- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31¡Abrr!
00:01:34¡Abrr!
00:01:50¡Abrr!
00:01:50It was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:20I'll go according to plan.
00:02:49Not bad.
00:02:50You look great.
00:02:53Thanks.
00:02:53Bye, Criona.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:20It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:36There's something in the air.
00:03:37It's extremely erotic.
00:03:38I feel strange all of a sudden.
00:03:48I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:53I just cannot imagine what it is like to do it here, you know?
00:03:59I was so young to meet you with other people.
00:04:00Well, I will be here together, so...
00:04:01I think it will be lonely.
00:04:11Well, there are some attendees, and we will queue.
00:04:11And we're on the link for this tour.
00:04:13Okay.
00:04:15Bye.
00:04:16Bye.
00:04:17Bye.
00:04:17Bye.
00:04:18Bye.
00:04:18Bye.
00:04:19Bye.
00:04:19Bye.
00:04:19Bye.
00:04:25Bye.
00:04:25Bye.
00:04:25Bye.
00:04:25Bye.
00:04:26Bye.
00:04:26Bye.
00:04:26Bye.
00:04:27Bye.
00:04:27Bye.
00:04:28Bye.
00:04:29Hey, Priola.
00:04:38Ah, chill.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:48I know.
00:04:49Good luck.
00:04:59Good luck.
00:05:29Good luck.
00:05:59Good luck.
00:06:00Good luck.
00:06:01Yeah.
00:06:30I thought you'd never get here.
00:06:31It looks like an eternity.
00:06:40Now that's more like it. Where are you taking me tonight?
00:07:01Let's go.
00:07:31Will you play the same number, madame? Sure.
00:07:37Number 13, right there.
00:07:41Number 13, right there.
00:08:01Number 13, right there.
00:08:09Glasure bets, ladies and gentlemen.
00:08:16Bets, please, ladies and gentlemen.
00:08:31Number 13, right there.
00:08:51Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here. Will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:17Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:33You didn't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:46I adore interesting stories.
00:09:49Just think, they were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:03Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:57Ready to talk to him?
00:10:59Okay.
00:11:00Marco.
00:11:09How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:25How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:40Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:54Let's dance.
00:11:55Uh, I'm not too good a dancer.
00:11:56Just let the music do the work.
00:12:00No, I haven't danced in years.
00:12:01Well, we're going to have to make up for lost time then.
00:12:19Yeah.
00:12:21Uh, listen, Criella.
00:12:22Maybe we should go back to the table, huh?
00:12:24Why?
00:12:26Your dancing is good.
00:12:27Why? Your dancing is...
00:12:30Great!
00:12:36Come on, loosen up!
00:12:48I feel uncomfortable.
00:12:50Well, no need.
00:12:57What is it?
00:13:03I don't know. It's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:14Let's keep dancing like this. Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:31He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him. And I'll do anything.
00:13:43He likes to think I'm unfaithful.
00:13:54Please help me.
00:14:00I understand.
00:14:01I understand.
00:14:03You know, love can be a strange thing.
00:14:31I love you.
00:14:41The light is not the best but...
00:14:47We shall do what we can.
00:14:52It's a beautiful island. An absolutely amazing place.
00:14:55full of surprises but you told me you've never been here well ryan told me such a lot about it
00:15:03i feel like i know it by heart it's in the form of a turtle a turtle sleeping on the surface of the
00:15:09ocean is it true that turtles only make love once a year yeah you better start praying that
00:15:16you don't end up reincarnated as a turtle
00:15:20ha ha sometimes you're a real asshole oh for god's sake
00:15:31i was joking get away what a warped what's wrong are you nervous huh what is it are you uptight
00:15:44maybe i don't know i feel strange this boat that man up there
00:15:57haven't you noticed he hasn't said a word since we left
00:16:00hire him to keep up a conversation with us all right look at him look at him
00:16:07the hat his base he's a pirate i've been told he's a very good sailor honest and completely
00:16:15trustworthy who knows these islands he looks like he doesn't watch
00:16:20he appears to be uncommonly interesting to you for somebody who never bought soap
00:16:37like it what a place
00:16:50guaranteed primitive yeah
00:16:54hey it's wide open there's no key nobody locks doors here
00:16:59looks like florida what a disappointment we said a hundred dollars right
00:17:14this is two keep it
00:17:18one's enough
00:17:23adios
00:17:29uh is it far to the fishing village 500 meters down that way okay
00:17:51i'm gonna go to the village okay i prefer to stay here whatever you like
00:18:05i can't wait to take a swim go ahead see you later all right
00:18:09good night
00:18:15so long now bye
00:18:29bye
00:18:37Hi.
00:18:44Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Good morning.
00:19:04Good morning.
