- 7 months ago
Category
π₯
Short filmTranscript
00:00:00The
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00:00:24The
00:00:26Let's go.
00:00:56Let's go.
00:01:26How much do you think that would cost?
00:01:27Oh, Zippy.
00:01:28I mean, you're returning to America, Mr. Wendt.
00:01:31Tomorrow.
00:01:33I wish there was some way I could meet Barrow.
00:01:36There isn't.
00:01:37I've been his agent for 15 years, and I've never met him.
00:01:41Strange man.
00:01:42Wise man.
00:01:44He lives his own life.
00:01:46These, my boy, were painted by your famous cousin.
00:01:50All of them?
00:01:52Oh, this isn't the tenth of what he's done.
00:01:54He simply spawns paintings.
00:01:57They're gone.
00:01:58Are you related to Triumph, Barrow?
00:02:00I'm his first cousin.
00:02:02Could you tell me where I might find him?
00:02:05I doubt if anyone could tell you that.
00:02:07I haven't seen him since he was a child.
00:02:09Even his bankers don't know him.
00:02:12I'm sorry.
00:02:15This is the Parrow exhibit.
00:02:17Thank you so much.
00:02:18May I show you about it?
00:02:20Oh, please don't trouble.
00:02:21Trouble, I assure you.
00:02:26Aren't your cousin's paintings wonderful?
00:02:28Yes, Papa.
00:02:30Isn't that one particularly fine?
00:02:33Yes, Papa.
00:02:35This is his most famous painting.
00:02:38The policeman.
00:02:40Nice, isn't it?
00:02:41Nice.
00:02:42Why, it's worth thousands.
00:02:45Dear, dear.
00:02:46Can't see a policeman being worth all that.
00:02:49I suppose you know Mr. Farrell well.
00:02:52Me?
00:02:52Why, I've never even seen him.
00:02:54No one has.
00:02:55I know his secretary, Mr. Leak.
00:02:58Will?
00:02:59Well, that is, I don't exactly know him.
00:03:01I, uh, I correspond with him.
00:03:04He writes nice letters.
00:03:06That's the way I got married.
00:03:09I beg your pardon?
00:03:10The Matrimonial Times.
00:03:12Is that the paper you use?
00:03:13Really, my dear man.
00:03:15There's no need to get touchy.
00:03:16It's as good a way as any.
00:03:20Did yours turn out well?
00:03:21Well, uh, she has a bit of a limp.
00:03:24But she's jolly.
00:03:25Where was he when you last heard?
00:03:28His last picture came from Spain.
00:03:31You can't dream what these few weeks have meant to me.
00:03:34I've wanted for years to know you.
00:03:36Oh, really, Lady Helen?
00:03:37You don't know how great you are.
00:03:41How simple.
00:03:43Simple?
00:03:43Unpretentious, unaffected.
00:03:45Like a child.
00:03:49If only we could be together always.
00:03:52That'd be nice, wouldn't it?
00:03:55Really?
00:03:56Do you mean that?
00:03:57Oh, why, I, I mean, I...
00:04:00Oh, so glorious!
00:04:00I'll take you out of your shell.
00:04:05I'll take you out into the world where you belong.
00:04:07No, no, no, I'm afraid of the world.
00:04:09Oh, oh, not my world.
00:04:10You love my world.
00:04:11No, no, no, I won't.
00:04:13I, I, you see, I can't bear being noticed.
00:04:15People terrify me.
00:04:16I, well, I've always been like that.
00:04:18Of course, you can't understand.
00:04:19There, dear, there.
00:04:20You get over all that.
00:04:22I'll help you.
00:04:23No, I...
00:04:24Oh, Mary.
00:04:25Oh, good afternoon.
00:04:26Mary, the most wonderful thing has happened.
00:04:29Should we tell her, dear?
00:04:29Why, I'm not...
00:04:31Of course, we must.
00:04:32Well, she's my dearest friend.
00:04:33There's no need to tell me.
00:04:35I can guess.
00:04:35Why, it's written all over you.
00:04:37Oh, I'm so glad, Mr. Farrell.
00:04:39I'm sure you'll both be very happy.
00:04:41Oh, yes.
00:04:42We have the most wonderful plans.
00:04:44We're going to travel.
00:04:45We're going into the world.
00:04:46You've no idea what a lion you'll be, Mr. Farrell.
00:04:49No, I suppose not.
00:04:50I have to, excuse me, I have to go back to the inn now.
00:04:53We'll see you for dinner, dear.
00:04:54Yes, yes.
00:04:55We'll celebrate.
00:04:56Yes.
00:04:57No.
00:04:59How ever did it happen?
00:05:03I'll never know.
00:05:06I can scarcely believe it.
00:05:09It's wonderful, dear.
00:05:15Dear Mrs. Hunter,
00:05:17your photograph is beautiful.
00:05:20Will I ever see the original?
00:05:26Not unless I find a new master.
00:05:30Am enclosing a snapshot of Mr. Farrell and me.
00:05:37The one on the right is me.
00:05:39Leek.
00:05:49Leek, pack.
00:05:50Pack up.
00:05:51We've got to get away from here at once.
00:05:52What's happened, sir?
00:05:53It's not going to happen, Leek.
00:05:54Now, pack up and don't ask any questions.
00:05:55Where are we going, sir?
00:05:56No, I don't know anywhere away from here, some place where they can't find me.
00:06:00Nobody knows you in London, sir.
00:06:03Perhaps you're right, Leek. We could open up the old house.
00:06:06For all these years.
00:06:07Yes, no one would know you there, sir.
00:06:10Right again, Leek. Who's that?
00:06:14The signer asked for the bill.
00:06:16Yes, pay it, Leek, will you?
00:06:19No one, sir, that we're leaving, you understand?
00:06:21Si, signor. No one.
00:06:22Si, si.
00:06:23Give us something extra, Leek. Here, Rita.
00:06:25Take care of the servants.
00:06:26Oh, my monsieur.
00:06:28We'll be back.
00:06:30You think of me.
00:06:32Always, always.
00:06:34All that muttering out there.
00:06:35Get on with your packing.
00:06:36Yes, sir. Yes, sir.
00:06:56I've found the doctor three doors off.
00:06:57We'll be here in a minute.
00:06:58Yes, sir.
00:06:59I've found the doctor three doors off.
00:07:00We'll be here in a minute.
00:07:01Yes, sir.
00:07:02I've found the doctor three doors off.
00:07:03We'll be here in a minute.
00:07:05You ought not to have gone out without your coat, sir.
00:07:07We don't want you to catch cold, too.
00:07:10No.
00:07:11Oh.
00:07:12Here.
00:07:13Here.
00:07:13You're dressing gowns, sir.
00:07:14No.
00:07:15No.
00:07:16No.
00:07:17No.
00:07:18No.
00:07:19No.
00:07:20No.
00:07:21No.
00:07:22No.
00:07:23We must get you to bed at once.
00:07:24You think you can make it up one flight in my room?
00:07:25Me?
00:07:26Yes.
00:07:27In your bed, sir.
00:07:28Oh, don't be silly.
00:07:42Come on.
00:07:44Come on.
00:07:45Come on.
00:07:47Come on.
00:07:48Come on.
00:07:48Come on.
00:07:50Come on.
00:07:50I'll help you.
00:07:51Oh, I hate to be such a nuisance.
00:07:58Come on.
00:07:59I hate to be such a nuisance.
00:08:05I hate to be such a nuisance, sir.
00:08:10Come on.
00:08:11Here we go.
00:08:14You'll be all right in the morning.
00:08:16It's just a cold.
00:08:19Here we go.
00:08:26Here we go.
00:08:29Here we go.
00:08:32When I mentioned this address, the doctor gave me a most peculiar look.
00:08:38Is this Mr. Farrell's house?
00:08:45Come on up.
00:08:46Hey, Leek.
00:08:47We're discovered.
00:08:48Good evening, doctor.
00:08:49Good evening.
00:08:50Good evening.
