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05:08¿Estás viendo a alguien más? ¿Estás viendo a alguien más?
05:10¡BIG TALK!
05:12No me da a tu nivel.
05:14No me da como tú.
05:16Desde tu hermosa, ¿por qué no te tomas...
05:23...por qué no te tomas...
05:25...
05:26...
05:27...este.
05:31¿Estás esperando por esto por un tiempo, ¿verdad?
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08:15Quiero adaptar la escena de la escena y quiero dirigirlo.
08:20Claro.
08:22Ok.
08:23Solo una cosa.
08:25Quiero mantener mi identidad como escritora un secreto.
08:29No quiero nadie a saber, especialmente el equipo.
08:33SQ.
08:34¿Estás seguro? Pero ¿por qué mantenerlo un secreto?
08:37Solo quiero que la gente se concentra en la historia.
08:40Ya está, tu secreto es seguro conmigo.
08:43¡Hey!
08:45¡Oh, Dios mío!
08:49¡Deve!
08:50A bit weird.
08:52Ever since news got out about our movie, my phone has not stopped ringing.
08:57Really?
09:03It's Stephanie.
09:08Yeah, just take it.
09:13Hello?
09:14Hello, Miss Wong.
09:15I've heard Liar's Game is being made into a movie.
09:17I'm interested in playing the lead.
09:19Can we arrange an audition?
09:23I'll speak to the writer and I'll let you know.
09:26Thank you, Miss Wong.
09:27What do you think?
09:28Anyone can audition, right?
09:29As long as they're right for the role.
09:30What happened between me and Stephanie is not important here, so...
09:34Okay.
09:35I'll call her back and let her know.
09:36Mm-hmm.
09:37Mm-hmm.
09:38What about me?
09:39Can I be your hero?
09:40Oh, you mean, uh, a film, right?
09:41I've...
09:42I've...
09:43I've never considered anyone else.
09:44I've never considered anyone else.
09:45I think it's worth it.
09:46I don't know.
09:47I've never considered anyone else.
09:48I don't know.
09:49I'll call her back.
09:50I'll call her back and let her know.
09:51I'll call her back and let her know.
09:52Mm-hmm.
09:53¿Qué es yo?
09:59¿Puedo ser tu hero?
10:04Oh, ¿qué te gusta?
10:06A film, ¿no?
10:09No he considerado a alguien más.
10:14I tengo que tomar esto.
10:17¿Hola?
10:17¿Qué?
10:22You know, I'm not just talking about the film, Dorothy.
10:26It's okay.
10:28I can wait.
10:31Waited this long.
10:36Well, well, well.
10:38Look who it is.
10:42Why are you here?
10:44Oh, I see.
10:45You're the production assistant.
10:47Well, do your job.
10:50Get me a water.
10:53Stephanie.
10:55Get your own water.
10:56I'm not your PA.
10:58Look.
10:59It's my first day on set,
11:00and I want to buy coffee for the crew.
11:03Why don't you be a doll
11:04and mark down everyone's order?
11:07Why are you deaf?
11:08I'm not a PA.
11:11Here's your tip.
11:12Go on.
11:14Show some respect, Stephanie.
11:15Do you know who she is?
11:20What were you doing?
11:22Oh, no.
11:23She can't know I'm asking you.
11:27I want to keep my identity as the writer a secret.
11:30I don't want anyone to know,
11:32especially not the team.
11:33What do you mean?
11:38Who is she?
11:42No one but a lower PA, I'm sure.
11:48Isn't that right?
11:49Well, actually, she's...
11:51She's...
11:54Just a PA.
11:55You're right.
11:58So why don't you show me...
12:00a lower PA,
12:01your acting skills?
12:02Maybe I'll be impressed
12:03even by who the girl is myself.
12:06Watch this.
12:07I loved you once.
12:14Or so I thought.
12:17But now I see that it was all just a lie.
12:21A beautiful...
12:23painful lie.
12:26You took everything from me!
12:33My dreams!
12:35My future.
12:40You see,
12:41there's no soul.
12:42That's not acting,
12:43it's just...
12:44reciting lines.
12:47Why don't you show her how it's done?
12:48What?
12:50Go on.
12:54Go on.
12:54I loved you once.
13:19So I thought.
13:22But now I can see.
13:23It was all a lie.
13:26A beautiful,
13:28painful lie.
13:31You took
13:31everything
13:33from me.
13:35My heart.