00:19:07Good morning, sir.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:37Good morning, Consuelo.
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:46Who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Mm-hmm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh.
00:21:12Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here, there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:55Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:06Mmm.
00:23:07Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first step's taken already.
00:23:43Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Esa mujer tiene el corazón duro con MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49Yes, the girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:56You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for her.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:15Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this isle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I'm sorry.
00:27:10I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:35It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:50Yes.
00:28:20Oh, my God.
00:28:50Oh, my God.
00:29:20Oh, my God.
00:29:50Oh, my God.
00:30:20Oh, my God.
00:30:21Let's go.
00:30:22Let's go.
00:30:24Let's go.
00:30:25Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:40Thanks, anyway.
00:30:43You know, you should go around by yourself.
00:30:48It's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:58It's your life.
00:30:59Do what you want.
00:31:04What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Here.
00:31:22Have a drink.
00:31:30Here.
00:31:31Here.
00:31:32Here.
00:31:33Here.
00:31:34Here.
00:31:35Here.
00:31:36Here.
00:31:37Here.
00:31:38Here.
00:31:39Here.
00:31:40Here.
00:31:41Here.
00:31:42Here.
00:31:43Here.
00:31:44Here.
00:31:45Here.
00:31:46Here.
00:31:47Here.
00:31:48Here.
00:31:49Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:53Here.
00:31:54Here.
00:31:55Here.
00:31:56Here.
00:31:57You there?
00:32:09Grilla?
00:32:16Grilla?
00:32:21Grilla?
00:32:23Grilla?
00:32:24Grilla?
00:32:38Have you seen Grilla?
00:32:40No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:50I expect you're right. Thanks, Maxwell.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:10Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:24I took some magnificent pictures. Things I'd never have found without her.
00:33:28Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:08I suppose it's my fault, huh?
00:34:10No, of course not.
00:34:13I'll be all right again soon, I swear.
00:34:15No, it's... there's nothing to do with you. I don't know. It's just...
00:34:19Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:25It's only a question of time. I know it.
00:34:28All you have to do is be patient. Just a little longer. We'll be happy again. And then, I'll be able to give you what you need so badly.
00:34:58I'll be happy again.
00:35:28I'll be happy again.
00:35:50Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:53Fine, Consuelo. Thanks.
00:35:55Food is the only healthy vice.
00:35:58What about sex?
00:36:02Right, but who remembers that anymore?
00:36:04I do.
00:36:10One day, I guess I'll get another chance.
00:36:25Care for a drink?
00:36:29No, not for me.
00:36:39How come?
00:36:41One needs a good motive to get drunk.
00:36:42But I guess I'm the only one...
00:36:44who hasn't got one.
00:36:45I don't know.
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that statement.
00:37:25Don't you tell the truth?
00:37:30I don't know. But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:49It's a broken heart.
00:38:08I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:20Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:32That your woman will find out?
00:38:37Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:42You're quite sure you don't want to come with us?
00:38:43No. I prefer to stay here in King Consuelo.
00:38:48Okay.
00:38:50I'll try not to be late.
00:38:51I told you that's the way it looks.
00:38:52Bye.
00:38:53Hey, I'm always lying.
00:38:55It's not true.
00:38:56I'm not going to stay around and talk about it.
00:38:58I'll get my beers.
00:38:59Goodbye.
00:39:01Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it looks.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08That's not true.
00:39:11I'm not going to stay around and talk about anything.
00:39:14Goodbye. I'll be yours.
00:39:16I'm fine.
00:39:20Min.
00:40:21It's so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:42I'll take you back.
00:40:45I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hey, hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah, wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:55Leon.
00:42:56Leon.
00:42:56Leon.
00:42:57Leon.
00:42:58Leon.
00:42:58Leon.
00:42:59Leon.
00:42:59Leon.
00:42:59Don't go.
00:43:02Damn you.
00:43:04Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:02To get this straight, this time, it must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:32She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:02Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I gotta be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24I say she's gone.
00:45:45Bye.
00:45:46Bye.
00:45:46Bye.
00:45:46Bye.
00:45:48Bye.
00:45:48Bye.
00:45:49Bye.
00:45:52Bye.
00:45:52Have you seen Leon?
00:46:00Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:52I want to go.
00:47:23No, it's not true. I don't believe you. You're only saying that to convince me to come with you.
00:47:48I tell you, I saw them with my own eyes. It's true. Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:04No, I don't want to forget.
00:48:07It doesn't make sense. Why don't you believe me? He's with someone else now.
00:48:13It's over. Don't you understand?
00:48:18He'll get tired of her quickly. It's already happened other times.
00:48:23I know him. It's me he loves. I'll wait.
00:48:33Oh, Christ!
00:48:34Oh, Christ!
00:48:35Oh, Christ!
00:48:37Oh, Christ!