00:08:51Good evening.
00:08:52Good evening.
00:08:53Good evening.
00:08:55Hey, Leek, we're discovered.
00:08:59Good evening, Doctor.
00:09:01Good evening.
00:09:03Good evening, Doctor.
00:09:25How long has Mr. Farrell been ill?
00:09:29I asked you, how long has your master been ill?
00:09:33Oh, yes, well, I, we, he began to complain when we got off the boat this morning.
00:09:39What's wrong, do you think, Doctor?
00:09:42Well, you've knew yet might be anything.
00:09:45Bring me some boiling water at once.
00:09:47There isn't any.
00:09:49You have water, haven't you?
00:09:51Oh, yes, but not boiling.
00:09:54But never mind.
00:09:56I'll get a plaster.
00:09:57I'll bring.
00:09:59My assistant.
00:10:02Get his clothes off.
00:10:03Have you brandy?
00:10:04Yes.
00:10:05Well, get it.
00:10:06We have some use here.
00:10:08This is serious.
00:10:14My poor Leek, he takes you for me.
00:10:17We ought to tell him.
00:10:19Not at all.
00:10:21It'll save me a lot of that infernal curiosity.
00:10:22Now, come on.
00:10:24Let's get some of these clothes off, eh?
00:10:27I, I hate to be such a nuisance.
00:10:31Where is the brandy Leek?
00:10:32It's in my small bag, sir.
00:10:35I see.
00:10:40The temperature, a hundred and a half.
00:10:42Home to 140 in Leek.
00:10:44We're trying injection of strychnine at once.
00:10:47Can I help?
00:10:47Can I do anything?
00:10:49Do you see that chair?
00:10:50Yes, I see it.
00:10:52Well, go and sit in it.
00:10:53I see.
00:10:53Yes.
00:10:54I see.
00:10:54Where is that brandy?
00:10:55What?
00:10:55The brandy.
00:10:56The brandy.
00:10:56The brandy.
00:10:57The brandy.
00:10:57Isn't that there?
00:10:58Yes.
00:10:58Yes.
00:10:59Yes.
00:11:00Has he any relatives?
00:11:01Oh, I don't know.
00:11:02They should be notified at once.
00:11:03No.
00:11:04Oh.
00:11:05I see.
00:11:05I see.
00:11:06I see.
00:11:06I see.
00:11:07I see.
00:11:09I see.
00:11:09I see.
00:11:09I see.
00:11:10I see.
00:11:11I see.
00:11:12I see.
00:11:13Where is that brandy?
00:11:13What?
00:11:13The brandy.
00:11:14The brandy.
00:11:14The brandy.
00:11:15The brandy.
00:11:15The brandy.
00:11:17Oh.
00:11:17Isn't that there?
00:11:18Yes.
00:11:19Yeah.
00:11:19Yes.
00:11:20Yes.
00:11:21Yes.
00:11:21Has he any relatives?
00:11:22Oh, I don't know.
00:11:23They should be notified at once.
00:11:49What is it? What's the matter?
00:11:51What is it, Doctor?
00:11:53It's all over, my man.
00:11:55Oh, but he can't be there.
00:11:56He was a perfectly strong, healthy man.
00:11:58Precisely.
00:11:59It's not unusual for strong, healthy men to go off suddenly
00:12:02from acute double pneumonia.
00:12:04But it's impossible.
00:12:05I don't know what I'll do without that man.
00:12:07Look here, you don't seem to be much use here.
00:12:09I'll notify the register.
00:12:11Register?
00:12:12We have to report Mr. Farrell's death, you know.
00:12:15Okay, Doctor, I'm afraid there's been some mistake.
00:12:17What?
00:12:18You see, I...
00:12:19Now listen to me, my man.
00:12:21There's been no sort of mistake.
00:12:23Everything's been done that could be done.
00:12:25But I...
00:12:26Look here, you're all done up.
00:12:28You need some rest.
00:12:30I'll be back in the morning.
00:12:34But Doctor!
00:12:36What?
00:12:37What time?
00:12:38Where?
00:12:39Pneumonia.
00:12:40Thank you so much, Doctor.
00:12:42Prime Farrell's death.
00:12:43Prime Farrell's death.
00:12:44Prime Farrell's death.
00:12:45Prime Farrell's death.
00:12:47Prime Farrell's death.
00:12:49Prines Farrell's death.
00:12:51Right in there.
00:12:52Thanks, Captain.
00:12:53Larry, he's been
00:13:03Oh, there's some kind of damage.
00:13:13There's some kind of damage,
00:13:15but there's some damage that she does in the books.
00:13:33Let's go.
00:14:03Lee, Lee, why don't you...
00:14:33It took your time answering.
00:14:52This is Mr. Duncan Farrell, the late master's cousin.
00:14:56Where's the body?
00:14:57Upstairs.
00:14:58First door.
00:14:59Leek!
00:15:00Leek!
00:15:01Your name's Leek, isn't it?
00:15:03This is for you.
00:15:04I picked it up at the door.
00:15:05See here, Leek.
00:15:07If I were you, I wouldn't try and get another valeting job.
00:15:09I beg your pardon?
00:15:10You may have suited Priam Farrell.
00:15:11Artists are strange.
00:15:12But I don't believe you'd suit an ordinary employer.
00:15:14Do you recognize your cousin?
00:15:15I haven't seen him since he was 12 years old.
00:15:17But I think I may safely say I should have recognized him anywhere.
00:15:21I don't know.
00:15:22I don't know.
00:15:23I'm sorry.
00:15:24I'm sorry.
00:15:25I'm sorry.
00:15:26I'm sorry.
00:15:27I'm sorry.
00:15:28I'm sorry.
00:15:29I'm sorry.
00:15:30I'm sorry.
00:15:31I'm sorry.
00:15:32I'm sorry.
00:15:33I'm sorry.
00:15:34I'm sorry.
00:15:35I'm sorry.
00:15:36I'm sorry.
00:15:37I'm sorry.
00:15:38I'm sorry.
00:15:39I'm sorry.
00:15:40I'm sorry.
00:15:41I'm sorry.
00:15:42I haven't seen him since he was 12 years old.
00:15:44But I think I may safely say I should have recognized him anywhere.
00:15:47I shall treasure this as a memento.
00:15:50His shroud, as it were.
00:15:51Well, I'll be going.
00:16:02What arrangements have you made?
00:16:03None.
00:16:04I've been asleep.
00:16:05You're not very respectful.
00:16:07Okay.
00:16:08Now, that dressing gown belongs to me.
00:16:11Oh.
00:16:12So you're starting to claim things, are you?
00:16:14We'll soon put an end to that, sir.
00:16:20Pigsty.
00:16:23Can't put you out, Johnny.
00:16:24Those are painting things.
00:16:25Oh.
00:16:26So you're a painter too, are you?
00:16:28Now, see here, Leek.
00:16:29I fancy you and I had better come to an understanding at once.
00:16:32What salary did my cousin deal?
00:16:34A hundred pounds a year.
00:16:35When were you last paid?
00:16:37Let's see.
00:16:38I, um...
00:16:39Well?
00:16:40Oh, the day before yesterday.
00:16:42Here's eight pounds in lieu of notice.
00:16:45Yes, but listen, I...
00:16:46Take it.
00:16:47But I want to tell you...
00:16:48Take it.
00:16:49Now, pack up and get out of this house as soon as you can.
00:16:51But I'm not...
00:16:52I shall not argue.
00:16:59Are his papers here?
00:17:00Yes.
00:17:01Where's the key?
00:17:11There's something I want to tell you.
00:17:12No doubt.
00:17:13No doubt.
00:17:14Ah.
00:17:15Yes, his will.
00:17:16Is that still there?
00:17:17I thought it'd been destroyed.
00:17:18Do you know what it says?
00:17:19Everything is left to England for the establishment of a new gallery.
00:17:21And you get five pounds for your trouble as executor.
00:17:23Yes, I see.
00:17:24Well, he probably thought I should be annoyed.
