- 5 months ago
Category
π₯
Short filmTranscript
00:00:00The End
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00:01:44Regarding Article 47, please note that the stress of the new Pittsburgh formula concrete
00:01:55is checked by determining the value of FC over BT times KD over 2 times JD, 178,886 times
00:02:080.351. No, George. That's 0.315. Thanks. Make that 0.315 times 11 minus 1.25 times 0.883 times 11.
00:02:29Maximum shear, large B, even 677. Put them down anywhere, Martin, and run along home.
00:02:37We won't be needing you tonight. We're having guests. My hat, my hat, Joseph.
00:02:41Oh, wait a minute, Martin. Merry Christmas. Whoa, thank you, sir. Thank you.
00:02:45Joseph, Merry Christmas. Thank you. Square inch. This stress is permissible with anchor reinforcements.
00:02:52Anchor reinforcements, my foot, gentlemen. This is Christmas Eve.
00:02:56Oh, fine thing. Come home full of Christmas spirit and find you two grubbing over a lot of blueprints.
00:03:01Why don't you live at the office and be done with it?
00:03:03These specifications have to be finished. Meet Joe in for them.
00:03:06Letting me out. You girls run along home. Here, Susie. Merry Christmas.
00:03:12The same to you. Merry Christmas, Susie.
00:03:14Merry Christmas, Mr. Chadwick. Good night.
00:03:16Merry Christmas. Merry Christmas.
00:03:17Merry Christmas.
00:03:18Merry Christmas.
00:03:19All right, then.
00:03:21Here. And this is for you, you slave driver.
00:03:25Here you are, Major.
00:03:26Oh, thank you, Michael.
00:03:27Christmas.
00:03:28Nothing but a merchant's holiday.
00:03:31Oh, what the dickens is this?
00:03:34Look it. Here.
00:03:35Every time I take a cigarette, it plays me a tune.
00:03:46Wild Irishman.
00:03:48Oh, I see.
00:03:49Michael, does this mean my pipe's getting too strong, eh?
00:03:51Well, it's no violet.
00:03:55Well, I'll be darned.
00:03:57Well, I suppose this means I'm getting decrepit.
00:03:58No.
00:03:59I tried to find a black snake quip for you, but I had to take that instead.
00:04:01When you're not shaking that over our heads to make us work, you can hobble around on it and enjoy your sciatica.
00:04:05Now, come on, boys, do me a favor and clear up this mess.
00:04:09I'd hate the Van Ruypers to know that I lived with a couple of heathens who worked on Christmas Eve.
00:04:26Yes, and I was lucky to get them, too.
00:04:28They're fascinating people.
00:04:29They're world-traveled.
00:04:30They'll give you all the latest news about India, Chad.
00:04:33So come on.
00:04:34We'd better be getting dressed.
00:04:38Joseph, see that the living room gets cleared up.
00:04:40And mix the tom and cherries.
00:04:41Yes, Mr. O'Brien.
00:04:56It's a lot of childish nonsense.
00:05:09Oh, yeah.
00:05:11And liqueurs?
00:05:13Shortress and creme de menthe.
00:05:16Don't forget brandy for Major Chadwick.
00:05:20Yes, Excellency.
00:05:22Joseph, remember the last Christmas in St. Petersburg, just before the war?
00:05:28Yes, Excellency.
00:05:30Here, Joseph.
00:05:34Thank you, Excellency.
00:05:38The order of Stanislav for me?
00:05:42You were a great friend to follow me to America, Joseph.
00:05:47It was no longer my Russian without you there.
00:05:52Excellency.
00:05:57Joseph, when I had jewels and lands and palaces, I was often weary and discontent.
00:06:08When everything was taken away except my life, I learned that the way to be really happy is to serve others, to be needed.
00:06:21So don't be sorry for me or for what was lost.
00:06:26Come.
00:06:27The guests will be here.
00:06:29Yes, they...
00:06:30And nothing will be ready.
00:06:31Madame Tanya!
00:06:32Hear me, Sir O'Brien.
00:06:33Will you please fix my tie?
00:06:35You know, I'm all thumbs when it comes to tying a proper bow.
00:06:39And the tail...
00:06:41Oh, it's magnificent.
00:06:43Sure, it is magic how you do it.
00:06:47Yes, it really seemed like Christmas in those days.
00:07:05What we should have, George, is a group of grandchildren.
00:07:10Yeah?
00:07:11Blowing horns and beating drums all over the place, not for me.
00:07:14Oh.
00:07:15Well, here's a Merry Christmas to you anyhow.
00:07:17Merry Christmas.
00:07:18Merry Christmas!
00:07:19Good evening, gentlemen.
00:07:21Christos Monscrese.
00:07:23That's for Easter.
00:07:24Oh, Christmas also it is.
00:07:26Well, a Merry Christmas to you then.
00:07:28You're looking very festive, Madame Tanya.
00:07:30Thank you, Major Chadwick.
00:07:32And here is your present.
00:07:34Such a big present.
00:07:36Whatever can it be.
00:07:44I shall have to sit down.
00:07:54Well, we thought it would surprise you, but we didn't think it would knock you down.
00:07:57Well, George, get a homagerie for the Countess.
00:08:00Come now, you must try it on and see how it looks.
00:08:03It's beautiful, but it will keep me no warmer than your kindness has all these years.
00:08:20It does.
00:08:21Varsha zdarovia.
00:08:22And don't tell me that doesn't mean your health.
00:08:25It does.
00:08:26Varsha zdarovia.
00:08:27And Merry Christmas.
00:08:28Merry Christmas.
00:08:29Many of them.
00:08:30And don't you try to duck out and have a tray in your room.
00:08:35You're sitting at the table.
00:08:36I'll be there.
00:08:38And now I must be looking after things.
00:08:41The guests are very distinguished.
00:08:43And as the hostess, I must see that everything is perfect.
00:09:08Hey, telegram, sir.
00:09:11Oh.
00:09:12What's wrong now?
00:09:13The Van Riefers.
00:09:14They can't come.
00:09:15Oh?
00:09:16Well, that's odd at the last moment.
00:09:17Can't be helped.
00:09:18Illness in the family.
00:09:19Illness in the family.
00:09:20You shouldn't have let them know I'd be here.
00:09:21Don't be ridiculous, George.
00:09:22You had nothing to do with it.
00:09:23Didn't I?
00:09:24Oh, I can hear them.
00:09:25Oh, I can hear them.
00:09:26Don't be ridiculous, George.
00:09:27Oh, for pity's sake, George.
00:09:28Don't be so sensitive.
00:09:29That's all past and forgotten.
00:09:30Sure it is.
00:09:31And don't flatter yourself that anybody looks like it.
00:09:32Oh.
00:09:33I'm sorry.
00:09:34I'm sorry.
00:09:35Illness in the family.
00:09:36You shouldn't have let them know I'd be here.
00:09:38Don't be ridiculous, George.
00:09:39You had nothing to do with it.
00:09:40Didn't I?
00:09:41Oh, I can hear them.
00:09:42George Vale Melton.
00:09:43Come in.
00:09:44I can't even remember them.
00:09:45I can't even remember them.
00:09:46Oh, for pity's sake, George.
00:09:48Don't be so sensitive.
00:09:49That's all past and forgotten.
00:09:50Sure it is.
00:09:51And don't flatter yourself that anybody remembers.
00:09:55To tell you the truth, I'm relieved that the Van Riper's are not coming.
00:10:02He's telling the same jokes he told 20 years ago.
00:10:05And she dyes her hair.
00:10:06I think it's a shrimp pink now.
00:10:08And I think it's a shrimp pink now.
00:10:09Jesus, I'm sorry.
00:10:11Oh, I know.
00:10:12I don't know why I asked them to come at all at all.
00:10:20The trouble with us is we're in a rut.
00:10:23Too much work, no play.
00:10:26We don't take time to see our old friends.
00:10:29Yes, not so many of our old friends left, Michael.
00:10:33But then we ought to make new ones.
00:10:36What we ought to do is...
00:10:39Oh, come on, have a drink.
00:10:48Confusion to our critics and to us, a merry Christmas.
