- 6 months ago
Category
π₯
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo Γ¨ Napoli.
00:00:44Napoli Γ¨ pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Il traffico di Napoli.
00:01:32Il traffico di Napoli.
00:01:33Il traffico di Napoli.
00:01:34Il traffico di Napoli.
00:01:35Il traffico di Napoli.
00:01:36Il traffico di Napoli.
00:01:37Che cosa si chiara?
00:01:44Shit.
00:01:45Whoa.
00:01:46Campo in mio wallet.
00:01:52L'acqua?
00:01:53No, non ho mai saputo.
00:01:55L'acqua?
00:01:56C'era un'acqua.
00:01:57What do you think of this?
00:02:13She's lost her purse.
00:02:27Where did you have it last?
00:02:35The train station, I think. The exchange group.
00:02:43Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card. The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:33It's nice.
00:03:34Yes, I have a credit card. The number's on file on my computer.
00:03:37Yes, I have them here.
00:03:38Okay.
00:03:39Five, five, three, three.
00:03:40Seven, six, four, five.
00:03:41Eight, seven, eight, seven, eight, seven.
00:03:42Nine, one, five, seven.
00:03:43Five, seven.
00:03:44Yeah.
00:03:45Expires 12.15.
00:03:46No, she'll definitely need another card sent out immediately.
00:03:47We're here for two weeks.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:49We're here for two weeks.
00:03:50No, I'm working here.
00:03:51No, I'm working here.
00:03:52No, she'll definitely need another card sent out immediately.
00:03:53We're here for two weeks.
00:03:54Nope, I'm working here.
00:03:58Yes, I'll hold.
00:04:00μοΏ½μ΄
00:04:09No, she'll definitely need another card sent out immediately.
00:04:12We're here for two weeks.
00:04:17No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:43And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jane.
00:05:15I always have.
00:05:16You know that?
00:05:21You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:37Why do you think he killed himself?
00:06:04I don't know.
00:06:06I don't know.
00:06:07You can't get a sense by his writing?
00:06:10You have to read it when I'm done, don't I?
00:06:12Do you think he recognized a blank infinity just stretching out?
00:06:18He got to this point maybe where it was just day after day after day?
00:06:25I really don't know.
00:06:26Do you think he recognized a blank infinity just stretching out?
00:06:32He got to this point maybe where it was just day after day after day?
00:06:38I really don't know.
00:06:39Do you know?
00:06:40Just so tedious.
00:06:41And of course he felt guilty.
00:06:43Most people think life is too short and there he was, all the talent in the world and it
00:06:48wasn't it not.
00:06:49Jane, can I, can we not talk about this?
00:06:51Just, just, just a bit more a bit.
00:07:12Love you.
00:07:14Love you too.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:39Do you feel okay?
00:08:03Very good.
00:08:07?
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26my book. What kind of stories? Stories that you've prepared. Or I can ask them a list of stories that
00:10:33Dad told me about. Go ahead and ask from your father's list. God rest his soul. Let's start
00:10:38with the war. We went into an air raid shelter. My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb and the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair. He was all alone. That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England, miles from Germany, from Russia, from Italy,
00:11:13from any front lines. And this man, he had blood in his hair.
00:11:22Good night.
00:11:26Good night.
00:11:26Good night.
00:11:27Good night.
00:11:28Good night.
00:11:29Good night.
00:11:30Good night.
00:11:31Good night.
00:11:32Good night.
00:11:33Good night.
00:11:34Good night.
00:11:35Good night.
00:11:36Good night.
00:11:37Good night.
00:11:38Good night.
00:11:39Good night.
00:11:40Good night.
00:11:41Good night.
00:11:42Good night.
00:11:43Good night.
00:11:44Good night.
00:11:45Good night.
00:11:46Good night.
00:11:47Good night.
00:11:48Good night.
00:11:49Good night.
00:11:50Good night.
00:11:51Good night.