00:17:25He did.
00:17:26Well, my man, the idea of a great public institute bearing my family name is not unpleasant to me.
00:17:31But he meant it as a joke.
00:17:32I don't see why you complain.
00:17:35You come into eighty pounds a year under it.
00:17:36Yes, I was forgetting about that.
00:17:37Well, I was forgetting about that.
00:17:38I was not going to be the other thing.
00:17:39Is that it?
00:17:40Yes, I was forgetting about that.
00:17:41Well, you know, I'm sorry.
00:17:42You're going to be the other thing.
00:17:43I'm sorry.
00:17:44I'm sorry.
00:17:45But I'm sorry, you're going to be the other thing.
00:17:47Yes, I'm sorry.
00:17:48I'm sorry.
00:17:49I'm sorry.
00:17:50I'm sorry.
00:17:51I'm sorry, sir.
00:17:52I'm sorry.
00:17:53Yes, I was forgetting about that.
00:17:55I never sought a disrespectful servant in my life.
00:17:58Now, get your things together and go.
00:18:00Yes, sir.
00:18:05Whose luggage is that?
00:18:06Mine.
00:18:07Yours, indeed.
00:18:09Are your initials P.F.?
00:18:11Oh.
00:18:12Have you a latchkey?
00:18:14You have all the keys.
00:18:16I'll notify you about the funeral.
00:18:19Where will you be stopping?
00:18:21Grand Babylon Hotel.
00:18:24The man's mad.
00:18:51Oh, man.
00:18:52Oh!
00:18:53Oh, yes.
00:18:54I miss.
00:18:55Ivan.
00:18:56Oh!
00:18:57Oh.
00:18:58Oh, no, no-oh, no.
00:18:59Yeah, we're wearing the phone in half.
00:19:02I never knew.
00:19:03It wasn't a problem,
00:19:04it was aγγ£γ, you know?
00:19:05Uh!
00:19:06Oh!
00:19:07Oh!
00:19:08Oh!
00:19:09The power of the
00:19:20Yes, ma'am.
00:20:56Mr. Leake.
00:20:57Well, I suppose you are Mr. Leake, aren't you?
00:20:59Oh, why, yes.
00:21:00Oh, I really didn't expect you.
00:21:03Mr. Fowell being dead, I knew you'd be upset like.
00:21:06How did you know he was dead?
00:21:08How did I know?
00:21:09Well, it's been placard all over London since early morning.
00:21:12Didn't you see?
00:21:13No.
00:21:14That shows how you must have been thinking.
00:21:17I was about to give you up.
00:21:19Really?
00:21:20Well, it's nearly two o'clock.
00:21:22Huh?
00:21:23Oh, yes.
00:21:24Excuse me.
00:21:25Will you take those bags upstairs?
00:21:27Shall we sit here?
00:21:28It's nicer in the back.
00:21:29With Mr. Farrell, a good master.
00:21:30Oh, very, yes.
00:21:31Won't you sit down?
00:21:33But I see you're not in mourning.
00:21:34No.
00:21:35That is, I'm...
00:21:36I don't hold with mourning myself.
00:21:37If you can't show respect without a pair of black gloves with the dyes always coming off earth.
00:21:39It's grumbling against Providence, too.
00:21:40Not but what I don't think there's a good deal too much talk about Providence.
00:21:41Oh, I quite agree with you, ma'am.
00:21:42I suppose you'll have to be going back soon.
00:21:43To arrange things like.
00:21:44Oh, no.
00:21:45No, I've been dismissed.
00:21:46I hope you made them pay you, your money.
00:21:47Oh, no.
00:21:48No, I've been dismissed.
00:21:49I hope you made them pay you, your money.
00:21:50Oh, no.
00:21:51No, I've been dismissed.
00:21:52Who dismissed you?
00:21:53Mr. Duncan Farrell.
00:21:54He's a fool.
00:21:55Why?
00:21:56Who would let me keep my dressing gown before I was trying to steal it?
00:21:57That kind?
00:21:58It was a beautiful dressing gown, really.
00:21:59Yes, and then there was something very important I wanted to tell him, and he...
00:22:01Oh, no.
00:22:02I don't know if I had to be a good deal too much talk about Providence.
00:22:03Oh, I quite agree with you, ma'am.
00:22:04I suppose you'll have to be going back soon.
00:22:05To arrange things like.
00:22:06Oh, no.
00:22:07No, I've been dismissed.
00:22:08I hope you made them pay you, your money.
00:22:09Oh, yes.
00:22:10Who dismissed you?
00:22:11Mr. Duncan Farrell.
00:22:12He's a fool.
00:22:13Why?
00:22:14Well, let me keep my dressing gown,
00:22:15before I was trying to steal it.
00:22:16And it was a beautiful dressing gown, really.
00:22:18Yes, and then there was something very important I wanted to tell him,
00:22:21and he...
00:22:22He wouldn't let me.
00:22:23But how could he stop you?
00:22:25Cut me off, like...
00:22:26Like that.
00:22:27Perhaps you really didn't want to tell him.
00:22:29You could write him, you know.
00:22:30No, no, I won't write him.
00:22:32Then you didn't want to tell him.
00:22:34Perhaps you're right.
00:22:36And if I were you, I should think no more about it.
00:22:39You're in great comfort, Mrs...
00:22:41Alice is all right.
00:22:43Alice, yes.
00:22:45And you've no occasion to be shy with me.
00:22:47There's no call for it.
00:22:48I'm just as you see me.
00:22:50Shy?
00:22:51Oh, I don't feel shy with you.
00:22:52That's all right, then.
00:22:54Because I should take it as a full compliment being shy with me.
00:22:58You know, uh...
00:23:00I think a matrimonial agencies are very good and useful.
00:23:02Don't you?
00:23:03Well, uh...
00:23:04Yes, I suppose, yes.
00:23:05Because if you are thinking of getting married,
00:23:08well, what are you to do?
00:23:09You could sit in a chair and wait two legs and sixpence a dozen,
00:23:11and you'd be no nearer.
00:23:13No.
00:23:14If you want to get married.
00:23:16If you want to get married.
00:23:17If you want to get married.
00:23:18There's no use pretending you don't.
00:23:19I do hate pretending.
00:23:21And if you ask me, matrimonial agencies are the most useful things ever invented.
00:23:26Next to dress shield.
00:23:27Oh, Miss, you're priceless.
00:23:29Look, will you have lunch with me?
00:23:31Oh, if you have time.
00:23:33I have so much time.
00:23:34If anything comes of this, I shall pay the fee to the agencies with the greatest of pleasure.
00:23:38So that was the end of it.
00:23:39Well, I think it would be.
00:23:40You are like your photograph.
00:23:41Like my photograph?
00:23:42I knew you at once.
00:23:43May I see it?
00:23:45I love it.
00:23:46The one on the right is me.
00:23:47If it isn't room to ask, Mr. Lee, why did you always typewrite your letters?
00:23:48It seems so public.
00:23:49You see, I write so badly.
00:23:51Poor Mr. Fowle.
00:23:52What could it do him to be so celebrated?
00:23:53Always trying to hide as if the police were after him?
00:23:54Well, if you're all he had the pleasure of being successful in the work he liked best to do.
00:23:56Well, but couldn't he have had that without chasing all the way to him?
00:23:57Well, I was very proud of you.
00:23:58Well, Mr. Fowle, I was very proud of you.
00:23:59I was very proud of you, Mr. Fowle, and I was very proud of you.
00:24:00Well, I was very proud of you.
00:24:03I love it.
00:24:04I love it.
00:24:05The one on the right is me.
00:24:06If it isn't room to ask, Mr. Lee, why did you always typewrite your letters?
00:24:07It seems so public.
00:24:08You see, I write so badly.
00:24:10Poor Mr. Fowle.
00:24:11Well, he had the pleasure of being successful in the work he liked best to do.
00:24:14Well, but couldn't he have had that without chasing all over Europe?
