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  • 5 months ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I think it's gonna be good.
00:01:32I think it's gonna be good.
00:01:33I think it's gonna be good.
00:01:34And I think it's gonna be good.
00:01:36And then I think it's gonna be good.
00:01:38Shit.
00:01:43Shit.
00:01:45What?
00:01:46I can't buy my wallet.
00:01:51In the receipt case?
00:01:52No.
00:01:53No, I'm in the receipt case.
00:01:55I'm in the receipt.
00:01:56Somewhere.
00:01:57Maybe it's in my apartment.
00:02:00What do you want?
00:02:12What do you think?
00:02:13She's lost for pus.
00:02:14No, there's nothing.
00:02:16No, there's nothing.
00:02:16He's not killed her.
00:02:17There's nothing.
00:02:19You just give her a minute.
00:02:22One moment.
00:02:23There's nothing.
00:02:24I'm playing at home.
00:02:25Me no matter what you're looking.
00:02:27Where did you have it last?
00:02:34The train station, I think? The exchange booth?
00:02:39Oh, Jamie. I'm sorry.
00:02:44That bastard at the train station started when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:55Where do we need to go? We need sevens.
00:03:09Here we go.
00:03:19Is this it?
00:03:21I think it's nice.
00:03:25Yes, I have a credit card. The number is on file on my computer. Yes, I have them here.
00:03:39Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:03:53Five, seven.
00:03:55Five, seven.
00:03:57Yeah.
00:03:59Expires 1215.
00:04:01No, she'll definitely need another card sent out immediately. We're here for two weeks.
00:04:07Nope, I'm working here.
00:04:09Yes, I'll hold.
00:04:11You love how they ask. As if I have a choice.
00:04:13Do you know what I'm gonna try to do while I'm here?
00:04:15Besides learn Italian.
00:04:17I don't know why you think that's so ridiculous.
00:04:19I don't at all. I admire you. I just think it's too late for me.
00:04:23That's not true.
00:04:25You can't teach an old dog new tricks.
00:04:27Besides, what's the point? The whole bloody world speaks English.
00:04:31Well, I...
00:04:33I'm going to finally transcribe the tapes.
00:04:35Yes.
00:04:37All right, all right.
00:04:49Okay.
00:04:50Well, if you can see it through to the end, I think that's wonderful.
00:04:56Yeah.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:10Nothing?
00:05:13I think it's a fantastic idea, Jen. I always have. You know that?
00:05:20She doesn't sound very supportive.
00:05:25You have my support. I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be, has been, for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:06:02Why do you think he killed himself?
00:06:06Who?
00:06:10David Foster Wallace.
00:06:14I don't know.
00:06:16You can't get a sense by his writing?
00:06:19You have to read it when I'm done, though.
00:06:20Do you think he recognized a blank infinity, just stretching out?
00:06:34He got to this point, maybe, where it was just day after day after day.
00:06:37I really don't know. Do you know?
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't...
00:06:49Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit more than...
00:06:55A little bit.
00:07:12Love you.
00:07:13Love you too.
00:07:14Love you too.
00:07:15Do you feel alright?
00:07:16You feel okay?
00:07:17Yeah.
00:07:18You feel okay?
00:07:19Yeah.
00:07:20You sure?
00:07:21Mm-hmm.
00:07:22Mm-hmm.
00:07:24Mm-hmm.
00:07:25Nice.
00:07:26Nice.
00:07:27Nice.
00:07:28Nice.
00:07:29Nice.
00:07:30Nice.
00:07:31Nice.
00:07:32Nice.
00:07:33Nice.
00:07:34You feel alright?
00:07:36You feel okay?
00:07:37Yeah.
00:07:39You sure?
00:07:41Mm-hmm.
00:07:42You sure?
00:07:44Mm-hmm.
00:08:53Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you next time.
00:09:56Okay.
00:09:57I'll see you next time.
00:10:00Okay.
00:10:01testing testing okay do you have any stories for my book what kind of stories stories are you
00:10:30prepared before i can ask them the list of stories that dad told me about go ahead and ask from your
00:10:35father's list god rest his soul let's start with the war we went into an air raid shelter my mother
00:10:42your great-grandmother she was shaking sirens wailed and and then there was the sound of a
00:10:49bomb and the man next to us he said i was in a shelter last night with my wife and my little
00:10:55boy and half of it got blown away there was blood in his hair he was all alone that nearly finished
00:11:04my mother you know here we were in this tiny town in england miles from germany from russia from
00:11:12italy from any front lines and this man he had blood in his hair
00:11:19good night
00:11:26cappuccino
00:11:26good night
00:11:32good night
00:11:46We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:10Feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:16Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:42Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Sì.
