- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30The traffic of Napoli.
00:01:32The most red.
00:01:33The most red.
00:01:34The most red.
00:01:35The most red.
00:01:36The most red.
00:01:37The first place.
00:01:43Shit.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51A paese?
00:01:53No.
00:01:54A paese.
00:01:55Somewhere.
00:01:56Maybe it's in my car.
00:02:00You can just give her a minute?
00:02:09See?
00:02:11What do you think?
00:02:12She's lost, for past.
00:02:14There's nothing else.
00:02:15We didn't shoot very close with my 다시.
00:02:18There's nothing else.
00:02:20You just give her a minute?
00:02:21She was sitting down here!
00:02:22Let's see if there's nothing else.
00:02:23That's okay, don't hit her.
00:02:26Just don't do anything.
00:02:27Christy!
00:02:30Where did you have it last?
00:02:34The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie, I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:52This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:28It's nice.
00:03:42Yes, I have a credit card.
00:03:46Numbers on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:18Yes, I'll hold.
00:04:22You love how they ask, as if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17She sounds very supportive.
00:05:22You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jen, can I...
00:06:51Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:06:57I love you.
00:07:13I love you too.
00:07:27Do you feel alright?
00:07:28Do you feel okay?
00:07:29Yeah.
00:07:30Are you sure?
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Do you feel alright?
00:07:34Do you feel okay?
00:07:35Yeah.
00:07:36Are you sure?
00:07:37Mm-hmm.
00:07:38Do you feel okay?
00:07:39Yeah.
00:07:40Do you feel okay?
00:07:41Do you feel okay?
00:07:42Mm-hmm.
00:07:47Mm-hmm.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56There he is.
00:10:26my book. What kind of stories? Stories that you've prepared. Or I can ask them a list of stories that
00:10:33Dad told me about. Go ahead and ask from your father's list. God rest his soul. Let's start
00:10:38with the war. We went into an air raid shelter. My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb and the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair. He was all alone. That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England, miles from Germany, from Russia, from Italy,
00:11:13from any front lines. And this man, he had blood in his hair.
00:11:22Good night.
00:11:46We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:10Feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:16Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:42Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:24Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Grazie.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah? Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes! That's great, that's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America. Come on.
00:14:05Maine.
00:14:06No, shit, I'm from Massachusetts.
00:14:08That's crazy, that's weird, right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry, I thought you were saying you were on vacation.
00:14:22Me? No.
00:14:24So, come on.
00:14:28My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes, very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:58Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:17I can't help it.
00:15:19I've got this weird, autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You knew we went?
00:15:34No.
00:15:35Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:51Fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:05If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:39They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48Can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:04All those people crammed onto this rock.
00:17:07I hate the bill.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic population of dolphins and whales in the Gulf of Naples.
00:17:33i can't tell if you're joking i'm dead fucking serious
00:17:38no i just didn't want to go to college and they paid for me to come over for connecting
00:17:44flights a 72-hour plane ride but you know it was it was worth it my first time out of the u.s
00:17:48how old are you i'm 19 it's my birthday today is it really uh-huh happy birthday thank you very
00:17:55much yeah so i left the program after like a month fuck the relic dolphins
00:18:01just stayed on the island because i have this this awesome living situation i'll tell you the
00:18:06short version basically i used to have ancestors in ischia so when i come over i facebook this
00:18:11second cousin twice removed the second cousin twice removed in case you didn't know is when
00:18:15one person's great-grandparent is another person's great great great grandparent i'd love to hear
00:18:19the long version sorry anyway so this relative gave me the name of this great uncle who lives
00:18:24on the island so i show up he answers the door and he's like the oldest fucker i've ever seen
00:18:30easily pushing 100 100 yeah if not older he's like deaf and blind and about four feet tall he
00:18:37mumbles a couple of things to me in some crazy dialect ushers me inside pours me a glass of wine
00:18:42something that leads me to this basement apartment and uh yeah i never left
00:18:49oh
00:18:51oh
00:18:52oh
00:18:53oh
00:18:54oh
00:18:55oh
00:18:56oh
00:18:57oh
00:18:58oh
00:18:59oh
00:19:00oh
00:19:01oh
00:19:03oh
00:19:04oh
00:19:05oh
00:19:06oh
00:19:07oh
00:19:08oh
00:19:09oh
00:19:10oh
00:19:11oh
00:19:12oh
00:19:38oh
00:19:39I feed on flames and tears.
