- 7 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31¡Abrr!
00:01:32It was really great.
00:02:02You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:32Hello.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criella.
00:02:54Ciao.
00:02:55Ciao.
00:02:56Try to have a nice trip.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07Mmm.
00:03:08I know that look.
00:03:10It really is beautiful.
00:03:19Yeah.
00:03:20Well, I think the atmosphere is weird here.
00:03:23There's something in the air.
00:03:24It's extremely erotic.
00:03:26I feel strange all of a sudden.
00:03:27I hope the hotel's near.
00:03:28I'm almost there.
00:03:29Ah, it's beautiful.
00:03:30You were right.
00:03:31You were right.
00:03:32You just cannot imagine what it is like to do it here.
00:03:34You know?
00:03:35It's beautiful.
00:03:36It's beautiful.
00:03:37You were right.
00:03:38You just cannot imagine what it is like to do it here.
00:03:40You know?
00:03:41Cool.
00:03:42It really is true.
00:03:43Oh, ah, OK.
00:03:44I don't think that you can do it here.
00:03:46I don't know why we are here to do more sightse Because...
00:03:49The hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful. You were right.
00:03:55I just cannot imagine what it is like to do it here, you know?
00:04:19Hi.
00:04:36Hey, Priola.
00:04:38Ah, Joe.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:42I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:48I know.
00:04:49Good luck.
00:05:19I know.
00:05:21Oh, God.
00:05:23Oh, God.
00:05:25Oh, God.
00:05:28Ha, ha, ha!
00:05:58Ha, ha, ha!
00:06:28I thought you'd never get here.
00:06:32It seemed like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:58I thought you'd never get here.
00:07:28Will you place the same number, madame?
00:07:29Sure.
00:07:30It's better for you.
00:07:31Number 13, right there.
00:07:58Ladies and gentlemen, let's please, ladies and gentlemen.
00:08:18Ladies and gentlemen, let's go.
00:08:25Let's go.
00:08:48Hey, excuse me, have you ever seen this girl?
00:08:54No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:57You got an offer to make for the Children of the Sun?
00:08:59Okay.
00:09:00Here.
00:09:01Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:33So it is.
00:09:35Did he make love to you?
00:09:36No.
00:09:37He's got other things to worry about.
00:09:39He's looking for his fiancee.
00:09:41That's why he's here.
00:09:42And how did he lose her?
00:09:43It's an interesting story.
00:09:44I adore interesting stories.
00:09:48Just think.
00:09:49They were going to get married.
00:09:51And not long before the wedding, she went on holiday with some friends from work.
00:09:55And they came here to Santo Domingo as part of the package deal.
00:09:59When it was time to leave, she disappeared.
00:10:01Come on.
00:10:02Really?
00:10:03Mm-hmm.
00:10:04Yeah.
00:10:05Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:10But he's convinced she's still here somewhere.
00:10:13It's quite possible.
00:10:14The tropics can do funny things.
00:10:16Especially to anyone who's been under some kind of stress.
00:10:19The misery and anguish of living in what we laughingly call civilization.
00:10:23Taxes, overwork, crime, pollution, traffic.
00:10:27This music can make you think again.
00:10:30And besides, who knows?
00:10:32She might have met a guy she, um, liked more.
00:10:36You know, simple islander.
00:10:38Oh, come on.
00:10:39That's only in fiction.
00:10:40Love is everywhere.
00:10:41If it's there, it's there.
00:10:42If it's not, it's not.
00:10:43Be nice to the guy.
00:10:44Wouldn't hurt if you asked him to join us.
00:10:45I bet you'd think he'd be very lonely.
00:10:46Are you ready to talk to him?
00:10:47Okay.
00:10:48Marco.
00:10:49How are you?
00:10:50This is my husband.
00:10:51Hi, love.
00:10:52What?
00:10:53Very kind of you.
00:10:54Would you like something to drink?
00:10:55Yeah.
00:10:56Yeah.
00:10:57I'm sorry.
00:10:58I'm sorry.
00:10:59If it's not, it's not.
00:11:00Be nice to the guy.
00:11:01Wouldn't hurt if you asked him to join us.
00:11:02I bet you'd think he'd be very lonely.
00:11:03Are you ready to talk to him?
00:11:04Okay.