00:24:17He might just as well have been a commercial traveller.
00:24:20Alice, you're wonderful.
00:24:22Oh, you wouldn't laugh, Mr. Dean.
00:24:24But believe me, there's nothing like a comfortable home and a quiet life.
00:24:27And the less you're in the newspapers, the better.
00:24:29All right.
00:24:31Nothing like it, indeed.
00:24:34Extra develop!
00:24:51Extra crime furlD3D
00:24:54He knew he was afraid of you.
00:24:56I can't imagine a person being afraid of anyone.
00:24:59When I'm with you, I can't imagine it either.
00:25:02He doesn't need to be afraid of anyone now.
00:25:04Extra crime, total day! Extra, extra crime, total day!
00:25:10But you haven't told me whether you were ever natural.
00:25:13No, never.
00:25:14You've always lived alone like that.
00:25:16No home, traveling, and no one to look after you properly.
00:25:19Oh, one gets accustomed to it.
00:25:21I suppose so.
00:25:22But I feel sorry for you all these years.
00:25:25A country garden.
00:25:32A country garden?
00:25:35That's what they're playing.
00:25:38Oh, lovely, isn't it?
00:25:41Have you a garden, Alice?
00:25:43Yes, with a wall around it.
00:25:46Was it only today we met?
00:25:49Magic day.
00:25:51And now I must be going.
00:25:54Oh, please don't.
00:25:55Oh, but it's late and I must be getting back to something.
00:25:57I'll see you home.
00:25:58Oh, no, you poor dear.
00:25:59You're too tired.
00:26:00But we could walk to get you.
00:26:01Is it far?
00:26:02Not very.
00:26:03Oh, that's too bad.
00:26:04I wish we could take the music with us.
00:26:05We can.
00:26:24I wish I could.
00:26:25Here, I say.
00:26:26What's the matter with you?
00:26:27What's the matter with you crazy?
00:26:28Never saw it in the past.
00:26:30There you go.
00:26:31Hey, you're here, Gary.
00:26:32You're enjoying.
00:26:33Let's go out.
00:26:34Well, I'm glad you're here.
00:26:35But, I thought it was fun.
00:26:36This is fun.
00:26:37I'm so happy to be anticipated.
00:27:07Oh, my God.
00:27:37Well, I suppose I was rather wonderful.
00:27:56M, I mean.
00:27:57You're welcome, sir.
00:27:58Thanks, sir.
00:28:00You're Mr. Leak, I presume.
00:28:02What are they?
00:28:02I'm Horning of the Courier.
00:28:03I'm Garvin of the Mercury.
00:28:05Well, you've no right to prove yourself in here.
00:28:07My paper's prepared to offer you a hundred pounds
00:28:09for your story on Peril's eccentric life on the continent.
00:28:11Eccentric life on the...
00:28:12Well, I'll be...
00:28:13I'll write the article.
00:28:14All you have to do is sign it.
00:28:16You'll make it a hundred and twenty-five pounds.
00:28:17To sign an order for the fellow's execution.
00:28:19A hundred and fifty.
00:28:20Or burning at the stake.
00:28:22Can you tell me if Mr. Fowle had any notion
00:28:23that he'd be buried in the abbey?
00:28:26Buried in the abbey?
00:28:27Why, it's preposterous.
00:28:28Why preposterous?
00:28:30Why bury that fellow in the abbey?
00:28:32England's sacred shrine, where only the greater buried?
00:28:35It's absurd.
00:28:36Absurd?
00:28:37Do you know about his will?
00:28:38He left everything to found the gallery of modern art in London.
00:28:41Oh, so that's it.
00:28:43He's to be buried in the abbey because he's a philanthropist,
00:28:45not because he's an artist.
00:28:46Oh, as England all over.
00:28:48Yes, well, I won't have it.
00:28:49You'll not.
00:28:50No, I'll do something else.
00:28:51Fowle is not dead.
00:28:52Not dead?
00:28:53Oh, what next?
00:28:54I am Priam Fowle.
00:28:56Oh, get out.
00:28:58Is he mad?
00:28:59He must be.
00:29:00Nothing but a valet.
00:29:02He takes a suite in the most expensive hotel in London.
00:29:04Then he refuses 150 pounds.
00:29:07And now, bless me, if he doesn't think he's Priam Fowle.
00:29:10Then out.
00:29:11I mean, can't you ask me?
00:29:13Priam Fowle, he thinks.
00:29:16It must be stopped.
00:29:17It must be stopped.
00:29:18Someone should explain to the dean of Westminster.
00:29:22Someone should...
00:29:29Well, is Mr. Parker at home?
00:29:57Mr. Parker, this is the dean's house.
00:30:00Oh, pardon me.
00:30:02I thought Mr. Tanner lived here.
00:30:05Mr. Tanner?
00:30:06But you said Mr. Parker.
00:30:08Did I?
00:30:10Forgive me, I'm a little confused.
00:30:14Obviously.
00:30:18But I say I...
00:30:20I couldn't do it.
00:30:28I couldn't do it.
00:30:31But the abbey.
00:30:33Oh, it's fantastic.
00:30:50It's very warm.
00:31:08It's for your turn.
00:31:13It's for your turn.
00:31:13It's for your turn.
00:31:14What do you do?
00:31:15It's for your turn.
00:31:16Come, I'm a little confused.
00:31:17It's for your turn.
00:31:17It's for your turn.
00:31:18But look.
00:31:18It's for your turn.
00:32:51I'll be so honored.
00:32:53Who is it?
00:32:54Don't know him from Adam.
00:32:55You have no right to be here.
00:32:56Who are you?
00:32:57What's all this noise?
00:32:59I've no idea.
00:33:02I've no idea.
00:33:04I've been waiting for you.
00:33:05Get him out.
00:33:10Now stop.
00:33:11This is my funeral.
00:33:12Shhh.
00:33:13Why do I do it?
00:33:14Shhh.
00:33:15Now I tell you, it's my funeral.
00:33:16Please.
00:33:17It's an outrage.
00:33:18It's an outrage.
00:33:19It's an outrage.
00:33:20I...
00:33:21You have asked for it.
00:33:22Let go of me.
00:33:23I tell you, I am Priam Farrell.
00:33:24Drunk.
00:33:25That's what he is.
00:33:26What's all this?
00:33:27He's been making a disturbance in the organ.
00:33:28He says he's Priam Farrell.
00:33:29Oh, is that so?
00:33:30Let go of me.
00:33:31Will you?
00:33:32Easy, my lad.
00:33:33What's all this?
00:33:34Drunk and disorderly in the abbey.
00:33:35I'm not drunk.
00:33:36I'm stunned.
00:33:37Officer, if you only knew what was going on in the abbey.
00:33:40No, no.
00:33:41Don't cry.
00:33:42But what am I to do?
00:33:43Well, first of all, if I was you, I should get a new ass.
00:33:46Dad, Dad, stop crying.
00:33:48Oh, no.
00:33:49No, no.
00:33:50Don't cry.
00:33:51But what am I to do?
00:33:53Well, first of all, if I was you, I should get a new ass.
00:33:56Dad, Dad, stop crying.
00:33:58Oh, no.
00:33:59No, no.
00:34:00Dad, Dad, stop crying.
00:34:02Oh, it is the music.
00:34:04Now, off with you.
00:34:30Well, Mr. Lee.
00:34:31Come in.
00:34:32You're hurt, Doctor.
00:34:33And you'll be needing a new hat.
00:34:34That's what the policeman said.
00:34:35Well, don't tell me you've been quarreling with policemen.
00:34:37I tried to stop them burying that fellow in the abbey.
00:34:39But why should you do that?
00:34:40Because there's been a dreadful mistake.
00:34:41There, there.
00:34:42You're all upset.
00:34:43Just a moment.
00:34:44What will she think of me?
00:34:45No, but I tell you there's been a dreadful mistake.
00:34:47There, there.
00:34:48I'm, I.
00:34:49But I must tell you my real name is not.
