00:00Sous-titrage Société Radio-Canada
00:30...
01:00...
01:02...
01:03Must be the book.
01:05I've been remembering things I hadn't thought about in years.
01:11Just all of a sudden I knew exactly what you looked like when you were a little girl.
01:14What if they hate it?
01:32Well, they'll be wrong.
01:34And they'll be wrong.
01:43Come on, Vera.
01:44We did some good work today, don't you think?
01:50It felt good.
01:51You see, Vera.
01:52Do you really think that life is shaped by the yeses and not the noes?
02:01Mm-hmm.
02:02Well, I said yes once and it was a complete disaster.
02:08Mm.
02:10Well, my guess is that you were just saying the word.
02:13What you're really doing is saying no to yourself.
02:16You're a remarkable talent, huh, Miller?
02:22Oh, thanks.
02:23And Robin was right.
02:25You are a great editor.
02:27Susan Stone.
02:27Well, thank you.
02:28Thank you.
02:29Thank you.
02:34Is it that late?
02:36I guess so.
02:37Yeah.
02:38All right, well, um, I'll see you bright and early.
02:42Okay.
02:43All right.
02:44Good night.
02:45Good night.
02:45Good night.
02:45Good night.
02:54Good night.
02:56Bye.
03:08Suze?
03:10Mm-hmm?
03:11I think he wanted to kiss you.
03:13Don't be ridiculous.
03:15This is strictly a working relationship.
03:17Why can't it be both?
03:19Because you don't make your bed where you eat.
03:22Well, I'm sure he's a lot of fun.
03:26Suze?
03:27Hmm?
03:28I love that he plays the trombone.
03:30Now I'm beginning to think that you don't understand Fooey as a character.
03:47I do, too.
03:48Well, then why would you want me to change Fooey's reaction?
03:51Because I just don't believe that any sane woman who's thrown into a squalid jail in Selma
03:55is going to be so serene and calm.
03:58I'm almost happy.
03:59Hmm.
03:59So you really don't understand?
04:01You don't know what you're missing here.
04:03I'm on a diet.
04:04Oh, you don't need to diet.
04:05Come on.
04:05Come on.
04:06Try this.
04:09Hmm?
04:10Hmm?
04:10Hmm?
04:11Now, see, Fooey was one of those rare, wonderful people.
04:15No matter what the disaster, she always saw it as an opportunity.
04:19The glass was always half full.
04:20Of course, that drives the half-empties totally crazy.
04:24Who does that remind you of?
04:26That is wonderful.
04:27Mm-hmm.
04:27This woman is a genius.
04:29Finish it.
04:29Finish it.
04:30Oh.
04:30Thank you.
04:31Thank you.
04:37Hmm.
04:38Wait till you try her Napoleon.
04:41You know, I think Aunt Pru would love my brother Bob.
04:44Yeah?
04:44Well, in that case, I probably will, too.
04:46I told you.
04:47Prince Charming.
04:485.
04:54Bye.
05:09Okay.
05:10Bye.
05:10Bye.
05:11Bye.
05:12Bye.
05:16Bye.
05:16Bye.
05:16Sous-titrage Société Radio-Canada
05:46Sous-titrage Société Radio-Canada
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08:46Sous-titrage Société Radio-Canada
09:16Oh, sorry. Sorry.
09:18I never knew anyone who had their own cemetery.
09:21My mother and father.
09:26Mom, Dad, I'd like you to meet Susan.
09:32I think they would have liked you.
09:37You sure you're not running back because of last night?
09:45Tom, um, last night was entirely my fault. It was a huge mistake. I mean, we could never, ever, ever possibly become romantically involved.
09:55But we already are.
09:58No, no, it can't happen. I mean, it would be a disaster for the book.
10:03But I, I, I, I see it happening.
10:05What are you talking about?
10:06What are you talking about?
10:07What are you talking about?
10:07What are you talking about?
10:07I've already seen it.
10:08Oh, please, Tom, come on. You're being crazy now, okay? I mean, one indiscreet moment means nothing more than one indiscreet moment when we were both so tired that we lost it.
10:17Listen to me, okay? I'm your editor. That is all. Nothing more.
10:25But Susan...
10:26No, I, I like you. I do. Just not in that way.
10:34Oh.
10:34I'm, I'm sorry. I...
10:38Well, I guess maybe I, uh, maybe I don't have the gift after all, huh?
10:47Um, well, maybe we should get started. Um, I don't want to be late.
10:53No.
10:53It's okay.
11:17But, uh, I don't want to be late...
11:39I don't want to be late.
12:10Everyone will love the book.
12:40Thank you.
13:09Make 15 copies.
13:11I want to distribute them personally and change the title page to untitled, all right?
13:16Did Tom Waller call?
13:18No, is he supposed to?
13:23Good morning, Robin.
13:24Morning, Susan.
13:25Who the hell do we give these to?
13:32Who do we think's a definite yes?
13:34Nobody.
13:35Huh, probable yes, maybe Gloria.
13:36At least she has a sense of humor.
13:39What about Herbert?
13:40Possibly yes.
13:41Donald?
13:42He's a definite no.
13:43Mark's another no.
13:44I like it better than anybody.
13:45I'm not even going to give it to that teeny bopper.
13:47He won't think it's hip enough.
13:49You're wrong about Mark.