00:11:05Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:10Hi, love.
00:11:11What?
00:11:12Very kind of you.
00:11:14Would you like something to drink?
00:11:17Yeah, I'll have what you're happy.
00:11:20Whatever it is.
00:11:23How's the search going?
00:11:25Did I find anything yet?
00:11:26No, I'm afraid nothing much yet.
00:11:28But they remember seeing her around.
00:11:32I'm sure that sooner or later I'll find her.
00:11:35Well, I sure hope you do.
00:11:37You two carry on.
00:11:39Excuse me.
00:11:40I'll be right back.
00:11:41Where are you going?
00:11:42Oh, I have to make a telephone call to New York.
00:11:45My magazine editor wants that weekly report.
00:11:51Well, that was rather sudden, wasn't it?
00:11:57Let's dance.
00:11:58I'm not too good a dancer.
00:12:00Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella.
00:12:24Maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is...
00:12:30Great.
00:12:36Come on, loosen up.
00:12:48I feel uncomfortable.
00:12:50Well, there's no need.
00:13:02What is it?
00:13:03I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well...
00:13:09The truth is that...
00:13:11I'm doing it so that he can watch us.
00:13:14Let's...
00:13:15Let's...
00:13:16Keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:41And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:54Please help me.
00:14:00I understand.
00:14:01Huh?
00:14:03You know, love can be a strange thing.
00:14:31Well, the light is not the best, but...
00:14:46We shall do what we can.
00:14:52It's a beautiful island.
00:14:53An absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:06A turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:14You better start praying that, uh...
00:15:17You don't end up reincarnated as a turtle.
00:15:20Huh, huh.
00:15:22Sometimes you're a real asshole.
00:15:26Oh, for God's sake.
00:15:27I was joking.
00:15:31Get away.
00:15:33What a worse thing.
00:15:37What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it? Are you uptight?
00:15:44Maybe.
00:15:46I don't know.
00:15:47I feel strange.
00:15:49And this boat.
00:15:50That man up there.
00:15:56Haven't you noticed?
00:15:57He hasn't said a word since we left.
00:15:59We hired him.
00:16:01To keep up a conversation with us, alright?
00:16:04Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aww.
00:16:44Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:04We said a hundred dollars, right?
00:17:07Uh-huh.
00:17:13This is two.
00:17:14Keep it.
00:17:17One's enough.
00:17:22Adios.
00:17:23Five hundred meters.
00:17:33Is it far to the fishing village?
00:17:35Five hundred meters.
00:17:37Down that way.
00:17:39Okay.
00:17:54I'm gonna go to the village.
00:17:55Okay.
00:17:56I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08Alright.
00:18:15Bye.
00:18:23Hi.
00:18:44Hi.
00:18:46Well, so you came at last.
00:18:53Good morning.
00:18:54Good morning.
00:18:55Good morning.
00:18:56Good morning.
00:19:00No thanks.
00:19:01Hey.
00:19:02Hey.
00:19:03Let me take a picture.
00:19:05Ah, that's it.
00:19:10Yeah.
00:19:12No thanks.
00:19:13Hey.
00:19:14Hey.
00:19:15Let me take a picture.
00:19:17Ah, that's it.
00:19:19You.
00:19:24Hey.
00:19:39Hey.
00:19:43Hey.
00:19:44Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:12Mmm, well, a little of both.
00:20:15I won't be long.
00:20:42Oh, here are some bottles.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:20:57Mm-hmm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me, from what?
00:21:35Because I don't know.
00:21:36Maybe for myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:28I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:50Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:06Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:34A warm-up.
00:23:38It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:53Criela.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three a crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:03But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22You already, it's a good idea.
00:24:29Yeah, I'm not here.
00:24:37It's very home here in this setting.
00:24:40Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this isle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:00He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:13Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24She's a womanizer, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:32Hmm, it's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:44Have a heart.
00:26:45Hey, look, have you finished?
00:26:46I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:27:09Sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:46It'll pass.
00:27:58It'll pass.
00:27:59It'll pass.
00:28:00It'll pass.
00:28:12It'll pass.
