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#Best Drama
#Full Drama
#New Drama
Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars
00:15Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought-after screenwriter.
00:24Three years later, I fell in love with Drake,
00:27giving my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:55Look, you know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:12Well, I think Drake's idea is great, and it could be really good for us.
01:19But the risk is way too high.
01:21Dad, please.
01:23Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:35Think about it, Dorothy.
01:36Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:57Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:04It's the perfect time.
02:12Oh, my God.
02:13Oh, my God.
02:14Dorothy just pushed Stephanie into the pool.
02:16What?
02:22Quick, save Stephanie.
02:24She's carrying Nick's baby.
02:28Quick, get in there.
02:30He chose Stephanie over me.
02:48My baby.
02:49My baby is gone.
02:51Why would you do this to me?
02:55How dare you?
02:56You pushed Stephanie into the pool to try and kill her
02:59and her unborn baby.
03:00Are you happy now that Stephanie's baby's gone?
03:02I didn't do it.
03:03I know you don't want me here.
03:05I told you whatever happened between me and Drake is in the past.
03:09You can hate me however you want to,
03:10but how could you be so cruel as to kill my unborn child?
03:14I didn't do it.
03:14You know me, I would never do that to Stephanie.
03:18Apologize to Stephanie.
03:20I'm not going to apologize for something I didn't do.
03:22Apologize to Stephanie right now or I will divorce you.
03:29If you apologize right now,
03:36then I'm willing to give you another chance.
03:42It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:50I already have a life.
03:52And right now I just want to focus on being
03:54my marriage with Drake.
03:58I thought you would always be by my side,
04:00but I was wrong.
04:02The only reason you're allowed to stay by Drake's side
04:05is because you're nothing more than a free maid.
04:07Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:14Fine.
04:17Let's get a divorce.
04:18There's nothing left in my heart.
04:27Drake's nothing without me.
04:30Ah!
04:31My ring!
04:33My ring is gone!
04:35Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45Yes?
04:45We were married for three years.
04:47Were you seeing someone else?
04:49Of course she was.
04:50She'd probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:57And what about you?
04:58Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:03I only look after Stephanie because she's my brother's widow.
05:08But you actually seeing someone else?
05:10Who is he?
05:10Big talk!
05:12Don't bring me down to your level.
05:13I'm not like you.
05:16Since your sister-in-law lost her ring.
05:22Why don't you take...
05:25This one.
05:31You've been waiting for this for a long time, haven't you?
05:33Bye.
05:34Bye.
05:34Bye.
05:35Bye.
05:35Bye.
05:37Bye.
05:39Bye.
05:39Bye.
05:41Bye.
05:42Bye.
05:43Bye.
05:43Bye.
05:43Bye.
05:44Bye.
05:45Bye.
05:46Bye.
05:47Bye.
05:48Bye.
05:49Bye.
05:50Bye.
05:51Bye.
05:52Bye.
05:53Bye.
05:54Bye.
05:55Bye.
05:56Bye.
05:57Bye.
05:58Bye.
05:59Bye.
06:00Bye.
06:01Bye.
06:02Bye.
06:03Bye.
06:04Bye.
06:05Bye.
06:06Bye.
06:07Bye.
06:08Bye.
06:09Bye.
06:10Bye.
06:11Bye.
06:12Bye.
06:13I can't let him do this to you.
06:15If it weren't for you, I would not have considered investing in his company.
06:19We're going to pull our investment immediately.
06:21Yes, it's time to cut him off.
06:23He doesn't deserve you.
06:25I'm over Drake.
06:27If we withdraw the plans now, it's going to hurt the family business.
06:32He's not worth it.
06:34Honey, why don't you just take a vacation?
06:38Oh, just put all this aside and take some time out for yourself.
06:43Yeah.
06:46No.
06:50I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
06:59You know, Christopher has been saying that many people want to buy the movie, right?
07:03Still are as good.
07:05Universal, Paramount.
07:07Every major studio wants this.
07:12Fire's Game.
07:13Your story on the big screen.
07:15If you're in, I'd be happy to be the one headlining it.
