- 2 months ago
Category
๐ฅ
Short filmTranscript
00:00:00I wonder what's holding us up.
00:00:18Fred, what seems to be the trouble?
00:00:22I don't know, Mr. Blair.
00:00:23Some kind of a tie-up.
00:00:27This is terrible.
00:00:28Oh, don't get it.
00:00:30I'm excited, darling.
00:00:30It won't help, man.
00:00:32The train's due at 10.40 and at 10.30 now.
00:00:34We'll never make it.
00:00:35Well, perhaps the train will be late.
00:00:38Don't be so optimistic.
00:00:40Trains are only late when people are on time.
00:00:44I wired Richard Williams.
00:00:45I'd surely meet him.
00:00:46A nice reception for the visitors
00:00:47are coming all the way from the south.
00:00:49Now, don't worry, darling.
00:00:51He has our adjunct.
00:00:52Surely he'll have sense enough
00:00:53to take the train to Bob Stade.
00:00:56What on earth is holding us up?
00:00:57Hey, get that thing out of here.
00:01:14Jackson, Mr. Jackson.
00:01:18Amos, as president of the Fresh Airs Taxi Cab Company,
00:01:22I'm telling you to get behind this thing
00:01:24and push it out of here.
00:01:27I ain't gonna do it.
00:01:29Let me at that thing.
00:01:31I'll fix it.
00:01:31Amos, look out.
00:01:42But then you know a policeman
00:01:43gonna come up here and arrest both of them.
00:01:45Don't you worry about a policeman.
00:01:47You get this thing fixed and get out of here.
00:01:50I'll take care of the police.
00:01:53Uh-oh.
00:01:55Amos, I told you police can come up here and arrest
00:01:57if you don't get out of here now.
00:01:59Who wants this care?
00:02:00Are we a partner, Mr. Jackson?
00:02:02Jackson, Mr. Jackson.
00:02:03He is the president.
00:02:06I is not.
00:02:07You is now.
00:02:08I don't care anything about that.
00:02:10Get this thing out of here.
00:02:11I'll run you both in.
00:02:12Jackson, Mr. Jackson.
00:02:14Jackson, look what we do as fast as we can.
00:02:19Eyes ready.
00:02:20Go ahead, Amos.
00:02:21Go ahead.
00:02:22Andy, look under the front seat
00:02:24and hand me a monkey wrench, will you?
00:02:25Yes.
00:02:29Andy.
00:02:31Amos, what is you doing?
00:02:33Come on, let me sink started.
00:02:34Get out for me, Mr. Jackson.
00:02:45Come on, get out of here.
00:02:47Hurry up, get in there.
00:02:48Get out of here.
00:02:50Hurry up, get out.
00:02:52Hurry up, get out.
00:02:53Watch out, get out of here.
00:03:03Locked in for 4 tap, get out of here.
00:03:05Oh, I do not touch the seam.
00:03:06I'm really glad you wish I could see that.
00:03:07I'll be right.
00:03:08Look full of that.
00:03:09Come on.
00:03:10I'm really glad you can show it.
00:03:11I'm really glad that I've been here in your life.
00:03:12're you.
00:03:13Appreciate it.
00:03:13Come on.
00:03:14Let it be.
00:03:14Come on.
00:03:14Come on.
00:03:15Come on.
00:03:16Come on.
00:03:16Come on.
00:03:16Come on.
00:03:17So let it be.
00:03:17Come on.
00:03:18Come on.
00:03:19Come on.
00:03:19It's a big sphnicos that they'll happen.
00:03:20Come on.
00:03:22Come on.
00:03:22Come on.
00:03:22Well, I beat you again, Ralph, but I broke my saddle since doing it.
00:03:28Well, even so, I think I should have the kiss anyway.
00:03:31Oh, no. A bet's a bet, Ralph.
00:03:44Jane, I was going to speak to your mother this morning.
00:03:46What about?
00:03:48Something about you.
00:03:50Something important?
00:03:51Well, important to me, and to you, I hope.
00:03:56But when I got to the house, she was gone.
00:03:58Oh, yes. Mother and Dad went to the Pennsylvania station to meet a friend arriving from the south.
00:04:04I wonder what he'll be like after all these years.
00:04:08No. A he.
00:04:10Oh, yes. Richard Williams. We were kids together back in Georgia.
00:04:15Really? Rich and handsome, I suppose.
00:04:19I don't remember what he looks like. But he's not rich. Not anymore.
00:04:24His father's death left the family in difficulty.
00:04:27Too bad.
00:04:29His dad and my dad were great friends. That's why he's coming north.
00:04:33Oh. To see your father.
00:04:36I heard Dad say he was coming to Trace and Pockety in New North.
00:04:39No, I feel rather sorry for him.
00:04:44I wish you'd feel rather sorry for me.
00:04:47Why? What's the matter with you?
00:04:49You know what's the matter with me.
00:04:52Jane, I love you.
00:04:55There isn't anything in the world I wouldn't do for you.
00:04:58Will you do something for me right now?
00:05:02Anything.
00:05:04Ride up to the stable and get me a new cinch for my saddle.
00:05:08Is that all?
00:05:09Well, that's a lot.
00:05:10Or else one of us will have to walk home.
00:05:13All right.
00:05:16Now, will you do something for me?
00:05:18What?
00:05:20Think about marrying me.
00:05:21And when I come back, give me your answer.
00:05:25I'll be right back.
00:05:51I'll be right back.
00:05:51I'm sorry my taxi caused you so much trouble,
00:06:00but I don't think you ought to take it out on the horse.
00:06:04Well, you don't, huh?
00:06:06Well, just what business is it of yours?
00:06:09None, I suppose.
00:06:10You'll get more out of him if you're gentle with him.
00:06:14When I need your advice, I'll let you know.
00:06:18Bill, you stubborn beast.
00:06:20I wouldn't do that again if I were you.
00:06:24Well, no.
00:06:25Well, just what would you do?
00:06:28What's the trouble?
00:06:31Nothing, Gene.
00:06:33This young Don Quixote is just giving me a lesson in horsemanship.
00:06:37I beg your pardon.
00:06:38Did I hear this gentleman call you Gene?
00:06:41Yes.
00:06:43You're not Gene Blair.
00:06:44Yes.
00:06:46Well, I'm Richard Williams.
00:06:47Why, Richard, I'm so glad to see you.
00:06:52Why, this is the boy I've been telling you about.
00:06:55Richard, I want you to meet Mr. Crawford.
00:06:58What do you do?
00:06:59Didn't Dad and Mother meet you at the station?
00:07:01No.
00:07:03I figured they were held up in traffic, so I took the first train up here.
00:07:06Well, I'm certainly glad you got here.
00:07:08Is this your first trip north?
00:07:10Why, no.
00:07:10No, I spent eight years in school up here.
00:07:14And you never even looked me up.
00:07:16Well, to tell you the truth, I didn't know where to find you until recently.
00:07:19Oh, Gene, don't you think we ought to finish our ride?
00:07:21Oh, I'm sorry.
00:07:22I'll run up the house.
00:07:23Oh, perhaps I'd better ride up with you, if you don't mind.