00:28:13THE END
00:28:43THE END
00:29:13THE END
00:29:43THE END
00:30:13THE END
00:30:15THE END
00:30:17THE END
00:30:19THE END
00:30:21THE END
00:30:23THE END
00:30:25THE END
00:30:27THE END
00:30:31THE END
00:30:33THE END
00:30:35THE END
00:30:37THE END
00:30:39THE END
00:30:41THE END
00:30:47THE END
00:30:49THE END
00:30:51THE END
00:30:53THE END
00:30:57THE END
00:30:59THE END
00:31:01THE END
00:31:03THE END
00:31:05THE END
00:31:07THE END
00:31:09THE END
00:31:11THE END
00:31:17THE END
00:31:19THE END
00:31:21THE END
00:31:23THE END
00:31:25THE END
00:31:27THE END
00:31:29THE END
00:31:31THE END
00:31:33THE END
00:31:35THE END
00:31:37THE END
00:31:39THE END
00:31:41THE END
00:31:43THE END
00:31:45THE END
00:31:49THE END
00:31:51THE END
00:31:53THE END
00:31:55THE END
00:31:59THE END
00:32:01THE END
00:32:03THE END
00:32:04THE END
00:32:05YOU THERE?
00:32:07Griela!
00:32:13Griela!
00:32:17Griela!
00:32:21Griela!
00:32:23Griela!
00:32:37Have you seen Criola?
00:32:40No.
00:32:43There's no sign of her on the beach.
00:32:45The bungalow is empty.
00:32:46She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right.
00:32:52Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been?
00:33:06I looked all over for you.
00:33:08I got bored here all along.
00:33:09So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Auntie.
00:33:34Yeah?
00:33:36I got to tell you something.
00:33:37Go ahead, shoot.
00:33:39Let's go away from here.
00:33:40Why?
00:33:41Something the matter?
00:33:42Yeah.
00:33:44Let's go away.
00:33:46We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't.
00:33:53I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:56Forget it.
00:33:57Well, I can't forget it.
00:33:59I want to go away.
00:34:01I want to go back to America.
00:34:04You're not being reasonable.
00:34:05I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:17I'll be all right again soon, I swear.
00:34:20No, it's...
00:34:21There's nothing to do with you.
00:34:22I don't know.
00:34:23It's just...
00:34:24Look.
00:34:26I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:33All right.
00:34:36All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:35:03I'll be able to give you a little trick.
00:35:05Quick, quick...
00:35:06Ah, here you go.
00:35:07Here I show the spillover over the top.
00:35:08You ready?
00:35:09Zhu?
00:35:11First you Hope.
00:35:12Fu?
00:35:13Happy Puppy.
00:35:14Umm...
00:35:17Come him.
00:35:19You won't have any Jab.
00:35:20Typically you won.
00:35:22I'll be up to him, but...
00:35:24There's nothing HDR.
00:35:27Who has happened?
00:35:28Can you guys in the middle of this garderobo?
00:35:30To be the Kansas dado territory?
00:35:31Here comes somebody!
00:35:32Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day I guess I'll get another chance.
00:36:32Care for a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:54Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course, you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:30I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40To broken hearts.
00:37:51To broken hearts.
00:38:10I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:34Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it goes.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08It's not true.
00:39:13Goodbye, I'll be yours.
00:40:04It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:41:04I bet you're enjoying it.
00:41:06Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:46I imagine bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your better.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:07Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris?
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:04Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:29I'm not leaving this island without you.
00:43:33Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:45I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:14Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Uh-hmm.
00:45:24Come on.
00:45:54Have you seen Leon?
00:45:59He's seen what he did with a girl.
00:46:09Sorry.
00:46:11To the stern.
00:46:13I want a word with him.
00:46:15I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:19Iris.
00:46:20Iris?
00:46:21You got her.
00:46:23You don't want Iris.
00:46:25Iris is free to do what she wants.
00:46:27Adios.
00:46:53You got her.
00:46:56I'll be right back.
00:46:57I'll be right back.
00:46:58I'll be right back.
00:47:29No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then, but then it'll pass.
00:47:59I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:23I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ.
00:48:34I don't know.
00:48:41I don't know.
00:48:42I don't know.
00:48:42I don't know.
00:48:43I don't know.
00:48:44I want to go next.
