- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:52Well, it was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:22Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50Oh, you look great.
00:02:53Thanks.
00:02:53Bye, Criona.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:20It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:38I feel strange all of a sudden.
00:03:48I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:55I just cannot imagine what it is like to do it here, you know?
00:03:59I'm almost there.
00:04:00I'm almost there.
00:04:01I'm almost there.
00:04:02I'm almost there.
00:04:03I'm almost there.
00:04:04I'm almost there.
00:04:05I'm almost there.
00:04:06I'm almost there.
00:04:07I'm almost there.
00:04:08I'm almost there.
00:04:09I'm almost there.
00:04:10I'm almost there.
00:04:11I'm almost there.
00:04:12I'm almost there.
00:04:13I'm almost there.
00:04:14I'm almost there.
00:04:15I'm almost there.
00:04:16I'm almost there.
00:04:17I'm almost there.
00:04:18I'm almost there.
00:04:19I'm almost there.
00:04:20I'm almost there.
00:04:21I'm almost there.
00:04:22I'm almost there.
00:04:23I'm almost there.
00:04:24Hi.
00:04:36Hey, Priola.
00:04:38Ah, chill.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:49Good luck.
00:04:54I know what I was going to say, but I know what I was going to say, but I know what I was going to say.
00:05:24Oh, my God.
00:05:54Oh, my God.
00:06:24I thought you'd never get here.
00:06:32It seemed like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:07:12Will you play the same number, madame?
00:07:16Will you play the same number, madame?
00:07:37Will you play the same number, madame?
00:07:39Sure.
00:07:41Sure.
00:07:42I'll play the same number, madame?
00:07:42Sure.
00:07:43I'll play the same number.
00:07:44I'll play the same number, madame?
00:07:46I'll play the same number.
00:07:48I'll play the same number.
00:07:48Number 13, red.
00:07:52Ladies and gentlemen.
00:07:58Ladies and gentlemen.
00:08:16Let's please, ladies and gentlemen.
00:08:46Hey, excuse me, have you ever seen this girl?
00:08:53No, I'm sorry. Never seen her before in my life.
00:08:56You got an offer to make for the Children of the Sun?
00:08:59Okay. Here. Will that do?
00:09:01Sure. Keep the literature. That might help you spiritually.
00:09:16Are you trying to get me trapped?
00:09:18Well, that's not a bad idea.
00:09:20Twist my arm.
00:09:24Let's eat.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:33You didn't understand a thing. So it is.
00:09:35Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:39He's looking for his fiancée. That's why he's here.
00:09:42And how did he lose her?
00:09:43It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mmm.
00:09:49Just think. They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:03Mm-hmm. Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently. She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:14Quite possible. The tropics can do funny things.
00:10:17Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only in fiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Well, be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I bet you'd think he'd be very lonely.
00:10:57Ready to talk to?
00:10:59Okay.
00:11:01Marco.
00:11:02How are you?
00:11:03This is my husband.
00:11:04Hi, love.
00:11:05What?
00:11:06Very kind of you.
00:11:07Would you like something to drink?
00:11:08Yeah, I'll have what you're happy.
00:11:09Whatever it is.
00:11:10How's the search going?
00:11:11Did I find anything yet?
00:11:12Not, I'm afraid nothing much yet.
00:11:13But,
00:11:16they remember seeing her around.
00:11:17I'm sure that sooner or later
00:11:19I'll find her.
00:11:20I sure hope you do.
00:11:21You too carry on.
00:11:22Excuse me.
00:11:23Excuse me.
00:11:24I'll be right back here.
00:11:25See here.
00:11:26We'll be right back here.
00:11:27I'll be right back here.
00:11:28I'll be right back here.
00:11:29Okay.
00:11:30I'm happy.
00:11:31I'll be right back here.
00:11:32Right here.
00:11:33Your first guest is not a good guest.
00:11:35Who's a good guest?
00:11:37How are you now?
00:11:38Well, the guest is in the house?
00:11:39How are you?
00:11:40Excuse me, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:47My magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:10No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella, maybe we should go back to the table.
00:12:27Why? Your dancing is great.
00:12:36Come on, listen up.
00:12:40I feel uncomfortable.
00:12:51Well, no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:06Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:28He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05And I don't know.
00:14:14There's no one who knows.
00:14:14There's no one who knows how to shake and scream.
00:14:20I don't know.
00:14:21Oh, the light is not the best, but we shall do what we can.
00:14:51It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for you.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:41Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00You hired him to keep up a conversation with us, right?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19It appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:03What a disappointment.
00:17:07We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Uh-huh.