00:11:52we were riding our bikes to school when the germans started firing at us
00:12:01we jumped into a hedge we were terrified but afterwards we couldn't stop laughing
00:12:08it feels nice if i'm the only one who remembers that it's as vivid to me as if it happened
00:12:15yesterday oh hi leonard it's jane i decided to take an impromptu trip to ischia or um ischia
00:12:26as they pronounce it see i'm learning a little bit um anyway i'll be home later i hope you have
00:12:34a good day bye those friends are all dead now there's no one left that's one of my regrets you
00:12:42know sometimes i think i should have had more children not just your father
00:12:48you're all alone now that your parents are gone no brothers no sisters
00:12:55i'm upsetting you let's talk about something else you want to ask me more boring questions about the
00:13:06war all right then uh scusi scusi um the castle castle parlato anglese no no no no no no um
00:13:20castello oreganese andare andare andare andare ah grazie
00:13:27they'd been shot through the neck the bullet went in one side and came out the other
00:13:35and there were all these bomb holes filled with water and he couldn't tell which was the german
00:13:40side and which was the allied side when he came home after something like that
00:13:46you couldn't really complain to him about anything now could you i'm actually going there now
00:13:51to the castle you speak english now yeah why do you think i was italian yeah yes that's great
00:13:58that's cool hey hey hey where are you from london no in america come on i mean no shit i'm
00:14:07from massachusetts that's crazy that's weird right yeah vacation oh are you what are you here on
00:14:15vacation oh sorry i thought you were saying you are on vacation me no so come on my husband is working
00:14:28in naples what does he do he is playing in a concert at the end of the night cool what does he play
00:14:37the viola
00:14:38the viola
00:14:41any good yes very
00:14:45how do you keep your violin from getting stolen
00:14:51you put it in a viola case right
00:14:56that's not funny um what's the difference between a viola and a coffin
00:15:01a coffin has a dead person on the inside
00:15:04because viola players are dead no why is a viola solo like premature ejaculation
00:15:10because even though you know it's coming there's nothing you can do about it
00:15:17i can't help it i've got this weird autistic mind for jokes and i went to this music slash nerd
00:15:23summer camp when i was like 10 and i played the triangle and i'm an only child so you know understand
00:15:29you look too young to be married you newlywed stop making me feel like a stalker
00:15:48oh hey have you got 50 cents
00:16:04if you can catch it
00:16:07what brought you out of here today
00:16:35fairy ha fairy i like it they have this device down in the basement it's like a torture cage
00:16:44they lock you in there until you turn up bones but can you imagine dying by just sitting there
00:16:51that would suck
00:16:52in like the 1300s thousands of families lived in this castle
00:17:02it doesn't smell pretty bad all those people crammed onto this rock
00:17:07wow
00:17:11i know i've been coming here every day and it still gets me
00:17:16if only we could kill off all the tourists
00:17:19you're a tourist
00:17:21no i'm not
00:17:23i came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and
00:17:32whales in the gulf naples
00:17:35i can't tell if you're joking
00:17:36i'm dead fucking serious
00:17:40no i just didn't want to go to college and they pay for me to come over
00:17:43for connecting flights a 72 hour plane ride but you know it was it was worth it my first time out of the u.s
00:17:49how old are you i'm 19 it's my birthday today is it really uh-huh happy birthday thank you very much
00:17:56yeah so i left the program after like a month
00:17:59fuck the relic dolphins
00:18:02i have this this awesome living situation i'll tell you the short version
00:18:07basically i used to have ancestors in ischia so when i come over i facebook this second cousin twice removed
00:18:12in case you didn't know is when one person's great-grandparent is another person's great-great-great-grandparent
00:18:18i'd love to hear the long version
00:18:20sorry anyway
00:18:22so this relative gave me the name of this great uncle who lives on the island so i show up
00:18:27i i he answers the door and he's like the oldest fucker i've ever seen easily pushing a hundred
00:18:32a hundred
00:18:33yeah if not older he's like deaf and blind and about four feet tall he mumbles a couple of things to me in some crazy dialect
00:18:40ushers me inside pours me a glass of wine and leads me to this basement apartment and uh yeah i never left
00:19:10love teaches me to feed on flames
00:19:15...
00:19:17Love teaches me to feed on flames and tears To turn withered hope green through desire
00:19:47To re-enslave my heart each time love frees his noble face from that heavy disdain
00:19:54Who is that?
00:19:57Vittoria Colonna
00:20:00Ah, the woman who lived here
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian
00:20:16I thought Michelangelo was gay
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes, but that didn't stop her from loving him
00:20:26Let's hear it then, in Italian, let's hear the poem
00:20:33Come on
00:20:35Come on
00:20:36Okay
00:20:37De lacrime a de faco nutria l'alma
00:20:42Con secca speme reinvedia la voglia
00:20:48Lega de nuovo il cuor quando de scioglia
00:20:54Segna maggiore la vista tierra ed alma
00:21:01I'm impressed
00:21:05Thank you
00:21:07You hungry?
00:21:09Why, you gonna take me out?
00:21:11Yeah
00:21:13Yeah
00:21:18Alright then
00:21:19Okay
00:21:24Two pastas with the house sauce, please?
00:21:27Red
00:21:28White?