07:18Oh.
07:19So that's why they're making it.
07:20Because of you.
07:21I'm sorry, Christopher Santoro.
07:24See?
07:25They're not funding the film.
07:27They're funding you.
07:28Wrong.
07:29They're funding the story.
07:31It's more than good.
07:33It's phenomenal.
07:35Christopher is right.
07:37I'm taking my life back.
07:43I'm going to adapt it myself.
07:46You are?
07:47Yes.
07:48I will.
07:50Good for you.
07:52I won't tell anyone I'm asking you.
07:54Congratulations to Aria Wong for winning the best director.
08:11This is my close friend from college.
08:13Aria.
08:15I need your help.
08:16I want to adapt the lights game myself.
08:18And I want you to direct it.
08:21Of course.
08:23All right.
08:24Okay.
08:25There's just one thing.
08:26I want to keep my identity as the writer a secret.
08:30I don't want anyone to know.
08:33Especially not the team.
08:34SQ.
08:35Are you sure?
08:36But why keep it a secret?
08:38I just want people to focus on the story itself.
08:41Got it.
08:42Your secret's safe with me.
08:44Hey.
08:46Oh my God.
08:47That's weird.
08:49Jeff.
08:51It's a bit weird.
08:53Ever since news got out about our movie, my phone has not stopped ringing.
08:57Really?
09:04It's Stephanie.
09:08Yeah, just take it.
09:13Hello?
09:14Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:18I'm interested in playing the lead.
09:20Can we arrange an audition?
09:24I'll speak to the writer and I'll let you know.
09:27Thank you, Miss Wong.
09:30What do you think?
09:33Anyone can audition, right?
09:34As long as they're right for the role.
09:38What happened between me and Stephanie is not important here, so...
09:42Okay.
09:43I'll call her back and let her know.
09:46Mm-hmm.
09:55What about me?
09:57Can I be your hero?
10:04Oh, you mean, uh...
10:06A film, right?
10:09I've...
10:09I've never considered anyone else.
10:14I have to take this.
10:16Hi.
10:17You know, I'm not just talking about the film, Dorothy.
10:26It's okay.
10:28I can wait.
10:31Waited this long.
10:32Well, well, well, well, look who it is.
10:42Why are you here?
10:43Oh, I see.
10:44You're the production assistant.
10:47Well, do your job.
10:50Get me a water.
10:51Stephanie.
10:51I'm not your PA.
10:52Look.
10:52It's my first day on set, and I want to buy coffee for the crew.
11:02Why don't you be a doll and mark down everyone's order?
11:06Are you deaf?
11:07I'm not a PA.
11:09Here's your tip.
11:10Go on.
11:11Show some respect, Stephanie.
11:13Do you know who she is?
11:14What were you doing?
11:15Oh, no.
11:16She can't know.
11:17I'm asking you.
11:18I want to keep my identity as the writer a secret.
11:21I don't want anyone to know, especially not the team.
11:23What do you mean?
11:24Who is she?
11:25No one but a lower PA, I'm sure.
11:27I'm not sure.
11:28I'm not sure.
11:29You're not sure.
11:30I'm not sure.
11:31I'm not sure.
11:32I'm sure.
11:33I'm not sure.
11:34I'm not sure.
11:35I'm sure.
11:36I'm sure.
11:37I'm sure.
11:38I'm sure.
11:39I'm sure.
11:40I'm sure.
11:41I'm sure.
11:42I'm sure.
11:43I'm sure.
11:48Isn't that right?
11:49Well, actually, she's...
11:53She's just a PA.
11:55You're right.
11:58So why don't you show me a lower PA, your acting skills?
12:02Maybe I'll be impressed even by who the girl is myself.
12:06Watch this.
12:07I loved you once.
12:08Or so I thought.
12:09But now I see that it was all just a lie.
12:10A beautiful.
12:11Painful lie.
12:12You took everything from me.
12:13My dreams.
12:14My future.
12:15See?
12:16There's no soul.
12:17But that's not acting.
12:18It's just a lie.
12:19I'm sure.