00:13:26Ah, grazie.
00:13:27I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah?
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:23So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07You know, why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32Are you newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47That's it.
00:15:47Gracias.
00:15:47Stop making me feel like a stalker.
00:15:48Fuck.
00:15:49Can you tell me?
00:15:50Please.
00:15:50Yes, sir.
00:15:51Yes, sir.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:11Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second
00:18:11cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily
00:18:30pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a
00:18:38couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:46Oh, my God.
00:19:16Love teaches me to feed on flames and tears, turn withered hope green.
00:19:46Through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:57Vittoria Colonna.
00:20:00Oh, the woman who lived here.
00:20:03You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes, but that didn't stop
00:20:26her from loving him.
00:20:27Let's hear it, then.
00:20:29Let's hear it, then.
00:20:30In Italian.
00:20:31Let's hear the poem.
00:20:33Come on.
00:20:35De lacrime a de faco nutria l'alma, con secca speme reinvedia la voglia, lega de nuovo
00:20:51il cor quando de scioglia, segna maggiore la vista, tierra e d'alma.
00:21:05I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:13All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please?
00:21:28Red.
00:21:28White?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:33So you're really not going to tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country U.K.
00:21:46There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, no, I love to listen.
00:22:18I love to listen.
00:22:33Well, it's hangled up.
00:22:35I don't love.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy and the only problems.
00:22:52We all have our own private wars, every era, but it was nothing like.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like, it's like a window in time.
00:23:23The sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:44Buongiorno.
00:23:44I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:14I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape, I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm going to show World War II from a totally different perspective.
00:25:37I don't know if it's that interesting.
00:25:46I don't know if it's that interesting.
00:25:47That's the whole point, isn't it?
00:25:51Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:04All the best.
00:26:06Compliano.
00:26:07Grazie.
00:26:08Grazie.
00:26:11Make a wish, huh?
00:26:13Make it great.
00:26:15Make it great.
00:26:20Okay.
00:26:24Bravo.
00:26:25Bravo.
00:26:26Hey.
00:26:36What do you mean I'm ready to go?
00:26:37Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:40Wait.
00:26:41Go, go, go.
00:26:42Go!
00:26:43Oh no!
00:26:44Oh no!
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo!
00:26:52Hey!
00:26:53Hey!
00:26:54Hey!
00:26:55It's the carabinerie!
00:26:56It's the police!
00:26:57No!
00:26:58No!
00:26:59No!
00:27:00No!
00:27:01No!
00:27:02No!
00:27:03No!
00:27:04No!
00:27:05No!
00:27:06No!
00:27:07No!
00:27:08No!
00:27:09No!
00:27:10No, no!
00:27:11No!
00:27:12No!
00:27:13No!
00:27:14No!
00:27:15Oh no!
00:27:16Oh!
00:27:17No!
00:27:18Oh no!
00:27:19No!
00:27:20No!
00:27:21No!
00:27:22No.
00:27:23No!
00:27:24No!
00:27:25No!
00:27:26No!
00:27:27It would make you feel better if I said I said though and now.
00:27:30Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:59Oh, my gosh.
00:28:14What about my nose?
00:28:20We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:28And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:53Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:20So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35My name is Paul.
00:29:49Oh.
00:29:54My name is Paul.
00:29:54Oh.
00:29:54Oh.
00:29:54Oh.
00:29:56Oh.
00:29:57Oh.
00:29:57Oh.
00:29:57Oh.
00:29:58Oh.
00:30:28You're awake.
00:30:51Yeah, I've got so much of this stuff to get through.
00:30:55That's it.
00:30:58Nice.
00:31:25I've got a bicycle seat.
00:31:27They stay with me too.
00:31:32Jane.
00:31:33Tony.
00:31:34Got some pastries.
00:31:39You're still asleep?
00:31:41Jane.
00:31:42Jane.
00:31:43Jane.
00:31:44I've got some pastries.
00:31:49You're still asleep?
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47Jane.
00:32:48Jane.
00:32:49Jane.
00:32:50Jane.
00:32:51Jane.
00:32:52Jane.
00:32:53Jane.
00:32:54Jane.
00:32:55Jane.
00:32:56I just felt so open and carefree and full of possibility.
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:01This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit.
00:34:08Please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:10I'm not sure if you're going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee.
00:34:25Can I have the check, please?
00:34:37In a cafe, put-up-up-up?