00:21:29Red, please
00:21:30Uh-huh
00:21:31Grazie
00:21:33So you're really not gonna tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK
00:21:46There's something else
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars
00:22:00I recorded her for hours and hours
00:22:03But now
00:22:06I don't know
00:22:09What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:15Yeah
00:22:16Yeah?
00:22:17Yeah, I know it
00:22:18I love to listen
00:22:30Well, it's tangled up
00:22:35I don't know
00:22:36Okay
00:22:42Awful as it was, it made you stronger
00:22:45These days people whine about all sorts of things
00:22:48And I'm not one of those old people who think my time had the only joy and the only problems
00:22:53We all have our own private wars
00:22:55Every era
00:22:56But
00:22:57It was nothing like
00:22:59It really brought people together, the war
00:23:01We
00:23:02We helped each other during that time
00:23:04We had to laugh
00:23:05We had to smile
00:23:07Well, if not for ourselves
00:23:09Then for the people we'd lost
00:23:11I'll shut that thing off
00:23:12Would you get it out of my face?
00:23:18That is like
00:23:19It's like a window in time
00:23:21The sort of thing
00:23:23Which you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it
00:23:29I shouldn't care what anyone thinks
00:23:31We met while I was recording her
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse
00:23:39That's what it was, right?
00:23:41Buongiorno
00:23:42Buongiorno
00:23:43Signori
00:23:52I got pregnant, so we got married
00:24:01I lost the baby
00:24:05I'm sorry
00:24:06I didn't go back after that to the States
00:24:21I didn't go back after that to the States
00:24:24Did you, uh, did you ever hear that story about the Red Strain?
00:24:28I think I might have, tell me
00:24:30It's like this Asian proverb says that anyone you're destined to meet like your soulmate or your family or your family or, you know, whatever you're destined to meet
00:24:37You know, someone you bump into on the street, we're all connected by this Red Strain
00:24:40Did you ever hear that story about the Red Strain?
00:24:43I think I might have, tell me
00:24:46It's like this Asian proverb says that anyone you're destined to meet like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this Red Strain
00:25:04It can be tangled or stretched, but it can never be broken
00:25:16There's this moment in the tape
00:25:20I'm sitting waiting in the airport bar for my flight
00:25:25And I'm talking into the recorder
00:25:27Rambling on about how I'm about to embark on this amazing adventure and
00:25:33How I'm gonna show World War II from a totally different perspective
00:25:37But
00:25:46I don't know if it's that interesting
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself
00:25:54Maybe
00:25:57Maybe
00:26:00Maybe I just wanna write about nothing
00:26:02Everything is nothing
00:26:05All the best
00:26:07Compliano
00:26:09Grazie
00:26:13Make a wish, huh?
00:26:15Make it great
00:26:16Make it great
00:26:21Okay
00:26:25Bravo
00:26:26Bravo
00:26:27Hey
00:26:37What do you mean I'm ready to go?
00:26:38What?
00:26:39Wait, go, go, go
00:26:40Oh my god
00:26:41Oh my gosh
00:26:42Oh my gosh
00:26:43Oh my gosh
00:26:44Oh no
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo
00:26:53Hey, hey, hey
00:26:54What?
00:26:55It's the carabineri
00:26:56What?
00:26:57It's the police
00:26:58No, no, no, no, no
00:27:00Yeah, yeah, yeah
00:27:02Hey
00:27:04We can't go back
00:27:05We can't go back
00:27:06We can't go back
00:27:07Look
00:27:09Get back
00:27:10I got to wake
00:27:11Oh my God
00:27:14I got to go
00:27:15Oh my God
00:27:16Oh my God
00:27:17Oh my God
00:27:19Hey
00:27:24Hey, hey
00:27:25Hey
00:27:26Hey
00:27:27Would it make you feel better if I said I said the whole thing up?
00:27:30Yes, it's true
00:27:32Yes, it's true
00:27:34I made the check when I went to the bathroom
00:27:36You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:54Oh, my gosh.
00:28:12It went up my nose.
00:28:15We come back?
00:28:23Maybe.
00:28:24Maybe it's not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:54Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:11So they can park in handicapped spots.
00:29:27Happy birthday.
00:29:29Happy birthday.
00:29:35Oh, my gosh.
00:29:52Oh, yes.
00:30:53There's so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:23Jane.
00:31:24Tony.
00:31:25Got some pastries.
00:31:29You're still asleep?
00:31:30Jane.
00:31:31Tony.
00:31:32Got some pastries.
00:31:36You're still asleep?
00:31:37Jane.
00:31:38Tony.
00:31:39Got some pastries.
00:31:43Jane.