13:38My dreams.
13:40My future.
13:43And for what?
13:45For your own personal gains.
13:48How is that possible?
14:00Dorothy,
14:01that was perfect.
14:04The role is yours
14:05if you want it.
14:06No!
14:08This role is mine!
14:11I'm the one with the investment.
14:12Without me,
14:13there's no funding for this movie.
14:14Your investment?
14:15Do you even know who she is?
14:18Who is she?
14:24Who is she?
14:25As you know,
14:26no one
14:26but a PA.
14:29Dorothy,
14:29this movie is important to Stephanie.
14:32I mean,
14:32why are you here?
14:33You're not a real actress.
14:34What are you doing?
14:35You're trying to ruin her career.
14:36You're trying to get back at me
14:37by ruining her career.
14:38I'm not ruining anything.
14:40If she can't handle the role,
14:42that's on her,
14:43not me.
14:44You can't blame this on anyone else.
14:46You embarrassed her
14:47in front of everyone.
14:48I mean,
14:48I know what you're doing.
14:49You're the one pulling
14:50all the strings here.
14:51You're trying to make her fail
14:52so you can take her place.
14:54She's using this whole thing
14:55to get to you,
14:56Drake.
14:57She's been jealous from the start,
14:58trying to ruin my chance
14:59just to get back to you.
15:00Okay, no.
15:01I don't want to fight anymore.
15:02Well, I'll just
15:03take a look at the script
15:04and maybe we can
15:05work something out.
15:07You were just so
15:08damn selfish!
15:10You already care about yourself!
15:12Just give Stephanie
15:13her role back!
15:15You know what?
15:15I don't want to do this,
15:19but I will.
15:20I'll take the role.
15:22I'll play the lead.
15:26I'll play the lead.
15:28No way!
15:28You can't be serious!
15:30She's not even a real actress!
15:34Dorothy's performance
15:35was far stronger than yours.
15:37Everyone in the room
15:37can see it.
15:41I'm so glad
15:42you've agreed to do the role.
15:43Right, it's settled then.
15:46The lead roles go to
15:47Christopher and Dorothy.
15:50I will double
15:52my investment
15:52if you give
15:55Stephanie a role.
15:59I never thought
16:00I'd see the day
16:01my ex-husband
16:02would go this far
16:03for his sister-in-law.
16:05I can always count on you,
16:07right?
16:08I will double
16:13my investment
16:14if you give a role
16:15to Stephanie.
16:15You two are just
16:16such...
16:18Okay, look.
16:22If the money's
16:23on the table,
16:23there's no reason
16:24to turn it down.
16:25Let's just
16:25give her a part.
16:27We have nothing to lose.
16:29I guess
16:29that'll be fine.
16:32I'll talk to SQ.
16:33Your father's
16:39production company
16:40is already
16:40the biggest investor
16:41in your movie,
16:42so why take Drake's money?
16:43You don't...
16:44You still have
16:45feelings for Drake.
16:47No!
16:48He's an asshole!
16:51Come on.
16:52I've got an idea.
16:55Why don't we
16:56just give her a character
16:57that'll make her miserable?
16:58Wow, Mrs. Sontaro.
17:03I feel bad now.
17:09I only wish
17:10you didn't have
17:11feelings for Drake anymore.
17:15How did she
17:15land herself the role?
17:17She's practically
17:18a nobody.
17:18No fan base,
17:19no real experience.
17:21Just one good scene.
17:23It doesn't make sense.
17:26Find out everything
17:27you can about Dorothy.
17:29I want all the dirt.
17:37Director,
17:38there must be
17:38a mistake.
17:39I'm only a side character
17:40and not even
17:41in the main scene.
17:43You wanted a role,
17:44we gave you a role.
17:46I came in
17:47with an investment.
17:49You're more than welcome
17:50to take it back
17:51and leave the set.
17:54Even a small role
17:56in SQ's film
17:56is going to do
17:57great things
17:57for your career.
17:58Now is not the time
17:58for you to be
17:59messing around.
18:02Fine.
18:09Two, take one.
18:11Action.
18:12Lily, you are my best friend.
18:13How could you do this to me?
18:14I'm sorry,
18:15but this is...
18:16What the hell are you doing?
18:20It's part of the scene!
18:21Okay, take it again
18:27from the slap.
18:28Action!
18:33Cut!
18:34Stephanie,
18:35why aren't you saying
18:36your lines?