12:20I'm sure.
12:21I'm sure.
12:22I'm sure.
12:23I'm sure.
12:24I'm sure.
12:25I'm sure.
12:26I'm sure.
12:27I'm sure.
12:28I'm sure.
12:29I'm sure it works.
12:30That's not acting.
12:31It's just reciting lines.
12:34Why don't you show her how it's done?
12:36What?
12:37You see, there's no soul.
12:41That's not acting, it's just reciting lines.
12:46Why don't you show her how it's done?
12:48What?
12:49Go on.
12:53Go on.
13:07I loved you once.
13:18So I thought.
13:21But now I can see it was all a lie.
13:26A beautiful, painful lie.
13:30You took everything from me.
13:35My heart.
13:37My dreams.
13:40My future.
13:42And for what?
13:45For your own personal gains.
13:58How is that possible?
14:00Dorothy, that was perfect.
14:03The role is yours if you want it.
14:06No!
14:07This role is mine!
14:09I'm the one with the investment.
14:11Without me, there's no funding for this movie.
14:13Your investment?
14:14Do you even know who she is?
14:16Who is she?
14:18Who is she?
14:23Who is she?
14:24As you know, no one but a PA.
14:28Dorothy, this movie is important to Stephanie.
14:31I mean, why are you here?
14:32You're not a real actress.
14:33What are you doing?
14:34You're trying to ruin her career.
14:35You're trying to get back at me by ruining her career.
14:37I'm not ruining anything.
14:39If she can't handle the role, that's on her, not me.
14:43You can't blame this on anyone else.
14:45You embarrassed her in front of everyone.
14:47I mean, I know what you're doing.
14:48You're the one pulling all the strings here.
14:50You're trying to make her fail so you can take her place.
14:53She's using this whole thing to get to you, Drake.
14:55She's been jealous from the start, trying to ruin my chance just to get back to you.
14:59Okay, no.
15:00I don't want to fight anymore.
15:01Well, let's just take a look at the script and maybe we can work something out.
15:06And you were just so damn selfish!
15:09You already care about yourself!
15:12Just give Stephanie her role back!
15:14You know what?
15:16I didn't want to do this.
15:18But I will.
15:19I'll take the role.
15:21I'll play the lead.
15:26I'll play the lead.
15:27No way!
15:28You can't be serious!
15:29She's not even a real actress!
15:33Dorothy's performance was far stronger than yours.
15:36Everyone in the room can see it.
15:40I'm so glad you've agreed to do the role.
15:44Right, it's settled then.
15:46The lead roles go to Christopher and Dorothy.
15:50I will double my investment if you give Stephanie a role.
15:57You two are just such...
15:58OK, look.
15:59If the money's on the table, there's no reason to turn it down.
16:00Let's just give her apart.
16:01I've never thought I'd see the day my ex-husband would go this far.
16:03For his sister-in-law.
16:05I can always count on you, right?
16:07I will double my investment if you give a role to Stephanie.
16:12double my investment, you'd give a role to Stephanie. You two are just such...
16:20Okay, look. If the money's on the table, there's no reason to turn it down. Let's just give her
16:26a part. We have nothing to lose. I guess that'll be fine. I'll talk to SQ.
16:38Your father's production company is already the biggest investor in your movie,
16:41so why take Drake's money if you don't still have feelings for Drake?
16:47No. He's an asshole. Come on. I've got an idea.
16:55Why don't we just give her a character that'll make her miserable?
17:01Wow, Mr. Santaro. I feel bad now.
17:04I only wish you didn't have feelings for Drake anymore.
17:15How did she land herself the role? She's practically a nobody. No fan base, no real experience.
17:21Just one good scene. Doesn't make sense.
17:24Find out everything you can about Dorothy. I want all the dirt.
17:37Director, there must be a mistake. I'm only a side character and not even in the main scene.
17:43You wanted a role. We gave you a role. I came in with an investment.
17:49You're more than welcome to take it back and leave the set.
17:55Even a small role in SQ's film is going to do great things for your career. Now is not the time
17:58for you to be messing around.