13:51I wish there was some way of keeping Dorinda off the list, sort of stabbing her in the throat.
13:56What a mess.
13:58Ram a throat, like in the old days.
13:59Remember those?
14:01Only vaguely.
14:02Tom could play that better.
14:18I'm Dilly.
14:20Thank you.
14:21May I say something?
14:23Please.
14:24I think that it was brilliant of you to have him read his reviews, and the work that you did on Fooey is just...
14:28Please don't call it Fooey.
14:30Sorry.
14:32What should I call it, then?
14:33Why don't we just call it Untitled, for now?
14:37Okay.
14:37Well, I...
14:38You know how much I loved Untitled before, right?
14:40But now it's just...
14:41Susan, it's...
14:42It's...
14:43I got it.
14:45Thank you.
14:46I'm Susan.
14:47Good luck tomorrow.
15:02I'm going to call it Fooey.
15:19Thank you.
15:20Good luck.
16:21I... well, actually I didn't finish it. I thought the writing was okay, but I found myself wandering.
16:31Gloria, what'd you think?
16:32I had that big party for Wolfgang. I just didn't have a minute. I'm really, really sorry. I'll get to it tonight. I promise.
16:40Donald, you get a chance to look at it?
16:42It's not my cup of tea, Walter. I don't know. It's a little too fantastic for moi.
16:48What does marketing say?
16:50If we don't spend a lot, we won't lose a lot. It could even be a wash.
16:57Susan, you haven't said a word.
17:00I only have one thing to say to all of you.
17:17Tom Miller's a superb and unique talent, and I think that his book is brilliant.
17:22It's funny and charming and very smart, and on top of that, I think it's going to make money.
17:31And frankly, if Blair House doesn't publish this book, then I'm not really sure what I'm doing here anymore.
17:37I agree.
17:43Mark, you weren't on Susan's list.
17:46I overheard several assistants raving about it in the kitchen, so I bootlegged the copy.
17:50And, um, look, this guy may be a little unusual, but that's the whole point.
17:55I think Susan's absolutely correct.
17:57I mean, wake up. Would you not say publish John Irving because sometimes he's a little fantastic?
18:03And that's just one tiny aspect of it.
18:05I mean, I mean, what about the Americana of it all?
18:08And the romance?
18:10And Dorinda?
18:12Don't tell me you didn't at least love all the dirty parts.
18:22Come on, guys, get with it.
18:23If we don't nail this guy down, somebody else will.
18:26And won't we be embarrassed when it gets out that we had him first and didn't publish him?
18:31Anyway, I'm a strong yes.
18:33Well, Susan, ha, can't wait to read your new guy.
18:39Well, actually, Walter, it was Robin who found him.
18:42Oh, good work, Robin.
18:45All right, is that it?
18:48Now let's get back to work.
18:49Susan, something's happened to you the last couple of weeks.
19:02I like it.
19:03Thank you, Walter.
19:04So do I.
19:05Susan, thank you so much.
19:13You have no idea how much that meant to me.
19:14I mean, I've been wrong about you this whole time.
19:16I thought you hated me.
19:17Did you know that?
19:17And nobody ever, I mean, I'm so sorry that Ben and I called you the Wicked Witch of the West.
19:21We were completely wrong.
19:22But it's just because I didn't have any idea.
19:23You're so amazing.
19:24And no one ever gives their assistant credit ever.
19:26Did you know that?
19:26Well, you deserve the credit, Robin.
19:28You really do.
19:28And I only found the book.
19:29I mean, you fixed it, right?
19:31And I learned so much from you.
19:32You really do.
19:32You really do.
19:33Now, I want you to run along and come back in five minutes because we really do have to
19:37have that discussion about run-on sentences, okay?
19:39Okay, but actually, it's lunchtime.
19:42And Ben, I know how much you hate Christmas parties, but Ben's office is having their party.
19:45It's really important to let I be there.
19:46Go.
19:46Go.
19:47Okay?
19:47Are you sure?
19:48Yeah, I'm positive.
19:49Go ahead.
19:49Go.
19:49Thank you.
19:50Okay.
19:51Sure.
19:51Thank you so much.
19:52Thank you.
19:52Thank you.
19:53Thank you.
19:53Okay.
19:53Thank you.
19:54Thank you.
19:58Hi, Tom.
20:15It's Susan.
20:15I have wonderful news.
20:18I'm at the office, and I should be here until about 7, and then I'll be at home.
20:23You have both the numbers, so call me.
20:26Okay.
20:26Bye-bye.
20:28Bye-bye.
20:58You have no messages.
21:10At least you're not getting fired.
21:12Dilly's writing, and I know Tom's book's going to get published.
21:16Maybe you'll even get a bonus.
21:17I'll bet if you called Bob, he'd invite you over for Christmas.
21:34Just say you're sorry.
21:39You know you're sorry.
21:40Bob, it's your sister, Suze the Scrooge.
22:10I'm calling to apologize, so please call me back.
22:17Goose breath.
22:22Happy?
22:24Very.
22:24Why doesn't he call?
22:29Why doesn't he call?
22:31Why doesn't he call?
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29:56qui peut être famille et qui peut être frères.
29:59C'est parti !
30:01C'est parti, Dilly !
30:02J'ai eu l'air, mes chers, chers, chers...
30:04...doodle-bearers !
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