18:37You have to keep going
18:38in the scene.
18:40I think you've had
18:41enough for today.
18:42We'll just try again
18:43tomorrow.
18:43Did you see her face?
18:54Absolute gold!
18:55I mean, she got
18:56what she wanted.
18:57She asks for a role
18:58and that's what we gave her,
18:59so...
19:00Seriously,
19:01her performance
19:01is all over the place.
19:03Maybe we should just
19:04cut down on her screen time.
19:07And we all know
19:08the film's better
19:08without her slowing us down.
19:11You're right.
19:13I'm not gonna let
19:14anyone ruin your story.
19:19So, if you can just
19:21give me something
19:21that's a bit more...
19:24Something about her job.
19:32What's going on
19:32with my scenes?
19:33Why have so many
19:34of them been cut?
19:35It's a collective
19:36decision.
19:39Fuck that!
19:40Let me talk to the writer!
19:42The writer is SQ
19:43and as you know,
19:43they never show their face
19:45so their decision
19:46is final.
19:49I'll see you
19:50on set in five.
20:03Now it all makes sense.
20:05That's the head
20:12of the production company.
20:15No wonder
20:15she got the role.
20:17Let's see how
20:18John's wife
20:19feels about that.
20:20and I'll see you
20:32on the show.
20:33¡Suscríbete al canal!
21:03¡That's enough!
21:08So were you the one who was stalking and secretly taking photos?
21:11What? Scared the truth is going to come out.
21:14Someone had to expose her for who she really is.
21:17So you admitted. You did it.
21:20Damn right I did. And I'd do it again if I had to.
21:25You don't know who you just crossed!
21:27Oh, I know. Just some rich old bastard throwing a tantrum.
21:32I sent those photos to your wife, too.
21:34And now your mistress is about to be exposed.
21:38Yeah. Security.
21:41Stephanie is banned from the studio.
21:42Make sure she never sets foot here again.
21:45You can't just do that.
21:47Oh, but this is insane.
21:48What are you, right?
21:49I'm only telling you the truth.
21:51She is a mistress, a loose woman, a lady of the night.
21:54Is it true that Dorothy is John's sugar baby?
22:04Otherwise, why would he come onto the set and get me banned from the movie?
22:08That's unbelievable.
22:09And he humiliated me.
22:11He had me dragged off the set like a criminal.
22:13You should have seen it.
22:14I'm not going to let her just ruin her reputation like this.
22:19I mean, this whole mess is just making us look like fools.
22:23Dorothy's always been trouble.
22:25I mean, first she goes off with a married man and now this.
22:29I don't know how you put up with her for three years.
22:32You should have got a divorce earlier.
22:36Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:40It's the only explanation.
22:42She's clearly nothing but a slut.
22:46Drake, Stephanie is your sister-in-law.
22:50Now you need to take care of her and forget about Dorothy.
22:54Can't you see she's the one behind all of this?
22:56She was sleeping her way to the top,
22:59killing Stephanie's unborn child.
23:02And John dragging her off the set.
23:05You should be sticking up for Stephanie.
23:10I'm not going to let her do this to you.
23:26Do you think you can just walk away from what you did like nothing happened?
23:29I didn't walk away from anything.
23:31You did.
23:32You chose Stephanie over me.
23:34Remember this one?
23:35And she's my sister-in-law.
23:36I'm so sick of hearing this.
23:38You have feelings for her and I'm just tired of it.
23:42You're out of your mind if you think I'm going to let you get away with this.
23:46You do what you want to do.
23:48But for now, get out!
23:51Why?
23:57We were married for three years.
23:59We never...
23:59Oh, God, you fucking might let go of me!
24:02No wonder you want me to go.
24:14Just look at yourself.
24:17You're not half the man Christopher is.
24:20Get out.
24:22Or I will call the cops.
24:24Just go!
24:25Are you okay?
24:40Dorothy?
24:41Yeah?
24:42Remember, safety first.
24:44The lifeguard's right there if you need him.
24:46Okay.
24:49Anything you need, let the AD know.
24:51Okay.
24:52Got it.
24:52Got it.
24:53Here's a coffee for you.
25:02Thank you.
25:03It's still early before the shoot.
25:05Take your time.
25:05There's a coffee for you.
25:16Gracias por ver el video.
25:46Gracias por ver el video.
26:16¿Dónde está el lifeguard?
26:18¿Dónde está el lifeguard?