00:34:43Oh, no, thank you.
00:34:44Okay.
00:34:47Jane, you don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:02Okay?
00:35:02Grazie.
00:35:05Grazie.
00:35:05Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day, in this villa, owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And, uh, they were serving this, like, loaf of meat, covered in sauce, with all these other
00:35:35loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45What time to go?
00:36:47Already?
00:36:49Yeah.
00:36:49I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:02Um, I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:23Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:25So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:55Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:21I can't sleep last night.
00:39:37You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:46That's weird.
00:39:47Yeah.
00:39:51I can't.
00:39:55You bothered me.
00:39:59I can't do it.
00:40:00I can't believe I am.
00:40:00Father, I won't balloon.
00:40:05But for now, can I see you?
00:40:07Now is this true?
00:40:09I'm winning.
00:40:09I'm winning.
00:40:09And I'm winning.
00:40:10I champion here.
00:40:11I'm winning.
00:40:12I'm winning.
00:40:13I'm winning.
00:40:14I'm winning.
00:40:15What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:45I can't do this.
00:41:08What?
00:41:09I can't do this.
00:41:10Why?
00:41:15Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:34Don't follow me.
00:41:45What?
00:41:48What?
00:41:52What?
00:41:55What?
00:41:56What?
00:42:57I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:29What the fuck?
00:44:51Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:44:59Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:51That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15What did you do?
00:46:27What did you do?
00:46:29What did you do?
00:46:45What did you do?
00:46:47What did you do?
00:46:49What did you do?
00:46:51What did you do?
00:46:53What did you do?
00:46:55What did you do?
00:46:57What did you do?
00:46:59What did you do?
00:47:01What did you do?
00:47:11What did you do?
00:47:13What did you do?
00:47:15I don't know.
00:47:45I don't know.
00:48:15I don't know.
00:48:45I don't know.
00:48:57Oh.
00:48:59Hi.
00:49:01Did I wake you?
00:49:03No.
00:49:05I think I need to be less serious.
00:49:11Yeah.
00:49:12Will you put my pants on?
00:49:15Okay.
00:49:17Okay.
00:49:19I don't know.
00:49:25I don't know.
00:49:27I don't know.
00:49:29I don't know.
00:49:31I don't know.
00:52:47Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:53Wait.
00:52:57They were delicious.
00:52:59You make me feel nervous.
00:53:05You make me feel nervous.
00:53:19You make me feel calm.
00:53:25Want a drink?
00:53:31Want a drink?
00:53:37Want a drink?
00:53:45Want a drink?
00:53:51Yeah.
00:53:57You make me feel nervous.
00:53:59I want a drink.
00:54:01I want a drink.
00:54:02You make me feel nervous.
00:54:03I want a drink.
00:54:13shuffled around all night.
00:54:18Must be lonely.
00:54:43Satsang with Mooji
00:55:13Satsang with Mooji
00:55:43Satsang with Mooji
00:56:13Satsang with Mooji
00:56:15Satsang with Mooji
00:56:19Satsang with Mooji
00:56:21Satsang with Mooji
00:56:23Satsang with Mooji
00:56:25Satsang with Mooji
00:56:27Satsang with Mooji
00:56:29Satsang with Mooji
00:56:31Satsang with Mooji
00:56:33Satsang with Mooji
00:56:35Satsang with Mooji
00:56:37Satsang with Mooji
00:56:39Satsang with Mooji
00:56:41Satsang with Mooji
00:56:43Satsang with Mooji
00:56:45Satsang with Mooji
00:56:47Satsang with Mooji
00:56:49Satsang with Mooji
00:56:51Satsang with Mooji
00:56:53Satsang with Mooji
00:56:55Satsang with Mooji
00:56:57Satsang with Mooji
00:56:59Satsang with Mooji
00:57:01If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:59If you go out like that again, just tell me. Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:12Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:26If one little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:47No, with my life.
00:59:55This is it, you know.
00:59:57It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:32Dad used to dress them all up, brass things and little horseshoes.
01:00:38He put braids on them.
01:00:39They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:01:00They were lovely days really.
01:01:08They're gone.
01:01:09For me.
01:01:10Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know it's different for you.
01:01:17In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:27You've got to make your own life.
01:01:32One that you love and you can't be afraid of the time.
01:01:37Time is shiftable.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:56You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Sorry.
01:02:11Ah!
01:02:13What is it?
01:02:15Ah!
01:02:17Ah, you...
01:02:19You all right?
01:02:21Ah.
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26Ah!
01:02:27It's bleeding.