00:48:45Get out of here and stop
00:49:14Bothering the customers
00:49:15So this isn't the very first
00:49:22No, it isn't the first time
00:49:24But she came back in the past
00:49:26Playing with fire
00:49:28One can be burned in the end
00:49:30I blame myself
00:49:34My unnatural desire to see the excitement
00:49:36Men get in seeing a
00:49:37In seeing a naked woman
00:49:40I'm perverted, I guess
00:49:42I proposed it to her
00:49:45I must be an asshole
00:49:47Because now she's gone for good
00:49:49She did it because she knew you liked it
00:49:53Not for herself
00:49:54She's not the kind of woman
00:49:57Who sleeps around a lot
00:49:58Are you serious?
00:50:00Yes, I am
00:50:02Whatever she became
00:50:03Was to please you
00:50:05She realized simply
00:50:08That she had to go to bed
00:50:09With other guys
00:50:09In order to try to keep
00:50:10Your interest in her going
00:50:11And look what happened
00:50:13Fate set a trap for her
00:50:15Oh, God
00:50:15Now I'm the one
00:50:17Who went and trapped her
00:50:18Yep
00:50:21Now you're trapped
00:50:22It started as a
00:50:23Game, that's all
00:50:25It wasn't serious
00:50:28Games can be dangerous to play
00:50:31If you don't keep to the rules
00:50:33Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:41Thanks
00:50:43Hey, you've forgotten?
00:50:45We met one night in Santo Domingo
00:50:47I'm married to Creole
00:50:49Oh, yes
00:50:50Now I remember you
00:50:51Hi
00:50:52I'm, uh
00:50:53I'm sure she'll be delighted
00:50:54To know you're here
00:50:55She already knows
00:50:57But you mean to say you
00:50:59You've seen her?
00:51:01Yes
00:51:01Briefly
00:51:03Yeah, but where?
00:51:04You haven't said
00:51:05I have to know immediately
00:51:07Surely you can guess
00:51:16She's on Leon's boat
00:51:20Don't go
00:51:25Don't go
00:51:25I have to
00:51:26Don't go
00:51:56You're hurting me
00:52:02You're hurting me
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor
00:52:27In his boat
00:52:29Thanks
00:52:30Thanks
00:52:32Thanks
00:52:33Thanks
00:52:34Thanks
00:53:42Put it into the pail.
00:53:43You know how to cook it?
00:53:44Mm-mm.
00:53:45You'll have to learn.
00:53:49You'll have to learn.
00:53:51Hey, what are you doing here?
00:54:20Criola.
00:54:21What do you want?
00:54:29I've come to get her.
00:54:32Leon, no, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:02I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:22No.
00:55:22No.
00:55:23No.
00:55:23I don't believe you.
00:55:28I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:39My life is meaningless without you.
00:55:42I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I'm going to do this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:56Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:04I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She is bound to tire of it.
00:57:18She always does.
00:57:23This place.
00:57:26Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all,
00:57:43but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:56It's blinded Eve in Criola.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Buridan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:11They reject the previous moral values they had
00:58:15and abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand
00:58:21how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:28Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:08But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:35Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49A place for food.
01:00:06What?
01:00:07Oh, no.
01:00:08Oh, no.
01:00:08Oh, yeah.
01:00:09Oh, no.
01:00:10Oh, no.
01:00:10Oh, no.
01:00:11Oh, no.
01:00:12Oh, no.
01:00:12Oh, my God.
01:00:13Oh, no.
01:00:15Oh, my God.
01:00:18Oh, no.
01:00:19Oh, my God.
01:00:49Oh, my God.
01:01:19Y cuando llegaste, me miraste, me dices, loco, estás mojado, ya no te quiero.
01:01:28Hace frÃo, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:41En un moquete en el pantalón, vos estás tan frÃa, como la nieve a mi alrededor.
01:01:47Vos estás tan blanca, que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:01:59Y cuando llegaste, me miraste, me dijiste, loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17I don't know anymore, Iris.
01:02:35¿Cómo puedes humilartearte de esta manera?
01:02:38¿Cómo puedes aceptar todo esto?
01:02:39Porque yo lo amo como nunca lo amé a nadie.
01:02:42¿Cómo te llamas, entonces?
01:02:44¿No me importa por nada?
01:02:46Quizás has olvidado que nos debemos casar en un mes.
01:02:49Y cuando llegaste me miraste, me dijiste loco, estás mojado, ya no te quiero.