00:07:26Not at all, but I don't think there'd be enough room in the cab for the horse.
00:07:31Oh, Ralph, you understand, don't you?
00:07:34Why, of course.
00:07:35And you won't mind leading my horse home?
00:07:37It's a pleasure.
00:07:38Come on, let's see.
00:07:41Come on, let's see.
00:08:08Come on, let's see.
00:08:38Get away from that boat.
00:09:01Get away from that phone.
00:09:09This is the Fresh Air Taxi Camp Company of America Incorporated.
00:09:14Andrew Brown speaking.
00:09:17Oh, hello.
00:09:19It's Madam Queen.
00:09:21Of course, he's done it in there for you, eh?
00:09:23What's that, honey?
00:09:25No, I can't right now.
00:09:27The Kingfish is coming over to talk over a big drop-a-lition.
00:09:34Well, I'll call you back.
00:09:37Oh, sure, sure.
00:09:40You know, me and you was going to a big dance tonight after the meeting.
00:09:46Well, that's sweet.
00:09:48Ducky Wucky loves you, too.
00:09:50Oh, Ducky Wucky.
00:09:52What's that?
00:09:54She is, huh?
00:09:55Well, Ruby Taylor is over at Madam Queen's duty shop right now, Amos.
00:10:00What's he doing over there?
00:10:02What's that?
00:10:03Well, hold the phone a minute, honey.
00:10:06And Madam wants the four of us to go to a big dance tonight after the meeting.
00:10:11Well, wait a minute.
00:10:11Let me talk to Ruby first.
00:10:13Hello, honey.
00:10:15It sounds good to me.
00:10:17Well, I'll call you back.
00:10:18Wait a minute.
00:10:19Let me talk to Ruby.
00:10:19Hello.
00:10:20Hello.
00:10:20Hello.
00:10:21Uh, wait a minute.
00:10:22Amos wants to talk to Ruby.
00:10:24All right, sweetheart.
00:10:27Goodbye, sweetheart.
00:10:30Hello.
00:10:32Uh, hello.
00:10:33Uh, hello, Ruby.
00:10:35Uh, this is Amos.
00:10:36The boy with the egg-shaped head.
00:10:38The boy with the egg-shaped head.
00:10:39I mean, uh, wait a minute.
00:10:41Will you, Andy?
00:10:42Uh, hello, honey.
00:10:44Uh, Andy just told me about the, uh, the dance tonight.
00:10:47Oh, I ain't gonna dance with nobody but you.
00:10:52Oh, I like to dance.
00:10:54With a gal with big feet.
00:10:55With a gal with big feet.
00:10:56I mean, uh, wait a minute, honey.
00:10:58Andy, please let me alone, will you?
00:11:01Excuse me, honey.
00:11:03Andy got me messed up that time.
00:11:06Well, listen.
00:11:07Will you shut up?
00:11:08Will you shut up?
00:11:09I mean, uh, uh, hold the phone just a second, honey.
00:11:12Andy, please let me alone, will you?
00:11:14Well, you're getting me all mixed up.
00:11:15Seven million.
00:11:18Eight million.
00:11:20Ten million.
00:11:20Uh, uh, hello, honey.
00:11:22Uh, hello.
00:11:24Uh, excuse me.
00:11:25Andy got me messed up that time.
00:11:28Well, listen.
00:11:29You big fat head.
00:11:30You big fat head.
00:11:31Oh, well, oh, well, oh, well.
00:11:33Hold the phone a minute, honey.
00:11:35Hold the phone.
00:11:36Andy, please let me alone, will you?
00:11:38Well, Amos, remember that that is a business telephone.
00:11:41I know, Andy, but don't holler at me all the time.
00:11:44Hello, honey.
00:11:46Well, listen, sweetheart.
00:11:49No, no, I got you any time.
00:11:51No, no, take your time.
00:11:53Hurry up.
00:11:53Hurry up.
00:11:54I mean, uh, uh, wait just a minute, honey.
00:11:57Andy, all you were doing was getting me mixed up.
00:12:01That's all you're doing.
00:12:03Hello, Andy.
00:12:03Shut up, Ruben.
00:12:04I mean, uh, uh, hello, Ruben.
00:12:07Uh, listen, honey.
00:12:09Uh, well, let's count on going to the dance right after we get out to meetin' at the large hall tonight.
00:12:14All right, honey.
00:12:15All right.
00:12:16Goodbye.
00:12:18Well, Andy, that sounds pretty good, don't it?
00:12:21Boy, I gotta go out and get me some clothes, you know it?
00:12:24Amos, how much money has you got?
00:12:31Listen, Andy, why don't you forget about buyin' clothes or anything else?
00:12:35You know we ain't got no money.
00:12:37We ain't no better off right this minute than we was when we worked for Mr. Williams down in Georgia.
00:12:42Listen, Amos, I said I had to go out and get some clothes.
00:12:46Now I know what I need.
00:12:48You just keep that big mouth of yours shut.
00:12:51Hey, Mr. Williams, you've been up here in New York, all you've been doin' is puttin' on the dog.
00:13:02Sometime I wish I was back down in Georgia.
00:13:04I think about it all the time.
00:13:08Mr. Williams was good to us.
00:13:10And I'm gonna write him a letter, too, and let him know that we're thinkin' about it.
00:13:14Boy, he's a friend that is a friend.
00:13:16Wait a minute.
00:13:20Here come the Kingfish.
00:13:22Well, hello there, Kingfish.
00:13:23Come in.
00:13:24Hello, Kingfish.
00:13:25How is it?
00:13:25Hello, boys.
00:13:26How is it?
00:13:27Glad to see you.
00:13:28Come on in, Kingfish.
00:13:29Come on.
00:13:31Well, boys, I got to call on you now and then,
00:13:33cause we's all brothers in that great fraternity, the mystic Knights of the Sea.
00:13:37Yeah, that's right, Kingfish.
00:13:39Yeah, we is brothers, ain't we, Kingfish?
00:13:41Boys, I got an idea that I think we can work out to our mutual advantage.
00:13:45Well, uh, what is the proposition?
00:13:49Well, now, brothers, I's gonna lay my cards on the table.
00:13:52Well, we ain't got no table.
00:13:53I moved the typewriter and you'd put them right on the desk.
00:13:55Amos, what is you doing?
00:13:58Now, keep out of there.
00:13:59All right.
00:14:00Pre-seek, Kingfish.
00:14:02Well, I got a chance, boys, for you to make some money.
00:14:05That is, knowing that you is the businessman that you is.
00:14:08Oh, sure, sure.
00:14:10Now, what is it, Kingfish?
00:14:11A friend of mine has an orchestra that's got a job tonight up at Heart State.
00:14:15Uh-huh.
00:14:15That's in Westchester County.
00:14:17And I can get the job for you boys to drive the orchestra up there in the fresh air taxi cab.
00:14:22Uh-huh.
00:14:22Well, sounds good.
00:14:24Yeah, we're looking for business, Kingfish.
00:14:26At 7 o'clock tonight, you picked up the orchestra in front of the treble clef club.
00:14:31And you takes them up to Hartdale to Mr. Blair's house.
00:14:33Uh-huh.