01:02:28Ah, it's fine.
01:02:30It's fine, it's fine, it's fine, it's fine.
01:02:33You losing it?
01:02:35Yes.
01:02:36Ah!
01:02:37Fuck.
01:02:47I met these backpackers last night.
01:02:49Frank and Elsa.
01:02:50She's French, he's German.
01:02:51They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:01Ah!
01:03:02Ah!
01:03:08Ah!
01:03:10Ah!
01:03:12Ah!
01:03:43Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:13God, when are they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:23How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:45You found the key to finishing this project?
01:04:51Well, the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:04Oh, Jane.
01:05:05Have you?
01:05:06Can we not?
01:05:08Have you?
01:05:13Absolutely not.
01:05:16Why did you take such a long time to answer that?
01:05:19Because I'm sick.
01:05:21Of what, Leonard?
01:05:23Of it being so hard?
01:05:24Yes.
01:05:25Tedious?
01:05:34I hate talking about sex with you.
01:05:36Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:40And we don't?
01:05:41There's just huge vacant lots that we don't discuss.
01:05:47Like what?
01:05:48Is there anything you want to ask me?
01:05:51Why?
01:05:52Is there anything you want to tell me?
01:05:53I just want to connect.
01:05:55So you don't feel that we're connected?
01:06:00Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No.
01:06:27That's not what I'm saying.
01:06:28You're just...
01:06:29Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane...
01:06:43Say it.
01:06:45I can't have children, Leonard.
01:06:49I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:54Please, Jane.
01:06:55Please.
01:06:56And again.
01:06:57Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want.
01:07:15Is it?
01:07:18Is that what you want?
01:07:20Hm?
01:07:22Because I think about it all the time.
01:07:23That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:42I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:08Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24Steve.
01:08:26Caleb.
01:08:28That kid.
01:08:29Yes.
01:08:31That kid.
01:08:32That child.
01:08:33That kid you've known for two days.
01:08:34It's been longer than that.
01:08:35Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:40Leonard.
01:08:42I don't get it.
01:08:43He's asked me to travel with him.
01:08:45Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:09:00So what?
01:09:01I failed your test?
01:09:02You don't see me!
01:09:19I'm sorry.
01:09:23I'm sorry.
01:09:24For what?
01:09:26I'm sorry.
01:09:27For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:33No, no, no.
01:09:34If you think that this is what's going to make you feel better then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:43No.
01:09:44That is not what this is about.
01:09:45Of course it is.
01:09:46You don't love me anymore, Leonard!
01:09:48You don't love me!
01:09:49That's rubbish.
01:09:52This is your ticket.
01:09:54The day after my performance, meet me at the train station.
01:10:00Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:14No questions asked.
01:10:17No guilt.
01:10:19This is good.
01:10:22This is good.
01:10:23This is good.
01:10:52You are great.
01:10:53The day after your performance, meet me at night.
01:10:55You will go back to the house.
01:10:56I can't wait.
01:10:57No guilt.
01:10:58I love you.
01:10:59Now I should wait.
01:11:00This is good.
01:11:01And I should try and download it.
01:11:02This is a good one.
01:11:03The day after the train, let me ask you to go.
01:11:04I'm out of bed.
01:11:05Here, I will go.
01:11:06You may say, no.
01:11:07The life of my heart.
01:11:08This is your widow.
01:11:09This is really good.
01:11:10This is a good one.
01:11:11Our home, our home.
01:11:12You can never see anything.
01:11:43Hi.
01:11:47Hi.
01:11:59You want some?
01:12:01Oh, thanks.
01:12:13Hi.
01:12:15Hi.
01:12:17Hi.
01:12:19Hi.
01:12:21Hi.
01:12:23Hi.
01:12:25Hi.
01:12:27Hi.
01:12:29Hi.
01:12:31Hi.
01:12:33Hi.
01:12:39Hi.
01:12:41Hi.
01:12:43Hi.
01:12:45Frank announced that I'm coming over in a couple of hours.
01:12:49Frank bought a car so we're gonna head out in a couple of weeks or so you know.
01:12:57I'm thinking of driving through Romania, and then Ukraine, and down through Russia,
01:13:09and through Kazakhstan, and then straight to Tibet.
01:13:27.
01:13:57Ciao, buona fortuna.
01:14:10Ciao.
01:14:12Ciao.
01:14:42Jay, you've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:10It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:44There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:13Yes.
01:16:14And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her
01:16:29That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45Let's go.
01:16:46Let's go.
01:16:47Let's go.
01:16:48Let's go.
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