01:03:15Si no es circo, ya eres tú una estrella, una estrella roja que todos te lo imaginan.
01:03:25Si te pregunto, tú no me conocÃas, no, no, en un boquete del pantalón, vos estás tan frÃa, como la nieve a mi alrededor.
01:03:40¿Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:58And we are here, getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09We have a better life.
01:04:35Hello.
01:04:35Hello.
01:04:42Don't look at me like that.
01:04:44I was just admiring you.
01:04:47Then don't admire me that way.
01:04:50Are you alone?
01:04:52Why?
01:04:54Tomorrow morning I go.
01:04:56I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you. Nothing can make me change ever.
01:05:11I put your things in a bag.
01:05:14What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do? Keep it?
01:05:23Burn it. I'm not coming back.
01:05:26You're lying.
01:05:29Hey! What do you want?
01:05:35I need you, Leon. A ride to the mainland.
01:05:39So I can fly out to America.
01:05:41I want to hire the boat tomorrow morning.
01:05:44Marco's also going.
01:05:46And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:56She's got work to do.
01:05:58And I want something to eat when I get back.
01:06:00Anyway, it's okay. I'll accompany you.
01:06:22Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:36No, Marco. Not now, not ever.
01:06:40And for heaven's sake, don't ask me again.
01:06:43Now leave me alone. I have work to do.
01:06:47You win. Okay.
01:06:50Okay.
01:06:51You win. Okay.
01:07:20I'll be okay.
01:07:21Come.
01:07:22Yes.
01:07:30l
01:07:50I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning,
01:08:19and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:49Let's go.
01:10:11There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:41Come on, let's go.
01:10:51I'm going down to have a look.
01:11:21I'm going down to have a look.
01:11:22I'm going down to have a look.
01:11:23I'm going down to have a look.
01:11:24I'm going down to have a look.
01:11:25I'm going down to have a look.
01:11:26I'm going down to have a look.
01:11:27I'm going down to have a look.
01:11:28Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:30They left.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:38Iris!
01:11:39Iris!
01:11:40Iris!
01:11:41Iris!
01:11:42Iris!
01:11:43Iris!
01:11:44Iris!
01:11:45Iris!
01:11:46Huh?
01:11:47Huh?
01:11:48Huh?
01:11:49Huh?
01:11:50Huh?
01:11:51Huh?
01:11:52Huh?
01:11:53Huh?
01:11:54Huh?
01:11:55Huh?
01:11:56Huh?
01:11:57Huh?
01:11:58Huh?
01:11:59Huh?
01:12:00Huh?
01:12:01Huh?
01:12:02Huh?
01:12:03Huh?
01:12:04Huh?
01:12:05Huh?
01:12:06Huh?
01:12:07Huh?
01:12:08Huh?
01:12:09Huh?
01:12:10Huh?
01:12:11Huh?
01:12:12Huh?
01:12:13Huh?
01:12:14Huh?
01:12:15Huh?
01:12:16Huh?
01:12:17Huh?
01:12:18Huh?
01:12:19Huh?
01:12:20Huh?
01:12:21Huh?
01:12:22Stop it.
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:46It was pure desperation. Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon?
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous friend.
01:13:21I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:40You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:55Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:52We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:22You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:40They say these islands cast a spell on lovers.
01:15:42We get it.
01:15:52We get it.
01:15:52We get it.
01:15:52We get it.
01:15:52We get it.
01:15:53We get it.
01:15:53We get it.
01:15:53We get it.
01:15:53We get it.
01:15:53We get it.
01:15:53We get it.
01:15:53We get it.
01:15:54We get it.
01:15:54We get it.
01:15:54We get it.
01:15:54We get it.
01:15:54We get it.
01:15:55We get it.
01:15:55We get it.
01:15:56We get it.
01:15:56We get it.
01:15:56We get it.
01:15:56We get it.
01:15:56We get it.
01:15:57We get it.
01:15:57We get it.
01:15:58We get it.
01:15:58We get it.
01:15:58We get it.
01:15:59We get it.
01:16:00We get it.
01:16:00We get it.
01:16:00We get it.
01:16:00We get it.
01:16:01We get it.
01:16:02We get it.
01:16:02We get it.
Comments