- 3 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdĂłn.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazĂłn está triste, se acabĂł ya mi alegrĂa.
00:01:14Si mami le brindan por la bien fuera, la vida mĂa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Good luck.
00:04:55I seem to like you.
00:04:56Guess who I'm a rabbi?
00:04:57Go ahead, go ahead, go ahead.
00:04:58This is going to be a guy.
00:04:59I'm getting a friend.
00:05:00No.
00:05:01I know.
00:05:02I'm having a friend.
00:05:03No.
00:05:04No.
00:05:05No.
00:05:06No.
00:05:07No.
00:05:08No.
00:05:09No.
00:05:10No.
00:05:11No.
00:05:12No.
00:05:13No.
00:05:15No.
00:05:16No.
00:05:17No.
00:05:18No.
00:05:19No.
00:05:20No.
00:05:21No.
00:05:22No.
00:05:23No.
00:05:24I'll see you next time.
00:05:54Ha, ha, ha, ha, ha, ha.
00:06:24I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:54I thought you were easy.
00:07:09Let's go.
00:07:39Will you play the same number, madame?
00:07:41Sure.
00:07:46Number 13.
00:08:09Let's go.
00:08:11Lady, gentlemen.
00:08:16Let's go.
00:08:17Ladies and gentlemen.
00:08:19Let's go.
00:08:49Hey, excuse me. Have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here. Will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:17Are you trying to get me in trouble?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No. He's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:42Okay. And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think. They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:04Mm-hmm. Yeah.
00:10:04Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:41Oh, come on.
00:10:42That's only a depiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm. Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:09How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:12Well, very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Like, um, my magazine editor wants a weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02You know, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:16Listen, Criela, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:46I feel uncomfortable.
00:12:50Well, no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm quite faithful.
00:13:54Please, help me.
00:14:00I understand.
00:14:03You know, love can be a strange thing.
00:14:05He likes to find out.
00:14:10He likes to freak out.
00:14:11He likes to stay, baby.
00:14:15He likes to take my love.
00:14:16He likes to take my love.
00:14:17He likes to walk inside.
00:14:18He likes to take my love since I meet him.
00:14:23He likes to take my father.
00:14:24Oh, the light is not the best, but we shall do what we can.
00:14:48It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:25Oh, for God's sake.
00:15:29I was joking.
00:15:32Get away.
00:15:33What a work for you to do.
00:15:36What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:56Haven't you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, alright?
00:16:04Look at him.
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:03What a disappointment.
00:17:07We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:19Whoa.
00:17:21Cool.
00:17:22Here's the town.
00:17:24Bye.
00:17:32Bye.
00:17:33Uh...
00:17:34Is it far to the fishing village?
00:17:35Five hundred meters.
00:17:36That way.
00:17:37Okay.
00:17:38Down that way.
00:17:39Okay.
00:17:49I'm going to go to the village.
00:17:56Okay. I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead. See you later.
00:18:08All right.
00:18:15So long.
00:18:16Bye.
00:18:19Hi.
00:18:44Hi.
00:18:46Well, so you came at last.
00:18:48Hi, there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:19I love you, I love you, I love you
00:19:49I love you, I love you, I love you
00:20:19I love you, I love you
00:20:49I love you, I love you, I love you, I love you
00:20:51Joanne Sullivan?
00:20:52I know her, the two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:05Go ahead remember Andy the nerd
00:21:09Andy the nerd, oh my god, is it really you?
00:21:16How are you?
00:21:18Fine
00:21:20Great to see my old valedictorian
00:21:22Great to see you
00:21:23What are you doing here?
00:21:25I'm taking pictures for a magazine
00:21:27Fantastic, come and sit down
00:21:29What are you doing?
00:21:31Escaping, but don't ask me from what, because I don't know
00:21:35Maybe from myself
00:21:37I imagine you're writing something now
00:21:39Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time if you don't write?
00:21:45Gymnastics
00:21:49And I drink
00:21:53I tend the garden, I read
00:21:58Don't you like long for New York at all?