00:14:33I got all the directions here on this paper.
00:14:36That's the stuff, yeah.
00:14:47Well, the Kingfish, do we have to bring them back?
00:14:49Yeah, how about getting them back, Kingfish?
00:14:51No, no, no.
00:14:52They'll get back.
00:14:53You just take them up there and leave.
00:14:55Yeah.
00:14:55And you boys don't forget.
00:14:56You must be back in time for the meeting at the lodge tonight.
00:14:59Yeah, that is right.
00:15:00Yeah.
00:15:01Yeah.
00:15:01How much do we get for taking the orchestra up there?
00:15:04Well, now, uh, that's what I wanted to talk over with you.
00:15:09You see, the orchestra had other rings.
00:15:11Uh-huh.
00:15:11But I told them that I wanted you boys to drive them up there.
00:15:14Yeah.
00:15:15You see, Abel, me and his brothers do a lot.
00:15:17Uh-huh.
00:15:17Well, uh, how much do we get, Kingfish?
00:15:21Well, uh, figuring the mileage plus the time, uh, I told them, uh, it'd be $12.
00:15:27$12?
00:15:28Check.
00:15:30Now, I'm figuring, of course, that you boys are going to give me the customer's commission
00:15:33for getting you the job.
00:15:34The customer's what?
00:15:36The customer's commission.
00:15:37That is, in other words, uh, monetary rejuvenation.
00:15:42Uh, monetary rejuvenation.
00:15:43Monetary rejuvenation, Abel.
00:15:46Oh.
00:15:46What do you mean, old?
00:15:48Just plain old.
00:15:49I just said old.
00:15:52Well, Kingfish, if you get the remission, how much do you get?
00:15:56Well, I work on the usual scale of 10%.
00:15:59Uh, 10%, uh, how much is that, Kingfish?
00:16:02Well, uh, now, let's figure that out.
00:16:04Yeah, who, who, who's got a pencil?
00:16:05I've got a little piece of one here.
00:16:08There you go.
00:16:11This is a disgrace to the press.
00:16:14Well, there's more than you got.
00:16:15Ten percent, now, uh, ten percent is, uh, ten percent is, uh, well, ten is ten.
00:16:30Anybody know of that?
00:16:31That's right, Brother Andy, that's right.
00:16:32Now, ten percent.
00:16:35Now, right here, we're going to have to do some revising and some, uh, reductive.
00:16:39And it looks like we're going to have to time this night, too.
00:16:43Now, ten goes in the twelve.
00:16:51Ten goes in.
00:16:55Ten goes in the twelve.
00:16:59Well, get it in there.
00:17:00Well, you shut your big mouth.
00:17:02All right.
00:17:05Ten goes in the twelve.
00:17:08Now, Brother Andy, you doing that the old way.
00:17:11Let's do that the new way.
00:17:13But do it anyway, Kingfish, because I can tell you he and never going to get in there.
00:17:17That's a resource of the present.
00:17:19All right.
00:17:21Now, uh, the new way, you talking about?
00:17:23Yes, sir.
00:17:24Well, how do you do it the new way?
00:17:25Well, now, uh, you boys just wait a minute.
00:17:28Yeah, show me that.
00:17:29I want to see that, too.
00:17:30The new way.
00:17:31Now, you take that ten, and you, uh, multiply it by two.
00:17:36Don't forget there are three of us.
00:17:38Eight months.
00:17:39All right.
00:17:40Now, anybody knows that two tens is twenty?
00:17:46Oh, yeah.
00:17:47Sure, anybody knows that, yeah.
00:17:48Now, you take that twelve, and you duck it from the twenty, and that leave eight.
00:17:53Eight, yeah.
00:17:53And, brothers, eight dollars is ten percent of twelve dollars.
00:17:58The new way.
00:18:00That don't sound right to me, Kingfish.
00:18:02The old way was better than that.
00:18:05You see, Kingfish, Amos don't know the new way they're figuring nowadays, you see.
00:18:10Yeah, but the way he got it figured that, we do all the work, and he'll get all the money.
00:18:14Well, I'll tell you what I do, boys, uh, we as brothers.
00:18:17I'll cut that eight dollars in half, and take six.
00:18:20Well, now, now you were talking.
00:18:22That's more like it.
00:18:24That ain't right yet.
00:18:25Uh, you couldn't cut that six in half and take two, could you?
00:18:30Well, uh, as we as brothers, uh, I'll take you too, boys.
00:18:36That's the way I figured it.
00:18:37That's more like it.
00:18:38That's the way I figured it.
00:18:39Yeah, right.
00:18:39Well, I got to get going, because, uh, I got to meet up with some of the other members, you know, and, uh, tell them about your meeting tonight at the log.
00:18:46Yes.
00:18:46Now, you've got the directions on the paper there, so you won't get lost.
00:18:49Uh-huh.
00:18:49Well, see you later.
00:18:51So long, King Steve.
00:18:52So long, King Steve.
00:18:52So long, King Steve.
00:18:52So long.
00:18:53So long.
00:18:53See you at the meeting tonight.
00:18:54All right.
00:18:55So long, King Steve.
00:18:56So long.
00:18:56Well, don't you tell me you're going to pop, well, Vaughn hit the hitman once.
00:19:25Then I can count on that.
00:19:33All right.
00:19:35Goodbye.
00:19:36What did they say?
00:19:38They said the band left two hours ago.
00:19:41Left two hours ago?
00:19:44Then why aren't they here?
00:19:48What am I going to do to entertain my guests?
00:19:52What am I going to do for music?
00:19:55Don't worry, dear.
00:19:56They'll be here any minute.
00:19:58All of this is really dreadful.
00:20:00That band doesn't come soon.
00:20:02Gene's birthday party's room.
00:20:04Where is Gene anyway?
00:20:05If you want to find Gene, look for Richard.
00:20:09Yes, I've noticed that.
00:20:11Do you know they've been together every minute since that boy came here?
00:20:15I have a sneaking suspicion they rather like each other.
00:20:18You have a sneaking suspicion.
00:20:20Uh-huh.
00:20:20I know they do.
00:20:22And so does Ralph.
00:20:24Oh, Richard.
00:20:31Have you seen Gene?
00:20:33No.
00:20:34Not in the last five minutes.
00:20:36Well, I've got to do something to entertain my guests.
00:20:45Mr. Blair, I'd like to ask your advice about something.
00:20:48Why, of course.
00:20:49Sit down.
00:20:52What can I do for you?
00:20:55It's about that property I've been trying to save.
00:20:57Oh, yes.
00:20:58What seems to be the trouble?
00:21:00Today I learned the deed was never recorded.
00:21:03Is that so?
00:21:04But I have an idea.
00:21:06What is it?
00:21:07As you know, Grandfather Williams lived in Harlem many years ago.
00:21:11And that part of New York was considered way uptown.
00:21:14Yes.
00:21:15Well, the house has been vacant ever since Grandfather's death.
00:21:20And I think that the deed may be somewhere in that house.
00:21:23What do you think?
00:21:24It's quite possible.
00:21:26So I've decided to go to the old Williams' house tomorrow to look for.
00:21:30Of course.
00:21:31There may be nothing to it.