18:02Fine.
18:02Two take one. Action. Lily, you're my best friend. How could you do this to me?
18:14I'm sorry, but this is...
18:19What the hell are you doing? It's part of the scene.
18:26Okay, take it again from the slap. Action.
18:32Cut! Stephanie, why aren't you saying your lines? You have to keep going in the scene.
18:40I think you've had enough for today. We'll just try again tomorrow.
18:51Did you see her face? Absolute gold. I mean, she got what she wanted. She asks for a role and that's
18:58what we gave her, so... Seriously, her performance is all over the place. Maybe we should just
19:05cut down on her screen time. We all know the film's better without her slowing us down.
19:11You're right. I'm not going to let anyone ruin your story.
19:15What's going on with my scenes? Why have so many of them been cut? It's a collective decision.
19:37Fuck that. Let me talk to the writer. The writer is SQ and as you know, they never show their face,
19:45so their decision is final. I'll see you on set in five.
19:50Now it all makes sense.
20:10Now it all makes sense. That's the head of the production company.
20:14No wonder she got the role. Let's see how John's wife feels about that.
20:28Everyone, I have an announcement to make. Today will be Stephanie's last day on set.
20:34You really think I don't see through your little gaze? Somebody will be walking out that door today,
20:44but it won't be me. You really think you can get away with this? Sleeping your way up?
20:54John's wife is on her way. Let's see how you talk your way out of this one. Slut.
20:59That's enough. So were you the one who was stalking and secretly taking photos?
21:11What? Scared the truth is going to come out? Someone had to expose her for who she really is.
21:17So you admitted. You did it. Damn right I did. And I'd do it again if I had to.
21:23You don't know who you just cross. Oh I know. Just some rich old bastard throwing a tantrum.
21:32I sent those photos to your wife too. And now your mistress is about to be exposed.
21:38Yeah. Security. Stephanie is banned from the studio. Make sure she never sets foot here again.
21:44You can't just do that. Oh but this is insane. Why are you right? I'm only telling you the truth. She is a mistress. A loose woman. A lady of the night.
22:01Is it true that Dorothea is John's sugar baby? Well otherwise why would he come onto the set and get me banned from the movie?
22:08That's unbelievable. And he humiliated me. He had me dragged off the set like a criminal. You should have seen it.
22:15I'm not gonna let her just ruin her reputation like this. I mean this whole message is making us look like fools.
22:23Dorothy's always been trouble. I mean first she goes off with a married man and now this.
22:29I don't know how you put up with her for three years. You should have got a divorce earlier.
22:33Stephanie are you 100% sure that Dorothy is John's sugar baby? It's the only explanation. She's
22:42clearly nothing but a slut. Oh! Drake, Stephanie is your sister-in-law. Now you need to take care of
22:51her and forget about Dorothy. Can't you see she's the one behind all of this? She was sleeping her way to
22:58the top. Killing Stephanie's unborn child and John dragging her off the set. You should be sticking up
23:06for Stephanie. I'm not gonna let her do this to you.
23:12Do you think you can just walk away from what you did like nothing happened?
23:29I didn't walk away from anything. You did. You chose Stephanie over me. Remember this one?
23:34And she's my sister-in-law. I'm so sick of hearing this. You have feelings for her and I'm just tired of it.
23:42You're out of your mind if you think I'm gonna let you get away with this.
23:46You do what you want to do. But for now, get out! Why?
23:51We were married for three years. And we never- Oh, your dear. Fuck, I might let go of it!
24:11No wonder you want me to go.
24:12Just look at yourself. You're not half the man Christopher is. Get out. Or I will call the cops. Just go!
24:25Are you okay?
24:40Dorothy? Yeah? Remember, safety first. The lifeguard's right there if you need him. Okay.
24:49Anything you need, let the AD know. Okay. Got it. Got it.
24:55Here's a coffee for you. Thank you. It's still early before the shoot. Take your time.
25:25Give me your coffee for you.
25:47What you got here?
25:52Something's wrong.
26:03That's not acting.
26:04She's in trouble.