00:34:51God, you're all upset.
00:34:52Just a moment.
00:34:53What will she think of me?
00:34:58No, but I'm, I'm, I'm.
00:35:00I tell you there's been a dreadful mistake.
00:35:02There, there.
00:35:03No, but I'm, I'm, I tell you there's been a dreadful mistake.
00:35:08There.
00:35:09I tell you, there's been a dreadful mistake.
00:35:11There, there.
00:35:12Oh, but I must tell you, my real name is not Henry Leek.
00:35:16Oh, isn't it?
00:35:16No.
00:35:17Well, what does it matter so long as you haven't committed a murder?
00:35:20But my real name is Priam Farrell.
00:35:22I thought that was your gentleman's name.
00:35:24Well, the doctor thought Leek was me, and I tried to tell him, and he wouldn't let me.
00:35:28I don't know what you're talking about.
00:35:30But can't you understand?
00:35:32I am Priam Farrell.
00:35:33I had a valid call, Leek.
00:35:34He died, and they thought he was me.
00:35:36You mean it's Henry Leek that's buried in the abbey?
00:35:41Yes, of course, yes.
00:35:43Well, if I were you, I should keep perfectly silent about it.
00:35:48You don't believe me.
00:35:49I shouldn't let it worry me.
00:35:51The best thing you can do is to forget it.
00:35:56He doesn't believe me.
00:36:06Give me your coat.
00:36:27Oh, I see your collar's coming, Paus.
00:36:29Well, let me, I can do it.
00:36:31You'll have two funny moles on your neck close together.
00:36:35That's good enough.
00:36:37There.
00:36:39That's better.
00:36:41I hope you're not thinking of taking another position immediately.
00:36:45Position?
00:36:46No, no, of course not, no.
00:36:47It's not necessary, you know.
00:36:49What with your legacy and my income from the brewery shares.
00:36:52Brewery shares?
00:36:54Yes.
00:36:54Father always said, keep your money in beer, Alice.
00:36:57Beer will never fail you in England.
00:36:58And he was right.
00:36:59Here, put this on.
00:37:02You'll be more comfortable.
00:37:04Do you mean that you want to share your income with me?
00:37:07What else?
00:37:08And your home.
00:37:10Why not?
00:37:12Why, Alice, you're wonderful.
00:37:14You even remember the dressing gown.
00:37:17I've wanted someone to look after a long while.
00:37:20Heaven knows you need it.
00:37:21It'll be the beginning of a new life.
00:37:23All the tearing around you, then.
00:37:25Why, I'll be a different person.
00:37:27At least you'll have peace and comfort.
00:37:29Oh, no.
00:37:30It's too fantastic.
00:37:32I bring no end of trouble on us.
00:37:35No more than we can take care of.
00:37:40I'd be born again.
00:37:42That does sound a bit religious.
00:37:45Your milk will be boiling over.
00:37:46Give it a little until IζΎεΏ.
00:37:49I'll tell you, Angel.
00:38:04I can't wait a drink.
00:38:05I love you, Alistair.
00:38:05I give a littleço là .
00:38:07Maybe you didn't drink.
00:38:08Perhaps I have died.
00:38:11I've been gone to heaven.
00:38:11Drink this.
00:38:12I'll wait a little while.
00:38:12But I'll wait.
00:38:14Do you want anything else, love?
00:38:20What are you reading that's so interesting?
00:38:26Oh, I'm sorry.
00:38:30I'm sorry.
00:38:32I'm sorry.
00:38:34I'm sorry.
00:38:36I'm sorry.
00:38:38I'm sorry.
00:38:40I'm sorry.
00:38:42I'm sorry.
00:38:44Oh, Priam Farrell's princely bequest. New gallery of modern art started. Foundation stone, lady eulogies and so on.
00:38:51So, they've begun it. It's taken them long enough.
00:38:53A year.
00:38:55You know, it is true.
00:38:57What's true?
00:38:59I have died and gone to heaven.
00:39:01Silly.
00:39:03And I've got something to show you.
00:39:04What?
00:39:05Close your eyes and follow me.
00:39:08I'm following.
00:39:10Eyes closed.
00:39:12Tight.
00:39:14See nothing?
00:39:16I smell something.
00:39:20It's, uh...
00:39:22It's...
00:39:24It's paint.
00:39:26Oh, I know.
00:39:27You painted the bathroom chair.
00:39:29Bathroom chair indeed. Now, now turn around.
00:39:32Open your eyes. There.
00:39:33You painted the bathroom chair.
00:39:34You painted the bathroom chair.
00:39:35Oh.
00:39:37Did you do that?
00:39:39Yes. How does it strike you?
00:39:41Well, I'm sure it's very beautiful, but what is it?
00:39:45Is that the bridge?
00:39:46Yes, dear, but don't go anywhere.
00:39:48Well, if you don't want me to see it close.
00:39:51You can't take a picture like snuff, you know.
00:39:52What's that red street behind there?
00:39:55There?
00:39:56That's the railway bridge.
00:39:57Oh, so it is.
00:39:59Now, if you were to put a train on it, then people would be sure.
00:40:02Yes.
00:40:04I suppose you'd learn to paint from your...
00:40:05Pretty good, you know.
00:40:06In fact, his debris is good.
00:40:08An old fellow would have got 800 pounds for the like of that.
00:40:11It's wonderful how wonderful people become after they're dead.
00:40:14Oh, there's the postman.
00:40:17Excuse me.
00:40:19I'm sure it's very wonderful, dear.
00:40:22By Jove, I can paint.
00:40:27Well, Alice, she will think me mad.
00:40:35Here's a bit of news.
00:40:36What is it?
00:40:37My brewery shares.
00:40:39We shall get a penny this year.
00:40:40Not one penny unless there's been some mistake.
00:40:42Yes, sir or madam.
00:40:45No.
00:40:47There's been no mistake the brewery has done for it, in fact.
00:40:50This would have been a great surprise to father.
00:40:53Well, whether we get anything or not, I've got pastry to me.
00:41:12Well, you can look.
00:41:13I'm not worrying.
00:41:14I've no patience with worrying.
00:41:16No, I don't want you to worry.
00:41:17Alice, I can always take care of you.
00:41:20If you think I'm going to let you go into another situation, you're mistaken.
00:41:23No, I wasn't thinking of that.
00:41:24Then what were you thinking?
00:41:26Oh, whatever.
00:41:27Because those things they advertise, homework, envelope addressing,
00:41:29and selling grammar phones on commission.
00:41:30They're no good, you know.
00:41:32Look here, Alice.
00:41:33I'm going to sell that picture and anything else that I paint.
00:41:35Please.
00:41:36Please don't bother about money.
00:41:38I won't have you bothering.
00:41:40Why, Alice, you're crying, darling.
00:41:41Yes.
00:41:42Only because I think it's so awfully nice of you, wanting to help like that.
00:41:46Oh, you darling.
00:41:47Another beauty, Mrs. Leak.
00:42:00Isn't it?
00:42:01This'll make Mr. Cohen's eyes pop.
00:42:04I told him he'd have to pay 15 pounds for the next one.
00:42:08It's nice of you to handle these for me, Mr. Simmons,
00:42:11but I wish you'd take a commission.
00:42:13No, indeed.
00:42:14Mr. Cohen always buys a frame.
00:42:17And that's payment enough.
00:42:18You are kind.
00:42:20And how is Mr. Leak?
00:42:21Very well, thank you.
00:42:23Marvellous.
00:42:24He can make money like this.
00:42:25And it's so easy for him.
00:42:27A few hours and it's done.
00:42:29Someday he may be famous.
00:42:31Oh, I hope not.
00:42:32He wouldn't like that.
00:42:34Wouldn't he now?
00:42:35Not in the least.
00:42:37Well, as they say,
00:42:39it takes all kinds of people to make a world.
00:42:42Whoever said that was more than right, Mr. Simmons.
00:42:45More than right.
00:42:46He was, Mrs. Leak.
