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  • 5 months ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Non c'è più di Napoli.
00:01:32Non c'è più di Napoli.
00:01:34Non c'è più di questo.
00:01:35In questa settimana, al primo posto.
00:01:43Shit.
00:01:45What?
00:01:46I can't buy my wallet.
00:01:51In un'acquista?
00:01:52No.
00:01:53No, in un'acquista, no, in un'acquista.
00:01:55In un'acquista.
00:01:56In un'acquista.
00:01:57In un'acquista.
00:02:01She's lost her purse, her purse!
00:02:08Can you give her a minute?
00:02:11You don't know
00:02:13I should have lost her purse, her purse.
00:02:15No, there's nothing, she was just sitting here for a minute.
00:02:19Can you just give her a minute?
00:02:21Can you just give her a minute?
00:02:23Why did I miss her?
00:02:24No, no, no, no!
00:02:25Oh yeah, no!
00:02:26I miss her!
00:02:27Come on, money!
00:02:34Where did you have it last?
00:02:36Oh, no.
00:02:37The train station, I think? The exchange booth?
00:02:43Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card. The number's on file on my computer.
00:03:33Yes, I have them here.
00:03:34Okay.
00:03:35Five, five, three, three.
00:03:36Seven, six, four, five.
00:03:37Eight, seven, eight, seven.
00:03:38Nine, one, five, seven.
00:03:39Five, seven.
00:03:40Five, seven.
00:03:41Five, seven.
00:03:42Five, seven.
00:03:43Five, seven.
00:03:44Yeah.
00:03:45Expires 12.15.
00:03:46No, she'll definitely need another card sent out immediately.
00:03:47We're here for two weeks.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:49We're here for two weeks.
00:03:50No, I'm working here.
00:03:51No, I'm working here.
00:03:52No, she'll definitely need another card sent out immediately.
00:03:53We're here for two weeks.
00:03:54No, I'm working here.
00:03:55No, I'm working here.
00:03:56Yes, on hold.
00:03:57No, I'm working here.
00:03:58No, I'm working here.
00:03:59Yes, on hold.
00:04:00Okay, so...
00:04:01One, two, three, three.
00:04:03Two, three, three.
00:04:05Seven, six, four, five.
00:04:06Two, three, three.
00:04:07Seven, six, four, five.
00:04:09Eight, seven, eight, seven.
00:04:11Nine, one, five, seven.
00:04:12Five, seven.
00:04:13Five, seven.
00:04:14Five, seven.
00:04:15Yeah.
00:04:16Expires 12.15.
00:04:17No, she'll definitely need another card sent out immediately.
00:04:18We're here for two weeks.
00:04:19No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:45And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:48Well, I...
00:04:50I'm going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end,
00:05:05I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have, you know that?
00:05:18I just don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34It has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:00Why do you think he killed himself?
00:06:02Why do you think he killed himself?
00:06:03Why do you think he killed himself?
00:06:11David Foster Wallace?
00:06:13I don't know.
00:06:15You can't get a sense by his writing?
00:06:17You have to read it when I'm done, don't I?
00:06:27Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, do you know?
00:06:40Just so tedious.
00:06:44And of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't I.
00:06:50Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit more than.
00:07:08Love you.
00:07:09Love you too.
00:07:10Love you too.
00:07:11Love you too.
00:07:12Love you too.
00:07:13Love you too.
00:07:35Do you feel alright?
00:07:36You feel okay?
00:07:37Yeah.
00:07:38You feel okay?
00:07:39Yeah.
00:07:40You feel okay?
00:07:45Mm-hmm.
00:08:06Bye.
00:08:15One, two, one, two.
00:08:22One, two, one, two, three, two.
00:08:30Bye.
00:08:31Bye.
00:08:33Bye.
00:08:34What's going on?
00:09:04Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21We get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list, God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19And this man, he had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:15Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:24Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parla tu inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:19Um, Castello Aureganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:46you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great, that's cool.
00:13:59Hey, hey, hey.
00:14:00I used to be an old...
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit, I'm from Massachusetts.
00:14:08That's crazy, that's weird, right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:14Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry, I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:42Any good?
00:14:43Yes, very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle, and I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:37You're making me feel like a stalker, fuck.
00:15:49You want to give me 10, please?
00:15:5010, 10.
00:15:5110.
00:15:5110.
00:15:5210.
00:15:5210.
00:15:5310.
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00:16:0010.
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00:16:0911.
00:16:1011.
00:16:1111.
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00:16:1813.
00:16:1914.
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00:16:3415.
00:16:35Barry?
