- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31¡Abrr!
00:01:31It was really great.
00:02:01You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31Here's my address.
00:02:33Here's my address.
00:02:35Here's my address.
00:02:37Here's my address.
00:02:39Here's my address.
00:02:41Darling.
00:02:43Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:51Great.
00:02:52Thanks.
00:02:53Bye, Criana.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:03Another conquest?
00:03:05No.
00:03:06I know that look.
00:03:09It really is beautiful.
00:03:23Well, I think the atmosphere is weird here.
00:03:25There's something in the air.
00:03:27It's extremely erotic.
00:03:29I feel strange all of a sudden.
00:03:31I hope the hotel's near.
00:03:32I'm almost there.
00:03:33Ah, it's beautiful.
00:03:34You were right.
00:03:35I just cannot imagine what it is like to do it here, you know?
00:03:50I'm almost there.
00:03:51It's beautiful.
00:03:52You were right.
00:03:53I just cannot imagine what it is like to do it here, you know?
00:04:05Hey, my girl!
00:04:07Hey, my girl!
00:04:09Hey, my girl!
00:04:23Hi.
00:04:35Hi.
00:04:37Any news?
00:04:39No, nothing yet.
00:04:41I can't find anyone who recognizes her name or her picture.
00:04:43Sorry.
00:04:45I know.
00:04:47Good luck.
00:05:05No!
00:05:07Oh, yeah!
00:05:09I know.
00:05:11Hey!
00:05:12Hi.
00:05:14Hi.
00:05:16Hi.
00:05:21Hi.
00:05:22Hi.
00:05:25Hi.
00:05:27Hi.
00:05:29Hi.
00:05:30Hi.
00:05:32Hi.
00:05:33Hi.
00:05:34Ah!
00:06:04I thought you'd never get here.
00:06:31No.
00:06:32Seems like an eternity.
00:06:39No, that's more like it.
00:06:41Where are you taking me tonight?
00:07:02No.
00:07:11No.
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00:08:20Oh, my God.
00:08:50Hey, excuse me. Have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here. Will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:17Are you trying to get me in trouble?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02Marco.
00:11:04How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're happy.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:34I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:32Come on, listen up.
00:12:48I feel uncomfortable.
00:12:50Well, no need.
00:13:02What is it?
00:13:04I don't know.
00:13:04It's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:35But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:54Please help me.
00:13:55You know, love can be a strange thing.
00:14:05I'm in Venice.
00:14:06I love you, she picks it up.
00:14:09He needs to flip it up.
00:14:10I don't know.
00:14:10Oh!
00:14:11Uuh!
00:14:11Let's go.
00:14:41The light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:28I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:52Hey, it's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:22Bye-bye.
00:17:23Bye-bye.
00:17:32Uh, is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:52I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long, Ira.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:17Bye.
00:18:17Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:18Bye.
00:18:19Bye.
00:18:19Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:20Bye.
00:18:21Bye.
00:18:43Bye.
00:18:43Bye.
00:18:45Bye.
00:18:46Bye.
00:18:46Well, so you came at last.
00:18:51Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:11No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:21Hey, hey, hey, hey, hey, hey, hey, hey.
00:19:51Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.
00:19:58Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:46Who's that woman there?
00:20:48A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:53I know her.
00:20:55The two of us were at the same school.
00:20:57I think I'll say hello.
00:21:06Joanne?
00:21:07Who is it?
00:21:09Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:16Is it really you?
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic. Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me, from what?
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:44How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:57I don't know.
00:21:59Don't you like long for New York at all?
00:22:05No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:17Here there aren't any men that I like.
00:22:21That's probably a good thing.
00:22:24I like everything sophisticated or complicated.
00:22:29I suppose I'm in a crisis.
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:34It wasn't a proposition.
00:22:35I see.
00:22:36Well, in that case, I'll offer you a proposition.
00:22:38What kind?
00:22:40Like I told you, I'm working for a magazine.
00:22:42I'm doing a story on this island.
00:22:45And you know it pretty well.
00:22:47Yes, I do.
00:22:49If you could help me.
00:22:52Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:02We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm up.
00:23:36It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three a crowd?
00:23:59Oh, Andy, come on.
00:24:01I thought you were emancipated.
00:24:03But you're still stuck in the seventies.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Hey.
00:24:11Jajaja.
00:24:18Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:41Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:07His steady date.
00:25:10She sits all day and waits for him.
00:25:12I believe she's Italian.
00:25:14Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl that air steward
00:25:26was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane.
00:25:35I met her boyfriend.