00:31:44Got some pastries.
00:31:50You're still asleep?
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47Jane.
00:32:48Jane.
00:32:49Jane.
00:32:50Jane.
00:32:51Jane.
00:32:52Jane.
00:32:53Jane.
00:32:54You know when you were 19 and the world just felt so open and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then. Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out? What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well. It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor is actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:54Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please. Sit down.
00:34:09Join us.
00:34:10What?
00:34:10Oh.
00:34:11Oh.
00:34:12You have a chance of a wrap.
00:34:14I know, right?
00:34:19I'm off to you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee.
00:34:25Let's go.
00:34:25I'll have the check, please.
00:34:36I'll have the check.
00:34:37In the cafe, put, put, put.
00:34:43Oh, no thank you.
00:34:44Okay.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:54You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:01Okay?
00:35:02Grazie.
00:35:04You're good?
00:35:05Grazie.
00:35:05Good.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:12There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke, like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my aunt.
00:36:02Come on.
00:36:03Let's hear one.
00:36:04I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:24You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45What, time to go?
00:36:47Already?
00:36:49Yeah.
00:36:49I'm going to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:04I'm thinking Tibet.
00:37:06Oh, it's Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00There you go.
00:38:05And thanks again for yesterday.
00:38:08No problem.
00:38:11Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:35I'm fine from here.
00:38:36I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:45What's next?
00:38:54Okay.
00:38:55I'll be waiting for you.
00:38:57I'll be waiting for you.
00:38:57I'll be waiting for you.
00:38:59I'll be waiting for you.
00:38:59Okay.
00:39:00Hey.
00:39:02God, you scared me.
00:39:04Are you following me?
00:39:06Maybe.
00:39:08Is that weird?
00:39:10Yeah.
00:39:12Oh.
00:39:14Oh.
00:39:16Oh.
00:39:18Oh.
00:39:20Oh.
00:39:22Oh.
00:39:24Oh.
00:39:26Oh.
00:39:28Oh.
00:39:32I couldn't sleep last night.
00:39:36You told me you were staying near the port so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:42And I can't believe I found you.
00:39:58Oh.
00:40:00Oh.
00:40:02Oh.
00:40:04Oh.
00:40:06Oh.
00:40:08Oh.
00:40:10Oh.
00:40:12Oh.
00:40:28What are we doing?
00:40:30I think we're making it out.
00:40:32Oh.
00:40:34So sexy.
00:40:36And beautiful.
00:40:38I don't know.
00:41:08I can't do this.
00:41:09What? What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:31You need to be less serious.
00:41:38Don't follow me.
00:42:08Don't follow me.
00:42:38There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:54But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:19I do deserve that.
00:43:29You know, it doesn't work for your husband.
00:43:31Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:47Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:52Two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:29I'm sorry.
00:44:59Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:51That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:27What did you do?
00:46:41What did you do?
00:46:43What did you do?
00:46:47What did you do?
00:46:49What did you do?
00:46:51What did you do?
00:46:53What did you do?
00:46:55What did you do?
00:46:57What did you do?
00:46:59What did you do?
00:47:01What did you do?
00:47:07What did you do?
00:47:13All right.
00:47:43All right.
00:48:13All right.
00:48:43All right.
00:48:45Oh.
00:48:47Hi.
00:48:49Did I wake you?
00:49:03No.
00:49:04I think I need to be less serious.
00:49:08Yeah.
00:49:10I'm going to put my pants on.
00:49:14Okay.
00:49:16Okay.
00:49:18Okay.
00:49:20Okay.
00:49:22Okay.
00:49:24Okay.
00:49:26Okay.
00:49:28Okay.
00:49:30Okay.
00:49:32Okay.
00:49:34Okay.
00:49:36Okay.
00:49:38Okay.
00:49:40Okay.
00:49:42Okay.
00:49:44Okay.
00:49:46Okay.
00:49:48Okay.
00:49:50Okay.
00:49:52Okay.
00:49:54Okay.
00:49:56Hey.
00:49:57Okay.
00:49:58Okay.
00:50:00Okay.
00:50:06Okay.
00:50:08Okay.
00:50:10Okay.
00:52:48Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24Want a drink?
00:53:49Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18You make me feel calm.
00:54:31You make me feel calm.
00:54:33You make me feel calm.
00:56:13I didn't sleep at all last night. Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:23You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me,
00:56:42I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49Okay.
00:56:52Okay.
00:56:52Okay.