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:39They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:47But can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:04All those people crammed under this rock.
00:17:10Wow.
00:17:11I know.
00:17:12I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:21No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:35I'm dead fucking serious.
00:17:39I just didn't want to go to college and they paid for me to come over.
00:17:42Before connecting flights, a 72 hour plane ride.
00:17:44But you know, it was worth it.
00:17:46My first time out of the US.
00:17:47How old are you?
00:17:48I'm 19.
00:17:49It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah, so I left the program after like a month.
00:17:58Fuck the relic dolphins!
00:18:00I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry, anyway, so this relative gave me the name of this great-uncle who lives on the island, so I show up, he answers the door, and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall, and he mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I never left that thing.
00:18:51I never where I came in.
00:18:53I never want to do this.
00:18:54I do put it to the 말� shot of.
00:18:56I thought it was scary.
00:18:59If you were doing something, I tried to stress.
00:19:03I tried to do whatever you wanted.
00:19:06I keep writing books.
00:19:08I didn't think nothing.
00:19:09I've done anything.
00:19:11I tried to read it.
00:19:13I could read it.
00:19:16I was sovie it, Har- hurricane.
00:19:17I thought it was really weird.
00:19:18But I was sovie.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36Come on.
00:20:37Come on.
00:20:38Come on.
00:20:39Come on.
00:20:40Come on.
00:20:41Come on.
00:20:42Come on.
00:20:43Come on.
00:20:44Yeah.
00:20:45I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:15All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:28White?
00:21:29Red.
00:21:29Red.
00:21:30Uh-huh.
00:21:31Grazia.
00:21:33So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no, I love to listen.
00:22:18A little tangled up.
00:22:35I don't know.
00:22:36Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy and the only problems.
00:22:52We all have our own private wars, every era, but it was nothing like it.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:23The sort of thing which you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Good job, now.
00:23:43I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:13I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm going to show World War II from a totally different perspective.
00:25:36But...
00:25:38I don't know if it's that interesting.
00:25:48That's the whole point, isn't it?
00:25:50Keeping it interesting for yourself.
00:25:54Maybe.
00:25:55Maybe.
00:25:56Maybe.
00:25:57Maybe I just want to write about nothing.
00:26:01Everything is nothing.
00:26:02All the best.
00:26:03Compliano.
00:26:04Grazie.
00:26:05That's it.
00:26:06Make a wish, huh?
00:26:07Make it great.
00:26:08Okay.
00:26:31I do, I'm not good.
00:26:35From here.
00:26:36What do you mean, Marina?
00:26:37What?
00:26:38I put my hand.
00:26:39Why?
00:26:40Go, go, go.
00:26:41Go.
00:26:42God
00:26:45Why?
00:26:46What do you mean?
00:26:47Station.
00:26:49Stronzo!
00:27:19Stronzo!
00:27:21Stronzo!
00:27:23Stronzo!
00:27:29Yes, that's true.
00:27:31Yes, that's true.
00:27:33I made the check when I went to the bathroom.
00:27:41You're horrible.
00:27:43You're horrible.
00:27:45Let's go.
00:27:47Why are we still running?
00:27:53I don't know why we're still running out.
00:28:06Oh, my gosh.
00:28:14It went up my nose.
00:28:17I'm back.
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:32you're going to have to give me your number
00:28:34for cheap thrills and future crimes committed.
00:28:37No.
00:28:41Fair enough.
00:28:47I've got to go catch a fairy.
00:28:53Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:08On their dashboards.
00:29:19Why?
00:29:23So they can park in handicapped spots.
00:29:25Happy birthday.
00:29:35Oh, my gosh.
00:29:50Oh, my gosh.
00:29:50Oh, my gosh.
00:29:51Please go, please.
00:29:52Oh, my gosh.
00:29:53You may burn around here.
00:29:56Oh, my gosh.
00:29:56I'm sorry.
00:29:57I'm sorry.
00:29:58Please go.
00:29:59Oh, my gosh.
00:30:00I'm sorry.
00:30:04I bet you.
00:30:35You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:30:58Nice.
00:31:28You too.
00:31:29Shit.
00:31:30Jane.
00:31:31Janey.
00:31:33Got some pastries.
00:31:35Still asleep?
00:31:37Jane.
00:31:38Jane.
00:31:39Jane.
00:31:40Janey.
00:31:41Got some pastries.
00:31:45Still asleep?