00:42:49He was indeed, Mr. Simmons.
00:42:53Isn't it a beauty?
00:42:55How much?
00:42:56I told you the last time,
00:42:58the price has gone up.
00:43:00It's 15 pounds.
00:43:02Sixty pounds, Sandberg.
00:43:03All right.
00:43:05Where did you get this?
00:43:06That's my affair.
00:43:07It's good enough.
00:43:08But it's unsigned.
00:43:09Unknown painters are hard to sell, you know.
00:43:11Not that one.
00:43:12How much do you want for it?
00:43:13A hundred pounds?
00:43:14I'll risk that much.
00:43:15I'll send you a check.
00:43:16Thank you, Mr. Oxford.
00:43:17Thank you, Mr. Oxford.
00:43:18And...
00:43:19Fineberg?
00:43:20Yes, sir?
00:43:21It might send me any more of this fellow's things you get.
00:43:22I'll see what I can do.
00:43:23Good luck.
00:43:24I'll send you a check.
00:43:26Where did you get this?
00:43:27Where did you get this?
00:43:28Where did you get this?
00:43:29Where did you get this?
00:43:30That's my affair.
00:43:31Well, no, it's not enough.
00:43:33It's not good enough.
00:43:35But it's unsigned.
00:43:36Unknown painters are hard to sell, you know.
00:43:39You might send me any more of this fellow's things you get.
00:43:42I'll see what I can do.
00:43:46Here's a mystery.
00:43:48What's that, sir?
00:43:49Well, don't you recognize the painter?
00:43:51No, sir.
00:43:52This is a prime pharaoh.
00:43:54Well, how can that be, sir? We've bought up all the pharaohs.
00:43:57We thought so.
00:43:59But there's no doubt this is a pharaoh.
00:44:02Take a cable to Mr. Wythe.
00:44:05Have found another pharaoh.
00:44:08It's usually a fine example.
00:44:12Painting unsigned, but I will guarantee it.
00:44:16I'm sending it to you tomorrow.
00:44:19Oxford.
00:44:26Lovely.
00:44:28Loveliest thing I've ever seen.
00:44:31Silly.
00:44:33It is silly to be in love with one boy.
00:44:35And your wife is silly too?
00:44:37No.
00:44:38My wife is wise.
00:44:39My poor dear.
00:44:40I know so little.
00:44:41She knows how to live.
00:44:43And that's everything.
00:44:45And you've taught me.
00:44:46Well, it's the thing we do most of, isn't it?
00:44:49Yeah.
00:44:50Well, I'm painting better than I ever did.
00:44:52Your last picture brought 50 pounds cigarettes.
00:44:55It's like a fairy tale.
00:44:56It is.
00:44:57Oh, one of your tradesmen.
00:45:02They know better than to come to my front door.
00:45:04Oh, I have to go to work.
00:45:06In any case, you don't have to be paid, you know.
00:45:19Oh, is this Mr. Leek's house?
00:45:21Yes.
00:45:22Could I see him?
00:45:23It's about pictures.
00:45:25Well, won't you come in?
00:45:27Henry.
00:45:28Here's a gentleman come to see you about pictures.
00:45:31Won't you sit down?
00:45:33Good afternoon, master.
00:45:34Good afternoon.
00:45:35Good afternoon.
00:45:36I've been buying some things of yours.
00:45:37And I've traced them, not without difficulty, to the...
00:45:39Picture Framer's shop here.
00:45:40Yes, that's where I sell Mr. Leek's pictures for him.
00:45:41I called to see if by chance you'd anything more for sale?
00:45:43Is that there?
00:45:44Maybe there's a picture here.
00:45:45What have you been thinking about?
00:45:46What's that, ma'am?
00:45:47Yes.
00:45:48No, it's not the same thing.
00:45:49Look, I've been buying some things of yours.
00:45:51And I've been buying some things of yours.
00:45:53And I've traced them, not without difficulty,
00:45:56to the picture framer's shop here.
00:45:58Yes.
00:45:59That's where I sell Mr. Leek's pictures for him.
00:46:00Oh.
00:46:01All I call to see if by chance of anything more for sale.
00:46:03anything more for sale pardon me may I look oh do it's a masterpiece madam yes it is rather
00:46:16pretty when you come to look at it if you care to consider say 500 pounds 500 pounds why Henry
00:46:26that's marvelous I came prepared to spend if you'll kindly count these I never did understand
00:46:39this art business how did you do it Mr. Farrell do what escape from the Abbey what's that I saw
00:46:49Priam Farrell buried in the Abbey so did I and now I'm talking to him Alice you see what comes
00:46:55to admitting strangers do you mind telling us who you are Oxford Parfitt's galleries quite so
00:47:01your old dealer Mr. Farrell and what makes you think I'm Priam Farrell that and the other pictures
00:47:07that I've bought my style is entirely different from Farrell's you try to disguise your brush
00:47:12but your signatures in every stroke but I must ask you to say nothing to anyone about this mad idea
00:47:17of yours it'd be devilish awkward I'm afraid I shall have to ask you to state publicly that
00:47:22your prime Farrell publicly why I've been selling some of your paintings to Mr. Witt of Pittsburgh
00:47:28but my guarantee that they're genuine Farrell's you've no right Mr. Witt has discovered a date
00:47:35in the back of one of the canvases and that date is after your death you see the fix yes it's your fix
00:47:42well Mr. Witt's bringing suit against me for fraud my reputation's at stake I shall have to insist upon
00:47:50your going into the witness box me in the witness box a public cross-examination no no no no I think
00:47:56it's unthinkable I'll have to ask you to go Mr. Oxford and here's your money we can't be under
00:48:01obligation but I bought this picture I must insist upon having it very well take it but you must
00:48:07pardon us I can't have my husband upset I'm sorry Mrs. Farrell good day master
00:48:13you can find your way oh yes thank you now we're in for it I told you I bring down trouble on us
00:48:24if he tells that I'm Farrell I'll never face it reporters publicity I'm there now dear you mustn't
00:48:29get all on wires again come I'll fix your teeth oh well it's I your faculty for remaining calm is
00:48:35amazing well somebody has to keep calm you don't seem to care toughens whether I'm Priam Farrell or
00:48:40not what does it matter to me who you are so long as you're you you can be the Shaw of Persia if you
00:48:45like but I am Farrell honestly I wish I wasn't but I am bless you love it doesn't matter come
00:49:05but that isn't what you said in the first place on the contrary that's exactly what I said
00:49:11oh what a memory you have oh what a memory you have okay yes marmalade no dear who could that be
00:49:25you are Henry after twenty-five years think of it I'm his wife ma'am the rightful Mrs. Henry
00:49:32Leake sir what is it you wish we were determined to get in and in we've got John shut the door yes
00:49:40Henry now mother don't put yourself about where it is Mr. Henry Leake there you are Henry after 25
00:49:49years think of it I'm his wife ma'am the rightful Mrs. Henry Leake and these are my sons who have
00:49:56come with me to see that I get justice what does it mean what does it mean I think you'd all better
00:50:04come and sit down there will you and which of you boys had the idea to keep a middle-aged
00:50:11woman perishing on the doorstep now mama don't get away I think we'd all better have tea now mother do
00:50:21you recognize this man as your husband yes it's a rare long while you're sure he's your husband and
00:50:33our father yes and sorry I am to say it never saw before in my life I never saw him
00:50:40he married me just 25 years ago and a month after our twins were born he just walked out of the house
00:50:50and left me and never a word of explanation I never saw my life I never saw her then how do you explain
00:50:58this marriage certificate sir do you really recognize my husband your husband madam he's the same sort of
00:51:06man and got the same eyes now mother don't give way do you remember Henry how you said you wouldn't
00:51:14be married in a church not for anything but it's strange our son should both be curious and now this
00:51:24dreadful scandal you may shrug your shoulders but you can't shrug us our distance here we are and you can't