00:22:03No
00:22:05America is in an advanced state of decomposition Andy
00:22:09Like the whole of the west
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any
00:22:19Men that I like
00:22:21That's probably a good thing
00:22:23I like everything sophisticated, complicated
00:22:27I suppose I'm in a crisis
00:22:31Is that a plea for help I hear?
00:22:33Oh come on, it wasn't a proposition
00:22:35I see
00:22:36Well in that case I'll offer you a proposition
00:22:38What kind?
00:22:40Like I told you, I'm working for a magazine
00:22:42And doing a story on this island
00:22:45And you know it pretty well
00:22:46Yes I do
00:22:48You could help me
00:22:49Whenever you want, my pleasure
00:22:53Great
00:22:59Here comes the food
00:23:00Oh good, we can try the local cuisine
00:23:02Here it is, the chef's special
00:23:04Mmm
00:23:05Mmm
00:23:06Mmm
00:23:07That looks
00:23:08Enjoy your food
00:23:09I'm starving
00:23:10Oh that looks good
00:23:13Consuela's such an extrovert
00:23:15She's always bright and sunny
00:23:17She's just my opposite
00:23:19I like her
00:23:20She's already had the cream of the young men on the island
00:23:24If I could only get used to going to bed so easily
00:23:29Yes
00:23:30It's knowing how to start it up
00:23:33Yeah
00:23:34The warm-up
00:23:37It's simplest to make it with someone you know
00:23:39The first step's taken already
00:23:42Are you making advances?
00:23:45I'm attempting to find you an answer
00:23:48I don't think Criella thinks it's such a good idea
00:23:51Criella
00:23:53It might be more fun if we didn't leave her out
00:23:57Since when's three of the crowd?
00:23:59Oh Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the seventies
00:24:05Sex, lib, dreaming
00:24:07That's old hat
00:24:08You disappoint me
00:24:10That woman has a hard heart
00:24:20With MFP
00:24:22That woman has a hard heart
00:24:23still trying to become the hero
00:24:24That man, he's very good
00:24:25I don't know
00:24:26Maybe I'd like to say
00:24:27I guess
00:24:28I don't know
00:24:29what the hell
00:24:30I don't know
00:24:31Like I'd like to laugh
00:24:32You've talked to him
00:24:33Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Not bad.
00:24:57You dance almost like a native.
00:25:03Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:31But then, it must be her on the plane, I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wont to put evil spells on sexy girls.
00:25:58Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:13Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:22Me, too.
00:27:31I love you, too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:52I love you.
00:28:13Don't you?
00:28:14The End
00:28:44The End
00:29:14The End
00:29:44The End
00:30:14It's a good thing
00:30:34You came
00:30:35I guess I should say thanks
00:30:38You don't have to
00:30:40Thanks anyway
00:30:43You know
00:30:45You should go around by yourself
00:30:48It's asked him for trouble
00:30:51Especially dressed like that
00:30:53I can't have any fun shutting a bungalow
00:30:56It's your life
00:30:58Do what you want
00:31:00What are you doing?
00:31:18Offering you a little hospitality
00:31:20Here, have a drink
00:31:23Thank you
00:31:30Thank you
00:31:30Viola?
00:31:51Gryola?
00:32:05You there?
00:32:10Gryola?
00:32:17Gryola?
00:32:22Gryola?
00:32:24Gryola?
00:32:39Have you seen Gryola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right. Thanks, Gryola.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around.
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:24I took some magnificent pictures. Things I'd never have found without her.
00:33:28Andy.
00:33:30Yeah?
00:33:32I've got to tell you something.
00:33:33Go ahead, shoot.
00:33:35Let's go away from here.
00:33:36Why, something the matter?
00:33:38Yeah.
00:33:40Let's go away.
00:33:41We can't yet.
00:33:42I still have photos to do.
00:33:43Besides, I got a little money in advance.
00:33:45I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:48Well, I can't forget it. I want to go away. I want to go back to America.
00:33:51You're not being reasonable.
00:33:52I know, but I can't stay here another minute.
00:33:53I suppose it's my fault, huh?