00:48:52Get out of here and stop bothering the customers!
00:49:15So this isn't the very first?
00:49:22No, it isn't the first time, but she came back in the past.
00:49:26Playing with fire. One can be burned in the end.
00:49:30I blame myself. My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:40I'm perverted, I guess. I proposed it to her. I must be an asshole.
00:49:47But now she's gone for good.
00:49:50She did it because she knew you liked it. Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:58Are you serious?
00:50:00Yes, I am. Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened. Fate set a trap for her.
00:50:14Oh, God. Now I'm the one who went and trapped her.
00:50:18Yep. Now you're trapped.
00:50:22It started as a game, that's all. It wasn't serious.
00:50:27Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:37Good evening.
00:50:38Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:42Thanks.
00:50:43Hey, you've forgotten? We met one night in Santo Domingo.
00:50:47I'm married to Creole.
00:50:49Oh, yes. Now I remember you.
00:50:51Hi.
00:50:52I'm sure she'll be delighted to know you're here.
00:50:55She already knows.
00:50:57But you mean to say you've seen her?
00:51:00Yes. Briefly.
00:51:02Yeah, but where? You haven't said.
00:51:05I have to know immediately.
00:51:14Surely you can guess.
00:51:17She's on Leon's boat.
00:51:19Don't go. Don't go.
00:51:21Don't go. Don't go.
00:51:23Don't go.
00:51:24I have to.
00:51:25I have to.
00:51:26Okay.
00:51:28Let's go.
00:51:58You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:58Let's go.
00:53:09THE END
00:53:39put it in the pail
00:53:43you know how to cook it
00:53:48you'll have to learn
00:54:09hey what are you doing here
00:54:20Criola
00:54:20Criola
00:54:24Criola
00:54:27what do you want
00:54:29I've come together
00:54:30Leon
00:54:33no what are you doing
00:54:34Criola
00:54:36I never thought it would come to this
00:54:38please
00:54:39I know it's all my fault
00:54:40but
00:54:40please don't humiliate yourself like this
00:54:43it's too late
00:54:45it's not too late
00:54:47it's not
00:54:48it's too late
00:54:50no it's not
00:54:51please we must begin again
00:54:55I can't
00:54:56no
00:54:57don't tell me you're gonna stay here
00:54:59Jesus Criola
00:55:00with a bastard like that
00:55:02I have no more strength
00:55:05no more desire to go on
00:55:07it's finished
00:55:08you don't know what you're saying
00:55:09you're coming back
00:55:10no
00:55:11yes
00:55:11no
00:55:12it can't be finished
00:55:14goddammit
00:55:15leave me alone
00:55:17it's finished
00:55:19with Leon I'm alive
00:55:21he satisfies me
00:55:22no
00:55:22I'm terribly sorry
00:55:29really
00:55:32it's ridiculous
00:55:34ridiculous
00:55:37my life is meaningless without you
00:55:42I'm sorry
00:56:03I didn't mean to disturb you
00:56:07but I just wanted something to drink
00:56:09no problem
00:56:11really
00:56:11I don't mind having a break
00:56:13why don't you stick around
00:56:16you might even keep us company
00:56:18if you like
00:56:19thanks
00:56:23but not tonight
00:56:25maybe some other time
00:56:27I'm not in the best of moods
00:56:39I invented this
00:56:40I call it gin balling
00:56:42it's a very silly game
00:56:44hmm
00:56:45well what
00:56:46serves to calm the nerves
00:56:49try it
00:56:50okay
00:56:50okay
00:56:54tell mother everything
00:56:58I'm all ears
00:57:01look
00:57:02I have no intention of fighting with you
00:57:07you're a kind, sweet, patient
00:57:08okay
00:57:08get to the point
00:57:10the question is
00:57:11will she tire of that dope?
00:57:13that's what you want to know
00:57:14is that it?
00:57:16she's bound to tire of it
00:57:18she's bound to tire of it
00:57:18she always does
00:57:19she always does
00:57:19this
00:57:24plays
00:57:25plays
00:57:26plays tricks on one
00:57:27sometimes
00:57:28even I fell once
00:57:30you know
00:57:30there's no truth in all that shit
00:57:33I surely don't need to prove it
00:57:35do I?