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24and chocolates and all sorts of things and we used to go to London and we saw
00:32:31Glenn Miller one time we used to go all over the place
00:32:36there were wonderful times I never had an American boyfriend I liked some of
00:32:43them they were nice boys but I I didn't I didn't want to leave my mum and dad wish
00:32:52I had sometimes you know when you were 19 the world just felt so open and carefree
00:32:59and full of possibility you reminded me of that at that time you were 19 when we
00:33:07met yeah I wouldn't have described it as carefree back then not at all well I
00:33:12felt nostalgia or something for youth you're not old Jane we ran out on the
00:33:19bill you just ran what do you mean you ran out on the bill perhaps I'm not
00:33:24explaining it while it was it was fun it was just fun
00:33:32how's work the conductor's actually a descendant of Walter Lake which is
00:33:47fascinating the three of us should plan a dinner before we leave I'd like that
00:33:51yeah
00:33:56okay
00:33:58oh my god this is Caleb
00:34:02hi no no we were just talking about you
00:34:05we were that's so weird sit please sit down join us
00:34:09yeah
00:34:10what
00:34:11You have a chance of a wrap.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay. I already ate, so I'll just grab a coffee or something.
00:34:34Grab the cheque, please.
00:34:37In a cafe, p-p-p-p?
00:34:42Oh, no thank you.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:02Grazie.
00:35:04Grazie.
00:35:05Italian food is so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27They had like a private chef and everything.
00:35:30And they were serving this loaf of meat covered in sauce with all these other loaves.
00:35:35And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:36:00I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:07Um...
00:36:09I have one.
00:36:11What is the definition of perfect pitch?
00:36:17What?
00:36:21When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:29I did.
00:36:30Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:35Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What time to go? Already?
00:36:49Yeah, I'm gonna get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:02Um...
00:37:04I'm thinking...
00:37:05Tibet.
00:37:06Oh, Tibet. Really?
00:37:07Yeah, I just think on the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:18So pretty.
00:37:20How do you support yourself?
00:37:22You know, a bit of this, a bit of that.
00:37:29All right, then.
00:37:31I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:42Okay.
00:37:49I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:52I'll take you somewhere for fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00Iskia.
00:38:02There you go.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:11Okay.
00:38:13Ciao.
00:38:14How stoned are you?
00:38:15Come on, man.
00:38:16We should tell him a pop.
00:38:17It's not a big deal.
00:38:21So you're saying you smoke back at her?
00:38:22Occasionally.
00:38:23Hey, can we do something fun tonight?
00:38:25Sure.
00:38:27I'm flying from here.
00:38:28Okay.
00:38:29See you after work.
00:38:30Yep.
00:38:31I'll be waiting.
00:38:33Okay.
00:38:34I'll be waiting.
00:38:36Okay.
00:38:38I'm flying from here.
00:38:39Okay.
00:38:40See you after work.
00:38:41Yep.
00:38:42I'll be waiting.
00:39:02Hey.
00:39:03God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:23I couldn't sleep last night.
00:39:37You told me you were staying near the port so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:53Everybody looks like...
00:39:55I can't believe I was leaving.
00:39:57I can't believe I've really been a drink.
00:40:00I've heard my father.
00:40:01Shut the fire up.
00:40:03I can't believe so.
00:40:05You want to miss him.
00:40:07I can't forgive your children.
00:40:08I can't believe it to be lamb.
00:40:09I guurphime if he wants you for your child.
00:40:10I can't believe it.
00:40:12I can't believe he's remplating my family.
00:40:16My father.
00:40:19How was he like,
00:40:21I am going with this.
00:40:22What are we doing?
00:40:29I think we'll make it out.
00:40:32So sexy and beautiful.
00:40:52I can't do this.
00:41:08What?
00:41:09Why?
00:41:10I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:31You need to be less serious.
00:41:39Don't follow me.
00:41:52What?
00:42:15You need to.
00:42:17You need to go.
00:42:20There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:18You're home early.
00:43:19I do deserve that.
00:43:29And I just left my husband.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38A hell of a mess of my day.
00:43:40I've got so much stuff to do.
00:43:41Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:55I've just got to work this thing out before tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:00I'm sorry.
00:44:00I'm sorry.
00:44:00I'm sorry.
00:44:00I'm sorry.
00:44:01I'm sorry.
00:44:02I'm sorry.
00:44:02I'm sorry.
00:44:03I'm sorry.
00:44:03I'm sorry.
00:44:04I'm sorry.
00:44:04I'm sorry.
00:44:04I'm sorry.
00:44:04I'm sorry.
00:44:05I'm sorry.
00:44:05I'm sorry.
00:44:05I'm sorry.
00:44:05I'm sorry.
00:44:06I'm sorry.