00:21:33I think it's worth trying, Richard.
00:21:35If I find it, it'll enable me to say no.
00:21:39I haven't been here long, but I'm beginning to like it.
00:21:47I think I understand.
00:21:50It'll mean an awful lot to me.
00:21:51I understand that, too.
00:21:54And, Richard, I think you have a great chance.
00:21:58That's encouraging.
00:21:59You know, there's always a chance in New York for a frank, affable young man like you.
00:22:07Thank you, Mr. Perry.
00:22:13You're amazing.
00:22:14Have you seen my sister?
00:22:16Yes, sir.
00:22:17I just saw her going on to the territory.
00:22:19Thanks.
00:22:20I just happened to overheard a conversation between Mr. Blair and Richard.
00:22:41What about?
00:22:43About a piece of paper.
00:22:44A piece of paper?
00:22:46And some subtle inferences regarding Jean.
00:22:49Why don't you speak to Jean about an afternoon engagement tonight?
00:22:52I did.
00:22:53She put me off.
00:22:59It's like that Williams boy is cutting in on you.
00:23:01I'll take care of him.
00:23:03How?
00:23:05He's going to the old Williams house in Harlem tomorrow to look for that certain piece of paper.
00:23:10What is that?
00:23:11If he finds it, he'll be in a position to marry Jean.
00:23:15Oh, I understand.
00:23:17He's not going to find you.
00:23:25What's the stopping?
00:23:27I'm going there tonight.
00:23:29But it might be dangerous, Charles.
00:23:31Don't worry about that, dear.
00:23:33I know someone who'll go with me.
00:23:35He specializes in that kind of work.
00:23:37But when do you intend getting away from here?
00:23:40As soon as the party is in full swing, I'll be on my way.
00:23:43I want you to meet me with the limousine at, uh, well, let's see.
00:23:48We'll make it up.
00:23:48Oh, Ralph, have you a cigarette?
00:23:49Oh, of course.
00:23:50Hello, darling.
00:23:51My dear, I've never seen you look more charming.
00:23:53Oh, thank you, Ralph.
00:23:54Oh, Jean, what's the trouble, Mother?
00:23:57Oh, darling, that band hasn't come yet.
00:23:59Oh, don't worry.
00:24:00They'll be here soon.
00:24:01They should have been here long ago.
00:24:04Oh, I'll be a wreck on my head.
00:24:07Mrs. Blair, can I get you anything?
00:24:09Yes.
00:24:10Get me a band.
00:24:13Come on, boys.
00:24:27Hurry, you're late.
00:24:32The band's come about.
00:24:33Yes, it's in the morning.
00:24:43Me and you both.
00:24:58Well, Andy, I can tell you right now we're going to lose money on this job.
00:25:01Don't you worry about the money.
00:25:03I'll take care of the money.
00:25:05You get out there and fix the taxi cab.
00:25:09What I mean, it needs a mess of fixing, too.
00:25:12Well, listen, Amos.
00:25:13We've got to get this thing fixed and get back to the lodge, please.
00:25:17Well, I can tell you right now, Andy, I can't fix this thing by myself.
00:25:21Well, Amos, I done wore myself out.
00:25:24Now, I've got to sit here and unlatch.
00:25:26Now, if that ain't enough, I ain't never seen it.
00:25:42Come on.
00:25:43Come on.
00:25:43THE END
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00:28:51Oh, wasn't that funny?
00:28:56Oh, you'll excuse me, Richard.
00:28:57Certainly.
00:29:01Have you promised the next dance to anyone?
00:29:14Yes, I promised it to Ralph.
00:29:16Oh?
00:29:17Why?
00:29:18Well, I thought we'd go someplace where we could be alone and sit it out.
00:29:24Well, I'll meet you at the lake, directly after the dance, if you'd like.
00:29:28If I'd like.
00:29:30Isn't this our dance, Jean?
00:29:31Oh, yes, Ralph.
00:29:34Pardon me.
00:29:48As the president of the company, Amos, I just wanted to tell you...
00:29:53Listen, Andy, why don't you stop telling me every five minutes that you is the president?
00:29:57Let's work together, will you?
00:29:59All right, Amos, all right.
00:30:02From now on, me and you is just the same.
00:30:05I ain't never going to say that word president no more.
00:30:08That's the stuff, Andy.
00:30:09Let's work together.
00:30:10The main thing we've got to do now is to get this taxi cab back to Harlem.
00:30:24We ain't going to have time enough to change our clothes before the large meeting now.
00:30:27Yeah, that's right, ain't it?
00:30:29Amos, Andy, Mr. Richards.
00:30:39Well, I'll be doggone Mr. Richards.
00:30:42Mr. Richards, that ain't really you, is it?
00:30:44Well, what in the world are you boys doing up here?
00:30:47Do you work for Mr. Blair?
00:30:48No, sir.
00:30:49We done ripped the band up here from New York.
00:30:52We in business for ourselves.
00:30:54Yeah, sir.
00:30:54We in the taxi cab business in New York City.
00:30:57Is that so?
00:30:58That's great.
00:30:59Oh, yeah.
00:31:00I was the president of the company.
00:31:09Amos and Andy.
00:31:11You know, boys, I often wondered what became of you after you left Georgia.
00:31:15Well, Mr. Richards, we certainly do miss that old place, too, you know.
00:31:18Me and Andy talk about it all the time.
00:31:20Yeah, that was the best home we ever had.
00:31:23You all certainly was good to us down there.
00:31:25Your papa treated us just like we were his own children.
00:31:29I was just telling Andy the other day that I can write him a letter next week and let him know that we're thinking about it.
00:31:35We sure would love to see him again.
00:31:38Well, Amos, I'm afraid none of us will ever see Dad again.
00:31:45What do you mean, Mr. Richards?
00:31:47Well, Dad's gone.
00:31:49Oh, Mr. Richards, I certainly am sorry to hear that.
00:32:05So was I, Mr. Richards.
00:32:07Your dad was the best friend that we ever had, ever since we worked for him.
00:32:15He raised us, and we loved him.
00:32:18And when we was telling him goodbye, he said to us, he said,
00:32:21Boys, he said, if you ever need anything or anything ever go wrong, remember that you can always write home.
00:32:30And he made us feel like he had a home.
00:32:33And I know that if he didn't have but one loaf of bread that he would give us half of.
00:32:39And you say he's gone.
00:32:41Yes.
00:32:42Well, Mr. Richards, if we can ever do anything for you, if I just let us know.
00:32:50Well, thanks, boys.
00:32:52Yes, sir.
00:32:53We are just driving back to Harlem now, Mr. Richards.
00:32:56Yes, sir.
00:32:58Well, seeing you boys again has certainly brought back old times.
00:33:02Yes, sir.
00:33:03It certainly is, eh?
00:33:05You know...
00:33:06I just can't believe that's you standing there, Mr. Richards.
00:33:09I just can't believe you were standing there, you know it?
00:33:14Here's my personal card, Mr. Richards, with my name red on it in pencil there.
00:33:19My regular cards ain't got back from the printer yet.
00:33:23Well, I'll keep this and try and get in touch with you.
00:33:25We certainly would appreciate it, Mr. Richards, if you would get in touch with us.