00:25:38He came here to look for her.
00:25:40He'll go back empty handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wont to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:00He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah.
00:26:15He's a savage.
00:26:17But it'd be terribly easy for you to make an oath like that.
00:26:21You know, come chasing after you like a beast in heat.
00:26:25He's a womanized.
00:26:26And your friend would get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:44Ask him to dance.
00:26:45Have a heart.
00:26:46Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52This music's getting on my nerves.
00:27:09Sorry.
00:27:11I wasn't serious.
00:27:14It was a joke.
00:27:16I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:27Me too.
00:27:32I love you too.
00:27:34God.
00:27:39It's okay.
00:27:42If you're tired.
00:27:43It's happened before.
00:27:49It'll pass.
00:28:13More.
00:28:17In almost any way.
00:28:18Go.
00:28:19Go.
00:28:20Go.
00:28:21Good.
00:28:22Guess who is aacer.
00:28:23Go.
00:28:25You can't go.
00:28:27Get him.
00:28:33Stop spain.
00:28:35Take him.
00:28:36Arthur.
00:28:37He who is not.
00:28:39What is the deal with you?
00:28:40Let's go.
00:29:10Let's go.
00:29:40Let's go.
00:30:10Let's go.
00:30:11Let's go.
00:30:12Stop it.
00:30:13You're hurting me.
00:30:14Stop it.
00:30:15Stop it.
00:30:16Leave me alone.
00:30:17Put me down.
00:30:18Stop it.
00:30:19Let me go.
00:30:20Let's go.
00:30:21Let's go.
00:30:22Let's go.
00:30:23Let's go.
00:30:25Let's go.
00:30:26Let's go.
00:30:27Let's go.
00:30:28Let's go.
00:30:29Let's go.
00:30:31Let's go.
00:30:32Let's go.
00:30:33Let's go.
00:30:34Let's go.
00:30:35Let's go.
00:30:36Let's go.
00:30:37Let's go.
00:30:38Let's go.
00:30:39Let's go.
00:30:40Let's go.
00:30:41Let's go.
00:30:42Let's go.
00:30:43Let's go.
00:30:44Let's go.
00:30:45Let's go.
00:30:46Let's go.
00:30:47Let's go.
00:30:48Let's go.
00:30:49Let's go.
00:30:50Let's go.
00:30:51Let's go.
00:30:52It's a morgenaproLa that's asked him for trouble especially dressed like that.
00:30:54I can't have any fun shutting the bungalow.
00:30:58It's your life.
00:31:00Do what you want.
00:31:17What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:48Gryola?
00:32:04You there?
00:32:09Gryola?
00:32:16Gryola?
00:32:18Gryola?
00:32:21Gryola?
00:32:23Gryola?
00:32:38Have you seen Gryola?
00:32:40No.
00:32:43There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:46She's probably gone off exploring the island.
00:32:50I expect you're right. Thanks, Maxwell.
00:32:52Ciao.
00:33:02Ciao.
00:33:03Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along. So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:12Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:26Andy.
00:33:27Yeah?
00:33:28I gotta tell you something.
00:33:29Go ahead, shoot.
00:33:30Let's go away from here.
00:33:31Why?
00:33:32Something the matter?
00:33:33Yeah.
00:33:34Let's go away from here.
00:33:35Yeah.
00:33:36Let's go away.
00:33:37We can't yet.
00:33:38I still have photos to do.
00:33:39Besides, I got a little money in advance.
00:33:40I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:43Well, I can't forget it. I want to go away. I want to go back to America.
00:33:47You're not being reasonable. I know, but I can't stay here another minute.
00:33:48I suppose it's my fault, huh?
00:33:49No, of course not.
00:33:50I'll be alright again, I'll be alright again, but I'll be alright again.
00:33:53I'll be alright. I'll be alright again, and I'll be right back.
00:33:54I'll be alright.
00:33:55Maybe you've alright.
00:33:56I'll be alright, but I'll be alright.
00:33:57Maybe you can't wait until they're late in the morning.
00:33:58Are you alright?
00:33:59I'll be alright.
00:34:00I'll be alright.
00:34:01I'll be alright again.
00:34:02I'll be alright.
00:34:03I still have photos to do.
00:34:04Besides, I got a little money in advance.
00:34:06I can't let the magazine down. I'd never work again. No way.
00:34:07No way, forget it.
00:34:08Well, I can't forget it.
00:34:10I'll be here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:17I'll be all right again soon, I swear.
00:34:19No, it's, there's nothing to do with you.