00:19:44Turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees
00:19:52his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Vittoria Colonna.
00:20:02Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning,
00:20:07didn't you, Jane?
00:20:08Sneaky.
00:20:11Yeah, I've decided to learn Italian
00:20:12by committing to memory all the sonnets
00:20:14she wrote to Michelangelo in English and Italian.
00:20:18Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs
00:20:23of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36De lacrime a de faco nutria l'alma.
00:20:44Con secca speme reinvedia la voglia.
00:20:50Lega de nuovo il cor quando de scioglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:20:59I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:13All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please?
00:21:28Red.
00:21:28White?
00:21:28Red.
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:32Yeah.
00:21:32So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no, I love to listen.
00:22:18I love to listen.
00:22:33Well, it's hangled up.
00:22:35I don't love.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy and the only problems.
00:22:54We all have our own private wars every era, but it was nothing like.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:23The sort of thing we should always do before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:45I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected
00:25:04by this red string to be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder,
00:25:28rambling on about how I'm about to embark on this amazing adventure and how I'm going to
00:25:34show World War II from a totally different perspective.
00:25:37But I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Oh, piano.
00:26:08Grazie.
00:26:09That's it.
00:26:13Make a wish.
00:26:14Oh, yeah.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Bravo.
00:26:27Hey.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:37What do you mean I'm going to go?
00:26:38What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:39Come on.
00:26:40Go.
00:26:40Go.
00:26:41Go.
00:26:41Go.
00:26:42Go.
00:26:42Go.
00:26:43Go.
00:26:43Go.
00:26:44Go.
00:26:44Go.
00:26:45Go.
00:26:45Go.
00:26:46Go.
00:26:46Go.
00:26:47Go.
00:26:47Go.
00:26:48Go.
00:26:48Go.
00:26:49Go.
00:26:49Go.
00:26:50Go.
00:26:50Go.
00:26:51Go.
00:26:51Go.
00:26:52Go.
00:26:52Go.
00:26:53Hey.
00:26:53Hey.
00:26:54Hey.
00:26:54Hey.
00:26:55Hey.
00:26:55It's the carabinerary.
00:26:56Hey.
00:26:57It's the police.
00:26:57No.
00:26:58Hey.
00:26:58Hey.
00:26:59Yeah.
00:26:59Yeah.
00:27:00Oh, God.
00:27:00Yeah.
00:27:01Yeah.
00:27:01No.
00:27:02Hey.
00:27:03Hey.
00:27:03We can't go back! We can't go back!
00:27:05We can't go back! We can't go back!
00:27:07We can't go back!
00:27:09We can't pay! We haven't got any money!
00:27:11Oh God!
00:27:13Oh God!
00:27:15Oh God!
00:27:17Oh God!
00:27:23Hey, hey.
00:27:25Hey.
00:27:27It'd make you feel better if I should've said that one day up.
00:27:29Yes, it's true.
00:27:31Is it true?
00:27:33Is it true?
00:27:35I made the check when I went to the bathroom.
00:27:39You're horrible.
00:27:41You're horrible.
00:27:43You're really horrible.
00:27:45Come on, let's go.
00:27:47Quick.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:02open up my nose!
00:28:05Can we come back?
00:28:09Maybe.
00:28:13It went up my nose.
00:28:20Do we come back?
00:28:22Maybe.
00:28:25Maybe is not a no.
00:28:28And since I don't have a phone,
00:28:30you're gonna have to give me your number.
00:28:33For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:43I've got to go catch a fairy.
00:28:57Hey.
00:29:02Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:19So they can park in handicapped spots.
00:29:23Happy birthday.
00:29:35I'm sure there are so many people around them.
00:29:39That's all I'm sorry.
00:29:45Do you have a weapon?
00:29:47I think that's why I have the power.
00:29:49You can't have to sit down with them.
00:29:50I'm sure you'll leave you, don't you?
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:28Jane.
00:31:29Tony.
00:31:30Got some pastries.
00:31:33You're still asleep?
00:31:34Jane.
00:31:35Tony.
00:31:36Got some pastries.