00:51:34get away from us you're a a bigamist sir a deserter of women heaven only knows sugar
00:51:42two please two please one please please and how did you happen to find us out at last through an
00:51:52advertisement in the paper put into that mr oxford i need not say madam that you have all our sympathy
00:52:00you mean me i repeat madam you have our sympathies you are not his wife you can never be his wife
00:52:08you are living in the same house with him under circumstances which i hesitate to to name
00:52:14the situation in plain words no i'm afraid would you please hand this to your mother
00:52:20your mother oh john you always wear so clumsy and a clean cloth too oh don't mind please dear will you run
00:52:30into the kitchen and bring me something to wipe this up for you yes dear of course immediately i'll get there
00:52:36i'm afraid so does he mean to come back i'm afraid not there's not the slightest use trying to drive him
00:52:52he can only be led you see he's rather peculiar who knows better than i that he's peculiar he has his
00:53:00good points far be it for me to say anything against him he's often very good to me but a cup of tea mr john
00:53:10you don't mean that he
00:53:14one morning when i was ironing he snatched the hot iron don't don't i know because i've been through
00:53:22you don't mean to say that he threatened you with threatening were only all then he's not changed in all
00:53:30these years he was always so queer queer that's it queer i don't think he's quite right in the head
00:53:42i never wake up in the morning but what i don't think maybe today they'll put him away put him away
00:53:48yes in hanwell or whatever asylum it is they put them in would you please pass the cakes did you say asylum
00:53:58and you have his blood in your veins
00:54:04another cup of tea yes ma'am if you please i think i ought to tell you that this is my house
00:54:10and my furniture he has nothing at all oh is that so
00:54:16so many a blow he's laid on me in anger but all the same i pity him
00:54:24maybe these two strong young men will be able to do something with him but i doubt it he's very strong
00:54:30and he has a way of leaving out at you sudden like i was that relieved when he left the house just now
00:54:36he ought to be prosecuted for bigamy that's what ought to be done most decidedly quite right that would
00:54:44only be justice but then of course he'd deny he's the same henry lee he is i'm sure of it
00:54:50no doubt you could prove it but the trouble with these law cases they're so expensive what with private
00:54:56detectives and that sort of thing yes that's very true and of course there'd be the scandal
00:55:04oh don't mind me i'm innocent but i don't know how it would suit you mr john and mr henry as
00:55:12clergymen to have it known that your own father was in prison
00:55:16i don't know that we'll be able to avoid it this mr oxford's lawyers are already in communication with the police
00:55:24oh i see well in that case we're all in for us i'd better get some hot water excuse me
00:55:40we'd better clear out of this we can go by the front door before he comes back i didn't want to come in the first place
00:55:46no mother don't give way don't give way don't give way so must you go
00:55:58henry henry it's all right they've gone henry
00:56:16no
00:56:28no
00:56:30no
00:56:32no
00:56:34no
00:56:36no
00:56:50no
00:56:52no
00:56:54no
00:56:56no
00:56:58no
00:57:14no
00:57:18no
00:57:20no
00:57:22no
00:57:24no
00:57:26It isn't even hot.
00:57:32Mrs. Leek won't want me if I lose my feet.
00:57:35Poor soul.
00:57:37Those two stout lads, my sons, what about them?
00:57:40How did you get rid of them?
00:57:42By kindness.
00:57:44You know, if Oxford has begun advertising to me,
00:57:47he'll never stop until he gets me into court.
00:57:49Well, what will be, will be.
00:57:51And we won't worry about it.
00:57:56It's not hot.
00:57:59Alice, you don't really believe that I ever married that woman, do you?
00:58:03If there's one thing I'm sure of in this world,
00:58:06it's that you were never married to anyone before you married me.
00:58:09That I will swear to.
00:58:11It is.
00:58:13Oh, it is not.
00:58:15It is, darling.
00:58:16It is not.
00:58:19Oxford claims to find Farrell is alive.
00:58:21Farrell alive.
00:58:22Farrell alive.
00:58:23Farrell alive.
00:58:24The American millionaire has taken Oxford to court.
00:58:26Charges Oxford were selling him Farrells, painted after Farrell's day.
00:58:29Get Oxford.
00:58:30Yes, sir.
00:58:31Get Farrell.
00:58:32Yes, sir.
00:58:33Get Farrell's Farrell.
00:58:34Yes, sir.
00:58:35Get Farrell's Farrell.
00:58:36Yes, sir.
00:58:37Get Farrell's Farrell.
00:58:38Yes, sir.
00:58:39You have been an avid collector of Farrells, have you not?
00:58:50For a number of years.
00:58:52Were you at all surprised or suspicious, when you began receiving unlisted Farrells after Mr. Farrell's death?
00:59:00Surprised but not suspicious.
00:59:02What first aroused your suspicion?
00:59:04Quite by accident.
00:59:05One day, I noticed the Candler's maker's imprint on the back of one of the pictures.
00:59:10And it was dated.
00:59:11What was the date?
00:59:121932.
00:59:14That was two years after Brian Farrell's death.
00:59:18Exactly.
00:59:21How many Farrells in all did you find from Mr. Oxford?
00:59:24Since Mr. Farrell's death?
00:59:25Seven.
00:59:26And you believe them all to be fictitious?
00:59:28I believe them all to be fakes.
00:59:30What did you pay for?
00:59:3211,000 pounds.
00:59:38Is this the picture that was dated?
00:59:40Yes.
00:59:43Is that the mark you...
00:59:47Yes.
00:59:48The picture that was dated.
00:59:55Gentlemen...
00:59:56You see the date?
00:59:571932!
01:00:06Less than a month after the twins were born, he left me.
01:00:11Is that your husband?
01:00:13That gentleman's sitting on the end there?
01:00:15It is.
01:00:21Weren't you in doubt when you first saw him?
01:00:24It's all come over me since.
01:00:27Shouldn't a woman recognize the father of her own children?
01:00:31She should.
01:00:37It's ridiculous.
01:00:39Triam Farrell was a gentleman.
01:00:41This valet was a lout.
01:00:43At the moment I set eyes on him.
01:00:45I packed him off at once.
01:00:47This fight with your cousin when you were children.
01:00:49Tell us what occurred.
01:00:51Well, we fought.
01:00:53Oh, you fought.
01:00:55What did you two naughty boys fight about?
01:00:59About a plum king.
01:01:03I think.
01:01:05And what was the result of this savage encounter?
01:01:13I remember tearing half his clothes off.
01:01:15Ah.
01:01:16Are you sure you remember that?
01:01:18Yes.
01:01:19I remember now.
01:01:21But my cousin had two moles.
01:01:24On his neck.
01:01:26Just below the collar.
01:01:28Can you describe these adornments?
01:01:31One was hairy.
01:01:33One was plain.
01:01:34So.
01:01:35After this correspondence with Mr. Lee.
01:01:37You met Mr. Farrell.
01:01:38Thinking he was Mr. Lee.
01:01:39Yes.
01:01:40And married him.
01:01:41Yes.
01:01:42So he deceived you.
01:01:43No, he told me he was prime father.
01:01:45Then you knew all the time.
01:01:47Well, the poor dear wasn't well and I thought he was imagining things.
01:01:50It was silly of me.
01:01:51When did you first come to believe he was Farrell?
01:01:53The day Mr. Oxford came.
01:01:54The day Mr. Oxford paid your husband five hundred pounds.
01:01:56Yes.
01:01:57Was it the money that induced you to change your mind?
01:01:59Your buried room.
01:02:00Answer the question.
01:02:01Yes.
01:02:02Yes.
01:02:03Yes.
01:02:04Yes.
01:02:05Yes.
01:02:06Yes.
01:02:07Yes.
01:02:08Yes.
01:02:09Yes.
01:02:10Yes.
01:02:11Yes.
01:02:12Yes.
01:02:13Yes.
01:02:14Yes.
01:02:15Yes.
01:02:16Yes.
01:02:17Yes.
01:02:18Yes.
01:02:19Yes.
01:02:20Yes.
01:02:21Sure.