00:17:34Is it far to the fishing village?
00:17:36Five hundred meters.
00:17:38Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:06Can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:09All right.
00:18:10Bye.
00:18:11Bye.
00:18:15Bye.
00:18:16Bye.
00:18:22Bye.
00:18:25Bye.
00:18:34Bye.
00:18:36Hi.
00:18:43Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Good morning.
00:19:04Good morning.
00:19:06Good morning.
00:19:12No thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Ah, it's it.
00:19:36Good morning, Consuelo.
00:19:48What can I do for you today?
00:19:49I've got an empty refrigerator to load up.
00:19:50I'll bring you a few drinks.
00:19:51For instance, would you like some alcohol or would you prefer some soft drinks?
00:19:54Mmm.
00:19:55Well, a little of both.
00:19:56I won't be long.
00:19:57I won't be long.
00:19:58I won't be long.
00:19:59I won't be long.
00:20:00Hey, let me take a picture.
00:20:01Let me take a picture.
00:20:02Come on.
00:20:03Come on.
00:20:04Come on.
00:20:05Come on.
00:20:06Come on.
00:20:07Here, let me take a picture.
00:20:08I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both.
00:20:15I won't be long.
00:20:43Here are some models.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:50Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd.
00:21:13Oh, my God.
00:21:15Is it really you?
00:21:16Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:19Fine.
00:21:20Great to see my old valedictorian.
00:21:21Great to see you.
00:21:23Oh.
00:21:24What are you doing here?
00:21:25Oh, I'm taking pictures for a magazine.
00:21:27Oh, fantastic. Come and sit down.
00:21:29What are you doing?
00:21:31Escaping.
00:21:32But don't ask me, from what?
00:21:34Because I don't know.
00:21:35Maybe from myself.
00:21:37Well, I imagine you're writing something now?
00:21:39Checks, that's all.
00:21:41As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:45Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:55I read.
00:21:56Don't you, like, long for New York at all?
00:22:00No.
00:22:01America is in an advanced state of decomposition, Andy.
00:22:05Like the whole of the West.
00:22:06It's no good.
00:22:07I have no nostalgia.
00:22:09Only for company, that's all.
00:22:11Here there aren't any men that I like.
00:22:13That's probably a good thing.
00:22:15I like.
00:22:16I like everything sophisticated or complicated.
00:22:18I suppose I'm in a crisis.
00:22:19Is that a plea for help, I guess?
00:22:20Oh, come on.
00:22:21It wasn't a proposition.
00:22:22I see.
00:22:23Well, in that case, I'll offer you a proposition.
00:22:24What kind?
00:22:25Like I told you, I'm working for a magazine.
00:22:26I'm doing a story on this island.
00:22:27And you know it pretty well.
00:22:28Yes, I do.
00:22:29You could help me.
00:22:30Whenever you want.
00:22:31My pleasure.
00:22:32Great.
00:22:33Here comes the food.
00:22:34Good.
00:22:35We can try the local cuisine.
00:22:36Oh, good.
00:22:37We can try the local cuisine.
00:22:38Oh, my pleasure.
00:22:39You are welcome.
00:22:40I'm going to be here for help, I guess?
00:22:41Oh, come on.
00:22:42It wasn't a proposition.
00:22:43I see.
00:22:44Well, in that case, I'll offer you a proposition.
00:22:45What kind?
00:22:46Like I told you, I'm working for a magazine
00:22:47and doing a story on this island.
00:22:48And you know it pretty well.
00:22:49Yes, I do.
00:22:50You could help me.
00:22:51Whenever you want.
00:22:52My pleasure.
00:22:53Great.
00:22:54Here comes the food.
00:22:56Good.
00:22:57We can try the local cuisine.
00:23:01Here it is.
00:23:03The chef's special.
00:23:04Mmm.
00:23:05Mmm.
00:23:06Mmm.
00:23:07That looks...
00:23:08Enjoy your food.
00:23:09I'm starving.
00:23:10Oh, that looks good.
00:23:11Consuela's such an extrovert.
00:23:12She's always bright and sunny.
00:23:13She's just my opposite.
00:23:15I like her.
00:23:16She's already had the cream of the young men on the island.
00:23:19If I could only get used to going to bed so easily.
00:23:22Yes.
00:23:24It's knowing how to start it up.
00:23:25Yeah.
00:23:26The warm-up.
00:23:27It's simple as to make it with someone you know.
00:23:28The first up's taken already.
00:23:29Are you making advances?
00:23:30I'm attempting to find you an answer.
00:23:31I don't think Criella thinks it's such a good idea.
00:23:32Well, I'm not.