26:29¿Dónde está el lifeguard?
26:35¿Dónde está el lifeguard?
26:47¿Dónde está el lifeguard?
26:49¿Dónde está el lifeguard?
26:50¿Dónde está el lifeguard?
26:51¿Dónde está el lifeguard?
26:52¿Dónde está el lifeguard?
26:53¿Dónde está el lifeguard?
26:55¿Dónde está el lifeguard?
26:57¿Dónde está el lifeguard?
26:59¿Dónde está el lifeguard?
27:01¿Dónde está el lifeguard?
27:03¿Dónde está el lifeguard?
27:13¿Por qué se hizo eso?
27:13No, no, no, no, no, no, no.
27:43No, no, no, no, no, no.
28:13Are you still hung up on her?
28:15No.
28:17It's not like that.
28:18I'm just trying to be helpful.
28:19Don't you remember, Drake?
28:22She's the one who had me kicked out of the movie.
28:25She's the one who killed my baby.
28:27Not just my baby, but Nick's baby.
28:30I know I just have sister-in-law.
28:32Whatever happened between us is in the past.
28:34But I have no one now.
28:37No husband.
28:39No baby.
28:41I have left as you.
28:45Haven't you seen through Dorothy yet?
28:47She's nothing but a slut, sleeping her way to the top.
28:49You don't know that.
28:52You know her right.
28:54What else would John come onto the set and stand up for her?
28:57Not just John, but Christopher too.
28:59She's sleeping around with anyone she can find.
29:01She's a whore.
29:02You want war?
29:14I'll give you war.
29:19Do it.
29:21Make sure Dorothy feels every bit of it.
29:24Breaking news.
29:29Unknown actress seduces Hollywood heartthrob.
29:32Rising star or opportunist.
29:35Actress Dorothy's shocking affair with Christopher.
29:37Christopher's new flame for a heartless gold digger.
29:40Dorothy!
29:42Liar!
29:43Have a great day!
29:45This is getting out of hand.
29:48Maybe we should just reveal her real identity.
29:51Let everyone know she's not just some random actress.
29:54There is a note.
29:59Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:02There's someone behind this.
30:05And whoever they are, I'll make them pay.
30:13Fuck off.
30:21This just can't be right.
30:24I die in the second scene.
30:28This must be Dorothy and John forcing SQ to cut me out.
30:32They won't get away with this.
30:39Tray, can you believe this?
30:41They've completely written me out of the script.
30:43Do you remember when Nick was lying in that hospital bed?
30:47You promised him you'd look after me.
30:49I've already lost my husband and my baby.
30:52I can't lose my career too.
30:53Don't worry.
30:55I'll get you your character back.
30:56There's a tape of a documentary that apparently SQ has always wanted.
31:16So, if we win this bid and we gift it to them, we should be able to get you your role back.
31:22Up next, a rare gem.
31:27The original film documentary, chronicling the creative journey of none other than herself.
31:33Legendary screenwriter, Margaret Lane.
31:36$50,000.
31:37What's she doing here?
31:42I don't know.
31:44I'm not going to let her win this.
31:46$60,000.
31:50$70,000.
31:52$100,000.
31:58This is my grandmother's documentary.
32:00It's her legacy.
32:02She's the one who inspired me to become a screenwriter.
32:05I can't let her fall into the wrong hands.
32:10$500,000.
32:20$500,000.
32:20$500,000.
32:22I'm trying to get you your role back.
32:25Don't worry.
32:26I've got it coming.
32:28Ladies and gentlemen, we are down to the final bid.
32:32Standing at a whopping $500,000.
32:35$500,000 going once.
32:39$500,000 going twice.
32:42Sold.
32:43To the lady in the blue dress.
32:44Thank you.
32:52I can't believe this.
32:54You have no right to take that film reel with you.
33:01You have no right to take that film reel with you.
33:03Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:20Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:26This is ridiculous.
33:28I was invited.
33:29Well, in that case, may I see your invitation?
33:38I did have it, I swear.
33:39I'm sorry, Miss Dorothy.
33:41If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
33:46This is the protocol.
33:47Oh, you don't understand.
33:48I'm sorry.
33:49I'm sorry.
34:08These are the rules.
34:10The documentary reel will go to the honourable couple.
34:19Thank you.
34:32Stephanie, wait.
34:34Just sell it to me.
34:36Name your price.
34:37I'll pay you anything you want.