00:33:29Oh, yeah, that would be nice.
00:33:31Boys, I've got to leave you now, but I'll try and see you real soon.
00:33:34All right, Mr. Richards.
00:33:35Goodbye, Amos.
00:33:36Goodbye, Andy.
00:33:37Goodbye, Mr. Richards.
00:33:38Goodbye, Mr. Richards.
00:33:38Goodbye.
00:33:39Goodbye, Mr. Richards.
00:34:09Goodbye, Jim.
00:34:33Goodbye, Jim.
00:34:35Oh, what I'm here for is a wonderful day.
00:34:57To hear those three little words, that's all I've left for, the rest of my head.
00:35:07And what I feel in my heart, they help me hear me.
00:35:14No other word can help it last so clearly.
00:35:19Three little words, eight little letters, which simply means I love you.
00:35:27Oh, what I feel in my heart.
00:35:57One, two, three little letters, which simply means I love you.
00:39:09I just can't seem to express it.
00:39:13Listen.
00:39:15Do you hear what they're singing?
00:39:17That seems to say it so much better than I can.
00:39:39Do you hear what they're doing?
00:40:09Do you hear what they're doing?
00:40:10Do you hear what they're doing?
00:40:11Do you hear what they're doing?
00:40:12I hereby call this meeting to order in due form.
00:40:15Do you hear what they're doing?
00:40:16The secretary will now read the minutes of the last meeting.
00:40:19At the last meeting of the lodge which was held to collect the dues, there was nobody present.
00:40:28Do you hear what they're doing?
00:40:29Those are the minutes, brothers, of the last meeting.
00:40:31Do I hear a motion?
00:40:35Do you hear what they're doing?
00:40:36Do you hear what they're doing?
00:40:37Do you hear what they're doing?
00:40:40Do you hear what they're doing?
00:40:41Do you hear what they're doing?
00:40:42that the minutes be redacted.
00:40:47Half seconds and Thursday.
00:40:50Brother Andy, put to move.
00:40:55All favor, signify by the usual sign.
00:40:57The reponents know the eyes has got it.
00:41:00There you go.
00:41:05That makes it to your arms.
00:41:10Brothers, this special meeting
00:41:12comes once a year
00:41:14in honor of the founder of this great lord
00:41:17who was lost at sea
00:41:18while doing night watch duty.
00:41:21So, brothers, once a year on this night
00:41:23two of the members
00:41:25have to do night watch duty
00:41:26in the old vacant house
00:41:29so as to prove that they have the courage
00:41:32of the founder
00:41:33and be worthy of this great organization,
00:41:36the mystic knights of the sea.
00:41:38Amen.
00:41:42Brothers, starting this year
00:41:45to pick the members for the night watch
00:41:47we're going to use the alphabet
00:41:49running from A to Z.
00:41:51So now I have the list of the members
00:41:53who is to anticipate in the drawing
00:41:56for the night watch this year.
00:41:58The brothers whose names start with the letter A
00:42:03will please come forward when I call their names.
00:42:07Brother Edel.
00:42:09Brother Al Feltzer.
00:42:13Brother Abner.
00:42:16Brother Amos and Brother Arthur.
00:42:20And Brother Andy.
00:42:39Brother Andy.
00:43:02The numbers will be drawn from the box.
00:43:05And the brother that picks number seven
00:43:06does the night watch duty
00:43:08and chooses another brother to go with him.
00:43:11Brother Mackerel, give me the box.
00:43:17Boys, you now reach it in the box.
00:43:20Brother Arthur, you first.
00:43:22Remember, brother,
00:43:23the one that draws number seven
00:43:25stands the night watch duty.
00:43:28Minus, minus, minus.
00:43:32Number.
00:43:33Mr. Sext, Mr. Sext, Mr. Sext.
00:43:35Sext.
00:43:39Brother Amos, use the next.
00:43:45Number two.
00:43:46Brother Andy, it's your chance.
00:43:49There's no chance.
00:43:51Seventh, many is the time you failed it.
00:43:55If you ever failed me before, fail me now.
00:44:06I got it.
00:44:07Brother Andy has drawn number seven.
00:44:20Minus, minus.
00:44:23Brother Andy, will you step up on the platform?
00:44:29Now choose somebody to go with you.
00:44:31I'll take a policeman.
00:44:34I'll take a policeman.
00:44:35No, no.
00:44:36One of the brothers.
00:44:41Well, Kingfish, me and Amos, is partners,
00:44:44so I'll take Amos.
00:44:47Brother Amos, will you step up on the platform?
00:44:52The rest of you brothers can take your seats.
00:44:56You boys are mighty lucky
00:44:58to have this great honor fall on you.
00:45:00We are lucky.
00:45:01Now here's the instruction.
00:45:03You goes into the old vacant house at midnight tonight,
00:45:08and you stays there one hour after midnight,
00:45:12exactly the same hours that the founder was lost at sea.
00:45:16Well, which house does we go to?
00:45:19Yeah, well, which house?
00:45:21The old Williams house.
00:45:23The old Williams house?
00:45:24The old Williams house?
00:45:25We will, and they say that house is haunted.
00:45:27Yes, they say it is, Brother Amos,
00:45:30but there ain't nothing to that.
00:45:33There ain't nothing to that, huh?
00:45:35Of course, it has been said that at a certain hour
00:45:38you would hear a strange moaning.
00:45:41But there ain't nothing to that.
00:45:45You may hear a strange speaking on the stairs,
00:45:48but there ain't nothing to that.
00:45:51Well, what is this supposed to do when we get there?
00:45:54You have to find a piece of paper that was left there last year
00:45:58by the two brothers, marked with the words check and double check.
00:46:03And then you leave the piece of paper marked in the same way
00:46:06for the brothers to find next year.
00:46:08Well, uh, what do we do with the paper that we find?
00:46:13You have to bring it back to the lodge to prove that you were there.
00:46:16And we put you the way in the arch-cars.
00:46:18In the where?
00:46:19In the car-cars.
00:46:20Oh.
00:46:21Say, King Face, could me and Amos do this night watch tomorrow night set at night?
00:46:31You see, uh, we got a date tonight with Madam Queen and Ruby King.
00:46:36Boys, this is no reporting.
00:46:39It must be done tonight.
00:46:41Then we got to tell the gals why we can't meet them.
00:46:45We can't do that.
00:46:47Remember, the night watch is the most important secret of the lodge.
00:46:53And nobody but the members must know about it.
00:46:57Well, uh, how does we get in this house, King Face?
00:47:02Brother Jackson is the caretaker of the old Williams home,
00:47:05and he lets us use it on this occasion.
00:47:08He rescorts you up to the house at midnight
00:47:11and lets you out at one o'clock if you has the paper.
00:47:17Oh, he is locked in, huh?
00:47:20He locks the door when you goes in.
00:47:27Boys, you can now sit down.
00:47:38Brothers, I have hopes that we send these two wordy brothers on their way with our best wishes.
00:47:46Brother Mapple, will you take your place at the office?
00:47:50And before we dismisses the meeting, we will all sing the lodge's song.
00:47:59Brethren, brethren, brethren, oh hallelujah!