00:10:52Merry Christmas.
00:11:09Well, there must be some lonely souls out in that crowd.
00:11:15You're a sentimentalist.
00:11:18Ha! I have an idea, Chad.
00:11:21Get out your cards, gentlemen.
00:11:23What are you up to now?
00:11:25These are some of the gift wallets that were left over with ten dollars in each of them.
00:11:29Put your cards in them, gentlemen.
00:11:30We'll throw them out of the window and maybe they'll bring back somebody to have dinner with us.
00:11:34What, strangers out of the street?
00:11:36Oh, there are no strangers on Christmas Eve.
00:11:38Besides, it's better than sitting around and hooting at each other like three old owls in a barn.
00:11:43If not a one of them comes back.
00:11:45I'll take you up on that.
00:11:47Dinner appears for all of us and the loser pays.
00:11:50You heard, Chad. It's a bet.
00:11:52That's all right. I can't lose.
00:11:54How long do we wait?
00:11:55Win or lose. We dine at seven.
00:11:57St. Anthony.
00:12:06Send us back an honest soul.
00:12:10With an appetite.
00:12:18Mine goes first.
00:12:24It's gone.
00:12:27Your turn, Chad.
00:12:32I can't see without me glasses.
00:12:34All right. You're next, George.
00:12:36Come on. Come on. Let it go.
00:12:42Well, I doubt if you'll find anybody worth feeding.
00:12:45But if it gets unbearable, George and I can pop round to the club for a rub of bridge.
00:12:49Don't worry. Nobody will come back with them.
00:12:51You're a man of very little faith, George.
00:12:53Come away from the window before you break the charm.
00:12:57Well, finders keepers.
00:12:58Any money in it?
00:12:59Ten dollar bill. George Vale Melton.
00:13:03Engraved by Tiffany. He'll never miss the money.
00:13:05Here you are, Robin. Merry Christmas.
00:13:06Thank you, madam.
00:13:07You have a heart of gold with other people's money.
00:13:09I tell you, England's territorial expansion has quite a different significance.
00:13:13No matter how thin you slice it, a grab is a grab.
00:13:15Grab!
00:13:28Oh. That's a speech of stuff. England carried civilization into the wilderness.
00:13:30What was Australia before she redeemed it from the aborigines?
00:13:33Is it a grab is a grab?
00:13:35Grab, boss.
00:13:37That's a specious term.
00:13:38England carried civilization into the wilderness.
00:13:41What was Australia before she redeemed it from the Aborigines?
00:13:44She made it a thriving territory, a ranking continent.
00:13:48For her own special benefit, of course.
00:13:50For the benefit of the whole world,
00:13:52for the benefit of Australia itself, I think.
00:13:56The proof is there isn't an acre of the empire that
00:13:59isn't proud to fly the British flag.
00:14:03And furthermore, let me down.
00:14:08Oh, will you stop that noise?
00:14:10Noise, is it?
00:14:11What do you two think you're making?
00:14:13The next thing you'll be digging trenches in the rung.
00:14:16Yes, but I'm bound to refute his unenlightened bias.
00:14:19Bias, my foot.
00:14:20He always takes the other side of the argument to get your goat.
00:14:23Look.
00:14:28Well, it looks like you pay for the dinner, O'Brien.
00:14:33Maybe I do.
00:14:36And then again, maybe I don't.
00:14:46Oh, good evening, sir.
00:14:47Good evening, sir.
00:14:48Somebody here lose a wallet?
00:14:50Yes, yes, come in, come in.
00:14:51Which one did you?
00:14:52I mean, my name is O'Brien.
00:14:54That's the name, all right.
00:14:55There's $10 in it.
00:14:57$10 it is, yes.
00:14:58Here you are, sir.
00:15:00Well, Merry Christmas.
00:15:02Wait, wait.
00:15:03Stay and have a bit of cheer with us.
00:15:05Well, I'll.
00:15:06Oh, come along, come along.
00:15:08What is your name, lad?
00:15:10James Houston.
00:15:11Yes, sir.
00:15:11Houston.
00:15:13It's mighty nice of you.
00:15:14Well, it's nicer of you.
00:15:15Sir.
00:15:16I need to bring back my wallet.
00:15:18Come along, come along.
00:15:19Mr. Melton, Mr. Chadwick, this is Mr. Houston.
00:15:22Good evening.
00:15:23Proud to know you, sir.
00:15:24Mr. Houston brought back my wallet.
00:15:26And now he's going to have a drink with us.
00:15:28What'll you have, lad?
00:15:29Oh, whatever you're having, sir.
00:15:31I'm having Tom and Jerry myself.
00:15:33How about you, Chad?
00:15:34Well, just this pot.
00:15:36And you, George?
00:15:37No, thanks.
00:15:37I've got to watch out for my back.
00:15:40It really feels like Christmas Eve in here.
00:15:43A mighty nice bar.
00:15:44Oh, everyone, another log.
00:15:46Let me do that, sir.
00:15:52Nothing like an open bar.
00:15:54We always have them down home.
00:15:58You're from the west.
00:16:00Texas, sir.
00:16:01I'm from Oklahoma myself.
00:16:03Oklahoma?
00:16:05Well, I declare.
00:16:07Howdy, neighbor.
00:16:09It's a small world, isn't it?
00:16:11Here.
00:16:12Sit down.
00:16:13Thank you, sir.
00:16:14Chad?
00:16:14Thank you, Michael.
00:16:15Merry Christmas.
00:16:16Merry Christmas.
00:16:18Been up here long?
00:16:20It was since September.
00:16:22I came up with a rodeo to Madison Square Garden.
00:16:25Thought I'd stay around and look the town over.
00:16:28Stayed a little too long, I guess.
00:16:31Now I'm working for a steak to get back to Texas.
00:16:35Were you going someplace?
00:16:36Dinner, perhaps?
00:16:37No.
00:16:38No, sir.
00:16:39No place in particular.
00:16:40Just walking around.
00:16:43I've never been away from home on Christmas before.
00:16:46Well, so long as you're not going anywhere,
00:16:47why not have dinner with us?
00:16:49Now, that's right kind of you, sir, but I don't.
00:16:52Well, after all, Michael, it's no inducement
00:16:54for a young fellow to dine with three old fogies like us,
00:16:57you know.
00:16:58Well, now, if you put it that way, I can't very well refuse.
00:17:05Major Chadwick, this young lady says she found your wallet.
00:17:08Hmm?
00:17:09Oh, yes, of course.
00:17:11Of course.
00:17:14Oh, good evening.
00:17:16Oh, good evening.
00:17:17Are you Mr. Chadwick?
00:17:18Oh, yes.
00:17:20Oh.
00:17:22I believe it's customary to describe lost articles.
00:17:25Oh, yes, that's right, of course.
00:17:27Of course.
00:17:28Well, it was a sort of a wallet, a square wallet,
00:17:33with my card inside.
00:17:36Any money?
00:17:37Of course.
00:17:38Oh, yes, sir.
00:17:43Oh, just $10.
00:17:45Here you are.
00:17:46Oh, yes.
00:17:47Yes, thank you.
00:17:47Thank you very much.
00:17:48You're very welcome.
00:17:50Merry Christmas.
00:17:50Merry Christmas.
00:17:51Wait a minute.
00:17:52Wait a minute.
00:17:52Don't call.
00:17:53Come over to the fire.
00:17:54It's cold outside.
00:17:56Get a tom and jerry for the young lady, George.
00:17:58It'll warm you up.
00:18:00Oh, what's your name?
00:18:01Jean Lawrence.
00:18:02My name's James Houston, ma'am.
00:18:04How do you do, Mr. Houston?
00:18:06Yes, yes, Miss Houston.
00:18:09Put those two places back.
00:18:11I believe Mr. O'Brien will have guests for dinner after all.
00:18:15Yes, excellent.
00:18:17The last time I had a tom and jerry was back home in New Hampshire.
00:18:20New Hampshire?
00:18:21Then you're not spending Christmas Eve with your family.
00:18:24No.
00:18:24I was just going out to the movies.
00:18:26Why don't you stay and have dinner with us?