34:38It's really important to me, please.
34:40Why are you doing this?
34:43Are you just trying to get my attention by going after something that Stephanie wants?
34:47No, you don't understand.
34:48Just let me buy this.
34:52Whatever it takes.
34:54Dorothy.
34:55You think this is about money?
34:57Please.
34:58This isn't something you can just buy.
35:01Dorothy.
35:02What the hell are you doing?
35:04Why do you always have to go against her like that?
35:05This reel is important to Stephanie.
35:07She can use this to help her career.
35:10Her career?
35:12Is this about your role being cut from the head?
35:15Is that why you're doing this?
35:18I'm the writer.
35:21I'm going to fix this.
35:22I'm going to rewrite the story and bring your character back.
35:25Just...
35:25Just let me have the real things.
35:28You're the writer.
35:30Are you telling me that you're SQ?
35:32You, the writer SQ, could you give us a break?
35:39Look, this reel is important to Stephanie.
35:43End it.
35:44Don't make this harder than it has to be.
35:47You've been with Dorothy for so long, and you don't even know her.
35:50Oh, and you do.
35:52A hell of a lot more than you.
35:53What the fuck do you think you are?
35:54Both of you, calm down.
35:55Scratched all over.
36:10It's ruined.
36:11Not even fit to be a gift anymore.
36:13I can fix this.
36:15Stephanie, I know someone who can restore it.
36:17Just sell it to me.
36:18Please, just name your price.
36:19Please, even if I had no use for it, I'd never give it to you.
36:25I want to be a writer like you, Grandma.
36:55I want to make movies like you do.
36:58This reel has more than pictures and sound on it.
37:03Really?
37:04An entire world I've captured.
37:07But it's just one way of seeing things.
37:10The magic is creating it yourself.
37:13Someday you will.
37:14Dorothy, I need you to go apologize to Stephanie and give her her role back.
37:32Apologize?
37:32To her?
37:34She destroyed the reel.
37:35And she wouldn't have done that if you hadn't pushed her.
37:42So go apologize or I'm pulling my funding.
37:45Look, Dorothy.
37:47Let's be real here.
37:49Without Stephanie, who's going to invest?
37:53Even the production company will call out if they hear that she's not involved anymore.
37:56Her name carries weight.
37:57Let's not pretend that your reputation is exactly stellar right now.
38:02Christopher's fans hate you.
38:03Stephanie's fans hate you.
38:05Even if you actually make this film, no one's going to support you.
38:09You will be buried.
38:13If you apologize to Stephanie now, I can help you.
38:17I can control the press.
38:20I can control the narrative.
38:22I can actually give you a chance.
38:26What's so funny?
38:29What's so funny?
38:31Pull your funding.
38:33Do it.
38:34You'll see it does nothing for the movie.
38:36Okay.
38:37So what if I tell the production head to pull his funding too?
38:41Didn't I tell you that I know Mr. Bennett?
38:43Oh.
38:45Go ahead.
38:46Quiet.
38:46You want me to call?
38:48Mm-hmm.
38:50Fine.
38:55Hi, Mr. Bennett.
38:56It's Drake.
38:57Drake Mossbacher.
38:58Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
39:02I've seen it and it's a sinking ship.
39:05You're pulling out?
39:07Great.
39:07I'll take full control of the investment.
39:09Not a problem.
39:10So you're stuck with him?
39:20That's why he's supporting you, isn't it?
40:16I've had enough, Drake.
40:18You were my prison.
40:20So just go back
40:21to your precious Stephanie.
40:27Let's just go.
40:37Why are you hurt?
40:38Are you okay?
40:46Steph, what are you doing?
40:47Well, you want me, don't you?
40:49Just kiss me.
40:49I'm all yours.
40:50Steph!
40:51You're Nick's wife.
40:52I've always thought of you like a sister.
40:55Sister?
40:57Funny.
40:58Don't you remember when you came to me
40:59the night Nick and I got married?
41:01Don't you remember what you said?
41:04Remember this?
41:05Yeah.
41:06Why not marry Stephanie?
41:08God.
41:09You were practically begging me
41:10not to marry Nick.
41:11No, I shouldn't have said that.
41:12I shouldn't have said that.
41:12I don't see that.
41:16What's that?
41:17Oh, it's nothing.
41:19What is that?
41:19No, Drake, no.
41:20Please.
41:23You lied about this.
41:27You lied about this.