26:11Where's the lifeguard?
26:16Where's the lifeguard?
26:22Where the fuck is the lifeguard?
26:48Come on, Dorothy.
26:52Why did you do that?
27:15I'll do anything for you, Dorothy.
27:16Christopher risked everything without hesitation.
27:24How could I have been so blind?
27:25I wasn't expecting that.
27:50Where were you?
27:58Dorothy could have drowned.
27:59I'm sorry.
28:00I had a stomachache.
28:01I had to go to the bar.
28:02Make sure it doesn't happen again.
28:08Do you think that I should call Dorothy just to make sure she's okay?
28:11Are you still hung up on her?
28:15No.
28:17It's not like that.
28:18I'm just trying to be helpful.
28:19Don't you remember, Drake?
28:22She's the one who had me kicked out of the movie.
28:25She's the one who killed my baby.
28:27Not just my baby, but Nick's baby.
28:29I know I'm just her sister-in-law.
28:32Whatever happened between us is in the past.
28:34But I have no one now.
28:37No husband.
28:39No baby.
28:41I have left as few.
28:45Have you seen through Dorothy yet?
28:47She's nothing but a slut sleeping her way to the top.
28:49You don't know that.
28:50You know I'm right.
28:54What else would John come onto the set and stand up for her?
28:57Not just John, but Christopher too.
28:59She's sleeping around with anyone she can find.
29:01She's a whore.
29:02Paul, shut up!
29:12You want war?
29:14I'll give you war.
29:19Do it.
29:20Make sure Dorothy feels every bit of it.
29:25Breaking news.
29:29Unknown actress seduces Hollywood heartthrob.
29:32Rising star or opportunist.
29:35Actress Dorothy's shocking affair with Christopher.
29:38Christopher's new flame for a heartless gold digger.
29:40Dorothy!
29:42Liar!
29:43Have a great day!
29:45This is getting out of hand.
29:48Maybe we should just reveal her real identity.
29:50Let everyone know she's not just some random actress.
29:58No.
29:59Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:02There's someone behind this.
30:05And whoever they are, I'll make them pay.
30:07Fuck off.
30:17This can't be right.
30:22I die in the second scene.
30:28This must be Dorothy and John forcing S.Q. to cut me out.
30:33They won't get away with this.
30:39Craig, can you believe this?
30:41They've completely written me out of the script.
30:44Do you remember when Nick was lying in that hospital bed?
30:47You promised him you'd look after me.
30:49I've already lost my husband and my baby.
30:52I can't lose my career, too.
30:53Don't worry.
30:55I'll get you your character back.
30:58There's a tape of a documentary that apparently S.Q. has always wanted.
31:17So, we win this bid and we gift it to them.
31:20Should be able to get you your robot.
31:24Up next, a rare gem.
31:27The original film documentary chronicling the creative journey of none other than herself.
31:33Legendary screenwriter, Margaret Lane.
31:3650,000.
31:39What's she doing here?
31:41I don't know.
31:44I'm not going to let her win this.
31:4660,000.
31:5070,000.
31:54100,000.
31:55This is my grandmother's documentary.
32:00It's her legacy.
32:02She's the one who inspired me to become a screenwriter.
32:05I can't let her fall into the wrong hands.
32:10500,000.
32:10I'm trying to get you your role.
32:25Don't worry.
32:26I've got it covered.
32:28Ladies and gentlemen, we are down to the final bid.
32:32Standing at a whopping 500,000.
32:34500,000 going once.
32:39500,000 going twice.
32:42Sold.
32:42To the lady in the blue dress.
32:44I can't believe this.
32:54You have no right to take that film reel with you.
33:01You have no right to take that film reel with you.
33:03What's going on?
33:11Um, uh, ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an
33:19invited guest, therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:27This is ridiculous.
33:28I was invited.
33:29Well, in that case, may I see your invitation?
33:33I did have it, I swear.
33:40I'm sorry, Miss Dorothy.
33:41If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
33:46This is the protocol.
33:47Oh, you don't understand.
33:48I'm sorry.