00:18:29Oh, well, thank you very much, but I couldn't.
00:18:31Why not?
00:18:32Have you had dinner?
00:18:33No, but I had a late lunch and I...
00:18:35Dinner is served.
00:18:36That settles it.
00:18:37Come along.
00:18:38We'll not take no for an answer.
00:18:40Come along.
00:18:41Now, it's all planned.
00:18:43It's a little game we're playing.
00:18:44I'll tell you all about it.
00:18:46You see, there were three of us here and we made a bet.
00:18:49And one of us lost.
00:18:51The poor Christian men be sure, rank or wealth-possessing, ye who would now bless the poor, shall yourselves be sure, rank or wealth-possessing.
00:19:06Ye who would now bless the poor, shall yourselves be blessed.
00:19:26Say, boy, you can sing.
00:19:27Hey, fellas.
00:19:28Come up.
00:19:29We want some music up here.
00:19:31We want some music up here.
00:19:32I dream of Jeannie with a light brown hair, born like a vapor on the summer air.
00:19:50I see her tripping where the bright streams play, happy as the daisies that dance on her way.
00:20:11Many were the wild notes her merry voice would pour.
00:20:19Many were the blithe birds that warbled them o'er.
00:20:30I dream of Jeannie with a light brown hair, floating like a vapor on the soft summer air.
00:20:59My boy, you have a grand voice.
00:21:05He's a real singer.
00:21:06Oh, it's nothing so much.
00:21:08I used to sing a bit down on the range.
00:21:11Come on, let's all sing.
00:21:12That's a good idea.
00:21:14Joseph, Alfonso and Catherine, come here.
00:21:16We're all going to sing.
00:21:17Sure, come on.
00:21:18How about jingle bells?
00:21:20Jingle bells.
00:21:21Oh, jingle bells, jingle bells, jingle bells.
00:21:26Jingle bells all the way.
00:21:29Oh, what fun it is to ride and what horse opens.
00:21:31Yeah!
00:21:32Jingle bells, jingle bells, jingle all the way.
00:21:34Oh, what fun it is to ride and what horse opens.
00:21:37Yeah!
00:21:38Buben, chiqui, buben, chiqui, buben, chiqui, sveΓ±a.
00:21:41Ah, Carlay, sure, you make me wish I was 22 again.
00:21:46Ah, Colleen, sure you make me wish I was 22 again.
00:22:10I like you the way you are.
00:22:12Good night.
00:22:13Good night, Ecclesia.
00:22:14Don't forget, we have a date tomorrow.
00:22:15Three o'clock at the clinic.
00:22:16Good night, gentlemen.
00:22:17Good night.
00:22:18Good night, Madame Tanya.
00:22:19I had a lovely time.
00:22:20Bless you, Chad.
00:22:21We'll all stay.
00:22:22Good night, ma'am.
00:22:23Good night, Jimmy.
00:22:24Oh, wait.
00:22:25We are forgetting your overcoat.
00:22:27Oh, I didn't have an overcoat.
00:22:33Well, that's not my overcoat.
00:22:35Your overcoat.
00:22:36You have a good tailor.
00:22:43Good night, ma'am.
00:22:46Good night, ma'am.
00:22:51Good night, ma'am.
00:22:58Good night, ma'am.
00:23:01Good night, ma'am.
00:23:02Good night, ma'am.
00:23:04Good night, ma'am.
00:23:05Good night, ma'am.
00:23:08Good night, ma'am.
00:23:09I could see you two were out of town.
00:23:10The other day, huh?
00:23:11Good night, ma'am.
00:23:12Oh, I could see you one night.
00:23:13Come here tonight.
00:23:14Oh, it's not that bad or the night, ma'am.
00:23:15I thought you two were going out to the club to play bridge.
00:23:19Oh, Michael, don't gloat.
00:23:23Look at the Irish.
00:23:27I'm turning in. Good night.
00:23:31Good night, George. Good night.
00:23:35Good night.
00:23:39Good night. Good night, George. Good night.
00:23:43Tough guy. Gave the lad his pet overcoat.
00:23:55Well, here we are.
00:23:59I can hardly believe it's all been real. Neither can I.
00:24:03Maybe we're dreaming.
00:24:07You know, I wouldn't be a bit surprised to see Santa Claus.
00:24:11Reindeers and all sliding right down the sky in a minute.
00:24:15But you...
00:24:23His name's Gallagher. He's Officer Johnson for us.
00:24:27He loves sugar.
00:24:29Well, I declare that's really something.
00:24:31I never expect you to find a girl near your cage sugar around for a horse.
00:24:35Good evening, Miss Lawrence.
00:24:37Oh, good evening, Officer Johnson. This is Mr. Houston.
00:24:39Oh, so I am.
00:24:41He's just admiring your horse.
00:24:42Yeah, I raise him myself down in Texas.
00:24:44Oh, you do, huh?
00:24:45Sure is a pretty colt.
00:24:47What do you feed him, Roldo's?
00:24:48Yep.
00:24:49Yeah, he sure is.
00:24:50You know, I haven't been on a horse for three months.
00:24:52I used to live on one, practically.
00:24:54I...
00:24:55I sure would like to ride him.
00:24:57Oh, I'm sorry, son.
00:24:59But if the sergeant ever caught me letting anybody ride my horse,
00:25:03I'd be pounding a beaten flatbush.
00:25:04Yeah, sure, I understand.
00:25:06Well, it's mighty fine seeing him anyway.
00:25:09He sure is pretty.
00:25:25Is it all clear?
00:25:27All clear.
00:25:36Hey!
00:25:37The sergeant's coming!
00:25:54Good evening, Sergeant.
00:25:55Evening.
00:25:56Anything wrong?
00:25:58Oh, nothing at all.
00:25:59Oh, it's a lovely evening, isn't it?
00:26:01Huh?
00:26:02I mean, after the snow.
00:26:03I love the snow, don't you?
00:26:04It makes everything seem more like Christmas, doesn't it?
00:26:06I was...
00:26:07Yeah, well, good evening.
00:26:08Sergeant, would you mind awfully if I asked you a few questions?
00:26:12All right.
00:26:13What is it?
00:26:14Have you ever been to Texas?
00:26:16I have never been south of the battery.
00:26:18Oh, that's too bad.
00:26:19You ought to travel, you know.
00:26:20It's really quite broadening.
00:26:21Yes, well, I'm broad enough now.
00:26:23Sergeant, do you like children?
00:26:26Well, I bet I had.
00:26:27I've got six of my own.
00:26:28Oh, you don't say.
00:26:29You know, I've got 20.
00:26:30What?
00:26:31That isn't the clinic.
00:26:32I work there.
00:26:33Oh.
00:26:34Well, good night, Sergeant.
00:26:35It's nice to meet you.
00:26:36Phew!
00:26:37It was that close.
00:26:38Hello, Texas.
00:26:39How'd you like the ride?
00:26:40Oh, I liked it.
00:26:41Fine.
00:26:42And ask for you, Johnson.
00:26:43Yes, sir.
00:26:44Merry Christmas.
00:26:45Well, Merry Christmas to you, Sergeant.
00:26:48Merry Christmas.
00:26:49Merry Christmas.
00:26:50Merry Christmas.
00:26:51Merry Christmas.
00:26:52Merry Christmas.
00:26:53What else do you do besides feeding sugar to a horse?
00:26:55Oh, I'm sort of a kindergarten teacher.
00:26:57I keep the children busy and amused while they're convalescing.
00:26:58You know, it helps them get well quicker.
00:26:59Do I have to get sick to join your class?
00:27:00I've paid you much too young for that.
00:27:01I hate to let you go.
00:27:02I hate to let you go.
00:27:03I'll see you tomorrow at three.
00:27:04Good night.
00:27:05Merry Christmas!
00:27:09What else do you do besides feeding sugar to a horse?
00:27:12Oh, I'm sort of a kindergarten teacher.
00:27:15I keep the children busy and amused while they come to the lesson.
00:27:17You know it helps them get well quicker.
00:27:19Do I have to get sick to join your class?
00:27:21I'm afraid you're much too young for that.
00:27:24I hate to let you go.