41:31You said that Dorothy
41:32pushed you into the water
41:34but this shows you
41:34shoving her in.
41:36It's a glitch.
41:38A glitch.
41:39So, do you actually
41:40expect me to believe that?
41:42What's this?
41:43You find pills
41:46off the black market.
41:48Don't want to hit your pregnancy.
41:51It's you.
41:51First time
41:52when you blamed Dorothy
41:53like some sort of scapegoat
41:54and she was innocent
41:55the whole time.
41:56Please, no.
41:57You have to believe me.
41:58I didn't...
41:59Do you know what?
41:59I've always thought of you
42:00like a sister.
42:02I've always taken care of you.
42:03I even thought
42:03that I loved you once
42:04but that was before
42:04you were Nick's wife.
42:08You've changed.
42:12You've changed.
42:12You're not the person
42:15I thought you were.
42:18I only looked after you
42:19because I thought
42:20it was my duty
42:20as Nick's brother
42:21to look after his widow.
42:23I guess there's no need
42:25to look after you anymore, eh?
42:27What does that mean?
42:29You're just going to
42:29throw me away?
42:31I'm not going to
42:31throw you away
42:32but this is my house.
42:36I'm not back.
42:37I hope you'll be gone.
42:39But you can't just
42:40walk away from me like that.
42:41I've said everything
42:41that I need to say.
42:43Now I'm going to go find
42:43the person
42:44that I actually care about.
42:50Dorothy.
42:51This is all your fault.
42:56Let's take this bitch down.
42:58Don't you want to say please?
43:15No.
43:17I was wrong.
43:20I misunderstood everything
43:22about you
43:22and about us.
43:27Can you please
43:27just hear me out?
43:29You think you can just
43:30come here
43:31and apologize?
43:33After everything?
43:34I didn't mean to hurt you.
43:37Look, I understand
43:38what I did
43:38but it was just because
43:39it was definitely
43:39anyone.
43:40Can you please
43:41just forgive me?
43:42I don't need
43:44your apology, Drake.
43:46You let me down.
43:48You abandoned me
43:49when I needed you
43:50the most.
43:52You used me,
43:54manipulated me
43:55and now you beg
43:56for my forgiveness.
43:58Oh God, please
43:59just don't show me out.
44:00I can fix this.
44:02I can fix it.
44:02I can do anything,
44:04Dorothy, please.
44:04Just...
44:05No.
44:07You were never
44:08the person
44:09I thought you were.
44:11And I'm not either.
44:13I've moved on.
44:15I don't need you.
44:20Not like I used to.
44:22Just like
44:23after everything.
44:25Yeah, that's it.
44:35I deserve better than this.
44:59We did it.
45:05Before you all
45:07celebrate this movie,
45:08there's something
45:09you should know.
45:10Dorothy
45:11is nothing but
45:12a homewrecker.
45:13What's going on?
45:15A glorified mistress
45:16who's been playing
45:17the part of a
45:18wonderful actress
45:19when all she's
45:20really done
45:20is ruin lives.
45:24This is true, Dorothy.
45:25You're involved
45:25with a married man.
45:26What's your response
45:27to Stephanie's claim?
45:31This is ridiculous.
45:33Let's talk about
45:34how she got here.
45:36Shall we?
45:37She didn't get here
45:38off her talent.
45:39Oh, no.
45:40She got here
45:40by clinging
45:41to powerful men.
45:44No real experience.
45:45No skill.
45:46Just a man's name
45:47and a man's money.
45:49Security!
45:50Get her out of here.
45:51Wait.
45:52If she has something
45:53to say,
45:53let's hear it.
45:55Dorothy,
45:56it's a trap.
45:57I'm not afraid
45:57of the truth.
45:59Let's see
46:00what she's got.
46:04What's going on?
46:05So tell us, Dorothy.
46:07How did you get here?
46:09Did you use
46:10your relationship
46:11with John Bennett
46:12to land the part?
46:13Homework, are you saying?
46:31Is there something wrong
46:32with me appearing
46:32with my own dad?
46:34You're the one
46:34who sent me this photo,
46:35right?
46:36How about you take
46:37another one?
46:38This time,
46:39of my lovely family
46:40of three.
46:41Dorothy, Dorothy.
46:42Dorothy.
46:42Are you really
46:43John Bennett's daughter?
46:44Yes.
46:45I bet you never
46:46ask my last name.