00:34:22I don't know, it's just...
00:34:24Look, I'm counting on the erotic atmosphere
00:34:27of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:36All you have to do is be patient.
00:34:38Just a little longer.
00:34:40I'll be happy again.
00:34:41And then, I'll be able to give you what you need so badly.
00:35:10I'll be able to give you what you need so badly.
00:35:13I'll be able to give you a great pleasure.
00:35:27Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:56Food is the only healthy vice.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:26Care for a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:36:58Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40To broken hearts.
00:37:51To broken hearts.
00:37:51I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:51You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it looks.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09Bye.
00:39:10I'll be right back.
00:39:11I'm going to stay.
00:39:12I'm talking about it.
00:39:13I don't want to get it.
00:39:13Bye.
00:39:14Adios!
00:39:14I'll be right back.
00:40:15Sorry, Joanne, but the places you've shown me have been so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:39You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Oh, is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:55Leon, Leon, don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:28She's not a consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I gotta be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Hmm?
00:45:28Have you seen me?
00:45:54have you seen Leon sorry to disturb I want a word with him I'll leave you two
00:46:16together wait what do you want iris iris you've got her you don't want iris iris is free to do what
00:46:27she wants adios
00:46:57so
00:47:00so
00:47:04so
00:47:06so
00:47:09so
00:47:12so
00:47:16so
00:47:18so
00:47:21No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:48I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:34Oh, Christ!
00:48:34Christ!
00:48:35Oh, Christ!
00:48:36Oh, my God.
00:49:06Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Not briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:16She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:28Shut up.
00:51:38I have to.
00:51:51You're hurting me.
00:52:02You're hurting me.
00:52:21Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:51You're hurting me.
00:53:21Put it in the pail.
00:53:43You know how to cook it?
00:53:48You'll have to learn.
00:53:52Hey.
00:53:56Hey.
00:53:58What are you doing here?
00:54:02Criola.
00:54:04Criola.
00:54:06Criola.
00:54:08Criola.
00:54:09Criola.
00:54:10Criola.
00:54:11Criola.
00:54:12Criola.
00:54:13Criola.
00:54:14Criola.
00:54:15Criola.
00:54:16Criola.
00:54:17Criola.
00:54:18Criola.
00:54:19Criola.
00:54:20Criola.
00:54:21What do you want?
00:54:23Criola.
00:54:24Criola.
00:54:25Criola.
00:54:26Criola.
00:54:27What do you want?
00:54:29I've come to get her.
00:54:31No.
00:54:32Leon.
00:54:33No.
00:54:34What are you doing?
00:54:35Criola.
00:54:36I never thought I would come to this.
00:54:38Please, please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:19With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't want you.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:34My life is meaningless without you.
00:55:42I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:19Thanks, but not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:29I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:41I call it ginballing.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:01Look.
00:57:04I have no intention of fighting with you.
00:57:06You're a kind, sweet, patient...
00:57:08Okay, get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She is bound to tire of it.
00:57:18She always does.
00:57:23This place...
00:57:25Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:32I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:39It's not a person who casts a spell on one at all,
00:57:43but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:56Hmm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm.
00:58:06A Buridan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had,
00:58:15and abandon themselves falling into the arms of someone like Leon.
00:58:18But you see, I can't understand how she could learn to make love like that.
00:58:23Oh, yes, you can.
00:58:25Please.
00:58:26Right.
00:58:27Let's not say any more.
00:58:28You want to sit here all night?
00:58:30Right.
00:58:31That's not going to do any good.
00:58:32Hey.
00:58:33It's not going to do any good.
00:58:34Hey.
00:58:35What's the matter?
00:58:36You've suddenly developed morals?
00:58:37Yes.
00:58:38No.
00:58:39No.
00:58:40No.
00:58:41No.
00:58:42No.
00:58:43No.
00:58:44No.
00:58:45No.
00:58:46No.
00:58:47No.
00:58:48No.
00:58:49No.
00:58:50No.
00:58:51No.
00:58:52No.
00:58:53No.
00:58:54No.
00:58:55No.
00:58:56No.
00:58:57No.
00:58:58No.
00:58:59No.
00:59:00No.
00:59:01No.
00:59:02No.
00:59:03No.
00:59:04No.
00:59:05No.
00:59:06No.
00:59:07No.
00:59:08No.
00:59:09No.
00:59:10No.
00:59:11No.
00:59:12No.
00:59:13No.
00:59:14No.
00:59:15No.
00:59:16No.
00:59:17No.
00:59:18No.