00:27:27I'll see you tomorrow at 3.
00:27:30Good night.
00:27:32Good night.
00:27:35Oh, Jimmy!
00:27:37Your coat!
00:27:38Oh!
00:27:40Thanks very much for letting me work.
00:27:42You're sure welcome.
00:27:47Good night, Texas.
00:27:49Good night, teacher.
00:27:54Oh! Oh, here!
00:27:56Oh, yes.
00:28:05How are your children, Mrs. Brown?
00:28:12They're just fine with the little one that has the measles, and the big one has a mum.
00:28:17Oh, I'm sorry to hear that.
00:28:18How are your children, Miss and Brown?
00:28:25They're just fine, but the little one has the measles,
00:28:28and the big one has the mum.
00:28:30Oh, I'm sorry to hear that.
00:28:31That's a pity, isn't it?
00:28:33Yes, it is.
00:28:34Do you take sugar?
00:28:35Yes, please.
00:28:36Merry Christmas!
00:28:37Merry Christmas!
00:28:38Merry Christmas!
00:28:39Merry Christmas, everybody!
00:28:40Merry Christmas!
00:28:41Merry Christmas!
00:28:42Merry Christmas!
00:28:43Merry Christmas!
00:28:44Come on, and join the tribe!
00:28:46Hello!
00:28:48Hello, and who might you be?
00:28:49My dad said I'm poor and Irish.
00:28:52Well, I'm Michael, and I'm 64, and I'm Irish too.
00:28:55I'm Irish too.
00:28:56Who's an Irish too?
00:28:57I am.
00:29:00And then the elephant said through his big, long nose,
00:29:07I want to be the king.
00:29:16I want to be the king for a king!
00:29:26Try and fix the king!
00:29:32I want to be the king!
00:29:33I want to be the king!
00:29:35What is his name?
00:29:39I want to be the king!
00:29:43The End
00:30:13Oh, they all fell down.
00:30:23You bet your life they did.
00:30:24It's a ringer.
00:30:26A ringer.
00:30:28Hey, Madam Sanya, where do you think you're going?
00:30:31Don't I have to pick up the bottles?
00:30:33Oh, the buyer will turn the back.
00:30:35We have to pick up the bottles.
00:30:37Genie, come on, Genie, you're back.
00:30:43Here, hold my coat.
00:30:47I'll show you what about reality.
00:30:49Never mind bragging.
00:30:50Right, old fella.
00:30:52Shoot the works.
00:30:56Stand clear.
00:30:58What a champion.
00:31:01One, two.
00:31:02Ever so humble, there's no place like home.
00:31:18Hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm, hmm,
00:31:48I've never seen them have such a good time.
00:31:55I'm grateful to you both.
00:32:10Ah, you know, we're going to have a lot of good times together.
00:32:13Goodbye.
00:32:14Goodbye, Jenny.
00:32:15Goodbye, dear.
00:32:18You're just like the daughter I always wish for.
00:32:20Come on, let's get going.
00:32:21Good here, lad.
00:32:22Happy landing, sir.
00:32:23Goodbye, madam.
00:32:24And don't be gone too long.
00:32:27We're going to meet you.
00:32:28We'll be back, and you take good care of yourself,
00:32:30and don't go into those bowling alleys.
00:32:32Mr. O'Brien, can't you gentlemen please take the train?
00:32:37Oh, there she goes.
00:32:39I suppose you'd like to have us take a stagecoach.
00:32:42Now, don't worry.
00:32:44We'll be back before you know it.
00:32:46Goodbye.
00:32:47Bye.
00:32:48Bye.
00:32:49I wish they were taking the train.
00:32:51Oh, don't you worry.
00:32:52They'll be all right.
00:32:53I don't know if they were taking the train.
00:32:58I wish they were taking the train.
00:32:59I wish they were taking the train.
00:33:02Oh, don't you worry.
00:33:03They'll be all right.
00:33:05I wish they were taking the train.
00:33:08They'll be all right.
00:33:33Come on, Gallagher.
00:33:34Tea or coffee?
00:33:36Coffee.
00:33:37Dogs?
00:33:40Cats?
00:33:44Sugar and cream?
00:33:45Brussels sprouts?
00:33:46Mm-hmm.
00:33:47Oh, that's bad.
00:33:49But it's the only one you've missed so far.
00:33:51Everything else we like alike.
00:33:55You know, I had a hunter with something to keep me here in New York,
00:33:58and you're a good one.
00:34:00You know, I had a hunter with something to keep me here in New York,
00:34:03and you're a...
00:34:05Do you have somebody back in Texas?
00:34:07Oh, sure.
00:34:08Do you like her?
00:34:10Oh, crazy about her.
00:34:12Oh.
00:34:13Well, you must tell me more about her.
00:34:15What's she like?
00:34:16Well, she's, uh, pretty.
00:34:19Uh, uh, about your coloring.
00:34:22Brown eyes.
00:34:23I suppose she's crazy about you, too.
00:34:25Oh, yeah.
00:34:26Every night when I come home, she runs clear to the gate to meet me.
00:34:30What's she gonna say about me?
00:34:32Well, I don't know.
00:34:34She'll probably say, uh...
00:34:36You and your old horses.
00:34:40Yeah.
00:34:41How many fellas you got on the string?
00:34:44Oh, not many.
00:34:45Who?
00:34:46Just Mr. Chadwick, Mr. Belton, Mr. O'Brien, and you.
00:34:51As soon as I get a decent job, we can get married.
00:34:55Jimmy, you just proposed to me.
00:34:56What?
00:34:57I did?
00:34:58Well, it's...
00:34:59It's all right, isn't it?
00:35:00Darling.
00:35:01Paper, mister?
00:35:02Not just now, sony.
00:35:03Extra!
00:35:04Extra!
00:35:05Extra!
00:35:06Stop!
00:35:07Stop!
00:35:08Stop!
00:35:09Stop!
00:35:10Stop!
00:35:11Stop!
00:35:12Stop!
00:35:13Stop!
00:35:14Stop!
00:35:15Stop!
00:35:16Stop!
00:35:17Stop!
00:35:18Stop!
00:35:19Stop!
00:35:20Stop!
00:35:21Stop!
00:35:22Stop!
00:35:23Stop!
00:35:24Stop!
00:35:25Stop!
00:35:26Stop!
00:35:29Stop!
00:35:30Stop, Herr.
00:35:31Come on.
00:35:32I've got to tell somebody.
00:35:33Our friend should be back.
00:35:34Let's go!
00:35:35Drop it!
00:35:36We had hope until an hour ago.
00:35:53I knew I would never see the baguette.
00:36:02Somehow, I knew.
00:36:23Joseph, did you hear?
00:36:32What, Excellency?
00:36:36What, Excellency?
00:36:46Joseph, did you hear?
00:36:49What, Excellency?
00:37:06Keep the tobacco jar filled, Joseph.
00:37:28And bring the hot tuggies, as you usually do.
00:37:36I know you are here.
00:37:42I cannot see you or touch you.
00:37:48But I know you've come home.
00:38:06She didn't see us.
00:38:19I remember now.
00:38:21We were flying.
00:38:25There was a storm.
00:38:27A mountain top.
00:38:29We crashed.
00:38:31Yes.
00:38:32Everything went black for a moment.
00:38:36Then, we were here.
00:38:41I seem to feel all right.
00:38:43How are you, Jeff?
00:38:45Splendid.
00:38:46Light as air.
00:38:49My glasses.
00:38:51They're gone.
00:38:54I don't seem to need them.
00:38:56So, this is it.
00:39:01Sure, it's no more than walking from one room into the other.
00:39:05How's your back?
00:39:11Oh, look at him.
00:39:13And my feet don't hurt.
00:39:15And I can see right through you, George.
00:39:18You always could.
00:39:20And now, do you believe in the immortal spirit of man?
00:39:24It's just the habit of being here that brought us back for a while.
00:39:28For a while.
00:39:30And then, what?
00:39:32You're not afraid, Chad.
00:39:34No.
00:39:36Only curious as to what comes next.
00:39:38We'll find that out when the time comes.
00:39:40Oh.