00:57:11if it wasn't the war it would have been something else
00:57:29there's always something else isn't there that's the thing that's the thing about struggle
00:57:41I'm gonna make some tea do you want some right you go out like that again just tell me I worry
00:58:03okay
00:58:06you can't seem to figure out what's going on in your head
00:58:11do you think everything we've been through actually does us any good
00:58:28in the long run do we just make out struggle to be something meaningful because that's all most
00:58:39of us have
00:58:46tell you next time we come to Italy to get a proper kitchen
00:58:58I don't know what you want me to say Jane
00:59:05I don't know what you want me to say Jane
00:59:10I don't know what you want me to say Jane
00:59:16you
00:59:20you
00:59:24One little thing had changed in my grandmother's life I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:42With the book?
00:59:45No, with my life.
00:59:54This is it, you know. It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:22The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up. Brass things and little horseshoes.
01:00:37He put braids on them. They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:45There was one. Duke. He was a Clydesdale I used to ride down to the marshes. Every night when he finished working.
01:00:55They were lovely days really.
01:01:01They're gone. For me.
01:01:05Jane.
01:01:07Jane.
01:01:08Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:15You know it's different for you. In some ways it's easier.
01:01:19You haven't got the war. People don't die as much as they did back then.
01:01:23But in some ways it's more disjointed.
01:01:27You've got to make your own life. One that you love and you can't be afraid of the time.
01:01:37Time. Time is shiftable.
01:01:41There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:57You know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Oh sorry.
01:02:11Ah!
01:02:13What is it?
01:02:15Oh.
01:02:17Oh you.
01:02:20You alright?
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:27It's bleeding.
01:02:28Oh.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:33It's fine.
01:02:34Are you finishing that?
01:02:35Yes.
01:02:36Oh.
01:02:37Fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:00I want you to come with me.
01:03:01I want you to come with me.
01:03:02For not me, in high school, you will be on Mars, in godsend, Lynn.
01:03:04I want you to come with me.
01:03:05I want you, and I want you to come.
01:03:06I'm going with them.
01:03:09Any hardware?
01:03:10I need you to do that?
01:03:12We made you for aestro.
01:03:14You have no food.
01:03:16To becomeumuz.
01:03:18Otherwise, if the freaking day was open, it would look out.
01:03:20Knowing cubed.
01:03:21All of us are close.
01:03:23I created the potato into this type.
01:03:25How did that happen?
01:03:27You are not sociology.
01:03:58Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:25I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I love you.
01:06:05I love you.
01:06:07I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please, Jane.
01:06:55And again.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:55I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:15I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:09And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23I want you to do what you need to do.
01:10:45This is my life.
01:10:50ΒΆΒΆ
01:11:19ΒΆΒΆ
01:11:29ΒΆΒΆ
01:11:33ΒΆΒΆ
01:11:37ΒΆΒΆ
01:11:41ΒΆΒΆ
01:11:45Hi.
01:11:48You want some?
01:11:58Oh, thanks.
01:12:02Oh, thanks.
01:12:04ΒΆΒΆ
01:12:06ΒΆΒΆ
01:12:14ΒΆΒΆ
01:12:24ΒΆΒΆ
01:12:34ΒΆΒΆ
01:12:44ΒΆΒΆ
01:12:46ΒΆΒΆ
01:12:50ΒΆΒΆ
01:12:54ΒΆΒΆ
01:13:04ΒΆΒΆ
01:13:06ΒΆΒΆ
01:13:16ΒΆΒΆ
01:13:18ΒΆΒΆ
01:13:20ΒΆΒΆ
01:13:30ΒΆΒΆ
01:13:32ΒΆΒΆ
01:13:34ΒΆΒΆ
01:13:36ΒΆΒΆ
01:13:46ΒΆΒΆ
01:13:48ΒΆΒΆ
01:13:50ΒΆΒΆ
01:13:52ΒΆΒΆ
01:13:54ΒΆΒΆ
01:14:04ΒΆΒΆ
01:14:06ΒΆΒΆ
01:14:08ΒΆΒΆ
01:14:10ΒΆΒΆ
01:14:12ΒΆΒΆ
01:14:22ΒΆΒΆ
01:14:24ΒΆΒΆ
01:14:26ΒΆΒΆ
01:14:28ΒΆΒΆ
01:14:30ΒΆΒΆ
01:14:32ΒΆΒΆ
01:14:34ΒΆΒΆ
01:14:36Jase, you've got to come over to this side, the train's going to be here in a minute.
01:15:04It's four in the morning, the end of December, I'm riding you now.
01:15:33Just to see if you're there, New York is cold but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:13Yes, and Jane came by with a lock of your hair.
01:16:23She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45Let's go.
01:16:46Let's go.
01:16:47Let's go.
01:16:48Let's go.
Comments