00:33:55No, of course not.
00:33:57I'll be alright again soon, I swear.
00:33:59No, it's nothing to do with you.
00:34:00I don't know who you are.
00:34:01I can't let the magazine down.
00:34:02I can't let the magazine down. I'd never work again. No way. Forget it.
00:34:04Well, I can't forget it. I want to go away.
00:34:05I want to go back to America.
00:34:07You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be alright again soon, I swear.
00:34:17No, it's... there's nothing to do with you.
00:34:19I don't know who you are.
00:34:20It's just...
00:34:23Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:34:50That's right.
00:34:51I know it.
00:34:53I'm sorry.
00:34:55I'll be able to get back to...
00:34:57I know...
00:34:59I know it's a big thing.
00:35:01I know.
00:35:02If you have to go...
00:35:34Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:10One day I guess I'll get another chance.
00:36:33Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:54Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:15Of course, you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:30I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:37I've stopped looking for it.
00:37:49The broken hearts.
00:37:51I was sure you'd come.
00:38:14You were?
00:38:15Do you want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09I love you, guys.
00:39:11I'm walking instead.
00:39:12I'm talking about it.
00:39:13I'm getting you.
00:39:14Bye.
00:39:14Bye.
00:39:14Bye.
00:39:14Bye.
00:39:14Bye.
00:39:15Bye.
00:39:33Bye.
00:39:34Bye.
00:39:35Bye.
00:39:36Bye.
00:39:36Bye.
00:39:36Bye.
00:39:36Bye.
00:39:37Bye.
00:39:37Bye.
00:39:37Bye.
00:39:38Bye.
00:39:38Bye.
00:39:39It's exactly for
00:40:09Four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:51Joanne gave me one, too, with a dedication.
00:40:53I'll sob my eyes out.
00:40:54For a romantic novel, it's not bad.
00:41:01It's a model a fun thing to be, Criola.
00:41:04I wouldn't recommend it to my friends, but I'm not complaining.
00:41:07I asked because when I was a little girl, I dreamed of being a dancer or model, but I ended up with overweight tits.
00:41:13So you snuck away to live on an island.
00:41:14Well, here at least they appreciate my boobs.
00:41:18Here comes a customer.
00:41:19Oh, it's Marco.
00:41:20You know him?
00:41:21Yeah.
00:41:22Hi, Marco.
00:41:23Hi, I imagine bumping into you here.
00:41:24Did you just get here?
00:41:25Did you just get here?
00:41:26Yeah.
00:41:27Wow, it's great.
00:41:28Yes.
00:41:29Can I help you?
00:41:30Oh, I need a place to stay.
00:41:31I have a vacant room here.
00:41:32Fine.
00:41:33If it isn't too expensive.
00:41:34Don't worry, it won't pain.
00:41:36You'll have to be the wrong place.
00:41:37So you have to be the wrong place.
00:41:38From here, I'm back in the house.
00:41:39You have to be the wrong place?
00:41:41Here is a man.
00:41:42Why not?
00:41:43That's Marco.
00:41:44You have to be the wrong place.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I've got to be the man with you.
00:41:48Did you just get here?
00:41:49You have to be the man with him?
00:41:50Yeah.
00:41:51Wow, great.
00:41:52Yeah, I'm so happy I want you to come.
00:41:53Can I help me?
00:41:54Well, I'll have a place to stay.
00:41:55I have some vacant rooms here.
00:41:57At least, if it isn't too expensive.
00:42:00Don't worry, it won't bankrupt you. I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:06More than you bargained for.
00:42:09Listen, I have some important news for you, very important.
00:42:13I may know where your girlfriend is.
00:42:16Iris, you mean you found her?
00:42:18Yeah.
00:42:19Oh, God.
00:42:28You.
00:42:29Where is it?
00:42:31Don't worry.
00:42:33What do you want?
00:42:35I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:41Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:51Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:56Leon.
00:42:58Leon.
00:42:59Leon.
00:43:00Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'll wait.
00:43:26I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00What?
00:44:01I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:19I know.