00:59:19No.
00:59:20No.
00:59:21No.
00:59:22No.
00:59:23No.
00:59:24No.
00:59:25No.
00:59:26No.
00:59:27No.
00:59:28No.
00:59:29No.
00:59:30No.
00:59:31No.
00:59:32No.
00:59:33Is it ready, is it cooked, there's a time for love, there's a time for food, now we eat.
01:00:03The end of the day, is a time for food, now we're going to get to eat and eat, the food, now we're going to get to eat.
01:00:22Let's go.
01:00:52Let's go.
01:01:23Estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:36Yo me pregunto, ¿para qué sirven las piedras?
01:01:40Tengo un boquete en el pantalón, vos estás tan fría como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:52La otra noche te esperé bajo la lluvia dos horas.
01:01:56Mil horas como un perro.
01:01:59Y cuando llegaste me miraste, me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, boom, boom, boom, boom, boom, boom.
01:02:17I don't know anymore, Iris.
01:02:35¿Cómo puedes humilartearte de esta manera?
01:02:38¿Cómo puedes aceptar todo esto?
01:02:39Porque yo lo amo como nunca lo amé a nadie.
01:02:42¿Cómo te llamas, entonces?
01:02:44¿No te preocupes por nada?
01:02:46Quizás has olvidado que nos acabamos de casar en un mes.
01:02:49Y cuando llegaste me miraste me dices loco, estás mojado, ya no te quiero.
01:03:15Si no es circo, ya eres tú una estrella, una estrella roja que todos te lo imaginan.
01:03:25Si te pregunto, tú no me conocías o no.
01:03:30En un boquete en el pantalón, vos estás tan fría como la nieve a mi alrededor.
01:03:40¿Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:58And we are here getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:23Hello?
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:23Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:07:14Okay.
01:07:14Oh, my God.
01:07:44I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Oh, my God.
01:08:39Oh, my God.
01:08:43Oh, my God.
01:09:13Oh, my God.
01:09:43Oh, my God.
01:10:13There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:43Come on, let's go.
01:10:51Come on, let's go.
01:11:00Come on, let's go.
01:11:07Come on, let's go.
01:11:16Come on, let's go.
01:11:24Consuelo?
01:11:25Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:31But they left.
01:11:32Sure.
01:11:33What the hell's going on?
01:11:36Nothing.
01:11:38Iris!
01:11:48Iris!
01:11:50Iris!
01:12:00Iris!
01:12:01Stop it.
01:12:09You've got no call.
01:12:16Exactly what are you trying to do to me?
01:12:23Leon, just stop and think of the position he's in.
01:12:24That man's finished because of you.
01:12:25Losing the one thing he cared about, he risked losing his mind.
01:12:30And I risk losing my life.
01:12:31Parker didn't really mean to kill you.
01:12:37It was pure desperation.
01:12:38Surely even you can comprehend that.
01:12:39You must have been in love at least once in your lonely life.
01:12:42So much it made a fool of you, Leon.
01:12:44No.
01:12:45Funny.
01:12:46I'm not proud of the man I see when I look in the mirror and see myself.
01:12:48But from now on, I'll be glad to say, at least I'm not like Lee.
01:12:51They must have poured themselves up into a demon.
01:13:07They must have poured themselves up into a demon.
01:13:12The cat has been awesome for me.
01:13:15I've been fishing for a while.
01:13:20They threw themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:26It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:48Yes, but my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne, don't you understand?
01:13:58I love Leon, and I won't leave him.
01:14:02You think you love him, but you don't, really.
01:14:07You're still hurt and angry with poor Andy,
01:14:09because he threw you into the arms of that wretched animal, Leon.
01:14:13You're punishing him with this affair,
01:14:16but you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola,
01:14:35and faced up to it.
01:14:37The truth may hurt you,
01:14:39so you need courage.
01:14:40Hello, Andy.
01:14:56We thought...
01:14:57We thought that island would help us escape from reality.
01:15:05We must accept the place of scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:38Right.
01:15:40They say these islands cast a spell on lovers.
01:15:42We get...
01:15:43We get...
01:15:51We get...
01:15:52We get...
01:15:53We get...
01:15:54We get...
01:15:55We get...
01:15:56We get...
01:15:57We get...
01:15:58We get...
01:15:59We get...
01:16:00We get...
01:16:01We get...
01:16:02We get...
01:16:03We get...
01:16:04We get...
01:16:05We get...
01:16:06We get...
01:16:07We get...
01:16:08We get...
01:16:09We get...
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