00:48:02Oh, he, brethren, hearing, oh hallelujah!
00:48:03Who buildings these so full of pride?
00:48:08Nobody knows but the Lord!
00:48:10Who gr ะบะพัะพัะพะน is forever mine?
00:48:14Nobody knows but the Lord!
00:48:16Nobody knows but the Lord!
00:48:18Who makes them see so deep and wide?
00:48:19Nobody knows but the Lord!
00:48:22You'd better wait for me around the corner.
00:48:52Are you sure you can open it?
00:49:17Watch this.
00:49:18There you are.
00:49:19Rats of stuff.
00:49:20Come on.
00:49:21Where do we start looking?
00:49:22Very likely the old man's studies upstairs.
00:49:24Come on.
00:49:25Come on.
00:49:26Come on.
00:49:27Come on.
00:49:28Come on.
00:49:29Come on.
00:49:35Come on.
00:49:36Come on.
00:49:42Come on.
00:49:43Come on.
00:49:55Come on.
00:49:56I'll be back for you at one o'clock.
00:50:21Brothers, go stand.
00:50:24Meet up to the first floor.
00:50:26Oh, we're locked in.
00:50:41We sure will, Amos.
00:50:44Well, let's get going, Amos.
00:50:47Now, it ain't nothing to be scared of, nothing to worry about.
00:50:52You lead the way, Amos.
00:50:54Go ahead.
00:50:54Go ahead.
00:50:55Go ahead.
00:50:56Go ahead.
00:50:57Go ahead.
00:50:59Go ahead.
00:51:00Go ahead.
00:51:01Go ahead.
00:51:02Go ahead.
00:51:03Go ahead.
00:51:04Go ahead.
00:51:05Go ahead.
00:51:06Go ahead.
00:51:07Go ahead.
00:51:08Go ahead.
00:51:09Go ahead.
00:51:10Go ahead.
00:51:11Go ahead.
00:51:12Go ahead.
00:51:13Go ahead.
00:51:14Go ahead.
00:51:15Go ahead.
00:51:16Go ahead.
00:51:17Go ahead.
00:51:18Go ahead.
00:51:19Go ahead.
00:51:20Go ahead.
00:51:21Go ahead.
00:51:22Go ahead.
00:51:23Go ahead.
00:51:24Go ahead.
00:51:25Go ahead.
00:51:26Go ahead.
00:51:27Go ahead.
00:51:28Go ahead.
00:51:29Go ahead.
00:51:30Go ahead.
00:51:31Why didn't you close the door?
00:51:33Why didn't you close the door?
00:51:35Why didn't you close the door?
00:51:37Why didn't you close the door?
00:51:58What is you closing the door for?
00:52:02That's just in case somebody has followed us.
00:52:05That's all.
00:52:11Well, what are we going to do now?
00:52:13We're going to find that paper.
00:52:15Get going.
00:52:17All right.
00:52:25Take that light out of my face.
00:52:27Put it down here.
00:52:31Really scary, Terry.
00:52:35Come on.
00:52:39You got a hammer?
00:52:40Yeah.
00:52:56Did you hear that?
00:52:59Oh, there ain't nothing to that.
00:53:01Maybe that was the window shutter flopping against the house.
00:53:04It shows.
00:53:12He must take it easy.
00:53:15All right.
00:53:23Oh, wow!
00:53:23Oh, wow!
00:53:24Oh, wow!
00:53:26Oh, wow!
00:53:27Oh, wow!
00:53:27What was that?
00:53:32That did sound kind of funny, didn't it?
00:53:34Sure did.
00:53:37Not nothing.
00:53:38Probably a cat.
00:53:44It was the window sheath.
00:53:46That's what I thought it was.
00:53:49That's what I thought it was.
00:53:56Hold the light over here.
00:53:57And what?
00:54:10What was that?
00:54:11Sounds like the wind blowing.
00:54:14Sounds like the wind's upstairs in the house.
00:54:17Oh, let me see it.
00:54:32Amos.
00:54:33Hmm?
00:54:33How long have we been here?
00:54:35Seems like a long time, don't it?
00:54:47Amos.
00:54:52Amos.
00:54:52Don't go away by yourself and make me worry about you.
00:54:59All right.
00:55:12Come on.
00:55:17Come on, Andy.
00:55:42Amos.
00:55:44What is it?
00:55:45Something's caught up with me.
00:55:48What do you mean?
00:55:54Behind me.
00:56:00I don't see nothing.
00:56:07You're wrong.
00:56:09Don't ever do that no more.
00:56:19That ain't nothing but your coat caught in the door.
00:56:21I wish we could find that paper and get out of here.
00:56:38Well, look for it.
00:56:39All right.
00:56:39And I don't think that we gon'...
00:56:50Well, I'll be doggone that, sir.
00:56:57I told you I'd find that paper.
00:57:03Check and double check.
00:57:04Now we got to leave a piece of paper marked the same way.
00:57:07Yeah.
00:57:08Has you got any paper?
00:57:10I ain't got nothing with me.
00:57:13Boy, I got to think of everything, don't I?
00:57:15Well, come on.
00:57:16We can find a piece of paper here somewhere.
00:57:18Come on, Andy.
00:57:18Let's see.
00:57:20Leave us some paper in this here, too.
00:57:22It's all your stuff.
00:57:34Well, pull on it, Amos.
00:57:36Oh, yes.
00:57:39Get over there.
00:57:48There's somebody downstairs.
00:57:49Amos, what are you doing?
00:57:53Well, I didn't know the thing was going to fall out there, did I?
00:57:58We had to go kill the people here.
00:58:04We can write on this.
00:58:06Certainly we can.
00:58:07Did you got a pencil?
00:58:15Yeah, here we are.
00:58:19What's that?
00:58:22Sounds like it's coming this way.
00:58:24Come on, Andy.
00:58:25Let's get over here.
00:58:26Open it, Amos.
00:58:27Open it, Amos.
00:58:28Open it, Amos.
00:58:29Open it, Amos.
00:58:30Come here.
00:58:30I'm trying to do it, Amos.
00:58:31Don't push.
00:58:32Pull.
00:58:33I am pushing.
00:58:34I am pushing.
00:58:39I am pushing.
00:58:41Let's go.
00:58:42Come on.
00:58:44Come on.
00:58:44I am pushing.
00:58:52Open it, Amos.
00:58:53Open it, Amos.
00:58:54Come here.
00:58:54Don't push, pull.
00:58:58I is pushing.
00:59:04Take him out.
00:59:07What are you doing here?
00:59:08We just come here to get the paper, mister.
00:59:10Oh, you came to get the paper.
00:59:12Well, have they got it?
00:59:14Yes, sir, mister, yes, sir.
00:59:15All right. Hand it over.
00:59:17We can't, mister. We got a ticket back to show that we was here.
00:59:20Oh, you do, huh?
00:59:21Hand it over.
00:59:22Yes, sir, mister, yes, sir.
00:59:24Get over there.
00:59:28See if you can open that door.
00:59:35Hurry up.
00:59:39Oh.
00:59:41And don't try to follow me.
00:59:44Yes, sir. Yes, sir.
00:59:54Well, did you get it?