34:03I'm sorry, these are the rules.
34:10The documentary reel will go to the honourable couple.
34:32Stephanie, wait.
34:33Just sell it to me.
34:36Name your price.
34:37I'll pay you anything you want.
34:38It's really important to me, please.
34:40Why are you doing this?
34:43Are you just trying to get my attention by going after something that Stephanie wants?
34:47No, you don't understand.
34:49Just let me buy this.
34:52Whatever it takes.
34:54Dorothy.
34:55You think this is about money?
34:57Please.
34:57This isn't something you can just buy.
35:01Dorothy.
35:02What the hell are you doing?
35:03Why do you always have to go against her like that?
35:05This reel is important to Stephanie.
35:07She can use this to help her career.
35:10Her career?
35:10Is this about you all being cut from the head?
35:15Is that why you're doing this?
35:19I'm the writer.
35:21I'm going to fix this.
35:22I'm going to write the story and bring your character back.
35:25Just let me have to read this.
35:28You're the writer.
35:30Are you telling me that you're SQ?
35:32You're the writer SQ.
35:38Could you give us a break?
35:39Look, this reel is important to Stephanie.
35:43End it.
35:44Don't make this harder than it has to be.
35:47You've been with Dorothy for so long, and you don't even know her.
35:50Oh, and you do.
35:52A hell of a lot more than you.
35:53What the fuck do you think you are?
35:54Both of you, calm down.
35:55Scratched all over.
36:10It's ruined.
36:11Not even fit to be a gift anymore.
36:13I can fix this.
36:15Stephanie, I know someone who can restore it.
36:16Just sell it to me, please.
36:18Just name your price.
36:22Even if I had no use for it,
36:24I'd never give it to you.
36:25I want to be a writer like you, Grandma.
36:55I want to make movies like you do.
36:58This reel has more than pictures and sound on it.
37:03Really?
37:04An entire world I've captured.
37:07But it's just one way of seeing things.
37:10The magic is creating it yourself.
37:13Someday you will.
37:14Dorothy, I need you to go apologize to Stephanie and give her her role back.
37:32Apologize?
37:32To her?
37:34She destroyed the reel.
37:35And she wouldn't have done that if you hadn't pushed her.
37:42So go apologize or I'm pulling my funding.
37:43Look, Dorothy, let's be real here.
37:49Without Stephanie, Barry's couldn't invest.
37:53Even the production company will call out if they hear that she's not involved anymore.
37:56Her name carries weight.
37:58Let's not pretend that your reputation is exactly stellar right now.
38:01Christopher's fans hate you.
38:03Stephanie's fans hate you.
38:05Even if you actually make this film, no one's going to support you.
38:09People will be buried.
38:13If you apologize to Stephanie now, I can help you.
38:17I can control the press.
38:20I can control the narrative.
38:22I can actually give you a chance.
38:26What's so funny?
38:29What's so funny?
38:31Pull your funding.
38:33Do it.
38:34You'll see it does nothing for the movie.
38:36Okay.
38:38So what if I tell the production head to pull his funding too?
38:41Didn't I tell you that I know Mr. Bennett?
38:43Oh.
38:45Go ahead.
38:46Quiet.
38:47You want me to call?
38:48Mm-hmm.
38:50Fine.
38:55Hi, Mr. Bennett.
38:56It's Drake.
38:57Drake Mossbacher.
38:58Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
39:02I've seen it and it's a sinking ship.
39:05You're pulling out?
39:07Great.
39:07I'll take full control of the investment.
39:09Not a problem.
39:10You're pulling out.
39:16So you've sat with him.
39:22That's why he's supporting you, isn't it?