00:57:36you're up against an example
00:57:37and you know it
00:57:39it's not a person
00:57:41who casts a spell
00:57:42on one at all
00:57:43but this island
00:57:44it intoxicates people's minds
00:57:47it may not be happiness
00:57:49God only knows happiness
00:57:51it's hard enough to find anywhere
00:57:52but it's a narcotic
00:57:54that makes them feel
00:57:55they've found paradise
00:57:56yeah
00:57:58it's blinded even Creole
00:58:00she used to hate dirt
00:58:02invention of squalor
00:58:04made her sick for days
00:58:05mm-hmm
00:58:06a Puritan
00:58:07it's usual
00:58:09when they eventually rebel
00:58:10that's it
00:58:11they reject the previous
00:58:14moral values they had
00:58:15and abandon themselves
00:58:17falling into the arms
00:58:18of someone like Leon
00:58:19but you see
00:58:20I can't understand
00:58:21how she could learn
00:58:22to make love like that
00:58:23oh yes you can
00:58:26please
00:58:28right
00:58:30let's not say anymore
00:58:31you want to sit here all night
00:58:32I
00:58:53that's not going to do any good
00:58:58hey
00:59:02what's the matter
00:59:02you've suddenly developed morals
00:59:04I'm as immoral as you are
00:59:08but there is such a thing
00:59:11as the right moment
00:59:12night
00:59:15it's way past my bedtime
00:59:16is it ready
00:59:36is it cooked
00:59:39there's a time for love
00:59:44there's a time for food
00:59:46now we eat
00:59:49obviously
00:59:58no
00:59:59no
01:00:01no
01:00:01no
01:00:02no
01:00:04no
01:00:06no
01:00:07no
01:00:07no
01:00:10no
01:00:11no
01:00:11no
01:00:12no
01:00:16no
01:00:18Let's go.
01:00:48Let's go.
01:01:18Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:41Tengo un boquete en el pantalón, vos estás tan frías como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:13Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:18Bomba.
01:02:19Bomba.
01:02:20Bomba.
01:02:21Bomba.
01:02:22Bomba.
01:02:23Bomba.
01:02:24Bomba.
01:02:25Bomba.
01:02:26Bomba.
01:02:27Bomba.
01:02:28Bomba.
01:02:29Bomba.
01:02:30Bomba.
01:02:31Bomba.
01:02:32I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:37How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:43Don't I count for anything?
01:02:45Perhaps you've forgotten that we were supposed to get married in a month.
01:02:49You don't understand, Marco.
01:02:51I'm not able to leave Leon.
01:02:53My God! How is this possible?
01:02:57Go away from here. It's useless.
01:03:01I'll never give Leona. For any reason.
01:03:31I'll never give Leona.
01:03:33I'll never give Leona.
01:03:39Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:46Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:00Getting drunk.
01:04:02If only we had any guts.
01:04:07We'd do something about it.
01:04:32We're here.
01:04:33Hello.
01:04:42Don't look at me like that.
01:04:44I was just...
01:04:46...admiring you.
01:04:47Then don't admire me that way.
01:04:49Are you alone?
01:04:51Why?
01:04:52Tomorrow morning I go.
01:04:53I thought I should tell you that...
01:04:54I'd like to hire the boat from Leon.
01:04:59I'm mad about you.
01:05:01Nothing can make me change ever.
01:05:05I put your things in a bag.
01:05:06What do you want me to do with it?
01:05:08Whatever you want.
01:05:09What do I do?
01:05:10Keep it?
01:05:11Burn it.
01:05:12I'm not coming back.
01:05:13You're lying.
01:05:14Hey!
01:05:15What do you want?
01:05:16Look what you want.
01:05:17Look at me.
01:05:18Look at me.
01:05:22Put it.
01:05:23Burn it.
01:05:24I'm not coming back.
01:05:25You're lying.
01:05:27Hey!
01:05:28What do you want?
01:05:36I need you, Leon.
01:05:37A ride to the mainland.
01:05:39So I can fly out to America.
01:05:40I will hire the boat tomorrow morning.
01:05:43Marco is also going,
01:05:45Marco's also going, and I want it to be a party,
01:05:48so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:57She's got work to do, and I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:15Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:34Come back with me, Iris.
01:06:38No, Marco. Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now, leave me alone. I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:07:15Let's go.
01:07:21Let's go.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning, and he had a strange, evil look in his face.
01:08:21He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:40Let me in on it.
01:08:42Let me in on it.
01:08:43Oh, my God.
01:09:13Oh, my God.
01:09:43Oh, my God.
01:10:12There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:22I'm going down to have a look.
01:10:28Come on, let's go.
01:10:51I'm going down to have a look.
01:11:00I'm going down to have a look.
01:11:08I'm going down to have a look.
01:11:19I'm going down to have a look.
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:11:50Iris!
01:11:52Iris!
01:11:54Iris!
01:12:02Stop it!
01:12:25You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risked losing my life.
01:12:44Marco didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:10They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:40You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Hello, Andy.
01:14:56We thought...
01:14:57We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:10Come here.
01:15:24You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:38They say these islands cast a spell on lovers.
01:15:42We get...
01:15:44We get...
01:15:48We get...
01:15:52We get...
01:15:56We get...
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