01:02:22Uh-uh,
01:02:23Now, can you show the same to me?
01:02:24Get the same to me, how should you?
01:02:25Answer the question please.
01:02:26I wouldn't have had my husband dragged by such vicious people for the bank of England.
01:02:30These are genuine patterns because.
01:02:39I see, I see, I see.
01:02:42I see.
01:02:45You say your name is Priam Farrow?
01:02:49Yes.
01:02:51I'm sorry, I'm sorry, I'm sorry.
01:02:54I'm sorry, I'm sorry, I'm sorry, I'm sorry.
01:02:58I'm sorry, I'm sorry, I'm sorry.
01:03:01I'm sorry, I'm sorry.
01:03:04I'm sorry, I'm sorry.
01:03:07I'm sorry.
01:03:08I'm sorry.
01:03:09I'm sorry.
01:03:11I'm sorry.
01:03:12I'm sorry, I'm sorry.
01:03:14I'm sorry, I'm sorry.
01:03:16I'm sorry.
01:03:17You say your name is Priam Farrow?
01:03:20Yes.
01:03:21You have been known as Henry Leak?
01:03:23Yes.
01:03:24Which are you?
01:03:25Both.
01:03:26How can you be both?
01:03:27Question, please.
01:03:29Who cares who I am?
01:03:31Question, please.
01:03:33I have no more of this.
01:03:34Ridiculous.
01:03:35Question, please.
01:03:36I have better things to do.
01:03:38You are at work on a masterpiece, no doubt.
01:03:40Oh, some oaf will think it a masterpiece, no doubt.
01:03:44When did you meet Mr. Oxford?
01:03:46Oh, he's been my dealer for many years.
01:03:48When did you meet him?
01:03:50Some weeks ago.
01:03:51When he discovered you a farrow?
01:03:53Yes.
01:03:54Was there a passage of money on this occasion?
01:03:56Five hundred pounds.
01:03:58When he paid you five hundred pounds,
01:04:00you decided you were farrow?
01:04:02He paid me five hundred pounds for a picture,
01:04:06and you discovered you were farrow.
01:04:08He discovered it.
01:04:09You didn't know it.
01:04:10Farrow is buried in the abbey.
01:04:12I wish you let him rest there.
01:04:14Will you answer the question?
01:04:15Why put people in the abbey if that'd be dragged out again?
01:04:18What's the good of the place?
01:04:20He's mad!
01:04:21He's mad!
01:04:22He's mad!
01:04:23He's mad!
01:04:24He's mad!
01:04:25He's mad!
01:04:26He's mad!
01:04:27He's mad!
01:04:28He's mad!
01:04:29Why must you torture him?
01:04:30Will you answer the question?
01:04:31Why must you torture him?
01:04:32Forgive me, Alison.
01:04:33I'm not being tortured.
01:04:35It's all too comic.
01:04:37Or defeat.
01:04:38Will you answer the question?
01:04:39I am Priam Farrell.
01:04:40I have nothing more to say.
01:04:41Have you two moles?
01:04:42Yes.
01:04:43Where are they?
01:04:44On my neck, just below the collar.
01:04:45Will you indicate the spot?
01:04:50Perhaps you will remove your collar and show the moles to the court?
01:04:53No.
01:04:54You would prefer doing it perhaps in his lordship's room?
01:04:55No.
01:04:56But surely.
01:04:57I won't do it anywhere, Molotov.
01:04:58But the law?
01:04:59There is no law that can make me take off my collar.
01:05:01No.
01:05:02You would prefer doing it perhaps in his lordship's room?
01:05:04No.
01:05:05But surely.
01:05:06I won't do it anywhere, Molotov.
01:05:07But the law?
01:05:08There is no law that can make me take off my collar.
01:05:10It must be a law.
01:05:11It must be a law.
01:05:12It must be a law.
01:05:13It must be a law.
01:05:14It must be a law.
01:05:15It must be a law.
01:05:16It must be a law.
01:05:17It must be a law.
01:05:18But the trial cannot proceed unless you remove your collar.
01:05:20It's not my trial.
01:05:21Oh, but it is.
01:05:22You may be put in a Hollywood for a bigamy.
01:05:23I fancy at Hollywood they have a short method with people who won't take off their collar.
01:05:28Ha!
01:05:29England, in order to prove she has a great artist, arrests him for bigamy and shoves him into prison.
01:05:32Very characteristic.
01:05:33Quiet, dear.
01:05:34Now, Mr. Oxford.
01:05:35Do you think my husband entitled to some part of the 11,000 pounds Mr. Witt paid you for his pictures?
01:05:40I'll gladly turn all of it over to him.
01:05:41Less reasonable commission.
01:05:42Well, that's fine of you, Oxford.
01:05:43You won't touch a penny of money, not a penny.
01:05:44I wouldn't dream of asking you too, dear.
01:05:45I shall touch it.
01:05:46Huh?
01:05:47Now, gentlemen, if you wouldn't mind leaving us alone a moment.
01:05:48Certainly, Mr. Farrell.
01:05:49Certainly, Mr. Farrell.
01:05:50Certainly, Mr. Farrell.
01:05:51Now, love, we must be sensible.
01:05:52I don't care if they don't think you're an artist.
01:05:53But I won't have them thinking you're a bigamist.
01:05:54And dragging you off to jail.
01:05:55They wouldn't dare, would they?
01:05:56I'd put nothing past them.
01:05:57Huh?
01:05:58Well, that's fine of you, Oxford.
01:05:59Well, that's fine of you, Oxford.
01:06:00You won't touch a penny of their wretched money, not a penny.
01:06:01I wouldn't dream of asking you too, dear.
01:06:02I shall touch it.
01:06:03Huh?
01:06:04Now, gentlemen, if you wouldn't mind leaving us alone a moment.
01:06:05Certainly, Mr. Farrell.
01:06:06Certainly, Mr. Farrell.
01:06:07Now, love, we must be sensible.
01:06:09I don't care if they don't think you're an artist.
01:06:10But I won't have them thinking you're a bigamist.
01:06:12And dragging you off to jail.
01:06:13They wouldn't dare, would they?
01:06:14I'd put nothing past them.
01:06:15Huh?
01:06:16Come, darling.
01:06:17Show the gentlemen your moles, and we can go along home.
01:06:19Must I?
01:06:20Won't be long.
01:06:21Oh.
01:06:22Gentlemen, my moles.
01:06:23The moles.
01:06:24The moles.
01:06:25The moles.
01:06:26The moles.
01:06:27The moles.
01:06:28The moles.
01:06:29The moles.
01:06:30The moles.
01:06:31The moles.
01:06:32The moles.
01:06:33The moles.
01:06:34The moles.
01:06:35The moles.
01:06:36Order.
01:06:37Deeds.
01:06:38Congratulations.
01:06:39Order.
01:06:40Congratulations.
01:06:41Order.
01:06:42Congratulations.
01:06:43Congratulations.
01:06:44Congratulations.
01:06:45Congratulations.
01:06:46Congratulations.
01:06:47Congratulations.
01:06:48Congratulations.
01:06:50I wonder what our new name will be.
01:06:52Mr. and Mrs.
01:06:53Oh, is it that matter?
01:06:55We'll miss our garden.
01:06:57We'll find another garden.
01:06:59Dear...
01:07:00Dear Henry.
01:07:02You'll always be Henry to me.
01:07:05Nothing could change that.
01:07:07What are you thinking?
01:07:10I'm wondering where they'll bury me the next time.
01:07:13Oh.
01:07:14Oh.
01:07:15Oh.
01:07:16Oh.
01:07:17Oh.
01:07:18Oh.
01:07:19Oh.
01:07:20Oh.
01:07:21Oh.
01:07:22Oh.
01:07:23Oh.
01:07:24Oh.
01:07:25Oh.
01:07:26Oh.
01:07:27Oh.
01:07:28Oh.
01:07:29Oh.
01:07:30Oh.
01:07:31Oh.
01:07:32Oh.
01:07:33Oh.