39:22is this how you see me the type of woman who would use her body to get what she
39:28wants what other explanation do you have you know nothing about Dorothy
39:33apologize to Stephanie cut ties with Mr. Bennett and end this Dorothy come back to me whatever
39:42he's offering you I'll match it I'll double it you must be out of your fucking mind what makes
39:48you think I would ever go back to that living hell living hell you heard me being married to you
39:54was a fucking nightmare you made me believe you loved me and then you had me waiting in vain
40:02for three years Drake you said you always protect me but then when I need you the most
40:07stand your back on me who chose your sister-in-law over your wife
40:14I've had enough Drake you were my prison so just go back to your precious Stephanie
40:23why are you hurt are you okay
40:39what is that what are you doing well you want me don't you just kiss me I'm all yours
40:50Steph you're Nick's wife I've always thought of you like a sister sister funny don't you
40:58remember when you came to me the night Nick and I got married don't you remember what you said
41:02remember this yeah why not marry Stephanie you're practically begging me not to marry Nick
41:11what's that oh it's nothing what is that no Drake no please
41:21you lied about this
41:24you lied about this
41:28you said that Dorothy pushed you into the water but this shows you
41:34shoving her in it's a glitch a glitch so do you actually expect me to believe that
41:41what's this
41:43find pills off the black market
41:47don't I hate your pregnancy
41:49it's you this time when you blame Dorothy like some sort of scapegoat and she was innocent the whole time
41:56please no you have to believe me I didn't
41:59do you know I've always thought of you like a sister I've always taken care of you I even thought that I loved you once but that was before you were Nick's wife
42:06you've changed
42:09you've changed
42:13you're not the person I thought you were
42:16I only looked after you because I thought it was my duty as Nick's brother to look after his widow
42:22I guess there's no need to look up to you anymore what does that mean
42:29you're just going to throw me away
42:31I'm going to throw you away
42:33but this is my house
42:35I'm going to back I hope you'll be gone
42:38but you can't just walk away from me like that
42:41I've said everything that I need to say
42:42now I'm going to go find the person that I actually care about
42:45Dorothy, this is all your fault
42:56let's take this bitch down
43:10Dorothy, please
43:13no
43:16no
43:17I was wrong
43:19I misunderstood everything about you and about us
43:23can you please just hear me out
43:28you think you can just come here and apologise
43:32after everything
43:34I didn't mean to hurt you
43:36look I understand what I did but it was just because it was definitely an anyone
43:40can you please just forgive me
43:42I don't need your apology Drake
43:45you let me down
43:47you abandoned me
43:49when I needed you the most
43:51you used me
43:53manipulated me
43:55and now you beg for my forgiveness
43:57oh my god please just don't show me out
44:00I can fix this
44:01I can fix it
44:02I can't
44:03do anything Dorothy please
44:04just
44:05no
44:06you were never the person who thought you were
44:10and I'm not either
44:12I've moved on
44:14I don't need you
44:17I need you
44:21not like I used you
44:23just like
44:24after everything
44:25yeah
44:26that's it
44:27you
44:28I just have better than this
44:39I want to serve better than this.
44:59We did it.
45:06Before you all celebrate this movie
45:08there's something you should know.
45:10Dorothy is nothing but a homewrecker.
45:13What's going on?
45:14A glorified mistress
45:16who's been playing the part of a wonderful actress
45:19when all she's really done is ruin lives.
45:24This is true Dorothy.
45:25Will you be involved with a married man?
45:26What's your response to Stephanie's claim?
45:31This is ridiculous.
45:33Let's talk about how she got here.
45:35Shall we?
45:36She didn't get here off her talent.
45:39Oh no.
45:40She got here by clinging to powerful men.
45:43No real experience.
45:45No skill.
45:46Just a man's name and a man's money.
45:49Security!
45:50Get her out of here.
45:51Wait.
45:52If she has something to say, let's hear it.
45:55Dorothy, it's a trap.
45:57I'm not afraid of the truth.
46:00Let's see what she's got.
46:04What's going on?
46:06So tell us Dorothy.
46:08How did you get here?
46:10Did you use your relationship with John Bennett to land the part?
46:13Homework, are you saying?
46:14Is there something wrong with me appearing with my own dad?
46:19You're the one who sent me this photo, right?
46:20How about you take another one?
46:21This time, of my lovely family of three.
46:22Dorothy.
46:23Dorothy.
46:24Dorothy.
46:25Dorothy.
46:26Dorothy.
