get her out of here
01:18:55I don't want the likes of her on me hand
01:18:59I understand there's an interesting case
01:19:08Look here old man
01:19:09Don't go in there
01:19:10Why not?
01:19:13If you please
01:19:14It's no use
01:19:15Oh Philip
01:19:44I'm sorry I'm late
01:19:45You're not
01:19:47I'm not going
01:19:48What's that?
01:19:59My wedding present
01:20:01To my wife
01:20:02When do you intend to marry me?
01:20:08Right away
01:20:09Thank you Philip
01:20:11I beg your pardon
01:20:13You don't seem very pleased
01:20:17Well I am and I'm not
01:20:19Why?
01:20:21I'm afraid it's only a noble gesture
01:20:23That's not enough for marriage
01:20:25No no Sally
01:20:25It isn't just that
01:20:26Philip I like you far too much
01:20:29To ever stand in your way
01:20:31Philip you're free
01:20:48Philip, you're free.
01:20:50Yes, but suddenly, suddenly there's nowhere to go.
01:20:54Taxi, sir.
01:20:56No, thank you.
01:20:58I had to be free to realize that.
01:21:00I had to be free to understand that
01:21:02all those years that I dreamed of escaping,
01:21:04it was because I was limping through life.
01:21:06Taxi, sir.
01:21:08No, thank you.
01:21:10I had to be free to understand that
01:21:12all those years that I dreamed of escaping,
01:21:14it was because I was limping through life.
01:21:16Taxi, sir.
01:21:20And because I was bound up with a person
01:21:22who was incredible to me.
01:21:24That's all over.
01:21:26I'm not limping anymore.
01:21:28My life's all right.
01:21:30Then why don't you go?
01:21:34Because everything that's beautiful to me
01:21:36is right here.
01:21:38Won't you please marry me, Sally?
01:21:42If you like.
01:21:44But don't you want to?
01:21:46There's no one else I'd marry.
01:21:48How about a taxi, sir?
01:21:50What?
01:21:52How about a taxi?
01:21:54Yes.
01:21:56How about a taxi?
01:21:58Yes.
Comments