00:23:33I'm not.
00:23:34I'm not.
00:23:35I'm not.
00:23:36I'm not.
00:23:37I'm not.
00:23:38I'm not.
00:23:39I'm not.
00:23:40I'm not.
00:23:41I'm not.
00:23:42I'm not.
00:23:43I'm not.
00:23:44I'm not.
00:23:45I'm not.
00:23:46I'm not.
00:23:47I'm not.
00:23:48I'm not.
00:23:49I'm not.
00:23:50I'm not.
00:23:51Criella thinks it's such a good idea.
00:23:54Criella.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:11Mom, as queen.
00:24:12It's such a good
00:24:18woman has a hard heart.
00:24:21You're going to be there.
00:24:23You're going to be there.
00:24:24What's the end?
00:24:26No.
00:24:27That's what we need to be there.
00:24:30You're going to be there.
00:24:31It's a bad thing.
00:24:32You're going to be there.
00:24:33No.
00:24:34We need to be there.
00:24:35Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:05Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then...
00:25:34It must be her on the plane, I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:04Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:13Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:49I'm going to go.
00:26:51This music's getting on my nerves.
00:27:08Sorry.
00:27:11I wasn't serious.
00:27:12It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:39It's okay.
00:27:40If you're tired, it's happened before.
00:27:49It'll pass.
00:27:50It's okay.
00:27:51Oh, my God.
00:28:21Oh, my God.
00:28:51Oh, my God.
00:29:21Oh, my God.
00:29:51Oh, my God.
00:30:21Let's go.
00:30:23Let's go.
00:30:25Let's go.
00:30:31Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:39You don't have to.
00:30:41Thanks, anyway.
00:30:43You know, you should go around by yourself.
00:30:49It's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:01Do what you want.
00:31:05What are you doing?
00:31:17What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Here.
00:31:23Have a drink.
00:31:31Here.
00:31:41Here.
00:31:43Here.
00:31:49Here.
00:31:51Here.
00:31:53Here.
00:32:03Here.
00:32:05Here.
00:32:07Here.
00:32:11Here.
00:32:13Here.
00:32:15Here.
00:32:17Here.
00:32:19Criola?
00:32:20Criola?
00:32:21Criola?
00:32:22Criola?
00:32:23Have you seen Criola?
00:32:24No.
00:32:25There's no sign of her on the beach.
00:32:26The bungalow is empty.
00:32:27She's disappeared.
00:32:28She's probably gone.
00:32:29No.
00:32:30No.
00:32:31No.
00:32:32No.
00:32:33No.
00:32:34No.
00:32:35No.
00:32:36No.
00:32:37No.
00:32:38No.
00:32:39No.
00:32:40No.
00:32:41No.
00:32:42No.
00:32:44No.
00:32:45No.
00:32:46No.
00:32:47No.
00:32:48No.
00:32:49I've probably gone off exploring the island.
00:32:52I expect you're right.
00:32:53Thanks, Criola.
00:32:55одно
00:33:02Criola.
00:33:04Where the hell have you been?
00:33:06I looked all over for you.
00:33:08I got bored here all along.
00:33:09So, I took off to look around.
00:33:10All right?
00:33:12Well, you'd have had more fun if you've been with me.
00:33:19Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Anthony.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:56Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16It'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:33All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need so badly.
00:34:46I'll be able to give you what you need so badly.
00:34:46I'll be able to give you what you need so badly.
00:34:47I'll be able to give you what you need so badly.
00:34:48I'll be able to give you what you need so badly.
00:34:49I'll be able to give you what you need so badly.
00:34:50I'll be able to give you what you need so badly.
00:34:51I'll be able to give you what you need so badly.
00:34:53I'll be able to give you what you need so badly.
00:34:54I'll be able to give you what you need so badly.
00:34:55I'll be able to give you what you need so badly.
00:34:56I'll be able to give you what you need so badly.
00:34:57Let's go.
00:35:27Let's go.
00:35:57Let's go.
00:35:58Let's go.
00:35:59Let's go.
00:36:00Let's go.
00:36:01Let's go.
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:04I do.
00:36:06One day, I guess I'll get another chance.
00:36:13Let's go.
00:36:14Let's go.
00:36:15Let's go.
00:36:16Let's go.
00:36:17Let's go.
00:36:18Let's go.
00:36:19Let's go.
00:36:20Let's go.
00:36:21Let's go.
00:36:22Let's go.
00:36:23Let's go.
00:36:24Let's go.
00:36:25Let's go.
00:36:26Let's go.
00:36:27Let's go.
00:36:28Let's go.
00:36:29Let's go.