00:39:42Are we still in partnership?
00:39:44Looks like we're out of business.
00:39:46Yes, and good riddance, too.
00:39:48Oh, Jim, don't be ridiculous.
00:39:53You can't have three best men.
00:39:55Who says I can?
00:39:56Why can't I have three best?
00:39:58Joseph?
00:39:59Joseph, do you see why I can't have three best men if...
00:40:02What's the matter, Joseph?
00:40:04You have not heard.
00:40:17It's not funny.
00:40:21I'm sorry.
00:40:23Jimmy.
00:40:29It can't be, Jim.
00:40:32It can't be.
00:40:41Evening, ma'am.
00:40:42Madame Tanya!
00:40:50They loved you both very much.
00:40:57They were good to us.
00:41:00We were friends.
00:41:04They put us together.
00:41:06We came to tell them.
00:41:14Oh, Tim.
00:41:18Janey.
00:41:21Ah, poor kids.
00:41:23They've come to tell us their good news.
00:41:25Strange seeing it from this side.
00:41:28There's no pain for us.
00:41:30Except our grief.
00:41:32Everything seems faint.
00:41:35And far away.
00:41:38Except loving people.
00:41:42Madame Tanya.
00:41:45Madame Tanya.
00:41:47She burns around the room.
00:41:51In the library.
00:41:59In the library.
00:42:23The desk.
00:42:29The desk.
00:42:49What's going on?
00:42:52Left them a couple of barns. Enough to get married on.
00:42:55You shouldn't have done it. Money's bad for kids.
00:43:00Don't forget you still owes the dinner from the last time you were wrong.
00:43:06Dear Jimmy and Jean, accept this gift for the happy day.
00:43:11I can see in your eyes it's not far off.
00:43:15You have a blessing.
00:43:25I'd just like him to do this for a couple of strangers.
00:43:33You are not strangers.
00:43:36You've filled a very lonely place in his heart.
00:43:42But won't you need these?
00:43:46No, Jimmy, I think. I'm well provided for.
00:43:51Is there anything I can do?
00:43:58Perhaps, Jimmy.
00:44:00You would come and live here for a while.
00:44:03So, Joseph and I would have someone to look after.
00:44:09Oh, I'd be glad to, ma'am.
00:44:13Go now. You have a lot to talk over.
00:44:17Oh, Copa.
00:44:40I could swear I see them up there.
00:44:42So could I.
00:44:47I beg your pardon. Are you related to the men who lived here?
00:44:51They were our friends.
00:44:52Could you give me some idea what they were like?
00:44:54The report is that they were eccentric old hermits.
00:44:56That's not true.
00:44:57I should say not. They were swell.
00:45:00Well, I'm on the daily press.
00:45:01My paper wants human interest.
00:45:03Won't you come along and talk it over?
00:45:04This is station WRC National Network, New York City.
00:45:09You've just heard your radio reporter have given you the latest news flash from the WRC Tower.
00:45:14The time is 15 minutes after...
00:45:16Want me?
00:45:18Here's a story for our next week's personalities in the news program.
00:45:20I'll get those kids.
00:45:21Every Wednesday evening at 7.30 p.m.
00:45:25Which brings to the air people who have a...
00:45:27I think you should, Madame Tanya, don't you?
00:45:30Jim, they might give you a chance to sing.
00:45:31And all you need is a chance.
00:45:32That's right, Jimmy.
00:45:33Opportunities don't come every day.
00:45:34What about Jean?
00:45:36Says on the telegram they want her, too.
00:45:37Oh, I couldn't.
00:45:38I'd be too scared.
00:45:40Go ahead and see what they say.
00:45:43See what they say.
00:45:45Yeah, the learner.
00:45:47And all you need is a chance.
00:45:49That's right, Jimmy.
00:45:51Opportunities don't come every day.
00:45:53What about Jean?
00:45:55It says in the telegram they want her, too.
00:45:57Oh, I couldn't. I'd be too scared.
00:45:59Go ahead and see what they say.
00:46:01Darling, if they let you sing, I know you'll be a hit.
00:46:04You'll be famous. We'll be rich.
00:46:06You'll be able to buy that big ranch with a million horses.
00:46:09In a matter of time, you can come stay with us.
00:46:11Yeah, we can all live happily ever after.
00:46:13I still say you'd be better off back in Texas,
00:46:15on the ranch where he belongs.
00:46:17Well, I agree with Michael.
00:46:19The boy's got talent.
00:46:21Why shouldn't he do something with his voice?
00:46:23Sure, and why not?
00:46:25What's wrong with him being a singer?
00:46:27The world needs music just as much as it does buildings and bridges.
00:46:31Well, I'd have it your way.
00:46:33And I'm not in favor of it.
00:46:37My name's James Houston.
00:46:39I received this telegram from Mr. Barrett.
00:46:41I'll tell him you'll hear.
00:46:44Mr. Barrett, Mr. Houston's here.
00:46:53Mr. Houston, you may go right in.
00:46:55Thank you very much.
00:46:57Oh, I'm...
00:47:01Aren't you going to pick it up?
00:47:03I sure hope I didn't do any damage, Miss Terry.
00:47:07Oh, that's all right.
00:47:08Where have I seen you before?
00:47:09Oh, probably in the paper.
00:47:10Mm-hmm.
00:47:12Well, Texas.
00:47:13Are you going to sing on the air?
00:47:14Well, I hope so.
00:47:15Well, let me know when you go on.
00:47:16I'd like to hear you.
00:47:17My telephone number's on there.
00:47:18Good luck.
00:47:19Why, thank you, ma'am.
00:47:22Why, thank you, ma'am.
00:47:23Thank you, ma'am.
00:47:24Oh, where can I phone?
00:47:25Right here.
00:47:26I'll use this one.
00:47:28Where can I phone?
00:47:29Right here.
00:47:30I'll use this one.
00:47:32Yeah.
00:47:33Here, ma'am.
00:47:34Oh, thank you, ma'am.
00:47:36Oh, where can I phone?
00:47:52Right here.
00:47:53Use this one.
00:47:59Yeah, they're going to put me on the broadcast tonight.
00:48:01Yeah, I'm going to sing.
00:48:03Oh, darling, I know you'll be good.
00:48:05Would you call Madam Tanya and tell her?
00:48:07I've got to go practice.
00:48:09I mean, rehearse.
00:48:11Yeah, I'll come by and pick you up after it's over,
00:48:13and we'll go celebrate.
00:48:15Bye, honey.
00:48:17I'll be singing to you.
00:48:19Goodbye, and good luck, darling.
00:48:23Churchill!
00:48:25He's going to sing.
00:48:27Sing?
00:48:29No, not him.
00:48:31I mean Jimmy.
00:48:33He's singing tonight at 7.30.
00:48:35WRC.
00:48:37I've got to tell all the nurses.
00:48:39Is my wife here?
00:48:41I wonder if she's over nine years old.
00:48:43This is a children's hospital.
00:48:47Hello, Mom.
00:48:49Mom, I...
00:48:51Yeah.
00:48:53Mom, what I called you about is a surprise.
00:48:59Yeah, I want you to tune in on WRC at 7.30 New York time tonight.
00:49:05Yeah, I...
00:49:07What?
00:49:09Oh no, Mom, I don't need him.
00:49:11No, but Mom, it's not cold enough for him.
00:49:15But Mom, people don't wear him in New York.
00:49:21Yeah.
00:49:23Now, don't forget, Mom.
00:49:247.30 tonight.
00:49:26Yeah.
00:49:27Goodbye, Mom.
00:49:37Uh, do you mind?
00:49:38No, it's quite all right.
00:49:39Thanks.
00:49:44Miss Terry's apartment.
00:49:45Who's calling?
00:49:46No, she isn't in right now.
00:49:48I don't know when she'll be back.
00:49:50I'll tell her you call, Mr. Houston.
00:49:53Hello.
00:49:54Hello, Miss Terry.
00:49:56This is Jimmy Houston.
00:49:58Yeah, I met you at the radio station, you remember?
00:50:02Yeah, well, I'm calling you like you said, because I'm going to be on the air tonight at 7.30.