00:31:40You're still asleep?
00:31:41Jane.
00:31:42Jane.
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47I didn't want to leave my mum and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open
00:32:57and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:15You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake,
00:33:46which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were.
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:12You have a chance of a wreck.
00:34:14I know, right?
00:34:19I'm actually going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:34Can I have the check, please?
00:34:37In a cafe, play for play?
00:34:38Oh, no, thank you.
00:34:44Okay.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:02Okay?
00:35:02Grazie.
00:35:03Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk expat.
00:35:27They had, like, a private chef and everything.
00:35:29And, uh, they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:55Go on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:24You didn't just make that up.
00:36:27I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah, I'm going to get back to work.
00:36:50Hmm.
00:37:00So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:56I need Regina.
00:38:06And thanks again for yesterday.
00:38:08Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13All right.
00:38:21How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:25So, you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:44I'll be waiting.
00:38:45I'll be waiting.
00:38:45I'll be waiting.
00:38:46I'll be waiting.
00:38:47I'll be waiting.
00:38:47I'll be waiting.
00:38:47I'll be waiting.
00:38:48I'll be waiting.
00:38:48I'll be waiting.
00:38:49I'll be waiting.
00:38:49I'll be waiting.
00:38:49I'll be waiting.
00:38:49I'll be waiting.
00:38:50I'll be waiting.
00:38:50I'll be waiting.
00:38:51I'll be waiting.
00:38:51I'll be waiting.
00:38:51I'll be waiting.
00:38:52I'll be waiting.
00:38:52I'll be waiting.
00:38:53I'll be waiting.
00:38:53I'll be waiting.
00:38:53I'll be waiting.
00:38:54I'll be waiting.
00:38:54I'll be waiting.
00:38:55I'll be waiting.
00:38:56I'll be waiting.
00:38:57I'll be waiting.
00:38:58I'll be waiting.
00:38:59I'll be waiting.
00:39:00Hey.
00:39:02God, you scared me.
00:39:04Are you following me?
00:39:06Maybe.
00:39:08Is that weird?
00:39:10Yeah.
00:39:12Whoa.
00:39:14Whoa.
00:39:16Whoa.
00:39:18Whoa.
00:39:20Whoa.
00:39:22Whoa.
00:39:24Whoa.
00:39:26Whoa.
00:39:28Whoa.
00:39:30I couldn't sleep last night.
00:39:36You told me you were staying near the port so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:42And I can't believe I found you.
00:40:00What are we doing?
00:40:02What are we doing?
00:40:16I think we're making it out.
00:40:18So sexy.
00:40:20And beautiful.
00:40:22And beautiful.
00:40:24And beautiful.
00:40:28And beautiful.
00:40:30And beautiful.
00:40:34And beautiful.
00:40:36And beautiful.
00:40:40And beautiful.
00:40:44I can't do this.
00:40:46I can't do this.
00:41:09What?
00:41:10Why?
00:41:11I can't do this.
00:41:12Why?
00:41:16Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:34Don't follow me.
00:41:44What should you use?
00:41:48How do I know?
00:42:53He's dated moustaches.
00:42:55And he was shipped off.
00:42:59I never saw him again.
00:43:04Anyways I met your grandfather not long after, and we got married.
00:43:09Love at first sight with grandpa.
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:30Can I just move for your husband?
00:43:32Mm-hmm.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:39I'll have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:47Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50Lots of dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:57OK.
00:43:58I'm sorry.
00:44:09Let's see.
00:44:24Oh, my God.
00:44:54Leonard, can we talk?
00:45:24Say cheese.
00:45:32You should kind of be in the middle.
00:45:36Hold on a second.
00:45:48That's what our living room is missing.
00:45:54What did you do?
00:45:56Put my hand over my mouth.
00:45:58You did?
00:46:00What did you do?
00:46:02Just wave.
00:46:06What did you do?
00:46:10Put my hand over my mouth.
00:46:12What did you do?
00:46:14Just wave.
00:46:16I'm so moved.
00:46:18I'm so wet!
00:46:20I'm so wet!
00:46:22I'm so wet!
00:46:24I'm so wet!
00:46:26You're wet!
00:46:28I'm so wet!
00:46:30Oh, my God.