00:44:24So, stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:43There's no other explanation.
00:44:45I knew it.
00:44:46She's gone back to the States.
00:44:47How?
00:44:48Wearing a pareo?
00:44:49Andy, look.
00:44:50She hasn't gone.
00:44:51Her stuff's still here.
00:44:52Andy, you're not to worry.
00:44:54I'm sure that Criola will soon come back.
00:44:55Do believe me.
00:44:56I've got to be off now.
00:44:57So long.
00:44:58See you at dinner.
00:44:59Hmm?
00:45:00No.
00:45:01No.
00:45:02No.
00:45:03No.
00:45:04No.
00:45:05No.
00:45:06No.
00:45:07No.
00:45:08No.
00:45:09No.
00:45:10No.
00:45:11No.
00:45:12No.
00:45:13No.
00:45:14No.
00:45:15No.
00:45:16No.
00:45:17No.
00:45:18No.
00:45:19No.
00:45:20No.
00:45:21No.
00:45:22No.
00:45:23No.
00:45:24No.
00:45:25No.
00:45:26No.
00:45:27No.
00:45:28No.
00:45:29No.
00:45:30No.
00:45:31No.
00:45:32No.
00:45:33No.
00:45:34No.
00:45:35No.
00:45:36No.
00:45:37No.
00:45:38No.
00:45:39No.
00:45:40No.
00:45:41No.
00:45:42No.
00:45:43No.
00:45:44No.
00:45:45No.
00:45:46Have you seen Leon?
00:45:58Have you seen what he did with a girl?
00:46:10Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris, you've got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:46They're free to do what she wants.
00:47:00They are free to do what she wants.
00:47:11No, it's not done.
00:47:41It's not true.
00:47:43I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes. It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me? He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:25I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:32Oh, Christ!
00:48:34I know him.
00:48:35Christ!
00:49:04Get out of here and stop bothering the customers!
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:26Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48But now she's gone for good.
00:49:50She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:06She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened.
00:50:13Fate set a trap for her.
00:50:14Oh, God.
00:50:16Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:29Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Consuelo.
00:50:41Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:53I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you've seen her?
00:51:01Yes.
00:51:02Briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:10Well, I'm sorry.
00:51:11I'm sorry.
00:51:12I'm sorry.
00:51:13I'm sorry.
00:51:14I'm sorry.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:27I have to.
00:51:56Don't go.
00:52:02You're hurting me.
00:52:03You're hurting me.
00:52:04Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:53:42Put it in the pail.
00:53:46You know how to cook it?
00:53:48You'll have to learn.
00:53:51Hey.
00:53:53What are you doing here?
00:54:01Hey.
00:54:02What are you doing here?
00:54:03Criola.
00:54:05Criola.
00:54:06Criola.
00:54:07Criola.
00:54:08Criola.
00:54:09Criola.
00:54:10Criola.
00:54:11Criola.
00:54:12Criola.
00:54:13Criola.
00:54:14Criola.
00:54:15Criola.
00:54:16Criola.
00:54:17Criola.
00:54:18Criola.
00:54:19Criola.
00:54:20Criola.
00:54:21Criola.
00:54:22Criola.
00:54:23Criola.
00:54:24Criola.
00:54:25Criola.
00:54:26Criola.
00:54:27Criola.
00:54:28Criola.
00:54:29Criola.
00:54:30Criola.
00:54:31Criola.
00:54:32No.
00:54:33No, what are you doing?
00:54:34Criola.
00:54:35Criola.
00:54:36Criola.
00:54:37I never thought it would come to this.
00:54:38Please.
00:54:39I know it's all my fault, but please don't humiliate yourself like this.
00:54:42It's too late.
00:54:44No.
00:54:45It's not too late.
00:54:47It's not.
00:54:48It's too late, Andy.
00:54:50No, it's not.
00:54:51It's...
00:54:52Please.
00:54:53We must begin again.
00:54:54I can't.
00:54:55No.
00:54:56Don't tell me you're gonna stay here.
00:54:58Jesus, Criola.