00:50:07You are?
00:50:08Yeah, singing.
00:50:09Oh, you must be swell, because Barrett's tough.
00:50:12Sure, I'll be listening in.
00:50:14Thanks for letting me know.
00:50:17Goodbye, Mr. Houston.
00:50:19Well, thanks.
00:50:31Sounds pretty good.
00:50:33Pretty good?
00:50:34It's a hit.
00:50:36We can go into a fast rehearsal just as soon as Tony Marshall returns from Florida.
00:50:39Oh, poor old Tony.
00:50:41He'll be making his entrances in a wheelchair pretty soon.
00:50:43in a wheelchair pretty soon.
00:50:46Don't worry, he's had his face lifted.
00:50:48Besides, he still brings them in.
00:50:50What about some dinner?
00:50:51Oh, it's quarter to eight.
00:50:53Quarter to eight?
00:50:54Wait a minute, there's something I want to hear
00:50:56if I haven't missed it.
00:51:05So why should we run?
00:51:08Let's get drenched in moonbeams.
00:51:12The blossoms of romance need showers to start.
00:51:20Don't shelter your heart, it's raining dreams.
00:51:28I heard the thunder crash the moment we kissed.
00:51:35And now that we've kissed it's raining dreams.
00:51:43I saw the lightning flash and light up the skies.
00:51:50Or was it your eyes, it's raining dreams.
00:51:58We're caught in a moon shower with no place to run.
00:52:06So why should we run?
00:52:09Let's get drenched in moonbeams.
00:52:13The blossoms of romance need showers to start.
00:52:20Don't shelter your heart, it's raining dreams.
00:52:28Don't shelter your heart, it's raining dreams.
00:52:30Don't shelter your heart, it's raining dreams.
00:52:42That is worse than heading off a stampede.
00:52:44How was it?
00:52:45All right.
00:52:47Here they come.
00:52:49Hello?
00:52:50Hello?
00:52:51Oh, yes, Miss Terry.
00:52:53Yes.
00:52:54He's here.
00:52:55You're doing fine.
00:52:57Hello?
00:52:58Oh, thank you.
00:53:01Well, it's nice of you to say so.
00:53:03Oh, I mean it.
00:53:05Really.
00:53:06Well, just a minute.
00:53:08My producer, Phil Hubert, wants to talk to you.
00:53:11Hello, Mr. Houston.
00:53:13Yes, this is Phil Hubert.
00:53:16Well, you're very good.
00:53:18Thank you very much.
00:53:20Well, I'd be glad to, sir.
00:53:22Yes, I have the address.
00:53:23I'll be up there directly.
00:53:25Goodbye.
00:53:26Well, we can't go very far wrong with a voice like that.
00:53:29Let's see.
00:53:30We could build him up on the radio,
00:53:32and then I'd get Kelly busy on the publicity.
00:53:34And if he looks like you say he does,
00:53:36I think maybe we've got something.
00:53:38Well, we can't go very far wrong with a voice like that.
00:53:41Let's see, we could build him up on the radio,
00:53:43and then I'd get Kelly busy on the publicity.
00:53:45I think we've got something.
00:53:52Jimmy!
00:53:53Darling, you were marvelous.
00:53:55Oh, thanks, honey.
00:53:56But you don't know the half of it.
00:53:58I'm on my way now to see a fellow about my singing.
00:54:00Oh.
00:54:01Yeah, I just came by to tell you I can't stay.
00:54:02I've got to go right away.
00:54:03Goodbye.
00:54:04I'll phone you later.
00:54:05Goodbye.
00:54:06I'll be waiting.
00:54:08Well, hello.
00:54:09Oh, evening, Mary.
00:54:10I'll be waiting.
00:54:13Well, hello.
00:54:14Evening, ma'am.
00:54:15This is Mr. Hubert, Mr. Houston.
00:54:17Proud to meet you, sir.
00:54:18Hello.
00:54:19Congratulations.
00:54:20You stopped the show.
00:54:21Oh, no, ma'am.
00:54:22I reckon it was fixing to stop anyway.
00:54:24I came on at the end.
00:54:25Oh.
00:54:26Well, how did you like the applause?
00:54:28Oh, fine, sir.
00:54:29I figured half of it was good manners,
00:54:31and the rest was on the station payroll.
00:54:33It's a crime to spoil modesty like that.
00:54:36Boy, you are a natural.
00:54:38Miss Terry and I are going over the book of our new show.
00:54:41Our old leading man is beginning to creak a little.
00:54:43We thought perhaps you might fit in with our plans.
00:54:46Well, I declare you.
00:54:48You mean on the stage, sir?
00:54:49Yes.
00:54:50Oh, no.
00:54:51I don't think that I would.
00:54:52Oh, come on.
00:54:53Have a drink.
00:54:54Have something to eat.
00:54:55Let's get better acquainted.
00:54:56I feel lucky tonight.
00:54:58To success.
00:54:59Yes.
00:55:10Hello?
00:55:11Oh.
00:55:12I'm sorry.
00:55:13Dr. Brown is on day duty.
00:55:29I'm sorry, sir.
00:55:31I'm sorry.
00:55:32I'm sorry, sir.
00:55:33I'm sorry.
00:55:34I love you.
00:55:35Okay.
00:55:36I'll be here in the public.
00:55:37Let's go.
00:55:38I'm sorry, sir.
00:55:39I'm sorry.
00:55:40Oh, God, don't tell us, sir?
00:55:41That's a good one.
00:55:42Oh.
00:55:43Oh, God.
00:55:44Oh, God.
00:55:45That's a good one.
00:55:46That's just a good one.
00:55:47Oh, God.
00:55:49Oh, God.
00:55:50Oh, God.
00:55:51Oh, God.
00:55:52Oh, God.
00:55:53Oh, God.
00:55:54Oh, God.
00:55:55Oh, come on the other day.
00:55:56Oh, I'm sorry.
00:55:57Oh, God.
00:55:58Oh, yeah.
00:55:59Good night, Joseph.
00:56:01Good night.
00:56:02Good night.
00:56:03Good night.
00:56:04Good night.
00:56:05Good night.
00:56:06Good night.
00:56:07Oh, well, why not?
00:56:08Who wouldn't celebrate?
00:56:10He's getting his chance.
00:56:12Yeah.
00:56:13Chance to get him mixed up with a lot of cheap people who turn his head and make a fool
00:56:24of him.
00:56:25He'll drink too much and he'll love you.
00:56:28He'll lose his way.
00:56:29Well, there are two sides to it, George.
00:56:31The way I see it, he'll give people a lot of pleasure.
00:56:35Ah, he's a good lad.
00:56:36And he's in love with the fine girl.
00:56:38She'll keep him steady.
00:56:39To be born innocent is natural.
00:56:41But to die pure of heart, that's a gift.
00:56:45Well, stick to your faith, Michael.
00:56:47You may need it before you're through.
00:56:49Ah, you're always looking for me, Michael.
00:56:52You're always looking for me.
00:56:54You may need it before you're through.
00:56:56Ah, you're always looking at the black side of things.
00:56:59Excuse me, Michael.
00:57:00Can I get anything?
00:57:01Anything.
00:57:02Amen.
00:57:03I think it's going.
00:57:04Oh, sorry, try on.
00:57:05You've got everything.
00:57:06I think you'll make money.
00:57:09Nothing.
00:57:10You're working.
00:57:11You'reδΉing.
00:57:12Yes, I osteoiludal.
00:57:14Look, you've got free.
00:57:15All right.
00:57:16No.
00:57:17It is my rainbow scene.
00:57:19οΏ½μ΄
00:57:29George, no matter what you did, if you're sorry for it, no power of darkness can touch you.
00:57:58If you'll only say you're sorry, George.
00:58:03But I did need a doing.
00:58:07I have no remorse.
00:58:09I never did have.
00:58:11I'd be a hypocrite to say I'm sorry now.
00:58:28I'm sorry.
00:58:29I'm sorry.
00:58:30I'm sorry.
00:58:31I'm sorry.
00:58:33I'm sorry.