00:47:00ORCHESTRA PLAYS
00:47:30ORCHESTRA PLAYS
00:48:00ORCHESTRA PLAYS
00:48:30ORCHESTRA PLAYS
00:49:00ORCHESTRA PLAYS
00:49:02ORCHESTRA PLAYS
00:49:06ORCHESTRA PLAYS
00:49:08ORCHESTRA PLAYS
00:49:10Yeah, will you put my pants on?
00:49:15Okay.
00:49:40Yeah, will you?
00:50:10Yeah, will you?
00:50:40Yeah, will you?
00:51:10Yeah, will you?
00:51:40Yeah, will you?
00:52:10Yeah, will you?
00:52:40Yeah, will you?
00:52:48Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:53Were you?
00:52:57They were delicious.
00:52:59You make me feel nervous.
00:53:07You make me feel calm.
00:53:09You make me feel calm.
00:53:19You make me feel calm.
00:53:29You make me feel calm.
00:53:37You make me feel calm.
00:53:39You make me feel calm.
00:53:41Do you want a drink?
00:54:10Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:41Yeah, I just shuffled around all night.
00:54:43Yeah, I just shuffled around all night.
00:54:47Yeah, I just shuffled around all night.
00:55:23Again and again and again
00:55:30Again and again and again
00:55:34Once I was single, my pocket is itching
00:55:39Girl, I wish I was single again
00:55:43Again and again and again
00:55:47Again and again and again
00:55:51Once I was single, my pocket is itching
00:55:56Girl, I wish I was single again
00:55:59I didn't sleep at all last night. Where have you been?
00:56:16Just walking
00:56:18All night
00:56:20I've been thinking
00:56:22You left your phone here. I had to plug it in
00:56:26We need to talk, Leonard
00:56:28I have to go to work
00:56:33Can you be late?
00:56:34No, I can't be late
00:56:38Leonard...
00:56:39Jay, whatever you have to say to me
00:56:42I want to hear it
00:56:43I've committed myself
00:56:45People are depending on me
00:56:47I have to go to work
00:56:51Okay
00:56:53You can be late
00:56:58I can't say
00:56:59No
00:57:00No
00:57:01I can't wait
00:57:02You can't wait
00:57:03You can't wait
00:57:04You can't wait
00:57:05Maybe
00:57:06They can't wait
00:57:07But
00:57:08They're not like
00:57:09If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:39I'm going to make some tea. Do you want some?
00:57:52I'm alright.
00:57:59If you go out like that again, just tell me. I worry.
00:58:05Okay.
00:58:06I can't seem to figure out what's going on in your head.
00:58:24Do you think everything we've been through actually does us any good?
00:58:28In the long run?
00:58:35Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:07One little thing had changed in my grandmother's life, I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:42With the book?
00:59:45No, with my life.
00:59:50This is it, you know.
00:59:56It ends with me.
00:59:59In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:20The horses back then, they were kept beautifully.
01:00:32Dad used to dress them all up, brass things and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:46There was one.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:01:00They were lovely days really.
01:01:08They're gone, for me.
01:01:10Jane.
01:01:11Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:15You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:28You've got to make your own life.
01:01:32One that you love, and you can't be afraid of the time.
01:01:38Time is shiftable.
01:01:39Time is shiftable.
01:01:51There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:56You'll know the truth when you find it.
01:01:58It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:08You're right.
01:02:09You're right.
01:02:10You're okay?
01:02:11Yeah.
01:02:12I've stoned my toe.
01:02:14Where is it?
01:02:20Are you all right?
01:02:22Are you okay?
01:02:24Yeah, it's on my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:30It's fine, it's fine, it's fine.
01:02:32Are you losing it?
01:02:34Yes.
01:02:36Fuck.
01:02:44I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:14I want you to come with my Tage St.
01:03:24and Heritage's head is the age of 700.
01:03:26Yeah, it's great.
01:03:32Bye.
01:03:34All right.
01:03:36Bye.
01:03:38We're gonna die.
01:03:40Hello.
01:03:42Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back.
01:04:11It's a long day.
01:04:14God, when are they not?
01:04:18I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32That's fantastic.
01:04:35I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:45You found the key to finishing this project?
01:04:48I don't know.
01:04:57But the water here tastes so funny.
01:05:03Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:07Can we not?
01:05:09Have you?