00:36:30Let's go.
00:36:31Let's go.
00:36:32Let's go.
00:36:33Let's go.
00:36:34Let's go.
00:36:35Let's go.
00:36:36Let's go.
00:36:37Let's go.
00:36:38Let's go.
00:36:39Let's go.
00:36:40Let's go.
00:36:41No.
00:36:42Let's go.
00:36:43Let's go.
00:36:44Let's go.
00:36:45One needs a good motive to get drunk, but I guess I'm the only one who hasn't got
00:36:53one.
00:36:54Does that mean you think I have one?
00:36:59Criola?
00:37:00What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:27I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:49To broken hearts.
00:37:57I don't know.
00:38:13I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:21Yes.
00:38:21Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:43You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06I'm always there.
00:39:08It's not true.
00:39:12I'm going to stay around and talk about it.
00:39:13Goodbye.
00:39:14Adios.
00:39:14Adios.
00:39:15Adios.
00:39:18Adios.
00:39:22Adios.
00:39:26Adios.
00:39:28Adios.
00:39:33Adios.
00:39:33Adios.
00:39:34Adios.
00:39:34Adios.
00:40:05It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:21so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:41:05I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:14It's a model of a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:23I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine.
00:41:57If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:02Oh, damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:15I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:16Must be forever.
00:44:18I know.
00:44:24I know.
00:44:26So, stay.
00:44:28She's not a consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:47She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24I've got to be off now.
00:45:54Have you seen Leon?
00:45:59She's seen what he did with a girl.
00:46:10Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29Let's go.
00:46:30Very good.
00:46:32ler.
00:46:33See you.
00:46:34See you.
00:46:35Bye-bye.
00:46:36Bye-bye.
00:46:37Bye-bye.
00:46:44Bye-bye.
00:46:53Bye-bye.
00:46:55Bye-bye.
00:47:26No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ!
00:48:34I know him.
00:48:51I know him.
00:48:59Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48Because now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:15I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes, but briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:31Don't go.
00:52:01You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:27In his boat.
00:52:30Thanks.
00:52:57In his boat.
00:53:27Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:57Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:28I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36It's ridiculous.
00:55:37My life is meaningless without you.
00:56:03I'm sorry.
00:56:05I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Hey.
00:56:38I'm going to do this.
00:56:41I call it gin-balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:55Okay.
00:56:57Tell mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:04I have no intention of fighting with you.
00:57:06You're a kind, sweet, patient...
00:57:08Okay, get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:23This place...
00:57:25Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:39It's not a person who casts a spell on one at all,
00:57:43but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:49God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm.
00:58:06A Buridan.
00:58:07It's usual.
00:58:08When they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:23Oh, yes, you can.
00:58:24Please.
00:58:25Right.
00:58:26Let's not say any more.
00:58:27You want to sit here all night?
00:58:29Right.
00:58:30Right.
00:58:31Let's not say any more.
00:58:32You want to sit here all night?
00:58:36I...
00:58:37That's not going to do any good.
00:58:57Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:08But there is such a thing as the right moment.
00:59:11Night.
00:59:12It's way past my bedtime.
00:59:32Is it ready?
00:59:36Is it cooked?
00:59:38There is a time for love.
00:59:43There is a time for food.
00:59:48Now we eat.
01:02:32I don't know anymore, Iris.
01:02:35How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:00I'll never give Leona, for any reason.
01:03:30Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:51That bastard fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:37Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:00I'm not mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:28You're lying.
01:05:30Hey, what do you want?
01:05:37I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:57Let's go.
01:07:27Okay.
01:07:28Let's go.
01:07:29Let's go.
01:07:37Let's go.
01:07:43Let's go.
01:07:52Esto.
01:07:52I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning, and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:52Let me in on it.
01:09:22Let me in on it.
01:09:52Let me in on it.
01:10:03Shit.
01:10:04Shit.
01:10:04There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:34Come on, let's go.
01:11:04Consuelo?
01:11:24Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They laughed.
01:11:31Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:47Iris!
01:12:01Iris!
01:12:02Stop it!
01:12:16You've got no call.
01:12:30Actually, what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44He didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:07You must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:43You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:51Thanks.
01:13:54Joanne.
01:13:56Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:06You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola,
01:14:35and faced up to it.
01:14:37The truth may hurt you, so you need courage.
01:14:43I'm sorry.
01:14:49Hello, Andy.
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:04In reality, we must accept the place of scientists on this earth.
01:15:12Come here.
01:15:25You were right, Jack. There's magic everywhere here.
01:15:28Kiss me.
01:15:31It's in the very air. Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:51We get...
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