00:55:00With a bastard like that
00:55:07You don't know what you're saying you're coming back
00:55:30Really?
00:55:32It's ridiculous
00:55:36Ridiculous
00:55:39My life is meaningless without you
00:56:00I'm sorry
00:56:04I didn't mean to disturb you
00:56:06But I just wanted something to drink
00:56:09No problem, really
00:56:11I don't mind having a break
00:56:14Why don't you stick around?
00:56:16You might even keep us company if you like
00:56:22Thanks, but not tonight
00:56:24Maybe some other time
00:56:26I'm not in the best of moods
00:56:30Oh
00:56:38I invented this
00:56:40I call it gin-balling
00:56:42It's a very silly game
00:56:44For what?
00:56:46Serves to calm the nerves
00:56:48Try it
00:56:49Okay
00:56:54Okay
00:56:56Tell mother everything
00:56:58I'm all ears
00:57:01Look
00:57:04I have no intention of fighting with you
00:57:06You're a kind, sweet, patient
00:57:08Okay
00:57:09Get to the point
00:57:10The question is
00:57:11Will she tire of that dope?
00:57:12That's what you want to know
00:57:14Is that it?
00:57:15She's bound to tire of it
00:57:17She's bound to tire of it
00:57:18She always does
00:57:23This plays
00:57:25Plays tricks on one sometimes
00:57:27Even I fell once, you know
00:57:29There's no truth in all that shit
00:57:31I surely don't need to prove it, do I?
00:57:33You're up against an example
00:57:35You're up against an example
00:57:36And you know it
00:57:39It's not a person who casts a spell on one at all
00:57:41But this island
00:57:43It intoxicates people's minds
00:57:45It may not be happiness
00:57:47God only knows happiness
00:57:49It's hard enough to find anywhere
00:57:51But it's a narcotic that makes them feel they found paradise
00:57:53Hmm
00:57:55Yeah
00:57:57It's blinded Eve in Creole
00:57:59She used to hate dirt
00:58:01The invention of squalor made her sick for days
00:58:03Mm-hmm
00:58:05A Puritan
00:58:06It's usual
00:58:07When they eventually rebel, that's it
00:58:09They reject the previous moral values they had
00:58:13And abandon themselves falling into the arms of someone like Leon
00:58:17But you see, I can't understand
00:58:19How she could learn to make love like that
00:58:21Oh, yes, you can
00:58:25Please
00:58:27Right
00:58:29Let's not say anymore
00:58:30You wanna sit here all night?
00:58:39I...
00:58:51That's not gonna do any good
00:58:57That's not gonna do any good
00:59:00Hey
00:59:01What's the matter? You've suddenly developed morals?
00:59:06I'm as immoral as you are
00:59:08But there is such a thing as the right moment
00:59:13Night, it's way past my bedtime
00:59:15Is it ready?
00:59:17Is it cooked?
00:59:21Is it cooked?
00:59:23Is it cooked?
00:59:29There's a time for love
00:59:31And a time for food
00:59:33Now we eat
00:59:35Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
01:00:05Did you think about food?
01:00:07There's a time for food.
01:00:09There's a time for food.
01:00:11Come home!
01:00:14I'm in a party.
01:00:35Ah, aah, aah, aah, aah, aah.
01:00:42Ah, aah, aah, aah.
01:00:45Hey!
01:00:48Wee!
01:00:50Come back!
01:00:53I
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01:05:15I put you things in a bag.
01:05:17What do you want me to do with it?
01:05:19Whatever you want.
01:05:21What do I do?
01:05:23Keep it?
01:05:25Burn it. I'm not coming back.
01:05:27You're lying.
01:05:31Hey, what do you want?
01:05:33I
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01:06:01I
01:06:03Anyway,
01:06:05It's okay.
01:06:07I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:31I
01:06:33I
01:06:35Come back with me, Iris.
01:06:37No, Marco.
01:06:39Not now, not ever.
01:06:41And for heaven's sake, don't ask me again.
01:06:43Now, leave me alone.
01:06:45I have worked.
01:06:49You win. Okay.
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