01:05:16Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:28Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:51Is there anything you want to ask me?
01:05:53Why? Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:03I love you.
01:06:14I get it, Leonard.
01:06:16I get it.
01:06:18It's always been this big, serious, grave thing for us.
01:06:21Sex has consequences.
01:06:22Life and death.
01:06:23Mostly death.
01:06:24Jane, please.
01:06:25Let me guess.
01:06:26You don't want to talk about it?
01:06:27No.
01:06:28That's not what I'm saying.
01:06:29You're just...
01:06:30Do you want to have children, Leonard?
01:06:31Did.
01:06:32Not did.
01:06:33Do you want to have children?
01:06:36So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:43Say it.
01:06:45I can't have children, Leonard.
01:06:49I never will.
01:06:51And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:59How does that make you feel?
01:07:01It's not your father.
01:07:02How does it make you feel, Leonard?
01:07:03How does it make you feel?
01:07:04You will never be a father.
01:07:05We can adopt.
01:07:06That's not what you want.
01:07:07Is it?
01:07:08Is that what you want?
01:07:09Because I think about it all the time.
01:07:10That the one thing you always wanted, I will never be able to give you.
01:07:11You will never be a father.
01:07:12You will never be a father.
01:07:13You will never be a father.
01:07:14You will never be a father.
01:07:15You will never be a father.
01:07:16We can adopt.
01:07:17That's not what you want.
01:07:18Is it?
01:07:19Is that what you want?
01:07:20Hmm?
01:07:21What are you trying to do, Jane?
01:07:22I just want to know that there's a reason for it all.
01:07:23What are you trying to do, Jane?
01:07:24I just want to know that there's a reason for it all.
01:07:28You're not curious about me, Jane.
01:07:29Is that what you want?
01:07:31You're not curious about me.
01:07:33What are you trying to do, Jane?
01:07:34No.
01:07:35What are you trying to do, Jane?
01:07:37I just want to know that there's a reason for it all.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard
01:07:58Not really
01:08:00What do you want me to know?
01:08:02You shouldn't have to ask
01:08:03I feel as if you want me to be someone I'm not
01:08:08Someone that I've never been
01:08:14I'm leaving you
01:08:15I've been seeing someone else
01:08:19Caleb
01:08:27That kid
01:08:29Yes
01:08:29That kid, that child, that kid you've known for two days
01:08:34It's been longer than that
01:08:34Please tell me you're joking
01:08:36Time is shiftable
01:08:39I don't get it
01:08:39Leonard
01:08:40I don't get it
01:08:42He's asked me to travel with him
01:08:43Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it
01:08:57To smell it
01:08:58To sense it
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry
01:09:24For what?
01:09:27I'm sorry
01:09:28For what?
01:09:28I shouldn't have done that
01:09:29No
01:09:29For losing my temper
01:09:31I shouldn't have done that
01:09:31You had every right to lose your temper
01:09:33No, no, no, no, no
01:09:34If you think that this is what's going to make you feel better then you should go
01:09:38You should go with him
01:09:39You've been through a terrible, terrible thing, Jane
01:09:44No, that is not what this is about
01:09:46Of course it is
01:09:46You don't love me anymore, Leonard
01:09:49You don't love me!
01:09:50That's rubbish
01:09:50This is your ticket
01:09:54The day after my performance
01:09:56Meet me at the train station
01:09:59Our training's at 4.30
01:10:02We'll go home together
01:10:05I want you to do what you need to do
01:10:09And then come back to me
01:10:15No questions asked
01:10:18No guilt
01:10:19This is good
01:10:29I want you to do
01:10:59I want you to do
01:11:29Hi
01:11:46Hi
01:11:48Hi
01:11:49Hi
01:11:50Hi
01:11:54Hi
01:11:56Hi
01:11:58Hello
01:11:59Hi
01:12:00Hi
01:12:01Hi
01:12:01Hi
01:12:17Oh, my God.
01:12:47We're in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:01I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:15So, thank you.
01:14:53Jay!
01:14:54You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:02The train's going to be here in a minute.
01:15:09The train's going to be here in a minute.
01:15:16The train's going to be here in a minute.
01:15:25It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her.
01:16:29That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:38Did you ever go clear?
01:16:43Now shut that thing off.
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