00:58:49THE END
00:59:19THE END
00:59:49THE END
00:59:51THE END
00:59:53THE END
00:59:55THE END
00:59:57THE END
00:59:59THE END
01:00:03THE END
01:00:05THE END
01:00:07THE END
01:00:09THE END
01:00:11THE END
01:00:13THE END
01:00:15THE END
01:00:19THE END
01:00:21THE END
01:00:23THE END
01:00:25THE END
01:00:27THE END
01:00:29THE END
01:00:31THE END
01:00:33THE END
01:00:35THE END
01:00:37THE END
01:00:41THE END
01:00:43THE END
01:00:45THE END
01:00:47THE END
01:00:49THE END
01:00:51THE END
01:00:53THE END
01:00:55THE END
01:00:57THE END
01:00:59THE END
01:01:01THE END
01:01:03I want someone who really loves me the way a woman wants to be loved.
01:01:09And him taking it hook, line and sinker.
01:01:14Oh, I've made an awful mess of it.
01:01:17You've got to help me, Chant.
01:01:19You've got to help me bring the boy back.
01:01:24Chant.
01:01:26I heard something.
01:01:29I heard something.
01:01:31Surely you heard something. I've been talking to you right along.
01:01:40It's the old bugle call.
01:01:43The last first.
01:01:49It's for me, Michael.
01:01:52Dad.
01:01:54Dad.
01:01:56David.
01:01:59David.
01:02:02David.
01:02:06This is my boy, Michael.
01:02:09My boy, David.
01:02:13I thought I'd never see you again.
01:02:15We all think that.
01:02:17I've come for you, Dad.
01:02:19Where now?
01:02:21What's it like?
01:02:22What do you want it to be like?
01:02:26I remember the old army post at Simla.
01:02:30Without the reins, of course.
01:02:34Ah, we were happy there.
01:02:37Great country.
01:02:38Great country.
01:02:43Splendid regiment.
01:02:45Good horses.
01:02:48Good sport.
01:02:50Keen men.
01:02:53Then that's it.
01:02:54Every man gets his dream.
01:02:58Let's go.
01:02:59Mother's way.
01:03:03Mother.
01:03:09Good luck, Michael.
01:03:11Goodbye, Alan.
01:03:13No, no.
01:03:14Not goodbye, old fellow.
01:03:16We'll be seeing you.
01:03:19Won't we, David?
01:03:21That's right, Dad.
01:03:23Good luck, Michael.
01:03:25Good luck.
01:03:26Good luck.
01:03:56Good morning, my friend.
01:03:57Good luck.
01:03:58Good luck.
01:03:59It's good.
01:04:00Good luck.
01:04:01Good luck.
01:04:02Good luck.
01:04:03Good luck.
01:04:13Don't cry, Jane.
01:04:14Don't cry, Connie.
01:04:16That does no good.
01:04:20Get your eyes shut up.
01:04:22You're prettier than you.
01:04:23You're prettier than she is, and sweeter, too, and younger.
01:04:30Are you going to sit back and let her run off?
01:04:35Not if you're the girl I think you are.
01:04:40Sure, and if he's worth loving at all at all, he's worth fighting for.
01:04:46Now go to him.
01:04:49And when he sees you, his heart will remember.
01:04:55Put on your pretty things and go to him.
01:04:59Go now, genie girl.
01:05:02And good luck.
01:05:06Good luck.
01:05:13Sometimes I get homesick for the prairie.
01:05:17Stars and quiet.
01:05:21The sound of a dog barking way off in the distance.
01:05:25Say, do you like horses?
01:05:27My father used to practically live at the tracks.
01:05:30I went with him a lot.
01:05:32Before I was ten, I knew every racehorse in the country by his first name.
01:05:36No fooling.
01:05:39Say, you know, you're a pretty wonderful girl.
01:05:43Am I?
01:05:47I'm just a hick.
01:05:49I...
01:05:50I don't know why you've been so nice to me.
01:05:52I think a lot of you.
01:05:54You know that, don't you?
01:05:56Don't hunt him.
01:05:57My ex-husband, drunk as usual.
01:05:59All in.
01:06:00Pull me in.
01:06:01No.
01:06:02You'd better go out the back way.
01:06:03I can't sneak out.
01:06:04We don't walk around.
01:06:05Pleasant things have a way of getting into the papers.
01:06:06Think of the show.
01:06:07But I can't leave you here with him.
01:06:08Please.
01:06:09I can handle him better alone.
01:06:10Please.
01:06:11You're sure you'll be all right?
01:06:12Oh, Jimmy.
01:06:13Let's go away for a few days to the country.
01:06:14I need a rest and you do too, before we start rehearsal.
01:06:17Well, what about Mr. Huber?
01:06:18Oh, I'll talk to him and make all the arrangements.
01:06:20You'll have to go to the back way.
01:06:21I can't sneak out.
01:06:22I can't sneak out.
01:06:23We don't want to row.
01:06:24I'm pleasant things have a way of getting into the papers.
01:06:25Think of the show.
01:06:26But I can't leave you here with him.
01:06:27Please.
01:06:28I can handle him better alone.
01:06:29Please.
01:06:30I can handle him better alone.
01:06:31Please.
01:06:32You're sure you'll be all right?
01:06:33Oh, Jimmy.
01:06:34Let's go away for a few days to the country.
01:06:36I need a rest and you do too, before we start rehearsal.
01:06:38What about Mr. Huber?
01:06:39Oh, I'll talk to him and make all the arrangements.
01:06:41You go home and pack a bag.
01:06:42And I'll telephone you when I'm ready to leave.
01:06:48Open the door!
01:07:01I thought so.
01:07:03You're Houston, aren't you?
01:07:08That's right.
01:07:10Well, you don't look like you've been sneaking out of back doors very long.
01:07:16She doesn't want to see you.
01:07:20Get going.
01:07:24Okay.
01:07:25You'll find out.
01:07:30Hello, Jimmy.
01:07:31Hello, Jeannie.
01:07:32I was worried about you.
01:07:33I just wanted to make sure you're all right.
01:07:34Oh, I'm fine.
01:07:35Been awful busy.
01:07:39Hello, Jeannie.
01:07:41Hello, Jeannie.
01:07:43I was worried about you.
01:07:45I just wanted to make sure you were all right.
01:07:47Oh, I'm fine.
01:07:49I've been awful busy.
01:07:51I wanted to talk to you, but...
01:07:53it seems like I haven't had a minute.
01:07:55Oh, I'm fine.
01:07:57I've been awful busy.
01:07:59I wanted to talk to you, but...
01:08:01it seems like I haven't had a minute.
01:08:09You're looking mighty fine, Jeannie.
01:08:11You're looking well, too.
01:08:13I'm sorry about not seeing you, Jeannie.
01:08:15I understand.
01:08:17Oh, Jimmy.
01:08:19I'm so glad about your success.
01:08:21It's just what I wanted for you.
01:08:23Thanks.
01:08:25Everything happened so suddenly, Jeannie.
01:08:27I...
01:08:29Maybe later on, when things quiet down,
01:08:31I sort of get my breath again.
01:08:33I...
01:08:35I...
01:08:37I...
01:08:39I...
01:08:41I...
01:08:43I...
01:08:44I...
01:08:45I...
01:08:46I...
01:08:47I...
01:08:48I...
01:08:49I...
01:08:50I...
01:08:51I...
01:08:52I...
01:08:53I...
01:08:54I...
01:08:55I...
01:08:56I...
01:08:57I...
01:08:58I...
01:08:59I...
01:09:00I...
01:09:01I...
01:09:02I...
01:09:03I...
01:09:04I...
01:09:05I...
01:09:06I...
01:09:07I...
01:09:08I...
01:09:09I...
01:09:10I...
01:09:11I...
01:09:12I...
01:09:13I...
01:09:14I...
01:09:15I...
01:09:16I...
01:09:17I...
01:09:18I...
01:09:19I...
01:09:20I...
01:09:21I...
01:09:22You fool, go after her. Don't let her get away, Jimmy.
01:09:52Hello. Oh, hello. I talked to Hubert. Everything's all set. We can stay until Tuesday. Isn't that wonderful? It gives us three days. I'll pick you up in about 20 minutes. Will you be ready? You bet I will. Goodbye.