46:27Dorothy.
46:28Are you really John Bennett's daughter?
46:29Yes.
46:30I bet you never ask my last name.
46:31It's Bennett, by the way.
46:32So Dorothy is the producer's daughter.
46:33Dorothy.
46:34Dorothy.
46:35Dorothy.
46:36Dorothy.
46:37So, did you use your father to get the part?
46:38So it's just nepotism, then?
46:39No.
46:40No.
46:41No.
46:42No.
46:43No.
46:44No.
46:45No.
46:46No.
46:47No.
46:48No.
46:49No.
46:50No.
46:51No.
46:52No.
46:53No.
46:54No.
46:55No.
46:56No.
46:57No.
46:58No.
46:59So it's just nepotism, then?
47:02Well, even if she didn't fuck her way to the top, she still only got here through her
47:08connections.
47:09Whether you like it or not, my performance speaks for itself.
47:12And everyone here saw it.
47:14She was actually really good.
47:15Yeah, she handled theturns.
47:17Oh, are you saying that everyone here is wrong?
47:19You think you're so clever, don't you?
47:22Fine.
47:23You can act, a little bit.
47:25But let's be real.
47:26You didn't land this role on your own.
47:28You just snap your bony little fingers and let daddy give you a role.
47:32How else would a nobody like you have landed yourself the lead otherwise?
47:36Dorothy isn't just a nobody.
47:40She wrote Liar's Game.
47:44She is SQ.
47:48Dorothy is SQ. How can that be possible?
47:52Liar's Game is a masterpiece. There's no way you could have written it.
47:56You don't have to believe me. Just let the credit speak for itself.
48:02How can it be true?
48:06Stop laughing.
48:10Dorothy Van Eyck, you're the daughter of the producer and the famous writer SQ.
48:14Why did you keep your identity a secret so long?
48:18Why did you keep your identity a secret so long?
48:21Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
48:27I didn't do anything wrong. This was all Stephanie's idea. I didn't do anything.
48:37This whole time she was actually telling the truth.
48:41Dorothy's SQ.
48:43She's genius.
48:45That's why she always had a book in her hand.
48:49Always writing something on her laptop, always lost in her thoughts.
48:53I didn't even see her.
48:57I guess I was blind all along.
49:01I don't deserve her.
49:03I don't deserve her.
49:23I've missed this place.
49:25Don't you remember?
49:27Of course I do.
49:29We saw so many films here.
49:31We would just stay in our seats and talk about life and everything.
49:39But you just made me feel like I could face more about anything really.
49:46God, I used to be so nervous back then.
49:48About everything.
49:50About the future.
49:51But you just made me feel like I could face more about anything really.
49:57No.
50:00Someone had to be there to make sure you didn't overthink everything.
50:03I remember you used to unpick every little detail like it was a life or death situation.
50:12You know Dorothy.
50:15Life's not been the same without you.
50:17Even when we parted ways, I...
50:23I always knew that we would find each other again.
50:28I don't care what we've been through.
50:31I don't care what's happened.
50:32All I know...
50:35Is that I need you now.
50:39More than ever.
50:47More than ever.
50:53And the award for Best Adapted Screenplay goes to...
50:58Dorothy Bennett with Liar's Game!
51:03Wow.
51:05Best screenplay.
51:07What, shall I start calling you Your Majesty?
51:09I think that's a great idea.
51:11Why don't we start now?
51:13You deserve this.
51:16Your Majesty.
51:18Every bit of it.
51:20Now...
51:22Since you've won, I think this calls for a reward.
51:26Oh yeah?
51:29And what would that be?
51:32Me.
51:42Cause según when...
51:43Someone...
51:51You're Bill N要...
51:52With this...
51:53You're called...
51:54Are you saying?
51:56You're you're like...
51:58Oh yeah?
51:59Of 순ver...
52:00It's just lastly.
52:01A few people...
52:02More than ever.
52:03Oh yeah?
52:04So you need it.
52:05With this...
52:06Be that, by...
52:07It still ves Roth...
52:08Go to...
52:10Perfect!
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