01:00:12Well, did you get it?
01:00:23Did I get it?
01:00:25Don't I always get what I go after?
01:00:28Let me see it.
01:00:29Patience, sister.
01:00:31Patience.
01:00:35Feast your eyes on this.
01:00:36Check and double-check.
01:00:41Check and double-check.
01:00:56And I searched that old house in front of the roof and found nothing.
01:00:59Why let it leak to Richard?
01:01:02That isn't the last thing in the world.
01:01:04But don't you see?
01:01:05It meant more to me than merely settling in the States.
01:01:07I understand.
01:01:09But why hurry away?
01:01:10Mr. Blair, I love Jean, but I can't expect her to give up everything for me.
01:01:33There might be something I can do.
01:01:36I mean, that's very kind of you, but I couldn't think of it.
01:01:40Come in.
01:01:44What is it, Mason?
01:01:46Pardon me, sir, but Miss Jean is in the living room.
01:01:49She would like to speak with Mr. Richard.
01:01:51Oh.
01:01:52Thank you, Mason.
01:01:53So in your mind, is Stephanie made up?
01:01:56Yes, Mr. Blair.
01:01:58Mason.
01:01:59Staten's proof is lucky.
01:02:01Well, Richard, I'm sorry to see you go.
01:02:03If I can be of help to you at any time, I want you to call on me.
01:02:08Thank you, Mr. Blair.
01:02:10Goodbye.
01:02:11Goodbye, Richard.
01:02:12Goodbye, Richard.
01:02:12Goodbye, Richard.
01:02:13Goodbye, Richard.
01:02:14Goodbye, Richard.
01:02:15Goodbye, Richard.
01:02:16Goodbye, Richard.
01:02:17Goodbye, Richard.
01:02:18Goodbye, Richard.
01:02:19Goodbye, Richard.
01:02:20Goodbye, Richard.
01:02:21Goodbye, Richard.
01:02:22Goodbye, Richard.
01:02:23Goodbye, Richard.
01:02:24Goodbye, Richard.
01:02:25Goodbye, Richard.
01:02:26Goodbye, Richard.
01:02:27Goodbye, Richard.
01:02:28Goodbye, Richard.
01:02:29Goodbye, Richard.
01:02:30Goodbye, Richard.
01:02:31Goodbye, Richard.
01:02:32Goodbye, Richard.
01:02:33Goodbye, Richard.
01:02:34Goodbye, Richard.
01:02:35Goodbye, Richard.
01:02:36Goodbye, Richard.
01:02:37Goodbye, Richard.
01:02:38Goodbye, Richard.
01:02:39Goodbye, Richard.
01:02:40Oh, hello, Richard.
01:02:53Mason told me.
01:02:55And you're really going.
01:02:57Yes.
01:02:59Don't you think you ought to make one more effort before you give up?
01:03:03No use.
01:03:04I made a thorough search and it was nowhere to be found.
01:03:07The widow, the power is waiting.
01:03:10All right, Mason.
01:03:10I'll be right out.
01:03:14Do you think you might come back again soon?
01:03:18There's nothing I'd like to do more.
01:03:20Other things are rather hopeless.
01:03:25Goodbye, Jean.
01:03:27Goodbye, Richard.
01:03:33Goodbye, Richard.
01:03:34Goodbye.
01:03:57Goodbye, Jean.
01:03:58Goodbye.
01:03:58Goodbye, Jean.
01:03:59Yes, things are in the best, Amos.
01:04:12I done called up the madam, tried to explain it to her on the telephone.
01:04:17She hung up the phone.
01:04:18She won't even talk to me.
01:04:20They was all dressed up.
01:04:23The inspector is there.
01:04:25You can't blame them.
01:04:27No.
01:04:27That reminds me that we were supposed to bring that paper from the house to the lodge hall
01:04:34to let them know that we were there.
01:04:35You got it?
01:04:38Yeah, I got it.
01:04:47Almost.
01:04:49This paper ain't no good.
01:04:51It ain't.
01:04:53You know what we done done?
01:04:55What we done done now?
01:04:56We done give that check and double-checked paper to those men at the back of that house.
01:05:01We yield.
01:05:03Well, that means that we're in more trouble now at the lodge hall.
01:05:10Yeah, I don't know what we're going to do, Amos.
01:05:14The gals are mad with us.
01:05:16The kingfish is going to be mad with us.
01:05:19Everything is wrong.
01:05:25Eyes down in the dump.
01:05:26You know what, Amos?
01:05:34D-E-E-D.
01:05:39Death.
01:05:40Oh, there ain't no use for give up.
01:05:50D-E-E-D.
01:05:51Somebody's dead.
01:05:54D-E-E-D ain't dead.
01:05:56D-E-E-D ain't dead.
01:05:57That's dead.
01:05:58Let me see that thing.
01:05:59Between Frank Woods, the party of the first part, and look here, Andy, Richard Williams,
01:06:15S.R.
01:06:30Richard Williams?
01:06:31That thing looked important to me.
01:06:34There's Richard Williams.
01:06:35We better not mess with that thing.
01:06:37We better call up Mr. Richards.
01:06:39Where are you going to get him?
01:06:40Oh, well, remember he was up at that house in Harsdale, Mr. Blass' house?
01:06:46Yeah.
01:06:47We ain't got no re-Burban book, is there?
01:06:49No, well, call up the operator.
01:06:51They asked him for the number.
01:06:52Go ahead.
01:06:54Hello.
01:06:55Hello.
01:06:56I want to talk to Mr. Blass' house in Harsdale.
01:07:02All right, ma'am, I do.
01:07:06What in the world are you doing there, Amos?
01:07:09She's there to hold the line.
01:07:11No, no, don't hold that thing.
01:07:12Go on, talk to her.
01:07:13Let's lose it there.
01:07:14Uh, hello.
01:07:17Hello.
01:07:19Well, Mr. Williams is not here.
01:07:22No.
01:07:24No.
01:07:25He left.
01:07:27He's catching the three o'clock train out of the Pennsylvania station.
01:07:32What's that?
01:07:34Well, I don't think you can.
01:07:37It's 2.30 now.
01:07:39All right, sir.
01:07:40All right, sir.
01:07:40Thank you very much.
01:07:41Goodbye.
01:07:43Listen, Andy, the gentleman says that Mr. Richard is leaving from the Pennsylvania station at 3 o'clock.
01:07:51Oh, he's leaving, huh?
01:07:52Listen, now, Andy, listen.
01:07:53I've got an idea that that thing is important.
01:07:57And I'll tell you what.
01:07:57We've got 30 minutes.
01:07:58We can hop in the taxi cab and go down to the Pennsylvania station and catch Mr. Williams.
01:08:03Maybe you're right.
01:08:03Well, bring that thing with you.
01:08:05All right, let me go here.
01:08:06Come on, let me get this thing out.
01:08:07Let's go.
01:08:08Let's go.
01:08:08Come on.
01:08:08Let's go.
01:08:09Come on.
01:08:09Let's go.
01:08:10Amos!
01:08:11You never holler at me no more like that when I talk to the streets, you hear?
01:08:18Well, take it slow, Amos.