01:10:22If there's anything important, you can reach me at the Pinewood Inn. But I mean important. If you don't stop annoying me, I'll have you put away where you belong.
01:10:40I've been trying to see you to tell you I got a chance of a comeback. Miller's got a show. He's going to give me the lead if I can get on my feet again. And I can't do it alone.
01:10:52Miller's going to give you a lead? Yes. What are you trying to do? Kid me? Look at you. I know you wouldn't care. I know there's someone else now. There's always been someone else.
01:11:10But no one loves you the way I do. Arlene. Arlene! Arlene! Take your hands off, please. But Arlene, please.
01:11:27Madam Tanya, I'm worried about Jimmy. It's not right for him to go away with that tarry woman. No good will come of it. Nothing but trouble. Do everything you can to stop him.
01:11:39I'm Arlene Terry. Is Mr. Huston ready? I shall see.
01:11:46I shall see.
01:11:49So long, Madam Tanya.
01:11:50Jimmy, please don't go.
01:11:53What's the matter? You look worried.
01:11:54I am. That girl. Those stories in the papers.
01:11:56I'm Arlene Terry. I'm Arlene Terry. Is Mr. Huston ready?
01:11:58I shall see.
01:12:04So long, Madam Tanya.
01:12:06Jimmy, please don't go.
01:12:10What's the matter? You look worried.
01:12:11I am. That girl. Those stories in the papers.
01:12:14What's the matter? You look worried.
01:12:16I am. That girl. Those stories in the paper.
01:12:20Oh, that's nothing but publicity. It don't mean anything.
01:12:23Jimmy, a man can't spoil his life over a woman.
01:12:27I know our friends wouldn't like you to go away with that girl.
01:12:31She's fine. She gave me a part in her show.
01:12:35And we both want to get away to the country for a few days before rehearsals begin.
01:12:40Jimmy, Mr. Melton lost everything.
01:12:43Home, family, reputation, over such a woman.
01:12:48Oh, now you're making it sound much more serious than it really is.
01:12:51Now, don't you worry. I'll be all right.
01:12:54I'll be back by Tuesday.
01:12:56Goodbye.
01:12:56Goodbye.
01:13:13What was that?
01:13:14Just the luggage.
01:13:16What's the matter? You seem nervous.
01:13:18I do?
01:13:19Say, do you believe in hunches?
01:13:21Sometimes. Why?
01:13:22I got a funny feeling we're going in the wrong direction.
01:13:27On the trail, when I feel like that, I usually turn back.
01:13:31Oh, I can see you were cut out for the stage, Jimmy.
01:13:33Superstitions and everything.
01:13:35Do they have superstitions on the stage, too?
01:13:37Heavens yes. Hundreds of them.
01:13:40Madam Tanya's the one that has hunches, and she's not usually wrong.
01:13:44Is she the disagreeable old lady who answers the door?
01:13:48Well, she's not disagreeable. She's just been through a lot.
01:13:51You know, I don't think I should have run off and left her the way I did.
01:13:55Oh, nonsense, Jimmy.
01:13:56You shouldn't be living in that musty old house with a couple of musty old servants.
01:14:00You should have an apartment of your own where you can do as you please.
01:14:03I'll find you one.
01:14:05Well, that wind too much for you? Snuggle down.
01:14:12Oh, you're so nice, Jimmy.
01:14:14Maybe you won't think that after you know me better.
01:14:17Why not?
01:14:17Oh, I've got a lot of old-fashioned backwoods ideas.
01:14:21Oh, we'll soon get rid of those.
01:14:23We'll have a lovely time in Pinewood.
01:14:25We'll walk and ride horseback and roast chestnuts by the fire.
01:14:30No crowds, no autograph hounds.
01:14:32There aren't many people up here this time of year.
01:14:35I'll have you all to myself.
01:14:43How far to Pinewood in?
01:14:45About five miles.
01:14:46Where can I get a drink?
01:14:48Right around the corner.
01:14:49Fill it up.
01:14:50Be right back.
01:14:51Yes.
01:15:05Feeling any better?
01:15:15Not better.
01:15:16I don't know what's wrong with me tonight.
01:15:19I'm a little sort of strange.
01:15:21Oh, come on.
01:15:22Cheer up.
01:15:23We're on a holiday.
01:15:23Your dinner is ready to serve, Miss Tennant.
01:15:28Good.
01:15:30Food is what you need and plenty of it.
01:15:33Michael O'Brien.
01:15:55Michael O'Brien.
01:15:59I'm here.
01:16:05It's time, Michael.
01:16:09Right now?
01:16:11Yes, now.
01:16:15I can't go now.
01:16:19You're called only once.
01:16:21But I can't leave Jimmy. He needs me.
01:16:27There's trouble coming.
01:16:30I got him into this.
01:16:33I must get him out.
01:16:36It means you will linger in the shadows of Earth for all time.
01:16:42I can't go now.
01:16:46I can't.
01:16:47I can't go now.
01:16:51So be it, Michael.
01:17:18It gives me great pleasure to announce, ladies and gentlemen, that we have with us this evening two very distinguished Broadway personalities, Miss Harleen Terry and Mr. James Houston.
01:17:34Get up and take a bow.
01:17:36Go on. It'll be good for the show.
01:17:43If we try hard enough, we may get Mr. Houston to give us a song.
01:17:46Oh, Jimmy.
01:18:12Jimmy.
01:18:13Jimmy!
01:18:17Get a doctor, an ambulance, quick!
01:18:21Sponge.
01:18:25What part?
01:18:26Let's try and suit you.
01:18:27One chance in a thousand.
01:18:31Take his blood pressure, nurse.
01:18:42Get a doctor.
01:18:45Jimmy.
01:18:46Mr. O'Brien.
01:18:48Oh, Jimmy, why didn't you listen?
01:18:50I tried to warn you.
01:18:59Jimmy.
01:19:00Jimmy.
01:19:01Mr. O'Brien.
01:19:03Oh, Jimmy, why didn't you listen?
01:19:05I tried to warn you.
01:19:07I love you, haven't you?
01:19:10Genie.
01:19:17Genie.
01:19:37She shouldn't cry like that for me.
01:19:41She loves her, Genie.
01:19:45What ever happened to me, anyway?
01:19:49You were too young and thoughtless.
01:19:53And success came too sudden.
01:19:55And that woman, she...
01:19:59She's gone.
01:20:02She had no soul at home to go on with.
01:20:07Genie.
01:20:12Genie.
01:20:15I'm sorry.
01:20:20If I could only tell her.
01:20:23We make mistakes sometimes that can never be limited.
01:20:29It's myself I'm blaming, Jimmy.
01:20:32Not you.
01:20:37I'm sorry.
01:20:40I'm sorry.
01:20:42I have to.
01:20:44I'll see you.
01:20:46I have a truce that she had.
01:20:49No, I don't have to take care of anything.
01:20:50But I have to go on to my son.
01:20:51Michael, Michael O'Brien, you've come back.
01:21:00Your mother would give us no peace until we came back for you.
01:21:06If it isn't asking too much, could you be doing me a favor before we go?
01:21:11Could you give the boy another chance?
01:21:14He's a good lad.
01:21:17And he's learned his lesson. Give him a chance to live.
01:21:24So be it. Let him go back.
01:21:30Come along, O'Brien.
01:21:33You're the stubbornest soul we ever loved.
01:21:47Michael?
01:21:56It's George.
01:22:00George, I'm glad to see you.
01:22:04It's George! George, I've planned to see you. What happened? How did you get here?
01:22:21I've come a long way out of darkness. Darkness is a terrible thing, Michael. I thought of
01:22:29you and Chad, and your faith and loyalty and friendship, and then the bitterness began
01:22:36melting out of my heart. I saw a light, and I followed it, and it brought me here.
01:22:47Sometimes we have to go to the darkness alone before we can see the light.
01:22:54There's no rejoicing in heaven over one single death-repentant.
01:23:13It's my mother.
01:23:24Oh, β¦
01:23:30Daniel Shelby
01:23:36You
01:23:43You
01:23:45You
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