46:47It's Bennett,
46:48by the way.
46:50So, Dorothy
46:51is the producer's
46:52daughter.
46:54Dorothy,
46:55so,
46:55did you use
46:56your father
46:56to get the part?
46:57So,
46:59it's just nepotism,
47:00then.
47:04Well, even if
47:05she didn't fuck
47:06her way to the top,
47:07she still only got here
47:07through her connections.
47:08Whether you like it
47:09or not,
47:10my performance
47:11speaks for itself.
47:12And everyone here
47:13saw it.
47:14She was actually
47:14really good.
47:15Yeah, she handled
47:16the models.
47:17Or are you saying
47:18that everyone here
47:18is wrong?
47:19You think you're
47:20so clever,
47:21don't you?
47:22Fine.
47:23You can act
47:24a little bit,
47:25but let's be real.
47:26You didn't land
47:27this role on your own.
47:28You just snapped
47:29your bony little fingers
47:30and let daddy
47:31give you a role.
47:32How else
47:33would a nobody
47:33like you
47:34have landed yourself
47:35the lead otherwise?
47:36Dorothy isn't
47:37just a nobody.
47:38She wrote
47:41Liar's Game.
47:43She is SQ.
47:48Dorothy is SQ.
47:50How can that
47:51be possible?
47:52Liar's Game is a
47:53masterpiece.
47:54There's no way
47:54you could have
47:55written it.
47:56You don't have to
47:56believe me.
47:57Just let the credit
47:58speak for itself.
47:59How can it be true?
48:07It's so unhappy.
48:09Dorothy Van Eyck,
48:11you're the daughter
48:11of the producer
48:12and the famous writer
48:13SQ.
48:14Why did you keep
48:14your identity
48:15a secret so long?
48:18Why did you keep
48:19your identity
48:20a secret so long?
48:21Stephanie Marsbecker,
48:22Linda Marsbecker
48:23and Ellie Marsbecker.
48:24I'm arresting you
48:25on suspicion of defamation.
48:26No, no, no, no.
48:27I didn't do anything
48:28wrong.
48:28This was all
48:28Stephanie's idea.
48:29I didn't do anything.
48:37This whole time
48:38she was actually
48:39telling the truth.
48:41Dorothy's SQ.
48:43She's genius.
48:44That's why she always
48:47had a book in her hand.
48:50Always writing
48:51something on her
48:52laptop, always
48:52lost in her thoughts.
48:56I didn't even see her.
48:59I guess I was blind
49:00all along.
49:02I don't deserve that.
49:07I mean...
49:08I've missed this place.
49:25Don't you remember?
49:27Of course I do.
49:28We saw so many films here.
49:31We would just
49:32stay in our seats
49:33and talk
49:35about life
49:36and everything.
49:36I don't know.
49:38But you just
49:39made me feel
49:39like I could face
49:40more anything, really.
49:45God, I used to be
49:46so nervous back then
49:47about everything
49:49of the future.
49:53But you just
49:53made me feel
49:54like I could face
49:55more anything, really.
49:57No.
49:59Someone had to be there
50:00to make sure
50:01you didn't overthink
50:01everything.
50:03I remember you used
50:03to unpick
50:04every little detail
50:05like it was
50:06a life or death
50:06situation.
50:07You know, Dorothy,
50:13life's not been
50:15the same without you.
50:20Even when we
50:20parted ways,
50:21I...
50:22I always knew
50:24that we would
50:24find each other again.
50:28I don't care
50:28what we've been through.
50:31I don't care
50:31what's happened.
50:32all I know
50:33is that I need you now.
50:38More than ever.
50:39And the award
50:54for Best Adapted Screenplay
50:56goes to...
50:57Dorothy Bennett
50:58with Liar's Game!
51:00Wow.
51:04Best Screenplay.
51:07Well, shall I start
51:07calling you
51:08Your Majesty?
51:09I think that's
51:09a great idea.
51:11Why don't I start now?
51:13You deserve this.
51:15Your Majesty.
51:17Every bit of it.
51:19Now,
51:20since you've won,
51:23I think this calls
51:23for a reward.
51:24Oh, yeah?
51:28And what would that be?
51:32Me.
51:36Yeah.
51:36She's worth it.
51:48I'm sure.
51:48You believe me?
51:49Get a photo.
51:50Get a photo.
51:50Get a photo.
51:55ink
51:55Get a photo.
52:00Get a photo.
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