01:08:20Take it slow.
01:08:21That's all, Edmond.
01:08:22I drive and you keep still.
01:08:23Turn down the train.
01:08:24The city!
01:08:25Don't ever holler at me no more like that when I go to the street, you hear?
01:08:30Well, take it slow, Amos. Take it slow.
01:08:32Well, that's all, Edmund. I drive and you keep still.
01:08:37Turn down 7th Avenue.
01:08:49Is that daylight saving time?
01:08:51No, sir. That's railroad time.
01:08:53We'd better hurry.
01:09:04Uh-oh.
01:09:12What happened?
01:09:23Turn left.
01:09:26Turn left. I mean right. I mean left. Go ahead. Go ahead.
01:09:36Amos.
01:09:38Let's go the wheel. What is the matter, Mr. Amos?
01:09:42Well, look where you're going, Amos. Look where you're going.
01:09:45You're going all right.
01:09:46Don't catch you.
01:09:47Don't catch me.
01:09:48Don't try there.
01:09:49Don't try there.
01:09:58Go back.
01:09:59Amos, don't never do that no more.
01:10:14Well, I ain't hit nothing yet, Amos.
01:10:16I know, but you ain't got to graze everything, is you?
01:10:22How do you do, sir?
01:10:29We'll drive on here.
01:10:38Track three on the right.
01:10:50Mister, could we see that gentleman down there, please, sir?
01:10:52Sorry, I can't let you through.
01:10:54Mister, we got to see you, mister.
01:10:55We got to go down there.
01:10:56I'm sorry, but you're too late.
01:10:59Come on, Amos.
01:11:03I'll tell you, please.
01:11:06Oh, Mister Richards, oh, Mister Richards.
01:11:08Hey, Mister Richards.
01:11:09Oh, Mister Richards.
01:11:11Mister Richards, could we see you in a minute, please, sir?
01:11:14Oh, Mister Richards, we got something important for you, please.
01:11:17We got to see you.
01:11:18Come up, please, sir.
01:11:18Yes, sir.
01:11:21Tell that red cap to bring my bags out here.
01:11:26Aboard!
01:11:29Mister Richards, we found a piece of paper that got your name on it.
01:11:40It looked important.
01:11:41We think it belonged to you.
01:11:42Yes, sir.
01:11:42There it is.
01:11:46Well, where did you get this?
01:11:48Why, boys, this means everything to me.
01:11:50I told Amos that was reporting.
01:11:52Yes, sir.
01:11:52Well, how did you get it?
01:11:53Where did you find it?
01:11:54Well, I tell you, Mister Richards.
01:11:55I'll explain it to you.
01:11:57All right.
01:11:58You see, uh, Mister Richards, me and Amos belong to a lodge.
01:12:03Yes.
01:12:04And every year, we have to go out to a house.
01:12:09Yes.
01:12:09To find a piece of paper.
01:12:11Boy, when the gal that you love won't speak to you, that's bad.
01:12:27If they would only call up or something.
01:12:29They ain't never going to do that.
01:12:34Oh, it ain't no use, Andy.
01:12:35Well, what are you doing?
01:12:37Yes, sir.
01:12:37Yes, sir.
01:12:38Come in.
01:12:39Thank you, sir.
01:12:39You, boy.
01:12:40Thank you, sir.
01:12:41Thank you, sir.
01:12:41Much obliged to you.
01:12:42All right.
01:12:43Bye.
01:12:43Goodbye.
01:12:44What in the world is that, Andy?
01:12:46Well, open it up.
01:12:47Don't stand there looking at it.
01:12:48Open it up.
01:12:49All right.
01:12:49Give me a chance here.
01:12:50I don't know what this is.
01:12:54Look at that.
01:12:56Well, what in the world is this?
01:12:58Sit here.
01:13:02What's the matter?
01:13:05Well, read it.
01:13:06What's the matter?
01:13:07Well, read the thing, Amos.
01:13:10What is the matter with you?
01:13:12Oh, yes, yes, yes.
01:13:14Say, dear boy, we want you to have a part of our wedding cake.
01:13:20We'll never forget you for the happiness you have brought up.
01:13:24And as soon as we return from our honeymoon, I will get in touch with you.
01:13:30Best wishes.
01:13:30Mr. and Mrs. Richard Williams.
01:13:35Well, I've had doggone Mr. Richard done got married.
01:13:39Uh-uh.
01:13:40Ain't that subtle.
01:13:42Well, Amos, it look like everybody is happy but us.
01:13:46Sure do, Andy.
01:13:48That's a nice looking cake, ain't it?
01:13:50Yeah, that's pretty, ain't it?
01:13:51Boy, for the first time in my life, I ain't got no appetite.
01:13:59And then, Andy, I feel the same way, you know.
01:14:02Get away from that, boy.
01:14:03You get away from that yourself.
01:14:05Uh, hello.
01:14:07Hello.
01:14:09Ruby?
01:14:11What's that?
01:14:13You done heard all about it and you ain't mad with us no more?
01:14:17Well, you still over at Madam Queens, ain't you?
01:14:19Maybe it don't do matter.
01:14:20Well, listen, honey, me and Andy, be over there right away.
01:14:23We got something pretty for you.
01:14:24Tell us good to eat.
01:14:25It's good to eat.
01:14:25We come right over with it.
01:14:26We bring it right over there, honey.
01:14:28Sure.
01:14:29All right, sweetheart.
01:14:30Oh, you'll love it, honey.
01:14:32All right, honey.
01:14:33Goodbye.
01:14:35Andy, they say they done heard all about it.
01:14:36Wrap this thing up.
01:14:37Come on.
01:14:37They ain't mad with us.
01:14:38Everything is all right now, boy.
01:14:40Oh, that sounds good, don't it, Andy?
01:14:42Get away from there.
01:14:43I'll handle this.
01:14:44I'll take this cake over there.
01:14:46Go here.
01:14:46Hello, boys.
01:14:47How are you?
01:14:48Hello there, Keith.
01:14:49We'll be fine.
01:14:50Boys, I got a big idea.
01:14:51Well, here's a little idea.
01:14:52Come on, Andy.
01:14:53Just a minute, you must be.
01:15:05Come on.
01:15:06Come on.
01:15:07Come on.
01:15:08Come on.
01:15:10I'll be good.
01:15:12He'll go with it.
01:15:15Listen, Abelson.
01:15:16You tell the gals that you dropped the cake.
01:15:19I ain't going to do it.
01:15:20Don't you tell the president you ain't going to do nothing.
01:15:22Get in there and drop them, gals.
01:15:24I don't tell them gals that you dropped the cake.
01:15:25You tell the gals.
01:15:26Come on.
01:15:38I'll go.
01:15:39I don't care.
01:15:39I don't care.
01:15:40I don't care.
01:15:40Sometimes I don't care or if you have no vas have to.
01:15:41Or if you're mad.
01:15:42I don't know.
01:15:42I want can't happen.
01:15:42The end of the cake.
01:15:44You can't get into nothing.
01:15:45I don't care.
01:15:46I want him.
01:15:47I want to take it.
01:15:48I don't care or do it, him.
01:15:48I don't care.
01:15:49You want me to do it.
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