00:44:06I'm sorry.
00:44:06I'm sorry.
00:44:07I'm sorry.
00:44:37Leonard, can we talk?
00:45:07Say cheese.
00:45:29No, you should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:39That's what our living room is missing.
00:45:52What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:11What did you do?
00:46:12Just wave.
00:46:13Yeah.
00:46:14What did you do?
00:46:40Oh, my God!
00:48:46Oh.
00:48:47Hi.
00:48:48Did I wake you?
00:48:49No.
00:48:50I think I need to be less serious.
00:48:56Yeah.
00:48:57I'm gonna put my pants on.
00:48:58Okay.
00:48:59I'm gonna put my pants on.
00:49:00Okay.
00:49:01I'm gonna put my pants on.
00:49:02Okay.
00:49:03I'm gonna put my pants on.
00:49:04Okay.
00:49:05I'm gonna put my pants on.
00:49:06Okay.
00:49:07I'm gonna put my pants on.
00:49:08Okay.
00:49:09I'm gonna put my pants on.
00:49:10Okay.
00:49:11I'm gonna put my pants on.
00:49:12Yeah.
00:49:13I'm gonna put my pants on.
00:49:14Okay.
00:49:15I'm gonna put my pants on.
00:49:16Okay.
00:49:17Okay.
00:49:18I'm gonna put my pants on.
00:49:19I'm gonna put my pants on.
00:49:20Okay.
00:49:21I'm gonna put my pants on.
00:49:22Okay.
00:49:23Okay.
00:49:53Okay.
00:50:23Okay.
00:50:24Okay.
00:52:23Leonard thought you were lying
00:52:49about those cats.
00:52:52You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18Let's pray.
00:55:48I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I can't be late.
00:56:49I can't be late.
00:56:50I can't be late.
00:56:52Okay.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:50I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:03No worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:07If one little thing had changed in my grandmother's life, I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:50This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up, brass things, and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:46There was one.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:55They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love, and you can't be afraid of the...
01:01:36of the time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:01It'll come to you like something you've known before,
01:02:03rather than something you're learning for the first time.
01:02:06What is it?
01:02:14What is it?
01:02:14Oh!
01:02:17Oh, you!
01:02:19Oh!
01:02:20You all right?
01:02:21Oh!
01:02:22You okay?
01:02:23Yeah, I stoned my towel.
01:02:26Oh!
01:02:27It's bleeding.
01:02:28Oh, it's fine.
01:02:30It's fine, it's fine, it's fine.
01:02:31It's fine.
01:02:32Are you finishing that?
01:02:35Yes.
01:02:36Oh, fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:02I want you to come.
01:03:32I want you to come.
01:04:02I want you to come.
01:04:04Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back.
01:04:11Long day.
01:04:14Oh, when are they not?
01:04:15I don't think I'm chumped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:33I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:07Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:21Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:11I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:41I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please, Jane.
01:06:55And again.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:15I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:09I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better,
01:09:37then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance,
01:09:57meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23The night after our show is left.
01:10:27No interest is left.
01:10:28What is no respect?
01:10:29Don't do it.
01:10:30No irritate.
01:10:31ORGAN PLAYS
01:11:01ORGAN PLAYS
01:11:31ORGAN PLAYS
01:12:01ORGAN PLAYS
01:12:02ORGAN PLAYS
01:12:04ORGAN PLAYS
01:12:05ORCHESTRA PLAYS
01:12:35ORCHESTRA PLAYS
01:12:37ORCHESTRA PLAYS
01:12:39ORCHESTRA PLAYS
01:12:41ORCHESTRA PLAYS
01:12:43ORCHESTRA PLAYS
01:12:45FRANK AND ELSE
01:12:47COMING OVER IN A COUPLE HOURS
01:12:49FRANK BOUGHT A CAR
01:12:51SO WE'RE GONNA
01:12:53HEAD OUT IN A COUPLE WEEKS
01:12:55OR SO YOU KNOW
01:12:57WE'RE THINKING ABOUT
01:13:03DRIVING THROUGH
01:13:05ROMANIA AND
01:13:07UKRAINE AND DOWN THROUGH
01:13:09RUSSIA AND THROUGH KAZAKSTAN
01:13:11THEN STRAIGHT TO
01:13:13TOO PERFORM
01:13:15ROMANIA AND THROUGH KAZAKS
01:13:17SELLS
01:13:19ROMANIA AND TH regal
01:13:23ROMANIA
01:14:55You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:25It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:06I hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:27I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41Now shut that thing off.
01:16:44Oh, the last...
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